The Borrower Arrietty

"I'm fourteen years old, I'm pretty I am a teeny tiny girl, a little lady I live under the kitchen floor Right here, not so far from you"

- Arrietty's Song

The Borrower Arrietty (Japanese: 借りぐらしのアリエッティ Hepburn Karigurashi no Arietty), also known as The Secret World of Arriety, or simply Arrietty, is a 2010 Studio Ghibli film directed Hiromasa Yonebayashi and written by Hayao Miyazaki, in what marks the former's directorial debut. It's based on Mary Norton's series The Borrowers. The film was released to critical acclaim, and won the Animation of the Year award at the Japanese Academy Prize. The film grossed nearly $150 million, and is one of the highest grossing anime films not based on an existing anime franchise.

Arrietty is a young member of a race known as the Borrowers. As one might suspect from that name, they make their living stealing items (borrowing, in their parlance) from the giant "human beans." Their primary rule is to avoid ever being seen by these terrifying creatures, regardless of how friendly or supportive they are. One day, a boy moves into the house Arrietty's family borrows from, and on her first borrowing trip, she is spotted by the boy. The rest of the film focuses on Arrietty's both internal and external struggles after being seen, and her interactions with the boy.

The film hit UK cinemas in the summer of 2011 under the shortened title Arrietty, in Australia in the summer of 2011, and was released in February of 2012 by Disney in the US, retitled as The Secret World of Arriety. The film has a Disney dub and a separate UK dub.


 * Actor Allusion: This is not the first time real-life couple Will Arnett and Amy Poehler had roles in the same movie! ... One of them playing a "tiny person raising a child!"
 * Action Girl: Arrietty, natch.
 * Animation Bump: Apparent with the close-ups and Scenery Porn sweeping shots, especially with the flora and fauna, which move rather realistically with the wind.
 * The Archer: Spiller, though the audience never sees him use it in action. The first time was really just to show off to Arrietty and to show how the bow is used. The second time around,
 * Audible Sharpness: Arrietty's pin/sword.
 * Badass Adorable: Arrietty. Spiller when he's trying to show off for Arriety.
 * Badass Cape: Spiller has a fur cape that doubles nicely as a hang glider. In a shot, audience members gets to see Spiller use it to glide across the sky and moon from Arrietty's perspective down below.
 * Bamboo Technology: The Borrowers' technology mostly consists of scraped together things they collected from humans. This doesn't stop them from creating advanced and powerful tools, though.
 * Beauty Equals Goodness: All of the good characters are drawn to be normal and decent-looking. Haru, on the other hand, looks rather toad-like half of the time. She starts out looking acceptable and noble, but as her antics goes on her appearance slowly becomes more ugly.
 * Big Creepy-Crawlies: Any bugs when drawn in comparison to the Borrowers. Ants are the size of rats to them, and crickets are as big as dogs. Arrietty uses a pin to scare them off, and it's portrayed as a heroic and exhausting act.
 * Big Fancy House: Almost every scene in the film takes place in the house, which is filled with serene and ornate grass and trees. In the house, it's difficult to tell that it's actually in the middle of a big city, due to its size and the abundance of wildlife.
 * Bittersweet Ending:
 * Bland-Name Product: We briefly see a bottle of "Ivori Soap".
 * Boy Meets Girl: In this case, the trope is used in an interesting way. The size difference between Arrietty and Sho, as well as the Borrowers' rule to never be seen, means that Arrietty is embarrassed and slowly walks away. Sho, however, is persistent in trying to speak to her, even leaving the cube of sugar she dropped while retreating close by her house.
 * Butt Monkey: If anything bad happens, it's always to Homily. She gets captured by Haru, and has to watch her house get taken apart when Sho places the doll house kitchen in her home.
 * Cats Are Mean: Played straight at first--Sho's cat Niya is a mean predatory thing. Ultimately subverted when he makes his peace with the Borrowers. Near the end of the film, he closes his eyes halfway -- a display of affection from real cats.
 * Chekhov's Gun:
 * The pin, which is later used to free Homily.
 * "Don't look down."
 * Creative Closing Credits: The credits sequence is imposed over a fully animated epilogue involving Arrietty and her family . Its animation quality is just as great, if not greater, than the rest of the film. When that sequence is finished, the credits transition to a background with more detail than most paintings.
 * Creepy Cockroach: Arrietty tries to fight one to show off her bravery, but Pod discourages her, saying a borrower shouldn't go looking for trouble.
 * Cultural Translation: Unlike many Ghibli films in the past, some names where changed in the dub as well as flipping some scenes to make it seem like it's set in America, although the backgrounds make it clear where it is actually set.
 * Dub Name Change: Sho to Shawn, Sadako to Jessica and Haru to Hara in the Disney dub, to be more reflective of American names rather than Japanese ones.
 * Dying Race: The Borrowers, at least allegedly. Borrowers live so far away from each other (in comparison to their size) that they have very little contact, so they can't be sure how many other Borrowers still exist in the world. Sho makes Arrietty angry by discussing this topic, before his Wham! Line.
 * Expressive Hair: A Ghibli staple. Usually used with Arrietty and Homily.
 * Expy: Nearly every major human character has a counterpart in the original books. Sho/Shawn is The Boy, and Aunt Sadako/Jessica is basically Great Aunt Sophy.
 * Facial Markings: Spiller.
 * Fainting: A monster faint, of sorts, when Homily sees Shawn put the doll house kitchen in their home.
 * Forbidden Friendship: Between Arrietty and Sho. Borrowers are not supposed to be seen by humans, and when it happens they move away. Thus, their interactions and exchanged dialogue are forbidden by the very behaviour and existence of Borrowers. This is not helped by Sho's condition, and his instructions to avoid rigorous activities or exercise.
 * Gaslighting: Sho pulls a minor case of this on Haru, moving the dollhouse kitchen back to the dollhouse when she's not looking to convince her that she's imagining the Borrowers.
 * He also appears in front of her after she locks him in his room, visibly startling him.
 * GASP: Arrietty when she realises that she has was seen by Sho.
 * Gentle Giant: Sho would be this from Arrietty's point of view; his heart condition makes him unable to do much, so he instead chooses to sit in the garden and quietly observe the environment around him, and to read.
 * Good Parents: Pod is a stern yet fair version. Homily may be a bit more easily hysterical and anxious when it comes to the safety of her family, but she cares very much for Arrietty and wants the best for her daughter.
 * Hair Decorations: Arrietty and her little clothespin hairclip.
 * Happily Married: Pod and Homily.
 * Hate Sink: Haru. Unlike most other Ghibli antagonists, her motivation -- that Borrowers are thieves and stealing what doesn't belong to them -- is Hand Waved, and she becomes an external source of conflict in a film mostly driven around internal sources.
 * Housewife: Homily is the only non-action one in the family, preferring to stay at home.
 * Humans Are Cthulhu: Their size makes Sho and his aunt intimidating, although they respect the Borrowers and take care around them.
 * Ill Boy: Sho, who was always a weak boy and will be getting an operation on his heart.
 * It Was Here, I Swear: Haru tries to show Sadako/Jessica the Borrowers' home, as well as the kitchen which they Sho put inside their house. When Haru checks where it is supposed to be, the kitchen is missing. When she checks in the doll house that the kitchen has come from,
 * I Will Protect Her: Sho to Arrietty.
 * Last of His Kind: Arrietty's mother references this, fearing that she and her family were the last Borrowers.
 * Lilliputians: The entire race of the borrowers, and perhaps the trope the film depends on the most (other than Scenery Porn) due to its core premise revolving around it. Without this trope, the entire film will fall apart.
 * Memento MacGuffin: Before, Arrietty gives Sho her clothespin hairclip.
 * Mouse World: Well, more like a single dwelling, but the Borrowers' houses are still quite small. Spiller does hint that there are other families of Borrowers, but they are never depicted in the film.
 * Nice Job Breaking It, Hero: Sho's effort to do Arrietty and her family a kind turn by giving them the dollhouse kitchen not only traumatizes Homily and forces the family to prepare to move, but it also leads to Haru discovering their home and capturing Homily. Though Homily, as predicted, really likes that kitchen and is heartbroken to part from it.
 * Noble Savage: Spiller certainly looks the part.
 * Non-Action Guy: Sho, due to his heart condition. Even running for a short distance wore him out. Instead, he is frequently seen engaging in quiet activities such as reading a book.
 * Officially Shortened Title: In some regions, the film is simply known as Arrietty, instead of the Japanese title The Borrower Arrietty. In the USA, this trope is inverted and the title becomes the much longer The Secret World of Arrietty.
 * Opening Monologue: Downplayed with its brevity, and the fact that this is the only narrated part of the film. The trop is used in both English dubs as well as the original Japanese track. "Sho: I'll never forget that summer. I spent a week in the old house where my mother grew up."
 * Opening Monologue: Downplayed with its brevity, and the fact that this is the only narrated part of the film. The trop is used in both English dubs as well as the original Japanese track. "Sho: I'll never forget that summer. I spent a week in the old house where my mother grew up."


 * Parental Abandonment: Sho's parents are divorced; he rarely sees his father and his mother is often working.
 * Parents in Distress: Arrietty and Sho team up to rescue Arrietty's mother Homily from Haru.
 * People Jars: Or rather, a Borrower jar. Homily is put in one, by Haru, and Arrietty has to rescue her.
 * Playing Against Type: Comedic actor Will Arnett voicing the Harrison Ford-esque Pod.
 * Plucky Girl: Arrietty, of course, yet another Ghibli staple. Arrietty deals with breaking one of the core laws that guard her peoples' interactions, and seeks out the boy who she once met. She has to save her mum in a people jar. The second to last shot in the film has Arrietty looking into the distance, hopeful for what her future brings.
 * The Quiet One: Pod and Spiller even more so.
 * Sho isn't very talkative either.
 * Ravens and Crows: A crow attempts to catch Arrietty, only to crash and get stuck in a window screen.
 * Soap Opera Disease: Sho has a heart condition ever since he was a child.
 * Scenery Porn: It's Studio Ghibli. Were you expecting anything else? It's even more prevalent in the film than their usual works, with sweeping shots of plants and the garden. Shots of what the locations and settings which would appear normal to a human is shown to be vastly different from the perspective of Lilliputians. Greenery is abundant throughout the entire film.
 * Ship Tease: There are a few hints dropped here and there that Spiller likes Arrietty.
 * Shout-Out: Spiller's costume and facial markings are very reminiscent of San's wardrobe and make-up from Princess Mononoke, which is an earlier Studio Ghibli film.
 * In the photo of Sho's mother and aunt as children, they look similar to Satsuki and Mei from My Neighbor Totoro. In addition, their mother resembles the mother of Satsuki and Mei.
 * The title character is a young woman in her early teens belonging to a mythical race. She wears a mono-colored one-piece dress, has dark(-ish) colored hair, has a bow-like hair ornament, and she befriends a cat. Sound familiar?
 * A rude, spotted fat cat who fights with a crow? That's new.
 * Shown Their Work: The way the liquids behave on small-scale. They all have surface tension, so water beads from their teapot in droplets, and melted cheese forms big round balls, among other things.
 * The flora and fauna are animated in a rather realistic manner, right down to the dew that forms on top of them.
 * Sleep Mask: Arrietty's mother wears one in bed.
 * The Stoic: Pod. Sho/Shawn may also count to a lesser extent, since he never really shows any extreme emotions.
 * Surprisingly Good English: Inverted with Cecile Corbel and the Japanese version of Arrietty's Song, which she sings herself. It works.
 * Timmy in a Well:
 * Trailers Always Spoil: The U.S. trailer reveals
 * Villainous Breakdown:
 * Wham! Line: When Shawn and Arrietty first have a conversation: "I'm sorry for upsetting you.