Rebellious Prisoner

A captor checks on their prisoner. A few nights in jail, a cell or solitary ought to break their spirit. But they remain willful, spirited, and resistant. The captor cannot comprehend this. Why won't their prisoner break?

The Rebellious Prisoner is a common trope in stories where battle of wills ensue. While translating into multiple genres and media, it can contribute to psychological thrillers or angsty stories.

If Played for Laughs, Pity the Kidnapper may ensue. If Played for Drama, the prisoner may be putting on a tough front about the trauma.

Note: The TV Tropes name for this is "Defiant Captive". Changing it proactively to avoid delays over discussion of a name change.

Anime and Manga

 * In Inuyasha, long before she Took A Level In Badass, Kagome frequently gets taken prisoner by enemies hunting her and her motley crew. She doesn't make it easy for them.
 * In Paprika, the Big Bad and The Dragon succeed in trapping Paprika in Dr. Chiba's dreams before she can wake up. . Paprika gets better, fortunately.

Comic Books

 * If Batman gets caught by his Rogues Gallery, expect this trope. Batman does not beg for mercy, and will be thinking how to escape The same goes for anyone in the Bat-family.
 * One mainstream story written by Paul Dini had Joker kidnap Tim Drake when he was Robin after "rescuing" him from a gang fight because it was Christmas, strapping him in the front seat of a stolen car while Bound and Gagged with appropriate ornaments as he goes around using the vehicle to cause havoc in Gotham. And he does this while leaving the car temperature at 92 degrees. Tim is horrified to realize he murdered two parents and left their smiling bodies in the backseat, but tries to think outside the box, digging into the front seat with his bound hands for any stray toys or broken CDs as a family would have. Joker then casually pulls the toy car from Tim, saying he left it there to entertain him. He removes Tim's gag, expecting him to beg for the lives of passerby he's about to run over; Tim responds by defiantly quoting the Marx brothers, entertaining Joker so much that he actually spares the shoppers. Tim proceeds to use an argument about which movie the line came from to stall, because the hot temperature made his hands sweaty enough to slip out of his bound Robin gloves. Then he, in his own words, "Goes Batman on [Joker's] ass" after punching him in the face.
 * The Batman Adventures
 * One comic in has DCAU Tim Drake asking Batman why every supervillain has a Death Trap, and where do they get the money? Batman answers as they're trying to escape the latest death trap in question.
 * Mad Love has an awesome version of this. Batman later admits that Harley had covered every contingency when trapping him, and preparing to feed him to piranhas while hanging him upside down so he couldn't think clearly while drugged and the blood rushing to his head. At the time, however, he has the sense to not give any of this away; he laughs in her face about her presumptions that killing him will make the Joker love her. Batman attempts to reason with her, saying that Joker's "secrets" that he told her were sob stories he told to anyone who could help him. When that fails, he goads her to call the Joker to "prove" that she did it, knowing Joker would not let anyone but Joker kill Batman.
 * In The Sandman, Dream is a silent and brooding prisoner for the Burgesses. He gives them nothing, no information, and waits for them to die to secure his freedom. This also works against him; he sent no Distress Calls to beings that could have helped him like his sister Death, the real target; she calls him out for this in "The Sound of Her Wings".

Fan Works

 * Discussed in the fanfiction Harry Potter and the Mirror's Gift about Jeanne Graham the shapeshifter. (Long story short, Harry accidentally takes a detour to Kamchatka, Russia, with Lupin and Dumbledore and helps free Jeanne from a Dark Lord named Deorg that uses her to wreak havoc via Mind Control). When she relates her story within the safety of Hogwarts, Dumbledore said that she shouldn't blame herself for failing to resist Deorg's mind control; she was only a child when he kidnapped her and killed her adoptive parents Charles and Maria Graham, and the fact that she's not broken in mind and spirit shows that she was able to rebel against him. The sequel story confirms this; . Nevertheless, Jeanne resolves to never be that vulnerable again; since she's too old for formal magical training at Hogwarts, she starts learning.

Film

 * Aladdin shows the title character, Jasmine, and various characters reacting this way when they are held captive at different points in the film.
 * Aladdin uses his wits for Casual Danger Dialog around the palace guards if Razoul finds him and has an Angry Collar Grab on his shirt. When Jafar in snake form grabs Aladdin and forces him to watch Jasmine being Buried Alive by sand in an hourglass, Aladdin realizes they have one last trump card-- Jafar's ego and the genie-- and goads him that the genie is more powerful than Jafar will ever be because genie isn't human, all the while struggling to breathe. It works, because Jafar uses his last wish to become a genie and forgets one thing: genies are prisoners in their lamps.
 * When Jafar takes over Agrabah using his witches, chains up Jasmine and lets Iago torment the sultan with dry crackers, he offers to free her if she agrees to marry him. Jasmine's response is to splash a drink in his face and give a definite refusal. She only pretends to agree when seeing Aladdin and Abu sneak into the throne room and signal her to cause a distraction. When the ruse fails, her next response is to try and grapple with him so Aladdin can grab the lamp.
 * Genie is unable to disobey Jafar's wishes when the sorcerer utters them. He is still a Nice Guy but does what he can to rebel. For example, when Jafar tries to use his last wish to make Jasmine fall in love with him, Genie refuses and cites that it's against the rule for wishes; this distraction allows Aladdin and Abu to signal Jasmine, as mentioned above. He also knocks out Iago at a convenient time, and becomes a cheerleading squad when Aladdin manages to whack Jafar in snake form with a sword. When Jafar tells him to stay out of it, Genie grudgingly says, "Jafar, Jafar, he's our man, if he can't do it, GREAT!
 * The Aladdin reboot also has this with Will Smith's genie, who is much snarkier and more cynical than the Robin Williams interpretation. He is nice enough to warn Aladdin, when the latter is asking about if he can make Aladdin a prince, that wishes have grey areas that genies can deliberately misinterpret. Jafar forces him to grant his first two wishes while banishing Aladdin and Abu to an icy tundra using new powers, but Genie surreptitiously teleports Carpet to the same area to rescue his former master. He's also not happy that his Love Interest lady-in-waiting Dalia is also a hostage for Jafar to use against him and Jasmine. Later, Aladdin while being tortured telegraphs his plan as he tells Jafar that he will always be second to the Genie, remembering what Genie said about "grey area". While at first horrified, Genie catches on and gains a very angry smile, turning Jafar into a genie when the latter asks to become "the most powerful being in the world, more powerful than you". Basically, do not hurt the people that Genie cares about if you want wishes from him.
 * In Beauty and The Beast, Belle willingly trades places with her father in the Beast's castle, but she's not happy about it. She refuses to dine with the Beast, saying she's not hungry, and outright calls him a bully in the stage musical. When the Beast seems to threaten her life after she enters the West Wing, she decides a promise isn't worth her safety and leaves. While she comes back to the castle willingly to help the Beast after he gets injured rescuing her and Philippe from wolves, she still asserts that while she made mistakes by breaking the rule about the West Wing, he should learn to control his temper. It's not until she sincerely thanks the Beast for saving her life that they call truce, and their bond truly starts. Later, when Gaston locks her and her father in their cellar when he gets it in his mind to kill the Beast, Belle is fighting the whole time he's got a grip on her arm, and tries to break a cellar window to escape.
 * Indiana Jones shows this with the main character and the friends that he makes along the way:
 * Indy himself does not comply with his captors, or make it easy for them. He'll snark and resist, and improvise means to escape. The only way to get him to cave is if one of his loved ones is threatened, like Marion.
 * Marion is not a fun prisoner. She'll always think of how to escape, like outdrinking a captor that lets her change into a beautiful dress, or knowing when to steal a gun. This didn't change when she.
 * Henry Jones, Sr., endured captivity at Nazi hands for months for his knowledge on the Holy Grail. He refused to cough up any information, and was willing to hit any guards with a vase, as long as it's not Ming. Later, he makes great use of a fountain pen to blind a soldier maneuvering a tank; "The pen is mightier than the sword," indeed.
 * Mutt has this reaction when Irina Spalko threatens him at swordpoint to get Indiana to cooperate. He takes time to comb his hair, showing that it's not a weapon, and looks her straight in the eye while telling Indiana to not "Give these pigs anything".
 * In The Mummy series, both Evie and her son demonstrate this in the first film and sequel. Evie may just appear as a clumsy librarian on the surface, but she's tougher than she looks, as Imhotep found out the hard way when trying to sacrifice her to bring back his beloved. Likewise, Imhotep and his men kidnap Alex after he gets a MacGuffin bracelet attached to his arm in the sequel, and Alex sasses them. They can only shut him up by showing that the bracelet will kill him if they don't get it off before sunrise in a few days.
 * Both films in The Rescuers show this with the kid captives:
 * Penny in The Rescuers is revealed to be a Plucky Girl. She talks back to Snoops, the mook put in charge of watching her when Big Bad Medusa is in New York, and tries to run away regularly. She also shows no fear of the alligators Brutus and Nero that are sent to fetch her. While she does cry in the privacy of her "bedroom," she keeps maintaining hope that someone will come help her. When Bernard and Bianca appear and says they got her Message in a Bottle, she gains her spirit and helps brainstorm a plan of escape.
 * Likewise, Cody in The Rescuers Down Under may be lacking in a few survival skills, due to outright accusing a man with a gun of being a poacher after falling into his traps instead of pretending to thank him and then running off to find the Australian rangers, but he is tough. He refuses to give up the location of Marahute or her eggs, even when threatened with a knife, and tries to rally the other captive animals in Macleach's compound that they need to escape.
 * This is a common trope in Star Wars
 * In the first film A New Hope, Leia has a contemptuous expression for both Vader and Commander Tarkin when they board her ship and take her prisoner. She sasses them and refuses to give them the information they desire. The only time the mask slips is when Tarkin threatens her home Alderaan with the Death Star. Later in Return of the Jedi, she takes the first opportunity to strangle Jabba after he "hires" her as a new servant girl and Luke's melee distracts him.
 * Han Solo does not make captivity easy for the prisoners. In The Empire Strikes Back when he realizes that Vader invaded Cloud City and blackmailed Lando into betraying them, his first reaction is to shoot Vader. (Doesn't work, but points for trying and it's implied Vader respects him for the sheer audacity.) Return of the Jedi has his snark return if not his sight completely when Leia frees him, only for them to get captured by Jabba's men and Jabba sentences him as well as Luke to death.
 * Lando has the same reaction when he at least tries to keep Leia safe since she wasn't the target of Vader's machinations this time, as well as his people. On a rewatch it's clear that he was told comply or the citizens of Cloud City would suffer, so as he tells the heroes, he didn't have a choice but to lead them into a trap. When Vader refuses to free the citizens however, and plans to take Leia captive again because she's useful to his plans to capture Luke, Lando quickly machinates an opportunity to free Leia, C3PO, R2D2 and Chewbacca, getting a strangling for his trouble. He also orders all the citizens to evacuate so they can no longer be used as leverage against him.
 * Poe Dameron in The Force Awakens takes after Leia. When realizing that he can't leave Jakku to the mercy of Kylo Ren, he gives BB8 the message about Luke's location and tells the droid to run, while he fires on the Stormtroopers to distract them. It goes about as well as you expect, especially since Kylo Ren can stop laser blasts in mid-air, but he snarks how Kylo Ren seems to enjoy being the dark and broody type. Kylo Ren manages to get BB8's location out of him with a mind probe, but Poe fights it with all his willpower.
 * Rey does the same thing when Kylo Ren recognizes her as the scavenger girl that helped the droid, knocks her out, and takes her to his ship for interrogation. She manages to resist the mind probe fully, and then improvises a Jedi Mind trick to convince a Stormtrooper to free her, leave the cell door unattended, and drop his weapon for her.

Literature

 * In Nineteen Eighty-Four, this is a plot point. The Party members arrested are always docile, quiet, and generally compliant with authority, but the proles, who are not required to be indoctrinated into Ingsoc, they make a point to be rebellious, and to some extent, this is even tolerated by the guards.

Live-Action TV

 * Angel:
 * Wesley's Character Development from his brief stint in Angel shows him growing into this. When Faith kidnaps him and tortures him to lure Angel out of hiding and as "punishment" for failing her as his watcher, he tells her Cool Motive, Still A Crime because he agrees he failed her but that's no excuse for her current crimes. Wesley calls her a "little shi-" before she gags him. Later, when eye demons stop him and Gunn from rescuing Cordelia, he engages in Casual Danger Dialog with her about them monitoring the back door unlike other demons.
 * Angel reveals that when Angelus takes over, he's trapped in his mind Forced to Watch his soulless side's evil deeds. When Faith poisons herself and lets Angelus bite her so as to enter his mind and stall him, she sees that Angel is torturing Angelus as much as he can with memories of puppies.
 * Buffy the Vampire Slayer
 * Capturing a Slayer means you either have a death wish, a spell brainwashing you like the spell in "Gingerbread", ignorance about their true nature, or a lot of confidence that you can kill them. Slayers are not mortal, but they are tough. And pretty snarky.
 * Faith tends to think that people putting her in cuffs or ropes means they want to have fun with her, rather than trying to keep her from attacking them randomly. Angel had to convince her that he just wanted to talk, and the shackles were because she tried strangling and raping Xander for trying to reason with her. Her Character Development in Angel involves shedding this tendency, surrendering herself to the police for.
 * Buffy makes it clear that she does not break. Getting kidnapped by a fraternity that wanted to sacrifice her and Cordelia to a giant snake? She breaks free and kicks their asses, all the while snarking. Being impressed into a dimension where demons use human girls as servants and convinces them they are nothing with physical abuse? She says when asked who she is, "I'm Buffy, the Vampire Slayer, and you are?" When the demon attempts to beat her into submission, she turns the tables on him as well as the other captors.
 * The mayor's retinue with a Face Heel Turn Faith manage to kidnap Willow during the Scoobies' attempt to interfere with a deal for a box he needs for his Ascension. Willow uses a pencil and telekinesis to stake a vampire, smuggles some notes about the ritual into her boots to give to her friends later, and straight-up tells Faith that she threw away her chances of redemption with her choices and is nothing now. She takes Faith punching her in the face with grace, snarking that Faith must have lacked a witty comeback.
 * The Sandman
 * Dream himself refuses to cave into Roderick Burgess's demands to give him his son back, or Alex's later pleas to not hurt him or his lover if they free him. He remains silent, determined to wait them out until an opportunity to escape appears.
 * Unlike in the source material, where Calliope was a Broken Bird after decades in captivity, this Calliope remains willful despite . She tells Richard outright that muses reward worshippers, and don't respond to bribes of flowers or perfume when he attempts that. When the Fates tell her that only Dream can free her, and Dream is in captivity she figures out Plan B: play The Long Game by waiting until Dream gets free a few years later and sending a Distress Call to him. Richard sees her writing Morpheus on a piece of paper and says the name aloud before burning it, not knowing that saying Morpheus summons him, and so does the smoke from his chimney. When Dream comes to help Calliope, he says he will if she lets him, and not because they used to be married but because Richard hurt her. Calliope specifies she doesn't want Richard hurt, just persuaded to free her because technically he broke no pre-established law and he has to free her of his volition. . When Richard feels the onset of the curse and confronts Calliope, asking what that strange man in a nightmare did to him, she gives a defiant smile before revealing he met The King of Dreams and the father of her son Orpheus. She said she didn't want Richard hurt, and technically Dream does not hurt him. View the scene in its gloriousness.
 * While James West is taken prisoner Once Per Episode in the TV version of The Wild Wild West, it usually isn't for long. This trope comes into play during the second season episode "The Night of the Bottomless Pit" when he's tossed into the titular pit in the prison on Devil's Island.

Puppet Shows

 * In Muppet Treasure Island, this happens a few times:
 * Gonzo is this in general. Clueless Morgan, Polly Lobster, and Mad Monty try to torture Rizzo and Gonzo for information about Billy Bones's treasure map. Gonzo refuses to give up anything for Jim's safety, while Rizzo suggests maybe they will ask nicely. They proceed to stretch Gonzo on the rack, only for him to enjoy it.
 * Jim refuses to cooperate or join Silver when the latter takes him hostage and starts his mutiny. The only thing he agrees to do is cede his father's compass willingly, as Long John says he'll be taking it anyway.
 * After the natives (lead by Benjamina), capture Smollett, Gonzo and Rizzo, Gonzo is the only one looking forward to whatever "fun" torture is coming next.
 * While dangling from a cliff in a Death Trap, to make Benjamina Gunn (Miss Piggy) give up the treasure's location, Captain Smollett (Kermit) shouts at her not to tell them anything. He says if she does, Silver will kill her when she's no longer useful. And he's proven right, when Benjamina says that the treasure is in her place and orders them to free Smollett; Silver strings her up right next to him.

Video Games

 * Fire Emblem: The Binding Blade's Clarine is introduced flat out laughing at her captor's lack of grace and fashion sense, seemingly unconcerned with her imprisonment. She's only saved from a horrendous fate because the arrival of Roy's army delays her captor's retaliation and a mercenary in her captor's service opens her cell due to rejecting his employer's plan to side with Bern.
 * If the Ilia route is played (which almost everyone does given the nature of the Sacae route) Niime is first seen taken prisoner by Bern and ordered to use a spell tome for them. She repeatedly warns her captor she can't guarantee what it will do, and when he insists the spell she's forced to cast winds up backfiring, freezing the rivers that were slowing the advance of Roy's army instead of causing a rainstorm that would slow their advance even further. When threatened over this, she notes that she did warn him this could happen. When Roy's forces slay her captor, it's implied she did this on purpose.

Western Animation

 * In Avatar: The Last Airbender, expect this to happen quite a bit:
 * Aang is a pretty Nice Guy and Cheerful Child, but he will not make it easy for anyone who tries to capture him. In the pilot, he casually tells the guards watching him that he can escape with his hands tied, and proves it.
 * Katara is not impressed when her jealousy that Aang masters a waterbending scroll causes Zuko and the pirates that originally had the scroll to capture her; Zuko attempts to coerce her into revealing Aang's location by offering back her mother's necklace, which she lost on the earthbending prison barge. She tells him to jump in the river. For a long time, even after Zuko switches sides, she holds a grudge with him about this.
 * Don't take Sokka prisoner. If you do take Sokka prisoner, make sure he can't talk his way out of it. He convinces the pirates allied with Zuko that they would earn more if they handed over the Avatar to the Firelord, starting a melee between the two parties that allow him, Aang and Katara to escape. Later, when Azula and her friends stage a coup against the Earth King, only taking the king hostage makes Sokka surrender.

Real Life

 * Pretty common trope for every military on Earth. Soldiers are expected to attempt escape whenever possible and refuse to divulge any more than the bare essentials required by the Geneva Convention to their captors.