Not in This For Your Revolution

""Look, I ain't in this for your revolution, and I'm not in it for you, princess. I expect to be well paid. I'm in it for the money.""

- Han Solo, Star Wars: A New Hope

A character is on a quest that could potentially decide the fate of the universe... but they don't care about that at all or any of this good/evil stuff, they're only on this quest for a personal reason: Revenge, money, repaying a life debt to someone, and so on. Common motive for an Anti-Hero.

Not the same as It's Personal, where a character who is already in it out of duty or righteousness or whatever is given an additional personal motivation.

There will often be a moment where the character has an opportunity to leave with what they came for while the rest of their group continues the quest alone. This typically leads to them returning later to reveal that they have grown a heart, often in the form of a conveniently timed last minute rescue.

See Only in It For the Money when wealth is the main motivation.

Anime and Manga

 * Afro Samurai does not care about the supposed "Godhood" you get from wearing the Number One Headband—He just wants to avenge his father. In Resurrection, it appears that he hasn't even been wearing it, which allows the villain to just walk up and take it.
 * Haruko from FLCL sets the whole plot in motion because she's (possibly) in love with/wants to eat Atomsk. The fact that freeing him from Medical Mechanica stops them from destroying the world is an unintended side effect.
 * Bastard!!: Dark Schneider is fighting to keep his ex girlfriend and ex army from showing him up.
 * At first. Later his motivations become much more complex, but showing everyone who's the top banana remains one of the main among them.
 * Some Regulars from Tower of God aren't ascending the Tower to reach the top to fulfill their strongest desire. Rak Wraithraiser just does it to fight people, and Anak Zahard climbs
 * The Straw Hat Pirates in One Piece could be said to be not in it for their own revolution when they not because they've taken the time to have an issue with the way the highly corrupt government conducts itself but only because they want  back. They have this sort of attitude towards everything too, exemplified on Thriller Bark after they save a bunch of people and Zoro essentially tells them "We were doing this for ourselves, saving you just sort of happened."
 * On Fishman Island, Hyouzou openly states he is assisting Hody Jones for the money and doesn't care at all about the uprising Hody is instigating.

Comic Books

 * In the various X-Men series, Wolverine is rarely depicted as actually having an invested stake in human/mutant relations. In the beginning, he simply thought that the X-Men sounded like more fun than working for the Canadian government. Then the writers decided that he had amnesia, and uncovering the truth about his past became his primary motivation.
 * In Deadpool #1 (1997) Deadpool has "liberated" a gun from a repressive Bolivian government for the revolutionary force. The revolutionaries try to pay him in a not-yet-viable currency. Deadpool is clearly not in it for the revolution, because as soon as he figures out he is not getting paid in real money, he offers to show the revolutionaries how to use the big gun and quickly wipes out the entire revolutionary force before teleporting out.
 * Bone: Phoney Bone is more concerned with getting himself and his cousins home—and making some quick cash on the way—than anything else.
 * Well, really he's just interested in getting rich like he used to be. The unholy obsession with getting himself and his cousins home that appears to eclipse his money obsession is mostly because they've found themselves in an agrarian community whose economy is based on barter, so it's impossible to get rich the way he understands the concept unless he can get the Bone trio back to Boneville.

Fan Works

 * In Winter War, Grimmjow joins up with the heroes for two reasons: to recover his strength, and to have a chance to fight Aizen. At first, that is. He develops an actual sense of loyalty to his companions- and a bit of compassion and conscience- as the fic goes on.

Film

 * As Han Solo demonstrates in the title and quote, he's in the events of Star Wars IV: A New Hope for the money. At first, anyway.
 * Lone Star in Spaceballs, being a combination of Han Solo and Luke in Star Wars.
 * Lone Star: "We're not just doing this for money. We're doing it for a shitload of money!"
 * Conan the Barbarian: In the first movie, Conan is out for revenge since the Big Bad destroyed his village and killed his family; in the second, he's a mercenary hired by . But apparently he ends up becoming king. At the end of Conan The Destroyer, the princess he rescued asks him to rule at her side as her husband. He declines, saying "Someday I will have my own kingdom, my own queen." The shot of him sitting on a throne implies that he did eventually go and conquer a kingdom of his own. But that is another tale...
 * The Patriot: The name of the film obviously doesn't apply to the main character, who refuses to help either side until his son gets captured by the cartoonishly evil Colonel Tavington.
 * The Running Man. Arnold Schwarzenegger's character turns down a chance to join the revolutionaries after they help him escape from prison; he just wants to get his ass out of the country. Events conspire against him however when he's roped into the Deadly Game show and his continued survival makes him a symbol of resistance.
 * A Fistful of Dynamite. Juan. He was only interested in robbing a bank, but managed to get suckered into helping significantly in the Mexican Revolution. He drags his feet and gives a big speech about how revolutions are cyclical and only hurt the common people, but he eventually turns his ideals around.
 * Stephen the Irishman in Braveheart. He joins William Wallace only for the opportunity to kill Englishmen.
 * Rick Blaine in Casablanca ... so he says.
 * Jake Wyer and Sam French in 50/50. They change their minds.
 * Jack in Romancing the Stone: He joined up with Joan to try to get El Corazon from her, but love and helping her save her sister turned out to be more important than the money...well, mostly.
 * Snake Plissken is only in it because he'll die if he doesn't succeed due to explosives or a virus injected in his body that are on a countdown to kill him.

Literature
"But Han wasn't going to let anyone's passion drive him on this one. Not Chewie's, and certainly not Luke's. He had his own life to lead."
 * Roland of Gilead from Stephen King's Dark Tower series is trying to find the titular tower simply for the spiritual fulfillment of seeing it and climbing to the top to see what's there. The fact that the Crimson King is trying to destroy the tower (which would consequently destroy all of existence) is only a concern for Roland because he can't reach the tower if the Crimson King knocks it down first.
 * This gets retconned in the prequel series. Roland seeks the Tower because he thinks it is a source of incredible power that can defeat John Farson and restore his shattered world.
 * Katrina Mantalone in Stationery Voyagers only agrees to work as an Edge Skidder for two reasons: 1) Because she knows the Xyliens will never stop making mechies and somebody needs to deal with the problematic ones and 2) because Skidders sometimes get called in to serve as backup to the Leremin division. And that means she gets to kick ass and try to rescue her boyfriend. Why? So she doesn't have to raise the child by herself. Sure, she was sympathetic to the cause of destroying the Yehtzigs and la-Qualda; but didn't care to personally join the cause until it was made personal when her boyfriend went missing.
 * Marlack, to a lesser degree, joins the cause and becomes a Voyager specifically with the hope that he'll be able to find his sister's rapist and kill the guy. He eventually gets over the revenge motif and becomes a straight-up hero, especially with Neone's help.
 * Oceanoe too. He wanted to show up his brother with which brother had the most cultural relevance / staying power.
 * Jerry Frond, the president of Antia, makes it very clear to the Voyagers that they're just a publicity stunt to him. He cares nothing for their cause, and doesn't consider Marktertion to be a real threat. He argues that if they were a real threat, they would have attacked already. (The real reason for the delay was because Abberwadd wanted the see the Voyagers succeed in collecting as much information as possible, to allow for a more efficient invasion after the Voyagers were captured.) This is the very reason that he drops the Voyagers' diplomatic protections the very minute he decides it's no longer convenient to defy the Crooked Rainbow. Being beaten bloody along with a few Secret Service agents by pissed-off angels from Heaven does nothing to change his mind.
 * In Rafael Sabatini's novel Scaramouche, the title character joins the government of the French Revolution to seek revenge on a single aristocrat, but doesn't really believe in the Revolution's ideals.
 * This is a recurring theme in Sabatini's novels: a non-idealistic character is pointedly not supporting a less competent idealistic character on his/her quest. Then the forces the idealist opposes hurts the non-idealist or those he cares for. This is a Bad Move. Dr Peter Blood was not supporting plotting against the King of England until the Crown assumed he was and enslaved him for it, for instance. They probably shouldn't have done that...
 * Discworld: Rincewind makes it damn clear to everyone he meets that he just wants to go home, hang up his things and never leave again. Everything he does to help them is purely by accident.
 * Initially, Vimes in Night Watch. He never wanted a revolution, he only wanted to protect a few people on the street.
 * Older Than Steam: In Journey to the West, published in the 1590s, Xuanzang's "disciples" (traveling companions) are all bound to him in order to atone for their various crimes.
 * In The Dresden Files novel Changes, Harry ends up essentially saving the world by . But screw that. He did it because.
 * Also from The Dresden Files, Jared Kincaid is a mercenary who never seems bothered about helping Harry with any of his various good causes unless money is involved, but he genuinely cares about the Archive beyond being her bodyguard.
 * In Allegiance, set between A New Hope and The Empire Strikes Back, Han has already gone on several "charity runs" for the Rebel Alliance and is bitter about this. Luke, the Princess, General Rieekan, the whole Alliance assumes he's on "their side", and he doesn't remember when he turned. Helping Luke at the battle of Yavin was one thing, and he didn't mind if they were grateful to him for that. Chewie would join in a heartbeat. Han very reluctantly stays on through the book—he threatens to leave and never does.
 * Part of Han's dislike of the Rebellion, and his outright hostility to Leia at the start probably had something to do with his First-Love-turned-La-Resistance-Girlfriend, Bria. She utterly ruined his smuggler cred, got his pre-Luke sidekick killed, and was what Lando "Has probably already forgotten about" in Empire. The Aaron Allston Solo trilogy goes into this much deeper.

"Leia: The money's not really important to you, is it? Karrde: Don't believe that, either. I have certain obligations to meet. If Fey'lya hadn't been willing to cooperate, your New Republic would have had to do so. Leia: *A little smugly* I see. Karrde: *Unconvincingly* I mean that. I'm here because it suits my purposes. Not for the sake of your war."
 * In the Star Wars Expanded Universe, Talon Karrde and Mara Jade make similar statements about why they're working with the New Republic. After one of Karrde's protests, Leia can't help but Lampshade the similarity of his comment to the page quote.

""Neither was mine," Han said smugly, putting his arm around Leia. "That's okay. Give it time.""
 * Hilariously, Karrde and Han have a very similar exchange at the end of the Hand of Thrawn, when Karrde insists he isn't helping the New Republic because of now associating with pro-Republic Shada D'ukal; his relationship with her is nothing like Han's with Leia.
 * In The State Counsellor, a rich industrialist sponsors the revolutionaries but when they try to thank him, he bluntly replies that he is financing their operations for the government and the people to realize that The Revolution Will Not Be Civilized and that their best course of action is capitalistic reforms that he supports.
 * In the Wild Cards novel Inside Straight, Drummer Boy joins the group of aces fighting the anti-joker genocide explicitly to impress Action Girl Curveball.

Live-Action TV

 * Kerr Avon of Blake's 7. Whoof, where to begin? Even when he never loses this attitude.
 * Though Avon was the most vocal, the rest of the Liberator's crew (except Blake and Cally) also fit the bill, as they are wanted criminals with nowhere else to go. Gan and Jenna are won over fairly quickly, but the lack of choice is still there. Vila claims to be too much of a coward to leave the ship.
 * In Series 4 Soolin, a skilled mercenary, joins them on a basis of mutual convenience (not that there was much revolutioning going on by then).

Theatre

 * In Friedrich Schiller's William Tell, Tell refuses to join Swiss insurgents against Austrian oppression and becomes active only as tyrannical reeve Gessler makes it personal.

Video Games
"Balthier: I'm only here to see how the story unfolds. Any self-respecting leading man would do the same."
 * In Hordes of the Underdark, the second expansion for Neverwinter Nights, the player can frequently claim that the reason they fighting the Drow is that they just want their stuff back.
 * Fire Emblem is full of this trope. In each game, you can recruit a number of people, each with their own motives for joining you. These motives range widely, from loyalty to someone else, to earning money, to getting revenge on someone, and all sorts of other reasons.
 * Volke from Path of Radiance and Radiant Dawn is an extreme example: he's only there for the money, and in both games you have to pay him before he joins your party (and in Path of Radiance, you have to pay him extra every time he opens a door). Before he joins, he'll gladly sit around on the battlefield watching your party members die since you haven't paid his fee. At least he gives you a discount in Radiant Dawn because he doesn't like the boss of that chapter. Subverted when it turns out that, no, he's still not in it for their revolution, but that he wouldn't have showed up in the first place if not for.
 * Guy in Blazing Sword owes Matthew his life (Matthew fed him when he was starving, and Guy's tribe believes in I Owe You My Life). When you recruit him, he vociferously complains about how he has to leave his paying job to work for you.
 * Neverwinter Nights 2 Mask of The Betrayer the central movitive is
 * Similarly, the Betrayer's Crusade—though advertised as a heroic revolution to change the order of the planes and correct a great injustice—had, at its core, Akachi's desire to see his love freed from it—after he, as Myrkul's, disciple, had been fine with countless other people going to the Wall of the Faithless.
 * Tommy Vercetti from Grand Theft Auto Vice City. He lost all the money Sonny Forelli entrusted him in a trap set up by Colombians, barely manages to escape alive, and now he must spend the rest of the game earning back a million dollars. Whenever someone asks for his loyalty in their faction, he replies with "Thanks, but I'm here for the money".
 * Edison Trent from Freelancer turns down every single faction invitation, saying "causes come and go".
 * All player characters in World of Warcraft. In theory, the players are stalwart heroes, aiding either the Horde or Alliance in glorious victory or defense of their homeland, or helping other worthy allies, or maybe saving all of reality. Actually ask a player why they're doing whatever it is they're doing at any given point, and the answer is "because I get XP for it".
 * In The Witcher at one point, when Geralt is asked his motivations for his quest, one option is "they robbed me and killed a friend" and that he has no other motive.
 * Mercenaries The leader of North Korea's provoked war with the South and China, and is building up a large WMD stockpile, but you are in it for the price on his head.
 * In Mercenaries 2, the new ruler of Venezuela is causing havoc with the world's oil supply and repressing the populace, but the main reason your character wants to take him out is that he refused to pay you for helping him seize power. Oh, and he shot you in the backside.
 * Kratos from Tales of Symphonia accompanies the party during the Journey of Regeneration and only states he does it for the money when Raine questions him about it.
 * In Final Fantasy VII, Cloud Strife is introduced in this way; when Barret rants about how the Planet's dying, Cloud replies that he's only in it for the money. Later, he stays with the group as their leader because he has a grudge against Sephiroth. He becomes truly heroic later, after.
 * Final Fantasy VIII's Squall is a mercenary by career, and as such takes no personal interest in the cause of the Forest Owls whom he is sent to assist. He starts becoming more clearly heroic after developing a crush on Rinoa.
 * Chrono Trigger's Magus is a double-whammy. He's introduced as the Fiendlord, a powerful sorcerer that the magic-using demihumans have rallied under to wage war against the humans; but for his part, Magus is lurking in his keep, intent on summoning and taking revenge on the Eldritch Abomination that destroyed his life. The heroes thwart him, and later in the game Magus becomes an optional party member, only for another chance to kill Lavos.
 * In Just Cause 2, Rico Rodriguez wants the money, and is not in this for the Reapers'/Ular Boys' revolution. The Roaches are a cartel, they don't count.
 * In the section of Red Dead Redemption that takes place in Mexico, John Marston plays both sides of the revolution taking place. Everyone involved is baffled, and he explains several times that all he wants is to get his family back.
 * Kalas of Baten Kaitos initially couldn't care less about the end magnus, he just wants to take down Giacomo
 * The PC mercenaries in Jagged Alliance liberate a nation from under tyrranical rule for money.
 * In Shadow the Hedgehog, Shadow only wants the truth.  Again.
 * Balthier and, to a lesser extent, Fran of Final Fantasy XII.


 * In Metal Gear Solid 2: Sons of Liberty, Fatman only participated in the S3 plan as a Patriot Agent to test Raiden's skills so he'd have the opportunity to kill Peter Stillman, and otherwise did not really care about their goals.
 * Alec Mason didn't come to Mars to fight the EDF, he just wanted to do good, honest work. But then it got personal.
 * Mass Effect 2: the point of going on Loyalty Missions is to convince your squad to be in it for your revolution. If you don't,.
 * Assassin's Creed III: The Assassin protagonist, Connor, is the son of a Native American and a British colonist. He helps the Colonials in their fight against the British during the Revolutionary War, but his true interest is the Assassin/Templar conflict. It doesn't help that, as a Halfbreed, he's an outcast from both societies, and, as he notes in the trailer, they aren't fighting for his freedom.

Web Comics

 * Drowtales: the real reason the group of Drow the story is currently following are on the surface is that Ariel wanted to find her best friend, who ran away to the surface. Everyone else is either a hanger-on, has an agenda, or is one of Ariel's servants.
 * In Looking for Group, it's pretty obvious that Richard only goes along with them because he can find more people to kill and more places to wreak havoc that way.
 * Girl Genius had one of these: false Heterodyne heir, true heir... Oublenmach isn't in this for politics.
 * Part of the humor in DM of the Rings is that all the players except  treat all the GM's plot arcs this way.
 * In Ciem, Miriam initially wants nothing to do with the war between the Hebbleskin Gang vs. everyone else. She merely wants to be left alone to her lost, hedonistic ways. She does come around; but her initial reason for looking for her sister is not to help her sister save the world. It's merely to clear her name.

Real Life

 * Many of the colonial levies in World War II including Nepali With Nasty Knives. They still chopped up a lot of Those Wacky Nazis with their nasty knives.
 * The American Revolution was a subversion. It was taxation issues that ignited it, but it was on both sides what the taxation symbolized. To the British it was a mundane but reasonable demand to pay a fair share of the expenses of a war which they had helped start (in border skirmishes with the French) and profited by (by not having a backer for hostile Indians, and by having a potential for increased trade with conquered Canada). To the Americans it was more charged, for "representation" mattered as much as "taxation". After all, to the degree that the population had no choice in who passed tax laws, so much did it become difficult to distinguish taxes from thievery. Moreover property in private hands was, like arms, a defense against incursions. And finally control of taxation had historically been the main way England had kept monarchs under control (for instance Elizabeth I ruled without Parliament most of the time but that was because she was thrifty with taxes and thus accepted self limitation). Thus in both the British and the American side or from another point of view the Tory and the Whig side, taxes were the battlefield and the issue was Constitutional.