Noteworthy Disney Staff

We all love Disney's enormous selection of classic films and characters, but without these people, we might not have ever gotten all of those classics made! So here's some noteworthy Disney staff for your reading pleasure.

Compare to Noteworthy Looney Tunes Staff.

Staff Includes:

 * Alan Menken: Was teamed up with Howard Ashman for the sound tracks for The Little Mermaid through Aladdin.
 * Andreas Deja: Started at Disney as a concept artist for The Black Cauldron, animated Mickey in The Prince and The Pauper, and was the supervising animator for Gaston, Jafar and Scar.
 * Andy Gaskill: Art director for The Lion King.
 * Art Babbitt: Most known for turning Goofy into the character we all know and love. He also animated such characters as the Wicked Queen in Snow White, Geppetto in Pinocchio and the stork in Dumbo--as well as contributed to the disastrous 1941 Disney studio strike, which led to his termination.
 * Ben Sharpsteen: Was an early animator for Disney, and became a sequence director on Snow White, co-director on Pinocchio, director of Dumbo, production supervisor on Fantasia, Fun and Fancy Free, Cinderella and Alice in Wonderland.
 * Bill Melendez
 * Blaine Gibson: inbetweener and assistant animator working on most features through 101Dalmatians.
 * Bob Clampett: He didn't work in Disney's animation department (although he wanted to), but he and his grandma did help make one of the earliest Mickey Mouse dolls.
 * Brad Bird
 * Burt Gillett: Stuck with Disney in the early years, known for directing Three Little Pigs and Lonesome Ghosts. At one point he left Disney to work on Van Beuren Studios "Rainbow Parade" cartoons, but returned as soon as the studio shut down.
 * Carl Barks: Started as an inbetweener and storyman, but later went on to work of his beloved Donald Duck comic books, as well as created the Scrooge Mcduck Universe.
 * Charles "Nick" Nichols, animation director of shorts and television shows. He began as an animator on the shorts and had most of the responsibility on the Pluto cartoons. He animated the coachman in Disney/Pinocchio.
 * Chuck Jones: Had a very brief stay at Disney's with Ward Kimball after Warner Bros. briefly shut down their animation studio. While he respected Walt, he couldn't stand the lack of creative control there that he was used to at his old studio, and as soon as Warner Bros. reopened their studio, Chuck was gone. However, he did animate Daffy Duck fighting Donald Duck during the famous piano sequence in "Who Framed Roger Rabbit".
 * Claude Coats: Background painter, who worked on Snow White, Fantasia, Dumbo, Saludos Amigos, Make Mine Music, Lady and The Tramp, Cinderella, and Peter Pan.
 * David Hand: The director of many of Disney's animal cartoons, and was the director of Snow White and Bambi. He would later go over to Europe to make the obscure, short lived Animaland cartoon series.
 * David Hall: storyman, who produced horrific story sketches and paintings for Alice in Wonderland and a few for Peter Pan.
 * Dave Pruiksma, animator of Mrs. Potts in Beauty and The Beast.
 * Dick Huemer: Former Fleischer veteran who became a prominent storyboard artist and writer for the studio throughout the decades.
 * Dick Lundy: A very skilled animator and director, created the character of Donald Duck and directed several of his shorts. He would later go on work at MGM's cartoon department on the Barney Bear and Droopy cartoons, and after that went to Walter Lantz's studio to work on their Andy Panda, Musical Miniatures and Woody Woodpecker short subjects.
 * Disneys Nine Old Men
 * Don Bluth: Got his start as an assistant animator on Sleeping Beauty, did animation for Robin Hood and Winnie the Pooh and Tigger Too, and was the directing animator for The Rescuers. Directed The Small One and was animation director on Petes Dragon before leaving on his own.
 * Don Hahn: began working for Disney on Pete's Dragon. He also worked as associate producer on the animated sequences in Who Framed Roger Rabbit, and later produced Beauty and The Beast, The Lion King, Fantasia 2000, The Emperors New Groove, and Atlantis the Lost Empire''.
 * Don Griffith: Layout artist on the Disney films from Victory Through Air Power to The Black Cauldron.
 * Don Rosa
 * Ed Love: An animator for Disney, later went on to work for Walter Lantz (animated the earliest incarnations of Buzz Buzzard), MGM and Hanna-Barbera.
 * Emery Hawkins: Sporadically worked at Disney for very short periods of time. Did some animation for Dumbo.
 * Eyvind Earle: Background artist and color stylist on such films as Peter Pan and Lady and the Tramp. He is also credited with giving the 1959 animated feature Sleeping Beauty its medieval look. Earle first rose to prominence at the studio in 1953, when an animated short that he worked on, "Toot, Whistle, Plunk and Boom", won both an Academy Award and a Cannes Film Festival Award. Earle died on July 20, 2000 of esophageal cancer.
 * Eric Goldberg: After working for Richard Williams and running a commercials studio in England, came to Disney as supervising animator on Genie in Aladdin. Later animated Phil on Hercules and Louis on The Princess and The Frog. Co-directed Pocahontas and directed the "Rhapsody in Blue" and "Carnaval of the Animals" segments on Fantasia 2000. Breifly worked at Warner Bros. as animation director on Looney Tunes Back in Action.
 * Floyd Gottfredson: Got his start as an early Disney animator, but moved on to being the top artist for the Mickey Mouse comic books.
 * Floyd Norman: One of the first african-americans hired by the studio. To this day he still works at Disney as a storyboard artist.
 * Fred Moore: Animator on Snow White and credited with updating Mickey Mouse's appearance in the late 1930s. Moore also served as an animator or directing animator for most of the animated features from Snow White to Peter Pan.
 * Friz Freleng: Was an animator for Walt on the Oswald shorts.
 * Gary Trousdale: Made his feature-directing debut with the Academy Award winning Beauty and The Beast. Trousdale has been with Feature Animation since 1984, and has contributed to the following films: Oliver & Company, The Little Mermaid and The Rescuers Down Under. Co-directed with Kirk Wise on The Hunchback of Notre Dame and Atlantis the Lost Empire.
 * Grim Natwick: Got his start working for the Fleischer brothers and Ub Iwerks animating his creation Betty Boop, but was lured away by the idea of Walt making the first feature length animated picture. He contributed quite a bit during his stay at Disney, including animating much of Snow White herself. He left soon after to go back to the Fleischers after not getting the pay he was promised after Snow White on time--a move he regretted later down the road, as he would have loved to work on Fantasia.
 * Hugh Harman And Rudolph Ising: Two of Disney's top animators on the Oswald shorts. They would later go on to found the Warner Bros. animation studio, as well as MGM's animation department. They would also occasionally outsource some of their inkers and animators to Disney to help them out.
 * Howard Ashman: was teamed up with Alan Menken for the first few films of the Disney Renaissance. He died before production on Aladdin could be completed.
 * Kay Nielsen: Sketch artist, storyman, and designer. Nielsen created designs for "The Night on Bald Mountain" segment in Fantasia. During the 1940s, he worked on concept designs for an early version of The Little Mermaid and "Ride of the Valkyries". In the mid-1980s, his sketches were brought out of the Disney Archives to inspire the animators who worked on the 1989 The Little Mermaid.
 * Ken Anderson: Art director on Snow White, designed Shere Khan and Elliot, and production designer on Sleeping Beauty, 101Dalmatians and The Aristocats.
 * Norm Ferguson: One of Disney's most loved animators, known for his excellent personality animation, as well as his contributions to the character of Pluto and his subsequent short subject series. Noteworthy work of his includes the famous flypaper scene from "Playful Pluto", the Witch from Snow White and Honest John and Gideon from Pinocchio. Directing animator on Snow White and Peter Pan.
 * Ken O'Connor: layout artist on 13 features and 100 shorts. Features including Snow White, Fantasia and Lady and the Tramp. After a short retirement, O'Connor returned to Disney to help develop shows such as World of Motion and Universe of Energy at EPCOT, and the film Back to Neverland for the Animation Tour at the Disney/ MGM Studios in Orlando, Florida.
 * Michael Eisner
 * Mark Henn: Animated Mickey Mouse in "Mickey's Christmas Carol" and worked on Oliver and the Artful Dodger in "Oliver & Company. In 1989 he moved to Florida to help establish the feature animation studio there. He animated Ariel in The Little Mermaid, Belle in Beauty and the Beast, and young Simba in The Lion King.
 * Glen Keane: Began his career as an animator on The Rescuers. He animated the fight scene with the bear in The Fox and The Hound, and was directing animator on Ariel in The Little Mermaid, Marahute in The Rescuers Down Under, Beast in Beauty and The Beast, Aladdin, Pocahontas and Tarzan. Was the initial director and later executive producer of Tangled.
 * Joe Grant: Character designer and storyman at Disney during the early years of the Studios. He worked on such films as Snow White and The Seven Dwarfs, Fantasia, Saludos Amigos, Make Mine Music, and Alice in Wonderland. He returned to working at the Studio to work on the visual development on Beauty and The Beast and was a story adviser on Pocahontas.
 * Ken O'Brien: animator on features from Snow White to Sleeping Beauty.
 * James "Shamus" Culhane: A former Fleischer animator who came to the studio after Walt was impressed by his work. His most pivotal work is the iconic "Heigh-Ho" sequence of Snow White. He would later leave Disney to work on the Fleischer's ill-fated feature film projects, take a very brief stint at Warner Bros., make considerably contributions to the Walter Lantz cartoon studio, and later down the road created his own TV cartoon studio.
 * Jerry Beck: Worked as an Executive for Disney.
 * Greg Weisman: Works as a writer for Disney. Noteworthy work of his includes Gargoyles and The Spectacular Spider Man.
 * Wilfred Jackson: One of the three animators (the other two being Ub Iwerks and Les Clark) who left with Walt after the Oswald fiasco.
 * Dan Mac Manus: Effects animator, working on most of the Disney features during the period between 1935 until 1973.
 * Rob Minkoff: Began his career in the Studios as an inbetweener on The Black Cauldron. He helped design the character of Basil in The Great Mouse Detective and Ursula in The Little Mermaid. He is associated with the character Roger Rabbit as the director of "Tummy Trouble" and "Roller Coaster Rabbit" and co-producer of "Trail Mix-up". He directed The Lion King with Roger Allers.
 * John Pomeroy: A close associate of Don Bluth, and was the lead animator of Milo for Atlantis the Lost Empire, John Smith for Pocahontas, and the Firebird for Fantasia 2000.
 * John Musker: Began his career at Disney as an animator on such films as The Small One, The Fox and The Hound and The Black Cauldron. He co-directed with Ron Clements The Great Mouse Detective, The Little Mermaid, Aladdin Hercules, Treasure Planet and The Princess and The Frog.
 * Jack Hannah: Director on most of the Donald Duck shorts.
 * Jack King: animator and sequence director on such films as Pinocchio, Saludos Amigos, Dumbo, The Three Caballeros, Make Mine Make, Melody Time, and The Adventures of Ichabod and Mr. Toad. Prolific director of the Donald Duck cartoons; was THE Duck Director until Jack Hannah took over completely.
 * Jack Kinney: Animator/sequence director of films such as Pinocchio and Dumbo. He first directed Goofy in "Goofy's Glider" and soon became established as the director of the Goofy cartoons.
 * Paul Smith
 * June Foray: Voiced Walt's take on the Witch Hazel character, also voiced Lucifer the Cat in  and Laverne on The Hunchback of Notre Dame. Co-director on Home On the Range.
 * Chris Sanders: One of the quirkiest people to work at Disney, Chris Sanders was one of the key animators of the Marahute's flight in The Rescuers Down Under. He later went on to contribute heavily to Mulan, and co-directed Lilo and Stitch with Dean Deblois. He was originally the director of Bolt, but was fired by John Lasseter and moved on to Dreamworks Animation, where he was set to direct a film called Crood Awakening. That film was cancelled, and he ended up co-directing How to Train Your Dragon to massive acclaim.
 * The Sherman Brothers: Richard and Robert Sherman, composers of several Disney songs from the 1960s and early '70s, including those featured in Mary Poppins, The Many Adventures of Winnie the Pooh, and the Disney Theme Parks ride "It's a Small World."