Guilty Crown

"''"The right to use my friend as a weapon. ''That is the sinful crown I shall adorn. I accept this 'guilt.'""

In the year 2029, the mysterious Apocalypse Virus spreads and plunges all of Japan into a state of emergency in a period of chaos known as Lost Christmas. Eventually, an international organization known as the GHQ intervenes with martial law and restores order to Japan at the expense of its independence.

Ten years later in 2039, Shu Ouma, an unsociable 17-year-old high school student who often keeps to himself in school, meets Inori Yuzuriha, lead singer for Egoist, when visiting one of his favorite places on his way home from school. Shu is a big fan of Inori, who has taken the internet world by storm, and is surprised to meet her in person. However, he soon discovers the other side of her: Inori is a member of the Funeral Parlor, a resistance group that aims to liberate Japan from the clutches of the GHQ.

From that point on, Shu takes part in the actions of Funeral Parlor and the "king's mark" appears on his right hand. This mark bestows upon him the "power of kings," the ability to reach inside someone else's body and extract and materialize a weapon, or "Void," from it.

Directed by Tetsuro Araki, with a story written by Hiroyuki Yoshino (with the help of Ichiro Okouchi), and featuring character designs by redjuice and music composed by Ryo, both of them members of the popular J-pop band Supercell, Guilty Crown is the latest work by Production I.G currently airing on the NoitaminA block. FUNimation has recently licensed the series and is simulcasting it right now as of this writing, with a DVD and Blu-Ray release to follow sometime in 2012.

A manga adaptation is being published by Square Enix's Gangan Comics in their Monthly Shonen Gangan label, and a Nitroplus-produced PC game Spin-Off titled Guilty Crown: Lost Christmas, with a story written by Jin Haganeya, who is also part of the show's writing team, and set to be released next year.

The first twelve episodes are more or less roughly comparable to the likes of Neon Genesis Evangelion. When Loop 7, the area where most of the events take place, gets locked down, comparisons to Infinite Ryvius and Devil Survivor start to become common for a while and, in the end, the series goes right back to Eva territory for its conclusion.

For the list of Wham Episodes, go to here.

No relation to Guilty Gear. Except that both series have an awesome soundtrack.

"Shu:"
 * Absolute Cleavage: Just look at a couple of Inori's outfits, especially the red one she wears for a while.
 * Absurdly Powerful Student Council: The Student Council basically becomes the de facto government for the school once it's quarantined from the rest of the city. As of Episode 14,
 * Absurdly Youthful Mother: Shu's mother, Haruka Ouma. Justified,
 * Accidental Pervert: Shu meant to only draw out Kanon's Void, but he was stalled halfway through with his hand on her chest, leaving him in a rather compromising position and destroying his reputation.
 * All Love Is Unrequited:
 * Shu and Souta have crushes on Inori, who is extremely vague on her feelings with the former but is eventually falling in love with him and is indifferent and oblivious to the latter. Hare is in love with Shu, who is conscious of her feelings but at the time was going through an epic Heroic BSOD that prevents him responding to this information in any sane or meaningful manner. Ayase and Arisa have crushes on Gai, who doesn't reciprocate the former's affections and is almost certainly playing the latter for her Void.
 * Gai, on the other hand, seems to be in love with the Inori-lookalike from Shu's past, who turns out to be Mana, but she's in love with  (though this might have more to do with the Apocalypse Virus infecting her than this being what she actually feels).
 * All Lowercase Letters: The episode titles.
 * Ambiguous Disorder: Shu. Many viewers interpret and rationalize many of his actions based on having Aspergers syndrome.
 * America Saves the Day: Brutally averted in episode eighteen. A US naval platoon is not only deployed to Tokyo in order to wipe out the virus  but
 * Ancient Conspiracy:
 * Anguished Declaration of Love:
 * Souta is about to declare his feelings to Inori in Episode 8 one for Shu to show up to extract his Void and all but says his own feelings towards her, causing the Funeral Parlor members that were watching from cover to feel a little awkward.
 * Hare to Shu in Episodes 10 and 15.
 * Anime First
 * Anyone Can Die: No exceptions. Most people die from the Apocalypse Virus, which in itself isn't a pleasant way of dying.
 * Applied Phlebotinum: A Void is Phlebotinum and it is the personality given form. This can range from Inori's BFS to shears that severs lives to a literal fridge.
 * Artistic License: Biology: Since the series is part Biopunk this is to be expected.
 * Artistic License Physics: The Leucocyte Kill Sat at the end of Episode 5 is shown to have dented part of the ocean.
 * Assimilation Plot: Daath's ultimate reason for instigating the Apocalypse.
 * A-Team Firing: Daryl Yan, who missed two men from the firing range of less than ten meters in a room with limited space to move.
 * Awesome Yet Practical:
 * Gai's Void. What could possibly be more practical than The answer is "not much."
 * What about Inori's Void? A sword that allows the user to deflect missiles, jump in midair, and later slice Endlaves in half from a distance by simply waving it.
 * Back-to-Back Badasses: Shu and Ayase in Episode 13 after kicking ass.
 * Badass:
 * Gai. No matter how you look at it, Gai is badass. He takes this to a bit further in Episode 12, where he runs around, while holding his own Void in his hands, when he should've collapsed due to not having his heart inside him. Oh, and he survived having a Kill Sat dropped on top of him. Unscathed. While another person right next to him got fatally injured.
 * Dan Eagleman, motherfucker.
 * Hm? The kid that just ran screaming at that Humongous Mecha to save the girl he liked before he got his superpowers? Yes, that was Shu.
 * Badass Grandpa:
 * Badass Longcoat: The second opening shows Shu wearing one. Gai wears one as well, most of the time he's with other Funeral Parlor members.
 * Beach Episode: Episode 8.
 * Beauty Is Never Tarnished: In the first episode, Inori is shot, caught in explosions, kicked in the face, and is shown to be bleeding on more than one occasion. Her ridiculous outfit doesn't get a single tear, her hair remains absolutely perfect, and being kicked in the face leaves not a single visible trace.
 * The Beautiful Elite
 * Beehive Barrier: Daryl's Void is a gun that creates one.
 * Betty and Veronica:
 * Seemingly, Shu and Gai for Inori. As of Episode 10, Inori is implied to have developed feelings for Shu.
 * Arguably, Hare (Betty) and Inori (Veronica) for Shu as well with possibly Ayase as the Third Option Love Interest.
 * BFS: Inori's Void.
 * Big Bad: Da'ath.
 * Bland-Name Product: Dr Ginger.
 * Body Horror: The Apocalypse Virus involves large parts of your body turning to crystal.
 * Bolivian Army Ending: While evacuating the GHQ, The last we see of him is the elevator door closing and the sound of gunfire.
 * Boy Meets Girl: There are hints, however, that Shu has already met Inori before.
 * Meet Cute: Because it's not every day that you meet your favorite Idol Singer.
 * Broken Masquerade:
 * Brother-Sister Incest: One-sided.
 * Brown Note:
 * Came Back Wrong Zig-Zagging Trope After  comes back in the bad guys's side, he continually claims that his evil actions are just an extension of the original plan, although his general demeanor is notably not-quite-as-sane as before.
 * Captain Ersatz: Noted In-Universe: Gai is relatable to Shu and Mana is relatable to Inori. The second opening takes this one step further--while their hands are reaching out in the church, Shu turns into Gai and Inori turns into Mana.
 * Cataclysm Backstory: Lost Christmas.
 * Cerebrus Syndrome: Beginning with Episode 9, it gets worse.
 * The Chew Toy: Shu the world hates you and it has made you it's bitch.
 * Closed Circle: Loop 7 gets locked when contamination breaks out, due to an absurd amount of crystalline Apocalypse Virus contaminating the area. GHQ (and, later, the Japanese government) claims that all of the people within the circle are "contaminated", but that's not the real background. This "official word" is an entire fabrication of the events of Episodes 10-12, and the person in charge of the Japanese Government just so happens to be . Episodes 13 and 14 add It Got Worse to the situation: there are posts along the walls that will prevent anyone from passing through, and they are put on automated "kill on sight", even if there were "agreements" to pass through.
 * Credits Running Sequence: The ending has Inori walking in place as other characters move by.
 * Colony Drop: Leukocyte 1 threatens to crash into Tokyo in Episode 6. It's intercepted by a Wave Motion Sword.
 * Cool People Rebel Against Authority: Played with--after his first day with the Funeral Parlor, Shu decides that whilst they're cool, he's not, and he's pretty okay with that.
 * Couch Gag: The first ending credits always show the foreground characters in the actual outfits they wore during the episode, as well as reflecting their relationships.
 * Crapsack World: More or less like a certain show it seems to be the Spiritual Successor/Whole-Plot Reference to.
 * Cry for the Devil/Perspective Flip: Daryl gets a featurette in one episode. He is shown to have a complex for his father, which is the reason for his actions. When said father doesn't arrive for a birthday party, he cries. When said father is shown with another woman that is not his mother, he is pissed.
 * Dark Reprise: kr0ne and bios-delta are this to bios. Also, Playing the Heart Strings.
 * Darker and Edgier/Cerebus Syndrome: After episode 12...
 * Decon Recon Switch: Initially seems to be a Code Geass esque Grey and Gray Morality world, but GHQ ends up actually being evil, and Shu decides his loyalty only six episodes in.
 * Defeat Means Friendship: A Deconstruction with dramatic effect, and a recurring theme. Over time, Shu has to learn that he cannot trust anyone, even those who he already made friends with. Episode 3 ends with Shu doing the wrong idea of trusting the enemy and Episode 5 forces him to rethink his relationship with Inori, both of whom he befriended after their secrets were revealed.
 * Design Student's Orgasm: Void usage involves ribbons of Unmoving Plaid flying all over the place, Inori's Void especially.
 * Determinator: Gai, in spades. He has several disadvantages going for him  Despite all this, he pulls a Big Damn Heroes moment with Ayase to help Shu
 * Disney Death:
 * Does This Remind You of Anything?:
 * Inori moaning whenever Shu pulls his BFS out of her. Awesome and funny at the same time.
 * Also, the expression on Inori's face while
 * Really, nearly everyone who gets a Void pulled out of them puts on a face that the viewer can easily put out of context.
 * Episode 14, when the student council decides to see what Tsugumi's Void is. They pin her down so she can't run away and Hare comforts her by saying that that "it only hurts for a second."
 * Episode 15 takes it even further
 * Dogged Nice Guy: Shu towards Inori. Ayase and Hare are gender-flipped versions towards Gai and Shu, respectively.
 * Dramatic Chase Opening/Pursued Protagonist: The series starts off with Inori being pursued.
 * Dodge the Bullet: Gai.
 * The Dulcinea Effect: Double Subverted. Shu wants to help Inori when she gets captured, and though he doesn't feel capable, he ends up going back for her.
 * Eagle Land: Dan Eagleman. Bonus points for actually having "eagle" in his family name.
 * Emotionless Girl: At first, Inori seems to be this, but she's starting to gain emotions due Shu's influence on her and her growing love for him. In Episode 15, she starts to show fear during Shu's Roaring Rampage of Revenge.
 * Equal Opportunity Evil: One of the terrorists is a girl in a wheelchair.
 * Eva Fins: Some Endlaves have these, particularly Steiner.
 * Even Evil Has Standards:
 * Once Keido, Daryl, of all people, is shown to be more than a little uncomfortable with his policies.
 * In Episode 17, even Yahiro, the guy who came up with the Void ranking system, starts getting uncomfortable at how much of a Jerkass Shu is becoming.
 * Everyone Can See It: All over the place. Gai, Segai, and Ayase easily deduce that Shu has feelings for Inori with the first two using this fact against Shu, Tsugumi and Shu can tell Ayase's not-so-subtle feelings for Gai, and Ayase teases Shu that everyone in Funeral Parlor has noticed that Gai and Inori share a room together two or three times a month and assume that there's something between them.
 * Everyone Is Related:
 * Shu's flashbacks seem to hint that he knew Inori and Gai when they were children.
 * Evolving Credits
 * Expy: More particularly...
 * Shu is Shinji Ikari.
 * Inori is one of Rei Ayanami.
 * Daryl's custom white Endlave is suspiciously similar to the Lancelot, though its pilot is not nearly as nice.
 * Fantastic Drug: Norma Gene. The only details we have about it so far, though, are that it's genetic and that it's injected.
 * Fantastic Racism: Ironically inverted. When Souta and a few other students that have Voids with... limited powers hear about a possible Void-ranking system that hadn't even been implemented, they become so offended and afraid that this would be invoked, they run off to prove their worth. When Shu tries to pull a What the Hell, Hero?, Souta angrily accuses Shu of being guilty of this trope. It takes them being caught in the heat of battle to realize just how right Yahiro was about the limitations of their Voids.
 * First-Name Basis:
 * Shu calls his mother Haruka.
 * GHQ's suspicions are partially reaffirmed (that Shu's more involved with Funeral Parlor than he claims) since they figure no Ordinary High School Student would address the leader of a terrorist group by his first name.
 * As the series goes on it becomes increasingly more apparent that the creators meant for the show to be easily dubbed in English. Most of the time whenever two characters meet for the first time, one of them will insist on being called by their first name. Even if this doesn't happen everyone calls everyone by their first name regardless.
 * Five Rounds Rapid: Arisa uses her Void to try and hold off a squad of UN soldiers, who just sit back and keep shooting her Void shield with machine guns, rather than opting for heavier weaponry. Subverted in the fact that their guns actually are doing damage to the shield, but it's very time consuming.
 * Four Is Death A contrived example 256 (Four to the Fourth Power)Leukocytes
 * Freeze-Frame Bonus:
 * Watch the opening of Episode 6 onward carefully, particularly the part where Inori approaches her mirror image.
 * Not only that, if you freeze frame during the main opening where Shu is running through a crystal-filled space with his friends depicted in them, you'll see a waving Ayase STANDING UP. And the animators even showed her with a front and back shot, too (keep mashing that pause/play button).
 * Pay attention in episode 20, as Haruka is running to get Kurosu. If you look carefully as she passes the park, you'll see Yahiro and Jun from ten years ago.
 * Foe Yay: Segai is starting to show an interest in Shu.
 * Forgotten Phlebotinum: Tsugumi's Void turns out to be exceptionally useful in its debut episode, and then doesn't show up again for the rest of the show.
 * Genetic Engineering Is the New Nuke: Yeah, the Void Genome? That thing that can be used to pull a BFS out of a girl's chest and a magic shield/gun/kaleidoscope from an Axe Crazy brat's gut? That's been outright stated to be a genetic weapon. There's also apparently a recreational genetic drug called Norma Gene and the Apocalypse Virus is unlikely to be entirely natural.
 * Gotta Catch Them All: Seems to be Gai's current goal.
 * The Government: GHQ.
 * Gratuitous English:
 * The eyecatches feature "The boy acquires a special ability fights with the enemy with the essence of the person made a material as the weapon."
 * The opening song, "My Dearest", rapidly switches between English and Japanese with the lines, "So everything that makes me whole, ima kimi ni sasageyou. I'm yours."
 * Most of the songs in the OST, to the point of hilarity
 * Gratuitous German: Believe or not, but some songs of the soundtrack are sung in German. Most prominently "bios", which plays during Shuu's asskicking moments in Episode 1 and 4. While the pronunciation is so bad that even native speakers didn't recognize their language without reading the lyrics written in the booklet, the grammar and spelling is almost perfect. The lyrics even allude to the relationship between Shu and his sister Mana, and also to the whole Lost Christmas incident.
 * Gravity Master: Kenji Kido's Void is a gun that projects an anti-gravity field.
 * Heart Is an Awesome Power: Weaponized for Voids are basically a person's heart in a form of a weapon. However...
 * What Kind of Lame Power Is Heart, Anyway?: It may not always be something useful (eg a vase or fridge).
 * Heroic BSOD:
 * Shu in Episode 10, overlapping with Angst Coma and triggering a case of Screw This, I'm Outta Here.
 * He's Back: returns in episode 17, taking everyone by surprise, though mainly Shu and Inori.
 * Hidden Depths: A person's Void seems to allude to some not-readily-apparent character trait.
 * Holographic Terminal: These seem pretty common in 2039, used for everything from military computers to personal cellphones.
 * Hope Spot: The last few minutes of Episode 11. Damn!!! A lot of Episode 12, as well.
 * Hot for Student: Shu's father was his stepmother's professor.
 * Humongous Mecha: The Endlaves.
 * Incest Subtext: With all the references to Neon Genesis Evangelion, this was probably inevitable. Our chief offenders are
 * The Inner Reveal: Shu does this with his friends in Episode 11. The ensuing montage of him using their Voids is completely epic.
 * Irony:
 * Meta-usage. Episode 13 shapes up to be an epilogue, with Shu even saying in his internal monologue, "It's all over now isn't it." Then the second opening kicks in.
 * Hare believes that Shu will be a "kind king."
 * Subverted in that case. He eventually does become the kind king that Hare wanted him to be. Albeit, his kindness is his will to do everything for his friends, no matter the cost to himself.
 * Commented upon by the American forces dispatched to  Ten years ago they had been dispatched to the very same area in order to provide relief.
 * It Got Worse:
 * Episode 9 onwards. Episode 11 serves as a brief Hope Spot before it gets even worse.
 * This seems to have become a recurring element in every episode after episode 12. Especially episodes 15 and 17.
 * I Will Protect Her: Shu and Inori. A play on this trope, since it works both ways.
 * Imaginary Love Triangle: Zigzagged. Due to an implicated scene between Gai and Inori, as well as Ayase teasing the nature of their relationship to Shu, Shu is left under the impression that Gai and Inori are in a sexual relationship. Turns out this isn't the case, but the truth is a little more complicated. However, due to slight hints of Gai's jealousy towards Shu's and Inori's growing closeness, it may very well be a love triangle. In the end, the only girl Gai wants is Mana, the girl who Inori resembles. Still, see Love Dodecahedron below.
 * Kick the Dog: Daryl Yan is a constant offender of this in earlier episodes.
 * Killed Off for Real:
 * Kill'Em All:
 * GHQ's ultimate solution to the Apocalypse Virus problem... according to Gai, anyway.
 * The United Nations
 * Kill Sat: GHQ's "Leukocyte."
 * In Episode 18, it's revealed that.
 * Laser-Guided Karma:
 * Love Dodecahedron: The audience is first introduced to the Shu/Inori/Gai Imaginary Love Triangle, where Shu is in love with Inori but thinks she's in a relationship with Gai. Things start to get complicated when it's shown that Shu's classmate Hare is in love with him, his other classmate Souta has unrequited feelings for Inori, and the Student Council President Arisa and Funeral Parlor's Ayase both have a crush on Gai. It all goes to hell when it's shown that Mana is the girl Gai is doing everything for, but Mana herself is shown to have loved, though this could be just an effect of the Apocalypse Virus on her mind,  As of Episode 13, Ayase is hinted to be Shu's Third Option Love Interest, but this is never explored past that point. There is also a clear crush of Meganekko Kanon on Yahiro (whose attitude or even knoledge of it is never even implied) and some Ship Tease between Daryl and Tsugumi which also amounts to nothing.
 * MacGuffin: The Void Genome, which Inori entrusts to Shu and is later grafted onto his right arm.
 * A Mech by Any Other Name: Endlave.
 * Memento MacGuffin/Tragic Keepsake: The cross necklace that Gai carries,
 * Mercy Kill:
 * Monster Sob Story: Daryl. Seeing him in Episode 8 sitting at a table alone, waiting for his father in front of his birthday cake and then being told he would not be attending (cue next scene where said father talks bad about him) feels really bad. Episode 10 really piles it on when he catches his father having an affair with his assistant.
 * Nice Job Breaking It, Hero:
 * Good job, Souta! Due to your excellent plan to prove to Shu that "F"-rank Void users aren't useless, you
 * Good job, Yahiro! Your Void ranking system idea is the indirect cause of
 * Good job, Arisa! Your plan
 * No One Could Have Survived That: Gai has already managed to survive several attempts on his life. In Episode 5, Leukocyte 1 was dropped on top of him, and he survived without a scratch. Again in Episode 12, at the end, where Gai rushes to kill Mana, only to be impaled with several crystalline spikes, all going straight through him.
 * Pet the Dog: In episode eighteen, after Shu's gone through, Shu gives up some of his food to a young child.
 * Plot Tailored to the Party: A rather unsubtle example in Episode 11. In order to get to Haneda Airport while under fire, Shu has to use the skills of all the other film club members' Voids once each.
 * Powers in the First Episode: Last two minutes of the first episode, to be exact. Extra points for the Theme Music Power-Up.
 * Prophecies Are Always Right Hare an Kanon's horoscopes are on the spot, the first saying that a vase with tiger stripes is her lucky charm in love immediatly before said object appearing leadong to a train trip with shu (with admitedly less than lucky results). The latter one's says what she is looking for can be found in an aquarium, and later in the episode we find out Yahiro's hiding place is surrounded by fish tanks.
 * Replacement Goldfish:
 * La Résistance: Funeral Parlor.
 * Roaring Rampage of Revenge: Shu goes on one The entire scene seems to be a remake of Rebuild of Evangelion's battle between EVA-01 and Zeruel. It's not a nice sight, especially considering it started with the biggest Tear Jerker in the show so far.
 * Robot Buddy: Funell, which follows Inori around and is capable of shooting out strings, much like a Tachikoma.
 * Rule of Three: There were three successfully created Genomes that hold the "Power of Kings," including the one that Shu possesses.
 * Sacrificial Lion:
 * obviously could be considered one.
 * Say My Name: Shu to Gai in Episode 11, combined with Skyward Scream.
 * Scarf of Asskicking: Shu after.
 * Shirtless Scene: Gai in Episode 5.
 * Shoot the Dog:
 * Shout-Out:
 * Funell is basically a Haro with wheels and another paint-job.
 * Gai shows up as Shu's lawyer, his cover name: Mason.
 * Aside from the obvious one, the scene where Shu pulled a weapon out of Inori's chest calls back several different shows.
 * Another Gundam-reference is actually present, as unusual as it might be for Gundam. See how the Apocalypse Virus turns people into crystals and kills them? Then remember how the ELS killed people. Exactly: By turning them into crystals. And in both cases the subject seems to feel tremendous pain from the conversion.
 * Shu and Gai seem to be an unintentional shout-out to a certain Tatsunoko anime in the 80's that has similarly-named characters with an antagonistic relationship.
 * Scenery Porn: The backgrounds, scenery, and lighting are very beautiful and detailed.
 * Shallow Love Interest: Shu and Inori come off as this for the entirety of the anime due to The Dulcinea Effect.
 * Subverted, as
 * Played straight however with Tsugumi and
 * Kanon's crush on Yahiro is about the only characterization she gets.
 * Ship Tease: Tsugumi's encounter with Daryl is laden with this and continues on in following episodes.
 * Shown Their Work: The chess game between Shibungi and Segai is actually the seventh game from the 1971 candidates final between Bobby Fischer and Tigran Petrosian.
 * Sibling Triangle:
 * Spin-Off: In the form of a PC game from the writer of Demonbane.
 * Spell My Name with an "S":
 * Fyu-Neru/Funell and Endrave/Endlave.
 * Funimations subs have gone with Funell and Endlave.
 * As is always the case: Guy/Gai. Gai is the official spelling.
 * Spiritual Successor/Whole-Plot Reference: General consensus is that this series could be considered a partial one to Code Geass, particularly in the beginning, given that it shares the same "resistance group taking on oppressive entity" setting. While Shu and Lelouch have very different personalities and interests, they are both 17-year old youths accompanied by mysterious girls (Inori and C.C. respectively, who also differ from each other) and capable of using mysterious powers. Curiously, both Geass and Crown share the same writing duo mentioned above (though their positions and responsibilities have been switched around), despite having different directors and production studios.
 * Most of the first episode felt like one massive Code Geass Shout-Out, from the massacre to the gaining the new power at the very last minute.
 * Gai's securing of funds plays out almost exactly like Lelouch's did.
 * Another reference to Code Geass would be Hare, since everything about her screams "Shirley 2.0."
 * Start of Darkness: Episode 20 shows how Keido slowly becomes bitter over Kurosu's abilities to the point where he
 * Steel Ear Drums: In Episode 5, Inori, Shu, and Ayase are practicing on a firing range, and none of appear to be wearing any sort of hearing protection whatsoever, yet they don't seem to be adversely affected from the noise a rapidly firing handgun at close range makes.
 * Stripperiffic: Inori's school uniform doesn't seem very odd, but the outfits she wears when singing and working for Funeral Parlor show a lot of skin.
 * Summer Blockbuster: Though the visuals are amazing and some of Japan's most popular musicians were hired to write the soundtrack, there isn't much else that makes Guilty Crown stand out from other shows of its type. That is until deconstruction to an extent very rare for series similar to this one ensues.
 * Superpower Lottery: In full effect with the Voids that Shu extracts from people, which range from a Humongous Mecha-slicing BFS to a particularly small and unremarkable pair of pliers to a walk-in refrigerator. In fact, Voids that are actually usable as weapons appear to be a pretty bad sign, psychologically-speaking.
 * Synchronization: Between Endlaves and their pilots.
 * Taken for Granite: The Apocalypse Virus causes the gradual crystallization of the infected.
 * Tempting Fate: Happens a lot in this series, but in episode 14 Shu clearly states, "It won't get any worse than this." Oh Shu, how wrong you were...
 * Theme Music Power-Up: Whenever Shu draws a Void and saves the day.
 * Theme Tune Cameo: "Euterpe" several times, and also the first ending theme "Departures あなたにおくるアイの歌"
 * There Is Another: There are two Void Genomes floating around out there besides Shu's.
 * Theres No Kill Like Overkill:
 * Episode 2 has Gai using beam reflectors to annihillate a rather pompous military coup, with the help of Shu using a beam cannon fired at the reflectors. The situation quickly ramps up to Beam Spam and turns everything into Made of Explodium.
 * Episode 5 has It doesn't just take out the location they were firing at; it removed everything within at least a five-kilometer radius. Whoa.
 * Episode 12 has
 * To Absent Friends: In the ending,
 * Together in Death:
 * Too Dumb to Live: The guards in Episode 6. If they were in range of accurate handgun fire, especially after one guard is shot in front of them, why did they need to close the distance while wielding longer range weapon? Why?
 * Took a Level In Badass: Shu in almost every episode.
 * Transformation Is a Free Action: Played with. Shu's first one took two minutes and everyone just stood there doing nothing, apparently out of sheer surprise, but a couple of episodes later, GHQ has factored him into their plans against the Funeral Parlour and Major Segai has to kill a sniper trying to blast him mid-transformation because he wanted to watch it happen.
 * Twenty Minutes Into the Future: The Apocalypse Virus outbreak occurred in 2029, thus setting up the rest of the story.
 * Unprovoked Pervert Payback: In one episode, Shu is alone in a room wearing only a towel when Ayase suddenly enters and scares him, causing him to drop the towel (but he tries to cover himself). Ayase proceeds to scream and slap him, even though she was the one who barged in without knocking.
 * Unusual User Interface:
 * The holographic interface Tsugumi uses. She controls it with her full body (including bumping stuff with her butt) and includes strange controls like something which looks like some kind of puzzle game (well, maybe it is a puzzle game she plays along the way while managing a combat operation).
 * It appears to track motion via the lights on the suit and includes force feedback--when she "bumps stuff with her butt" it bumps back.
 * The Virus: The so-called Apocalypse Virus.
 * Well-Intentioned Extremist: While the GHQ's methods may seem harsh, they point out that they were necessary to quell the chaos of the Apocalypse Virus, and that the people they target are those who refuse to be inoculated against it.
 * Wham! Line:
 * Episode 10:
 * Episode 15:
 * Took a Level In Badass: Shu in almost every episode.
 * Transformation Is a Free Action: Played with. Shu's first one took two minutes and everyone just stood there doing nothing, apparently out of sheer surprise, but a couple of episodes later, GHQ has factored him into their plans against the Funeral Parlour and Major Segai has to kill a sniper trying to blast him mid-transformation because he wanted to watch it happen.
 * Twenty Minutes Into the Future: The Apocalypse Virus outbreak occurred in 2029, thus setting up the rest of the story.
 * Unprovoked Pervert Payback: In one episode, Shu is alone in a room wearing only a towel when Ayase suddenly enters and scares him, causing him to drop the towel (but he tries to cover himself). Ayase proceeds to scream and slap him, even though she was the one who barged in without knocking.
 * Unusual User Interface:
 * The holographic interface Tsugumi uses. She controls it with her full body (including bumping stuff with her butt) and includes strange controls like something which looks like some kind of puzzle game (well, maybe it is a puzzle game she plays along the way while managing a combat operation).
 * It appears to track motion via the lights on the suit and includes force feedback--when she "bumps stuff with her butt" it bumps back.
 * The Virus: The so-called Apocalypse Virus.
 * Well-Intentioned Extremist: While the GHQ's methods may seem harsh, they point out that they were necessary to quell the chaos of the Apocalypse Virus, and that the people they target are those who refuse to be inoculated against it.
 * Wham! Line:
 * Episode 10:
 * Episode 15:

": King? Have you forgotten? You were just an usurper. The king has always been me."
 * Episode 17:


 * What Do You Mean It's Not Awesome?: Taking a sword from a person's body has been done before. Watching that happen while killing your comrade who's about to shoot that person has never been better.
 * What Do You Mean Its Not Symbolic: Lost Christmas was The second season opening takes this several steps further.
 * What Happened to the Mouse?: The epilogue of the series only focuses on, leaving out the fates of many secondary characters, such as.
 * What the Hell, Hero?:
 * Shu does this to Souta when Shu basically tells Souta it's all his fault and beats the crap out of him.
 * Argo calls out Shu in Episode 16 when he realizes he's gone off the deep end.
 * Shu and Yahiro both call each other out in Episode 17 for different reasons; Yahiro feels that Shu is going to far with his treatment towards the student body and frowns upon Shu's "special treatment" towards Inori, as it would look badly by everyone else, while Shu calls out Yahiro on using him the entire time to fulfill his plans through him.
 * The Worf Effect: The UN Carrier Group that was supposed to purge Japan was simply blasted out of existence by a Leukocyte.
 * Xanatos Gambit: Shu's running a simple one by the end of the Episode 4. He can gather intel and get his jollies by living the exciting and glamorous life of a terrorist with Gai. As soon as things go south, he can nigh instantly call in Government, who will presumably give him, or be bargained with to give him the VIP treatment for handing them Funeral Parlor on a silver platter.
 * Or so he thinks. Turns out that
 * X Meets Y: What would happen if the cast of Neon Genesis Evangelion were asked to act out the plots of both Code Geass, Infinite Ryvius and their own show at the same time? A disturbingly bloody mess of a plot where none of the characters can walk away unscathed, that's what. Also, Guilty Crown.
 * Your Mind Makes It Real: Even though the Endlaves are basically remote controlled unmanned vehicles, when they get damaged or destroyed, the pilots connected to them either die or suffer severe injuries if they don't sever the link in time.
 * Your Terrorists Are Our Freedom Fighters: According to GHQ, Funeral Parlor is a group of terrorists who deserve no human rights. According to Funeral Parlor, GHQ is a repressive government controlling Japan. They may both be right.