Spider-Man (2018 video game)

Marvel's Spider-Man is a Playstation 4-exclusive Wide Open Sandbox superhero game, developed by Insomniac Games and starring the titular Spider-Man in a universe completely separate of any other Marvel property. It takes place eight years into Peter Parker's career as Spider-Man, who is currently in the process of subduing and arresting the infamous Wilson Fisk, NYC's Kingpin of Crime and a persistent thorn in his side ever since he took up the mantle of a superhero. When he's being hauled away by the police, Fisk ominously warns Spider-Man that he was the one keeping the city in order, and that Spidey will beg for him to come back once the city loses itself to chaos. Unimpressed, the web-slinger anticipates being able to catch a break now that one of his biggest enemies is safely behind bars...

Too bad Willy's prediction was right on the money: now that Kingpin's out of the picture, plenty of small-time criminals are seeking to take advantage of the power vacuum he left behind and a massive crime wave ensues. And so far, the ones looking to rise to the top are the Demons, a mysterious gang of creepy, masked Chinese mobsters with strange powers who are obsessively hunting for something called "Devil's Breath." Can Spider-Man put a stop to this new threat? Can he keep his friends and loved ones out of harm's way? And just what is this "Devil's Breath" anyway? You'll have to play to find out, True Believers! Or read this page, of course.

The game would prove to be a massive success, and would receive not only follow up DLC in the form of the City That Never Sleeps package, but a psuedo-sequel called Spider-Man: Miles Morales as well as a proper sequel that is currently in the works.


 * Action Prologue: The game opens with Spider-Man helping the NYPD storm Fisk Tower, where Kingpin puts up a hell of a fight by employing a small army of armed thugs while blowing up parts of his building in hopes of making a clean escape. The player gets to experience the thrill of playing as Spider-Man in his prime, and the act of beating the crap out of Kingpin's goons, rescuing the people trapped by the debris of his crumbling building, and beating down the Kingpin himself as the first boss all makes for a memorable experience to establish just what kind of game you'll be playing.
 * Adaptational Heroism: Norman Obsorn is still a sleazy scumbag, but he is not the heartless sociopath that his comic counterpart is: he's a committed family man still mourning the death of his wife and, and genuinely likes Peter without propping him up as the ideal son to shame Harry with. While he becomes something of a ruthless tyrant once he hires Sable International to patrol the streets of Manhattan, his villainy tends to stem from well-intended idiocy rather than genuine malice.
 * Tombstone is also a lot friendlier than most incarnations. While he's willing to kill Spider-Man for getting in the way of his criminal enterprise, he's a smooth, chill guy who makes a lot of friendly small-talk with Spidey during his boss fight, and even admits that he'd happily clean up his act if it paid better.
 * Adaptational Villainy: Hammerhead was hardly a saint in the comics, but he's an absolutely evil son of a bitch in the DLC, where he's more than happy to blow Manhattan to pieces by arming his men with destructive Sable Tech, brutally murders plenty of cops for the sake of antagonizing one, and steals humanitarian aid to a country that needs it just to be a dick.
 * Baby Got Back: Black Cat may not be showing off a ton of cleavage like most versions of the character, but the amount of shots dedicated to showing off how her spandex flatters her big butt more than make up for it.
 * Badass Grandpa: Vulture may take a lot of abuse in cutscenes, but he's still a dangerous supervillain who age hasn't slowed down in the slightest.
 * Badass Normal: Jefferson Davis is just a normal cop, but can keep up with Spider-Man when they're fighting off the Demons ambushing them at Fisk's shipyard arms cache. Silver Sable is also a scarily competent fighter who gives Spidey a run for his money both times they fight, despite just being a very, very skilled martial artist and gunslinger.
 * Big Applesauce: As one would expect from a Spider-Man game, the game is set in good ol' NYC which has been lovingly recreated (if scaled down) with amazing attention to detail.
 * Black Dude Dies First:
 * Bloodless Carnage: There's a surprising amount of onscreen violence: Spidey gets impaled twice, a suicide via gunshot is shown on screen, the middle act is kicked off by a chillingly realistic terrorist attack... but the amount of blood shown is kept to a minimum.
 * Bonus Boss: Tombstone and Taskmaster are divorced from the main storyline's conflict, and are fought in side missions.
 * Broken Pedestal:
 * Casting Gag: Electro is voiced by Josh Keaton, who has gone from Spider-Man to one of his foes. Amusingly, Norman Osborn is now voiced by Mark Rolston, who was the voice of DC's own corporate mogul supervillain Lex Luthor in Young Justice.
 * Comic Book Fantasy Casting: While he's modeled after an actual person (John Bubniak), this incarnation of Peter Parker looks like a cross between his actors from the Amazing Spider-Man and MCU movies, Andrew Garfield and Tom Holland respectively. In the PS5 rerelease, his new face (modeled from Ben Jordan) looks more like a pure Tom Holland copy.
 * Norman Osborn meanwhile looks like a cross between his own live action actors Willem Dafoe and Chris Cooper respectively, as well as a bit of Donald Trump thrown in for good measure.
 * Cool Old Guy: Mick, the friendly cook who's happy to see Peter and MJ together again. But what else would you expect from Stan Lee?
 * Darker and Edgier: Oh yeah. The game may start out lighthearted enough, but once the demons suicide bomb City Hall everything gets worse: Mr. Negative tries to unleash a bioweapon,, a suicide by gunshot happens on screen, , and we get some of the rawest displays of emotion from Spider-Man seen in any form of media.
 * Defiant to the End:
 * Degraded Boss: After defeating the Kingpin, Brute enemies start showing up who have Kingpin's heavyset build and fighting style, requiring similar techniques to take down.
 * Dirty Cop: Mostly averted since the NYPD stands in as a more lawful, protective alternative to the trigger-happy, fascist Sable International goons, but a squad of corrupt cops try to take out Spider-Man right before Kingpin's boss fight.
 * Dual Boss: Two-thirds of the Sinister Six are fought like this: Spidey fights Electro and Vulture in a pitched airborne battle where they get along swimmingly, while Rhino and Scorpion are fought at the docks with both being incredibly antagonistic towards one another.
 * Even Evil Has Loved Ones: Martin Li may be okay with racking up enormous amounts of collateral damage in his war against Oscorp, but he genuinely views Aunt May as a friend and doesn't want her to get hurt. He's also fighting to avenge
 * Norman Osborn is a widower who never recovered from the death of his wife, and is similarly troubled by
 * Evil Albino: Tombstone is an albino black man who hits like a truck, tanks hits like they're nothing, and towers over Spidey during their boss fight. He is however pretty chill and respectful.
 * Evil Doppelgänger: Spider-Man believes that this is happening when he finds out that someone's been impersonating him, but the Copycat Spider-Man is a decent guy who just wants to do his part to fight crime in New York, even if it almost gets himself killed in the process. During that mission though, he implies that The Chameleon pulled off something like this in the past.
 * Fair Cop: Yuri Watanabe is a cop and incredibly hot in an older tomboy sort of way.
 * Fat Bastard Kingpin, though like in the comics he merely appears to be fat and is instead heavily muscular. The Brute enemies seem to be a straighter example, though.
 * Faux Affably Evil: Scorpion and Hammerhead like to present themselves as well-mannered and likable, but there's a lot of barely-hidden sleaze and sadism behind their kind words, and it doesn't take long for the mask to slip and show them as the brutal thugs they are.
 * Fiery Redhead: This game's incarnation of MJ, who's a spunky journalist that is unafraid of putting herself in dangerous situations to uncover the truth, and gives Peter an earful on more than one occasion for being protective of her.
 * [[Foregone Conclusion:
 * Giant Mook: Brutes are hulking brawlers who can't be hurt unless they're webbed up or slid under, and can't be thrown around unless you have a specific upgrade.
 * The Guards Must Be Crazy: Somehow, Silver Sable's elite mercenaries are woefully bad at finding Mary Jane, who infiltrates their bases and crosses paths with them multiple times and regularly outsmarts them, despite being a normal journalist without military training.
 * The Heavy: He isn't the final threat of the game, but Mr. Negative drives a good chunk of the plot with his terrorist attacks on the city and is the most visible threat until joins the fray.
 * Hope Spot: For players who have gotten attached to the lovable, seeing Peter convince him not to will make them breath a sigh of relief... only for  to angrily put it back on after seeing Norman Osborn sleaze it up on TV.
 * Ironic Echo: "You knew?" It shows up twice barely fifteen minutes between each instance, with each carrying far different connotations. The first is rage, when, the second is sadness when
 * Jerkass: Scorpion is a raging asshole who constantly insults and belittles Rhino during their boss fight.
 * Jerk With a Heart of Gold: J. Jonah Jameson is a loud-mouthed asshole who makes a lot of ridiculous leaps in logic to accuse Spider-Man of every crime under the sun in his radio broadcasts, but he's also a decent man who genuinely loves New York and isn't afraid to call out Norman Osborn and Sable International for abusing their powers during.
 * Made of Iron: Spider-Man takes an inhuman amount of punishment in the game's climax: he's brutally beaten by the Sinister Six during the Raft escape that ends with him breaking 14 bones, and he's even forced to let impale him during the final boss fight. Thanks to his healing factor, he's able to walk it off.
 * Malevolent Masked Man: The Demons are a gang made entirely by terrorists wearing eerie Chinese demon masks. However, Martin Li/Mr. Negative, their leader, never wears one.
 * Shocker and Taskmaster are both masked supervillains, but Shocker isn't really malevolent so much as he is desperately trying to help the people blackmailing him back into villainy.
 * Mercy Invincibility: Ha ha... no. Every hit you take counts meaning that you need to be quick on your feet, or even the game's weaker enemies will kill you in seconds.
 * Mind Control Eyes: Victims of Mr. Negative's hypnosis show this.
 * Ms. Fanservice: Black Cat, as always. She's as flirty and shapely as ever, and is confirmed to have had sex with Peter at least once given that
 * Never My Fault: J. Jonah Jameson refuses to accept any responsibility for Scorpion's villainy despite funding the experiments that bonded Mac Gargan with his deadly suit. Granted, he does have a point that he had no way of knowing that Gargan was a lunatic, but he's still somewhat culpable, if unintentionally.
 * No Celebrities Were Harmed: J. Jonah Jameson acts a lot like the controversial talk show host Alex Jones, and runs a podcast where he espouses all kinds of insane conspiracy theories. However, most of the crazy talk begins and ends with his obsessive hate for Spider-Man, and he does raise more than a few good points while also showing genuine care for New York and its populace.
 * Precision F-Strike: Most of the swearing doesn't get much worse beyond a few "Damns" and "Ass-"es, but one of Tombstone's goons will yell "Who left their shit on the floor" while MJ is infiltrating his hideout, likely as a way to capture stereotypical biker grittiness.
 * Reality Ensues: If you forget to pay your rent, you can expect to be unceremoniously kicked out your home in short notice.
 * Putting a crime boss as well-connected and influential as Wilson Fisk in jail doesn't mean you've put a stop to all the crime he's overseen. A good chunk of the game's side missions involve shutting down the operations Fisk left running in his wake, as well as foiling an escape attempt he's been orchestrating from behind bars.
 * Similarly, when a crime boss as high up on the totem pole as Fisk is arrested or otherwise disposed of, plenty of lesser criminals will jump in and try to fill in the void he's left behind.
 * If you fail to stop a random crime on the street, there's no redoing it: you have to live with your failure and endure J. Jonah Jameson raking you over the coals for it.
 * Rhino Rampage: As any Spider-Man fan would expect, Rhino is often seen causing all kinds of chaos by plowing through whatever's in his way.
 * Roaring Rampage Of Revenge: Mr. Negative,, and in the DLC, are ALL driven by this in their line of villainy: the former two hate Norman Osborn and are willing to do whatever it takes to bring him down due to him screwing them over in the past, and the latter is obsessed with killing the Maggia and similar criminals after Hammerhead kills a ton of good cops.
 * Sadistic Choice: At the end of the game,
 * Scenery Porn: The streets of Manhattan are gorgeously rendered, as are the various building interiors you can explore. Hell, even the nightmarish hellscapes you visit look great.
 * Take That: Norman Osborn and J. Jonah Jameson are definitely meant to be unflattering caricatures of Donald Trump and Alex Jones respectively, but in a twist of fate they aren't entirely negative either. While they embody many highly-criticized aspects of both men (Trump and Norman being shady New York businessmen who become controversial politicians involved in all kinds of questionably legal activities, Jonah and Alex's conspiracy theories) they have plenty of good traits to their characters and actually feel properly fleshed out instead of just being one-note caricatures for the audience to hate and/or laugh at.
 * In Spidey's social media feed, a mom slags Spider-Man for not saving her child's balloon which is a jab towards the infamously hated balloon-rescue missions from the Spider-Man 2 movie tie-in game.
 * Screwball is meant to embody everything that's wrong with modern streaming culture, and is portrayed as a stupid, obnoxious clout chaser who forces Spider-Man to dance to her whims so she can post videos of his exploits on the internet. She uses a lot of cringy slang, which just makes her that much more hateable.