Encanto



Encanto is a 2021 Disney film, the sixtieth work in the Disney Animated Canon. It features music created by Lin-Manuel Miranda and stars Stephanie Beatriz as the protagonist Mirabel.

A family in Colombia has magical gifts, that a miracle candle bestowed upon them after their patriarch pulled a Heroic Sacrifice to rescue his wife and children from bandits. Their house represents the magic and their family bond. Each has a door that revealed their powers on a special birthday. Abuela Alma, a widow and the current matriarch, has the family Madrigal use their gifts to benefit the village. She is dismissive and condescending towards Mirabel, her granddaughter whose door vanished when she was a child.

Mirabel tries not to care about her lack of gifts, hoping to find her place in the world as an ordinary girl. The day of the latest gift ceremony, she notices cracks in the wall. They vanish when she tries to show the family, but she overhears Abuela worrying about them. The magic may be fading, and Mirabel has to figure out why.


 * Abusive Mom: Abuela is not that nice to her children or grandchildren that refuse to fit the mold of perfection. Bruno became an outcast because people didn't like his predictions, and the Madrigals treat Mirabel as an outsider under Abuela's influence, with Isabela treating her little sister as a Doom Magnet and blaming her for every little problem gone wrong. Mirabel hits her Rage Breaking Point and calls out Abuela for this in the climax, how nothing is good enough for her.
 * Adult Fear:
 * Watching your husband die in front of you, as he futilely tries to protect you and your infant kids. More so that despite Abuela telling it as a take of great heroism,.
 * Among the many fears that Luisa sings about in "Surface Pressure," she's terrified that losing her gifts will mean not just losing her worth, but also the ability to protect people in her family. She sings about how she needs to protect Mirabel from everything.
 * The climax features
 * Big Sister Instinct: Deconstructed with Luisa in "Surface Pressure". She lies to Mirabel, her little sister, that she's feeling fine and not worried about the magic, while her eye twitches. Mirabel gives her space to vent about the pressure to always perform, and how she has to literally hold up the family's weight.
 * Bitch in Sheep's Clothing: Dolores has a few moments of this, being catty and outing to the neighborhood kids that Mirabel has no gifts. She tells Mirabel that she heard nothing wrong and that she's crazy for talking about cracks in the wall, and smirks when telling Isabela that the man courting her wants five children, hinting that it's a lie..
 * Bittersweet Ending: Thanks to Abuela refusing to see that she's a toxic grandparent,
 * Disposable Fiancé: Reconstructed with Mariano. He seems nice enough while being smitten with Isabela, and most of the villagers would be thrilled to marry a Madrigal given their powers, but Abuela is arranging the match while making it look like it's Isabela's choice. They've only spent time together during formal events, under strict parental supervision. As a result, Isabela doesn't really know him, apart from what Dolores tells her, he might be more in love with the idea of Isabela rather than the reality, and Dolores may be trolling her when saying Mariano wants five kids . Eventually, Isabela realizes that
 * Don't You Dare Pity Me!: While Mirabel doesn't say this outright, she has an annoyed expression whenever an outsider expresses sympathy or tries to make her feel better about having powers. Granted, the neighborhood kids are Innocently Insensitive about the fact that she has no gifts, and a local florist gives her a basket on the house called "The Not Special Special" in an attempt to make Mirabel feel better about her failed ceremony.
 * Generational Trauma: Encanto puts this on full display for most of the movie. Abuela Alma witnessed bandits murdering her husband who attempted to protect her and their triplets, along with a group of refugees. When the miracle happened-- an ever-burning candle caused the mountains to rise and dispel the bandits while creating a safe haven for the survivors, and giving magic to Abuela's children-- Abuela became convinced that the best way to respect the miracle was to make her children useful. Unknowingly, her demand for perfectionism and rigidity causes her to alienate her powerless granddaughter Mirabel who tearfully pinpoints at her Rage Breaking Point that she will never be good enough for Abuela. That's not even going into how she inadvertently turned her son Bruno into the town's pariah, has driven her other granddaughter Luisa to a near-breakdown with how Luisa feels she needs to literally carry the house's burdens on her back, and treats Isabela as the golden child who must never get her hands dirty despite an affinity for plants. It takes.
 * Go Mad From the Isolation: Poor is still.
 * Good Parents: Julieta and Agustín Madrigal try to mitigate the favoritism that Abuela lavishes on Isabela while isolating Mirabel, with Julieta always having words of advice and healing food for Mirabel. At a crucial moment, Agustín has a completely protective and reasonable response to finding out that.
 * Happily Married: All the married couples from the Madrigal family, and it ends up being inadvertently a plot point. Mirabel notices the cracks around the same time that Abuela arranges a marriage for Isabela, and.
 * Innocently Insensitive: If a character isn't dismissive towards Maribel for being ordinary, expect this trope instead:
 * Mirabel tries to dissuade the kids when they keep asking what her gifts are, and running away from them. Dolores and Abuela drop the bomb that Mirabel never got a gift, as Mirabel is trying to be more tactful. The kids then say insensitively that Mirabel must be so sad and they feel bad for her. Mirabel tells them there is no shame in being ordinary when she is a Madrigal, while hiding her annoyance.
 * The local florist delivers a gift to Mirabel since it's time for the next ceremony, and he was worried that she would be reminded of her own botched ceremony where her door disappeared. She appreciates the gesture, but not how he reveals that he called it "The Not-Special Special" because there is "nothing special" about her. Mirabel tucks it into the nursery before trying to help with the ceremony preparations.
 * Played for Drama and justified with the way that Luisa treats Mirabel before and during "Surface Pressure," when she tries to lie that nothing is wrong. Most of the song features her leaping into danger or rescuing Mirabel from dire situations, and singing how she doesn't know who or what she would be if she couldn't use her powers. Part of it is that Mirabel is the youngest sister and has no gift to protect her, but Luisa makes it clear she'd be terrified if there was a day that she wouldn't be able to rescue Mirabel from grave danger. Sure enough,
 * Misplaced Retribution:
 * Isabela tends to blame Mirabel for things going wrong, because Mirabel is the only one who doesn't have powers in the family and Abuela encourages this mindset. Case in point: the dinner with Mariano goes wrong . When Mirabel tries to go to talk to her older sister,.
 * Just as Isabela and Mirabel, Abuela comes across them reconciling , and starts yelling at Mirabel for being a bad influence on Isabela and causing trouble with . This is despite the fact that it wasn't Mirabel who disrupted the dinner-- Dolores did with her big mouth and Mirabel was trying to rush the dinner to ensure that Dolores wouldn't blab about . Isabela has a silent Jerkass Realization on seeing how she's been treating her little sister and learned it from Abuela, and Mirabel snaps. She calls out Abuela for putting impossible standards not just on her but on everyone in the family, how it led to Bruno running away . No matter how much Mirabel would try, she would never please her grandmother and would always be a target of her scorn..
 * No Antagonist: This is an unusual Disney movie in that there is no outright evil villain. Abuela is certainly an antagonist, but Obliviously Evil who mends her ways . While Bruno is a figure shrouded in mystery whose prophecies spelled doom and gloom,.
 * Only Sane Man:
 * Agustín due to being married into the family out of love and not out of politics proves to be this, despite being accident-prone. At a crucial moment, he shows that he is not afraid of Abuela when calling her out for how she treats Maribel and expects him to throw his daughter to the wolves because.
 * Julieta is the only Madrigal with a gift not weighed down by it with mood swings or expectations. Granted, healing people with good food and the fact that she loves cooking helps a lot.
 * Rashomon Style: Three different characters recall Pepa's wedding: Pepa herself, her husband Felix, and . Felix starts to wax poetically about how it was the perfect day and his wife was so beautiful. Pepa interrupts to remind Felix that it's her story, and reveals that she was working hard to make sure the weather was perfect. Bruno then told her, "It looks like rain," causing her to freak out and cause a thunderstorm. She got mad at Bruno and believed he did it on purpose to mess with his sister..
 * You Can't Fight Fate: A reconstructed example with Bruno's predictions. He became the pariah because all his predictions came true, and they were negative stuff like the priest going bald or a woman's goldfish in a bowl dying. Pepa holds a grudge against Bruno for saying, "It looks like rain" to her on her wedding day, causing her to freak out from nerves and bring in a thunderstorm. . Many of his predictions were actually inevitable due to human nature: people go bald over time, and keeping a goldfish in a bowl that small will kill it. While Bruno . Mirabel does try to subvert this prophecy by . The reason why Mirabel's actions don't fix the cracks is because.