Sherlock Holmes (film)/YMMV

""You, at the fountain golden, Of youth, so free from doubt, Be to the trout beholden; At danger's sign, clear out! Tis oft for want of reason That maids will shun the straight. Beware the anglers' treason Else you may bleed too late!""
 * Acceptable Ethnic Targets: The ginger midget is a twofer.
 * Gypsies in the sequel.
 * And the Fandom Rejoiced: Stephen Fry as Mycroft? Hell yeah!
 * Noomi Rapace will be in the sequel. Fuck yeah.
 * Complete Monster: Lord Blackwood. During the movie it's revealed he has killed 5 girls for his rituals (he even claims that they were not the first to be butchered). He arrives at kill  and his master plan is killing the members of Parliament with a poisonous gas machine thus starting a civil war. He also wants to bring America back under English rule. Some of his followers and minions also counts.
 * In the sequel, Professor Moriarty arguably manages to be even worse. He's a criminal mastermind, completely devoid of empathy, with an elaborate scheme of an even grander scale than Blackwood's - and he has a personal grudge against Holmes himself.  He does it while singing along to a beautiful piece by Schubert, too.
 * Also a hint of Ho Yay: the lied he sings, "The Trout" (composed 1817), ends with a fourth stanza which explains the trout had been an allegory for a naive girl caught in the reel of unscrupulous men. Given that Moriarty thinks himself as the fisherman and his obsession with Holmes runs for years...
 * The fourth stanza sounds in English translation like this:


 * Crowning Music of Awesome:
 * The musical score by Hans Zimmer is so wonderfully eclectic. Who knew a harpsichord could sound so epic?
 * Rocky Road to Dublin played by The Dubliners, played over Holmes' pit fighting scene, and again over the ending credits.
 * Game of Shadows pinches Ennio Morricone's theme from Two Mules for Sister Sara.
 * The film's distinctive piano tones? Done by Zimmer and his crew taking an old piano and doing "hideous things" to it just to get it as out of tune as he wanted.
 * Dramatic Irony: In Game of Shadows, Holmes notes that Moriarty can spark a world war with a lone gunman and the right target. This is exactly how World War I started.
 * Ear Worm: The main theme, which pops up over the course of the film in different styles (from Hans Zimmer, of course).
 * Flanderization: Irene Adler is arguably a victim of this. In the Doyle canon, she was just an opera singer who was known for her cleverness, and she went down as an Ensemble Darkhorse for outsmarting Holmes by stopping him from stealing back a compromising photo that she'd gotten her hands on through pure happenstance. In the movie, she's made into a full-on Femme Fatale/Action Girl and a professional thief.
 * Follow the Leader: The film has set in motion a wave of films based on public domain classics, including Treasure Island, The Three Musketeers 2011, Moby Dick, The Hunchback of Notre Dame, Marco Polo, Twenty Thousand Leagues Under the Sea, King Arthur, and many others. It remains to be seen how the trend will play out if none of them makes any money.
 * Genius Bonus: The revolver that Holmes leaves behind causing Watson to say "He left it there on purpose" to the dog? It's a Webley Bulldog.
 * Good Name for A Rock Band: Ginger Midget
 * Ho Yay: Already a major part of fanon regarding Holmes and Watson, but the movies intentionally play it up as much as they can. The sequel builds this up to almost blatant levels: Holmes acts almost as if he's giving Watson away to marriage, and during a short scuffle on the train Watson tears Holmes' top off while straddling him. And then Holmes asks Watson to lie down on the floor with him....
 * Which then comes to a fantastic head with the dancing scene.
 * It Was His Sled: In A Game of Shadows, anyone who's read the books knew what to expect when Mycroft dropped the name of Reichenbach, Switzerland.
 * Magnificent Bastard:
 * Lord Blackwood.
 * And.
 * A case could be made for Holmes as well, particularly with the examination of a Mook's body in Watson's room. Holmes knows exactly how to pique Watson's interest, tricks him into supplying the answer to a question, and when he leaves to investigate a factory by the wharf, conveniently leaves his revolver behind, knowing that Watson will follow him to see that he has it. Watson realizes this as well. "He's left it there on purpose."
 * Misblamed: Many aspects of the film (i.e. Holmes and especially Watson - stereotyped as a bumbling sidekick - as action heroes, Holmes as a bohemian) which were criticized as being unfaithful to the original stories actually are faithful to them - it's Popcultural Osmosis of less faithful adaptations that makes these aspects seem out-of-place.
 * The movie also lacks Holmes's deerstalker and the "Elementary, my dear Watson!" catchphrase, both of which are extremely common in adaptations of Sherlock Holmes, but never appear as such in the original Doyle stories.
 * Paranoia Fuel: Holmes' urban camouflage. He could be hiding in your room, watching what you're doing right now.
 * Serial Numbers Filed Off: Vidocq, a 2001 French film, has many features similar to the first movie. Its protagonist is Eugene Francois Vidocq (1775 - 1857), a real-life French criminal-turned-investigator who is often called the first Private Detective of all time. Instead of using established "canon" material, it pits Vidocq against a supernatural killer who ostensibly uses magic to murder his victims and has ties to the very top of Parisian society. Recycle these ideas IN LONDON and you've got this film.
 * Squick: The slaughterhouse sequence. How they showed pigs being sliced in half and getting a PG-13 rating is a mystery worthy of Holmes. Perhaps slicing up pig carcasses, as opposed to living pigs, is fair game for the censors.
 * Stuffed Into the Fridge:
 * Tainted by the Preview: There was much wailing and rending of garments on the news that Robert Downey, Jr.. and Jude Law had been cast as the leads in, and Guy Ritchie was to direct, a Sherlock Holmes movie. Holmesians all around the world were wary, mainly because Downey Jr didn't look like Holmes as he was described and illustrated in the books at all, but some maintained a let's wait and see attitude. Furthermore, Guy Ritchie's previous films, style and recent lack of notable success inspired worry. Then the trailer came out, that made Holmes seem more like if House and Iron Man had a baby in Victorian times than the real Sherlock Holmes and everyone but the fans were happy. Some gave up and feared the worst and some preferred to Wait and See. Heated Arguments arouse and every new clip and trailer served to make the matters worse, but some minds were changed. Then the movie came out, and while opinions on how good of a story it was differ, most agree that Robert Downey, Jr. and Jude Law did a great job as Holmes and Watson while others put them amongst the most beloved like Brett and David Burke/Edward Hardwicke. One thing to note though is that very few and maybe no Holmesians claimed that it was Ruined FOREVER since the 123 year old Fandom has seen worse, a lot worse, this decade alone (see: Case of Evil).
 * The Untwist: The identity of Irene Adler's employer is this to a lot of people. Given that we are actually told early on that he's a professor, it's possible that the director intended it as a Fan Bonus so that it would be obvious only to fans.
 * They Wasted a Perfectly Good Plot:.
 * What the Hell, Casting Agency?: At first, people are skeptical about choosing the guy who played Charlie Chaplin, Tony "Iron Man" Stark and Kirk "a dude playin' a dude, disguised as another dude" Lazarus as Holmes. Being the skilled actor he is, he nailed it.
 * Downey Jr. himself was at first puzzled as to why they wanted him for the part.