George Lucas Throwback

Remember back in the day, when there was that cheaply made form of entertainment that was So Bad It's Good? Pepperidge Farm Remembers. But enough about that. Nowadays, it's long ago, but wouldn't you like to bring it back?

Well, if you're in Hollywood and you have a high enough profile, you can. And you can do it better with a brand-new franchise, better special effects, better actors, a better budget and (it is hoped) better writing. If the old form of entertainment has been Deconstructed, then this work will probably feature a lot of Reconstruction.

Named for George Lucas, who has done this twice and very successfully both times. You may know the results as Star Wars and Indiana Jones, both throwbacks to 1930s Republic serials. His other big feature hit was American Graffiti, which, while not a throwback to any particular genre, is loaded with nostalgia for Fifties youth culture.

If especially successful, this can result in a game of Follow the Leader as everyone else begins mining the past (or, more frequently, ripping off the successful modern version) in the hope that lightning will strike twice. If these follow-ups are of poor quality, or if there's just too many of them (or both as is often the case), then it can result in the genre being thrown right back in the trash until someone else decides it's worth reviving.

If done especially well, it can hide the fact that it is a throwback. It is only upon reviewing its similarity to past incarnations that the connection is made. Compare Older Than They Think.

Note this should not cover instances of a specific franchise being brought back, e.g., the later incarnations of Star Trek or Doctor Who, or the Flash Gordon movie. This trope is much closer to a Spiritual Successor than an actual reboot.

Related: Affectionate Parody. Two-Fisted Tales is a subtrope. And nothing to do with Evolutionary Levels, we promise (even if his movies have gone a little downhill, that'd be too mean)

Compare Retraux

Anime & Manga

 * GaoGaiGar (The Combining Mecha boom of the late 70s & early 80s. Earlier Brave shows were more a replacement for the Transformers franchise after licensing problems occured with the animation studio).
 * Tengen Toppa Gurren Lagann took a different spin on shows of the same era.
 * Most of the works of Naoki Urasawa (Monster, Twentieth Century Boys, et al...) hearken back to the suspense-thriller gekiga stories that first appeared in the 60s, particularily Osamu Tezuka's attempts to get in on the act, such as MW & Adolf.
 * His Yawara is largely a throwback to classic sports manga like Captain Tsubasa or Kyojin No Hoshi.
 * Cannon God Exaxxion (Early 70s Super Robot anime, only with much more realistic politics between the humans & alien invaders.)
 * Metropolis (The works of Osamu Tezuka and early anime in general. Not related to Fritz Lang's movie.)

Comic Books

 * Justice is Superfriends with the Camp and Token Minority Ethnic Scrappy characters removed.
 * In that vein, Darwyn Cooke's DC: The New Frontier, set in the 40s, 50s and 60s amidst the climate of the Cold War, nuclear testing and the civil rights movement.
 * Within Grant Morrisons Batman, the post-Final Crisis/Batman RIP series Batman And Robin has quickly established itself as something of a throwback to the Batman TV series.
 * Alan Moore loves these.
 * 1963, which is a sendup of early Marvel comics, especially those of Stan Lee (Moore was able to replicate Lee's Purple Prose and self-promotion abilities perfectly).
 * League of Extraordinary Gentlemen does this for several genres and periods, albeit with a darker edge.
 * The first six issues of Tom Strong each featured a flashback done as a pastiche of an earlier age of comics.
 * In Supreme Moore not only recreates the Silver Age Superman atmosphere, but also brings back all the different decades and styles including 80s grim n gritty, Captain Marvel Family and EC comics stories just to name a few.
 * In Planetary, Warren Ellis throws in pastiches of comic book genres that were popular in the 1950s (sci-fi, pulp adventure, western, horror, etc.) before being almost completely eclipsed by the superhero genre in The Silver Age of Comic Books.
 * Matt Fraction's Casanova is this for the psychedelic spy comics of the sixties.
 * Sin City is a rare example of a cross-medium throwback. The series takes its cues from Crime Noir books and films, as well as Exploitation Films despite being a comic books series. It was eventually made into a movie where the homages were perhaps more apparent.

Film

 * The works of George Lucas are the Trope Namer:
 * The original three Indiana Jones adventures (Raiders of the Lost Ark, Temple of Doom and The Last Crusade) were based on 1930s pulp adventures, with Those Wacky Nazis or an evil cult as the villains, and supernatural, often Biblical forces. Indiana Jones and the Kingdom of the Crystal Skull, meanwhile, was rooted in '50s pulp sci-fi, with the atomic bomb and the Cold War featuring prominently, the Soviets replacing the Nazis, and a plot based around aliens from outer space.
 * Star Wars: '30s sci-fi serials, especially Flash Gordon.
 * THX 1138 is one to the 40s dystopian novels such as Nineteen Eighty-Four.
 * Inglourious Basterds is an Exploitation Spaghetti Western set during World War II In the Style Of films like Where Eagles Dare.
 * Grindhouse, a double-feature tribute to '70s exploitation flicks, and the general experience of seeing them in a sleazy theater on the wrong side of town, complete with trashy previews between flicks.
 * Kill Bill is half New Old West and half '70s martial arts movies.
 * Machete: '70s Blaxploitation, but with Mexicans (Mexploitation?).
 * Hobo with a Shotgun: Low-budget '80s action movies, of the kind made by Cannon Films and Troma
 * The Mummy Trilogy: 1930s adventure serials.
 * Sky Captain and The World of Tomorrow: 1930s sci-fi serials.
 * Pirates of the Caribbean: Swashbuckling pirate films. The genre had previously been killed by Cutthroat Island, by virtue of it being THE biggest box office flop in history.
 * The Fifth Element: French comics of the late 1970s/early 1980s.
 * Down With Love: Romantic Comedies of the late 1950s/early 1960s.
 * Max Neptune and the Menacing Squid: 1930s sci-fi serials.
 * The Mist: 1950s/1960s sci-fi horror.
 * Tremors: again, 1950s/1960s sci-fi horror, only with a more comedic bent.
 * Alien is It! The Terror from Beyond Space meets Night of the Blood Beast, only it doesn't suck.
 * Ghostbusters is a reimagining of 1940s ghost/haunted house comedies such as The Ghost Breakers and Spook Busters, except it featured actual ghosts and HP Lovecraft-esque overtones.
 * Doomsday: 1980s dystopian sci-fi.
 * Twenty Eight Days Later and the Dawn of the Dead 2004 remake, along with the Affectionate Parody Shaun of the Dead, went a long way towards reviving 1970s Zombie Apocalypse movies.
 * George Romero himself has said the original Night of the Living Dead film was inspired by the EC horror comics he enjoyed when he was younger.
 * Romero collaborated with Stephen King on the movie Creepshow which is also a direct throwback to EC horror comics.
 * The Rocketeer: 1930s adventure serials.
 * Gladiator: Sword and Sandal epics.
 * The Host: All those cheesy Asian monster movies that followed Godzilla.
 * Independence Day: '50s Alien Invasion movies.
 * The Forbidden Kingdom: '60s kung fu films.
 * Scream: '70s and '80s Slasher Movies, with a bit of Deconstructive Parody thrown in.
 * Moon: 1970s sci-fi B-Movies with an undertone of intellectual thought experiment.
 * Slither: 1980s creature features, particularly Night of the Creeps, with Shout Outs aplenty.
 * The Expendables: Rated "M" for Manly action movies from the '80s and early '90s, starring many of the action heroes who made their careers on such films.
 * Up all but announces its 1930s-adventure-serial-ness in the opening sequence.
 * Buckaroo Banzai is a Parody Sue version of Doc Savage.
 * Ninja Assassin: Cheesy Ninja movies of the 80's.
 * Hatchet: '80s slasher movies.
 * The House of the Devil: '70s and early '80s horror movies in general, and Religious Horror in particular.
 * All the Boys Love Mandy Lane: '80s slashers, much like Hatchet (which came out the same year), albeit in a less comedic manner.
 * Radioland Murders: 1930's screwball comedies. Another George Lucas production.
 * Super 8: late '70s and early '80s Amblin films
 * House of 1000 Corpses and its sequel, The Devils Rejects: '70s redneck-sploitation horror movies, like The Texas Chainsaw Massacre and The Hills Have Eyes.
 * Captain America the First Avenger: '40's adventure films
 * Inception: '90's Cyberspace or Cyberpunk movies, or the Platonic Cave idea in general.
 * Drive: '80's crime films
 * Australia: Golden Age of Hollywood sweeping romantic epics
 * Attack the Block: '80s monster movies and horror-comedies, like Gremlins and The Goonies
 * Red Tails: '40s and '50s war movies; gets bonus points for being produced by George Lucas himself
 * The Film of the Book of The Woman in Black: '60s British Gothic Horror. Seeing as how it's being made by the new incarnation of Hammer Film Productions, which specialized in such films back in the day, this makes perfect sense.
 * Dark Shadows: '70's Gothic horror and '80's-'90's adult aimed horror comedy.
 * Prometheus: Looks to be to the first Alien.

Literature

 * Space Vulture (cheesy 1950s Sci-Fi)
 * Luke Skywalker and the Shadows of Mindor - 'pre-Zahn Star Wars books', specifically the distinct Han Solo singles, only this time with other Original Trilogy characters. Possibly also 1970s Marvel Universe-made Star Wars comics.
 * Karl Schroeder's novels tend to mix this with hard science fiction.
 * For example, both Ventus and Sun Of Suns are throwbacks to planetary romances.
 * Michael Moorcock's Kane of Old Mars series is a throwback to the Planetary Romance pulps, specifically Edgar Rice Burroughs' John Carter of Mars novels.
 * Lin Carter's Zarkon, Lord of the Unknown series is an attempt to recreate Doc Savage-style pulp adventures.
 * The novel Grand Central Arena by Ryk E. Spoor is a deliberate throwback to the E. E. "Doc" Smith-style space operas, including referencing some of Smith's novels directly, and a setting that allows for classic Star Wars style dogfighting.
 * Thomas Pynchon's Against the Day and Inherent Vice. The former mixes popular genres from around the turn of the 20th century, such as Westerns, spy novels, and early science fiction; the latter is based on early pulp Detective Fiction featuring the hard-boiled detective.
 * All of John Irving's novels are throwbacks to 19th century literature, particularly Charles Dickens.
 * Nathan Long's Jane Carver of Waar to Planetary Romance, especially John Carter of Mars.

Live Action Television

 * Human Target (Action shows from the '80s and '90s.)
 * LuckyLouie ('80s domestic sitcoms.)
 * The Good Guys (Buddy cop shows from the '70s and '80s.)
 * Tales of the Gold Monkey (Like Indiana Jones, '30s and '40s Two-Fisted Tales)

Music

 * She & Him (Zooey Deschanel's band) -- '60s and '70s pop music.
 * Mark Ronson is also doing his damndest to revive Motown-era singles.
 * Composer Erich Korngold was critically panned in Europe because his music was a throwback to the lush romantic era of classical music, while his contemporaries like Stravinksy were composing aggressive, challenging pieces like "The Rite of Spring". However, he found his place in Hollywood and with his film music, defined the lush sound of the movie soundtrack.
 * In the same vein, John Williams reintroduced the sweeping orchestral soundtrack to films with his Star Wars scores in the 70's.
 * The 12-member big band-style group (they call themselves a "little orchestra" instead) Pink Martini, who play jazz, lounge music and old-fashioned pop.
 * Kat Edmonson, whose music is very reminiscent of old-fashioned, Dusty Springfield-style country ballads.
 * Also, singers such as Duffy and the late Amy Winehouse, who have thrived on their "old-fashioned" sound.
 * John Barrowman's albums recall the days of Andy Williams and Dean Martin, with showtunes.
 * Wolfmother for '70s stoner rock and Heavy Metal.
 * Brian Setzer did one for rockabilly with The Stray Cats, and later one for swing music with the Brian Setzer Orchestra.
 * Cee Lo Green's famous hit song "Fuck You!" is one towards 60's era Motown Soul music. (A throwback, not a fuck-you.)
 * Sweden’s Änglagård play a pastiche of early 70s prog rock that is surprisingly convincing, thanks in part to an almost slavish use of vintage 1970s musical instruments.

Video Games

 * Serious Sam and Painkiller -- Early-to-mid 1990s first-person shooters.
 * Lost Odyssey -- Turn-based RPGs of the late 80s/early 90s. (helps that the main driving forces behind the game worked on the original Final Fantasy games)
 * God Hand -- Arcade beat-em-ups.
 * For a while, any time a new Adventure Game came out and got any press, people treated it like the sole hope for the resurgence of the genre. Right now, Telltale Games is probably the most visible, putting out episodic adventures regularly.
 * Is classic, Golden Age Space Opera dead? Not if Mass Effect has anything to say about it.
 * Final Fantasy: The 4 Heroes of Light is an intentional throwback to mid-80s console RPGs, iffy gameplay mechanics and all. (Not so) coincidentally, it is made by the same developers of Final Fantasy III DS and Nostalgia.
 * La-Mulana is a throwback to classic Nintendo Hard platformers, most notably Maze Of Galious and Castlevania.
 * Wii version of A Boy and His Blob - 80s cartoons.
 * Legend of Grimrock - To Faux First Person 3D dungeon crawler RPGs like Eye of the Beholder.
 * The Legend of Zelda: Twilight Princess is a George Lucas Throwback to The Legend of Zelda: Ocarina of Time.
 * The Emo Game series is a throwback to old-school, 16-bit side-scrollers, while their final levels (especially in the second one) are throwbacks to Metroidvania-style games. The average Super NES game probably wasn't chock full of Dead Baby Comedy and audacious, twice-line-crossing humor, and certainly didn't allow you to kill the final boss by.
 * Fittingly for a game based on a movie (and comic) that is itself based on old-school arcade and Nintendo games, the licensed game of Scott Pilgrim vs. the World is a throwback to old-school Beat Em Ups.
 * Rally Trophy is a heavily retro (60s and 70s) take on the rally racing sims genre, with lots of Played for Laughs lampshading and Stylistic Suck.
 * Obs Cure: Post-modern, Genre Savvy Teen Drama Horror movies from the mid-late '90s, of the type made by Kevin Williamson.
 * Uncharted is a throwback to pulp adventure stories, and features (and updates) many of their tropes.
 * Red Dead Redemption not only does this to The Western, but a case can be made for each part of the game being a throwback to a different type of Western. The first third of the game harkens back to the old-school John Ford/John Wayne Westerns, where morality was more Black and White Morality and the focus was on America's westward expansion, complete with cattle drives, cowboys and outlaws. The middle part of the game, meanwhile, feels more like Sergio Leone's revisionist "spaghetti Westerns," where there were no clear-cut heroes and the harsh reality of life in The Wild West was emphasized. Finally, the last parts of the game, set in the comparatively "civilized" town of Blackwater and on the Great Plains, have very strong elements of the New Old West to them.
 * LA Noire, as the name suggests, is a throwback to Film Noir from the '40s and '50s.
 * The future in Space Channel 5 reminds very much of 60s and 70s style future, if that makes sense.
 * Interstate 76 and its Spiritual Successor, Vigilante 8, throw back to a number of '70s genres and tropes.
 * Duke Nukem Forever, thanks to being a sequel with a 12-year development cycle, manages to be an unintentional throwback to Duke Nukem 3D due to its failure to really evolve with the times.
 * It may have been better received if they had done this on purpose, since it still has changes like Regenerating Health and weapon carrying limits.
 * Sonic Colors was intended to be a throwback to the Genesis games in terms of lighthearted presentation and surreal design.
 * Sonic Generations takes this Up to Eleven.
 * Also, Sonic Advance, Sonic Rush, and Sonic Rivals evoke the classics heavily (but gradually less and less).
 * Super Mario 3D Land is intended to be a throwback in structure to the classic games without actually being in 2D.
 * Daisuke Amaya, creator of Cave Story, had intended to show his love of a certain genre of game - the 2D Metroidvania of old, with retro style graphics (drawn by hand by him) and music (in TurboGrafx-16 style, composed by him).
 * Metal Gear Solid 3: Snake Eater is a throwback to the cold war era spy genre.
 * Epic Mickey - The Golden Age of Animation.

Web Original

 * Red Panda Adventures -- The Golden Age of Comic Books
 * Black Jack Justice -- Film Noir
 * Ninja the Mission Force -- Godfrey Ho Ninja Movies

Western Animation

 * The Secret Saturdays (1970s Saturday morning adventure cartoons)
 * Batman the Brave And The Bold is an animated throwback to the Silver Age incarnation of Batman, where instead of being a grim loner he's a somewhat cheery fellow with a dry, ironic wit, closely resembling the Superfriends incarnation. Notable is the fact that Bruce Wayne never appears, and when Batman is unmasked they go out of their way to hide his face, much like the Superfriends.
 * In the comparatively serious episode "Chill of the Night!" we actually see Bruce Wayne, face and all. He looks like his 1990s incarnation.
 * The trope is lampshaded in the Batmite episode where the little imp reads a "prepared statement" in response to some 4th wall breaking humor, explaining that this incarnation of Batman is just as legitimate and true to source material as the "tortured dark avenger crying out for mommy and daddy".
 * Venture Brothers does a bit of this and a bit of parody with 1960's action shows like Jonny Quest and such, plus a hefty dose of increased badass. Instead of lame plots about random monsters, we get genuine nightmare fuel about a dead twin-brother still living inside his twin and eventually building a robot body for itself.
 * Fillmore takes a lot of inspiration from 70s buddy cop shows, not that any kids noticed.
 * More specifically, those made by Quinn Martin Productions.
 * The Little Mermaid took most of its inspiration from the classic Disney animated musicals of The Golden Age of Animation. It was so successful, it wound up resurrecting the entire genre and kicking off what came to be known as the Disney Renaissance.
 * More recently, after the Renaissance was over and Disney movies started sucking again, they did another George Lucas Throwback with The Princess and the Frog. Among their other efforts to go "retro," the movie was hand drawn despite the absurd cost in time and expense compared with digital drawing.
 * In Animaniacs: The Warner Brothers (and the Warner Sister) can be taken as a throwback to The Golden Age of Animation and other comedies of the time like those of the Marx Brothers, expecially considering that their backstory is that they were created in the Thirties. Also they stole many, many jokes from them.
 * Ren and Stimpy was like a tortured, horrifying version of Golden Age cartoons, complete with animation style and specific gags copied from Looney Tunes.