Bas-Lag Cycle

A series of novels by China Mieville set in the world of Bas-Lag.

Novels in this series (In chronological order):
 * Perdido Street Station
 * A scientist named Isaac van der Grimnebulin is commissioned by the wingless Garuda, Yagharek, to find a way to enable him to fly again. In Isaac's search for an solution, he unwittingly releases a monster in the city of New Crobuzon.
 * The Scar
 * A former girlfriend of Isaac, Bellis Coldwine, flees Bas-Lag by ship shortly after the events of Perdido Street station. Not long after departure, Bellis' ship is captured by the forces of the pirate nation known as Armada. Most of the novel deals with events surrounding Armada's journey to an unstable and dangerous region of the seas known as The Scar.
 * Iron Council
 * Twenty years after the events of Perdido Street Station, renegade railway workers, collectively known as The Iron Council, threaten the iron-fisted government control over the city-state of New Crobuzon. New Crobuzon is currently in a state of war with the rival city, Tesh, and events in New Crobuzon suggest that a large-scale revolt is on the verge of breaking loose.

"Isaac: "Turn the page, Yag. This next one, no one has the slightest idea of what it used to be. But I think those gears are descended from train engines. The... uh... best is yet to come. You haven't seen the cockroach-tree, or the herds of what once may have been human."
 * Abnormal Ammo: The cactus-people (known as the cactacae) can be punctured by bullets, crossbow bolts, arrows and the like, but their complete lack of internal organs makes such weapons next-to-useless. They're also enormous, extremely strong, and covered with spines, which makes close-range weapons like blades or clubs viable, but an extremely risky and inadvisable option for most people. A sort of crossbow called a rivebow was invented to get around this problem. It fires huge whirling chakris that can sever the heads and limbs of humans and cactacae alike, but the rivebow itself is so heavy and unwieldy that usually only other cactacae carry them.
 * Alternative Calendar: The people in Bas-Lag use rather bold-faced names for the days, such as Skullday, Chainday, and Fishday.
 * And this is only for the city of New Crobuzon alone. In the floating city Armada, they have completely different names for months and days of the week.
 * Author Appeal (Miéville likes monsters, and collects the Dungeons & Dragons Monster Manuals in spite of no longer playing D&D)
 * Author Tract: Iron Council is said to be particularly demonstrative of Miéville's socialist politics.
 * Author Vocabulary Calendar: China Mieville uses the word "concatenate" and its derivatives too often in Iron Council. It only comes up a few times, but it's such an unusual word that it stands out.
 * "Concatenate" is a very useful word. Too many people say "add" when they mean "concatenate". There would be must less confusion in the world if people became familiar with it.
 * There's also his frequent use of "puissant". His entire brain appears to be an Author Vocabulary Calendar, to the extent that it requires a dictionary -- a large dictionary -- to tell which words are obscure technical terms, which ones are Britishisms, and which ones he made up out of whole cloth. If there aren't a dozen five-dollar words on the page -- you're probably looking at the title page.
 * Miéville uses tons of very obscure words to describe landscapes. If you've taken a few geology classes, you'll know most of these (and that they're not always correct), but you've never seen as many instances of words like "graben" or "arete". Most notable in Iron Council.
 * There are more instances of "inveigled" (often not particularly correct uses) in Perdido Street Station than you a person is likely to see in the rest of his or her life.
 * The Bad Guy Wins: Bas Lag tends to have a healthy helping of this, since Bas-Lag is a Crapsack World.
 * Perdido Street Station ends with.
 * The Scar ends with.
 * Iron Council ends with.
 * Bee People: The khepri and the anophelii.
 * Khepri are a One-Gender Race of red-skinned women with giant scarabs for heads. While males do exist, they are literally just large non-sapient scarab beetles that exist mainly to procreate.
 * Anophelii are anthropomorphic mosquitoes who consist of brilliant, scholarly men who subsist on plant juices and monstrous women with uncontrollable bloodlust.
 * Biological Mashup: The Remade, sentenced by the New Crobuzon courts to have parts of animals, machines, or occasionally human cadavers magically incorporated into their bodies as a punishment. Occasionally someone has similar modifications done voluntarily, to acquire useful features such as functional gills.
 * Mr. Motley is an even more extreme Biological Mashup, incorporating so many mismatched limbs, eyes, mouths, and miscellaneous appendages into the same freakish body that, when Lin is hired to sculpt a statue of him, she can scarcely imagine how anyone could possibly begin such a task.
 * Bizarrchitecture: Armada, from The Scar, is an entire metropolis built atop lashed-together sea vessels of all sizes and designs.
 * Biopunk: The ReMade: bio-thaumaturges can warp flesh, bone and biology to heal, remake a being as something new, or (far, far more often) to punish.
 * Bizarre Sexual Dimorphism:
 * The Khepri are an insect-like race with small non-sentient males and females that resemble red-skinned human women with a similar type of insect forming their heads.
 * There is also a race of mosquito people, the Anophelii, whose women are vampiric winged creatures that have fang-like protuberances that extend from their mouths to penetrate their victims. The extremely passive males have mouths that are described as being like anuses. Which is actually the gist of how mosquitoes work.
 * Blood Sport:
 * One of the protagonists in Perdido Street Station is a veteran of New Crobuzon's not-exactly-legal underground arena circuit.
 * A very literal example with the ritual fights of the scabmettlers. They drink a special herbal concoction, dip knives into the liquid and begin to cut themselves in intricate patterns. The unique physiology of scabmettlers makes the blood congeal quickly (but not immediately, as it would without the herbs) into a form of elaborate armour to enhance each individual scabmettler's style of fighting.
 * Bloody Murder: The scabmettlers of are a race whose blood clots extremely quickly. Before going into battle, they cut themselves in certain ritualistic pattern, and the results blood flows harden into armor and weapons. Blessed with Suck to some extent, since they need to medicate themselves constantly or risk spontaneous clots that will turn them into statues.
 * Blue and Orange Morality:
 * The Weavers don't have a sense of morality as we would understand it, but rather a sense of beauty. That which is aesthetically pleasing or poetically appropriate is "good" whereas that which is ugly or discordant is "bad". It doesn't help that their aesthetic sense is very different from that of humans--they seem to see the universe as a tangle of lines connecting plot points, with every object in the universe as a thread in some huge tapestry. So they adjust the threads to make it look neater, and in doing so remove the left ear of everyone within a hundred yards.
 * The Garuda would also count to an extent. Their society values personal freedom and individuality above all else and has only one law: You must respect others' right to choose. Those who break this law are all guilty of choice-theft. While most human crime can be seen as theft of a choice (the choice of owning an item, the choice of continuing to live unharmed, etc), the converse does not hold, meaning that people who would be considered highly dangerous criminals in human society are be put on an equal footing with people who wouldn't be seen as criminals at all to humans. And some human crimes don't fit at all: to the Garuda, selling drugs would probably be legal and moral, while preventing the selling of drugs would be heinous.
 * More alien are the feelings of one Garuda as she talks about being raped... she seems to bear no more ill-will to the rapist, so long as his punishment continues, and becomes quite irritated when a human considers her a victim worthy of pity; she refuses to be anthropomorphised.
 * Body Horror: The Remades. Oh God, the Remades...
 * Bury Your Gays: Oddly averted. In books where being a named character and being sympathetic/a decent human being is usually a recipe for death, and the named-protagonist body count runs into the double digits, of Iron Council manages to make it out mostly in one piece. Key word here being mostly.
 * Capital City: New Crobuzon is enormous enough to be considered its own state, and is even at war with another city in Iron Council.
 * Circular Saw Good: Secret police and Cacticae security in Perdido Street Station carry Rivebows, a large crossbow which shoots spinning chakris (basically circular saw blades). In universe, the main way to defeat Cacticae (humanoid cacti) is through severing limbs.
 * Chekhov's Gunman: One character is described in an anecdote in Perdido Street Station, the very first book, before becoming a major player in the last book.
 * A character also mentions that the Ambassador from is a  by custom, and in the last book this is important as the villain and source of impending arcane doom is.
 * City Noir: New Crobuzon.
 * Continuity Nod: Bellis Coldwine is mentioned in Iron Council as Isaac's girlfriend, after being the protagonist of The Scar.
 * Bellis is described briefly in Perdido Street Station as Isaac's lover before Lin, a brilliant linguist who had grown bored with Isaac's "rambunctiousness" and broken his heart.
 * The Plague of Nightmares is also mentioned in both Iron Council and The Scar.
 * Ulliam in Iron Council is
 * Cool Train: The Perpetual Train,  which was initially crawling along laying its own rails as the forefront of an expanding railway network - it has carriages containing everything needed to keep the community of workers building the lines alive and well fed, from an abattoir to a church.
 * Crapsack World: Nobody gets a happy ending. Nobody.
 * Cryptic Background Reference: Taken to the level of an art form.
 * Death World: Bas-Lag is pretty inhospitable on the whole, but it also contains at least two kinds of its own Death Worlds. The first kind have high levels of a cancerous force known as Torque, while the second is a huge wound in the world where eldritch beings crossed over from another plane.
 * The largest natural Torque-affected area is known as the Cacotopic Stain where getting eaten by giant caterpillar men is the least of your worries. Death itself probably isn't very high up on the list of bad things that can happen to you. Just to make this clear- a large number of people are collectively turned into a giant amoeba, just by coming near to the Stain.
 * There is also a man-made Torqued area which was once the city of Suroch. During a war the city of New Crobuzon dropped a Torque bomb on it, and the result was so horrifying that they proceeded to drop even more of a different kind of Fantastic Nuke known as colourbombs on the city... in order to cover up the damage. There are things there described as "herds of what might have once been human", and mothers threaten to send unruly children to Suroch, "where the monsters are".
 * The Cacotopic Stain, however, is not the worst place on Bas Lag. The worst place is fractured lands, which has giant, nigh invincible, soul sucking moths halfway down the food chain. Flora and fauna there spent generations in the presence of a kind of probability magic, which caused them to evolve into highly bizarre, improbable and terrifying forms. Oh yeah, and there's a hole in the sea that monstrous beings from another universe came out of. On the up side, though, traveling through the fractured lands doesn't mutate you as horribly as Torque.
 * Dungeon Punk: Magic, referred to as "thaumaturgy", is commonplace and used by practically every skilled profession.
 * Eldritch Abomination:
 * Perdido Street Station has the slake-moths - monstrous, insectoid creatures that devour minds. Not literally, what the creatures feed on is the very sentience of their prey itself, leaving their victims utterly mindless shells. How terrible are these abominations? At one point, the government of New Crobuzon attempts to strike a deal with Hell to get them to intervene and stop the threat, and the demons are too frightened to get involved.
 * The Weaver, who the New Crobuzon government turns to when the demons turn them down. It's a gigantic spider that exists between dimensions and is capable of traversing them as easily as we could walk down the street. It is also batshit crazy, speaking in the "flight of ideas" style most often seen in unmedicated schizophrenics and capable of doing anything to anyone, friend or foe, merely because it seems "fitting". During the brief time that the heroes are in its presence, the Weaver cuts off the ear of everyone in the room for reasons known only to itself. It also repaired the ears of some of the people, again, for reasons unknown. The Weaver encountered in the book has an obsession with scissors, and happily accepts them as gifts, if the term 'happy' can be applied to it. Apparently it enjoys collecting things in general, as it is mentioned that before its obsession with scissors, it collected chess sets.
 * And then there is the Torque, described by one character as a tumour that aborted itself from the womb that produced the forces of Birth and Death. Whilst not evil per-se, it is a natural force that is almost totally uncontrollable which warps and mutates matter and biology into horrifying things. Merely trying to research it can turn you into an Eldritch Abomination. It was once used as a weapon; the results of the Torque Bomb were so awful even after a generous application of Magitek versions of nuclear weapons there's a country-sized region of the world which isn't going to be inhabitable by anything but abominations ever again.
 * To elaborate on the 'horrendous mutations' part, at one point Isaac Dan Der Grimnebulin pulls out a book of photos taken at ground zero of the inhabitants (Though it may have been implied that there could be survivors) to show to a client.


 * Oh, and in the middle of a city there are The Ribs, the partially exposed skeleton of some enormous creature that has been dead for a very, very long time. Attempts to build over it resulted in seemingly structurally sound houses that just fell apart and tools that break long before they should, and attempts to excavate the whole skeleton tended to result in the workers suffering horrifying nightmares, or disappearing suspiciously. It was decided that whatever it is is best left buried and uninvestigated. Notable in that even the slake-moths felt that being around The Ribs was unsettling.
 * Then in The Scar, the second book in the series, there's the avanc, an entity from another universe big enough to tow the floating city, Armada . A single vein is as large as a 20-foot ridge. Imagine how big that must be! Better yet, imagine just how big the stuff that preys on the avanc in its home dimension could be! All that anyone knows about the avanc is that it swims and has at least one thing that could be described as a limb. (Assuming the mind-bending hypothesis about how it's really some sort of microscopic plankton at home, and it becomes unimaginably huge due to transplanar warp when it enters Bas-Lag, is false.)
 * Face Full of Alien Wingwong: How the khepri reproduce...
 * Faceless Goons: The Militia, who vaciliate between Elite and Regular Mooks, depending on the needs of the scene.
 * Fantastic Nuke:
 * Perdido Street Station makes mention of Suroch, an area of the world that's been... twisted after New Crobuzon dropped a "torque-bomb" on it. Torque... twists things. That's what it means in physics, and that's definitely what one would call the results. The descriptions of Suroch try to avoid saying anything explicit. Apparently it was part nuke, part key to the gates of Hell.
 * "Colourbombs" in the same setting are implied to be less wrong but even more destructive; Mieville's influences being what they are, this latter might bear some relation to "The Colour out of Space". Colourbombs were used to cover up whatever the Torque did to Suroch. Basically, it was better to blanket nuke the area than try to explain the effects of torque to the populace of New Crobuzon.
 * The city-killer (aka Hecatomb) in Iron Council is beyond even colourbombs for sheer alien annihilation. It erases cities. And casts ripples of destruction backwards in time.
 * Fantastic Racism: Nobody likes vampires. Not even the other undead (who would actually be rather upset about you referring to vampires as proper undead). About the best they can hope for is pitying tolerance or respectful fear, and it's more likely to be the former.
 * Fantasy Counterpart Culture: New Crobuzon is basically London, although the author has stated that other cities were also influences, notably Cairo.
 * Fantasy Kitchen Sink: Wind-polyps, men-of-war, Handlingers, a country "where the laws are stakes in a game of roulette", ships pulled by seawyrms...actually, that last one might be a Shout-Out to Jack Vance.
 * Giant Spider: The Weaver, which appears in both Perdido Street Station and Iron Council
 * Golem: Bas-Lag has a magical discipline called "golemcrafting", wherein magicians channel power into anything that isn't living. Most of the Golems created are fairly standard (blade, flesh, metal, clay, wood), However the main character of Iron Council creates increasingly more fantastic golems some of the more memorable ones being: poison, light, dark, and TIME.
 * Good Powers, Bad People: There are professional magic users, Thaumaturges, some of whom have impressive healing powers as well as the ability to perform transplants/surgery without risk of harming a patient. Unfortunately, this is a Crapsack World, and many thaumaturges with such powers are vile sadists. Instead of using their powers to heal, they play a role in the legal system, Remaking criminals as punishment for their crimes (i.e. painfully turning them into horribly disfigured biological or technological mash-ups).
 * Helping Hands: Handlingers, a very disturbing example of this.
 * Handlingers are parasitic creatures that resemble disembodied hands with long "tails". The tail end is inserted into part of a host's body, which destroys the mind of the host. The handlinger can then control the host like it is the handlinger's own body.
 * Handlingers, being the size of human hands, are rather conspicuous and conceal themselves on their host bodies by hiding under large articles of clothing.
 * They come in pairs of left and right hands, left hands known as sinstrals and right known as dextriers. Dextriers are considered to be the warrior caste because they have the ability to fly and "spitsear" (breathe fire) when controlling a host's body. Sinstrals are the leader caste because they have the ability to shut down a dextrier's ability to control a host.
 * Although they have psychic abilities, the native language of handlingers involves them extracting themselves from their host bodies and exchanging information by crawling and slithering over each other in an orgy of hands and tails.
 * Horse of a Different Colour:
 * Within the city of New Crobuzon, Remade animals are used as beasts of burden, such as horses that have had most of their bodies replaced with machinery, and minotaur-like beasts that pull taxi cabs.
 * The hotchi of Rudewood ride giant chickens that are also used in gladitorial cockfights.
 * Icon of Rebellion
 * Jack Half-a-Prayer from Perdido Street Station.
 * The Perpetual Train in Iron Council.
 * Benjamin Flex from the same book.
 * Spiral Jacobs, the vagabond, roams around the city of New Crobuzon and spends his days vandalizing the city with drawings of spirals. This occurs during a time of political unrest, and the masses of New Crobuzon adopt it as a symbol of the rebellion, wearing it on their clothing and making the marks themselves. Subverted in that
 * La Résistance: There's one in every book, it seems. The Rungate Rampant in Perdido Street Station, The Brucolac and his cadre in The Scar, and although The Rungate Rampant still exists in Iron Council, the actual Iron Council fits the role better.
 * Laser-Guided Karma: Deconstructed by the Remade. For example, a woman who smothers her baby has her baby's arms attached to her face so that she'll never forget what she did.
 * Machine Worship: The Construct Council in China Mieville's Perdido Street Station. A massive AI in a scrapyard with worshipers. However it still has to communicate through a dead body hooked up to it.  Also in the gap between this and the sequels The Scar and Iron Council, there is a purging of all constructs from the city for fear of what they could become.
 * The Magocracy: There are passing references to a nation called "The Witchocracy" in Iron Council, but it's not explored in great detail.
 * Mermaid Problem: Neatly tied up when it comes to the Khepri. Weird bug head, sexy lady body. For some reason.
 * The Necrocracy: High Cromlech
 * It is ruled by different castes of the dead, the highest being the thanati. They're described as liches with their mouths sewn shut.
 * Because it is hard to produce coherent sounds with vocal chords and tracheas that are decayed or degraded, residents of High Cromlech speak a language known as Deadish or Quiesy. It is a series of timed coughs and grunts with silences meaning as much as the sounds.
 * New Weird: One of the seminal -- and most commercially successful -- works of the subgenre, in fact.
 * Non-Mammal Mammaries: There are many different types of xenian characters, some of which fall under this trope. It's averted with the vodyanoi and garuda, which procreate like humans, but are flat-chested and not very sexually dimorphic by human standards. Cactacae females, on the other hand, lay eggs in the ground that the males fertilise (don't think about that too much) and suckle their young. The most bewildering by far are the Khepri species, introduced in the first book. The men are beetles--literal beetles. The women, on the other hand, are red-skinned human women with beetles for heads. As a result, khepri women have sex with humans, or even other female khepri when given the choice. Khepri reproduce by allowing the males to mate with their heads.
 * Oh My Gods: Human residents from New Crobuzon mostly all swear to the same deity, Jabber, using the stock phrases like "By Jabber..." and occasionally mixing in the lowercase "god" for flavor.
 * One-Gender Race (The Khepri, effectively - who subvert the standard female-only race rules by being Bee People (well, beetle people) and not at all pretty)
 * They do have two different genders, but show extreme sexual dimorphism: the males are mindless beetles, whereas the females are sentient and are largely humanoid.
 * The Anophelii are somewhat similar in this regard, but more time is given to the females - who are after all monsters.
 * The female Anophelii are not purely monstrous, but due to the shape of their mouths they are unable to talk with the male Anophelii, leaving them as beasts with severely limited intelligence. Once fed, they are able to respond enthusiastically and positively to sentient creatures. Of course, they did spread over and rule most of the world during a dark time referred to as the Malarial Queendom, so they had their bad moments too, to say the least...
 * Our Mermaids Are Different:
 * The Cray are essentially lobster-bodied centaurs (lobtaurs?). They speak a language of clicks.
 * The Grindylow are much less friendly mermen shaped like anglerfish with More Teeth Than the Osmond Family and a brand of thaumaturgy (magic) that is completely alien to most humans.
 * Our Vampires Are Different: The ab-dead. And to a certain extend, the anophelii.
 * The ab-dead are stronger and faster than the living. They have forked tongues and can move almost imperceptibly in shadow. They heal quickly and do not age. Sunlight does not kill them immediately, especially older and stronger vampires, but it severely harms them and prolonged exposure will kill the ab-dead. Vampirism is caused by a virus in their saliva, and although infection is not guaranteed, repeated direct feedings can cause a human to become ab-dead.
 * The ab-dead live in secrecy throughout Bas-Lag except in Armada and High Cromlech. In Armada, the Brucolac and a cadre of his closest allies are the resident ab-dead and run the Dry Falls riding. Dry Falls is an area and political standing within the governing structure of Armada; residents of Dry Falls enjoy more political weight, subsidized entertainment and lighter disciplinary actions than other ridings, but pay for this with the gore-tax, a routine collection of blood from Dry Falls residents. In High Cromlech, the city of the dead, the ab-dead live in the open, but make up the lowest class, even below that of the living. The dead of High Cromlech protect the living from the predations of the ab-dead, and therefore, ab-dead are reduced to begging for handouts from the living and are considered to be junkies.
 * Our Vampires Suck: Vampires are described as having a reputation as "junkies" among the other undead, and are considered to be the lowest of the low in High Cromlech, the city of the dead.
 * Phantasy Spelling: China Mieville employs this trope heavily in the Bas-Lag Cycle -- vampirs, alchymy, chymistry, elyctricity...
 * Plant People: The cactacae.
 * Post-Modern Magik - too many examples to list.
 * Pyrrhic Victory: Frequently throughout the novels.
 * In Perdido Street Station:
 * In The Scar: Bellis fails in almost every endeavor she sets out to accomplish, which includes  She does manage to   by the end, and she has shuffled off a lot of her unconscious, self-interested naivety in the process. As a plus, she's pretty much the only character who interacts with the Grindylow and doesn't end up brutally murdered. This is the happiest ending of the three novels.
 * In Iron Council: It all goes to hell. Counting all the horrible betrayals, Senseless Sacrifices, and Face Heel Turns in the novel would take up more room than a spoiler tag could conceivably hold. Suffice it to say that by the end of the novel, . Some readers felt that Mieville intentionally destroyed as much as possible to bring closure to the setting.
 * Reality Is Out to Lunch: The Cacotopic Stain, an area of desert (well, it's desert now) which is completely consumed by a Torque storm, and Suroch where New Crobuzon dropped a "torque bomb" in a past war. The way they're described, they're part nuclear wasteland, part half-opened door to the abyss.
 * Schizo-Tech: The novels are set in a world that is roughly late-Victorian in technological terms with steam power being the driving force of industry and neon lights and phonographs being recent inventions (though firearm technology is still largely stuck at the "flintlock" phase), but also has robots and a long-defunct weather control machine. Justified in-universe, in that it's implied that the world was more advanced centuries ago, and in fact many "new" inventions are merely rediscovered.
 * Secret Police: The Militia of New Crobuzon.
 * Starfish Language: The Dead communicate with coughs, grunts and silence, khepri use sprayed pheremones to talk, handlingers have strange slithering psychic orgies and constructs speak to each other with math. The construct council actually needs an avatar to communicate properly with the protagonists.
 * Tomato Surprise: The short story "Jack" is narrated by someone who claims he helped Jack Half-A-Prayer, the Remade vigilante, become the legend he was. He did, too:.
 * Weird Moon: The moon is mentioned to have two moons of its own.
 * Wild Card: The Weaver (and how.)
 * Winged Humanoid: The Garuda are humanoid avians, though much more bird-like than person-like. A major character in the story is a garuda whose wings were cut off; he visits the city of New Crobuzon with the intent of finding someone to grant him flight again.
 * Word Salad: The Weaver.
 * Wretched Hive: New Crobuzon blows almost everything else out of water in terms of sheer ugliness. It's ruled by vicious capitalists who ignore crime against ordinary citizens, but send death squads to deal with dissenters, essentially ensuring that the city stays a brutal lawless mess forever. Criminals, even ones guilty of small-time theft, are punished by mutilating their bodies in horrible and ironic (in reference to the crime) ways.
 * Zeppelins from Another World