Disaster Report

Disaster Report (絶体絶命都市, Zettai Zetsumei Toshi lit. Desperate Situation City) is 2002 survival "horror" game for the PlayStation 2. It's unique in that it nixes the monsters and blood for an earthquake scenario, thus, helping establish the Disaster Survival subgenre. The game has several quirks that make it seem more like an experimental Dreamcast, or even PS One game then a typical PlayStation 2 title of the time. The thing just screams budget, with cheap sound effects, unintentionally campy voice acting (in the English release), mediocre graphics, etc. Also had an amount of Westernization and cultural censorship that seems strange by today's standards; for example, a handful of characters had their hair died blond for the sole purpose of looking White.

The story concerns Keith, a newspaper reporter who while commuting to work on Stiver Island, a deadly Earthquake hits. Stranded on the island, he teams up with a girl and together they explore the wreckage to find supplies and a way to be rescued. Over the course of the game, it is revealed that not everything is the way it seems.

The gameplay is survival horror fare, albeit with a heavy emphasis on exploration and survival instead of horror: there are no zombies to kill, no monsters around the next corner, and you never even find a weapon, much less have the ability to fight. Instead, you're faced with the prospect of increasingly dangerous situations, like being trapped on a suspension bridge that's crumbling, escaping from a waterfront district that's rapidly becoming an underwater district, and more. A thirst meter acts as the primary focus of survival, requiring replenishment from clean water supplies. The meter drains based on physical activity (if you run with a heavy backpack on, jump around, climb, sprint instead of jog and so on, it drains faster). There's also a health meter, depleted from injury and dangerous activity, that can only be replenished with juice or the exceedingly rare first aid kits. Various gear can be found that provides benefits, like a helmet that protects against falling debris or a pair of gloves that making climbing easier. Puzzles are generally disguised lock and key affairs, and basic platforming is required to progress. The game also has a simple item assembly system which allows you to make more advanced items like a lamp helmet or a water purifier.

The game provides a surprising amount of depth and replayability despite the (many) obvious flaws. The game had enough of a cult following to warrant 3 sequels. Unfortunately, only the 2nd made it to the states in the form of Raw Danger, and the 4th was flat out canceled due to the quake in Japan. After eight years and change in developer a (very short) demo for the 4th game was finally released in August 2018, with a release date set for October 2018. A spinoff, 巨影都市 (Kyoei Toshi; named City Shrouded in Shadow in early promotional material), which replaces the natural disasters with a Kaiju attack, was released in October 2017.


 * Always Close: Averted, usually. In most cases, you have a certain amount of time to escape a dangerous situation, and taking too long will result in your death. There is the occasional Game Setpiece though, such as climbing a ladder at the beginning seconds before the platform you were just on goes falling into the sea.
 * Artifact Title: The English version of the 4th game's website refers to it as Disaster Report 4 and most English language discussion of the series (including this page) calls the series Disaster Report, but only in the first game is the main character a reporter.
 * Book Ends:
 * "July, 2012. Sunny. I'm heading towards Stiver Island to start my new job as a reporter."
 * Corrupt Corporate Executive: The ending reveals that.
 * Hammerspace: Averted. Your backpack can only hold so much, and you will inevitably have to make a decision as to whether that extra water bottle or that crowbar will be more useful to you.
 * Massive Multiplayer Crossover: City Shrouded in Shadow includes characters from the Godzilla, Ultraman, Gamera, Patlabor, and Neon Genesis Evangelion frabcguses.
 * Multiple Endings: Of the "multiple paths" variant. No matter which path you take, you will eventually uncover the conspiracy at the heart of the earthquake. However, how you get there, who you get there with, and who survives are all dependent on your actions.
 * Previous Player Character Cameo: Sadou Masayuki (Keith) appears in the epilogue of 4.
 * Race Lift: The very Japanese-looking cast had their hair recolored (mostly blond) to give them a more Caucasian appearance. Their face's are unaltered.
 * Screw This, I'm Outta Here: You're offered an opportunity to get off the island twice before the true ending of the game. In both cases, doing so means that you're leaving someone else behind to fend for themselves, with the implication that they will not be able to do so and will die. These endings count as successfully completing the game.
 * Unexpected Genre Change: About three-quarters of the way through the game, the destruction of the island takes a backseat as two men, armed with a rocket launcher and sniper rifle, try very hard to kill you, thanks to you having uncovered the conspiracy. There's also several shorter stealth sequences in the game.
 * Upgradable Equipment: You start the game with a small emergency first-aid backpack, and can find other, bigger backpacks as you progress through the game. Bigger backpacks hold more stuff, but drain your thirst meter faster. You're never required to take a larger backpack, and it's possible to finish the game with the small emergency backpack.
 * Vendor Trash: Every item you can pick up in the game is useful. However, it's possible to pick up items that were useful earlier, and now have no purpose at all, or items that haven't been useful, and won't be for a very long time. They exist only to take up space in your backpack.
 * What the Hell Hero: The first game establishes an Irem tradition, which would appear in every future title of theirs (especially the pachinko simulator series Pachipara), of wildly inappropriate dialog options including flirting with women you just met (which is unaltered if you play as a girl in the latter games), very random "funny" options like pretending to be a store employee during a disaster, bargaining for pay before helping people, just plain old being a massive, unhelpful, jerk and more. Naturally most NPCs aren't fond of many of these.
 * One infamous example is the protagonist sees a chef in a Literal Cliff Hanger. You can help him, ignore him, or steal his hat.
 * One infamous example is the protagonist sees a chef in a Literal Cliff Hanger. You can help him, ignore him, or steal his hat.