Doctor Who/Recap/S27/E08 Fathers Day

"Rose: This is my fault.

Pete: No, love. I'm your dad. It's my job for it to be my fault."

A flashback: Jackie Tyler is talking to her young daughter Rose, telling her of the day her father Pete was killed in a hit-and-run accident on the day of their best friends' wedding. A sad tale, dying alone on the street.

Present: Rose becomes nostalgic and asks the Doctor if it's possible to witness her father's death and be there for him when he dies. The Doctor obliges, but warns her not to interfere in anything else since they can't change history. Rose swears to not do a thing. Landing a short distance away, they watch as Pete, going out into the street to pick up his fallen wedding gift, is struck by a yellow car and knocking him a good distance to the pavement. The Doctor tells Rose to go now to his side, but she freezes up. The moment has passed, and Pete is dead.

They return to the TARDIS where Rose begs the Doctor to let her try again. After much pleading, the Doctor agrees, but sternly cautions her that they must be extra careful due to the presence of their selves from a few minutes back being there. From a different vantage point, they watch as Pete drops his gift, bends down to grab it...

...and then Rose rushes into the street and pushes Pete safely out of the path of the car.

The earlier versions of the Doctor and Rose vanish. Pete, after recovering, thanks Rose and offers them to come along to the wedding, which he was just about to get changed for. The Doctor looks very sternly at Rose for about ten minutes while Pete invites them over to his house first, and once there, The Doctor is quick to try to explain the severity of the matter to Rose. Rose continues to think that Pete's just this guy, and the universe isn't going to fall apart because she saved him. The Doctor again chastises Rose, but she's having none of it. The Doctor fumes out on his own, telling Rose to meet him at the TARDIS when this is all over. Once Pete's ready, he and Rose set off to the wedding in his car.

The Doctor arrives at the TARDIS, but on opening the doors, finds it nothing more than an empty shell. He races for the church.

Unseen by our heroes, large globs of Conspicuous CGI have started appearing in the sky, swooping down to consume unsuspecting humans.

Along the way to the wedding, Pete's radio starts to blare out anachronistic rap music, while Rose's cell phone leaves her messages "Watson, come here, I need you." They shrug it off by the time they get to the church, where the wedding party is congregating. They are surprised by the appearance of a yellow car, seemingly out of control, that nearly hits Pete before disappearing around the corner. Pete introduces Rose to the guests, including his wife Jackie carrying baby Rose Tyler with them.

As they mill about, a young Mickey Smith races to the group, warning them about something eating people. The crowd laughs it off until one of the beasts actually appear and snatch one of the wedding guests. The Doctor arrives and directs everyone inside the church. As the wedding party recovers, the Doctor explains the creatures are Reapers that act as white blood cells, cleansing the wound in time created by Rose by destroying the living creatures within it. The old age of the church will give them time and protection, but eventually the Reapers will break through.

In private, the Doctor explains to Rose that normally, the Time Lords would have prevented paradoxes like this from happening. Rose apologizes, and the Doctor reiterates that just one man can be vitally important to the universe. He also warns her from touching her infant self, as that could cause further temporal damage. He suddenly pulls out the TARDIS key, hot and glowing. Racing to the center of the church, the Doctor tells everyone to stay away as he uses the key to start the materialization the TARDIS within the church, a process that will take time and should not be disturbed.

The uneasy guests mill about. Rose finds that Pete and Jackie, though married, are in an uneasy relation, nothing compared to what Jackie had told her. Rose talks to Pete more, and he starts to come to a conclusion, that Rose is his daughter. When Jackie overhears Pete talking to Rose as his daughter, she accuses him of having an affair. Pete tries to point out that the woman is Rose, all grown up. Jackie refuses to believe it, so Pete does what's most natural to him: he thrusts baby Rose into Rose's arms to show Jackie how they compare.

That is exactly what the Doctor warned Rose about, and suddenly a Reaper appears inside the church due to the weakened fabric of space-time. The guests scatter as the Doctor races down the center aisle; as the oldest being there, the beast will be attracted to him. The Reaper swoops down, grabs the Doctor in its mouth, and then hits the glowing TARDIS key. A flash of light - and when everyone looks around, the Reaper, the Doctor, and the faint image of the TARDIS are gone; the TARDIS key sits on the floor, cold and dead.

Rose and the other guests start to give up hope as they see and hear more Reapers converging on the church. Pete, while looking outside, sees the yellow car pass by again. He starts to put two and two together, and realises he was meant to die earlier that day. Rose tries to tell him he's wrong, but Pete will have none of it. He has a tearful parting moment with Jackie, their child, and adult Rose. As soon as the car appears again, Pete rushes from the church, the Reapers on his tail, and jumps in front of the car.

A flash of light.

The wedding crowd, outside the church, witness the accident, and start to congregate around it. Rose, looking around, sees that those guests that were eaten by the Reapers are back, and no one but her seem to be aware of the incident. As she watches, a hand falls on her shoulder - the Doctor, also back, tells her to go her father now. Joining Pete by his side as he dies, Pete remembers the time fault, and smiles at Rose. She stays with him until he dies. As emergency vehicles converge on the scene, the Doctor and Rose slip away, walking back to the TARDIS hand-in-hand.

A flashback, again, but different this time: Jackie explains to young Rose of the day her father died, and an unknown woman that stayed by her side after the accident. Rose recounts in a voiceover of her appreciation for Pete, "the most wonderful man in the world".

One of the more emotional episodes of Doctor Who, if you couldn't tell.

Tropes

 * Aw, Look -- They Really Do Love Each Other: Pete and Jackie in their Last Kiss.
 * Be Careful What You Wish For: Invoked by the Doctor at the beginning of the episode.
 * Broken Pedestal: Rose's horrified expression when she realises everything Jackie said about Pete wasn't true. Later subverted
 * Clock Roaches: The Reapers.
 * Death Glare: Nine is NOT happy with Rose saving Pete.
 * Gory Discretion Shot: We always see Pete's wedding gift breaking instead of Pete getting hit by the car.
 * Heroic Sacrifice: Pete Tyler.
 * Hilarious in Hindsight: Rick Astley's "Never Gonna Give You Up" is heard on the radio.
 * Kid From the Future: Rose.
 * Merged Reality
 * Never the Selves Shall Meet: Rose holding her younger self causes the Reapers to break through.
 * This is a bit of a Call Back to the Fifth Doctor story Mawdryn Undead, where the meeting of Brigadier Lethbridge-Stewart's two selves causes a massive blast of energy. The Third Doctor story The Day Of The Daleks called it the "Blinovitch Limitation Effect".
 * Older Is Better: The Doctor states that older buildings offer better defense from the Reapers.
 * The Time Travellers Dilemma
 * Like Parent, Like Spouse: After all her complaints, it turns out that Jackie's Taste in Men was not so different from Rose's....
 * Rubber Band History: Three points of history are changed without any adverse effect:
 * In fact, there are indications that if Rose had saved Pete the first time, the change might've gone OK. It was doing it while her and the Doctor's earlier selves were there that messed up the timeline beyond the limit.
 * Stock Episode Titles
 * Tear Jerker: Major one when Pete.
 * You Can't Fight Fate