James Herbert

James Herbert, OBE (born 8 April 1943) is one of Britain’s most bestselling and prolific horror novelists. His stories are notable for their highly descriptive narratives and graphic depictions of sex, carnage, and destruction. His first book, The Rats, was rejected by several publishers, but was finally published in 1974, and sold out within three weeks, despite (or because of) widespread criticism from reviewers for its graphic depictions of mutilation and death, some going as far to label its social commentary about the government’s neglect of the post-war London suburbs and the underclasses as too extreme. As of this writing, he has written 23 novels, several short stories, and even one graphic novel, The City. Some of his works have been adapted into other media, most notably The Rats, which was adapted into the film Deadly Eyes in 1982, and even into a 1985 computer game, titled… The Rats for the Commodore 64 and Sinclair Spectrum.

Novels

 * The Rats (1974)
 * The Fog (1975)
 * The Survivor (1976)
 * Fluke (1977)
 * The Spear (1978)
 * Lair (1979)
 * The Dark (1980)
 * The Jonah (1981)
 * Shrine (1983)
 * Domain (1984)
 * Moon (1985)
 * The Magic Cottage (1986)
 * Sepulchre (1987)
 * Haunted (1988)
 * Creed (1990)
 * Portent (1992)
 * The Ghosts of Sleath (1994)
 *  ' 48 (1996)
 * Others (1999)
 * Once (2001)
 * Nobody True (2003)
 * The Secret of Crickley Hall (2006)
 * Ash (TBA)

Graphic novel

 * The City (1993)

Non-fiction

 * By Horror Haunted (1992)
 * James Herbert's Dark Places (1993)

Short stories

 * Maurice and Mog (cut from some early editions of Domain)
 * Breakfast (cut from some early editions of ''Domain)
 *  The Ghost Hunter (excerpt from Haunted'')
 * Halloween's Child
 * They Don't Like Us
 * Extinct
 * Cora's Needs


 * After the End: Played with in  '48 and Domain.
 * An Astral Projection, Not a Ghost: The plot of Nobody True.
 * Anti-Hero: Herbert protagonists usually fall between Type II and III. A notable exception is Joe Creed, who comes off as a mix of I and IV, and given the tongue-in-cheek tone of Creed, these traits make him seem like a borderline Unsympathetic Comedy Protagonist.
 * Asshole Victim: This comes up quite a lot. Many minor characters are fleshed out and some of them are revealed to be rather unlikable and unpleasant, even depraved at worst. They often die horribly. This isn't a strict rule, however, as some other minor characters are more sympathetic, and some actually live.
 * Badass Normal: Most of Herbert's heroes are these.
 * Badass Abnormal
 * Badass Teacher: Harris, the protagonist of The Rats, and Childs of Moon.
 * Bitch in Sheep's Clothing
 * Body Horror: Others is quite notable for this, as the hero was himself born hideously deformed.
 * Celebrity Resemblance: Joe Creed from Creed is described as looking a little like a sleazy Mickey Rourke. This, however, was written before Rourke went back to boxing, and subsequently had reconstructive surgery...
 * Crapsack World
 * Daylight Horror
 * Dead Little Sister: Herbert's protagonists sometimes have a deceased child or sibling.
 * Demonic Possession:
 * Determinator: The traveler in "The City." Not even  causes him to halt in his quest.
 * Family-Unfriendly Death: By the truckload.
 * Full-Frontal Assault: Whenever this happens, it's usually Fan Disservice.
 * Good People Have Good Sex: Frequently.
 * Half-Human Hybrid:
 * Humans Are the Real Monsters
 * Infant Immortality: Often horrifically inverted.
 * It Got Worse: Oh, yes.
 * Knight in Sour Armour: This is almost a requirement for a Herbert protagonist.
 * Rodents of Unusual Size: The mutant rats in his Rats trilogy.
 * Obstructive Bureaucrat
 * Papa Wolf: Some of Herbert's protagonists go into this mode when defending children. Even Joe Creed, who is a Deadbeat Dad, and a coward besides, who finds his son "obnoxious"(with some justification), goes into this mode when the boy is kidnapped.
 * Posthumous Character / Posthumous Narration: Nobody True.
 * Sliding Scale of Cynicism Versus Idealism
 * Some Anvils Need to Be Dropped
 * Those Wacky Nazis: A huge conspiracy of these appear in The Spear as the main antagonists.
 * Trauma Conga Line: Domain. It starts off with five nukes being dropped on London, then survivors being attacked and devoured alive in an underground rail tunnel by outsized, carnivorous mutant rats, and that's just the first act. Not once do the characters get any genuine respite from all the horror.
 * Trauma Conga Line: Domain. It starts off with five nukes being dropped on London, then survivors being attacked and devoured alive in an underground rail tunnel by outsized, carnivorous mutant rats, and that's just the first act. Not once do the characters get any genuine respite from all the horror.