Mulholland Drive



It's strange calling yourself.

Mulholland Drive is a 2001 drama/mystery Mind Screw directed by mind screw king David Lynch that helped (finally) launch the career of Naomi Watts. The movie received generally positive reviews. At the end of the 2000s it has been called one of the best films of the decade by quite a few critics and viewers.

The positive critical reaction even included a four-star rave review from Roger Ebert who, with the exception of The Straight Story, had hated most of Lynch's films. Previously, Lynch had celebrated the "two thumbs down" from Siskel and Ebert for Lost Highway.

Many of those who saw it admitted to having no idea what the hell it was about: True Art Is Incomprehensible. Like several of Lynch's films it aims to work as poetry more than a linear narrative.

The plot primarily focuses on two young women: Betty Elms, a perky blonde Canadian who comes to Hollywood to pursue an acting career, and Rita, a sultry brunette who's developed a case of amnesia after an attempted hit on her turned car accident on the titular Mulholland Drive.

After arriving at LAX and moving into her aunt Ruth's apartment, Betty discovers a nude Rita in the shower and isn't too weirded out because she thinks that Rita is a friend of her aunt Ruth's. However, she soon finds out that Rita has amnesia and that all she remembers is being in the accident. They then discover not only sets of 100 dollar bills in Rita's purse but also a blue key, further increasing the mystery. So out of the goodness of her heart and because "It'll be just like in the movies!", Betty decides to play Nancy Drew and help Rita discover her true identity, and the two become fast friends (and more).

In addition to the main plot, there is also a film director who just can't seem to catch a break. He even walks in on his wife in bed with their pool man, played by Billy Ray Cyrus of all people. Betty's eccentric landlady is played by Ann Miller in her final role before her death. There is a terribly inept hitman played by the incomparable Mark Pellegrino, a creepy cowboy who may or may not be part of this world, a surreal theater with an even more surreal magician/MC, that mysterious blue box, and some sort of grungy zombie hobo who lives behind an old-fashioned diner and gives a man a heart attack at just the sight of it.

Yes, it's one of those movies.

A well-made movie, but certainly not for everyone. Just like nearly every Lynch film, viewers tend to Love It or Hate It. But it's certainly worth watching at least once, as the direction is aces, the writing is clever and the acting is fairly solid across the board, especially that of Naomi Watts. Just expect lots of Mind Screw and lots of High Octane Nightmare Fuel.

This film contains examples of:

 * All Just a Dream:
 * Anachronic Order: In the sequence later in the movie, we see the blue key, which means that Brunette Camilla, but later scenes clearly take place before that moment.
 * Arc Words: 'This is the girl'.
 * Ate Her Gun: Diane.
 * Beard of Evil: While calling the magician/MC in Club Silencio "evil" is a bit of a stretch, he's still pretty creepy.
 * Betty and Veronica: Or rather Betty and Rita.
 * Big Fancy House: Adam Kesher has one of these. Of course, he does live on Mulholland Drive, a place famous for its Big Fancy Houses.
 * Brown Note: Who Whatever that is behind Winkies, the mere sight of ... it is enough to give someone a heart attack.
 * A Date with Rosie Palms: Near the end, Naomi Watts has this kind of date.
 * David Lynch: Indubitably.
 * Daylight Horror: The "man behind Winkies" scene is somehow made even more disturbing by the fact that it happens in broad daylight.
 * Dying Dream: One of many interpretations.
 * Emerging From the Shadows
 * Epic Fail: The scene where the hired killer first appears.
 * Evil Old Folks: Miniature evil old folks, no less.
 * Executive Meddling: An actual plot point ("This is no longer your film").
 * Fan Service: Naomi Watts and Laura Harring.
 * And they're not the only hot women in the movie.
 * Film Noir: The film could be called an homage to the genre. For example the character of Betty Elms is clearly inspired by many of Hitchcock's noir heroines. She even wears a dress suit that looks exactly like the one worn by Kim Novak in Vertigo.
 * Freaky Friday Flip: Involving at least five different characters.
 * Girl-On-Girl Is Hot: The Mind Screw regardless, that is one hot sex scene.
 * Grotesque Gallery: The "man behind Winkies" isn't exactly someone you'd want to meet in a dark alley. Or anywhere.
 * Hollywood California: After all, the subtitle describes the film as "a love story in the city of dreams".
 * Horrible Hollywood: It looks like Hollywood but adjoins with hell. There is something rotten here, in the airless boardrooms, moving in the back alleys.
 * Humanoid Abomination: The Cowboy -- maybe. And the man behind Winkie's. And the Evil Old Folks.
 * I Just Shot Marvin in the Face: Perpetrated by the most negligent hitman since Vincent Vega.
 * I Was Quite a Looker: Betty's landlady Coco Lenoix, played by Ann Miller, a dancer and actress who was a fixture in movie musicals of the 1940s and 50s.
 * Kubrick Stare: Near the end, gives one of these. It's incredibly chilling.
 * Lampshade Hanging: Adam notes what a stock character the Cowboy is.
 * Lipstick Lesbian: Naomi Watts (Betty) is hot. Laura Elena Harring (Rita) is hot. Together, they're sexier than a good deal of actual pornos. Works as Fan Service.
 * Los Angeles: Hits many of the major visual icons. Mulholland Dr., LAX, a palm tree-lined boulevard, etc. Has some lesser known ones: Pink's Hot Dogs, Topanga Canyon.
 * Lotus Eater Machine:
 * Louis Cypher: according to various theories, the Cowboy, Mr. Roque, the Bum or the Magician could be this. Actually a very popular Epileptic Tree.
 * The Mafia: It's highly implied that Mr. Roque and the Castigliane Bros. aren't your typical meddling executives.
 * Mind Screw: and how! There's some meta-Mind Screwing as well. One reviewer noted that the prostitute outside Pink's Hot Dogs also sort of looks like Naomi Watts, and asked how many characters she actually played in the movie. Watts: "It depends." (the part was played by an actress named Rena Riffel).
 * Miniature Senior Citizens: In the most literal and nightmarish sense.
 * One-Scene Wonder: Melissa George and the Cowboy. Both get callbacks in the second half of the film.
 * Ostentatious Secret: A key element is a little blue box with a matching key.
 * Proscenium Reveal: In the Club Silencio sequence, Rebekah Del Rio during her performance of "Llorando" yet, which causes Betty and Rita (and the viewers) to realize.
 * Psycho Lesbian:.
 * Reality Warper: The real Reality Warper in the movie may or may not be the hobo or the cowboy or the magician.
 * Scare Chord: Go buy the soundtrack and listen to all of "Diner". Make sure to wear headphones, and have them turned up all the way.
 * Schrodinger's Butterfly: The big brain hump of this movie is wondering which is real; the last half hour, or everything preceding it? Or both? Or neither? Or...
 * Shot in the Ass
 * Shout-Out: Numerous homages to various films. Some of them (including The Wizard of Oz and Ingmar Bergman's Persona), seem to be intended as points of reference.
 * Also Sunset Boulevard, which also has an ingenue named Betty. The actual car from Sunset Boulevard is parked at the entrance of the studio lot when Betty Elms goes for her audition.
 * Fight Club contains a blink-and-you'll-miss-it homage to Blue Velvet, where the characters walk past a street sign (it reads "Lincoln" in Blue Velvet, "Washington" in Fight Club). Lynch seems to have taken note: early in Mulholland Drive, a shot of a man's arm reaching for a phone is identical to the shot of Tyler Durden picking up the phone in his first encounter with Marla.
 * Carnival of Souls, when Rita exits the crashed car.
 * Some of the more nightmarish sequences allude heavily to the Brazilian "Coffin Joe" films.
 * Soundtrack Dissonance: The Fifties pop music.
 * Stylistic Suck: Were you somewhat annoyed or surprised by Naomi Watts' poor, exaggerated, even Narmy acting throughout the beginning of the film? This is indeed intentional and will make (some) sense in the end.
 * There Is Only One Bed: "You don't have to sleep on that couch!"
 * This Is Sparta: "No. Hay. Banda! There is. No. Band!"
 * Tomato in the Mirror: Part of the most popular interpretation.
 * The Treachery of Images: "No hay banda! There is no band. Il n'y a pas d'orchestre."
 * What Do You Mean It Wasn't Made on Drugs? And this is pretty tame compared to most of Lynch's other films.
 * Woman Scorned: Another popular interpretation.