More Hero Than Thou

""Are we really going to stand here and argue over who makes the noble sacrifice?""

- Voltron Force

Who plays The Bait? Who says You Shall Not Pass? Who sends others to Bring News Back while he stays to make a Last Stand against the evil? Who makes the Heroic Sacrifice? Who will get medical attention first? Surely, it will be difficult to find anyone who can steel himself to do this...

Except you have two Incorruptible Pure Pureness characters ready, willing, and able to take it on.

So, they argue over it. (They may even see that there's some ego in not wanting to be on the receiving end of the sacrifice.)

Generally in a time-critical situation, so it has to be resolved, usually in one of three ways: Even when the authority is unquestionable, this one doesn't always work, as the junior may defy the punishment and go on arguing, or resort to force himself. That there's an argument at all can be Honor Before Reason, if only one character could do the fatal act, or only one character can carry out the next step and so has to live for it. This may not involve an actual argument; the first character to realize that conflict is possible often acts quickly to preempt it by ensuring that he must make the sacrifice. However, if he survives, expect a quarrel on this principle after the fact.
 * 1) The one in a position to give orders takes the role and sends the other away. Common in military situations, and the reason why the king can refuse to leave the city In Its Hour of Need but send away the crown prince.
 * 1) One may have a valid More Expendable Than You argument, or other reason (such as being mortally wounded already and I Will Only Slow You Down, or being the only one who could hold it alone, so the other could only die with him, not save him, or the whole point of the expedition is to get the other one to do something only he can do) that the other has to concede means he really should be the one to stay.
 * 1) Force or stealth. One character can trick another into leaving, or knock him out so he can't follow, or shut the door between them, or throw the other onto a moving vehicle he can't jump off, etc, or just do Taking the Bullet or saying I Am Spartacus or making the Sneaky Departure before the other can realize or stop him.

Not that the audience is always in doubt. The Sorting Algorithm of Mortality often dictates, as does Redemption Equals Death. This is one case where Dying Alone is, in fact, a consolation to the dying character.

Note that trying to dissuade someone from (or trick or force out of) making the Heroic Sacrifice does not suffice; you must want to stop them so that you can do it yourself, although it does not have to be the same sacrifice: the wounded character arguing I Will Only Slow You Down and the others arguing No One Gets Left Behind qualify, as does a character begging the villain to Take Me Instead!, while the captive character argues that he should not sacrifice himself.

Definitely the duty of members of the Hero Secret Service. See also Who Will Bell the Cat?.

Anime & Manga

 * One Piece: After fighting and defeating both Oz and Gekko Moria, the Straw Hat Pirates are too worn out to defeat Bartholomew Kuma. All but Zoro have been knocked unconscious. Zoro offers his own life in exchange for the lives of everyone else. Kuma agrees to his request. Suddenly Sanji stands up and offers his life in place of Zoro's. Zoro proceeds to sucker punch Sanji in the side, knocking him unconscious and ending the argument.
 * Used in Gundam Wing at the very end. As Libra falls to Earth, Heero goes to the main reactor to destroy it; unfortunately, he's out of weapons, his ammo and beam saber energy depleted from his duel with Zechs and his BFG having been knocked away at the start of the fight. He's about to use the Self-Destruct Mechanism when Zechs appears out of nowhere, stabs the reactor with Epyon's BFS, and says "We'll meet again" as the explosion engulfs him.

Comicbooks
"And when a new arrival asks about the one to whom even Hela bows her head, the answer is always the same - "He stood alone at Gjallerbru." And that is answer enough."
 * At least one issue of Iron Man where Rhodey knocks Tony out and wears the armor himself. Sort of subverted in that when Tony wakes up, he immediately goes out in a spare suit and arrives just in time to save Rhodey's massively outclassed butt.
 * X-Men: Jean Grey used force to get Scott Summers to safety on the shuttle before flying it down in face of a solar flare.
 * In The Mighty Thor, Thor insisted on covering the escape from Hel, only to be cold-cocked by his former enemy Skurge, who then proceeded to declare You Shall Not Pass at the bridge of Gjallerbru in his Crowning Moment of Awesome, and possibly one of the best Tear Jerker Crowning Moment of Awesome moments for Simonson's entire run. He's also trapped in Hel for a year or three until Hela realizes his sacrifice has made him a soul she can't keep, and she sends him on to Valhalla. The final quote, made as on the left hand side of the page he's fighting, and on the right his picture slowly fades:

"Jagged: "Don't be foolish, Zena! Once we detach, they can't save us!" Zena: "I know that, Jagged. You didn't marry a stupid woman!""
 * In Justice Society of America, the two Hourmen, father and son, fought over who would be allowed to return to the point in time from which the father had been plucked by the android Hourman, to ensure a Stable Time Loop. This lasts until the android Hourman has a bright idea: he puts both father and son on his time-traveling ship, and fills the point himself.
 * Legion of Super-Heroes has one in the Silver Age: to destroy the Sun Eater, Superboy had to fly into the creature and detonate it. He was about to do when he was suckerpunched by Ferro Lad and he made the Heroic Sacrifice in Superboy's place.
 * In the X Wing Series comic, Zena and Jagged Antilles have to detach a burning section of their refueling station before the fire can spread, which means their deaths. Jagged tries to get Zena to follow the others who were evacuated from this section, but she tells him someone needs to fight the flames while he activates the lancing charge.


 * This how  died in Fantastic Four #587, beating   to the punch after pretending to accept the latter's heartfelt reasoning for his own self-sacrifice proposal. After all, they've practically made it their life's work to one-up each other.
 * In the 600th issue, he gets better.
 * Similar to the movie Spartacus, in Bloodquest (a Warhammer 40K comic) two Blood Angel marines are captured by forces of chaos. They are given a choise. A fight to death, the winner will then be tortured by a slaaneshi marine, who is also their former friend. Other marine tries to say that neither of them will agree to the terms when his friend attacks him, begging for him to subdue and accept death. He has already fallen to the Black Rage and has nothing else in his life except pain anyways.

Film

 * Armageddon.
 * Hero, with Snow and Broken Sword both trying to wound the other enough so that they can be the one to make the sacrifice.
 * The Core When they realize whoever releases the Cool Ship this time will not make it back, they do a little draw-the-shortest-straw contest for the honor (Leaving out the girl, by the way). However, the creator of the ship had rigged the contest to make sure he got the honor, on the grounds that "Virgil is my creation. If he needs blood, is going to be MY blood!"
 * Wasn't the girl the pilot? Stupid to risk her life.
 * In Spartacus, the titular character's revolt of gladiatorial slaves
 * The iconic example in Star Trek II the Wrath of Khan, although a variation where the idea was that said character was really going to be Killed Off for Real.

Literature
"You're siphoning my noble hero vibe. Cease and desist, or I'll sue."
 * In Dan Abnett's Gaunt's Ghosts novel His Last Command, Gaunt and Wilder know that someone will have to make a last stand to give the rest of the regiment a chance to escape. Gaunt lays it out and offers to do it. Wilder refuses, points out that Gaunt does not have a command position, and orders him to take the regiment to safety.
 * In William King's Warhammer 40000 novel Space Wolf, Sergeant Hengist sends Ragnar and some other young Marines to Bring News Back (of Chaos Space Marines) while Hengist and others hold them off. Ragnar wants to protest, and Hengist tells him that being a Space Marine is not easy, and sends him off. When one of the other Marines is injured during their escape, Ragnar sends the others on while he tends the injured—over their objections, succeeding when he threatens them, and they leave only with the comment that next time, it will be their turn to tend the wounded.
 * Red Seas Under Red Skies:
 * In CS Lewis's The Voyage of the Dawn Treader, when invisible beings threaten to massacre them unless Lucy goes into a magician's tower to cast a spell, Lucy agrees to do it, and the boys argue with her that they want to defend her. Only when the fearless Reepicheep refuses to try dissuading her, observing that she is being brave and doing a heroic act, are they convinced to let her go.
 * At the end of L. M. Montgomery's Anne of Green Gables, Anne gives up a scholarship so she can stay at Green Gables where Marilla needs her. She gives it up before she tells Marilla, so that Marilla can't argue with her.
 * In Rainbow Valley, Ellen refuses to release her sister Rosemary from The Promise when she wants to marry. Later, Ellen wants to marry, and she can't even bring herself to ask Rosemary to release her—but she does tell her suitor why she refused. So the man asks for her. Rosemary agrees at once; the catch is that she didn't tell her suitor why she turned him down, and she's sure that he wouldn't want her if she went back to him, and so refuses to even try. So Ellen refuses to marry her suitor, even knowing that they are both going to be miserable. (It's a good thing that Rosemary's suitor's youngest daughter intervenes.)
 * Part of the legend of Ciaphas Cain is that he always seems to get into these situations (as the second volunteer). As far as he's concerned, he's only volunteering to find a way to escape, but...
 * In Rick Riordan's The Titan's Curse, Percy has a hard time persuading Artemis . He wins for the "valid argument" reason: In fact, her reluctance is rather Honor Before Reason.
 * In Jim Butcher's Dresden Files novel Dead Beat, Rawlins tells Harry that if he can get free, he should just go without him. Harry tells him

"Thrass: "There's still time for you to leave, you know. You may at least be able to get to the core before we hit, perhaps even all the way to D-Four." Lorana: "You can't handle the landing alone. But I could do that while you go." Thrass: And who would keep the remaining systems from self-destructing while you cleared a path through the pylons for me? No, Jedi Jinzler. It appears we will both be giving our lives for your people.""
 * In Grave Peril, Michael tells Harry that he can ensure that Harry and Susan escape; since he's a Knight of the Cross, he's supposed to protect the innocent. Harry tells him that he's supposed to have his sword, too, and since it's Harry's fault that he doesn't, Harry will not escape that way.
 * In Small Favor, Michael and Harry argue about who gets to be the last one on the helicopter. Harry, having promised his daughter and having seen a Valkyrie eye him, wins.
 * It is worth noting that if Harry had gone first, . According to Uriel in 'The Warrior'.
 * In Ben Counter's Warhammer 40000 Horus Heresy novel Battle for the Abyss, when asks for the bombs,  punches him instead, on the grounds that it's a one-way trip.
 * In Outbound Flight, the last surviving Jedi and the brother of the man who caused all this try to put Outbound Flight into a stable orbit over a planet, only to find that the drive is too damaged. It shuts down, and they see that Outbound Flight will crash. They and the Dreadnaught where the fifty-seven survivors went to were on opposite sides, and the only way that the other survivors could live through the crash would be if the side the two of them were on hit first.


 * And they do. And the survivors and their descendants never know what happened.
 * In Edgar Rice Burroughs's The Gods of Mars, John Carter and Tars Tarkus argue over who should attempt to escape through a gap first.
 * In The Chessman of Mars, when Tara and Turan do not wish to leave Ghek in danger, Ghek persuades Turan that he must force her, or they will kill her.
 * In Myth Adventures when strangers have snuck through a door in their house, Aahz and Skeeve argue about who gets through it to retrieve them; then Aahz points at the corner and knocks out Skeeve to win the argument.
 * In the first Harry Potter book, Ron sacrifices himself to the White Queen so that Harry can checkmate the White King and proceed. This is a case falling under all three rules upahead, as Harry is the only one who can stop Snape Quirrel/Voldemort, Ron is the only one in position to make the sacrifice, and Harry and Hermione had surrendered rank to him since he's the only one who's good at chess.
 * A lesser version in The Half Blood Prince, when Dumbledore and Harry are breaking into Voldemort's cave. A hidden door requires a sacrifice of blood, as deduced by Dumbledore; Harry offers to provide it in his place, but Dumbledore insists that Harry's blood is more valuable and takes the initiative to cut his own arm open with a knife (and promptly heal it back up again with magic).
 * Later, when they're leaving, it's Harry's turn to pull this, using the valid argument that he's already bleeding anyway.
 * In James Swallow's Warhammer 40000 novel Red Fury, Dante tries to get the Chapter Masters off-planet when the mutants attack. One is offended at the thought they would run away from mutants, Dante says that they did not bring about the problem; Blood Angels did, and another says they will nevertheless help fight it, because the first was right, it could be construed as an insult. Dante says he is honored.
 * In Ptolemy's Gate, Bartimaeus and Nathaniel lie to Kitty, telling her that they will be able to escape alive when she can't, to persuade her to leave.
 * In JRR Tolkien's Fellowship of the Ring, Boromir thinks this is his motivation for wanting to take the Ring away from Frodo (self-deception, since the Ring is clouding his mind). Frodo concludes he must go off alone, without telling the others, to forestall their willingness to come with him. Sam deduces this and threatens to prevent his leaving if he doesn't take him—but Sam's actions aren't More Hero Than Thou because he doesn't want to be the hero himself, just go along..
 * In book two of The Hunger Games,
 * The trope is used several times in Animorphs, with Ax and Rachel being the two most likely to play the role of arguing about who gets to go on the suicide mission. It has happened enough that in the final book, when Jake sends Rachel on a mission that really will kill her off for real, he knows that he needs to defy the trope by making sure that only Rachel knows about her Heroic Sacrifice ahead of time.
 * In Dorothy L. Sayers's Nine Tailors, Lord Peter Wimsey and the police learn that the two men who had respectively put a man in the belfrey and buried him after he died were shielding each other because they thought the other had murdered him.
 * In the Chinese tale of the "righteous stepmother of Qin", her son and stepson were found near a murdered body. Both men confessed to the crime in an attempt to shield the other. (When the stepmother recommended the execution of her son, not her stepson, and explained that he was the junior, and she had the duty to look after her stepson, the king pardoned them both for her devotion to duty.)
 * In Andy Hoare's White Scars novel Hunt for Voldorius, Jhogai demands the right, as company champion, to face off against the Chaos champion Nullus..
 * In the Isaac Asimov collection I, Robot, the story "Runaround" features Powell and Donovan arguing over who should risk their life to rescue a malfunctioning robot. Powell proposes a math contest: whoever can solve a difficult math problem gets to go. Of course, he has already solved it in his head before he proposes it, and immediately solves it and runs off before Donovan can stop him.
 * In Adrian Tchaikovsky's Dragonfly Falling, Salma tries to tell Totho he can't sell himself to the Wasp to save him, but Totho informs him that he has already done so, and if Salma doesn't take the escape he did it for, Totho has done it in vain.
 * In Terry Pratchett's Moving Pictures, Laddie and Gaspode set fire to the Odium to destroy the film-creature. When Gaspode's leg goes, Laddie picks him up and carries him, despite Gaspode's protestions that there's no time, and he's just going to get them both killed.
 * In Jasper Fforde's Lost In A Good Book, Thursday goes to kill herself to appease Aornis. Her father stops her and derails Aornis's plans despite her objections that it will kill him; among other things, he points out he's aged, and he will go without a decline this way.
 * In Something Rotten, Spike tries to take Thursday's place in ; they argue, and when he can't be moved, Thursday tells the crowd he's . Then Cindy shows up and argues Thursday into letting her do it.
 * In Mary Jo Putney's Thunder and Roses, the hero and a miner are escaping a flooding mine. When it seems likely that there will only be time for one of them to be pulled up to safety, the hero orders the miner to go up first - only for the miner to cold-cock him and send him up. The miner survives to explain his reasoning: as a devout Methodist, he was confident that he'd go to heaven, but he wasn't nearly so sure about the hero. According to the author's note, this was based on a true story.
 * In L. Jagi Lamplighter's Prospero Lost, Mab orders Miranda to flee while he contains the barghests. She started to obey, and then goes back and refuses to leave again.

Live-Action TV
"Tom: On your feet, Lieutenant. That's an order. B'Elanna: You can't order me, we're the same rank. Tom: I'm a bridge officer, and I have seniority. B'Elanna: Three days!"
 * Star Trek the Original Series: when aliens offer Kirk the choice of sacrificing McCoy or Spock, McCoy takes out Kirk with drugs. Spock is glad; being in command, he can make it himself. Then McCoy takes him out to make the sacrifice.
 * Several more canon Trek examples, such as "Once More Unto The Breach" and "These Are the Voyages", and Nemesis.
 * Also an unsuccessful attempt in "Obsession".
 * The Trek novel The Return.
 * Voyager's Tom and B'Elanna do this once.


 * In Angel, Doyle punches Angel in order to make the Heroic Sacrifice himself.
 * In another episode Angel and Spike shared one of these when they were told of some cup that a vampire with a soul had to drink in order to save the world, the cup is known as "The Cup of Perpetual Torment". They were arguing over which one of them was the prophesied vampire and, because it's Spike and Angel, ended up having one of the most brutal fights ever seen on the show to drink from it and prove themselves the true champion. Effectively, punching each other while shouting "I'm more of a hero than you!" wins, but the cup.
 * In Farscape, Crichton & D'Argo decided who got to be the hero with rock paper scissors when they couldn't spare time arguing.
 * In Lost, Charlie and Desmond couldn't decide who should undertake the thought-to-be-suicidal mission of swimming down to the Looking Glass station and deactivating its jamming device. Charlie resolved the situation by knocking Desmond out with an oar. He then proceeded to
 * Surely River Song's sacrifice in the Library counts here. She knew the Doctor would have sacrificed himself to save Donna and the others, and cold-cocked him so he couldn't do it.(Just why did she have those handcuffs, anyway? Business or pleasure?)
 * More of a case of More Expendable Than You.
 * Used in the ITV adaptation of Hornblower. Rather than using the novel's elaborate set-up to ensure an/the eponymous duel is An Even Chance, the TV version has Hornblower's second cold-cock him with a sea-lantern because he (the second) was shamed by 17 year old Hornblower's courage, and didn't believe that either of them stood a chance in a duel against Mr Midshipman Simpson.
 * Both played straight and for comedy in Chinese Paladin 3: at one point, the heroes have to enter the forbidden Demon Prison Pagoda, which is forbidden to members of the Church Militant. Undeterred, the chief acolyte promptly asks his superiors to expel him from the order. They refuse, and The Hero—who can do the job just fine himself—tells him to stop trying to steal his thunder.

Music

 * In Some Kind of Hero by Leslie Fish, a starship's engineer offers to flip a coin for the last spacesuit on the ship. The ship's navigator cold-clocks the engineer and stuffs him into the suit.

Videogames

 * The end of Phantom Brave. It's not who you'd think either.
 * Tales of the Abyss: the last third of the game has Luke and Asch arguing repeated about who is going to make a Heroic Sacrifice, actually two of them over the course of this part of the game, with each one wanting to make the sacrifice himself.
 * Dynasty Warriors: Gundam has a minor example at the end of Char's/Amuro's Original plotline when Char takes away Amuro's chance to play the hero and goes down with the underground cave. (He gets better)
 * After the final battle of Dragon Age: origins, it's possible to.
 * Played with in Metal Gear Solid 4: Guns of the Patriots. Either Snake or Raiden have to get to GW's server room, through a hallway saturated with microwave radiation. The other will stay behind and hold off an endless army of Mooks. Both forks in the road point to "heroic death", but naturally there's a More Hero Than Thou conversation between the two about who will do what.
 * Breath of Fire II: Nina goes through a personal quest to acquire an artifact that will allow her to become The Great Bird. Unfortunately the process is permanent and she's basically sacrificing her humanity and sentience for the good of the group, and the world. Her sister Mina has other ideas and steals the artifact so SHE can sacrifice herself instead.
 * In Mega Man X 5, in order to stop the Colony Drop, one of the heroes has to maneuver a shuttle into crashing into it. Zero volunteered himself, as he stated that, whether or not he (Zero) survives the crash, the world is still in danger, and X is needed more than he is.
 * At the end of LA Noire
 * After Arthas is killed in World of Warcraft,  have a minor disagreement over who should be the next Lich King. The latter wins out.
 * At the end of Baten Kaitos Origins,

Webcomics

 * Sluggy Freelance: "Let me be the hero for once." "Sorry, ma'am. I'm union."
 * Girl Genius: Tarvek tells Gil that if push comes to shove, he has to cut Tarvek off and save Agatha. When Agatha asks whether they were fighting, they instantly agree that they weren't -- so she won't learn.
 * Just to be clear, although Gil is reluctant to agree to this, he can't really sacrifice himself instead of Tarvek, since he's the one who's supposed to be curing them (by taking the disease himself). If he dies, they'll just have two sick people linked together.
 * Except that this is option 3: Tarvek is preventing Agatha from sacrificing herself, by keeping her from learning of the possibility, and Gil is helping.
 * In The Dreamland Chronicles, the dwarves want the party to run off and save themselves rather than fight. They eventually do so, because the dwarf king is The Atoner.
 * Bob and George: Run, Roll! Get Out of here!
 * Dominic Deegan: Luna refuses to let them fight without her; Dominic thinks it's too dangerous.
 * Homestuck: Dave and Rose have a disagreement over who will be the one to take the Tumor to the Green Sun, which will kill them.

Western Animation
""Ya know, I just had to take his place. He's got a wife and six piglets.""
 * Danny Phantom takes this to ridiculous extremes with a scene which involves dozens of people knocking each other out in succession over who gets to go on a suicide mission.
 * In the Warner Brothers short Dumb Patrol, World War One pilot "Captain Smedley" (Porky Pig) is chosen to shoot down "Baron Sam von Shamm" (Yosemite Sam). Bugs Bunny knocks him out.


 * This is subverted in the first animated X-Men series' version of the Phoenix Saga. Jean Grey is apparently dead, but the Phoenix Force reveals that it can save her by transferring life energy from others to her. Jean's love interests Cyclops and Wolverine get into a brief argument about who will sacrifice himself for her sake. Both insist on doing it themselves. The Phoenix then explains that the life energy doesn't have to come from one person; it can take energy from a group of people (shortening their lifespans) to revive Jean. All of the X-Men hold hands and allow the Phoenix to do just that.
 * But... can't Wolverine live pretty much forever anyway?
 * Not anymore.