Transformers: All Hail Megatron

All Hail Megatron is the overarching title of a widely-promoted event in the IDW Comics Generation 1 universe in 2008–9.

The event spans the 12-issue All Hail Megatron maxi-series, a 4 issue "Coda" (appended to the main series for publication) and various Spotlight-series tie-ins. A standalone sketchbook and preview comic, "Focus on Decepticons", may be considered "All Hail Megatron #0".

The first twelve issues were written by Shane McCarthy and take place on an Earth under Decepticon control.

"Ratchet: What about Drift? Isn't he back there? Bumblebee: Does it matter?"
 * Alien Invasion: The first couple of issues is basically the Decepticons invading Earth and destroying whatever they want, specially New York.
 * Author Appeal: Drift is pretty much only there because Shane McCarthy wanted to put his fancharacter in. He has gone on record as saying that Drift was essential to AHM's story and that he doesn't know what he would've done without him in it.
 * Author Filibuster: Sideswipe's "The Reason You Suck" Speech to his fellow Autobots is basically there because Shane McCarthy did not like the idea of the Autobots abandoning Earth for the greater good of the entire universe (ie stopping the Decepticons from getting their hands on Combiner technology) in the previous mini-series.
 * The Bad Guy Wins: Allegedly, The Decepticons pretty much win the war. Prime is near death and his crew are trapped on Cybertron, and Autobot bases around the galaxy are overrun. Unfortunately, McCarthy did not really sell the idea to a sizable portion of the fanbase, due to Offstage Villainy.
 * Big Damn Heroes:.
 * Body Horror:
 * Book Ends:
 * Break the Haughty:
 * Continuity Snarl: Created by the Broad Strokes treatment of Furman's run and previously established characters, revelations, etc. Just for starters, the fact that the Transformers' existence had been revealed to the world in Transformers: Devastation, but here the world has apparently forgotten about the revelation of giant alien robots. It was Hand Waved by saying that the government blamed all of the Transformers' antics on the human organization The Machination, but this still creates problems when the man on the street's first reaction to the Decepticons is to ask if there's a movie being made.
 * Darkest Hour: Megatron has conquered Earth, Optimus is in the brink of disrepair, the Autobot ranks are badly battered and the morale is at its lowest with the knowledge they have a mole within their ranks.
 * Death Trap: Megatron and his troops defeat lure the Autobots into a trap and defeat them. So do they shoot them then and there? No! They send them through a spacebridge to Cybertron to be devoured by the Swarm. The Autobots manage to survive long enough to escape. To be fair, Megatron and his troops had planned to follow them through and see to it that they died, but like many overly complicated plans, that plan fell apart.
 * Didn't See That Coming:
 * Does This Remind You of Anything?: Hunter.
 * Dull Surprise: In the Don Figueroa half of issue 13, Don debuted a new art style inspired by the movie's level of detailing. Unfortunately, it left both Optimus Prime and Ironhide with giant gnarling sneers frozen on their faces.
 * Fate Worse Than Death:
 * Flawed Prototype: The Insecticon Swarm is, well, a swarm of these: a thousand malformed monsters per functioning Insecticon.
 * I Call It "Vera": Roadbuster wants to do this with an impractically huge jury-rigged cannon.
 * Incoming Ham / This Is Sparta: I.AM.OMEGA.SUPREME.
 * It's a Long Story: Kup's answer to the other Autobots regarding Perceptor's sudden Badass Level-up.
 * Jerkass: Spike Witwicky and his father, Sparkplug. Putting things in perspective, Sparkplug Witwicky loves to be a jerkass to his wife's guests while dreaming of the ways he could kill them all with a toothpick. As for Spike, how about making jokes about button-flies to survivors of the freaking Decepticon attack on New York? They end up making you clamor for the personas of the cartoon instead. They only get worse (while cluttering up more page time) in the Ongoing.
 * Mad Scientist: Bombshell, Deluge.
 * Man Behind the Man:
 * MacGyvering: How Bombshell hacked in to the Autobot mainframe. It is supposed to be taken seriously.
 * Meaningful Background Event: Boy, Thundercracker sure dosen't look happy about all the destruction the other Decepticons are causing...
 * Meaningful Echo:
 * Mercy Kill:
 * Meta Guy:
 * Bumblebee gets elements of this.

"You have got to be kidding me."
 * And later:


 * The Mole: First, we're led to believe it's, turns out it's.
 * Monumental Damage: Most notably an over-the-top scene in issue 12 involving
 * Moral Dissonance: So after delivering a long-winded speech about how Autobots should start valuing life (all life), what's the next noteworthy thing Sideswipe does in this series?
 * No Ontological Inertia: One moment, Optimus is on the verge of dying, all of the sudden, he's like brand shiny new.
 * Off-Model: Thanks to the fill-in artist, one of the issues is really, really bad, especially when shifting between Cybertron and Earth.
 * Oh Crap: It's full of this.
 * Power Walk: Kup and co. (Notice how Roadbuster's shoulders are scraping on the ceiling.)
 * Pride Before a Fall: Ultimately the downfall of Megatron, who spends the story talking about how he planned for every contingency and that nothing surprises him. But he didn't anticipate.
 * Proud Warrior Race Guy: Thundercracker, who is disgusted that the Decepticons are no longer a Proud Warrior Race.
 * Psychic Link:
 * "The Reason You Suck" Speech:
 * Redemption Equals Death / Driven to Suicide:.
 * Red Herring Mole:
 * Rousing Speech: Optimus rallies the Autobots to keep on fighting against the Insecticons.
 * Shell-Shocked Veteran: Just about every Autobot to a varying degree, but most notably.
 * Show, Don't Tell: As with anything written by Shane McCarthy, this is all over the place. One page shows us Ratchet telling us how risky fixing Prime is and how it will be unbelievably difficult to pull off, especially since Perceptor abandoned science entirely in favor of snipering, and just a few pages later, Optimus Prime shows up fine and dandy.
 * Small Name, Big Ego: Megatron is supposed to be a Magnificent Bastard, but McCarthy's lack of talent for protraying villainous masterminds ends up making him look like one of these.
 * So What Do We Do Now?: Starscream poses this question to Megatron. He points out that with Optimus and the Autobots defeated the Decepticons have no real enemy to face on Earth as they can easily wipe out humanity. He also accuses Megatron of only fighting humanity because Megatron himself dosen't know the answer to this question.
 * The Starscream:
 * Took a Level in Badass: Perceptor went from a Non-Action Guy with Sesquipedalian Loquaciousness to a stoic expert sniper. One of the more controversial changes to the existing characterization. It also mysteriously meant that he have to give up science for...some reason.
 * We find out the reason in later issues. Turns out it's because Turmoil blew a hole in his chest and shot him in the face. Perceptor took his level in badass because he feared he was useless in combat.
 * Unusual User Interface: Bombshell basically converted.
 * What Happened to the Mouse?: Andy Reid set out to find his dead pal DJ's girlfriend, who might still have been somewhere in the ruins of New York City. It ends up being forgotten pretty quickly, and then Andy dies and the subplot is never resolved.
 * Writer on Board: In spite of McCarthy's claims that "he's read everything IDW's put out" and "there'll be no disrespect coming from him" and that "there's no way he'd spit over what Furman's done", some fans believe (with good reason) that he went out of his way to get rid of many of Furman's plot elements and characters that he himself didn't like, such as, Ultra-Energon, etc.
 * Writing for the Trade: Which is why the first three issues can basically be summed up as "Decepticons kill humans in New York City".