The Lost Room

The Lost Room was a miniseries that aired on Sci Fi Channel late 2006, with a continuation comic in development hell.

It involved the entanglement of Detective Joe Miller with the Objects, a collective of over 100 items, all with separate powers, and all being vied over by separate groups.

"Joe: "Joe Doorman." Hilarious."
 * All Your Powers Combined: Knife + Watch = Telepathy
 * Key + Comb + Watchbox = Access to "Alternate Room 9."
 * Nail Clippers + Pack of Cigarettes + Ashtray + Clock + Key + Toothbrush + Watchbox = Something Very Bad.
 * And I Must Scream:
 * Arson, Murder, and Jaywalking: While Wally's not usually judicious about using his ticket, he does seem to use it at least once to stop a bunch of guys from fighting. He then sends a teenage girl to just outside Gallup because she was mocking his bowling game.
 * Artifact Collection Agency: Several examples.
 * Artifacts of Attraction: The Objects have a... knack... for making people covet them. Murderously so.
 * Artifacts of Doom: The Objects, some say they're Pieces of God, "quantum hiccups".ddd v, or merely their way of making a living.
 * Ate His Gun: Averted, but not how you'd think.
 * Awesome Yet Impractical/Practical: A lot of the objects run along this spectrum, from hard boiling eggs, to getting anywhere in the world with an on site tumble-lock door. Even the Room itself has reality bending uses.
 * Big No: Joe when Anna disappears in the Room.
 * Blessed With Suck: Most Objects do absolutely random things, that would only be interesting at parties. And even the genuinely useful ones seem to bring more misery than anything else to their owners, so there's two distinct subtypes of this trope present.
 * The Bus Pass drops any one who touches it in Gallup, New Mexico. Wally uses it to banish people he doesn't like but it took him a long time to get the duct tape on.
 * The Comb allow you to stop time for up to 10 seconds, allowing for you to dodge bullets or find a hiding place. It also freezes everything else in place, making it so that you can't physically have any effect on anything around you during those 10 seconds (no opening doors, taking things out of people's hands, etc.) and causes motion sickness with each use (this is said by its primary holder to be lessened if you remember to stop and stand still right before time resumes).
 * There are also Objects with unknown or forgotten uses. They can only be useful in the fact that they're indestructible. The Coat, for example, doesn't seem to do anything, but can be used as a bullet-proof vest. Getting shot in the area covered by the coat will hurt, but won't kill you.
 * The Pencil makes pennies when you tap it, which could lead you to become rich. However, in order to get a large amount of money out of it, you would have to tap it so many times it would probably drive you mad (which happened to at least one of its owners, who eventually killed himself).
 * The Eye is a highly powerful weapon, capable of flinging/disintegrating people and healing wounds. But to use it, you have to replace one of your own eyes with it.
 * The Occupant no longer ages and is invincible outside the Room, but he gets headaches from being near other Objects, his wife no longer remembers him, and he no longer legally exists, so he ends up in a mental hospital, presumably for life.
 * All of the Objects have minds, but only the Occupant is sentient. So the Occupant can be driven insane and have severe headaches from the mental static caused by the Objects.
 * Blown Across the Room: The pen seems to hit people with the force of a cannon, even though it's supposed to be microwaving them.
 * This could be a similar misrepresentation to how the scissors "rotate things".
 * Break the Fake: All of the Objects are indestructable, and therefore attempting to break, burn or tear something suspected of being an Object was a common way of identifying fakes.
 * Brown Note: The umbrella, nail file and deck of cards all have a Brown Note effect on whoever sees them.
 * Came Back Wrong: Averted.
 * Chekhov's Armory: Sort of the entire point, but is notably far more useful than one would first have thought.
 * Chekhov's Gun:
 * Kreutzfeld has sliding doors in every single part of his house, preventing infiltration via The Key. But then Joe sees he bought his son a play-house for his birthday... Also counts as Nice Job Fixing It, Villain
 * Wally mentions in the very first episode that there's always a price to be paid when using the Objects. Early on it seems that it's just being put in danger for simply having a powerful Object, and Anna being taken by the Room. The whole "price" detail is ignored from that point onwards
 * Collector of the Strange: Anyone who associates with the Objects.
 * Mostly. Kang and the Sood explicitly state that they don't collect the Objects. Though the Sood does collect signs of the Objects, so he might count anyway.
 * Cool Key: The Key can get you into the Room from any door that meets certain lenient qualifications (see Cool Gate).
 * Cool Gate: The door of the Room (the Door?) can open to any door that doesn't slide (regardless of it having a tumble lock, it just needs one to be opened). It can even adjust itself when the destination door is tiny, or isn't framed in a door.
 * Crazy Prepared: When Joe and the Weasel head to Kreutzfeld's home to acquire the Clock, Joe assumes that the door missing from the blueprints upstairs was merely walled over. Not only is he correct, but he also assumes that its knob will have been removed; he brought a power drill and a new doorknob with him to install in the door itself.
 * Didn't think to buy a drill that was cordless though.
 * Cult: The Order of the Reunification, who believe the Objects are "pieces of God".
 * Cursed With Awesome: The Weaponized Objects however, are much more valuable. Merely possessing an Object will mess up your life. Besides people fighting over the Objects, many of them have terrible side effects, and the possessors tend to become increasingly paranoid and dysfunctional the longer they own one.
 * The Objects attract or "call out to each other", tending to bring people who possess them into the lives of eachother. This can be used by one person to track other objects. Knowing that person with the pen and/or the eye could just walk up to you, kill you, and take your Object is a very disconcerting thought to have to live with.
 * Dangerously Genre Savvy: Both Kreutzfeld AND Montague. Kreutzfeld has nothing but sliding doors because he knows the Key can't access them. Montague has his lackeys burn every door in the rail station before Joe arrives with the Key. (Well, almost all of them.)
 * Deadpan Snarker: Joe's fairly sarcastic to everyone he meets, though being impatient he usually only snarks once before getting mad. Jennifer gets a bit of this as well.
 * Defictionalized: The Sunshine Motel
 * The End - Or Is It?:
 * Eye Scream: The Glass Eye is a powerful weapon, but only if you stick it in one of your eye sockets. For someone with a full complement of eyes, that leaves just one option...
 * Full Set Bonus: The point of the series. Even just a few objects can have powerful combined abilities.
 * A God Am I:
 * Genre Savvy: A few characters throughout the series are well aware of the Objects and the effect they have on people. Kang and the Sood don't even touch the Objects themselves - they know they'd just attract the wrong sorts. Kreutzfeld makes all his doors slide, instead of swivel, so that the Key can't be used to get in.
 * God Is Dead: It's suggested at one point that the Event that created the Objects was the death of God.
 * Gold Fever: Dr. Ruber's character to a T, just substitute "Magical Key" for "Gold".
 * Pretty much everyone wants the key, but usually in some sort of scheme to get another object.  seems to be obsessed with the eye more than of the objects needed  . Montague seems equally obsessed with the pen, but he probably just enjoys what it does to people.
 * Gotta Catch Them All: If you put all of them back into the room from whence they came, no one really knows what would happen. But it would probably be cool.
 * Or horribly lethal. Or both.
 * Or, upon being put in their proper places, the objects may just lose their powers, and reality ensues. This makes sense if you think about it.
 * When an Object enters the Room, it loses its powers and invulnerability. If they were all returned to the Room, the most likely outcome would be that nothing happens, besides the various collectors and trackers having to get new jobs.
 * Hair of Gold: Anna, paired with Innocent Blue Eyes.
 * Heart Is an Awesome Power: The Scissors "rotate things." Joe isn't concerned when confronting the owner... until she sends him tumbling through the air with a twist of her wrist.
 * So many Objects fall into this category, it's mind-boggling. The Pencil spawns pennies when you tap the eraser against a solid object, best "get rich" plan ever. The Bus Ticket drops you out of the sky outside of Gallup, NM from anywhere in the world, no tumble lock door required, think about that. The Glasses stop combustion, The Flask lets you Vader Choke people, and the Watch hardboils eggs. Any one of these can be twisted around ala Death Note to achieve some pretty crazy things, even more so when Synchronization is in play.
 * Heroic Neutral: Joe doesn't care so much about the fate of the objects so long as he gets his daughter back.
 * Inverse Law of Utility and Lethality: On one hand, you have the Key, which can get you anywhere in the world with a tumblelock door. And then there's the Pen, which microwaves whatever the tip comes in contact with.
 * Left Hanging: The miniseries was intended to serve as a pilot for a show that never made it into production. but apart from that pretty much every plot thread is left dangling.   The promised comic continuation may answer these questions, if it ever materializes.
 * Made of Indestructium: Objects cannot be damaged, at all, unless you take them back into the Room. Even then, another Object from outside the Room will take on the power of a destroyed Object (in strict accordance with the Conservation of Objects). For example, if the Pen were to be destroyed while in the Room, some other pen somewhere in the world would become the new Pen.
 * Meaningful Echo: "There's always a price to pay for using the Objects." Wally says this early on, and while its context is different,
 * Mercy Kill:  Later,
 * Mind Rape: Don't look into the Deck Of Cards. It's bad for your health.
 * Misapplied Phlebotinum: Yes, the Key can sneak you into football games, doesn't mean it should.
 * Or Women's locker rooms, for that matter...
 * Modesty Bedsheet: Joe and Jennifer post-sexual encounter. Inside of the Room, no less.
 * The Mole: The Legion has a mole
 * Mr. Smith: Joe's not very amused with the pseudonym Jennifer gives him.

"Joe: It shoots bullets really fast."
 * Also,
 * Mundane Utility: The Watch boils eggs.
 * Necessarily Evil: The Legion collects Objects via the quickest means necessary - generally theft and making under-the-table deals - to keep them away from the general public and criminal worlds.
 * It's worth mentioning that their code forbids killing. Then again, there are times when they were forced to kill out of self defense or desperation.
 * Nigh Invulnerability:
 * Noodle Incident: The Event. Nobody can explain what happened, because technically, it never did -- the effects of it were removed from the time stream, but somehow they still linger as the titular Lost Room and the Objects.
 * Occult Detective: The Sood studies the Objects and their history.
 * Papa Wolf: The Weasel and his mooks learned this one the hard way when they tried kidnapping Joe's daughter.
 * Perma Stubble: Joe.
 * Physical God: Ruber believes he can become one if he brings all the Objects together.
 * Pieces of God: Maybe.
 * Plot-Sensitive Snooping Skills: Much is made of the Objects' potential significance, what might happen if they're destroyed or reunited with the Room, and what happened in the Room.
 * Plot Tailored to The Party: Unsurprisingly, this happens a few times. The most notable example was
 * Portal Door: The key can create these.
 * Reality Subtext: The Googie / Streamline 1961 design of the objects, plus it's convenient (and affordable) location in the New Mexico desert, evoke associations with both the Atomic Age and golden age of space exploration. However, there is nothing to confirm or deny that the creation of The Room had anything to do with Sufficiently Advanced Aliens, Negative Space Wedgie, or I Love Nuclear Power.
 * Reset Button: How the Room behaves when accessed with the Key. Whenever a tumblerlock is opened with the Key, whatever changes were made to the Room are reset in the following ways: Objects are returned to where and how they were at the time of the Event, and non-Objects are seemingly deleted . This is a big plot point, as Joe's daughter is left inside the Room during one of its resets, and the rest of the miniseries is Joe's attempts to learn how to get her back.
 * The reset also acts as a Chekhov's Boomerang: while the reset is usually used to
 * Ret-Gone: Room 10 of the Sunshine Motel was brought out of time and space
 * Secret War: Members of rival cabals have been known to fight over Objects, and according to the Sood there have been full-out cabal wars in the past.
 * Shout-Out: Sort of hard to see, but when Joe Shout-Out? Maybe...
 * The Noodle Incident behind the entire premise of the series bears a close resemblance to The Twilight Zone episode "And When the Sky Was Opened."
 * The Holders Series may be inspired in part by this series.
 * Spoiler Opening: Nearly all of the most important Objects are shown in the credits, with the only non-Objects shown being the mugshot of the Weasel and the black and white photograph of Joe and Anna.
 * Synchronization: The objects are presumed to affect probability itself just to get closer to one another. The one exception being  repel other objects away.
 * Tragic Dream: Poor Kreutzfeld, he just wants to
 * Time Stands Still: ... for about ten seconds when you run the comb through your hair.
 * Uncanceled: After five years, the Lost Room is coming back in the form of a comic continuation. Sadly, the product has since been placed on the backburner indefinitely.
 * Unperson:
 * Well-Intentioned Extremist:
 * What Kind of Lame Power Is Heart, Anyway?: When the watch isn't with the knife, it can hard boil eggs.
 * Although that particular object might actually be a ridiculous stealth visual pun. Consider that a watched kettle never boils...does a watched clock?
 * Surely it's actually a watch-kettle? And it never has to boil...
 * Joe has this reaction to the Scissors (they rotate things) when he first hears about them. He learns otherwise.
 * This could actually be useful if you like hardboiled eggs, but don't want to carry around a portable range and a pot of water. You just need a cooler with eggs in it and the watch.
 * It could also be useful if you happen to be a magician.
 * Who Wants to Live Forever?:
 * Weirdness Censor: Despite having been around for forty years, having caused countless deaths, and having several organizations dedicated to tracking / collecting them, the media, the authorities, and the general public seem completely oblivious to their existence. Very little is said as to whether an actual Masquerade is in effect; in fact, Wally seems outright annoyed that Joe doesn't know about the other objects yet. Joe, Ruber, and Det. Bridgewater all work for the police department, but never get their higher-ups involved for various reasons. All that being said, it's no small wonder the government hasn't swooped down and locked everything up for scientific (or military) research.
 * Wrong Genre Savvy: Joe just walks There's also a funny moment early on where one of Montague's cronies (who is well aware of the Objects' powers) wonders what Joe's gun does.


 * Your Mind Makes It Real:
 * But only if you swallow it.