Shaun of the Dead



Directed by Edgar Wright and starring Simon Pegg and Nick Frost, Shaun of the Dead is a "romantic comedy, with zombies". A "Rom-Zom-Com", if you will.

A young man named Shaun is dumped by his girlfriend Liz because he is unmotivated and doesn't put enough effort into the relationship. Shaun decides to reform in order to win her back. His plans, however, are interrupted by the Zombie Apocalypse. He and his even more deadbeat friend, Ed, go and rescue Shaun's mother, Shaun's stepfather, Liz and Liz's annoying flatmates and take them to the safety of the local pub, The Winchester.

Alternately hilarious, scary, and heartbreaking, it can be seen as either a parody of zombie movies or a romantic comedy that happens to use a Zombie Apocalypse as its setting.

First part of Wright's planned "Three Colours Cornetto" trilogy, followed by Hot Fuzz.

"Ed: Are there any zombies out there? Shaun: Don't say that! Ed: What? Shaun: That. Ed: What? Shaun: That. The Z word. Don't say it. Ed: Why not? Shaun: Because it's ridiculous! Ed: Alright... Are there any out there, though?"
 * Not Using the Z Word


 * Removing the Head or Destroying the Brain: Said by Jeremy Thompson, an actual newscaster for Sky News.

"Liz: What, you want to hang out with my friends? A failed actress and a twat? Shaun: Well, that's a bit harsh. Liz: Your words! Shaun: I did not call Dianne a failed actress!"
 * All There in the Manual:
 * A British magazine published three short tie in comics that explain a few off scene events that tie up loose ends in the story, like, how did Shaun shake the zombies after leading them away from the pub? How did Ed end up in Shaun's tool shed? And what exactly happened to Dianne? These stories were inserted into the DVD complete with narrations by the characters.
 * Also, Mary, the zombie girl in the garden, has her own back-story which was published in 2000AD as a tie-in.
 * Astonishingly Appropriate Interruption: Used a few times, once by Ed and another using the TV.
 * Barrier-Busting Blow
 * Beauty Is Never Tarnished - Only Shaun (who is hardly a beauty) gets really roughed up after spending the day in a pub fighting zombies.
 * The director's commentary confirms the make-up artist specifically wanted Kate Ashfield to look clean and lovely 'til the end.
 * Beta Couple - Dianne and David.
 * Bloody Handprint: Two of the clues of the zombie apocalypse that Shaun overlooks.
 * Bittersweet Ending:
 * The Cameo: A fantastically in-jokey scene where the gang run into a very similar gang headed by Shaun's friend Yvonne (played by Jessica Hynes, Simon Pegg's co-star and co-writer on Spaced). The alternative gang are all played by well-known British comedy actors (Martin Freeman from The Office, Tamsin Grieg from Black Books, Matt Lucas from Little Britain, Reece Shearsmith from The League of Gentlemen and Julia Deacon from Spaced) even though they're only on screen for seconds. Bonus points because they synchronise man-for-man with Shaun's gang. The implication is that Yvonne's the main character in a movie with a bigger budget.
 * It's even better than that, with one exception each counterpart is the Spear/Distaff of the other.
 * The Cavalry -
 * Chekhov's Gag: Several.
 * Chekhov's Gun: Literally, in the form of a Winchester rifle behind the bar that the characters mention and wonder if it works.
 * Chekhov's Skill: Dianne is a failed actress, but her experience comes in handy when.
 * Cool Car: The Jag. To the point that Ed deliberately wrecks the car that he and Shaun had been using, so that they'd be forced to drive it.
 * Cloudcuckoolander: All throughout the movie, Barbara remains rather blithely unaware of everything that is happening around her.
 * Cluster F-Bomb: Shaun (hilariously) drops one on Ed, after getting fed up with his constant mobile usage, in front of a zombie crowd. For their part, the zombies just stare, possibly just as surprised as everyone else at the outburst.
 * Pete drops one when he's woken up by Shaun and Ed's "stupid hip hop" four hours before he has to go to work.
 * Comically Missing the Point: This little gem:

"Shaun: ...That wasn't true. Made it up. Shouldn't have done that, sorry."
 * Deadly Change-of-Heart:  who was an asshole the entire movie, and is totally unsympathetic to Shaun having to , is killed rather gruesomely before he gets a chance to apologize. There was an alternate version of the scene where he's killed just after he apologizes, but the creators decided it was better that he never redeemed himself. People in the test audiences cheered.
 * Death By Pragmatism
 * Despair Event Horizon: When the last few survivors get to the cellar and find the hatch to the street inoperable, Shaun has a Heroic BSOD, then the talk stops being about escape and starts being about ending it quickly.
 * Dude, Not Funny: In-universe; Barbara is not impressed when Shaun tries to turn her against Philip by claiming "he touched me."

""First thing tomorrow, we'll have a Bloody Mary, grab a bite at the King's Head, have a couple at the Little Princess , stagger back , then come back to the bar for shots.""
 * Failed a Spot Check: As a result of being severely hungover, Shaun goes to get some breakfast from the bodega across the street and utterly fails to notice the Zombie Apocalypse raging around him.
 * He did however notice several clues things were getting weird the day before, but was always distracted by someone before he could figure it out.
 * Foreshadowing: So very, very much, once you know where to look... See Ironic Echo below.
 * Shaun tells the football kid "you're dead" and Ed says Pete's dead the next time he sees him. Guess who later turn up as zombies.
 * Ed's plan to cheer Shaun up after perfectly mirrors the events after the zombies attack.
 * Barbara is complimented on her zombie impression, but reveals she was actually just not paying attention. This might be because
 * When Pete is ranting at Ed for keeping him awake with his electro music, he drops the line "You want to live like an animal? " When we last see Ed,.
 * Full-Frontal Assault:
 * Gosh Dang It to Heck: The DVD includes an extra scene named "Funky Pete" with the swearing removed to show the film on commercial flights, with mixed success: "It's four in the funking morning!"
 * "What a prink!"
 * Grievous Harm with a Body: As someone is torn apart by zombies, his legs come off and are then used as clubs.
 * Heterosexual Life Partners: Shaun and Ed.
 * Homage: the Romero and Russo zombie movies, particularly
 * Ignored Vital News Reports: When Shaun wakes up in the morning he changes the channel every time a news bulletin shows up. Said news bulletins finish each others' sentences (even when switching to and from non-news channels), all talking about the dead coming back from the grave.
 * Improbable Aiming Skills: Subverted as Shaun has never handled a rifle before, and his accuracy suffers accordingly.
 * Improbable Weapon User: Played absolutely straight in that the heroes use anything they can get their hands on to fend off the zombies, starting with the use of Shaun's record collection against two zombies in his garden.
 * When given a Swingball to fend off a zombie, Shaun's first instinct is to use it as a Epic Flail... and the tennis ball bounces pathetically off its head. Cue Dawn and Liz making stabbing motions.
 * Infant Immortality: Averted through a blink-and-you-miss-it family running from their mother.
 * Additionally, the football kicking child doesn't escape zombification either.
 * Insistent Terminology: It's not hip-hop, it's electro.
 * He's not my dad, he's my step-dad.
 * And of course, We're Not Using the Z Word.
 * Ironic Echo: Basically the whole first half of the movie foreshadows the second half (after the Zombie Apocalypse occurs), ranging from obvious "Next time I see him, he's dead!" to the early scene in The Winchester in which Ed - unwittingly - predicts the events of the entire movie:

"Pete: "You want to live like an animal?! ""
 * "You've got red on you." First mentioned when his red pen breaks.
 * The scene with Yvonne: "Surviving" and "I'm glad somebody made it". As well as Shaun telling Pete to "Leave (Ed) alone". Their use of changing the context deserves a Nobel Prize.
 * The scene at the beginning of the movie where Ed is playing a game with Shaun giving him help. Later on in the movie Ed gives the same directions to Shaun.
 * It's in the DVD commentary. The directions barked out as Shaun during the shooting scene also appear in an earlier scene, where one is back-seat-playing Timesplitters.
 * When Shaun first goes to the shop, he picks up a Diet Coke, changes his mind and gets a normal Coke instead. The next time, after deciding to sort his life out, he does the opposite.
 * When Shaun gets a call from Liz at work in front of Noel, having previously berated him for taking personal calls at work, he pretends that it's actually a superior calling him and mimes shooting himself in the head in irritation. Later, when
 * In the scene where Pete rages at Ed and Shaun for their late-night music-fest, we have this easily-missed line:

"Shaun clubs a zombie with the butt of the Winchester Ed: "Why didn't you just shoot him, man?" Shaun: "Ed, for the last time..." Shaun squeezes the trigger of the gun, and it fires Ed: "I fucking knew it!""
 * A particularly ironic example: when Shaun drunkenly switches on his answering machine and his mother's voicemail message plays, she invites him and Liz over for dinner - taking care to ask whether Liz has any food preferences, stating that "a lot of people these days don't eat meat".
 * As seen below Liz claims that Shaun called David a twat;  Liz can understand where he's coming from, but now agrees with Shaun and Ed on his being a twat.
 * "Well, fuck-a-doodle-doo!"
 * "Cock it!"
 * Many of the shots from the TV montage at the end either mirror(as in the game show) shots shown when Shaun is flicking through channels while trying to sell a TV at work, or are lifted wholesale(the people in hazmat suits - the same woman appears on the talk show both times).
 * That particular example is genius because the full interview is on the DVD extras, and the woman is angry at her husband in the first one, but is trying to make it work the second time when he's a zombie.
 * I Take Offense to That Last One: Liz claims that Shaun described her friends as "a failed actress and a twat". Shaun emphatically denied that he called Diane a failed actress.
 * It Works Better with Bullets: 's last hop over the Moral Event Horizon is when he panics and pulls the trigger on Shaun. *Click*. Screw This, I'm Outta Here.
 * I Will Only Slow You Down:
 * Jerkass: Ed and David, most notably.
 * Jerk with a Heart of Gold: Ed is a biblical pain in the arse but he's the one tries to cheer Shaun up when he's dumped and
 * Jerkass Has a Point: David.
 * Pete is still an asshole, but wouldn't you be pissed if your roommates were constantly leaving the front door open overnight and playing loud music at four in the morning when you had to work? This is arguably why Pete is an asshole, since he's clearly long gotten sick of both having Ed mooch around the place leeching off them and making it into a tip without contributing anything to the house in turn (except for a little bit bit of money he gets from selling weed) and to a lesser extent Shaun's weak-willed refusal to grow up a bit and stop enabling Ed.
 * Juggling Loaded Guns:a running argument between Ed and Shaun on whether or not The Winchester's namesake gun (mounted over the bar) has been deactivated:

"Please can we just calm the fuck down?!"
 * Just for Pun: Compare Dawn of the Dead. (Wright and Pegg freely admit this is an awful gag, but were too attached to it.)
 * Pegg has also joked about making a sequel - From Dusk Till Shaun.
 * Karmic Death:
 * Killed Mid-Sentence:.
 * Kill the Ones You Love:
 * Last Stand
 * Law of Conservation of Detail: The whole film is a masterclass in this trope.
 * The Load: Shaun's mum during the Zombie Apocalypse, Shaun's mum and Ed in the more mundane aspects of his life. Ed's uselessness is lampshaded by Pete.
 * Love Makes You Evil: David is at his most obnoxious when he's a) trying to drive a wedge between Shaun and Liz, b) gloating over the fact that they've split up or c) making extremely feeble denials about having a thing for Liz
 * Made of Plasticine: Like a lot of zombie movies, human bodies get torn apart relatively easily.
 * Mexican Standoff: Involving a rifle, two broken bottles, and a corkscrew.
 * And a lampshade.
 * Mickey Mousing: Happens twice.
 * During the intro credits.
 * When the heroes are whaling on the bartender to the sound of Queen.
 * The Millstone: Ed, so very very much. David to a lesser extent.
 * Mirror Scare: Played straight, then echoed. Like everything else in the movie.
 * Mood Whiplash: The first half of the film is an affectionate parody/pastiche of the zombie genre, but
 * The aforementioned  takes place literally five minutes after the Don't Stop Me Now sequence.
 * And let's not forget Philip's death.
 * Hell it could be called "Mood Whiplash, The Movie"
 * My Local: The Winchester pub.
 * Mythology Gag: "How's that for a slice of fried gold?", refers to a comment frequently made between members of the Spaced production team.
 * Also, "He's not my boyfriend." "Thanks, babe."
 * It was noted in the commentary that this wasn't an intentional reference to Spaced, they just forgot they had already used that joke.
 * Tyres from Spaced is in the crowd of zombies around the Winchester (easily spotted because he's wearing his yellow hat and courier get-up), apparently STILL raving. And the first meeting between Shaun and Yvonne, played by Jessica Stevenson aka Daisy, refers back obliquely to their work on Spaced.
 * The entire Zombie episode of Spaced (where Tim hallucinates a zombie attack after getting high and playing Resident Evil 2 all night) was apparently the inspiration for the whole movie.
 * That ice cream 'Cornetto' also appeared in Hot Fuzz as the blue 'Classico' to represent the police force, and because Shaun of The Dead is themed with blood, Shaun bought a strawberry (red) one, making this the first in the 'Cornetto' or 'Blood & Ice Cream' Trilogy. This also relates to the line "Want anything from the shop?" which appears in both films.
 * It's mentioned in the commentary that the location of Shaun and Ed's home is just up the road from Tim and Daisy's. They even speculate that Yvonne and Shaun are some kind of alternate universe's Tim and Daisy.
 * The recurring argument that Shaun and Ed often get into about the ability of dogs to look up is apparently based on an actual argument that Simon Pegg and Nick Frost had during the filming of Spaced
 * The shopping trolley outside the house was also in Spaced.
 * Newscaster Cameo: Several, Jeremy Thompson from Sky getting the best line.
 * Noble Shoplifter: Shaun does this unknowingly. When the entire town is deserted, he just goes about his daily business and goes to the convenience store to shop for groceries. When he notices the shopkeeper isn't there, he puts his money on the counter rather than wait for him. He notes that he doesn't quite have enough ("I owe you fifteen p."), and the shopkeeper later comes to collect the rest -- unfortunately, he's a bit dead by that point...
 * Non-Action Guy: Ed and David, originally ("Don't hesitate to STEP IN!") - later, all David's attempts to be more "proactive" go horribly awry.
 * Not a Zombie: Mary.
 * Not Using the Z Word: Where the title came from, and the readiest example.
 * Not with the Safety On, You Won't: David's first thought when the gun doesn't work. An exasperated Ed points out It Works Better If You Cock It.
 * Obstacle Exposition: Shaun plots out their every move to Ed once they've realized they're in a Zombie Apocalypse as a monologue over hilarious footage of him carrying out each act, calmly and with panache. As Ed reminds him about something else Shaun amends his previous plan to accommodate it. From then on they, of course, have trouble each step along the way.
 * Oh Crap: Shaun gets a big one when he turns on the lights and realizes how many zombies are outside the back door.
 * One Last Smoke: Shaun And Liz.
 * Liz and Shaun also leave with a cigarette dangling from his lips.
 * Only Sane Man: Shaun, once he's convinced himself that, yes, it is zombies they're dealing with, starts to deal with it pragmatically. Everyone else seems either intent on denying the crisis, in the belief that if they just sit around this silliness will blow over, or going into hysterical and useless rants (Dave). Ed goes too far in the other direction, becoming a bit too keen putting the others in danger for thrills.
 * The irony being, of course, that
 * Liz also has her head screwed on fairly well throughout the movie, and In the Mexican Standoff almost everyone else gets into at the climax she's the only one trying to act as the voice of reason by pointing out that they kind of have bigger fish to fry at the moment.
 * Our Zombies Are Different: Over the course of the film, it's shown that
 * Pac-Man Fever: Mostly averted, with actual footage of a Time Splitters gaming session being shown. The exception was the addition of a voice saying "Player X has joined/left the game", added for comedic purposes.
 * Pre-Ass-Kicking One-Liner: with "Sorry, we're closed."
 * with "OK, John - it's time at the bar."
 * Precision F-Strike - Liz in the Winchester when everyone's got weapons pointed at one another:

"Shaun: *headshot*"
 * Pre-Mortem One-Liner - Subverted. Just as the zombies break into The Winchester, Shaun levels his rifle and says, "Sorry, we're closed!" but the gun jams, prompting a hysterical little squeak of panic from Shaun and several seconds of flustered flapping about from the characters before they can actually start shooting.
 * Played straight in one instance, however: when Pete throws his electro-inspired late-night tantrum and tells Ed to "go and live in the shed", Shaun tells Pete to leave Ed alone. Later on in the Winchester as, Shaun catches attention by screaming a single line before promptly shooting him through the eye as he advances.

"Ed: We're coming to get you, Barbara!"
 * Pretend We're Dead: Done by the main characters to get to the pub.
 * Reality Ensues:
 * Reckless Gun Usage: see the Juggling Loaded Guns example.
 * Relationship-Salvaging Disaster
 * Removing the Head or Destroying the Brain: the Sky newsreader's zombie-killing advice is the Trope Namer.
 * Reset Button / Status Quo Is God: Hilariously subverted. There are still zombies all over the place at the end of the film, only they've now become a part of every day life and life goes on pretty much as it did before.
 * Room Full of Zombies: This happens when they venture to the pub.
 * Rule of Three: "Glad somebody made it" and "Dogs can't look up", especially, although there's several other examples.
 * Separated by a Common Language: Averted. Shaun says that Mary the zombie is "so drunk" instead of the more British "so pissed" to avoid confusing American audiences, as "pissed" more commonly means "angry" in the USA.
 * Played straight, however, in the trope naming line, "...the 'zed' word." Across the pond it would have been pronounced, "the 'zee' word."
 * Shout-Out: Many, because Pegg is a big zombie film fan. The opening music (over the production bits) is the same as the original Dawn of the Dead and at the end the TV briefly says "...And reports that the disease was spread by Rage infected monkeys have been dismissed as total bu-"
 * Two other news reports muddy the waters via their own shout outs: one talks about radiation from a downed satellite in reference to Night of the Living Dead, and another blames GM crops in reference to the agricultural experiments from the obscure Italian flick Let Sleeping Corpses Lie.
 * Don't forget this paraphrase from the original Night of the Living Dead:

"(later) "Oh, let's go to the Winchester- whose fucking idea was that?""
 * Funnily enough, George Romero himself actually missed this one on his first viewing, as Edgar Wright discovered when he excitedly asked what Romero had thought of the line.
 * In addition, their game of choice at the beginning was Time Splitters 2 Free Radical reciprocated by putting some references in Timesplitters: Future Perfect.
 * Nobody else noticed the rather appropriate use of the first few chords of 'Ghost Town', by the Specials at the start of the film?
 * Day of the Dead is first replicated with being torn in half by zombies (though he never says "Choke on 'em!"), and Shaun and Liz ascend in the freight elevator at the end exactly the same way as the ending of Day.
 * Also, the shot of a half-awake Shaun's shadow entering the screen before we pan up to his face, mirroring the first shot of a zombie in Day.
 * "The Gonk" from Dawn of the Dead plays at the end of the credits.
 * A subtle shout-out to the Evil Dead series after Shaun discovers : as he backs away in terror, he babbles "We were wondering if you'd like to (beat) join us?"
 * Another subtle Evil Dead shout-out appears when Shaun arrives at work and briefly mentions a co-worker named "Ash" who called in sick that day.
 * The name of the electronics store where Shaun works is called Foree Electronics, after Ken Foree, the lead actor from the original Dawn of the Dead. The restaurant where Shaun and Liz are supposed to have dinner early in the movie is called Fulci's, after Zombi 2 director Lucio Fulci.
 * Shaun closing the mirror to reveal Pete reflected in it references An American Werewolf in London.
 * Similar Squad - the gang meet up what appear to be a group undergoing the same plot but with a slightly more expensive cast. Each of the gang's double actually corresponds to a comedy double they'd shared in the past. Like Pegg and Frost, Jessica Hynes worked on Spaced, Martin Freeman worked with Lucy Davis on The Office and Tasmin Greig worked with Dylan Moran on Black Books.
 * A Simple Plan: "How's that for a slice of fried gold?"

"Shaun: Augh-! Who the hell put this on?! Ed: It's on random! Liz: Oh, for fuck's sake! Shaun: David! Kill the Queen! David: What?! Shaun: THE JUKEBOX!"
 * Slept Through the Apocalypse
 * Sliding Scale of Comedy and Horror: First one end, then the other.
 * Soul Fragment: A personality quirk or two survives the zombification process. Examples include the football kid continuing to play football, several people working menial jobs before the outbreak continuing in those jobs after zombification, and
 * Suspiciously Apropos Music: In the pub at the start, just after Shaun has broken up with his girlfriend and the jukebox begins playing a sad song. Lampshaded as Ed says "Who the hell put this on?" "It's on random." "Oh, for fuck's sake!"
 * The same gag is Ironic Echoed later on in a spot of Soundtrack Dissonance: The jukebox in the pub, now facing an onslaught of zombies, randomly picks Queen's Don't Stop Me Now.

"Channel 4 News' Krishnan Guru-Murthy: Though no one official is prepared to comment, religious groups are calling it Judgement Day. There's... VH-1, playing "Panic" by The Smiths: ...Panic on the streets of London... ITV News reporter: ...as an increasing number of reports of... Football commentator: ...serious attacks on... Channel Five news reporter: ...people, who are literally being... Nature documentary, leopards eating a gazelle: ...eaten alive."
 * However, it is the most appropriate zombie bashing tune.
 * Speaking of appropriate zombie-bashing tunes, this combines with a Shout-Out after Shaun drives off relieved that he only ran over . The first line out of the stereo when he starts the car again is "I think my head is gonna explode!" ... from the song Meltdown, by Northern Irish band Ash.
 * There Was a Door round the back of The Winchester, so David didn't need to smash the front window.
 * Title of the Dead
 * Too Dumb to Live: Ed's stupidity also makes him The Millstone, as he repeatedly endangers the group by utterly failing to comprehend the concept of "danger." Shaun's mother should also be mentioned. Would you like some tea and sandwiches? In her defense, she was just trying to avoid worrying him.
 * Shaun himself also fits this. What exactly made the Winchester any safer than Liz's apartment? While it's got big heavy doors and a rifle on the wall and Ed knows where all the exits are (and he can smoke), they actually probably would have been safer in the apartment, because the window was above ground level (Shaun could climb up to it, but he wasn't a zombie) and you couldn't even get into the building without being buzzed in. Even if the zombies somehow got in through that door, they could have barricaded the apartment door fairly easily. But they also wouldn't have had half so much booze.
 * Although to be fair to Shaun, he did suggest Liz's apartment first, but was shot down by Ed, and the Winchester was a compromise after they rejected their own flat on the grounds that it wasn't secure.
 * Let's not forget.
 * Frankly, the entire group lives and breathes this trope, making stupid decision after stupid decision, but Ed really is the king.
 * Trailers Always Lie: The trailers tended to play up the comedic aspects and downplay or ignore the more serious and horrific elements.
 * Two Scenes, One Dialogue: A variant appears when Shaun flicks through television channels in the first half:


 * Two Shots From Behind the Bar: The Winchester has the gun hidden in plain sight, but Shaun and the others initially think it's just a prop.
 * Undeath Always Ends: Subverted,
 * The Un-Reveal: A very much in the background radio broadcast near the beginning of the film would imply that something from a downed US satellite caused the zombies. When Shaun is watching television at the end of the film, a news program says that the theorized cause was "use of"...something. Shaun changes the channel a moment too early.
 * We did learn that the hypothesis that it was caused by Rage Infected Monkeys had been dismissed as Bulls- though
 * Vinyl Shatters: "'Purple Rain'?" "No." "'Sign 'O The Times'?" "No." "The Batman soundtrack?" "Throw it."
 * What Do You Mean It's Not Awesome?:
 * What Do You Mean Its Not Symbolic: There's some level of social observation, and the apparent suggestion that in 21st century Britain many people live life in an unthinking, zombie-like state - the introductory footage of everyday life at the film's beginning, Shaun and Ed's first few zombie encounters - in which they fail to notice anything unusual going on, and
 * What Happened to Mommy?: One of the few things played absolutely straight.
 * Wicked Stepmother: Shaun sees his step-dad like this, though in fact it turns out that Phillip thought Shaun had it in him to really make something of himself with enough motivation and was simply applying Tough Love.
 * And it has to be said that Shaun wasn't exactly the perfect stepson. One incident that stands out is Shaun claiming Phillip attacked him with a lump of wood for leaving a Mars bar in the glove compartment of his Jag, but it's actually revealed later that Shaun calling Phillip a motherfucker might have had something to do with it as well.
 * Although, strictly speaking, Shaun was not incorrect in calling him that.
 * Wiper Start: Ed when getting Pete's car to start.
 * You Leave Him Alone: Shaun, as Ed is doomed by the bite of the zombies in their final attack.
 * Zombie Apocalypse - Duh?
 * But
 * In fact,
 * In fact, not even all of London was overrun by zombies, because (apart from the aforementioned pub's power loss) many of the television programmes, including BBC, survived throughout the film together with their anchormen and -women (although one short-lived blackout did occur). And many of the channels' studios are located in the heart of London (such as in the television centre). However, more than one city has been reported to be affected/evacuated.
 * Zombie Infectee: . Pete at pretty much the very beginning of the film.
 * In fact,
 * In fact, not even all of London was overrun by zombies, because (apart from the aforementioned pub's power loss) many of the television programmes, including BBC, survived throughout the film together with their anchormen and -women (although one short-lived blackout did occur). And many of the channels' studios are located in the heart of London (such as in the television centre). However, more than one city has been reported to be affected/evacuated.
 * Zombie Infectee: . Pete at pretty much the very beginning of the film.