Altar Boyz

""We are the Altar Boyz

We know that God is where it's at

We are the Altar Boyz

Because we think he's real phat

We are the Altar Boyz

You know we don't get no complaints

We are the Altar Boyz

And we can even name the saints!""

- "We Are The Altar Boyz"

Five small-town boys from Ohio — Matthew, Mark, Luke, Juan and Abraham (he's Jewish) — have joined forces to save the souls of America through their righteous music, with lyrics like "Girl, You Make Me Wanna Wait" and "Jesus Called Me on My Cell Phone". But will their angelic voices and spectacular dancing work its wonders in New York City?

The ninth longest-running off-Broadway musical in history, Altar Boyz is an Affectionate Parody of boy bands and Christan rock. The Boyz are giving a concert in New York, hoping to save the souls of their audience, but find themselves confronting their own demons and doubts over the course of the night.

This musical provides examples of:
"Abraham:"
 * Big Applesauce
 * Black Comedy: An extended sequence involves milking laughs out of Juan's discovery that the parents for whom he's spent his life searching are, in fact, dead.
 * Boy Band: The central concept of the show is an Affectionate Parody of Christian rock and boy bands.
 * Breakup Breakout: Doesn't actually happen, but record labels promise exactly this to each member of the band to get them to sign a solo deal.

""And maybe if you ask nicely, your neighbor will allow you to stroke his ass!""
 * Funny Background Event: When Abraham takes over the vocals on "La Vida Eternal", it's kind of funny, but watching the other three desperately chase Juan around the stage is hilarious.
 * Flamboyant Gay: Mark. His bandmates do not appear to notice.
 * Funny Foreigner: Juan, particularly played up in the "Genesis of the Altar Boyz" segment.
 * Gay Aesop: "Epiphany", Mark's big solo, seems to be setting up a "Gays are people too" message, but then turns out to be "Catholics are people too" instead.
 * Give Me a Sign: Used in the "Genesis of the Altar Boyz" segment.
 * "God Is Love" Songs: Altar Boyz is made of this trope.
 * Have a Gay Old Time: An audience member confesses to having coveted his neighbor's ass (i.e., the sin of lust). Juan mistakes his meaning and gives an impassioned speech about the lure of donkeys.

""At least I signed with Virgin!""
 * Incredibly Lame Pun

"Girl, you make me want to wait At least until our wedding date So till then, I'll master... My own fate"
 * It Runs on Nonsensoleum: The Soul Sensor DX-12.
 * Musical World Hypotheses: Falls decidedly into the diegetic category.
 * Parental Abandonment: Juan's backstory.
 * Pretty Fly for a White Guy: Luke.
 * Product Placement: The Soul Sensor DX-12 is a Sony product, and Matthew never fails to remind the audience of that fact.
 * Subverted Rhyme Every Occasion: A variation; the rhyme is preserved but the spirit is the same. In a song about waiting until marriage to have sex:

""In my defense, I was incredibly exhausted at the time!""
 * Unreliable Narrator: In "Genesis of the Altar Boyz", the beginning of the band is told in a sketch divided into segments, each written by one member of the band and highly influenced by the author — in Mark's section, Matthew gushes over his hair; in Luke's, everyone is very nonverbal; in Juan's, everyone is incredibly insensitive about his lack of parents, and in Abraham's, everyone is incredibly insensitive about his Judaism.
 * Unusual Euphemism: Repeated reference is made to Luke having just come out of rehab for "exhaustion".

"... something's making me behave responsibly tonight. It's your special blend of charisma and spunk. Crunk, I guess you'd call it. Whatever it is, you got it all up in ya, girl. You got crunk."
 * When It All Began: The "Genesis of the Altar Boyz" sketch.
 * You Got Crunk: During the spoken interlude in "Girl, You Make Me Wanna Wait"