The Third Man

"Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock."

1949 British Film Noir set in post-war Vienna starring Joseph Cotten, Alida Vali and Orson Welles.

Down-on-his-luck American writer Holly Martins (Cotten) arrives in postwar Vienna to meet with an old friend, Harry Lime (Welles), who has offered him a job. Unfortunately, the day Martins arrives, he finds out that Lime is dead.

Martins becomes entangled in a web of stories that make his pulp Westerns seem quaint in comparison. Investigating the death of his friend in order to clear his name from the selling of stolen and diluted penicillin he meets Lime's former love interest, a seemingly crooked cop, and a porter who has seen far too much. Martin's quest to clear the name of his friend drags him into dangerous territory and challenges his preconceived notions of good and evil.

The story takes many of the tropes commonly associated with Film Noir and plays with them. The film is also notorious for Orson Welles stealing the show in the final act, and for its hypnotic music score by zitherist Anton Karas (whose title theme became a huge hit).

"Martins: (...) Is it possible... that his death was not just an accident,... Dr. Winkle? Dr. Winkel: ...*Beat*... Ving-kell. I cannot judge it, I wasn't there."
 * Absurdly Spacious Sewer: Justified. Vienna's real spacious sewers were used in the film.
 * Adaptation Distillation: Graham Greene preferred the film's ending to that of his own novel.
 * Affably Evil:  On speed.
 * All Girls Want Bad Boys: Anna gets the same lecture on how evil Harry is as Martins, but that doesn't make her any less worshipful of him. Her justification: "A person doesn't change just because you learn more about them." Apparently, Anna doesn't do Fridge Logic. Harry was always a sociopath. Though the reason she loves him, forging her papers and thus letting her stay in Vienna longer, stands regardless of what Harry did.
 * Amusement Park: Lime gives the "cuckoo clock" speech inside the Ferris wheel at the city's Wurstelprater park.
 * Beleaguered Childhood Friend: The whole plot is essentially built around this relationship between Holly and Lime - except that Lime is  already dead.
 * Big Bad Friend: Harry Lime.
 * Bilingual Bonus: Sprechen sie deutsch?
 * Bittersweet Ending: And how!
 * Book Dumb: Not knowing who or what James Joyce was, and not being informed of what literary components he uses in his cheap novelettes, Martins is literally book dumb.
 * Broken Record:
 * Halt! Stehenbleiben, oder ich schieße! Halt! Stehenbleiben, oder ich schieße! Halt! Stehenbleiben, oder ich schieße!
 * Also the 5-year old boy, always with the same sing-song intonation: "Mörder! Mörder! Mörder!"
 * Chekhov MIA
 * Delayed Coming Of Age Story: Holly has remained mentally a child his entire life, his books are cowboys tales with a Black and White Morality and only in Viena, at his 35 years, he at last will have to face reality of his relationship with his best friend Harry.
 * Covers Always Lie
 * Deconstruction: Half the point of the movie is to question, dissect and generally shred American notions of heroism.
 * Did Not Do the Research: In-universe example. Harry Lime played fast and loose with historical fact in his "cuckoo clock" speech - although Harry being Harry, he probably didn't care that:
 * Switzerland has seen a fair share of warfare and fighting over the centuries.
 * Switzerland has produced both the Red Cross and the Geneva Conventions.
 * The cuckoo clock is not Swiss in origin, but German...
 * Did Not Get the Girl: This scene was done so effectively that it's been given a Shout-Out in several later movies, including Martin Scorsese's The Departed, Robert Altman's The Long Goodbye, and The Coen Brothers' Miller's Crossing.
 * Dirty Communists: A light example but Anna faces deportation from the Russians for being from Czechoslovakia.
 * Dutch Angle: Possibly the best use ever in film.
 * Emerging From the Shadows: Lime
 * Faking the Dead: Three guesses.
 * Film Noir
 * Forgotten Theme Tune Lyrics
 * Grammar Nazi & It Is Pronounced "Tro-PAY": Dr. Winkel.

"It's Calloway! I'm English, not Irish."
 * Hannibal Lecture: Possibly the greatest in all of film history.
 * Happily Ever Before:
 * Inverted in an odd way- Graham Greene's novel, written at the same time as the screenplay, has a moderately happy ending
 * A double inversion, actually. Producer David O. Selznick, who was known for happy Hollywood-style endings, insisted upon the bleak Did Not Get the Girl finale, even though screenwriter Greene, whose writing style was known for being incredibly depressing, originally intended to have the movie end with Anna embracing Holly after the funeral.
 * How the Mighty Have Fallen: Baron Kurtz now works as a blackmarketeer in post-war Vienna.
 * Humiliation Conga: Happens to the hero. Did we mention this is a Film Noir?
 * Idiot Ball: Holly Martins never met an idiot ball he didn't like. Unfortunately, he's usually not the one who pays for it.
 * Insert Cameo
 * It Is Pronounced "Tro-PAY": Dr. Vinkle. Mind you, if someone kept calling you "Winkle" (like Holly does), you would get ticked off too.
 * Kubrick Stare: Used by Baron Kurtz (albeit in a non-threatening context), making this trope Older Than They Think.
 * Late to the Party
 * Manipulative Bastard: Lime constantly uses people (notably Anna and Martins) and will throw them away without a thought when they are no longer of use to him.
 * Mercy Kill:
 * Mistaken for Special Guest: Martins is believed to be a more famous author by the character Crabbin. This is more developed in the novel, in which the rather macho Martins writes under a pseudonym who shares a surname with a famous novelist known for a "feminine" writing style (according to Word of God, the famous novelist was a No Celebrities Were Harmed version of the very gay E.M. Forster)
 * Most Writers Are Writers: And so is Martins.
 * My Name Is Not Durwood: Martins keeps addressing Calloway as "Callahan".


 * Not My Driver: Subverted. Holly thinks his cabby is abducting him, and is working for the conspiracy, but the guy's really just driving him to the lecture he was scheduled to do and doesn't speak English.
 * Not So Different: "If I offered you $20,000 for every one of those dots that stopped moving, would you really tell me to keep my money, or would you start calculating how many dots you could afford to spare?"
 * One-Scene Wonder: Orson Welles appears less than 10 minutes on screen; nonetheless, he is the most remembered part of it.
 * Opening Narration: Done in the original UK release by director Carol Reed, and in the US version by Joseph Cotten.
 * POV Sequel: The screenwriter (author Graham Greene) wrote a book that was published to coincide with the film release with the British officer's POV. There was also a radio serial with Lime's exploits entitled The Adventures of Harry Lime.
 * Putting on the Reich: Some of us may have noticed that the Vienna policemen's and soldiers' uniforms are original Third Reich Uniforms with merely the swastikas removed. But this is Truth in Television ; the film was made in '49, and the police and armies had not yet issued any new uniforms so early after the war. Austria simply couldn't afford it in such a rationed and provisional era (also not for the filming). These uniforms would remain until well into the 50s.
 * Pyrrhic Victory:
 * Sissy Villain: Lime's associate Kurtz certainly has his share of signifiers.
 * Sliding Scale of Idealism Versus Cynicism: Very much on the cynical side.
 * Small Role, Big Impact: Lime is on screen for very little time, but there would be no story without him.
 * Soundtrack Dissonance: Anton Karas's bouncing melodies, happy harmonies and general bright zither playing over the one of the bleakest, most cynical films ever made.
 * Spiritual Successor: Welles later adapted three scripts he wrote for The Adventures of Harry Lime into the movie Mr. Arkadin.
 * Too Dumb to Live: Holly Martins, which is part of the point of the movie.
 * Viewer Discretion Shot: We don't get to see
 * We Can Rule Together
 * What Is Evil?: The famous cuckoo clock speech.
 * Wide-Eyed Idealist: Holly Martins. At first.
 * Wolverine Publicity: Orson Welles.
 * World Half Empty
 * Justified considering the place and the year.
 * Or arguably Earn Your Happy Ending because of the place and year.