Unreliable Narrator/Live-Action TV

Examples of s in include:

"Ted: Barney, enough with the lies. You can't just tack on a new ending because you're unsatisfied with how a story wraps up. Barney: Oh really? Well, mark my words Mosby, 'cause someday you'll be telling this story, and you'll see it my way. Ted: Doubtful. (narrating from the future) And then, kids, you'll never believe what happened!"
 * The Black Donnellys: The narrator (Joey "Ice Cream") puts himself into the story in places where he couldn't have been, gets dates wrong by a year or so, and just has the general demeanor of not being a guy whose facts are ready to bank. On the flip side, the story he tells does not make him seem like a Marty Stu. He gets shut down by the ladies. He never plays a pivotal role in the events of the story. This leads us to believe we can accept at least some of what he is saying. Naturally, the series was canceled.
 * Joey Ice Cream generally gives the sense of wishing he had brothers like the Donnellys, and that's why he inserts himself into the story, in a hopeful-sad attempt to feel like part of them while he's really an outsider. Sometimes it seems like he may have been there, and usually it seems like it was probably another Donnelly or sometimes Jenny who was really there. I usually wanted to give Joey a hug, and maybe some ice cream.
 * How I Met Your Mother started off occasionally playing with this, but has used the device increasingly often as it progressed. Unusually, it is not because Future Ted is lying per se (at least, not often - there are some instances of outright lies), but because of ordinary memory lapses (having a character named Blah Blah because he can't recall her name), subjective interpretation of ordinary events (showing Robin's forty-something date as elderly), or sanitizing the story for his children (using "I'm getting too old for this stuff" instead of "shit".). The few times he tells us things that seem to defy reality (such as Lily and Marshall escaping their own party by jumping out the window, or having high school athletes and a Teen Wolf on a kindergarten basketball team), he Hand Waves it by saying that's all he heard about it. In short, if there is a way to exploit the potential of an Unreliable Narrator for comedic purposes, it's been done on How I Met Your Mother at some point.
 * Another good example is in "The Rough Patch" (OK fanboys, let it out...and we're back). have let themselves go a little; however, in Ted's mind, they look like absolute hell, and  in particular is now comically overweight. He even admits that he's unreliable on this point, but they stay that way for most of the episode anyway.
 * "Zoo or False" includes two more examples. The question of whether or not Marshall was mugged by a monkey goes unanswered, and the last two minutes of the show, where are left similarly ambiguous.

"Bashir: Out of all the stories you told me, which ones were true and which ones weren't? Garak: My dear doctor, they were all true. Bashir: Even the lies? Garak: Especially the lies."
 * This also happens to Ted when he goes to see a movie and finds out that the story is based on how Stella left him right before their wedding. It portrays him as a Jerkass and makes him the villain. Is he being slandered or does did he actually edit the events in his memory to make him look like the hero?
 * More likely he sees the movie as being far worse and "Jed Mosely" as way more of an asshole than in reality, because he's too close to the events to see the movie objectively and is oversensitive about every bad trait Jed Mosely displays. The movie's financially successful, no one else seems to notice how utterly stupid and poorly-written the movie is, even people who are supposedly down-to-earth like Lily and Robin, so it's probably just a typical shallow romcom with a Disposable Fiance.
 * Subverted in episode 5.5, "Duel Citizenship:" Future Ted says, "And then it happened...Marshall and Lily morphed into one big married blob." This is shown literally happening, indicating Ted's narration is being exaggerated for comic effect. Then Present Ted blinks and says, "Whoa...I gotta dial back on the Tantrum." This refers to a highly caffeinated beverage he'd been consuming, implying that he was hallucinating.
 * Garak on Star Trek: Deep Space Nine did this deliberately, especially in the episode The Wire, because as a former secret agent of the Cardassian Obsidian Order he liked obfuscating his own past and never told a truth if a lie would suffice.
 * Garak on Star Trek: Deep Space Nine did this deliberately, especially in the episode The Wire, because as a former secret agent of the Cardassian Obsidian Order he liked obfuscating his own past and never told a truth if a lie would suffice.

"(as Janitor finishes a story) JD: Is any of that true? Janitor: Somebody would have to read it back to me."
 * Dexter often mentioned his lack of any emotions in his narration, which is increasingly obviously untrue, especially in season two. He's not lying to the audience so much as he simply doesn't understand a lot of human nature.
 * In one segment of Mad TV, Aries Spears tells a story as a photomontage of the events he's detailing accompanies. We start with Aries hanging out on the roof, where he goes to chill out in his downtime, and noting that this would be a great place to launch a glider. After this point, the wholesome and educational narrative he details begins to subtly (and, very very shortly, not so subtly) diverge from the things we're seeing, and ends with Aries high as a kite on glue fumes, under the impression that one of the other actors, aware of what has happened and concerned for Aries' safety, is some kind of demon out to kill him.
 * The Dharma orientation films of Lost are narrated by Francois Chau's variably named character. The Swan film is located "behind The Turn of the Screw" on the bookshelf, tipping the audience in advance that perhaps "Marvin Candle" is not to be trusted.
 * Hard to prove, but Kevin of The Wonder Years may fall under this. He is recalling events to him long past, and while the broad details are likely accurate, consider that the older brother and some of the pre-Women's Lib neighborhood girls get away with a lot of hitting. Also, when unfairness, especially parental, hits Kevin, it seems to focus on him exclusively, making you wonder if his older self is letting the filters of nostalgia and occasional bitterness influence his re-telling.
 * The premiere episode has Kevin recalling that he was a 'pretty fair athlete' while showing a perfectly thrown football pass bounce off his chest.
 * Malcolm in the Middle plays with the more humorous variant. For one example, Malcolm says the house next-door never seemed to have a permanent resident and they never figured out why. Cue montage of the boys playing all sorts of pranks on the previous residents, then cut to Malcolm saying "I don't know - I think it might be haunted."
 * Lampshaded in Space Cases. When Catalina is asked to describe what happened with the Ion Storm, Harlan acts completely and utterly worthless and it's actually her who saves the day. When this flashback finishes, everyone says "...wait that's not what happened" and they ask for Harlan's version, which is...more or less the same thing but with Harlan presented as the hero and Catalina being useless and her obsession with Suzee being exaggerated. Naturally this is one of the more humorous examples, but it just blended so well with the rest of the rather serious episode.
 * In The Trial of a Time Lord, has tampered with the evidence in the Matrix, especially in Mindwarp, to make the Doctor's conviction certain.
 * In the more recent Doctor Who story, The Unicorn And The Wasp, Agatha Christie questions the attendees at an outdoor party regarding a recent murder. As the suspects each give their story, we see the events that they describe, but as they really happened. Example, one young man claimed to be wandering alone, but in the flashback scene it's shown that he was flirting with another man. His father lies not only about what he was doing but also what he was reminiscing about at the time, leading to a flashback-within-a-flashback.
 * The episode Love & Monsters is framed as a story being told to the camera by Elton Pope..
 * In the fourth-season M*A*S*H episode "The Novocaine Mutiny", Frank and Hawkeye give wildly differing accounts of the same event.
 * Speaking of M*A*S*H, the series finale segment in which Hawkeye - via flashback - describes the bus ride with the chicken to Sidney, is a powerful example; made powerful due to the frighteningly awesome reveal later on.
 * BBC sitcom Coupling had numerous examples of unreliable narrators, notably pretty much anything said by either Jeff or Jane. But the greatest example of was in the third season episode Remember This, where Patrick and Sally's individual recollections of how they met match in many, but not all details, to great comedic effect.
 * The X-Files. In "The Unnatural" an alcoholic ex-cop tells Mulder how he encountered an alien posing as a famous Negro baseball player in 1947 Roswell; a story that even Mulder finds hard to believe. When Mulder tries fitting these facts into what he knows about the Government Conspiracy, the cop basically tells him to just shut up and enjoy the tale.
 * The X Files used this trope very frequently, especially in the more comedic episodes, like "Jose Chung's 'From Outer Space'" and "Bad Blood." In "Jose Chung's 'From Outer Space'", one alien is named "Lord Kinbote" after Charles Kinbote, the unreliable narrator in Nabokov's "Pale Fire."
 * In Dollhouse,
 * The Janitor from Scrubs is a pathological liar. He tells the most bizarre tales about his past and doesn't even keep track of what is true in them, if any at all. Or maybe he does but just wants to screw with you.

"Lucille: So what if I'm a bad mother? It's not like children come with a manual! Narrator: [On a screen showing Google search] In fact, Lucille was not aware that there are thousands of books on child-rearing."
 * Played for laughs on Red Dwarf. In the episode "Blue", the crew travel through an artificial reality version of Rimmer's journal, in which he depicts himself as a brave, handsome leader and the other crew members as reliant on him for various things which, in reality, they're better at than Rimmer.
 * All in The Family had a Rashomon episode where an incident was seen from the points of view of all four principles - Edith's version was the objective, accurate one, of course.
 * Most of the Supernatural episode Tall Tales is a Rashomon episode, with Sam and Dean telling their own version of the previous events to their Mentor Bobby - and often end up arguing over who's telling the story and the exact details of what occurred. It is eventuality revealed that a Trickster (a minor god of chaos) has been messing with their relationship in order to distract them from the case at hand, so most of the narrative consists of whichever brother is speaking portraying himself as a suave, dedicated professional searching earnestly for the truth, while painting the other in decidedly uncomplimentary colors. In Sam's narration, Dean appears as a slutty, gluttonous pig with no standards, while Dean portrays Sam as a prissy, supersensitive do-gooder with Camp Gay mannerisms. They end up working together to defeat the Trickster and sincerely apologizing for their behavior after closing the case.
 * Completely subverted in Arrested Development. The narrator is actually the most reliable 'character', pointing out all of the various lies and misconceptions put forth by other characters, and even going so far as to offer extra background information on many occasions. (With the possible exception of the "On the Next..." segments, but many of those end up being true anyway.)

"GOB: Believe me, we didn't do any sleeping. I had sex last night. Narrator: But he really didn't. GOB: Yes, I did."


 * Occasionally used in The Middle, but to a pretty mild degree. On more than one occasion, a scene will go surprisingly well, considering things rarely if ever go well for the characters. Frankie will then voice over "OK, that's not really what happened." and show the much worse thing that actually happened.
 * On NCIS Tony tends to embellish his stories. In a sad example he has been embellishing a story about a school prank for so long that he started to believe that his version of events was exactly what happened. When he starts feeling guilty and goes to apologize to the now grown up victim of the prank, the guy is baffled by Tony's apology. Tony was actually the victim of the cruel prank and he the other guy was the bully. Tony realized that over the years he managed to flip the story in his head and made himself into the villain.
 * Alan Bennet's 'Talking Heads' series of monologues is built on this trope. Each narrator tries to tell their story to their own advantage, but we can see through their facade to see the real story. For example, 'Her Big Chance' features Julie Walters as a woman who thinks she's a highly professional actress but we get enough hints to see that she is anything but (for example whenever she says a line, the director tells her it might be silent). She also appears to have no idea that she's acting in a soft-core porn movie for the German market.
 * The YA superhero novel Charlotte Powers is presented as the titular character's journal. Although afflicted with an 'honesty curse' that means she can't tell a direct lie, Charlotte often focuses on the wrong thing, goes off on a tangent, or simply omits information.
 * The Farscape episode "Scratch 'n Sniff" features Crichton relaying the events of why he had to leave a planet to Pilot. At several points, Pilot refuses to believe Chrichton (even at one point suggesting that if Jool had lost as much fluid from her body as Crichton said, she'd be dead) and in the end it was left ambiguous how much of the story, if any, was true.