Fried Green Tomatoes at the Whistle Stop Cafe

Fried Green Tomatoes at the Whistle Stop Cafe is a 1987 novel by Fannie Flagg. It was adapted into the film Fried Green Tomatoes, which was released in 1991.

Fried Green Tomatoes tells the story of Idgie and Ruth as they live during the early 20th century in the south, as they face racism, sexism, and deal with homosexuality. All with a touch of humor thrown in between. Their story is told by an old woman named Ninny Threadgood, when visited in her retirement home by Evelyn, an unhappy woman in a troubled marriage who becomes inspired by Idgie and Ruth's spirit and learns from them how to be her own person.

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 * Ambiguously Gay: The movie decided to play Idgie and Ruth's relationship as a more subtle and heavily implied thing, rather than outright stating to the camera they were lovers.
 * Bait and Switch: A particularly tense one in the court scene.
 * Beware the Nice Ones: What really happened to Frank Bennet? Did he just take off into the night? Drown himself? Or Or maybe he just went fishing.
 * Compressed Adaptation: Big George's wife and sons and their families are taken out of the film.
 * Corrupt Hick: Both played straight and averted with various characters.
 * And the book has one of the most positive one in existence: Apparently no one knew that the judge at Frank Bennet's murder trial was.
 * The judge accepts evidence he knows is complete hooey to be admitted into trial.
 * Creator Cameo: Fannie Flagg showed up herself as a bizarre relationship expert.
 * Deep South: As per usual Flagg work, it shows both the best of it and very very worse.
 * Domestic Abuse: Frank Bennett beats Ruth Jameson.
 * Door Step Baby: Of a sort. A woman dares not come home with a child because her husband has been in prison for years. Sipsie, who has always wanted a child, races down to the train station to get it. She names the baby George.
 * Everything's Worse with Bees: Averted. Idgie can walk right up to a bee hive, jam her hand in it, and rip out a fist full of honeycombs without getting stung. As a Crowning Moment of Awesome for the actress in the movie, their stunt double couldn't do the scene that day, so she decided to do it herself for real.
 * Finally Found the Body: Frank Bennet's truck is found in the river.
 * Food Fight: The director left bowls of weapons on each side of the room for Idgie an Ruth to use in the scene, and told them to improvise. The insanity and laughter going on is real. He also said it was supposed to be a metaphor for a sex scene.
 * Freudian Excuse: Novel Only: Why is Frank Bennet the scum of the Earth? Because he was the child of an abusive father and walked in on his mother having an affair. Now he hates all women. Passionately.
 * Frying Pan of Doom: clobbers Frank Bennet over the head with one to keep him from kidnapping his son.
 * Good Bad Girl: Eva Bates, very much so.
 * Hanging Judge: Judge Smoote finally has who he thinks are Frank Bennet's killers in his courtroom. He's been after them for years.
 * Happily Adopted: Big George, adopted son of Sipsie.
 * Has Two Mommies: Buddy "Stump" has Ruth and Idgie.
 * Hooker with a Heart of Gold: Eva Bates, again very much so.
 * Human Resources:.
 * Imagine Spot: Done multiple times with Evelyn Couch.
 * Inspector Javert: Smoote's own daughter was raped by Bennet, but he still hunts for Frank's killer. He later becomes the judge at Idgie and Big George's murder trial.
 * Ironic Echo: There's a family joke told several times in the film about a flock of ducks landing in a small pond. The first time it's told by Buddy to Ruth right before he's killed. The last time it's told it's told is by Idgie to Ruth on Ruth's deathbed. Ruth wanted it to be the last thing she heard as she was dying.
 * The Ladette: Idgie is rough and tomboyish and lives in the woods for a time.
 * Lethal Chef: Subverted--Sipsie's a Supreme Chef.
 * Loads and Loads of Characters: The novel. It's fairly easy to keep track of them, however.
 * Never Mess with Granny: Sipsie.
 * Noble Bigot with a Badge: Grady, despite being a racist himself, stands up to a crowd of out-of-town Klansmen when they attack Big George. In the novel he's a Klan attending bigot who uses the N-word frequently.
 * The movie at least heavily implies that in Grady's particular part of the Klan, marching and using slurs is about all they do. They apparently have something of a reputation for being too nice to the local blacks (at least by a racist's standards).
 * One-Woman Wail: A slow gospel version is sung throughout some scenes.
 * Parking Payback: Evelyn rear-ends six times a car that stole her parking spot.
 * Pass Fail: One of the novel's sub-plots is about a black character who is able to pass as white, only to cause trouble to a passing relative who recognized her without realizing she was trying to do so.
 * Railroad Tracks of Doom: Two instances of this trope happen in the story. In the second incident, the victim did not walk away in one piece. In the first, the victim didn't walk away at all.
 * Right for the Wrong Reasons: Judge Smoote thinks that Idgie and her cook killed Frank Bennet
 * Scrapbook Story: The novel tells various characters' stories through traditional narrators, newspaper clippings and the local Whistlestop newspaper The Weems Weakly. The end of the book evens has recipes from the titular restaurant.
 * Straw Feminist: Various purposefully comical stereotypes show up in Evelyn's time, and after getting caught up in the story, Evelyn herself becomes an aggressive female-empowerment activist for a while before calming down. And she is awesome.
 * Trickster: Idgie exhibits almost all the characteristics: disdain for social conventions, dubious relationship with the truth, gender-bending behavior,.
 * Tomboy and Girly Girl: Idgie and Ruth.
 * Unreliable Narrator: Did Idgie really ? Maybe, maybe not. Ninny isn't about to let facts and details get in the way of a good story, so we may never know. This applies to pretty much everything she says to Evelyn.
 * Unreliable Narrator: Did Idgie really ? Maybe, maybe not. Ninny isn't about to let facts and details get in the way of a good story, so we may never know. This applies to pretty much everything she says to Evelyn.