The Last Dance

""A Suicide Mission? Hm. Yes, a suicide mission will do nicely.""

- Thane Krios, Mass Effect 2

Facing death is a big, big moment. As Rimmer in Red Dwarf once stated, "All most of us get is 'Mind that bus, what bus, splat!'" Those who have some lead time, have some time to tidy our affairs, get our house in order, say our final goodbyes.

Of course, if you've led an exceptionally adventurous or questionable life, it may be time to throw out all the rules and go on that last run, complete that final mission, settle that one score. When you literally have nothing left to lose, that's when you can truly give everything you've got.

This trope gives a writer a lot of flexibility in writing for a character. Heroes can become villains, villains can try for redemption, utterly minor characters can step into the spotlight, sane characters can go Ax Crazy or turn into The Unfettered, Power Limiters are removed, Thanatos Gambits are prepared, characters are suddenly not left handed, and no one is Holding Back the Phlebotinum. Dancing The Last Dance can have lasting repercussions for a show, changing the dynamic.

For the dying character, The Last Dance can blend with Do Not Go Gentle or the Bolivian Army Ending, but it is more personal; the rest of the world goes on. A common twist is for the character in question to find out that they're going to live, and have to deal with the consequences of their actions after all.

Living on Borrowed Time is usually the same as this, if the character manages to lengthen their life beyond the point beyond the expected span. Time-Delayed Death happens when the character is this but without realizing that they are dying.

Compare Rasputinian Death, Convenient Terminal Illness. Compare also with Like You Were Dying for a last dance of joy. Not to be confused with Heroic Sacrifice, where the last act is the cause of death. Of course, a dying character is more likely than otherwise to make a Heroic Sacrifice or to employ Taking You with Me tactics; after all, they aren't giving up all that much extra time. If they extend The Last Dance to last for way, way longer than the song's supposed to go, then they're Living on Borrowed Time. One should be careful when invoking this trope around creatures of vast magical power - you can still get a Fate Worse Than Death...

Often used to make a Last Stand.

An Ending Trope, so unhidden spoilers abound.

Anime and Manga
""Bang.""
 * Elfen Lied Manga: the end  body begins to melt from overuse of their powers and reviving . The third personality takes control here to try and bring down as much of humanity with her as she can, all the while murmuring "Painful."
 * Code Geass: After losing everything (his friends, his allies, his confidant, both his family, and as a result, his hope), decides to pull out all the stops in order to defeat his enemy. This includes violating his own code of ethics and
 * But what happens next is even worse.
 * Death Note this trope is the reason why Death Note users with shinigami eyes cannot see their own lifespan.
 * Full Metal Panic: 's original mission
 * In Naruto there's Kimimaro, the most loyal of Orochimaru's servants, who admires Orochimaru so much that he is willing to be his next vessel. However, due to his disease, he can't, and so decides to help bring the only other worthy vessel to Orochimaru in his literal final hours.
 * Zabuza gets this too. Following the death of his Morality Pet Haku, utter defeat at the hands of Kakashi, the smashing of his dream to eventually become Mizukage and betrayal by his employer Gatou, he is given a lecture by Naruto on the Power of Friendship that forces him to admit that yes, he did care for Haku, despite acting like he didn't give a damn, and takes off his mask, lampshading that he is human after all. He proceeds to mow through Gatou's thugs and kill Gatou with a kunai in his mouth, suffering numerous fatal wounds in the process, but lives long enough to ask Kakashi to place him next to Haku.
 * And just to be completely clear, he lost use of his arms BEFORE taking on 20-ish hired thugs to get to Gatou to kill him. That kunai in his mouth? That's his only weapon. Granted, the thugs were pretty puny and if he'd still had his arms he probably could've killed all of them and Gatou without hardly interrupting his fight with Kakashi.
 * Itachi's life can be interpreted as an epic, 7 year long Last Dance, waiting for the day that Sasuke will kill him.
 * Cowboy Bebop: Spike's final assault on the Red Dragon at the end is a definite example of this trope.


 * He was just tired. Maybe.
 * Shadow Skill: After years of sickness from fighting in places where even Sevalles fear to wage war, Diaz Ragu He gives him the win and leaves, though.
 * Burst Angel, Jo goes even more unfettered than usual, having no regard for equipment or ammo in her assault on RAPT HQ. The extent of her farewell to Meg is leaving her jacket behind (after punching Meg out to make sure she wouldn't follow).
 * Nearly all of Gundam Seed is eventually revealed to be winding down to the antagonist's Last Dance; aware that he is soon going to die from, he's resentful and despairing enough to try to take all of society with him.
 * In Gundam Seed Destiny we meet his another clone of the same line, . Aware that he will be dead before the year is out, decides he needs to leave a positive legacy behind and serves as The Dragon to the series Big Bad who's out to save the world by imposing a genetic determinist utopia.
 * Tengen Toppa Gurren Lagann: Kamina. He comes back to life to do it, anyway. Kittan and Lordgenome too.
 * Magical Girl Lyrical Nanoha: In season 1 the Big Bad Precia Testarossa is desperate for the Jewel Seeds because she's dying and she doesn't have long before she has to complete her Evil Plan. She's still a Complete Monster, just turned Up to Eleven.
 * One Piece: Basically taking on all the admirals at once? After getting stabbed straight through the chest? And then crushing Marineford singlehanded? And then sneering at the guy most likely to be the series Big Bad and utterly curbstomping him without using any devil fruit abilities? Good. Game. Even in death he is badass.
 * Also Dr. Hiriluk. First, he had the Incurable Cough of Death. Then, after misinterpreting a medical text, Chopper went on a dangerous quest to retrieve a mushroom that happened to be poison. Instead of telling Chopper all the work he went through was for nothing, he drank it anyway, knowing he would die soon even without the poison. Then, hearing that the kingdom's doctors were sick, he walked into an obvious trap at the castle, knowing that if the disease or poison didn't get him, the trap would. And finally, instead of letting them shoot him, he gave a last toast to his friend Chopper, and drank nitroglycerin, exploding violently after proclaiming he's led a good life, with no regrets.
 * The most literal example would be the rumba pirates. After a lost battle, they realize they have all been wounded with poisoned weapons and none of them is going to survive the night. So they use the last of their strength to do a musical number.
 * Just a bit subverted, the last remaining members knew that Brook's Devil Fruit would allow him to come back for another round with life, so they played the last song as their final legacy to be carried on by him. Still very much a Tear Jerker.
 * Last but certainly not least,
 * Rurouni Kenshin: The Leitmotif of the Juppon Gatana Story Arc isWars of the Last Wolves.
 * Zero no Tsukaima: Saito decides to be the rear guard when Delflinger even says "All men have to die sometime, might as well go in style"
 * In Fullmetal Alchemist, knowing full and well that he was on his final leg,  Perhaps most telling about the character was his simple comment that he had never felt as alive as he did in that battle.
 * The End of Evangelion, with the song "Komm, Susser Tod": "So with sadness in my heart, I feel the best thing I could do, is end it all and leave forever..."

Comic Books
""And when a new arrival asks about the one to whom even Hela bows her head, the answer is always the same. He stood alone at Gjallerbru. And that answer is enough.""
 * All-Star Superman, full stop.
 * This is the premise of Marvel MAX's Destroyer: after discovering that his heart will give out soon, the titular elderly superhero sets out to kill as many villains as he can.
 * In Spider-Man, the Vulture stops holding back when he finds out he has cancer.
 * A Senate Guard in Star Wars named Venco Autem was fired for blatant corruption. After years of wandering the galaxy, immersed in shady dealings, he learned that he had a terminal illness. Autem undergoes a change of heart and wants to die having done some good in his life. He believes that, as the Galactic Republic is hopelessly corrupt and evil, that the best he could do is help bring it down.
 * The Joker is told he has cancer. Granted the doctor was lying but what does he do? Start a Crisis Crossover fittingly called The Last Laugh. Batman has even said Joker is much more dangerous when backed into a corner.
 * In Walt Simonson's run on The Mighty Thor, Skurge the Executioner does this, defending the bridge at Gjallerbru so Thor, Balder and their allies can make their escape.


 * Mr. Hyde in the end of League of Extraordinary Gentlemen vol. 2. He dies attacking the Martian invasion force while singing, "You Should See Me Dance the Polka".
 * The plot of Kevin Smith’s Daredevil story Guardian Devil turned out to be the work of.
 * The plot of the Spider-Man storyline "Ends of the Earth" is one for.

Film
"Shinzon: I'm glad we're together now --our destiny is complete."
 * In Harry Potter And The Chamber Of Secrets,
 * The Last Samurai - depicts the last flowering of the Samurai. The last of their kind, a foreigner persuades them to die the way they lived: as warriors.
 * Excalibur. "Come, Father. Let us embrace at last."
 * Star Trek Nemesis directly references this scene.

""I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched c-beams glitter in the dark near the Tannhauser Gate. All those ... moments'' will be lost in time, like tears...in rain.
 * Roy, the replicant from Blade Runner, engages in a final, bleak hunt of Deckard through an old abandoned building. Ultimately, he chooses to save Deckard, uttering some of the most poignant last words in recent film history:

Time to die."''"

"Roy: You better get it up, or I'm gonna have to kill ya. Unless you're alive, you can't play, and if you don't play... (later) Roy: (after Deckard clubs him with a spiked board) That's the spirit!"
 * Doubles as a Crowning Moment of Awesome for Rutger Hauer, who ad-libbed the "like tears in the rain" part of the line.
 * Actually, that speech isn't indicative of The Last Dance for Roy. It's the cat and mouse game preceding his death.

"Dillon: You're all gonna die. The only question is how you check out. Do you want it on your feet? Or on your fuckin' knees... begging? I ain't much for begging! Nobody ever gave me nothing! So I say fuck that thing! Let's fight it!"
 * Ripley in Alien³. "You've been in my life so long, I can't remember anything else."
 * The convicts qualify as well, as profoundly stated by Dillon.

"V: Would you dance with me? Evey: Now? On the eve of your revolution? V: A revolution without dancing is a revolution not worth having. (They dance.)"
 * Joe Versus the Volcano. The reason Joe agrees to jump into a live volcano - he'll die as a man rather than from dying from a brain disease.
 * In the novel Jericho Falls the Vietnam veteran helicopter pilot realizes he is going to die and recalls a Vietnamese captive who almost killed him because the captive had no fear of death. So now he takes his own knowledge of his impending death and uses it against his enemies.
 * Inspector Chan (played by Simon Yam) of the Hong Kong action movie Sha Po Lang (known in the US as "Killzone") has an inoperable brain tumor that could kill him "at any time." Chan, with his time running out, decides to use the remainder of his life to bring down Triad crimelord Wong Po and take care of the little girl that Wong orphaned.
 * Crank combines this with a gimmick that if his adrenalin ever goes below a certain level he'll die, so to prolong the inevitable while searching for the people who did this he: picks a fight with an entire bar for no reason; screws his girlfriend in public and later gets oral sex from her during a car chase; and shocks himself with a defibrillator, amongst other things.
 * That had very little to do with one last hurrah, and everything to do with keeping himself alive long enough to get revenge.
 * He isn't going to live. He has one last try to fix things, to set things right, to settle scores. The fact that he needs more time is secondary to the fact that he's finishing things. However, he gets a sequel, so... yeah.
 * Near the end of V for Vendetta, with the titular character's final showdown with Norsefire right around the corner, he is pretty much resigned to the fact that he will probably die and takes the opportunity to rather literally invoke this trope.


 * This recalls Emma Goldman's famous "It's not my revolution if I can't dance!"
 * Almost certainly intentionally, given that - at least in the comic, where the line also occurs - V is quite clearly an anarchist and it could well be argued that at least part of his campaign is "propaganda of the deed" of the kind Goldman, herself a lifelong anarchist, briefly espoused.
 * The Crow arguably begins with an expression of this trope.
 * Catch That Kid, where the sick party is the main character's father, using the illness to justify breaking into a bank.
 * In the Saw franchise, Whether or not he considers his dying state a justification or not is up in the air, but in the second movie, people decide to jump off the slippery slope due to the whole nerve gas problem.
 * In Little Miss Sunshine, the grandfather is very old and is probably dying anyways. Wanting to have some fun before his time, he snorts heroin.
 * Rufus Shinra in Final Fantasy VII: Advent Children is dying of geostigma.
 * The German road movie/tragicomedy Knockin On Heavens Door uses this as its premise. The two protagonists are fatally ill (bone cancer and a brain tumor, respectively), and decide to take a trip to see the ocean, starting with stealing a car, which belonged to a crime boss and contained a gun and a lot of money. Complications ensue.
 * Same with the Japanese film Hana-bi. Beat Takeshi plays (quite against type) an ordinary, by-the-book career policeman... who snaps after his partner and best friend are killed and crippled, respectively, right in front of him by a panicky thief. He spends the rest of the movie stone-facedly mowing through Yakuza (ahh, that's more like it), crushing their operations and robbing them blind, splitting the money between his now retired friend, his partner's widow, and making his terminally ill wife as comfortable as possible. Roll credits.
 * The whole point of the movie DOA, both the (good) original and the (weak) remake. The hero finds he's dying form an incurable poison and spends his last hours tracking down the culprit.
 * The main characters in The Wild Bunch are facing the end of their lifestyle. The old Wild West is ending and most of their gang were killed at the beginning of the movie. They are reduced to doing mercenary work for a corrupt and decadent Mexican general and a group of vicious bounty hunters is after them. Instead of running and hiding they decide to go back and rescue their friend who the general is about to execute for arming the local peasant. They know that by doing that, they will be facing the entire Mexican garrison and as such decide to go out fighting...
 * The Bear Jew and Omar in Inglourious Basterds:.
 * In Fanboys, Linus is convinced by his friends to go on a road trip to the Skywalker Ranch and steal Episode One before he dies of cancer.
 * The Grey begins with Liam Neeson's character reciting a short poem about this trope. Bookended when he

Literature
"Under the spreading chestnut tree I sold you and you sold me"
 * In David Gemmell's Legend, one of the characters, Druss is wounded with a poisoned blade. However when the gate is breached he climbs from his sickbed, takes his axe and charges into the enemy, taking over twenty with him before he finally falls.
 * An early example of this was in the Agatha Christie novel Curtain: Poirot's Last Case, which was released in 1975 but written in the late 1930s. In it, Poirot,.
 * Also the reason behind And Then There Were None.
 * Nineteen Eighty-Four:

"It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumbledore knew - and so do I, thought Harry, with a rush of fierce pride, and so did my parents - that there was all the difference in the world."
 * In Harry Potter and The Half Blood Prince, this quote

"Yet it did not occur to him now to try and escape (...). It was over, he knew it, and all that was left was the thing itself: dying."
 * Though when  in The Deatly Hallows he's more resigned than defiant--the fact that his death appears to be inevitable seems to have taken some of the bravado out of him.

"Cazaril: She will give me an estate in Chalion that will suit my needs perfectly. One pace wide and two paces long, to be mine in perpetuity."
 * The Warhammer fantasy novel Fell Cargo has this with
 * In the Discworld book The Last Hero, Cohen and his Silver Horde decide to go on one last adventure, returning fire to the Gods, with interest, as revenge for letting them grow old.
 * Also in the Discworld, wizards and witches have it as a perk that they know beforehand when they're going to die (as well as having Death show up for them personally). It's mentioned that many a wizard has died drinking the last of his good wine while incidentally owing large sums of money to loan sharks. (Witches tend to be a bit more conscientious and set their affairs in order so their successor can get on with it.) Also, in at least one book, the rest of the wizards throw a going away party for a wizard slated to die, which goes awry when the guest of honor doesn't show up.
 * Cazaril of The Curse of Chalion knows he's dying by about halfway through the book, but continues to take on missions for his liege lady regardless up to and including.
 * And it's pointed out that a dying man makes the perfect representative: he can't be bribed, as he won't live long enough to enjoy anything he could be given, and since he knows he'll be meeting the gods soon he'll do his best to serve with honor.

"Illvin: Arhys, no, this is too fey! Arhys: Fey? Fey is a man who looks forward to death. If this dy Lutez manages to die well tonight, let it complete the set so long left undone, and be you healed of the long wound another dy Lutez dealt you."
 * This is played with (and arguably trumped) in the sequel Paladin of Souls when Arhys dy Lutez rides.

"Commala-come-ki,
 * Goes back as far as The Bible, in which King Hezekiah once got prideful and showed ambassadors from Babylon all the treasures of Judah. Nice Job Breaking It, Hero, said God through the prophet Isaiah; you didn't tell them it was my favour that got you all that stuff. Now they'll come back to take it all, and your children too. Incredibly, Hezekiah was fine with this, thinking "After all, it won't happen in my lifetime." (And he was one of the good kings of Judah. See why God discouraged setting up a monarchy?) Note that this is the 2 Kings 20 account; the version in Chronicles is a bit different.
 * Note that there's an Alternate Character Interpretation here- he's not fine with it, but he's grateful that at least, his good acts earlier in his reign were enough for God not to have it happen now, and instead give Judah more time.
 * Judges 16:23-31. Look it up.
 * In The Dark Tower, Jake and Father Callahan prepare for this before charging into a building filled to the brim with the Crimson King's minions. Callahan gives Jake his last rites, then they walk in like a couple of badasses. The song/poem thing stuck at the end of the chapter says it all:

There's a time to live and one to die.

With your back against the final wall

Ya gotta let the bullets fly."

"Commala-come-ki! Let the bullets fly! Don't'ee mourn for me, my lads When it come my day to die."


 * In the classic scifi novel Seetee Shock, the protagonist receives a lethal dose of radiation in the first chapter. The rest of the book takes place during the "walking ghost" phase of radiation poisoning, as he tries to track down the saboteur who attacked their antimatter mine.
 * The title story of "Cobra Trap", Peter O'Donnell's final collection of Modesty Blaise stories, has Modesty herself, diagnosed with a lethal and incurable brain tumour, taking on what she knows isn't a Do Or Die mission, but a Do AND Die mission.
 * 23-B-0075-NKE's death charge in Miles To Go against a mercenary company wiping out the population of Santa Cruz's capital city Ciudad Bolivar, after being infected by a fatal computer virus (triggered by refusing an illegal order to let the civilians die). She goes out quoting poetry, and kills every last mercenary (or at least enough to guarantee her allies' victory).

Live Action TV
""We are already dead. We willingly go into battle to reclaim our lives.""
 * After  in the second season of 24, he returns to work despite the danger of a nuclear weapon in Los Angeles, and eventually.
 * In the first season of Buffy the Vampire Slayer Of course it was much more complicated but a complete rundown of the episode would go way off topic.
 * Also, Buffy's childhood friend Ford, who was setting up a group of vampire mystics as an all-you-can-suck buffet for Spike's gang. Turns out he had a brain tumor. Buffy was not impressed.
 * Spike at the end of Season 7 has a hefty dose of this in his Heroic Sacrifice.
 * The TV series Breaking Bad is entirely based on this trope: A struggling high school chemistry teacher with a teenage son who has cerebral palsy and a pregnant wife. When he is diagnosed with terminal lung cancer, he breaks down and turns to a life of crime, and starts producing and selling methamphetamine.
 * Slight variation in Lost: Desmond's visions foretell Charlie's death. Charlie spends the latter half of season 3 trying to avoid various accidents, until a vision reveals a chance to save Claire and Aaron, at which point Charlie accepts his fate and dies a heroic death.
 * Ben Linus. Spine tumor. Leave the island to find a doctor? No; Ask the doctor nicely? No; Kidnap one? Yes! Not that he's a very moral person in the first place, so it might not count.
 * Subverted in Babylon 5: Humans bring out every combat-capable ship they've got to the Battle of the Line, but at the hour of their triumph, the genocidal Mimbari simply stop and surrender. Figuring out why is one of the major Story Arcs of the first season.
 * The Earth president's speech just prior to the battle acknowledges that virtually everyone involved will die but that doing so will give humanity some tiny chance to continue. Her stoicism cracks during the speech, and her tearful, halting delivery combines with the wordless images of the pilots suiting up to create an epic Tear Jerker.
 * The CSI episode "Living Legend" had  exacting revenge on the people that had tried to murder him. He didn't have long to live thanks to the bullet in his chest still moving and thus planned on going out in a blaze of glory.
 * In Heroes,
 * Of course,
 * An episode of Angel features a normal vampire mook deliberately going into this after Angel kills his girlfriend (another vampire, obviously). He has a demon, who is basically a 'collector' of demonic organs, remove his heart. The procedure will kill him after a couple of hours, but in the meantime, he's invulnerable to all the traditional vampire weaknesses - from sunlight to staking - giving an otherwise-unremarkable mook a real shot at taking down Angel...
 * In Doctor Who,
 * Even before that, Eleven did it in "Let's Kill Hitler", after  The Doctor's response?
 * On Torchwood, Tosh and Captain Jack get thrown back to World War II, where they encounter the real Captain Jack Harkness. Both Captain Jacks fall for each other, but Torchwood Jack is aware that his namesake is killed the next day and while he doesn't directly tell him this, the real Jack seems to figure it out. This trope kicks in quite literally, and the two men share a dance and a kiss before Jack heads back to the 21st century. Presumably the real Jack would not have had the courage to dance with and kiss another man in front of quite a few other people in homophobic 1941 had he not known that he'd be dead the next day.
 * In Kamen Rider Double,
 * In Smallville's tenth season premiere, Lx-3, an aged, degenerating clone of Lex Luthor knows he only has a few days at most to live after he breaks out of Cadmus Labs. His reaction is to murder pretty much everyone he sets eyes on, culminating in a Sadistic Choice Revenge plot against Clark that leaves everyone hurt. One could argue that Alexander, the much younger clone who appeared in the same episode, is going through a similar process, albeit in slow motion. He's fully aware of his own impending death; having, no one is quite sure where he's headed.
 * The Jem'Hadar of Star Trek: Deep Space Nine treat every battle as the Last Dance:
 * In Smallville's tenth season premiere, Lx-3, an aged, degenerating clone of Lex Luthor knows he only has a few days at most to live after he breaks out of Cadmus Labs. His reaction is to murder pretty much everyone he sets eyes on, culminating in a Sadistic Choice Revenge plot against Clark that leaves everyone hurt. One could argue that Alexander, the much younger clone who appeared in the same episode, is going through a similar process, albeit in slow motion. He's fully aware of his own impending death; having, no one is quite sure where he's headed.
 * The Jem'Hadar of Star Trek: Deep Space Nine treat every battle as the Last Dance:

""Today is a good day to die!""
 * Compare to the Klingons of the same setting:


 * Jenny Shepard in NCIS. She was slowly dying of a degenerative disease, and an old skeleton out her and Gibbs' closet had come back out, so she went down fighting in an abandoned diner in the southwest, taking four bad guys down with her.
 * A terminally ill Mike Franks confronts the Port-to-Port Killer, announcing "I figure I got one fight left in me." NCIS loves this trope.
 * On NCIS: Los Angeles a CIA agent has to abandon an undercover mission in Africa when he suspects that his cover is compromised. Sadly, while stopping a terrorist plot he receives radiation poisoning. With only a few months to live he decides to resume his undercover mission In Africa since it no longer matters if he is killed and with the time he has left he might be able to find the terrorist leaders responsible for the attack.
 * On Sons of Anarchy police chief Unser finds out that he has terminal cancer in the pilot episode and wants to retire and live out his remaining days in peace. However, he is forced into The Last Dance by Clay who needs Unser to keep covering for the Sons' illegal activities. By season 4 Unser no longer fears Clay and decides to dedicate his remaining time to do everything he can to protect Gemma and Tara from Clay.
 * In Burn Notice, a client is retiring from the State Department after . Looking back on his life, he decides that he can't stand his legacy as a man who enabled a diplomat to smuggle blood diamonds. He contacts the protagonists and arranges to take down the diplomat, ultimately

Music

 * "Last Dance", by Donna Summer. It's about the waning music in a disco, and the end to the good times for the night. The song underwent Defictionalization as discos used it as the last song of the night.
 * "No Fear The Setting Sun" by Amon Amarth, about an epic final battle.
 * Covenant's "Like Tears in Rain", whose title references the aforementioned Blade Runner.
 * Edge of Dawn's "Beauty Lies Within" is about a couple facing The End of the World as We Know It.
 * Ultravox - Dancing with Tears in My Eyes.
 * The Last Waltz, The Band's last concert, came with the song The Last Waltz. It's about how the last waltz is finished, but that doesn't mean the dance is over. Probably better if you forget what happened next.

Video Games
"Crewman: Damage reports coming in. We've lost 37% of the fleet. Surviving ships are reporting heavy casualties. FADM Dane: What about Samus? Crewman: Negative, Sir. No contact..."
 * Halo: Reach.
 * Partly the premise for Metal Gear Solid 4, as Snake's genetic engineering is causing him to reach the end of his rope rather quickly. And there's the fact that he's.
 * The final mission of Metroid Prime 3: Corruption has heavy hints of this. The whole thing feels much less like a Final Showdown and more of a Taking You with Me / Heroic Sacrifice on her part, which isn't helped by the exchange between Fleet Admiral Dane and his bridge staff in the ending cutscenes:

"The healthy human mind doesn't wake up in the morning thinking this is its last day on Earth. But I think that's a luxury, not a curse. To know you're close to the end is a kind of freedom. Good time to take... inventory. Outgunned. Outnumbered. Out of our minds. On a suicide mission -- but the sand and rocks here, stained with thousands of years of warfare... They will remember us, for this. Because out of all our vast array of nightmares, this is the one we choose for ourselves: we go forward like a breath exhaled from the Earth, with vigor in our hearts and one goal in sight: We. Will. Kill. Him."
 * The Opera mod for Half-Life had this as a gameplay feature called "Heroic Act", which a player could activate only once per round. It would stop all bleeding if he was already bleeding to death and make shots to the head and heart only hurt as much as regular wounds, as well as granting some extra speed and dealing extra damage for a short duration of time, after which the player would die. Rather fitting as the mod was inspired by films like The Killer and Hard Boiled.
 * Forms the basis for a mission in Phantasy Star Online. With a mere 30 minutes left to live, a warrior wants to reach his goal of killing 10 000 monsters (he's at 9900 when you meet him). Of note: for being on the brink of death, he is actually remarkably fit. He is one of the strongest NPCs in the game and, if you're on the highest difficulty setting, could probably still beat the everloving crap out of your character without really trying. Which raises the question of why he needs your help in the first place...
 * Sir Aliste from the PSP remake of Final Fantasy Tactics masquerades as a villain and kidnaps the lover of his ally, Beowulf, so that they may duel with their lives on the line. The former was afflicted with some malady, was destined to die with the middle age's lack of medical care (apparently for some reason the commonplace magicall healing wouldn't work either), and refused to do so confined and wasting away in a sick bed. Aliste is defeated, and - with his dying breath - urges Beowulf to save his lover Reis.
 * Prior to the events of Star Control 2, the Shofixti cause their own sun to go nova to strike a final blow to the Ur-Quan. The news of the extinction of the Shofixti was a Despair Event Horizon to fellow Proud Warrior Race Guys, the Yehat.
 * Doubles as a Nice Job Breaking It, Hero
 * Invoked in R-Type Final with Operation Last Dance, where all R-series models in existence gather to fire their respective Wave Motion Guns in unison to put a stop to the Bydo.
 * Which in itself is referenced by the R-99 Last Dancer, one of the game's three ultimate ships.
 * In Neverwinter Nights, final actions could be taken as this, as she knows both sides are likely to kill her and just wants to get her vengeance into the middle of the war before she goes.
 * Though, as the events of Hordes of the Underdark indicate, death isn't necessarily the end.
 * In Mass Effect 2, Thane Krios is dying of a terminal disease and is attempting to spend his last days as The Atoner for his life as a contract killer by trying to make the world a better place and . It's one of the reasons he joins Shepard's team.
 * If he survives Mass Effect 2,
 * Explicitly invoked by  at the climax of Modern Warfare 2, in about the best monologue in the series:
 * Explicitly invoked by  at the climax of Modern Warfare 2, in about the best monologue in the series:

"Tieger: Now the slowest dance begins... 'Tis a fine tomb we shall share, brother."
 * Invoked by name in the ending of Vagrant Story, when Tieger holds off Grissom as the city collapses around them:


 * In the conclusion of World of Warcraft's Fall of the Lich King,
 * This is the typical way an aging Grey Warden prefers to die in Dragon Age. After about thirty years, a Grey Warden's body starts to succumb to the tainted blood of the Darkspawn that they willingly imbued at their initiation. Instead of descending into madness or possibly becoming a darkspawn themselves, they join the Dwarves in the Deep Roads, where the Darkspawn nest, and throw themselves on the Darkspawn horde killing as many as possible before being felled themselves.
 * Also happens in Dragon Age 2, during the final moments, when Hawke can proclaim that "I can fight harder scared than they can angry!"
 * In Fallout: New Vegas it's possible to recruit The Remnants of the Enclave (all of whom are now aging) and get them to fight in the Battle for Hoover Dam for old time's sake (the mission's even called "For Auld Lang Syne").
 * A recurring theme in Mass Effect 3 is that Commander Shepard will either destroy the Reapers or take them down with them.
 * It's quite possible to recruit every space-faring race in the galaxy  to join Shepard and the Alliance an a final, glorious battle against the Reapers.

Web Original

 * Survival of the Fittest features this prominently due to the nature of characters death being announced, letting the player choose exactly how they want their character's last dance to be played.

Western Animation

 * In Tale Spin, an erroneous diagnosis tells Baloo he's going to die soon. He decides to go out with a bang by braving the Bermuda Trapezoid.
 * In Gargoyles, Halcyon Renard, otherwise a man who had been defined by his insistence on personal accountability, justifies questionable actions in the episode "Golem" with his failing health. Goliath was not pleased.

Tabletop Games
"Our end is come. But what an end! We have been given the most precious gift: a chance to roar our defiance into the foes that overwhelms us with their numbers. Let the Emperor himself hear our final battle cry! Forward warriors of the Guard, and die like the heroes that you are!"
 * Warhammer 40000 has this, said by a leader of the Imperial Guard, shortly before the entire unit is completely annihilated:


 * 40K in general is a walking, talking love affair with this trope. Imperial Guard are indoctrinated from recruitment/conscription that you will die in service to the Emperor, so make it worth something; the Space Marines are effectively immortal unless killed by violence, but when hopeless you end up with stories like 10 of them holding onto the last bastion of an entire overrun world for weeks on end; the Eldar basically have Last Dance as their racial trait, alongside being a Magnificent Bastard to the last man, given the fact that as a species they're wearing thin; when the Tau get cornered, they tend to calmly but ruthlessly lay down fire until either they or their attackers are completely wiped out; the servants of Chaos tend to flop between this and Death Seekers, since a "good" death would probably just grant them FAVOR with their god of choice. Really the only ones that don't fall into this are the Orks (who live to fight and die anyway), the Necrons (semi-mindless cyber-zombies) and the Tyranids (hive mind insects, who literally use some of their lesser spawns as living ammunition.)
 * In 4th Edition Dungeons and Dragons, most Epic Destinies lead to the (now close to godlike) characters breaking free of mortal restraints in some fashion after their "Final Adventure". The DM is encouraged to make this a sufficiently spectacular affair. Not quite death, but close enough.
 * And this descended (ha!) from a prestige class in the Book of Exalted Deeds - the Risen Martyr, who has no choice but to take levels in Risen Martyr whenever he levels up. When he has all ten levels of Risen Martyr, if he levels up once more, he must complete a task, after which he dies instantly and ascends into the heavens as a newborn celestial. Also note that one of the prerequisites to become a Risen Martyr is being dead.

Real Life

 * Andrew Cunanan was suspected by some to have gone on his killing spree, murdering five people including Gianni Versace, thanks to believing himself to have been infected with HIV, but his autopsy proved him to be HIV negative.
 * Flavius Vegetius especially warns from cutting the escape route from a cornered enemy, implying that if the enemy knows it has no hope and will die anyway, it will fight with especially furious zeal.
 * Sun Tzu actually advises commanders who are in truly bad straits to convince their soldiers that they are all going to die. He argues that what soldiers will do as a last dance will go far beyond what they would be capable of if they had just the slightest glimmer of hope.
 * He advises placing troops where they have no line of retreat for this exact reason. For that matter, he advises never putting the enemy in such a position.
 * Machiavelli similarly points out the advantages of hopeless (or nearly so) situations for on the battlefield in Discourses on Livy.
 * This is actually the outlook of many people who aren't diagnosed with anything terminal, nor have any reason to think they'll die early. It's just that in Real Life, mortality is universal; and whether you die in two minutes or a hundred years, you'll inevitably die. Some people deal with that fact by handling life in a no-holds-barred, seize-the-day fashion.
 * This was tested in a real-life experiment in Feudal Japan. A sensei (head teacher, in this case) of a school of fencing had a servant who'd been with him for years -- and one day he was notified that the servant was wanted by the Shogunal authorities for a crime punishable by death. The sensei bowed and asked for a few days before turning the man over, then went to his servant, told him the news, and challenged him to a live-steel sword duel. The sensei had had a theory for a long time that a man who knew he had nothing to lose would fight harder, and wanted to test it. It turned out to be correct; the servant fought like a man possessed, and after a while, the sensei was backed to the wall and staring defeat, disgrace and death in the face. Summoning up all his skill, he finally did manage to cut his servant down, and his theory was vindicated.
 * This trope is also the big reason why the military isn't enthusiastic about neutron bombs (beside all the mess that using any nuclear weapon would cause) -- the nature of the explosion means it could leave hundreds of enemy soldiers fatally irradiated but still able to fight for a day or two.