Painful Rhyme

"And a song I was writing is left undone I don't know why I spend my time ''Writing songs I can't believe With words that tear and strain to rhyme"

- Simon and Garfunkel, "Kathy's Song"

"Berty: I meant the fact that it rhymes, Jeeves. "Sweden." "Needin'." Jeeves: Almost, sir."

- Jeeves and Wooster

"Aaron: Don't talk about love Or you'll have to say, "Fits like a glove" or "As certain as push comes to shove, ''You will pine for the person You're constantly thinking of.""

- Curtains, "I Miss the Music"

A Music Trope. It's when you hear a rhyme in a song, or read it in a poem, and you're compelled to cringe at how painfully it's forced in. Maybe the sentence was rearranged into grammatical nonsense to accommodate it, or the rhythm was broken, or maybe it verges on nonsensical. Maybe words had to be intentionally mispronounced to make it rhyme, or an unlikely metaphor invented. In any case, they were really better off not bothering to make it rhyme. Bonus points if it doesn't even quite rhyme, or if they're just repeating rather than rhyming. It's common for amateur poets to do this, since they often rigidly adhere to an "ABAB" rhyme scheme, forcing them to twist their verse into grotesque contortions.

This is at least partially the fault of the English language itself, as it's generally harder to find rhymes in it than other languages. Also, sometimes the difference between accents may make a rhyme painful in America that isn't in Britain or Australia, and vice versa.

Now, Your Mileage May Vary, so when editing be wary, 'cause the words that make you cringe, all the rhymes you'd like to singe, might just be another troper's favorite lyric (possibly because it's so dreadful) - watch out, tropers!

Here is a list of technical names for rhymes that may cause this trope (They're all legitimate, mind you.):


 * oblique: a rhyme with an imperfect match in sound. (one/thumb)
 * assonance: matching vowels. (shake/hate)
 * consonance: matching consonants. (rabies/robbers)
 * half rhyme: matching final consonants. (bent/ant)
 * identity: rhyming a sound with itself or a homophone. (foul/fowl, grace/disgrace)

A common source of Painful Rhymes is the Stock Rhyme, such as girl/world, which is painful primarily because it's overused.

Sublime Rhyme is not the opposite of this trope, so don't get confused.

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 * This song from an old Zelda commercial:

"New Dread-wing Is punish-ing His Gatling gun is illin! This Decepticon bomber's A Transformerama! A three-in-one villain that's chillin!"
 * Traaan-sformers!

"For the best insurance rates in town Call 1-800-GENERAL now!"
 * According to this Street Fighter Hall of Fame toy commercial, "Blanka's gonna bonk ya!"
 * The General of Car insurance fame just cannot rhyme at all.

"For the best insurance rates online Go to the General and save some time!"
 * That was its jingle for a while, but when it decided to get a new one that focuses on serving its customers online, General still couldn't fix its rhyming problems:


 * The Puffs tissue commercials. They'll try to make it all rhyme, and then one line (typically at the end) will be jarring as it won't rhyme and will have a completely different rhythm/metre than the others, because they suddenly realise they have to cram a lot of information into only one line of verse.

Anime and Manga
"She will never turn her back on a friend She is always there to defend ''She is the one on whom we can de-pend"
 * The opening of the North American dub of Sailor Moon does this a few times when trying to cram original English lyrics into the tune of "Moonlight Densetsu". First it stretches prosody:

"Fighting evil by moonlight Winning love by daylight ''With her Sailor Scouts to help her fight"
 * Then there's the point where it tries to rhyme "Jupiter" with "new to her".
 * And finally, the reprise of the first verse just gives up and stuffs in as many syllables as needed to make a rhyme that makes sense:

Comic Books

 * Lampshaded in Fables: Frau Totenkinder's spell/Takes a normal message and turns it into doggerel.
 * Etrigan The Demon, in The DC Universe, traditionally speaks in rhyme. Under a skilled writer, such as Alan Moore (who set the rule that The Demon must speak in Gratuitous Iambic Pentameter), his speech is great, even lyrical at times. Under not-so-skilled writers... it's this trope.
 * In Spanish translations at Editorial Vid/Novaro (Latin America) and Zinco (Spain) it is always this trope.
 * Who can forget the rather painful first "boss battle" in the first Scott Pilgrim comic book, where almost everything a character says rhymes?

Film
"This Civil War ain't gonna get me down I'm taking my act to a brand new town This belle rings in Old Atlanta I'm gonna find myself a brand new Santa!"
 * Irreconcilable Differences has Ryan O'Neal's character directing a hilariously awful musical version of Gone with the Wind, with his girlfriend and "actress" (Sharon Stone) playing Scarlett and singing lines like:

"I could demonstrate my prowess, Be a lion, not a mow-ess (i.e. "mouse")."
 * In Monty Python and the Holy Grail, there's the Knights of the Round Table, whose "shows are for-mid-able, but many times we're given rhymes that are quite un-sing-able".
 * The Wizard of Oz: the brilliant Yip Harburg makes this part of the film's whimsical style, via Refuge in Audacity. The Cowardly Lion in particular carries many of them:
 * From "If I Only Had The Nerve":

"Now this is for real so you fight for justice Your shell is hard so you shout "They can't dust us""
 * "The King Of The Forest" manages to rhyme "brontosaurus" with "king o' the fores'", "hippopotamus" with "top to bottom-us" and "elephant" with "cellophant".
 * The entirety of "T.U.R.T.L.E. Power" by Partners in Kryme, which played during the credits of the first live-action Teenage Mutant Ninja Turtles movie. Awkward sentence-warping, full lines of nonsense, predictable rhyming pairs, wonky metaphors, and the mislabeling of Raphael as the leader (probably for the sake of rhyme/meter... not like they really adhered to a meter anyway) - it's pretty painful. But for some, it hurts so good. Probably the worst is this couplet:


 * To be fair, Raphael was portrayed as the leader of the Turtles in the film itself.

Literature
""It's certainly heartfelt," she said. "Can you really rhyme 'bloomed' with 'ruined?'""
 * In Peter S. Beagle's The Last Unicorn, Lir's love poetry to "Amalthea" uses this as a form of Stylistic Suck (since his poetry is supposed to be terrible):

""Yellow" by Kathy I really don't feel well, oh. I don't know who to tell, oh. I'm sick and I smell, oh. My barf is yellow.
 * Wayside School Gets a Little Stranger has at least four Stylistic Suck examples as Mrs. Jewels asks the kids to write poems about colors. These probably stand out the most:

"Red" by Joe ''The fire truck is red! ''It hurried! ''The siren wailed! ''The building burned! ''The firemen saved ''the baby who screamed."

"Then Snufkin said: "You could write a poem about this. What about: Floating on this eerie water Far away from bricks and mortar." "Saw a mermaid--didn't caught her," suggested Sniff, blowing his nose. "That's not true, not grammar, and it doesn't even rhyme properly", said Snufkin, and the subject dropped."
 * To be fair, it was shown that he hadn't quite grasped the idea of how to rhyme and that he took Mrs. Jewels' 'Look for words that end in ed' suggestion a little too literally.
 * A passage from the English translation of Tove Jansson's Comet In Moominland:

"Come-come-commala Rice come a-falla I-sissa 'ay a-bralla Dey come a-folla Down come a-rivva Or-i-za we kivva Rice be a green-o See all we seen-o Seen-o the green-o Come-come-commala!
 * In the P. G. Wodehouse book Uncle Fred in the Springtime the Duke has a particular hatred for the song The Bonnie Banks o' Loch Lomond because it attempts to rhyme "again" with "Lomond" and he plans to toss eggs at the gardener who keeps whistling it under his window.
 * In Wolves of the Calla, fifth in The Dark Tower series, "The Rice Song" is essentially made of this. King describes some of the rhymes in it as "rape rhymes" (one can only hope this is a technical term), "words that didn't rhyme at all but were forced to for a moment within the borders of the song". The words Eddie can make out follow:

''Come-come-commala ''Rice come a-falla ''Deep inna walla ''Grass come-commala ''Under the sky-o ''Grass green n high-o ''Girl n her fella ''Lie down togetha ''They slippy 'ay slide-o ''Under 'ay sky-o ''Come-come-commalla ''Rice come a-falla!"

"So the two go together the day after school. With Miss Rigg's supervision (you know, that's the rule), they got out their beakers and their Bunsen burners and decided to find out if they were fast learners."
 * In Jonathan Strange & Mr Norrell Strange's attempt to become a poet was derailed when, while writing his first poem, he failed to find an appropriate rhyme for "let love suffice"; coming up with "sunk in vice", "what's the price?", and "a pair of mice" he went for a ride to clear his head, then never looked at the poem again.
 * In The Name of the Wind, the main character mocks someone by pointing out how godawful it is. Many times. With FEELING.
 * And to be fair, he should know, because there are a number of times where he breaks into rhymed verse in the middle of a conversation, though one was with a member of the Fae and the other was probably intentional.
 * Lampshaded in the Illuminatus trilogy when it is revealed that dolphins are masterful poets; unfortunately as advanced as Hagbard Celine's supercomputer FUCKUP is, the best it can manage in translating their language belongs to this trope.
 * Some older works can sound this way, depending on the time period. The Canterbury Tales contain several instances (typically at least one per page) of rhymes that worked back in the fourteenth century in Middle English, but not in Modern English.
 * The Blue Ribbon Day, by Katie Couric. Nearly every page has at least one. One of the worst examples would be:

Poetry
"In a time of secret wooing Today prepares tomorrow's ruin Left knows not what right is doing My heart is torn asunder"
 * As noted above, lots of beginning and amateur poets often stick slavishly to "ABAB" rhyme schemes, which often results in this.
 * One thing that might lead to this a lot is cultural differences. Something that might rhyme with British pronunciation might not in, say, American English, which will make the rhymes sound forced or painful.
 * And it works the other way round. If your speech patterns emphasize the "g" in "ing", the following lines are pretty awesome. But with the wrong prnounciation... instant Narm.

"Ink and Blink in glee did gyrate Around the dragon that ate the pirate."
 * Most all of Ogden Nash's poetry uses these, but much like Tom Lehrer below, they usually add a sense of playfulness to the poems. See "The Tale of Custard the Dragon":

"But, oh, ye lords of ladies intellectual, Inform us truly, have they not hen-peck'd you all?"
 * Nash did object, however, to the kind of Painful Rhyme requiring the poetic pronunciation of "wind" as "wined."
 * In his satirical epic poem Don Juan, Lord Byron often used rhymes for comedic effect, sometimes with Lampshade Hanging. One of the most flagrant (other than rhyming "Ju-an" with "new one"), was this one:

"Granny had room. In her heart, mind, and house For a tattered and torn rag doll named Clouse Old picnic baskets and yes--even a mouse."
 * At the start of the poem, he also took a swipe at his personal enemy, Robert Southey, who was the current Poet Laureate, by rhyming "Laureate" with "Iscariot". That one was so bad, he even expressed doubts about it in a footnote.
 * The book The Legend of Rah and the Muggles features a poem that not only goes on for five pages with no relevance to the plot, but features gems such as:

"Oh! Ill-fated bridge of the silv'ry Tay I now must conclude my lay By telling the world fearlessly without the least dismay That your central girders would not have given way At least many sensible men do say Had they been supported on each side with buttresses At least many sensible men confesses For the stronger we our houses build ''The less chance we have of being killed."
 * (If you're wondering how this scans, you're not the only one.)
 * William Topaz McGonagall, self-acclaimed poet and tragedian, and Trope Namer for Giftedly Bad, wrote entire volumes of poetry that just about rhymes but doesn't scan, and has all the emotional resonance of a steamroller. Most famous is his "The Tay Bridge Disaster", which ends:

"All hail to the Rev George Gilfillan of Dundee, He is the greatest preacher I did ever hear or see. ... He has written the life of Sir Walter Scott, And while he lives he will never be forgot, Nor when he is dead, Because by his admirers it will be often read ... Rev George Gilfillan of Dundee, I must conclude my muse, And to write in praise of thee my pen does not refuse..."
 * Equally hilarious is his Address to the Reverend George Gilfillan, which such immortal lines as:

"So, Willy, let me and you be wipers Of scores out with all men -- especially pipers! And, whether they pipe us free from rats or from mice, If we've promised them aught, let us keep our promise!"
 * Robert Browning's excellent poem The Pied Piper of Hamlin, which practically begs to be read aloud for fun energy and its many excellent rhymes, uses several such rhyme-pairs, as if to torment the reader.

"We’ll have the ham to logic’s sandwich Of indignation: last bread bland, which After our scorn of God’s lust, terror, hate, Prometheus-fired, we’ll butter, perorate With oiled indifference, laughter’s silver: “Omne hoc verbum valet nil, vir” ! ... (I promise Mr. Chesterton Before the Muse and I have done A grand ap-pre-ci-a-ti-on Of Brixton on Ascension Day.)"
 * Aleister Crowley's Ascension Day and Pentecost is an Affectionate Parody of Browning (as well as a colossal Take That to Christianity) but it is also a colossal exercise in excruciating rhymes. The author claimed that he made a list of every word in the English language that was said to be "unrhymable" and found a rhyme (of sorts) for every single one of them. Some choice examples:

"Wert thou suspended from balloon, You'd caste a shade, even at noon; Folks would think it was the moon About to fall and crush them soon."
 * In Chesterton's Return of Don Quixote, those last two rhymes were why Browning was included in John Braintree's list of Victorian Giants who ought to have met up with Jack the Giant-Killer.
 * In high school English, this editor was exposed to the work of a 17th century American colonial poetess whose name now escapes him. One of the sonnets he had to read for an assignment rhymed "forever" with "persevere", which, according to a footnote, was pronounced with a short E on the final syllable at the time. This editor still considered it a forced rhyme.
 * I believe you're talking about Anne Bradstreet.
 * Although Sor Juana Inés de la Cruz, one of the most famous Hispanic poetesses in the world, wrote quite a bit of excellent poetry in her life, she did slipped in this kind of rhyme a couple of times. One of her poems, for example, resorts to writing "cruel" as "cruël", an archaic Spanish trick to add an extra syllable.
 * That's not really archaic Spanish. All the diaeresis means is "pronounce these vowels separately", and it's not that unusual to see "cruel" pronounced as "croo-el", especially in British works.
 * Or in Good King Wenceslas, to rhyme with "fuel." (which it still doesn't)
 * "Ode on the Mammoth Cheese Weighing over 7,000 Pounds" by James McIntyre:

"Do not forget that "limpet" rhymes With "strumpet" in these troubled times,"
 * Emily Dickinson. Yeah, yeah, classic poetry. But just read a few of the most famous ones, and you'll notice an annoying tendency for the words to look like they rhyme without actually rhyming at all. As well as rhyming words with themselves.
 * This is called slant rhyme, and it's legit. Of course, it's also entirely possible that she was just using it as an excuse not to think of better rhymes...
 * Oh, come on. "Chill" and "Tulle" aren't even close.
 * If you pronounce "tulle" the French way, it gets a bit better.
 * Dylan Thomas Lampshaded his own use of half rhyme in one of his poems:

"Pinocchio, Pinocchio, That little wooden bloke-io, His nose, it grew an inch or two, With every lie he spoke-io."
 * Shel Silverstein's poem Pinocchio does this intentionally with nearly every rhyme in it, by constantly appending "-io" to the ends of words. Such as:

"Antonio, Antonio, Said, "If you will be my ownio, ''I'll love you true, ''And I'll buy for you ''An icery creamery conio!""
 * Possibly inspired by the poem "Antonio" by Laura E. Richards, which includes such (again, intentional) gems as the following:

"Oh, once there lived in Kankakee A handy dandy Yankakee, A lone and lean and lankakee Cantankakerous Yankakee..."
 * Similar to Ogden Nash's:

"For physic and farces His equal there scarce is; His farces are physic, His physic a farce is."
 * A note: Slant rhymes are almost always, if a poet is using them right, meant to be jolting. Messing with people's expectations is one of the things that can distinguish poetry from nursery rhymes and ad jingles.
 * These cringe-inducing lines nominally written about Sir John Hill the apothecary:

"Forgive the entrance of the not Too cogent Carthaginian. It may have been to make a rhyme; I lean to that opinion."
 * The Passionate Shepherd To His Love by Christopher Marlowe not only tries to rhyme "love" with "prove" and "move", but also "roses" with "posies" and "falls" with "madrigals". If that last one doesn't seem like such a big deal, in a follow-up poetic parody by a different poet "madrigals" is made to rhyme with "canals", which further compounds things.
 * Considering that was over 400 years ago (before the Great Vowel Shift), are we sure those weren't perfect rhymes back then? (The "love"/"prove"/"move" thing wasn't unique to Marlowe: Shakespeare did it too.) When Pope (much later) rhymed "tea" with "say", it wasn't a mistake; it really did rhyme.
 * At one point in the very odd comedic poem Greybeards At Play, G. K. Chesterton randomly rhymes "Hanno" with "piano." The next stanza is also pretty painful (probably intentionally), despite being an apology for doing it:

"What immortal hand or eye Could frame thy fearful symmetry?"
 * Stevie Smith's poem The Jungle Husband uses painful rhymes deliberately for a comic effect.
 * At least one translation of Ovid's Metamorphoses, among other crimes, rhymes "unstable" with "unnavigable", "most" with "lost", "bent" with "punishment", "binds" with "winds" (as in, the thing that blows, not the kind of "winds" that would actually rhyme), "alone" with "down", "floods" with "Gods", "food" with both "flood" and, later, "mud".
 * Famously in Blake's The Tyger:


 * Some historians and linguists have credited this to his Cockney accent, in which the rhyme is proper.
 * Alternately, it might not be intended to rhyme at all—when read with the right amount of drama, it sounds bloody good.
 * The Devil's Dictionary by Ambrose Bierce sarcastically defines "kiss" as "a word invented by the poets as a rhyme for 'bliss.'"

Live-Action TV
"I know... his... journey ends never His star trek... will... go on forever"
 * The FN'MTV 2009 New Year's special "A Miley-Sized Surprise" featured an ongoing rhyming narration with overlapping Painful Rhyme and Totally Radical in lines such as "OMG! In the house with Miley C!" The beginning has some especially horrifying examples.
 * Gene Roddenberry wrote lyrics to the theme for Star Trek: The Original Series, not because he ever intended them to be used, but just to get a cut of the royalties. It's chock full of crimes against rhyme and scansion, but the worst of them has to be:

"I whistled for a cab and when it came near The license plate said "FRESH" and there was dice in the mi'r."
 * Star Trek also featured a Halloween Episode in which a triad of witches recited a prophecy of doom to Captain Kirk. When asked to comment on this development, Spock correctly pointed out that it was "very bad poetry."
 * The Fresh Prince of Bel-Air theme—yes, it's a classic and a total Crowd Song, but that doesn't excuse

"Estuary I live in a houseboat on an estuary Which is handy for my work with the Thames Water Authority But I know you would have found it insanitary"
 * Several black dialects actually DO pronounce the word "mirror" shortened as "meer".
 * Red Dwarf plays the trope for laughs with Rimmer's Villain Song (each chorus line ends with 'Rimmer' or something which rhymes). The deleted final verse discusses how they've almost run out of rhymes to use.
 * Also Lister is writing a song about Kochanski, but the only rhyming word he can think of is Underpantski!
 * Played for humor as the entire basis of Hugh Laurie's "Mystery", as performed on A Bit of Fry and Laurie:

"Mike: My mother and pop, they disapprove But no one can stop us, 'cause it's true loove. Bots: Huh? "Loove"? Mike: Well, I had to rhyme the two words."
 * Lampshaded in the Mystery Science Theater 3000 song "Where Oh Werewolf":

"I hear that train comin', comin' round the hill. I hope that is my train - I better check my schedule. Oops, that was the train to Appleton, but it's going to Circle Pines. And I've got about twenty minutes to kill; ''It's a good thing I brought some magazines (pronounced with an "eye" sound)."
 * Mystery Science Theater 3000 apparently loves this trope; see "What A Pleasant Journey":

"Kali: Who brings toddlers to weddings? God: I shall smite them! Kali: Wasps? God: Oh, why did I cre-ite them?"
 * On Survivor, the rhyming "tree-mails" announcing challenges are always chock full of forced rhymes and awful meter. You'd think after twenty seasons, the mail-writers would get pretty good at it, but apparently not.
 * The song What Kind of God from the second episode of Mongrels contains this gem that must be a parody:

"A polkameister like myself never has to be bored I just grab my axe and play some patterns on my keyboard"
 * [[Buffy the Vampire Slayer My heart expands It has grown a bulge in't Inspired by your beauty Effulgent]]
 * While he didn't write the song, "Weird Al" Yankovic had one of these in his performance of "Polka Patterns" on Square One TV:

"Come on Jessica, come on Tori, Let's go to the mall, you won't be sorry! Put on your jelly bracelet and your cool graffiti coat At the mall, having fun is what it's all about!"
 * Not that this stopped him from using the same rhyme in "White and Nerdy".
 * There's Robin Sparkles' hit single, "Let's Go to the Mall", with lines that only rhyme in Canadian:

"Your headache's as big as the nation, That's why I'm writing this prescription. And I am just gonna give you these pills So you won't have a predilection to take another one!"
 * The full version of the theme song to Mighty Morphin Power Rangers somehow managed to rhyme "hands" with "defence".
 * Due to the fact that the songs are all improvised, this happens a lot on Whose Line Is It Anyway?. One hilarious example was during a "Greatest Hits" game about doctors. Chip's attempt to fit a rhyme by cramming it in with a lengthy, rhythm-shattering sentence is so bad it causes Wayne to completely lose it:

"Tanker: Quick! What rhymes with "Sidney"? Amp: Um, "kidney"?"
 * The hilariously terrible "Jingle Man, Christmas Boy", a new Christmas carol written by Stephen Colbert for his Christmas Special. "Boy" not only rhymes with "toys" but also with "Illinois".
 * This is used for a joke in Superhuman Samurai Syber-Squad, when Sidney wishes that someone would write a song for her.

Music
"Hello, I'm just a Mellow Fellow! Just give me a bud and a cigarello! And I'mma keep it ghetto! Cuz I stick with it just like velcro!"
 * Any song ever that attempts to rhyme "again" with, for example, "rain", when "again" is pronounced "ag'in". For goodness' sake, singers, I know we Americans pronounce it like that, but can't you rhyme it with "within" or something if you're going to use that pronunciation?
 * More to the point, any time they try to rhyme it with such words without pronouncing it like the word "gain" with an "a" slapped on the front. "Ag'in", "agehn", anything but "aGAYn" is guilty of this. And NOBODY FUCKING SAYS "AGAYN" ANYMORE. SO STOP IT.
 * ...I say "agayn"
 * Pretty much my entire country says "agayn"
 * "Underneath the sky AGYAYYYYYYYYYYYYYYYN". (Only at the end; otherwise it's "again" to rhyme with "friend". There's also one instance of "agayn" to rhyme with "name"... if there's a band renowned for this trope it's Oasis, whose "Sister/missed her/blister" from "She's Electric" is reckoned to the be one of the worst rhyme combos ever, closely followed by "cousin/dozen/oven".)
 * Stan Rogers rhymes "Pain" with "Again" in The Woodbridge Dog Disaster, but he does so without using the "Agayn" pronounciation.
 * Keane attempts to rhyme "again" with "same" in...brace yourself..."Again & Again." The wonky rhyme is done with "Agayn", but the same word shortly before it (in the obvious phrase) is pronounced "again", making it especially jarring. And it's still only a half-rhyme.
 * Anything if it rhymes with "...you see." at the end of the previous or following line.
 * Justified in "Revelations" by Iron Maiden, on the equal grounds of coming from a song with awesome lyrics (any metal band to quote Chesterton should be awarded a medal), and for coming from a verse that already began as an unlikely prediction ("Bind all of us together, ablaze with hope and free/No storm or heavy weather will rock the boat, you'll see.")
 * A truly startling number of hymns have an awful time coming up with rhymes for "love". It is constantly paired with "prove" or "move" or other similar words.
 * There was, indeed a brief period, around the 1500s in which "Prove" and "Move" were pronounced essentially as they are today, but "Love" was pronounced with the same vowel that is in the word "Foot" today (kinda like it still is in Liverpool.) It's not exact, but it's a lot closer than the modern pronunciations. It doesn't help that "Love" technically should be spelt "Luve", (Old English "Lufu" compared to the French words "Moveir" and "Prover") but Medieval scribes didn't differentiate U and V, so they started writing "Love" for no other reason than they thought "Luue" looked silly.
 * Before 'th' became standard, things like 'yy'(thy) were fairly common(the first letter really being a degenerated thorn); a more likely reason probably has to do with the fact that the name "double U" isn't random - 'W' replaced a letter combination(thus making 'luue' like uuriting 'lwe' today - complete nonsense). But a large number of spelling changes had no better justification than Norman handwriting was sloppy enough to allow certain letter combinations to be confused with other letters/combinations(like some fonts render 'r' and 'n' together as 'm').
 * Charles Wesley has managed to use "prove"/"love" in nearly every hymn he wrote. Many of his other hymns have painful rhymes: "heav'n"/"giv'n", "lamb"/"claim", etc.
 * Charles Wesley wrote the lyrics to over 2,000 hymns. They can't all be perfect, I guess.
 * There are a lot of really beautiful Scottish folk songs that have entered the international repertoire of singers who aren't even necessarily folk singers. Trouble is, a lot of them have lines that only rhyme if they're sung with a Scottish accent (e.g. "eye" to rhyme with "he", "so" to rhyme with "day" and so on), and most non-Scottish singers can't sustain that accent for an entire song. This can lead to awkward results, such as a singer suddenly slipping into broad Scots for the duration of one line or even one word, and then slipping back into their normal accent for the rest of the song...
 * B.O.B's "Mellow Fellow" As evidenced by its beginning lyrics:

"Two people crazy in love Into one another like a hand in a glove"
 * Prince's "Damn U"

"Max, don't have sex with your ex It will make your life complex, My Max, baby, take it easy Max, don't have sex with your ex It will knock you off your legs Oh, Max, stay cool and just relax"
 * The frighteningly bad pop dance song "Max Don't Have Sex With Your Ex":

"When you attend a funeral It is sad to think that sooner or l... ...ater those you love will do the same for you And you may have found it tragic Not to mention other adjec... ...tives to think of all the weeping they will do ... When the air becomes uranious We will all go si-mul-taneous Yes, we will all go together when we go!"
 * Tom Lehrer was a master of these... but rather than making you cringe, they make you laugh because they're just so 'out there' that it can't be taken seriously.
 * Take the first verse of "We Will All Go Together When We Go":

"The tune don't have to clever And it don't matter if you put a coupla extra syllables into a line. It sounds more ethnic if it ain't good English And it don't even gotta rhyme. (spoken) Excuse me, rhyne."
 * "The Folk Song Army" provides another good example:

"These are the only ones of which the news has come to Haahvard, And there may be many others, but they haven't been discaahvard."
 * "The Elements" was written to incorporate the then-known elements of the periodic table into the Major General's Song from The Pirates of Penzance. Just as in the real periodic table, a space is left at the end for discoveries after the time of writing. Lyrically, this resulted in:

"My pulse will be quickenin' With each drop of strychnine We feed to a pigeon-- It just takes a smidgen-- ''To poison a pigeon in the park!"
 * The heavy Boston accent on "Harvard" and "Discarvard" still fails to subvert this.
 * And then there's this: [[Crowning Moment of Awesome "Eating an orange While making love Makes for bizarre enj- Oyment thereof."]]
 * He's been known to toss in a final rhyme at the end of the song. From Poisoning Pigeons in the Park:

"You may end up just like Oedipus-- I'd rather marry a duck-billed platypus-- ''You may end up just like Oedipus Rex!"
 * And how can we forget...

"Make a cross on your abdomen, When in Rome do like a Roman! Ave Maria, Gee it's great to see ya, Feelin' estatic and Sorta dramatic and Doin' The Vatican Rag!"
 * And of course...

"A seasoned witch could call you from the depths of your disgrace And rearrange your liver to the solid mental grace"
 * And the internal rhyme in "everybody say his own Kyrie Eleison"
 * "Close to the Edge" by Yes begins with the lyric:

"It comes on unrelentless I've tried so hard to prevent this..."
 * From Emerson, Lake & Palmer's "Nobody Loves You Like I Do":

"And when I finally marched from Sandhurst I'd learned to put my fellow man first"
 * From "Memoirs of an Officer and a Gentleman":

"What's wrong with the world Mama? People livin' like they ain't got no Mamas"
 * The Black Eyed Peas' "Where Is the Love":

"But if you only have love for your own race Then you only leave space to discriminate And to discriminate only generates hate And when you hate then you're bound to get irate, yeah."
 * It actually sounds like "People livin' like they ain't got no llamas"...

"Why are you so insecure When you got passion and love her You always claimin' I'm a cheater Think I'd up and go leave ya For another señorita You forgot that I need ya You must've caught amnesia That's why you don't believe"
 * Also, "Don't Phunk with My Heart" is pretty close to 100% this trope. For example:

"Imma be brilliant with my millions Loan out a billion and get back a trillion ''Imma be a brother, but my name ain't Lehman Imma be ya bank, I be loaning out semen."
 * (Note that "believe" is pronounced "be-leev-uh", to make it rhyme with "amnesia")
 * "Imma Be" has a particularly jarring example: the words rhyme (mostly), but the final line immediately falls apart if you think about it.

"I have grown too strong To ever fall back in your arms"
 * "Jar of Hearts" by Christina Perri

"You're gonna catch a cold From the ice inside your soul So don't come back for me Don't come back at all"
 * and in the chorus

"I've learned to live half-alive And now you want me one more time"
 * not that


 * is much better.

"(The soles of your shoes) Are all worn down The time for sleep is now But it's nothing to cry about Cuz we'll hold each other soon In the blackest of rooms"
 * "I Will Follow You Into the Dark" by Death Cab for Cutie

"Now the story's played out like this Just like a paperback novel Let's rewrite an ending that fits Instead of a Hollywood horror"
 * Nickelback has one in "Someday":

"They headed down to, ooh, old El Paso That's where they ran into a great big hassle Billy Joe shot a man while robbing his castle Bobbie Sue took the money and run. Billy Mack is a detective down in Texas You know he knows just exactly what the facts is He ain't gonna let those two escape justice He makes his livin' off of the peoples taxes."
 * Steve Miller's "Take the Money and Run":

"I was in the kitchen making fig preserves And I'd heard that youngin' get kicked in the face ''And I knew it was the day that rooster was going to get what he deserves"
 * That's right, ladies and gentlemen, not only do you get Painful Rhymes, but ear-grating grammar to boot ("took the money and run"? "facts is"? Really?!). Mr. Miller's second-grade English teacher must have been so proud.
 * One of the worst examples has to be a line from the Zac Brown Band song "Sic 'Em on a Chicken":

"I am an Antichrist! I am an anarch-EYE-st!"
 * (Apparently "preserves" is supposed to be rhymed with "deserves". Don't ask me how.)
 * You can ask me: in most of the South, they would be pronounced pruh-zerves and duh-zerves, so it makes sense for a Georgia-based band to pronounce it as such.
 * Sex Pistols' "Anarchy in the UK":

"Heartbreaker you got the best of me But I just keep on coming back incessantly."
 * They were punks, they wanted to offend.
 * With the accent, it sounds more like Anarch-EST.
 * Mariah Carey's "Heartbreaker":

"It's no use, he sees her He starts to shake and cough Just like the old man in That book by Nabokov"
 * Sting is the king (hey! That one worked!) of this; there's one of these in almost every song by the Police, and it gets worse on his solo records. The best-known is probably:

"There is no historical precedent To put the words in the mouth of the president."
 * Sting's "Russians":

"You consider me a young apprentice Caught between the Scylla and Charybdis"
 * Then there's "Wrapped Around Your Finger", which gives us;

"Watching the people get lairy It's not very pretty I tell thee ''Walking through town is quite scary"
 * The Kaiser Chiefs are well known for using old-fashioned words like "thee", largely to facilitate rhymes like

"Oh where oh where can my baby be The Lord took her away from me She's gone to heaven so I got to be good So I can see my baby when I leave this world"
 * In the same song, they also manage to rhyme "beaten", "policeman", "Smeaton" and "leodensian".
 * The Kaiser Chiefs do have the excuse of being from Leeds there; "thee" is still used in Yorkshire dialect.
 * In his book Dave Barry's Book of Bad Songs, Dave specifically calls out "Last Kiss" by J. Frank Wilson and the Cavaliers:


 * Dave also says that "if I were the Supreme Being, I would have a rule that you could not get into heaven if you had ever deliberately rhymed 'good' with 'world'."

"I ain't askin' for much. I said, Lord, take me downtown, ''I'm just lookin' for some tush."
 * Tim McGraw's "Refried Dreams" contains the line "Shooting tequila, wanting to kill him." Yes, it's supposed to rhyme.
 * Eddy Grant's "Electric Avenue" rhymes "soldier" with "abhor ya" and "TV" with "kids." Yuck.
 * Kenny Chesney's "Dancin' for the Groceries" is a pretty good song about a desperate single mom who resorts to stripping in order to support her kids (hence the title). It does, however, contain a cringe-worthy rhyme in the chorus: "In sequins and in laces, she's dancing for the braces." Ugh.
 * ZZ Top, on "Tush":

""I am", I said To no one there And no one heard at all Not even the chair."
 * Neil Diamond's "I Am I Said":

"Is Neil telling us he's surprised that the chair didn't hear him? Maybe he expected the chair to say, "Whoa, I heard THAT." My guess is that Neil was really desperate to come up with something to rhyme with "there", and he had already rejected "So I ate a pear", "Like Smokey the Bear", and "There were nits in my hair.""
 * Dave Barry, in a column which would lead to a massive amount of hate mail from Neil Diamond fans and provide the seed for the famous Bad Songs Survey via readers who agreed with him, complained about the lameness of this line:

"The line comes later in the song; it goes "Songs she sang to me, songs she BRANG to me.'" Ugh! It's "brought", you horrible little American!"
 * According to Martin Pearson, Neil Diamond's "Play Me" contains the worst rhyme in the history of modern music:

"Fell deep in love, but now we ain't speakin' Michael J. Fox was Alex P. Keaton."
 * LFO's "Summer Girls" is quite possibly the worst example of this in history, considering most of the song is just plot relevant lyric + random thing which rhymes:

"There was a good man named Paul Revere I feel much better, baby, when you're near"
 * or

"When I'm around you my heart is buzzing like a hornet Billy Shakespeare wrote a whole lot of sornets"
 * Practically every line in the song qualifies, but this one deserves special mention for being completely nonsensical and still having to mispronounce a word:

"I'm the oracle in my chest, Let the guitar scream like a fascist."
 * This is probably a deliberately poorly written song, perhaps a case of Refuge in Audacity in its forced rhyming and ridiculousness.
 * Word of God says it was a joke song, not meant for public consumption, written to help the late singer Rich Cronin get over his disappointment with the music industry and think about his youth, and filled with inside humor. He said that if he knew it would be a commercial single, then the "Chinese food always makes me sick" part would not have been used.
 * In "I've Just Seen a Face" (originally by The Beatles), Paul McCartney attempts to rhyme "aware" and "her." (He also rhymes face/place, girl/world, falling/calling, day/way and sight/quite. All the lame rhymes in one bundle.) There are multiple covers by him, and he's attempted more than one method of trying to make the rhyme work...
 * Interestingly enough, in a Liverpudlian accent, "aware" and "her" do rhyme. But of course, Paul tries to sing it with a more neutral accent...
 * Another one in "It Won't Be Long": "It won't be long / 'Till I belong to you."
 * Those kind of pale in comparison to George Harrison's incredibly forced rhyme in Old Brown Shoe: "I may appear to be im-per-fect / My love is something you can't re-ject"
 * The majority of Fall Out Boy's "I Don't Care", in which they not only try to rhyme "tolerance" and "pants", but also this gem:

"Marrying a beeyotch Having seven keeyods"
 * Barry McGuire's "Eve of Destruction" tries to rhyme "China" and "Alabama". Seriously.
 * Aside from a touch of Intercourse with You, the entire point of Robby Roadsteamer's "Banana" seems to be finding things that almost-but-not-quite rhyme with the title (such as "slammer", "Panera", "Pantera", and, somehow, "Dragon's Lair").
 * Weezer's "Everybody Get Dangerous" suffers a lot from this, but the most cringe-worthy is in the very first two lines, where "younger" is rhymed with "fun, yeah".
 * "Troublemaker" is even worse:

"Baptize me in that muddy water Wash me clean in amazing grace I ain't been livin' like I oughtta Baptize me in that muddy water"
 * "Muddy Water" by Trace Adkins has the chorus:

"Please let me be in the choir/ And I hope that my voice will not tire""
 * And what's worse is that, in the right accent, those two would be a perfect rhyme! Water and "otter" basically.
 * Rascal Flatts' "Me and My Gang" rhymed "thing" with "gang", implying that they went out of their way to say "thang", something no real country singer would do no matter how thick their accent was.
 * A song by the Miami Boys Choir:

"Early one morning while you were asleep I received a letter, but there was no addressee"
 * Two Out Of Three Ain't Bad by Meat Loaf has more forced rhymes than actual rhymes. A complete cataloguing would excessively lengthen this article; suffice to say, the very first quatrain rhymes "nowhere" with "inside of here" and "the way I feel" with "make me leave here".
 * "Pass the Mic" by the Beastie Boys, as well as Rhyming with Itself for "commercial", includes a rhyme of "on and on to the early morn", which along with "on and on to the break of dawn" is one of those rhymes that stopped being used once rap music escaped from New York.
 * Supertramp's "Breakfast in America", which is a great song, still contains some awful rhyming: girlfriend/girlfriend, breakfast/Texas and dear/millionaire.
 * Truth be told, it was written by Roger Hodgson when he was fifteen; probably his first ever composition. Supertramp kept the lyrics intact as the naivety of the lyrics suited the song better than any more complex or cynical lyric.
 * Elton John's "Nikita" rhymes "world" and "cold". Yuck.
 * "Daniel" has "traveling tonight on a plane" with "heading for Spain", and "never been" and "ever seen".
 * Uncle Sam's "I Don't Ever Wanna See You Again" has the following. The word "addressee" always made me cringe. I forgot until I looked it up for this trope that it didn't even rhyme.

"To ride along The horizon When these days are gone It's what we've become"
 * Ever hear "Talk Like a Pirate Day" by Tom Smith? It boasts the pain-inducing rhymes of "yourself, I bet" with "alphabet", and "mains'ls" with "brain cells". Ouch.
 * Autopilot Off's "Divine Intervention" has this gem:

"She don't believe in shooting stars But she believes in shoes and cars Wood floors in the new apartment Couture from the store's departments."
 * Alan Jackson has some painfully bad rhymes in a lot of his songs. One big example is "Where I Come From", which has such gems as "turnpike"/"midnight", "Ventura"/"finger", "dinner"/"soprano", "Kentucky"/"thunder" and "Tulsa"/"salsa".
 * He also tries to rhyme "ice" and "about" in "Good Time".
 * And several from "Country Boy", including "Ashpalt"/"Red dirt", "close"/"road", and well, every freaking rhyme in the song except "butt"/"rut".
 * Speaking of Alan Jackson, he co-wrote Randy Travis' "Better Class of Losers", which rhymes "sweet" and "suite", a very rare example of using homophones as rhymes.
 * Kanye West - "Flashing Lights" It might even work if he didn't try so hard.

"What's your persona About this Americana Rhymer, am I shallow 'Cause all my clothes designer?"
 * Or this bit from "American Boy"

"Really gotta concentrate And now we're gonna consummate ''So, let's conversate"
 * Hell, a large chunk of Kanye's songs come under this trope. Which makes it all the more puzzling why so many consider him a genius...
 * Another homophone rhyme: "Me and You" by Kenny Chesney rhymes "too" and "to" in the chorus.
 * Reba McEntire's "Every Other Weekend" is by no means a bad song, but every single stanza and the chorus end with "again"/"weekend".
 * Ne-Yo in "So You Can Cry": "I won't attend your pity party/I'd rather go have calamari."
 * New Kids on the Block - "Sexify My Love"

"Andrew Motion's changed his mind He's far too busy milkin' son- orous words and syllables to find A rhyme for Jonny Wilkinson."
 * I would just like to point out that somebody actually wrote this line. And decided to call the song "Sexify My Love". More like, "Rape-ify My Language"...
 * One of Mitch Benn's satirical songs on The Now Show mocks the then-Poet Laureate Andrew Motion for claiming that nothing rhymes with "Wilkinson". As with the Lehrer examples, outrageous forced rhymes are used for comic effect:

"Everybody knows ain't nothing rhymes with orange, Doesn't matter how much imagination or inj- -inuity you use even words thar are foreign, j- ust let it go, ain't nothing rhymes with orange."
 * Another one from the first series of Mitch Benn's Crimes Against Music:

""It's my work", he'd say. "I do it for pay. ''And when it's over I'd just as soon go on my way ''Up to some paradise ''Where the trout streams flow and the air is nice And ride a horse along the trail." But then they took him to the jail- House Where they try to turn a man into a mouse."
 * "Motorway Food" rhymes "ag'ny" with "lasagny".
 * Ty Herndon's "In Your Face" has several: "Libra"/"Reba"/"over-eager", "rejection"/"left me", and "artist"/"party"/"sparkle".
 * Can't believe it's taken this long for Bob Dylan to get a mention. Okay, "knowed"/"road" (from "Don't Think Twice, It's Alright") is different from most examples on the page in that the rhyme is fine, it's the grammar that's wonky. But his song "Hurricane" looks as though it could have been written by William McGonagall:

"We want to put his ass in stir We want to pin this triple mur-der on him ''He ain't no Gentleman Jim!"
 * From the same song as above:

"''I said, "I like Fidel Castro, I think you heard me right" And ducked as he swung At me with all his might Rita mumbled something 'Bout her mother on the hill As his fist hit the icebox He said he's going to kill me/If I don't get out the door In two seconds flat "You unpatriotic, 'Rotten doctor Commie rat.""
 * Dylan mangled many a meter, though (with clever prosody) he made it work, surprisingly often. Except the times he didn't. For those not familiar with the story from "Motorpsycho Nitemare" please understand, key facts have been omitted. True, but—I don't want to quote the entire thing—so, trust me that It Makes Sense in Context, sorta:

"Abra-abra-cadabra I wanna reach out and grab ya Abra-abra-cadabra Abracadabra"
 * The chorus in "I Wanna Be Your Lover" is either a Painful Rhyme or Refuge in Audacity: "I don't wanna be hers/I wanna be YERRRRRS!"
 * The Steve Miller Band's "Abracadabra" has quite a few awful rhymes, but the worst part has to be the chorus:

"I know things will get better You'll find work and I'll get promoted We'll move out of the shelter Buy a big house and live in the suburbs"
 * In Tracy Chapman's "Fast Car", almost all the rhymes are slant rhymes, and Tracy works hard to make them sound like they rhyme. Well, until we get to this one, which pushes it a bit too far:

"It's the suede-denim secret police! They have come for your uncool niece!"
 * Dead Kennedys' "California Uber Alles":

"Welcome to an empty fortress A mighty wreck that once was proud Ate alive by oxidation Abandoned by a crew of cowards"
 * Megadeth's Return To Hangar has this gem:

"Rapture Be pure Take a tour through the sewer Don't strain your brain Paint a train You'll be singing in the rain ''Said don't stop to the punk rock"
 * Leonard Cohen's "Hallelujah" rhymes the title with "fool ya". (And also "do ya", "to ya", "overthrew ya", "knew ya", and "outdrew ya", but the painfulness of these is well within the ambit of personal taste—unless the song is being sung by somebody who insists on pronouncing "do you", "to you", etc. "properly".)
 * 3OH!3's song "Don't Trust Me". It's bad enough when they try to rhyme "teeth", "need", "east", and "cheeks". "Whoa-oh" is a pathetic rhyme for "ho". But "vegetarian" does NOT rhyme with "fucking scared of him".
 * The rap verses of Blondie's "Rapture" are probably supposed to seem a little silly, but:

"Oh, poor Romeo Sittin' out on his own-ee-o"
 * And yes, "sewer" is pronounced like "sore" to rhyme.
 * The chorus of Thin Lizzy's "Romeo And The Lonely Girl":

"But now old friends are acting strange They shake their heads, they say I've changed ''But something's lost and something's gained ..."
 * Third Day, an otherwise very talented contemporary christian band, rhymed "Leavin'" with "seasons" in the song "I Will Be True".
 * Joni Mitchell's late '60s hit "Both Sides Now" totally falls apart in the last verse by trying to rhyme "strange / changed / gained":

"'cause this isn't live it's live at five"
 * R. Kelly puts a character named "Chuck" in his song Trapped in the Closet to rhyme with "" a few lines later.
 * Obscure Canadian rock band Saga's "Live at Five", despite the title smelling of one, remains acceptable mostly (as is usually the case of their work), but this one's just... disturbing.

"That girl's a genius Whoa oh oh oh oh oh I think she's serious Whoa oh oh oh oh oh"
 * Though, the band also tossed us a song called "Keep It Reel" on the same album as "Live at Five", so take this how you will.
 * The chorus to "She's a Genius" by Jet:

"I'm not gonna write you a love song 'Cause you tell me it's Make or breaking this If you're on your way I'm not gonna write you to stay If all you have is leavin' I'ma need a better reason To write you a love song today"
 * Both Adam Sandler ("The Hanukkah Song") and "Weird Al" Yankovic ("Pretty Fly for a Rabbi") have rhymed "yarmulke" with "Hanukkah". Oy vey.
 * The problem is that many people pronounce "yarmulke" as "yam-a-kah", hence the rhyme.
 * Along with quite a few other songs, "Love Song" by Sara Bareilles seems to run out of rhymes ending in "ay" halfway through the chorus, resulting in the most painful rhyme ever (and biggest ever cop-out) at the end: "today"!

"You know my girlfriend, she doesn't know a thing Pure ignorance is such a beautiful thing"
 * NOOOO.
 * "Fantasy" by the Blizzards is just awful: mouth/out, seduction/catch on, fantasy/tingly, culminating in:

"I don't want to see a ghost, It's the sight that I fear most, I'd rather have a piece of toast, Watch the evening news."
 * "Pinch Me" by Barenaked Ladies: "There's a restaurant down the street, where hungry people like to eat."
 * In this case, the painful rhyming is on purpose. "I could hide out under there, I just made you say underwear"
 * Nine of the Top Ten "winners" in the BBC's search for the worst song lyrics of all time are cited for their painful rhymes (the remaining entry is just inane verbiage). Number one is from Des'ree's "Life":

"When I'm not with you I lose my mind Give me a sign ''Hit me baby one more time"
 * The chorus to America's "Sandman", where "man" is rhymed with "sandman", which in turn is rhymed with "abandoned".
 * Britney Spears "Baby One More Time" contains three lines that sound like they rhyme, but none of them do exactly. (Though this is is arguably a subversion of the trope, because they sound fine in the song, and most people probably wouldn't even notice unless they were analysing the lyrics):-

"''Last week, I sawr a film As I recall it was a horror film"
 * The Lonely Island's "Jizz in My Pants":

"''You know I feel so dirty when they start talking cute I wanna tell her that I love her but the point is probably moot"
 * "Jesse's Girl", by Rick Springfield, is an especially egregious offender:

"Well I lost me a wife, so I found me a plane Flew all the way to California"
 * "Black Friday Rule" by Flogging Molly has some rhymes which, though they seem odd when written down, make sense in the singer's cod Irish accent (eye/destroy, you/truth). There's no excuse for this lyric, though:

"It's a damn cold night Trynna figure out this life"
 * It's pronounced as "Californ-ee-eye-ay", in case you're wondering.
 * Avril Lavigne's "I'm With You":

"Well we've got no class And we've got no principals ''And we've got no innocence We can't even think of a word that rhymes!"
 * "Sk8er Boi" has "heard" and "world", which are assonant (like the above) and would be forgivable... if she didn't sing the line like she was drunk in an effort to force them to rhyme.
 * Lampshade hung by Alice Cooper, in "School's Out":

"''Riot gear, the slaves are here, piling corpses high It's the rich man's war but its the poor that fight"
 * Otep manages to do this both ways in "Confrontation":

"''A weak nation of need, like silent thieves in the night It's the rich man's war but its the poor that die"
 * and then:

"Know why I SAY THESE THINGS? Cause LADIES' SCREAMS Keep creepin in SHADY'S DREAMS And the WAY THINGS SEEM I shouldn't have to PAY THESE SHRINKS These EIGHTY G'S ''A week to say the SAME THINGS TWEECE! ...Twice. Whatever."
 * One wonders why she didn't just swap them round.
 * The first few lines of Red Hot Chili Peppers' "Dani California". It's chock full of almost excruciating rhymes!
 * Eminem gets in a doozy of one in the third verse of "Kill You:

"Anyway, for all the sings you said, Tell me why does the river run red? ''Anyway, for all the things you've seen, Tell me when will the river run green?"
 * The chorus of "The Riverboat Song" by Ocean Colour Scene features this predictable rhyme:

"Icicle brains Bicycle chains"
 * This song also repeatedly rhymes "double" with "trouble".
 * In the bridge of "Breaker" by Accept, the second line seems to be there only for the purpose of rhyming with the previous one and doesn't make sense in context:

"He's a breaker He will take ya"
 * Then, there's the chorus:

"She's beautiful as usual with bruises on her ego, and Her killer instinct tells her to be aware of evil men."
 * Sugarcult uses a lot of pervasive rhymes (with "Memory" being one of the worst offenders, abusing heart/start/apart to death). Still, none of those are as cringe-inducing as "Pretty Girl," which not only changes its rhyme scheme halfway through the song, but the second verse does, well, this:

"I like the sound of my own voice I didn't give anyone else a choice An intellectual tortoise Racing with your bullet train"
 * "Riot" tries a bit too hard to rhyme "riot" with "fight."
 * U2's already been mentioned above, but they deserve another mention for this verse from "All Because of You"—and yes, Bono does indeed pronounce "tortoise" to rhyme:

"Wengren: Is there a significance to "Devon, one of eleven"? Draiman: Uh-huh, big family. * cutaway* "When I was first doing the scat version, the whole song all the way trough, almost every word of it was 'Eleven, Eleven, Eleven' 'cause not too many things rhyme with the word"."
 * Fairly standard pronunciation of "tortoise" in British English. Still painful though.
 * Especially since it puts the stress on TOISE instead of TOR-, where it belongs. Rhyming and scantion both weep here...
 * Disturbed gets a mention for "Inside the Fire". The lyricist is called out on this.

"''So stick around, 'cause we might miss you When we get tired of all this viss-yool"
 * Yes, this lyric was painful because the subject had to be named "Devon" for some reason. Also note that the actual person the song was based on went unnamed.
 * Supposedly, 1 of 11 people with suicidal thoughts will actually go through with it and succeed. Also, according to The Other Wiki, suicide is the 11th highest cause of death in the US and the National Strategy for Suicide Prevention has 11 goals aimed at preventing suicides. The last two probably don't have anything to do with the song, but it's pretty weird how often 11 shows up.
 * Queen's "Radio Ga Ga":

"...I'm better Than my compedah ''You mean competitor? Whatever!"
 * Also from Queen, the song "Brighton Rock" has Freddie Mercury mispronouncing "compromised" and "apologize" so that can both can rhyme with "holidays".
 * "Mykonos", by Fleet Foxes, is a great song. But none of the lines seem to be exact rhymes, and rhymes like "us/up" and "find/night" abound.
 * Lampshaded in Wu Tang Clan's "Shame On A N*** a":

"Had a love affair with Nina In the back of my Cortina. ''A seasoned-up hyena Could not have been more obscener"
 * Ian Dury provided a painful rhyme well known in Britain in the first lines of "Billiricay Dickie" (which was probably completely intentional):

"Prayers in my pocket And no hand in destiny ''I'll keep on movin' along With no time to plant my feet"
 * Guns N' Roses had a fairly bad one in Yesterdays:

"Oh, 'e must be oop to summat What are the chances, sure it's more than likely I got a feeling in my stomach "
 * Points to Arctic Monkeys in "Cornerstone" for rhyming "smoke alarm" with "broken arm".
 * Arctic Monkeys are masters of the bizarre rhyme, especially in their earlier work when they leaned more heavily on Alex Turner's Sheffield accent and did things like rhyme "problem" with "Rotherham", or, on "When The Sun Goes Down":

"''And does burden come to meetchya (meet you) If I've questions of the feetcha (feature)"
 * Don't forget "Fire and the Thud"

"What about animals We've turned kingdoms to dust ''What about elephants Have we lost their trust?"
 * Michael Jackson's "Earth Song":

"She waits at backstage doors For those who have prestige ''Who promise fortune and fame A life that's so carefree "
 * "Dirty Diana":

"'Cos the gentlemen are calling and the snow is softly falling on her petticoats And she's standing in the harbour and she's waiting for the sailors in the jollyboats ''See how they approach"
 * "Little Susie" is a festival of poor rhymes and forced ones.
 * "Beating her voice in her doom/But nobody came to her soon"
 * "Oh the blood in her hair.../A mystery so sullen in air"
 * "The girl that now is dead/So blind stare the eyes in her head"
 * "How much can one bear/Rejecting the needs in her prayers" (Which doesn't even make it clear who the "one" is—the girl, a bystander, or God?)
 * ZZ Top's "I'm bad, I'm Nationwide". It'd be fine if the singer just pronounced "nationwide" with a twang, like "nationwadd", even, but he pronounces it straight.
 * The Decemberists' "A Cautionary Song":

"Meet me on my vast veranda My sweet, untouched Miranda."
 * And at the end: "So be kind to your mother/ Though she may seem an awful bother". This is, however, slightly better than the bit in "Sons and Daughters" where they try to rhyme "dirigible" with "untraceable".
 * This one is particularly subjective. The offending words both end in a "bul" sound.
 * They have a knack for this sort of thing... take the following example. Owch.

"I must admit they have a rockin' band Man, they were blowin' like a hurricane"
 * It's probably intentional, as one of Chuck Berry's trademarks is playfully stretched rhymes, but this bit of "Rock And Roll Music" still sort of stands out:

"Now you're old and full of hatred Take a pill to MASTURBATRED Children point at you and scream Because they will become that thing"
 * The interesting thing is you'd sort of expect he'd drop into a southern accent for "baynd", but instead "hurricane" is pronounced "hurry can".
 * Dethklok does this intentionally on "Birthday Dethday":

"I just throw my body all over the field I can't dance but I can throw the pill"
 * Several in The Chicago Bears Shufflin' Crew's "Super Bowl Shuffle", but Jim McMahon probably has the worst:

"She's gotta be strong to fight 'em So she's taking lots of vitamins"
 * The Dresden Dolls' "First Orgasm" attempts to rhyme "fire drill" and "enjoyable".
 * Wonderful one from the Flaming Lips' Yoshimi versus the Pink Robots, particularly to a British listener:

"Priest, Metallica, Megadeth Iron Maiden and Black Sabbath"
 * Annihilator's song 'Army of One'. A song that namechecks various heavy metal bands to cite as influences includes the painfully forced rhyme:

"Even the best fall down sometimes Even the wrong words seem to rhyme."
 * Collide by Howie Day comes off as this when read, but the singer makes it work. Gives a nice bit of Fridge Brilliance:

"I'll take you away, hey Turn this place into our private getaway"
 * "Down" by Jay Sean has this:

"Oh Jonah he lived in de whale For he made his home in dat fish's abdomen"
 * A vintage example crops up in Porgy and Bess's "It Ain't Necesarily So":

"I want you crawling back to me Down on your knees, yeah Like an appendectomy Sans anesthesia"
 * Stephin Merritt (of the Magnetic Fields and other projects) is very fond of these rhymes. "I Don't Believe You" has "I had a dream and you were in it/ The blue of your eyes was infinite", but even better, from "You Must Be Out Of Your Mind":

"Because it's hopeless All of our dreams are dying of overdoses ''All of our plans are lying in ten-car road wrecks"
 * Another, from The Future Bible Heroes' "Hopeless":

"So we asked our mom And though it did not please her ''She said we could keep Our snowman in the freezer"
 * In The Magnetic Fields' "Zebra", "The Louvre" is rhymed with "maneuver" and "hoover", but instead of butchering the French pronunciation, the other two words are mispronounced ("manoov" and "hoov"). Which even sort of makes sense in-character, since the song is from the point of view of a pretentious and spoiled upper-class housewife. The printed lyrics take this further by using the spelling "maneuvre" and "hoovre".
 * The epitome of bad rhymes can be found in a song by children's singer Joe Scruggs called "In the Freezer" that was about a snowman being kept in a freezer

"We watch him as he sits there Next to the frozen squash 'til Dad shuts the door And says "It's starting to defrost." "
 * Which was bad enough, but towards the end, it says:

"I live by the sword I take my boys with me where I go because I'm paranoid"
 * Geto Boys' "Mind Playing Tricks On Me"

"Without sounding too peculiar If it's the cardiovascular ''You're after, then you can't beat squash"
 * The "w" in "sword" is pronounced.
 * Darren Hanlon, in "(There's Not Enough Songs About) Squash"

"''Generals gather in their masses Just like witches at black masses"
 * Usher's "Oh My Gosh". It's bad enough that he is desperate enough to rhyme 'pow pow pow' with 'wow oh wow', but then he rhymes those with 'style' and 'out'. 'Out'? Okay, slant rhyme. But 'style' is simply unforgivable.
 * And that's not all that's horribly wrong with that song...
 * Black Sabbath's "War Pigs" kicks off with the immortal line

"Nobody wants him He just stares at the world ''Planning his vengeance That he will soon unfold"
 * And in "Iron Man":

"Nobody wants him They just turned their heads ''Nobody helps him Now he has his revenge"
 * Admittedly, Ozzy's enunciation of "unfold" sort of makes it less noticeable.
 * It could be taken as "unfurl", which at least sounds better.
 * No mention of this line?

"If ever I return, pretty Peggy-o, If ever I return, pretty Peggy-o, ''If ever I return, all your cities I will burn, Destroying all the ladies in the are-o"
 * "Fennario", a folk song about an army captain who falls "in love with a lady like a dove" sticks "-o" at the end of lines to make them scan right:

"I've been around this whole country, but I never yet found "Fennario"."
 * Lampshaded by Bob Dylan in his recording of the song.

"''But when he gets in a bit of a jam, There's nothing he won't do to get a harry rag!"
 * "Harry Rag" by The Kinks describes a young man's fondness for cigarettes thusly:

"And yes, it's me that he's always choosin' With him I'm never losin', and he knows that my name is not Susan"
 * "Whatta Man" by Salt-n-Pepa (and En Vogue):

"If you're masochistic enough, listen for yourself."
 * How awful were the protagonist's previous partners if they couldn't even get her name right?
 * That's most likely a reference to the minor Whitney Houston hit "My Name Is Not Susan."
 * Anything by Rapper Juelz Santana, hell he could probably be the Trope Codifier

"I don't want to be your sex object I've had enough and that's a fact"
 * Kraftwerk, already not generally known for their lyrical prowess, came up with this gem in their song "Sex Object"

"You don't like players That's what you say-a But you really wouldn't mind a millionaire"
 * Live's "Simple Creed" has a couple: "Now nobody's takin' your candy /you just keep on livin' this tragedy" and "Now nobody's takin' your bicycle/ maybe somebody should take your microphone".
 * The Ramones rhyme 'massacre' with 'me' in "Chain Saw."
 * Amy Winehouse rhymes 'players', 'say' and 'millionaire' in "Fuck Me Pumps", with millionaire pronounced 'millio-naya' to fit:

"And the coffee stains gather 'til the pale kimono Sets the wedding rings dancing on the cold linoleum"
 * Cobra Starship fails to realise that rhyming "Seven" with "Seven" is REALLY ANNOYING.
 * Marillion's "Emerald Lies" actually ends with:

"''I got to many vices, I love to smoke weed, love to shoot dices."
 * This is simultaneously excruciating and wonderful, as the listener realizes that this may be the only song in history not only to end with the word "linoleum", but also to "rhyme" it with "kimono." And to top it off, it does it with a melodramatic, Wagnerian cadence.
 * Angelspit's song Juicy has a rather painful example in the first two lines. "Spin a dice and it's Vegas rigged/A glass full of conobine, you're off your head." The way he sings it, it does work... kinda.
 * Gucci Mane himself qualifies. Especially in the song Traphouse, where he proclaims his love of shooting "Dices".

"Next time I fall in love I'll know better what to do Next time I fall in love Whoo ooh ooh ooh, ooh ooh"
 * From Peter Cetera and Amy Grant's "Next Time I Fall In Love":

"And it might sound doom So just leave the room"
 * Granted it does rhyme, it just also makes it sound as though it got recorded before the lyrics were even finished. What really sells is that most of it is vocal filler until they get to the inevitable "The next time I fall in love, it will be with you."
 * In "That Song", Canadian rock band Big Wreck feature a really awful usage when they change the pronounciation of "dumb" to rhyme with "room". Seriously, could no other word have been used there?

"If you can't stand the way this place is Take yourself to higher places"
 * Three Days Grace's "Break". Technically, the line in question does rhyme, but still...

"They say roses are red, violets are purple Sugar's sweet, so's maple syruple"
 * Roger Miller pulls one in "Dang Me" which is totally forgiven for humor value:

"Seen ya dressed, seen ya naked I've seen potatoes ''They baked"
 * Wckr Spgt's version of Andy Kim's "Rock Me Gently", where for some reason all of the original verses get replaced with deliberately bad rhymes that revolve around emphasizing the "-ed" part of past tense verbs:

"''Some like it hot Some like it quite not so hot"
 * "One Tribe" by The Black Eyed Peas tried to rhyme "amnesia" with "evil". Seriously...
 * ACDC may be a fantastic band, but this rhyme from "First Blood" felt a little forced...

"You got a cute vest-pocket Mazda Which you can make both slow or "fazda.""
 * Johnny Mercer's version of "Glow Worm" includes this howler:

"How lucky can one guy be? I kissed her and she kissed me. Like the fella once said, Ain't that a kick in the head? The room was completely black. I hugged her and she hugged back. Like the sailor said, 'quote, "Ain't that a hole in the boat?"' ''"
 * Lyricist Sammy Cahn gave us several classics, including "Let It Snow", "High Hopes", "Call Me Irresponsible"... and this:

"Hey, I own the light and I don't need no help Gotta be the feeling that Scarface player Stuntin' go wild can't handle this plan Life of the club arrogant like yeah!"
 * Todd in the Shadows said that the first verse of Flo Rida's "Club Can't Handle Me" features "the worst succession of non-rhymes I've heard since the second verse of Steve Miller's 'Take the Money and Run'":

"Turkey for me, turkey for you Let's eat the turkey in my big brown shoe Love to eat turkey all night long Fifty million Elvis fans can't be wrong (later) Thanksgiving is a special night Jimmie Walker used to say "Dy-no-mite!" ''That's right!"
 * Tarja Turunen, in her post-Nightwish song "Underneath", pronounces "worry" to rhyme with "sorry".
 * Wouldn't that work if you were Canadian?
 * Since most of the country doesn't have a strong accent, no it wouldn't.
 * War's "Why Can't We Be Friends" pulls this off a couple times: in the next-to-last verse, they rhyme "bright" with "about", while in the final verse, they rhyme "CIA" with "mafia". Yes, pronounced "maf-eye-ay".
 * The humor in Adam Sandler's "Thanksgiving Song" comes from these being intentionally invoked—with most of its couplets the first line is about Thanksgiving, but the second is usually a silly non sequitur that happens to rhyme.

"I laughed at all of your jokes, My love you didn't need to coax."
 * In Zager and Evans' "2525 (Exordium & Terminus)": Ten/Head.
 * Rod Stewart's "Maggie Mae" has the lines:

"I like driving in my car Even with a flat ty-ah"
 * Perfectly fine rhyme, but look at the tortured syntax in that second line.
 * 1980s ska band Madness used Refuge in Audacity and cockney accents to more or less get away with

"People are strangers People in danger People are strangers People deranged are"
 * The Cranberries gave us

"The handshake Seals the contract From the contract There's no turning back The turning point Of a career ''In Korea, being insincere"
 * Which is also an example of Lyrical Shoehorning.
 * From Depeche Mode's "Everything Counts":

"I'm as serious as cancer, When I say rhythm is a dancer."
 * "It's Raining Again" by Supertramp opens with an "End/Friend/Mend" sequence, but that's just setting the scene for "C'mon, you little fighter/No need to get uptighter". According to The Now Show Book of World Records entry for Worst Rhyming Couplet In Pop, "after writing this, they probably high-fived and went to the pub. What they should have done is enrolled in a remedial songwriting course at their local techical college."
 * The winner of the book's Worst Rhyming Couplet record is Snap! for the jaw-dropping combination of painful rhyme and tasteless hyperbole that is:

"It's in the way that she posed, It's in the things that she puts in my head Her stories are boring and stuff She's always calling my bluff"
 * Interpol in their song "Obstacle 1" has a very jarring two lines that for some can completely ruin the song because of how shoehorned it sounds:

"I need a man who can tame a wild musTANG Who knows the difference 'tween love and lusTING."
 * While Chameleon Circuit's Doctor Who songs are usually very well done, they do tend to cheat on the rhymes, trying to rhyme "Luke" with "use" and "TARDIS" with "Daleks" (which is less painful with a British accent but still not technically a rhyme) in "Journey's End". Possibly the most egregious example is in "Gallifreyan History 101" where they try to rhyme "Doc" with "box", shortening the Doctor's name in a way that would be unacceptable outside of song for an amost-rhyme.
 * The Kelly Family's "Fell In Love with an Alien" tries to rhyme "Romeo" with "homey boy".
 * Lee Ann Womack's "Buckaroo" contains this couplet, which requires truly heroic amounts of country twang to pull off. She gives it a fair try.

"Sipping whiskey out the bottle, not thinking 'bout tomorrow""
 * Kid Rock's "All Summer Long" contains many of these, the most painful of which being:

"I'm a shot caller, get up off my collar, You are Chihuahua, I'm a Rottweiler."
 * Fort Minor's "Remember The Name" is bad about this: Almost every pair of words that seem to be intended to rhyme don't normally, though words get mumbled to accommodate on occasion. Alone/know him is an offender.
 * "Check It Out" from will.i.am of Black Eyed Peas fame and Nicki Minaj is full of particularly forced rap rhymes (e.g. interest, nemesis, emphasis, and "simple bitch"), but this one really stood out for how hard will.i.am had to struggle to make it sound like it rhymed:

"Make 'em go aah, aah, aah As you shoot across the skaa-aah-aye..."
 * In "Firework", Katy Perry tries to rhyme "aah" and "sky":

"Drip drip the rain upon my window Wanna lay down still and just be near you Get the keys and take the Karmann Ghia Along the coast to buy a couple of beers"
 * And in her "TGIF", none of the rhyming triplets in the chorus actually rhyme. Choice examples include attempting to rhyme "bars" with "boulevard" and "dark" with "menage-a-trois."
 * Stereophonics' "I Could Lose Ya" is full of lines that don't really rhyme, although to be fair many of them are facilitated by Kelly Jones' natural accent. The first verse rhymes "theater" with "pier" and "shoulder" with "jumper", and later there's:

"I'd sure hate to break down here. Nothin' up ahead or in the rear-view mirror."
 * "Break Down Here" by Julie Roberts has this is the chorus.

"Yeah I'm sorry I can't afford a Ferrari But that don't mean I can't get you there. I guess he's an Xbox And I'm more Atari But the way you play your game ain't fair."
 * The Black Keys' side project Blakroc has the single "Ain't Nothing Like You", which attempts to ryhme "of" with "been": "I been accused uh/The same thing that you buh"
 * "Fuck You" by Cee Lo Green rhymes "sorry" with "Ferrari" and "Atari":

"We started out together/Our expeditions linked But every student has a theory/The best he's ever thinked"
 * World Party's songs tend to combine Sesquipedalian Loquaciousness with Shown Their Work, which makes this line from "Curse Of The Mummy's Tomb" stand out even more:

"You are my girl, and you don't even know it I am living out the life of a poet I am the jester in the ancient court You're the funny little frog in my thro-at"
 * The chorus of Belle & Sebastian's "Funny Little Frog" attempts to rhyme "court" and "throat" with "poet". The strange thing is that "throat" is stretched to two syllables but "court" isn't:

"''Just strut in my birthday suit, and let everything hang oot"
 * Microdisney's "A Friend with a Big Mouth" contains a serious case of assonance with its attempt to rhyme 'sing' and 'hill': "When you turn to kiss her, birds begin to sing, louder and louder, they're rolling down the hill". This might have been invoked intentionally given that the listener often expects the last line to be "They drown out everything".
 * Bruno Mars' "The Lazy Song":

"When we arrived on the other side We were both stout and healthy We dropped our anchor in the bay Going down to Philadelphia""
 * Rebecca Black doesn't bother keeping up any sort of rhyme in "Friday"—except that she manages to rhyme "bowl" and "cereal". Almost. The bridge also rhymes "Friday" and "excited".
 * The Irish folksong "I Am a Rambling Irishman" contains this verse:

(At least one singer pronounced it "Philadelphee"; I'm not sure if that's better or worse.) "Star Trekkin' across the universe On the starship Enterprise under Captain Kirk."
 * "Elenore" by The Turtles is deliberately written in this style; it's all part of the joke. Notable in that it's the only Hot 100 Song ever to rhyme "et cetera" in the lyrics (with "better", if anyone cares).
 * An egregiously horrible one from this troper's favorite Advent hymn that tends to make him cringe: "O Come, O Come Emmanuel" has a verse that rhymes "high" and "mightily"/"misery". Perhaps in older times, it rhymed, but these days and in North America, not so much.
 * Who could forget this immortal couplet from "Star Trekkin'" by [[The Firm (novelty band)|The Firm]?

Recorded and Stand Up Comedy
"There was a young lady from Shrewsbury bollocks Who went to the shop for some fish bollocks As she walked in the door shit The shopkeeper said shit ''What kind of fish would you like bollocks?"
 * It may be worth mentioning comedian Alexei Sayle's solution to the whole problem of poetry being difficult to write because people expect it to rhyme: Simply end every line with the same word.

Theatre
"In short, when I've a smattering of elementary strategy, You'll say a better Major-General has never... (tries to think of word) sat a-gee! [note: This means to ride a horse.]"
 * Shakespeare is guilty of this at times: namely, all the uses of words like "banishèd" (rhyming with "dead") at the end of rhymed lines in Romeo and Juliet. Back then, if something ended in 'ed' it was always pronounced with the "èd"; if Shakespeare wanted to say it as we do, he would have spelt it "banish'd".
 * In the final Gilbert and Sullivan operetta, The Grand Duke, Gilbert rhymes "lowest" with "gho-est." That is to say, a dead person. He hangs a lampshade on this by having the character point this out self-deprecatingly.
 * In The Pirates of Penzance, there is a song "When Frederick was a little lad", in which Ruth describes the troubles that resulted when she confused the similar-sounding words "pilot" and "pirate". They're never actually rhymed with each other, which would be really painful, but that doesn't mean the audience gets off lightly: instead, Ruth pronounces them with unnatural emphasis -- "pi-lot" and "pi-rate"—with rhymes to match. (Not to mention the bit where she rhymes "what you people call work" with "maid-of-all-work".)
 * Also in The Pirates of Penzance, "I Am the Very Model of a Modern Major General" has Stanley singing:

"In that case unprecedented, Single I must live or die-- I shall have to be contented With a tulip or lily!"
 * Rhyming "die" with "sympathy" is bad enough in Patience, but It Gets Worse when Bunthorne reprises the song in the finale ultimo:

"Gentle, simple-minder Usher Get you, if you like, to Russher!"
 * Sympathy was an accepted, if obscure, pronunciation. Lily is just a gho-est of a gag.
 * From Trial by Jury:

"Two tender babes I nussed; One was of low condition, The other, upper crust, A regular patrician."
 * "Usher" and "Russia" is actually a perfect rhyme in non-rhotic British accents.
 * From HMS Pinafore:

"We're smart and sober men, And quite devoid of fe-ar. In all the Royal N, None are so smart as we are."
 * And...

"Despard: Oh innocents listen in time Chorus: We doe Despard: Avoid an existence of crime Chorus: Just so Despard: Or you'll be as ugly as I'm Chorus: No! No!"
 * From Ruddigore:

"Tolloller and Mountararat: 'Neath this blow, worse than stab of dagger, though we mo- mentarily stagger"
 * From Iolanthe:

"Strephon: A Shepherd I Chorus: A Shepherd he Strephon: From Ar-ca-dye Chorus: From Ar-ca-dee"
 * Iolanthe also has this gem, Lampshading the whole mess in the score:

"I often think it's comi-cal That Nature always does contrive That ev'ry boy and ev'ry gal That's born into the world alive Is either a little liber-al Or else a little conserva-tyve!"
 * Additionally, Iolanthe features Private Willis's famous chorus:

"Oh Hungary! Oh Hungary! Oh doughty sons of Hungary! May all success attend and bless your warlike ironmongery!"
 * From Princess Ida, as the three sons of the King of Hungary go into battle:

"I'll be there though I know that it's madness... (blah blah and then...) ''from the depths of my sadness"
 * The Pirate Queen has several such cringers:

"I should be free, free to be Grace/ So I can feel the wind on my face"
 * or

"Jilted, jilted, jilted is she-- Oh, what is there left but to dee?"
 * Of Thee I Sing has the Senate of the United States slipping into Scottish dialect just to sing a rhyme:

"Florida and Cal- Ifornia get together In a festival Of oranges and weather."
 * Then there's this lovely bit from the patter section of "Love Is Sweeping The Country":

"Solo: In that case unprecedented, single I shall live and die, I shall have to be contented with a heartfelt sympathy."
 * Patience gives us the final quintet, repeated three times, once for each male character:

"Bunthorn: In that case unprecedented, single I shall live and die, I shall have to be contented with a poppy or lilye."
 * ... and given a callback in the final solo/chorus

"Have you gone to the moon? Or the corner saloon ''And to rack an' to 'roon'?"
 * An infamous example is "On the Street Where You Live" from My Fair Lady, which rhymes "bother me" with "rah-ther be."
 * Conversely, there are several rhymes in My Fair Lady that work with an American accent but not the English accent of the character. (Rhyming "en masse" with "glass", for instance.)
 * This gets lampshaded in the song "Show Me", when Eliza Doolittle sings, "Haven't your lips/Hungered for mine?/Please don't explain/Show me!" She pronounces "Explain" as "Ex-pline", intentionally falling back on her old flower-girl accent.
 * Alan Jay Lerner committed another Painful Rhyme in "Come Back To Me", otherwise the best song in On A Clear Day You Can See Forever:

"Here's the ring to prove that I'm no joker There's three ways that love can go ''That's good, bad or mediocre"
 * That's qualifies as a printed (in the score) Lampshading as far as I'm concerned. ("roon" is supposed to be "ruin" of course
 * The song "Dammit Janet" from The Rocky Horror Show (and its far better known film adaptation, The Rocky Horror Picture Show) has a fair number of painful rhymes, mostly involving Janet and on purpose.

"If you want something visual That's not too abysmal ''We could take in an old Steve Reeves movie."
 * How has "Sweet Transvestite" not been mentioned yet?

"''The transducer Will seduce ya"
 * And then in "Planet Schmanet, Janet":

"There is a room that's full of toys, There are a hundred boys and girls."
 * The song "Castle on a Cloud" from Les Misérables has a painful non-rhyme (that is, the line isn't supposed to rhyme, but manages to sound as if it was supposed to and didn't):

"Little dear, cost us dear Medicines are expensive, M'sieur"
 * Also in Les Mis, depending on pronunciation, this rhyme can be quite painful:

"If I speak, I am condemned If I stay silent, I am damned."
 * Justified by the Thenardiers being—well, the Thenardiers, they're basically allowed to mangle the French language as they see fit.
 * Another Les Mis example comes from "Who Am I

"Instead of dreary who you were - well, are There's nothing that can stop you from becoming popular - lahr"
 * Wicked contains a few very noticeable clunkers. Special mention should go to "Where so many roam to, / We'll call it home, too" in "One Short Day", and "Dreams the way we planned 'em, / If we work in tandem" in "Defying Gravity".
 * In "Popular" Galinda corrects the rhyme in a lyric:

"Hey, Nessa Listen Nessa I've got something to confess - a Reason why,"
 * Don't forget Boq speaking to Nessa at the Oz Dust dance:

"Folks here to an absurd degree Seem fixated on your verdigris"
 * In "The Wizard and I", Elphaba sings:

"We're Knights of the Round Table Our shows are for-mi-dable But many times We're given rhymes ''That are quite un-sing-able."
 * "The Windy City" from Calamity Jane: "Mean wear sideburns, and they oughtta, 'cause a haircut costs a quarter."
 * "Can I Get a Napkin Please", the song for Improv Everywhere's Food Court Musical, has a couple right in a row: "Got a bunch with your lunch? Got a stack in your pack? Got a couple in your duffel? Got some extras under textbooks?" While the song and performance is awesome and hilarious, these lines come across as totally forced and lame. What the hell do duffels and textbooks have to do with a food court? Thankfully, these lines were cut from the video.
 * Lampshaded in "Camelot Song (Knights of the Round Table)" from Monty Python and the Holy Grail and its theatrical version Spamalot:

"We dine well here in Camelot We eat ham and jam and Spam a lot"
 * Spamalot gets its title from one of these in the "Camelot Song":

"Don't talk about love Or you'll have to say "fits like a glove", ''Or "as certain as push comes to shove You will pine for the woman you're constantly thinking of." And don't mention your life Or you'll have to say "cuts like a knife", Or refer to the heartbreak and strife When you find that you're missing your wife."
 * Though everything they rhyme with "Camelot" is pretty terrible, the worst possibly being "We're opera-mad in Camelot, we sing from the diaphragm a lot!"
 * Mentioned by a songwriter (in song) in Curtains:

"If Mag up and splits Her eyes are forfeit."
 * The song "Brush Up Your Shakespeare" from Kiss Me Kate is full of intentionally humourous bad rhymes for Shakespeare plays.
 * "Paris Makes Me Horny" from the stage version of Victor Victoria has a lot of terrible rhymes. One could make the argument that the singer (Norma, a rather terrible lounge showgirl singer) would think they are clever. Then, again, it's a Leslie Bricusse lyric, who's been known to write some terrible rhymes before ... tellingly, this song is so poorly regarded that it was cut from at least one subsequent production.
 * Repo! The Genetic Opera: In 'Zydrate Anatomy' we have the lines

"The time has come To be a lover from the Argentine To slick my hair back with Brilliantine And gargle heavily with Listerine"
 * In the musical of The Producers, Max begins the "Along Came Bialy" song with:

"It's a natural, natural, natural desire To meet an actual, actual, actual vampire!"
 * He even pauses before the last syllable, letting the audience wonder if he's going to force the rhyme or pronounce it properly. He forces it.
 * Something musical film The Apple gives us the following during one of the songs:

"To kill outside St. Paul's Requires a lot of balls!"
 * There are more Leslie Bricusse clunkers in Jekyll and Hyde - most notably the Act Two opener "Murder, Murder", which contains such gems as:

"Murder! Murder! Once there's one done, Murder! Murder! Can't be undone. Murder! Murder! Here in London..."
 * Points for trying to use British lower-class slang, but the "requires" makes the singer sound erudite and just ruins it.
 * And even more painful:

"Chess displayed no inertia, Soon spread to Persia, ''Then West!"
 * In the song "Shall I Tell You What I Think Of You?" from The King and I, Anna mispronounces "employee" to rhyme with "pay" and "libertine" to rhyme with "concubine"... and then corrects herself.
 * "Impossible" from Cinderella rhymes "pumpkin" with "bumpkin". This feels especially painful when you see Cinderella wearing a Pimped-Out Dress and singing on the way to the ball about how a "plain country bumpkin" like herself does have a chance of marrying a prince.
 * A lesser known one comes from the cult musical Chess', in which the opening number (or closing, depending on your production) contains this little gem:

"I don't give a damn what it's fer -- Every day's my birthday, ''Every night is my Bar Mitzver!"
 * Done intentionally as a characterization point for Freddy in his song "Great Big Stuff" from the stage musical adaptation of Dirty Rotten Scoundrels:

Toys

 * One Beanie Baby named "The End" tries to pass up "to an end" and "everyone" as a rhyme on its swing tag poem.

Video Games
"Shantotto: I don't make threats! If there's no result by the time I'm done researching the ultimate spell, it's too late for regrets!"
 * Sing it, Fallout 3 fans: "They have things like the atom bomb... so I think I'll stay where I om...civilizatiooooonnnnn, I'll stay right heeeerrreee!!!"
 * Final Fantasy XI: Shantotto once rhymes a word with her LAUGH. If it's not forced I don't know what is.
 * Another thing that she seems to have some kind of issue with is meter. To wit:


 * In the search-and-find game Penny Dreadfuls: Sweeney Todd many of the songs in the cut scenes tend to fall victim to this. Nice melodies, sure; okay singing, sure; smooth lyrics...eh. It's hard not to cringe at lines like "Joanna, I felt you watching over me / As I fought the perils of the sea / And almost drowned in my own misery".
 * In The Curse of Monkey Island, Guybrush purposely derails an overly-long-song by pitching the word orange into the rhymes. The singers are unable to come up with anything fitting.
 * One of the movie/game collection made by Phoenix Games and Dingo Animation Studios called Dinosaur Adventure featured a dinosaur making horrible rhymes.
 * Echo Bazaar uses the concept for humor in the flavor text which indicates progress in writing a commissioned poem: "The work advances. Are you actually going to rhyme 'mushroom' with 'room'? I mean actually?"

Web Comics

 * In this Dinosaur Comics, T-Rex tries to rap but his rhymes turn out painfully terrible.
 * The Filk Songs found in the comments section of Narbonic and Skin Horse. ("Girl/world" is a repeat offender, given that Helen Narbon is a girl who wants to rule the ... well, you know.) Frequently the bad rhymes are done for comic effect ...
 * Rhyming "live-action movie" with "David Duchovny"???
 * Yes, but they're filk songs. (And sometimes they're better than the originals.)
 * A few of the rhymes in this cartoon of The KAMics
 * Elan's song in this The Order of the Stick strip is hilariously bad, even moreso than usual. The worst rhymes are untilled/killed, wooden/pudding, and grass'n/assassin. It's Lampshaded in the title, "You Try Rhyming 'Assassin'"
 * "Super Stupor", a side feature of Randy Milholland's Something*Positive, had a brief appearance by a bottom-rung villain named Crimer Rhymer, who normally spoke in very forced rhymes. ("I don't know what you mean / My record from errors is clean.")
 * Least I Could Do: Rayne often does "beat" poetry at the local coffeehouse. Also, this strip.
 * During a Keiki story in which the title character is officially proclaimed the smartest persion in Hawaii, Beefer challenges her to come up with a rhyme for "orange." She answers, "The rock guy screamed, 'more grunge!' as he ate an or-ange."
 * Penny and Aggie features Penny rhyming to Karen that "Boys don't make passes/at girls that wear glasses// But boys think it's way sick/when girls get Lasik."
 * There was once a man from a ruggery. He engaged in consensual heterosexual sex that was well within the confines of acceptable marital bedroom conduct... ery.
 * From Plus EV: The Princess Amazia theme song.

Web Original
"''I know what you're gonna say: "Yahtzee! ''You sleek internet paparazzi! ''Surely it's always fun ''To stick the butt of a gun ''Up the arse of a goose-stepping Nazi!"
 * Yahtzee of Zero Punctuation decided that the reboot of Wolfenstein was such a boring game any normal review of it would also be boring, and so performed most of his review of the game in limerick form. Since it's played for laughs, the ridiculous rhymes come off as more hilarious than painful.

"Strong Bad: Oh, "fruit" and "cute". Good rhyme!"
 * Strong Bad comments on this during Marzipan's song "Sensitive to Bees", where she rhymes "fruit" with "cute".

Western Animation
"Built by Ancients so long ago, The Stargate lay 'til we broke the code, Now it takes us through the universe On our mission to get back to Earth. We are hunted and on the run, And together we overcome, Fighting evil through the galaxy: Stargate Infinity!"
 * The Stargate Infinity theme song does not contain a single true rhyme:

"Who needs the Quick-E-Mart? Their floors are stick-E-mart! They made dad sick-E-mart Let's hurl a brick-E-mart ''The Quick-E-Mart is real... D'OH!"
 * The Simpsons seems to have a certain fondness for these:
 * "I can do the hully gully...I can imitate Vin Scully!" (Gabbo, "Krusty Gets Kancelled")
 * "I hate every ape I see...from chimpan-a to chimpan-zee..." (Troy McClure, "A Fish Called Selma")
 * "Baby on board... something something... Burt Ward! Wow, this thing writes itself!"
 * "For all the latest medical poop / Call Surgeon General C. Everett Koop / Boop-boop-a-doop."
 * "Well, Scooby Doo can DOO DOO, but Jimmy Carter is smarter!"
 * and...

"My ears are so waxy Waxy, waxy I think I'm going to hail a taxi."
 * The Swan Princess gave us this deathless couplet from its Villain Song, "No More Mr. Nice Guy": "Up 'til now I've pulled my punches/I intend to eat their lunches..."
 * As well as "As soon as my witchcraft has zinged 'em/I'll gain control of the kingdom."
 * Basically if it's a song in The Swan Princess that isn't "Far Longer than Forever", it'll have bad rhymes in it. The "Practice, Practice, Practice" song rhymes "practice" with "attacked us" and "sacked us."
 * Transformers' Wheelie speaks in rhymes that are not groovy, and has been doing so since Transformers: The Movie [the 1985 one]. It is never explained why he talks in rhyme, but it makes watching scenes where he appears a painful time.
 * Your rhyming in that example is badly forced, your poetry work needs to be outsourced. To be honest, I'd wish you luck, but I really just can't give a damn.
 * Dave the Barbarian introduces us to the collective works of Ped X. Ing, whose rhymes are so painful, they cause physical pain and illness.

"That's the reason we need lips so much, For lips are the only things that touch..."
 * Titanic: The Legend Goes On had one with Mexican mice. Just about every rhyme is just a random word with "-sto" tacked on the end to rhyme with "gusto."
 * The opening song to the He-Man and She-Ra film The Secret of the Sword, as well as the music video.
 * A stranger walked into my world/And when he talked, I really heard
 * Especially good as it first makes you think the word is going to be "hurled."
 * The theme song to Count Duckula: In the heart of Transylvania/In the vampire hall of fame, yeah. Just... eh?
 * Plus "He won't bite Beast or Man / 'Cause he's a ve-ge-ta-ri-AN ..."
 * From The Marvel Superheroes:
 * Wheeeen Captain America (comics) throws his mighty shiiiieeeld / all those who chose to oppose his shield must YIIIEEELD...
 * The Incredible Hulk cartoon attempted to rhyme "gamma rays" with "unglamorous".
 * This line from True Love's Kiss in Enchanted. I mean, it could be intentional, but Jesus:

"Russell: An explorer is a friend to all / Be it bird or fish or tiny mole! Carl: That doesn't even rhyme! Russell: Yes it does!"
 * Of course it's intentional, the movie's Lampshading the fact that there's never more than a kiss in Disney movies!
 * Not a song, but the Wilderness Explorer motto from Up:

"''We're PIXIES! We're PIXIES! We're strong like BILL BIXBY!"
 * The song "Spirit of Adventure" from all the way at the end of the credits has gloriously cheesy rhymes- but then, what else do you expect from a song that rhymes the word adventure three seperate times?
 * The Fairly OddParents:

"Dot: I act like a nut so they call me Macadamia I dance like a klutz on a show called Anamania."
 * Pretty much every piece of Mystic Spiral's lyrics in Daria is like this.
 * The newest season of Total Drama Island uses this a lot, but it's a bit justified since they make up the songs on the spot, such as Lindsay rhyming 'brain' with 'game' or D.J. and Harold's 'pieces' and 'feet-ses.'
 * The title theme of Pinky and The Brain rhymes "world" with "unfurled". Not great, but not so bad just yet, especially since the easier-to-rhyme "Earth" is used elsewhere in the song. The really painful part of this is just how much the writers apparently love that rhyme, and constantly use it in other songs on the show (it's always "unfurled"; never any other word). Okay, so "world" isn't the most rhymable word, and yes, it's the final word of Brain's Catch Phrase, but does it need to be rhymed every time the heroes sing?
 * Two in the song "Macadamia Nut" from Animaniacs.

"Dot: Now please don't mention my brother, the one they call Wakkarino, He's always burping, every hour, so I threw him out of the tower. Wakko: ''Waaaaooooooh..!"
 * and

"Then one day, a lawman appeared! With powers of hawk, wolf, puma, and bear!"
 * Bravestarr has a bad one when describing the title character's arrival and powers

"I had no friends, no girls to hug me! So I got radioactive ugly!"
 * Toxic Crusaders, the animated adaption of The Toxic Avenger, has this gem of a description.

"...Now that Minnie's here, it's a mouse-house party Go tell it to Michael and Mona and Marty Gonna twirl, gonna swirl, gonna ride the groove And when you see her, you've got to MOVE!!!
 * The House of Mouse version of the song "Minnie Mouse in the House" from the "Mickey Unrapped" album (It's sung by the Muses from Hercules in the episode "Where's Minnie?".) Here are two excerpts from the original version of the song:

''...Now you know no one will ever dis her ''If she went away we would really miss her! ''The dance floor is her heart and soul territory ''That's her story ''The story of Minnie Mouse (Minnie Mouse) ''In the house! (In the house!)"

"...Now that Minnie's here, it's a mouse-house party If she went away we would really miss her! The dance floor is her heart and soul territory That's her story The story of Minnie Mouse (Minnie Mouse) In the house! (In the house!)"
 * Now here's the House of Mouse version for comparison:

""Nights of evil, filled with fear" Your worst dream, that's my idea of fun!""
 * The song would've avoided this problem were if there was a music video set in the titular House of Mouse's Prop Room (especially the fact that the melody of the third verse mentioned above sound an awful lot like "The Crystal Chamber".)
 * Another House of Mouse example would be the show's version of the song "You Can Fly" from Peter Pan, where one of the song's lyrics apparantly pronunced the word "aerodynamic" in a way so it rhymes with "beak."
 * Quest for Camelot includes the Villain Song with this ear-wrenching line:

"With our cutie marks, we'll rock Equestria We use our stomachs to digestia."
 * Well, it's Ruber.
 * Intentionally invoked in the My Little Pony: Friendship Is Magic episode "The Show Stoppers." Scootaloo attempts to write a song for the upcoming talent show, but is only able to come up with lyrics like:

"We may be divided But of you all I beg To remember we're all hooved At the end of each leg."
 * Also in "Over a Barrel". Pinkie Pie's song hasn't one rhyme in it that isn't at least a little silly.

"All you have to do is take a cup of flour Add it to the mix Now just take a little something sweet, not sour A bit of salt, just a pinch Baking these treats is such a cinch Add a teaspoon of vanilla Add a little more, and you count to four And you never get your fill of...""
 * Pinkie's cupcake song in "Call of the Cutie" really takes the cake.

"Oh, Perry! I'm allergic to dairy, I'm gonna move to the prairie, ''And change my name to Larry! ... Phineas: Larry?! Candace: I ran out of rhymes, alright?"
 * The song "At the Gala" rhymes the words "time" and "divine" near the end.
 * The "Come Home Perry" song from the Phineas and Ferb episode "Oh, There You Are, Perry" has deliberately cringeworthy rhymes when Candace has trouble coming up with rhymes for "Perry":

"Baljeet: You are pluralising "at"? Buford: Work with me, brain-boy!"
 * Lampshaded in the "Frenemies" song from "Lotsa Latkes", which rhymes "spats" with "ats".

"Always, we will fight as one! Until the battle's won With evil on the run, We never come undone. Assemble, we are strong! Forever fight as one!"
 * "Fight as One" by Downstait, the theme song to The Avengers: Earth's Mightiest Heroes:

"Fillmore: You just rhymed "bomb" with "wisdom"!"
 * This became more painful after Disney XD cut out all of the theme song except the last two lines, and the part where the singers exclaim, "Avengers Assemble!", in order to make room for recaps and expository voiceovers.
 * An episode of Fillmore! has a character called Checkmatey who tries to rap every other sentence and creates some truly terrible rhymes in the process. Fillmore eventually gets tired of Checkmatey's grating personality and bad rapping, and as he calls out Checkmatey:

"'Twas the night before Halloween, and all through Manhattan Not a criminal was stirring, not even Green Gob...lan."
 * This poem written by Sokka of Avatar: The Last Airbender: "My Name is Sokka/ Its pronounced with an 'Okka'/ Young ladies, I rock-ya!" He gets thrown out of the poetry club- not because of the bad rhyming, but because it's meant to be a haiku.
 * For double irony, his attempt to make a Painful Rhyme is what threw off his haiku; if he had stopped with "rock" the syllable count would have been fine.
 * The Spectacular Spider-Man: Spidey is reflecting on his current troubles, and hits the audience with the almost-rhyme:

Real Life
"We ask you to help us work for that day when black will not be asked to get back When brown can stick around When yellow will be mellow When the red man can get ahead, man And when white will embrace what is right."
 * E. Y. Harburg's lyrics yield nothing to Ogden Nash in mangling words for the sake of rhyme.
 * His rhymes weren't as painful because they were meant to be funny. Many other examples on this page weren't, thus increasing their painfulness.
 * Rev. Joseph Lowery's invocation at Barack Obama's inauguration included a a few rhyming lines that were a reference to the 1940s song "Black, Brown and White":


 * The Dutch tradition of Sinterklaas deserves a special mention here: Sinterklaas gifts are traditionally accompanied by poems of.. let's say... varying quality.