Uncanny Valley/Anime and Manga

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"(with a sheepish grin): "If you treat pigs and cows as equal beings...then we're eating their slaughtered corpses. So don't be so afraid when someone dies.""
 * Ghost in The Shell: Innocence is a prime example of this trope and its whole plot revolves around it.
 * The Geisha-gynoids could hardly be mistaken for humans and are clearly artificial. However, their staggering mechanical movements and speech have just the slightest trace of humanity, that makes them downright creepy. It doesn't help that they rip people's heads off.
 * The scientist from the forensics lab. She seems like a highly cynical, chain smoking, but overall laid back older women while talking with Togusa, until he leaves and.
 * The Chinese festival parade also touches the trope, though it doesn't cause real discomfort.
 * And then there is of course Kim himself, and his whole house as well. He had his brain put into a cybernetic body that was shaped and moved like a wooden puppet on strings. To Kim, the deepest point of the Uncanny Valley is the closest any being can come to perfection. As a result, his whole Big Fancy House is full of human-sized dolls, puppets, and robots, turning it into a Doll House of Doom.
 * In the TV series, the Tachikomas discuss the trope, musing that the reason they are allowed advanced AI is because they are not humanoid, and that advanced AI in an android would creep humans out.
 * And then they have, who just happens to be an advanced AI in an android. Even before this is revealed, there's clearly something... off about him. This is likely intentional.
 * Played with in an interesting way in Saber Marionette J. For the most part the saber marionettes act as Ridiculously-Human Robots, but on two separate occasions one of them has something happen to her 'maiden circuit' which controls their emotions. They then nosedive instantly into Uncanny Valley territory, marked mostly by their vacant stares and completely lack of movement except when prompted.
 * In Eve no Jikan, the robots are all clearly identifiable and do not act human in the slightest. However, any notion of treating robots as human, or that robots can act human, are vehemently opposed by society, illustrated by the constant anti-robot rights ads that play on tv.
 * Attempted in Neon Genesis Evangelion with Rei Ayanami, but it apparently was too subtle and didn't get caught by most of the audience.
 * The clones in the Reiquarium are pretty much there, though.
 * For a non Epic Fail example, see  from End. The masochistic cyborg harpies who are The Faceless except for their ever-smiling bright-red lips just get to people.
 * The titular monsters in Parasyte, while usually looking human, never blink and have very limited understanding of facial/emotional subtleties that place them quite firmly in this trope. They also are drawn with slightly elongated eyes with sharply pointed ends that give their faces a distinctly inhuman aspect. Even scarier is that near the end, when police start using these attributes to recognize and kill the parasites, they occasionally kill ordinary (but crazy) humans by mistake.
 * The also slowly starts slipping into this as time goes by.

The result was Cell.
 * A few things in Ghost Hound fall squarely into this, like the thing fifteen seconds into this video.
 * Due to the fact that the admirals in One Piece are based off of famous Japanese actors this can happen. While the first admiral shown, Aokiji does look like a normal member, Kizaru is slightly more realistic, and Akainu doesn't even look like his a member of the show, looking exactly like the actor.
 * Later episodes of Dragon Ball Z seemed to attempt to invoke this with androids 16, 17 and 18, by giving them steel-blue eyes, facial features very different from the series' norm, and (in the dub) inexpressive voices. If this was an attempt at the uncanny valley, it failed, as both 17 and 18 are almost universally considered adorable (and 16, while not exactly a looker, did not have the repulsive qualities that the uncanny valley is known for).
 * This could actually be considered an aversion, especially in 17 and 18's cases - their appearances, character bents, and personality traits, including the way they dress, actually make them seem like the most human of all the characters to certain fans. (This is virtually guaranteed for viewers influenced by other anime.) In fact, the closest android to this trope is Dr. Gero's bleach-white-skinned companion 19 - and since Chaozu beat him to that punch, his face is often compared to marshmallows.
 * Although if you think about it, this does put them back into the valley in a meta sort of way. The most humanlike-looking characters are in fact cold, lifeless machines. Then again, this part's probably up to the viewer.
 * Funnily enough, Toriyama originally created 19 and 20 to be the main villains of the Android arc, in a portrayal that would've definitely fit the trope, but the editor didn't like them. So Toriyama made the backstory of 20 actually being Dr. Gero himself, then created 17 and 18 to play in the valley instead, adding 16 a bit later on. The editor still didn't buy it, but Trunks had already been shown confirming them by appearance as the scourges of his time, so the random killing sprees were left up to the ones in his timeline as standard-timeline 17 and 18 were portrayed more like the human teenagers they appeared to be while Toriyama designed a new villain.
 * Invoked for Kazuo Kiriyama in Battle Royale. He was deliberately drawn with no reflection in his eyes, and while barely noticeable, it still manages to give his face a look beyond creepy.
 * Probably unintentional, but the Deer God/Forest God in Princess Mononoke seriously invokes this trope. A deer with vaguely mask-like human face instead of normal deer-head, and a veritable bush of horns growing on it. And from side he looks like a deer with front half of its head cut off.
 * Also from Ghibli is Granmanmare from Ponyo On a Cliff By The Sea, who evokes this due to her design being slightly more realistic than the traditionally Miyazaki-esque characters that surround her.
 * Studio Ghibli also intentionally applied this to the passengers on the Afterlife Express from Spirited Away.
 * Even though Sai from Naruto is actually a human, he has the inhuman feel of a robot, mostly because he's effectively emotionless. His vampire tan doesn't exactly help.
 * The  are merely corpse puppets, controlled by  . When they fight, all of them, except   have blank, expressionless faces, usually. The anime goes further and makes them incredibly pale.
 * Gaara, with his missing eyebrows and heavily sleep-deprived eyes. Justified, as he starts out as a villain. Later, his eyes (though still retaining those traits) become softer and gentler, because Gaara himself has become softer and gentler.
 * Later on in the series, we get the  shinobi. They're effectively  . When being fully controlled by   they become emotionless and fight with blank, expressionless faces. Doubly so for the   who are being directly controlled by  . Like the   before them, they are merely very powerful  . Note that In Universe, these shinobi are all identified by their blacked-out irides and cracked, pale skin.
 * Mori no Ando here.
 * Rozen Maiden invokes this with the dolls when they have to act like regular dolls, and is also shown in the first season's opening. Otherwise, they're just Moe.
 * Perfect Blue: Mima goes through a journey filled with all kinds of things nightmarish throughout the movie, and while most of the character designs lean toward realistic, there are two notable exceptions: Me-Mania, who is obviously creepy-looking from the start, and Rumi, who, like him, has eyes that are too widely spaced.
 * Referenced in one of the Extra Lessons chapters from Azumanga Daioh, where Sakaki admits to being afraid of the mechanical crossing guards at construction sites.
 * In Suzumiya Haruhi, at least some of the humanoid interfaces look like this, at least if you pay close attention.
 * In the half-2D, half-CGI anime Gokujou!! Mechamote Iinchou, this is aaaalllll over the place. The animation switches from hand-drawn to cel-shaded CGI without warning, the characters, when in CGI-mode, can't even blink very well, and can't move their eyes--in order to face another direction, they have to turn their entire head.
 * Actually referenced offhandedly in The World God Only Knows. One unique girl is trying to make a 'human' out of a remote controlled box, but people laugh at it. Keima draws a little smiley face on it and adds a cute note, and suddenly people are helping out. The girl decides to put a mannequin head on it to make it even more human... and it creeps people out to see a box with a human head on top roll through the hallway.
 * Used as a plot point in The Kindaichi Case Files mystery "House of Wax":
 * Level Four Akuma in D Gray Man intentionally fall smack dab into this trope. Example here.
 * Yu-Gi-Oh has a few examples. Ryou Bakura, and the way that smile never seems to leave his face, even when terrible things happen. And Dark Yugi, early in the manga, somehow managed to make not having a nose terrifying.
 * As a whole, Bakura fits in the valley. If you think that Ryou is actually very cute, then Yami Bakura is VERY much in the valley. Aside from some slight differences, he has the same features as Ryou, but there's something very wrong with his expressions...also, Yami Marik would look okay if it weren't for the veins that become more and more prominent on his face, and the way he sticks out his tongue.
 * Shingeki no Kyojin. The Titans tread so deep into the Uncanny Valley, it probably just jacks up the horror of this series. Aside from being an "It" race, their faces are just like normal Humans. And ironcially enough, the one time a normal Titan doesn't have a distinctly Human face,.
 * This was one of the reasons why the Assistroids in Asobi Ni Iku Yo are in their current form. The last generation were Ridiculously-Human Robots that were normal size. Due to this, the Catians couldn't see them as "Tools", and a war was fought till the current genaration of Assistroids was made.
 * Fullmetal Alchemist gives us the homunculi. They're of the zombie variety.
 * The Music Of Marie: When Kai flashes back to what happened when he nearly drowned. ..
 * Tiger and Bunny episode 15:.
 * The World War II propaganda film Momotaro's Divine Sea Warriors was one of the first attempts at animating more realistic faces. The results range from odd-looking to downright scary.
 * Hen: The artist's grasp of human anatomy can get a little loose at times.
 * Was invoked in Berserk when Guts and Puck encountered Rosine's minions for the first time. They looked really similar to Puck's elf kind, he said.... but there was somethin' off about them.
 * Eiko pulls out a really creepy looking doll in episode 11 of Season 1's Squid Girl. She later finds the doll's partner, who's broken up a little and freaks out all the girls looking for it.
 * The Uncanny Valley is mentioned in a chapter of Medaka Box to explain why Medaka's technically perfect drumming fails to evoke any emotion from listeners. Her playing is so perfect that it's inhuman, and comes across as something cold and mechanical.
 * Fran Madaraki of Franken Fran is a Frankenstein-style creature stitched together from dead body parts. She has visible stitching on her face and her eyes are usually drawn to look tired and lopsided.
 * Fran Madaraki of Franken Fran is a Frankenstein-style creature stitched together from dead body parts. She has visible stitching on her face and her eyes are usually drawn to look tired and lopsided.