Swan Lake

 (Russian: Лебединое Озеро, Lebedinoye Ozero) is a ballet, by Pyotr Ilyich Tchaikovsky, composed 1875-1876. The scenario, initially in four acts, by Vladimir Begichev and Vasiliy Geltser was fashioned from Russian folk tales as well as an ancient German legend, which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger. The ballet received its premiere on February 27, 1877, at the Bolshoi Theatre in Moscow as Le lac des cygnes ("The Lake of the Swans"), French being the language of the Imperial Russian court. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on January 15, 1895, at the Mariinsky Theatre in St. Petersburg, Russia. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo.

Many critics have disputed the original source of the Swan Lake story. The Russian ballet patriarch Fyodor Lopukhov has called Swan Lake a "national ballet" due to the swans which are common in Russian romantic lyrics, while many of the movements of the corps de ballet originated from Slavonic ring-dances. According to Lopukhov, "both the plot of Swan Lake (despite the fact that it is based on German source), the image of the Swan, and the very idea of a faithful love are essentially Russian". Though the scenario is (as in the case of The Nutcracker) tenuously based on a story by a German author, in this case Johann Karl August Musäus' Der geraubte Schleier ("The Stolen Veil"), this provides only the general outline of the plot; the Russian folktale "The White Duck" also bears some resemblance to the story of the ballet and might have been another possible source. The contemporaries of Tchaikovsky recalled the composer taking great interest in the life story of Ludwig II, the Bavarian King and Count Palatine of the Rhine, who was constantly associated with the symbol of the Swan, and whom "whether consciously or not"” Tchaikovsky chose as the prototype of the dream-haunted Prince Siegfried.

Works that are based on or revolve around Swan Lake include:

 * The Swan Princess
 * Black Swan
 * The Black Swan (a semi-novelization from Odile's point of view)
 * Princess Tutu (a fairytale based series which take considerable influence from Swan Lake)
 * Barbie of Swan Lake

In Russian media Swan Lake is somewhat of a trope in its own right. If there is any scene involving ballet or ballet will be shown on TV it will always be Swan Lake. Always. Specifically "the dance of the little swans" scene.

Works that reference or include scenes from Swan Lake are:

 * About Sidorov Vova
 * Despicable Me (the girls rehearse an excerpt)
 * Gentlemen of Fortune, Sad Sack reminiscences how he went to the ballet before he became criminal
 * Kidnapping Caucasian Style
 * Nu Pogodi
 * The second game in the Dark Parables PC game series presents Odette (only identified as the Swan Lake Princess) as a Posthumous Character.
 * From the same game developers, Macabre Mysteries: Curse of the Nightingale includes a Backstory in which two women play the "Swan Sisters" in a ballet which is clearly inspired by, if not a revamping of, Swan Lake. The one who plays the white swan is good; the one who plays the black swan is evil.
 * When Rudolf Nureyev appeared on The Muppet Show, they had him do Swine Lake.
 * In Billy Elliot the theme appears several times throughout the film and, in the final scene, the titular character plays a signet in the ballet.
 * Loom, a 1990 PC adventure game, used Swan Lake for the entire sound track.

Also notable for having additional meaning for Russians because during the 1991 crisis, all normal television programs were shut down and all channels showed Swan Lake instead.

Swan Lake has examples of:

 * Acting for Two: Odette and Odile are traditionally played by the same ballerina as they have to resemble each other. Some productions cast two women in the roles, which leaves room for Odile to have a part in the finale.
 * Animal Stereotypes
 * Betty and Veronica: Odette and Odile are this for Siegfried.
 * Bittersweet Ending:  In some versions of the ballet, this is  See Disneyfication, below.
 * Color Coded for Your Convenience: Odette wears white; Odile wears black.
 * Daddys Little Villain: Some interpretations of Odile, especially when the two are played by different women.
 * Disneyfication: Depending on the staging, the Bittersweet Ending may be changed to Happily Ever After. The same change was made in the animated feature The Swan Princess, a direct example applied to the ballet's plot.
 * Interestingly, the Happy Ending seems to have been the original, but Executive Meddling (or something of that nature) caused it to be changed to the Bittersweet Ending accepted today.
 * Distressed Damsel: Odette and all the other swan maidens.
 * Evil Counterpart/Evil Twin: Odile.
 * Evil Sorcerer: Von Rothbart.
 * Gender Flip: The Matthew Bourne version features male swans.
 * Heel Face Turn: Odile in some versions.
 * Involuntary Shapeshifting: Odette and the other swan maidens.
 * Karmic Death
 * Knight in Shining Armor: Siegfried.
 * Leitmotif
 * Light Is Good/Dark Is Evil: Played straight with Odette and Odile, who wear white and black tutus respectively.
 * Love At First Sight
 * Mad Scientists Beautiful Daughter: Odile
 * Master of Illusion: Von Rothbart.
 * Mistaken Declaration of Love:
 * Moral Dissonance: How can Siegfried be blamed for breaking his word when Rothbart deceived him?
 * No Celebrities Were Harmed: Prince Siegfried is said to be based on King Ludwig II, the nineteenth century Bavarian monarch often referred to as "the Swan King."
 * Power of Love
 * Redemption Equals Death: In some productions, Siegfried dies with Odette to atone for his betrayal.
 * Redemption Equals Life: ...but they are reunited in the afterlife.
 * Shapeshifting Lover
 * Star Crossed Lovers
 * Swans a Swimming: Naturally.
 * The Vamp: Odile, though some versions make her more sympathetic and thus a Broken Bird Femme Fatale instead.
 * Woman in White: Odette, of course.
 * Womanin Black: Odile.
 * Womanin Black: Odile.