Creator Backlash/Literature

"Holmes is dead and damned! I have had such an overdose of him that I feel towards him as I do towards paté de foie gras, of which I once ate too much, so that the name of it gives me a sickly feeling to this day."
 * Older Than Radio: Gelett Burgess's exasperation over the popularity of his fluff 1895 poem The Purple Cow, as quoted above.
 * More a love-hate relationship than despise, but this is part of the reason Arthur Conan Doyle was led to kill off Sherlock Holmes, who overshadowed all of his other writings. He eventually got over it. To quote a letter that Doyle sent a friend after The Final Problem:

""I aimed at the public's heart, and by accident I hit it in the stomach.""
 * It's not so much that he got over it, but that he felt forced to resurrect Sherlock Holmes seeing as how people were shouting "MURDERER!" at him on the street.
 * Similar to the above example, Agatha Christie came to hate the famed fictional detective she created, Hercule Poirot. To quote The Other Wiki: "By 1930, Agatha Christie found Poirot 'insufferable' and by 1960, she felt that he was a 'detestable, bombastic, tiresome, ego-centric little creep'. Yet the public loved him, and Christie refused to kill him off, claiming that it was her duty to produce what the public liked, and what the public liked was Poirot." She would eventually tweak Poirot through one of her other characters, Ariadne Oliver, who was a mystery-writer turned detective. (Yes, Ariadne's an Author Avatar; yes, she exists; no, we don't blame you for not knowing that.) Unlike Doyle, Christie never got over it; just before she died, she released Curtain, a novel she had written years ago, in which.
 * She may have in Curtain in part because she found him intolerable, but another reason was to prevent another author from taking over the Poirot series if she died during World War II. She began the book during the Blitz, when nobody in London knew if they'd survive.
 * Michael Crichton intended for his 1990 novel Jurassic Park to be a standalone work. However, he was more than happy with it being adapted into a film, selling the book's film rights before it was published and helping to write the film's screenplay. Once the film was a massive financial success, its creators began pressuring Crichton to write a sequel, despite the fact that he had never franchised any of his work. He reluctantly agreed, publishing The Lost World in 1995, which retcons a lot of plot points from Jurassic Park. Its film adaptation and second sequel Jurassic Park III were created with no involvement with Crichton whatsoever.
 * Crichton has tried to Torch the Franchise and Run twice to no avail. The first novel ends . This was partially retconned with The Lost World, which ends with the characters noting that all the dinosaurs on "Site B" will die shortly due to a prion infection. However, a third Jurassic Park film ended up being made, without his involvement nor being based off a novel.
 * AA Milne grew to loathe his Winnie the Pooh books, as it typecast him forever as a "writer of children's books" and he could never go back to writing adult fiction. He even tried to kill off Pooh at the end of the second book. (Of course, it didn't work.) E. H. Shepard, Pooh's illustrator, also suffered from this, as it overshadowed his work in political cartoons. Similarly, Milne's son Christopher Robin grew to hate the works as well, for he was bullied constantly for being immortalized in them.
 * At one point, Christopher accused his father of exploiting him in the stories. Ironically, he later owned a bookstore, where it's pretty much inevitable that someone was going to ask that question.
 * Similarly, Lillian Moller Gilbreth didn't like Cheaper By the Dozen or Belles on Their Toes, which her children wrote, because they made her and her husband's life's work look silly.
 * Another similar example, Peter Llewelyn Davies is forever known as the basis for J. M. Barrie's Peter Pan. Davies hated being associated with "that terrible masterpiece" and it is believed that's what drove him to alcoholism and suicide.
 * In-story example: Misery by Stephen King is about an author who hates his popular character, kills her off, and then finds himself in the care of the character's biggest fan....
 * In Real Life, Stephen King has come to regret writing the novel Rage because someone decided to make life echo art with that book - or rather, make death echo art. Current copies of The Bachman Books no longer feature Rage. But the short story Cain Rose Up, which deals with similar topics, is still in Skeleton Crew. For those wondering, both Rage and Cain Rose Up concern.
 * Jack Kerouac found Visions of Cody to be a superior work to On the Road, and was disappointed at how much more people focused on the latter.
 * In the introduction to a rerelease of A Clockwork Orange, Anthony Burgess called it "pornographic" and said the main reason for reading it would be for the "raping and ripping."
 * Anthony Burgess has always disliked the novel to a certain extent, as it was something that he dashed off quickly (in under three weeks) to help him cope with the sexual assault of his wife, meant to be catharsis (a rapist gets his due). He hated it more as time went on as Alex became glorified in pop culture and he felt people missed the point of the book, and his hatred was solidified when the movie came out and Stanley Kubrick, having received death threats for the film, forced Burgess and star Malcolm McDowell to handle all of the publicity work (McDowell, as a result, shares Burgess' backlash toward Kurbick.)
 * Burgess also adapted the stage version himself, heading off anyone who would try to channel the film version rather the the book version. He ends the play with cast singing "Ode to Joy," when Stanley Kubrick walks on trying to sing "Singing in the Rain", they respond by lynching him.
 * Richardson actually insulted his work Clarissa in the prolouge of one of the volume published, saying the main character was dull and didn't understand how anybody enjoyed the work. He later picked apart the morals in Clarissa in another of his works.
 * Mark Twain came to think of Tom Sawyer as the exemplar of everything that's shallow and stunted in the American spirit. His disgust found its way into Huckleberry Finn, in which Tom comes off as more of a thoughtless Jerkass than a mischievous scamp.
 * Perhaps Twain did come to dislike Tom Sawyer, but if his dislike shows in Huckleberry Finn, it certainly does not in the two sequels, Tom Sawyer Abroad (1894) and Tom Sawyer, Detective (1896). If anything, Twain seems to have grown irritated with Huck, who comes across as something of a boob in those two works, while Tom is intelligent and resourceful.
 * Then again, Huckleberry had already managed to ruin himself by the end of his own novel. Having spent the book on real-life, proud adventures, the instant he met with Tom he fell under the sway of his idiotic plan. If Tom Sawyer was an idiot for his plans to rescue their friend in a thoroughly inane and childish manner, Finn was even worse for agreeing.
 * Western author Louis L'Amour early in his career was hired to write a series of stories about the character 'Hopalong' Cassidy for a western pulp magazine. The stories were not about an original character and were extensively edited to tie in with a 'Hopalong' Cassidy TV show. L'Amour later in life denied ever writing them in the first place, even to his own family. They were only reprinted after his death.
 * Anne Rice, for a time, disclaimed her popular Vampire Chronicles series, as well as the connected Mayfair Witches series, due to converting to Christianity, but she got over it later.
 * Another in-story example: Sharyn McCrumb's novel Bimbos of the Death Sun features an author who despises the series of cheesy Conan the Barbarian-style novels to which he's become metaphorically chained by success and merchandising, all the while wanting recognition for his use of Celtic mythology in the books.
 * Isaac Asimov had a minor version of this regarding his famous short story "Nightfall", considering it to be far from his best work and in no way deserving of all the acclaim it received. This was partly because it was one of his earliest works (he wrote it when he was 21), and the notion that it was his best story suggested that he hadn't improved as an author in fifty years of writing.
 * Not to mention that one of the most-remembered paragraphs from that story (it's toward the end) isn't his work, having been added by editor John W. Campbell.
 * Similarly, one of the reasons that it took 30 years for the fourth Foundation book to come out was that he was tired of the series. The main thing that got him to work on Foundation's Edge was the boatload of cash he was offered.
 * Stephen Crane believed that the best way of writing was to go experience something, then dash off your thoughts rapidly and without editing, while being careful not to go on too long. For reasons uncertain to biographers (a bet may have factored into it), he decided to write The Red Badge of Courage, based on nothing he'd ever seen, heavily edited, and by his own admission "too long." Naturally, "the damned Red Badge" made him famous, while not necessarily helping to dispel his conviction that Readers Were Morons.
 * Peter S Beagle called A Fine and Private Place (his first novel, and fairly well received) his "state of grace" novel, where he must have been protected by whatever spirit watches over young and self-important authors.
 * Double example with The Last Unicorn, whose popularity has overshadowed a LOT of Beagle's work, and questions about a sequel have increasingly annoyed him. He's finally going to give in, though, so he can't hate it that much...
 * Shocked by the conditions in which Dust Bowl refugees lived, John Steinbeck wrote a satire, L'Affaire Lettuceberg. He decided, however, that it would be better not to publish it, because it was to "cause hatred through partial understanding" and he preferred "making people understand each other." Reconsidering the subject, he wrote The Grapes Of Wrath, a much more direct and passionate work.
 * Akiyuki Nosaka can't even re-read Grave of the Fireflies because he hates it so much. It seems to be related to survivor's guilt, given that the ending of the story wasn't quite the same as the way his life turned out.
 * Upton Sinclair was severely upset that the only thing about The Jungle that stuck with America was the horrific conditions of the meat packing industry, as opposed to the socialist Author Tract that took up most of the book.


 * Arthur C. Clarke came to dislike Rescue Party due to so many fans preferring something so early in his career.
 * Though he acknowledges the significant influence it had on the science-fiction genre, William Gibson has stated that he now considers Neuromancer, "an adolescent's book", saying of himself at the time he wrote it, "I'd buy the man a drink, but I probably wouldn't lend him any money." Furthermore, his most recent novels have been set in the present day rather than the near future, with Gibson now claiming that he finds the emergent technology of today more interesting than any fictional tech he could ever dream up.
 * Lucy Maud Montgomery was sick of her most famous work, Anne of Green Gables, by the time she wrote its sequel. The creation of Emily Starr was a direct result of her own disillusionment with her work - though she went on to put out eight books in the Anne series anyway (it should be noted that the last two books feature Anne as a supporting character, rather than the main character she'd been in previous instalments). In addition, the series was written out of order, which meant that the last book she wrote wasn't Rilla Of Ingleside, which ends the series, but Anne Of Ingleside. By then she was thoroughly tired of writing Anne - and it shows.
 * Henry James grew to dislike Washington Square, mostly because of the comparisons it got to the works of Jane Austen.
 * JRR Tolkien said of his work that people "are involved in the stories in a way that I'm not" and that he was not sure that the tendency to treat the whole thing as "kind of a vast game" was a good idea. He also referred to obsessive fans who became so devoted to The Lord of the Rings as "my deplorable cultus," and was surprised and alarmed by the way the books seemed to take hold of some people, especially those who came to gawp at his house or called him from California at 7 p.m. (their time - 3 a.m. his), to demand to know whether Frodo had succeeded or failed in the Quest (this specific question being asked in between the releases of The Two Towers and Return of the King), what is the preterite of Quenyan lanta-, or whether Balrogs have wings. Also, while not about the work itself, Tolkien put everything he hated into one of his fictional languages: the Black Speech. To his dismay, some fans thought it was cool...
 * Annie Proulx has had a very negative reaction to Brokeback Mountain fanfiction, for multiple reasons.
 * Douglas Adams suffered from terrible black moods, and in response to constant nagging from fans for a new The Hitchhikers Guide to The Galaxy book, he gave them a dose of his depression in literary form: Mostly Harmless. It's a depressing, nihilistic book in which Everybody Dies and the Earth is irrevocably destroyed in all universes. Basically, it made any more sequels impossible, and was a big middle finger to all his fans. Years later, Adams said he regretted ending the series on such a depressing note, and was in the early stages of writing a sixth book that would have fixed it all when he died.
 * When Mostly Harmless was adapted for radio as "The Quintessential Phase" the Downer Ending was revised into a more optimistic version, although it's not entirely clear how authentic this was to Adams's unfinished plans.
 * He also regretted elements So Long And Thanks For All The Fish, which is happier, but perhaps less of an H2G2 book; in particular the bit where he snaps at the reader that if they want a Marvin bit they can skip to the end. He also commented that the book was backwards; Arthur as the seasoned galactic traveller amongst Muggles, and that part of him kept saying he couldn't just bring the Earth back like that. The last line of the book is "There was a point to this story but it has temporarily escaped the author's mind", and Adams once said that this was him "owning up".
 * Peter Benchley came to regret writing Jaws when he learned that drastic overfishing was driving many shark species to extinction, coming to believe he was at least partially responsible due to his book (and the eponymous film version) instilling a cross-cultural fear of sharks around the world. He spent the rest of his life trying to make up for it by becoming a vocal ocean conservation activist.
 * An In-Universe example: In Frank Stockton's short story "His Wife's Deceased Sister", the protagonist writes the eponymous novel, which is so wonderful that he instantly becomes famous. However, this work is a one-off, and it is so good that it sets an unrealistically high standard to which he is held, and every other novel he submits is rejected, with the editors being insulted, thinking he he is foisting his rejects upon them. Driven to financial ruin, he comes to regret ever writing his masterpiece, and must write under a pseudonym to make ends meet. Eventually, when he manages to write another masterpiece, he ends up destroying it, fearing that it will again ruin his career.
 * L. Frank Baum resented writing sequels to the Wizard of Oz, and repeatedly tried to end the Oz series altogether. Several books end with firm declarations that he has told the reader everything there is to know about Oz, or that Oz has cut itself off from the rest of the world, and he can no longer give the reader new stories as a result. Yet Baum's other books never sold well, and for strictly financial reasons he was forced to repeatedly return to the tired franchise.
 * Dr. Seuss came to feel a deep regret for the racist anti-Japanese cartoons he drew during World War II, to the point he dedicated Horton Hears a Who! to a Japanese friend.