Willy Wonka & the Chocolate Factory/WMG

The SNL sketch where Al Gore Plays Willy Wonka's Brother is Canon.
In addition to making more sense as the ending than the whole glass elevator part, having Willy Wonka's square brother Glenn who is in charge of the paper work behind the factory pointing out the stupidity of giving a factory over to a child and that Willy Wonka is insane makes it brilliant.

Also explains that the Oompa Loompas need their green cards, a kid drowned in the cholocate river, and that all of the toilets in the factory are made of graham crackers.

Grandpa Joe was faking disability so Charlie would work instead of him.
Joe was the healthiest old person of the house, but supposedly wasn't able to walk. Charlie had to work and care for his family because his family was sickly and old. When his grandpa saw Charlie had the golden ticket, he was miraculously cured, not just walking but singing and dancing. He went with Charlie to the factory with no repercussions on his health related to any preexisting conditions.

Grandpa Joe was feeding his grandson feces

 * When Charlie got that "Wonka pie" for his birthday, he offered some to everybody else but they refused in sheer horror.
 * Charlie claims he doesn't like the taste of chocolate in class but when he finds money in the gutter and goes to a candy shop, he scarfs down a candy bar like it's drugs. We didn't see Charlie scarf any "Wonka Bars" his grandparents gave him like that.
 * Grandpa Joe pulled a candy bar out of his ass, literally. We all know that he couldn't got to a candy story if he didn't go out of bed to even use the can for 20 years and unlike Mr. Wonka, Grandpa Joe can't do magic.
 * They had to do something to empty out those bed pans.

The Chocolate Room was laced with LSD.
This explains the following boat ride, etc. Perhaps Mr. Wonka wanted to see which kids had the most tolerance for stress, etc. so he induced the most stress he could by making everybody stoned in the beginning.

The Oompa Loompas are enslaved.
Mr. Wonka "rescued" them from Oompa Land where they were becoming endangered by the conditions there. He has them run his factory all their lives.

Nobody ever comes out.

Happiness in Slavery.


 * "Happiness"? Just watch the movie once more. Can you see a single instance in which even one of the Oompa-Loompas is smiling or looking like he's having a good time? The Oompa-Loompas claim that they "live in happiness"; but in all the scenes they appear, they have a permanent scowl on their faces and look like they absolutely hate the world and everyone in it. Those Oompa-Loompas are one moralizing song away from declaring war on society and starting a massacre, starting with the children that annoy them so. (We only have Wonka's word for it that they were all right in the end; it's more likely that the Oompa-Loompas finished off both the kids and the parents as soon as the tour had moved on.) Willy Wonka himself is definitely next.
 * You'd probably be cranky too, if you had to put up with a bunch of asshole kids interrupting your day with their stupid problems that you spent months practicing songs to shame them with.

The Oompa Loompas are fine working for Wonka, but not for the reasons Wonka says.
The Oompa Loompas disdain the modern world because they know exactly how scummy it is, and being orange-skinned, green-haired midgets, they know they have no chance of making a gainful life in it anyway because they tried. Maybe not in England, but at some point the Oompa Loompas tried to live among humans and found out how badly that didn't work out. Returning to work for Wonka gave them a safe place to live, gainful work, and acceptance; they seem unhappy during the movie because they don't like children of the real world invading their otherwise paradise-like workspace.

Wonka is Sweet
Or becomes Sweet. Think about it. Anyone in the city he's in spontaneously bursts into well-written songs. The Oompa Loompas are his puppets before they got cursed.

The Pots-and-Pans Man is the real Slugsworth, or at least an old factory worker (or spy).
You all know about the freaky old man from early in the movie who speaks eerily to Charlie while he lurks about the factory's gates.

""Up the airy mountain, down the rushy glen, we daren't go a-hunting, for fear of little men. You see, nobody ever goes in... and nobody ever comes out.""

This hints that he knows about the Oompa Loompas, which means that at least some of the old factory workers knew about them.

Perhaps the Pots man was Slugworth, who went "down in his luck" after Wonka's factory closed. This is related to the fake Slugworth going all around the world to the Ticket Finders and offering them a deal for some of Wonka's secrets.

The Pots-and-Pans was an old worker, or a spy for Slugworth, who tried to follow Wonka after all the workers were locked out. He was freaked out by the monsters of Loompaland; when he returned, he was reduced to a maddened old coot. Or Slugworth himself followed Wonka and was terrified, with similar results.


 * Is this even a wild guess?
 * No, it's a damn good one. Bravo.
 * It's unlikely that it's Slugworth. After all, Slugworth is still selling Sizzlers.
 * It could be that the original Slugworth got bought out from his own company. It wasn't without precedent, even in 1971.
 * Or better yet, Slugworth's company was bought out by Wonka. No evidence, but it's an interesting idea.

The tinker was a Fairy Tinker.
This allows for weird fairies in unlikely places. Why this one would use Washington Irving's poetry (or is it older than that?) to refer to Oompa Loompas is anyone's guess.
 * The poem was by William Allingham.

Wonka is Charlie's father.
Charlie's father is supposedly dead. But the way Wonka tells Charlie he's won is suspicious ("Oh, Charlie? ...My boy. You've won"). Grandpa Joe says he used to work for Wonka, but what if he is truly his estranged father? Lacking faith in Wonka's ambitions, he and Wonka's wife betrayed Willy to a rival chocolate factory for money and were thrown out. Years later, Wonka realized he needed an heir and concocted a scheme involving five Golden tickets to test if his son was of good character.
 * If that's the case, then Willy is an extraordinary dick for much abandoning his extremely young son (and his senile mother) to the streets for something that's not even his fault. It's not totally out of character for Willy, but it's still one hell of a dick move.
 * It's not like it would be the only dick move he's ever made.
 * How was he to know that Grandpa Joe wasn't going to land on his feet?
 * It would explain why Charlie's mom says his dad is dead -- for her, that's easier to stomach than the truth.

Charlie's dad is in the military in Vietnam.
Possibly as a temporary assignment too brief for the Defense Department to move his family back from his prior overseas posting. It would explain both the Disappeared Dad and the fact that Charlie is both obviously American and obviously in Germany. ""If only his father were alive""
 * Sorry to rain on your parade, in the '71 movie, he's dead. One of the lines in the movie:


 * Maybe he was KIA.
 * Or POW, assumed dead.
 * Maybe he was eaten by a Vermicious Knid! Loompaland might be near Vietnam. It would help explain why there were so many casualties in that war...

The tickets were not random.
Wonka specifically targeted the children who were to get tickets. How else could the fake-Slugworth get to them so quickly?

He had to already know who would get them. For whatever reason, Wonka thought they might make good candidates for being his "heirs"; but he wanted to be sure, and so he invented a contest to get them to come to the factory where he could observe them. He rigged it so that only the children he wanted to get tickets would receive them. The contest story was a way to cover up his targeting and to make sure that they would come.

Note that, at the end, Wonka says he "knew" Charlie would win, but he had to test him to be sure.
 * He might just have had the fake Slugworth sent wherever the boxes containing tickets went.
 * You still have to know which boxes they are. And you would have to hope that no one else will game the system -- though you have to do that anyway. In this film, there was one grown-up scientist/reporter who tried to game the system with a supercomputer, but was balked because that computer didn't understand what one would do with a lifetime supply of chocolate. Computers were more ethical in the 1970s...

The scary tunnel is Hell.
Making Wonka god (Who can make the sun shine?), Slugsworth satan (Note that Satan will pretend to be Jesus in the second coming or whatever), Charlie Jesus, the rest of the factory purgatory, and the final scene heaven.

The scary tunnel is a hyperspace jump
"Slartibartfast: Human, the room we are about to enter is technically not within our planet, it can only be reached by a vast tract of hyperspace. It may disturb you. Arthur Dent: Oh...
 * If the technology of The Hitchhiker's Guide to the Galaxy is to be believed, this theory can make perfect sense -

Slartibartfast: It scares the willies out of me. Hold tight..."

The scary tunnel was a failed attempt to lessen the numbers of the group.
Wonka wanted a way to scare off some of the weaker-stomached children to help weed out his successor, who would need to have a taste for the bizarre, of which the factory obviously has no shortage (note that Charlie and Grandpa Joe seemed to enjoy the ride.) He almost had his way, as they were clearly disturbed, but they all proceeded to simply shrug it it off instead of demanding to leave.

Wonka wanted all of the children to succeed, and the tickets weren't random
Think about it. Every kid would fit somewhere into a big scheme. Augustus was passionate about food, especially chocolate. He would be either the new concept person for new candies, if you will. Veruca would use her obviously rich connections from her father and sell the candy. Violet, what with her impulsiveness and competitiveness, would be part of sales too. Mike would take care of marketing on the ever-growing popularity of the television, and soon, the Internet. And Charlie? Well, who doesn't love a poor blonde kid winning the prize and becoming the new face of Wonka Enterprises? See, it was a Batman Gambit by Wonka that sadly failed and left him only with Charlie.

The Oompa-Loompas are robots.
Synthetic-looking hair and skin. Blank facial expressions. Stiff movements. And as any geography teacher can tell you, there's no such country as Loompaland.

Wonka didn't get new workers; he simply automated in a Wonka-esque fashion. The Oompa-Loompas even work off a central computer, making them a Hive Mind, so they can improvise elaborate song-and-dance numbers in perfect unison.

The other children didn't all survive.
Unlike the book or Tim Burton's adaptation, this film made no attempt to show us that they did. That means it's quite possible that they didn't.

Wilder's Willy Wonka is actually Heath Ledger's Joker
Let's look at the facts:
 * Both wear long purple coats.
 * Both have crazy hair.
 * Both of their pasts are unknown.
 * Both have an assortment of henchmen with weird faces.
 * Both like to test people's morality.
 * Both are utterly unpredictable.
 * Both of them kill a lot of people.
 * Both have an superior version of themselves in a Tim Burton movie.
 * Hey, now. Superior is such a strong word.
 * And, of course, both scare the living hell out of their movies' viewers.

His chocolate factory is actually another way to test people; to see if they'll willingly eat loads of a food that makes them fat, damages their teeth and puts them further towards diabetes. And the real reason he wanted Charlie to run his business after showing his true goodness. Because that goodness will make him more fun to corrupt.

The Candy Man isn't Wonka.
This could go two ways. Either the Candy Man is the candy shop curator, or the Candy Man is the general idea of candy and imagination (as expressed through the enjoyment of such things as a sunrise, the sparkling of morning dew, or, yes, candy) rather than any specific person.

The fizzy lifting drinks room is underneath the W-O-N-K-A smokestack.
That room is WAY tall, Charlie and Grandpa Joe are going up the inside of the smokestack.

The Oompa-Loompas are communists.
"If you're not greedy, you will go far"?
 * The actors who played them were all Russian...

"Snozzberries" are S(ch)nozz Berries.
Getting your saliva everywhere is a nasty habit, but Wonka considers picking one's nose (probably) to be a worse one. Ergo, the snozzberries on the wallpaper are his idea of a nicotine patch for nosepickers.

Wonka's business is about to go under.
The Oompa-Loompas are on a contract that is about to be filled but Wonka has decided not to pay up. Instead he will hand over the company to Charlie, who will therefore take on the debt. Before that he creates a massive demand for his products (which he sells at exorbitant prices), so he can pocket all the cash, before disappearing again from public sight; leaving Charlie and his legal guardians responsible for paying the Oompa-Loompas and countering the lawsuits from the children's families concerning the industrial accidents that befell them. It was all there in the small print.
 * Charlie would also be the target for the lawsuits and/or protests and boycotts that employing secret invisible mythical creatures over local union workers would probably attract, not to mention a fall guy if hiring little orange men without citizenship or legal identity turns out to be just as illegal as hiring unlawful aliens.

The Tunnel is a morality detector.
Only Charlie and Grandpa Joe react to the tunnel with fun. The only thing that scared Charlie was Slugworth being one of the scary images. The rotten children and their parents reacted repulsively to the more scarier images. The line from Veruca Salt was an excellent Even Evil Has Standards moment: "Veruca: Daddy, I want a boat like this!! Veruca: Daddy, I don't want a boat like this."
 * after the tunnel*