Controllable Helplessness



Video games are all about putting the player in control, right? Not always, actually, but some games do try to go a bit farther than usual, and allow the player to be in control even when you're screwed.

In some games, there is a point at which you can be captured or restrained, and not able to move around, but you can still control your character. This might mean being able to wriggle around in your bonds, walk around in your prison cell, what have you, until you either die or are rescued. Other times, you are able to bring about your own rescue (button-mashes freeing you from being frozen is actually fairly common).

The point of allowing this "freedom" even when the player is helpless is sometimes to drive the feeling of helplessness home. It's one thing to be locked in a prison cell and be told that you lose. It's another thing to be locked in it, be able to move around freely within the cell, and eventually get executed anyway. The latter implies that you could have gotten free, making your inevitable loss hit you hard in a way that an immediate loss would not.

On the other hand, this can be seen as the surest sign of a heavily scripted game when the helplessness is unavoidable. Depending on how the player perceives it, such Controllable Helplessness could be seen as little more than a glorified cutscene in which you happen to be in control.

Compare Hopeless Boss Fight, Fission Mailed and the Unwinnable tropes. An unavoidable loss or disaster is not this trope; that is Stupidity Is the Only Option.

Action Adventure

 * Happens in the finale of Shadow of the Colossus: you can futilely struggle while and you can . And rather ironically,  you're similarly helpless—you can attack your enemies or limp away from them, but nothing you do can prevent.
 * The console version of Harry Potter has a form of this. Dementors enter the train shortly after the fight with Malfoy and Harry's health slowly depletes and his movement becomes restricted and slow. There is absolutely nothing you can do to stop it from happening, so you must wait until his health empties.
 * In Adventure for the Atari 2600, if a dragon managed to eat you, you could struggle in its stomach. This is not as useless as it sounds. If the Black Bat flies over and grabs the live dragon, you can watch it fly around the world from the point of view in the dragon's stomach. Depending on where the bat grabs the dragon you can even pick up the bat while inside the stomach and force the bat to move in certain directions. You can move the live dragon into the sword, killing it (meaning you're in the stomach of a dead dragon being carried by the bat). The best use for this is to stop the bat from picking up important items that it may see and try to acquire before you can reincarnate and go hide them.
 * When you run out of health in the obscure NES Adventure Game Nightshade, the villain, Suktekh, ties you into a Death Trap. During this time, you still have control of Nightshade, and can escape from the first four death traps you're put into, giving you another chance. The fifth one, however, fully fits this trope - there is no escape and it's game over.
 * At the beginning of the game, as well, you are tied to a chair and left with a bomb. You can move the chair, and can hide behind a wall, preventing you from taking the damage the bomb deals. (You can't escape from the chair until after the bomb goes off.)
 * Illusion of Gaia has scenes in which your character is trapped in a prison cell, and in which your character is adrift on a raft. You can have your character move around, but nothing you do matters very much.
 * In The Legend of Zelda Twilight Princess, your first moments with Link as a wolf are when Link wakes up in a jail cell, with one leg chained to the floor early on. You can move around for a bit before Midna appears to rescue you, but it makes no difference what you do in the meantime before she shows up.
 * In Cave Story - after defeating a certain boss, the only exit from the room closes and the room fills with water. All the player can do is jump around until the character drowns.

Action Game

 * God of War 2 has two examples of this: The first is after you beat the intro boss and face off against . At this point Kratos has both been drained of his godly powers and been slammed under several tons of hand-shaped bronze while his adversary is wielding a BFS as well as being a, so it's no wonder that all you can do is take strained steps, flail your weapon around weakly and be unable to jump at all. After your foe finishes you off and the game gives you an Action Commands prompt, you can mash Circle to struggle against being impaled with the said BFS, but doing so only delays the inevitable for a second or two. The second example is when Kratos initially faces against . After a plot event destroys what little trust he had left in the gods, Kratos refuses to fight the tentacled monstrosity and instead stomps around angrily and yells at the skies when you press any buttons until he's grabbed by one of the tentacles.
 * In Dante's Inferno, at several points you'll have to weaken Hellbeasts so that you can ride them (throwing off their previous rider in the process). There's one point in Greed where, after you straddle the beast, another beast-master runs in, climbs up and throws you off. You can mash an action command, but it does nothing; you can mash at mach 2 and will still be thrown off and have to get back up there again.
 * Happens in one of the most brilliant parts of Batman: Arkham Asylum. The game over screen gives you the (un)helpful tip: Move the middle analog stick to avoid  gunshots. (Or, if you are playing the PC version, "tilt the mouse".)
 * Zigzagged at the start of Batman: Arkham City. Bruce Wayne tied to a chair and left alone. You're given a single command option: Left stick = Escape. Of course, as soon as you dump out of the chair, the guards are on top of you. You can deal with the first but are quickly clubbed in the head by the second.

Adventure Game

 * At the beginning of Escape from Monkey Island, you start the game tied to the mast and have to use your limited mobility to free yourself.
 * From the original Secret of Monkey Island, there's one part where you are attached to a weight underwater. If you fail to free yourself within the generous timespan of 10 minutes, you will drown, and be given options such as "float", "decompose" and "order hint book." Oh, and reload.
 * There's another variant in Monkey Island 2: LeChuck's Revenge, where Guybrush and Wally end up suspended next to each other over a pit of acid, and Guybrush has five minutes to sabotage the Death Trap that will drop them into the acid before it goes off.
 * This puzzle shows up yet again in Tales of Monkey Island: Launch of the Screaming Narwahl, where Guybrush has to escape the clutches of a Mad Doctor while strapped to a table.
 * In Disaster Report, if you mess up in one segment, you end up tied up, and have to struggle to escape in face of the constant earthquakes.
 * Happens in Myst, if you enter the final area without the means to get out. After a brief chastising by the guy you were supposed to be rescuing, you get to roam the five room sealed prison and watch him scribble in his book, presumably forever.
 * Could be argued that
 * Grim Fandango includes this as a puzzle in its endgame, where Manny is shot up with Sproutella and falls to the ground in agony while his insides are slowly filled with flowers, and has to use what little strength he has left to remove the plant.
 * Happens at one point in Trilby's Notes. Trilby is rendered completely helpless, and there is only one command that will have a productive result:
 * King's Quest V: Graham can get captured by thieves. If you didn't do the right sequence of events beforehand, all you can do is wait for the Have a Nice Death message.
 * In Heavy Rain, if Madison is captured and tied up by the insane doctor there's a brief section where you can't do anything but move the controller to struggle and press X to scream.
 * Arguably, searching for Jason at the beginning could qualify, even giving you the ability to call out for Jason. Any decently Genre Savvy player will realize that something bad is about to happen and there's nothing you can do about it, but at the same time, the game leaves you feeling like if you had just moved a little faster...
 * In Titanic: Adventure Out of Time, if you take too much time in the final part of the game, you'll miss your lifeboat and will be stuck on the the ship, free to walk around until it sinks.

First-Person Shooter

 * In Marathon 2: Durandal and Marathon Infinity, there is on level each where you are trapped in a small prison cell. In Durandal, you have to punch one of the guards through the cell window, signaling the BOBs to perform a Deus Ex Machina and rescue the player. In Infinity, a single drone arrives to kill the guard and unlock the cell.
 * This could be considered a mainstay in the Call of Duty: Modern Warfare series. In order:
 * In Modern Warfare, during the mission "The Coup", you're tied up and thrown into the backseat of a car. The only control you actually have over your character is the ability to look around.
 * In the mission
 * In Game Over,.
 * In Modern Warfare 2,.
 * Earlier on, the mission "Second Sun"
 * "Loose Ends,"
 * In Black Ops you spend the title screen in this state,  And you wind up being subjected to this virtually every mission.
 * Also in Star Wars: Republic Commando, you can move your hands around while an infant in a People Jars.
 * Half-Life 2 and its subsequent Episodes do this a lot—most notably in the Citadel, where you're first stripped of your weapons in an airlock-like chamber (you can move, but extremely slowly, and look around as your weapons are disintegrated) and later enter a suspended cage...cocoon...thing where the only thing you can do is move your head around.
 * What happens immediately after the weapon stripper sequence, however...
 * In Episode Two you are able to move only very slowly and move your head after a Hunter brings a building down on you. This is distressing: your companion Alyx is being mauled by a Hunter and you cannot help. At two points later in the game you are held helpless by the psionic power of an Advisor, the first time while it prepares to insert a probe in your brain, the second time at the end of the game
 * Most definitely happens in Quake IV.  The scene can be viewed here.
 * Also happens when you are in a Drop Pod as part of the attacking wave. You can only look around as other pods explode, catch fire, crash or go off course, sometime all four. Do those things ever hit their intended targets?
 * GoldenEye 007. Straight from the movies, you are captured and taunted with your own gun. You can grab it and kill the guards, usually taking damage in the process. Then more guards pour in.
 * Duke Nukem 3D. End of Level 2 gets you captured, and in Level 3 you're being executed in the electric chair. Thankfully they forgot to tie you down...
 * In the beginning of Red Steel 2, the protagonist is tied to the back of a motorcycle and dragged through the desert at high speed. The only action you can do while watching the scenery go by... is to move your camera and look at other scenery go by.
 * Or so they lead you to believe when showing off the demos for the game: in the actual game, the segment is a cutscene with prerecorded footage made with the game's engine.
 * Happens briefly in Deus Ex after J.C. gets captured by Majestic 12. After about ten seconds of walking around your cell, Daedalus opens the door for you.
 * At the start of Halo 3: ODST, the player is being dropped from a ship in orbit in a drop pod and can only look around.
 * In Hugo 3: Jungle of Doom, Hugo gets locked up in a giant cage inside the Witch Doctor's hut. If you didn't get all the proper items before going in the cage, then it's impossible to escape.
 * Shooting anything other than a target during one of America's Army's tutorials (like, say, your drill sergeant) will land you in a prison cell where you are absolutely unable to do anything, save for restarting the game.
 * Getting your health reduced to zero in Left 4 Dead will incapacitate you, making you unable to move or use anything except your pistols while you wait for your teammates to get you up. During this time, you're bleeding out and being attacked speeds up the process, where death consumes you if your friends take too long to save you.
 * The Jockey in Left 4 Dead 2. Once it grabs you, it will force you to move where it wants to go. You can resist it by trying to move in the opposite direction of its movement, but all it does is slow it down.
 * The Darkness has a harrowing sequence in which the player character is brutally tortured in first person. Though due to your character's unique abilities there actually is something you can (and must) do.
 * At the very end of Portal 2,.
 * Before that, once you get into the you're only able to jump, shoot portals at the glass trapping you and
 * In Video Game/Quake, you remain conscious for a few seconds after getting killed, and can even look around. It doesn't do you any good, though you can see the enemies that just killed you walking around nonchalantly.

Fighting Game

 * This happens twice in the story mode for Naruto Shippuden Ultimate Ninja Storm 2: Sasuke runs out of strength fighting Itachi, and the player, as Sasuke, is forced to retreat as Itachi approaches slowly but creepily. Later, Pain inflicts a mortal wound onto Jiraiya. As Jiraiya, the player can still fight, but in a diminished way, while Pain has infinite HP and fights with all six of his bodies at once (It Makes Sense in Context), meaning he can create an Unwinnable situation for Jiraiya at will.

Interactive Fiction

 * Examples of this trope, in both the 'until you're rescued' and 'until the game over' forms, occur in text-based Interactive Fiction, too. One of the most obvious examples occurs in Infocom's Planetfall. The beginning of the game has you stuck on a spaceship until a disaster occurs, requiring you to reach an escape pod before the ship explodes. However, if you do something wrong and get your overzealous superior officer mad enough at you, he'll throw you in the Brig—which you cannot escape from (typing 'escape' tells you that 'Houdini himself would be stumped by this cell'), and you'll be stuck there unable to reach the escape pod.
 * A Mind Forever Voyaging, by the same author, Steve Meretzky, also has jail-themed examples, this time of both sorts. The PC gets to visit several increasingly grim simulations of a dystopian future world. In the less grim simulations, breaking the law results in spending several turns in jail until you're released. In a later, extremely bleak, simulation, you're stuck there until executed. Fortunately, since it's a simulation, getting killed merely returns you to the non-simulation world.
 * Steve Meretzky might very well be the king of this trope at Infocom. In the Zorkverse game Sorcerer (also written by Meretzky), one has to leave the Guild Hall before the end of the day, or else the Big Bad will show up and send the PC to the Chamber of Living Death. There, the PC will be horribly torn apart and devoured by hideous parasites, only to not die but regenerate, over and over again, being unable to do anything about it because 'Your agony is too great to concentrate on such an action'. The only way out is to restart or restore, and then avoid ever being sent to that place in the first place. Of course, in the game's endgame, the player has to choose which door to open, and the wrong door being opened could also send the player to that chamber.
 * Another Infocom example: Douglas Adams' game adaptation of The Hitchhikers Guide to The Galaxy includes sequences where the player character has passed out and stuck in a dark void, and getting out of said void is part of a puzzle. The trick is to see if you can sense anything at all, and then figure out which sense you can actually use to regain consciousness.
 * There are also quite a few 'game over' variants of this trope at work in the H2G2 game. Giving Ford his towel back leaves you with nothing to do but wait for the Vogons to destroy the world. Likewise, being struck by a stray brick leaves you helpless in the back of an ambulance, with any attempted action politely reminding you that you're dead and suggesting you start building up a healthy rigor mortis, until again the Vogons destroy the world. The third and most disturbing occurs later, where you can teleport into your own brain. You have scant few turns to do anything about it before your head explodes.
 * In the climax of Time Quest by Legend (founded by former Infocom designer Bob Bates after Infocom's demise), the PC is strapped to a chair by the villain, and not able to do much except ask the villain a number of questions about the plot, until the PC's past self shows up and the PC has to do the thing needed to complete the Stable Time Loop. Soon afterward, the PC is tied up as the villain and another character kill each other.
 * Unnkulia X: Escape of the Sacrificed by Valentine Kopteltsev contains a bizarre example of this overlapping with Big Lipped Alligator Moment. After escaping from villagers who wish to sacrifice her, the PC (a village girl named Joan Fleaumont) finds herself in an entertainment park filled with astronomy exhibits, gardens, and auctions. At one secluded corner of the park, the PC can find herself being invited to go into a room to the west by voices over a speaker system. The voices are clearly saying they think she's hot stuff and that she should pose for a girlie magazine. If you accept this offer and go into that room, The PC gets grabbed and then blacks out. She awakes to find herself in a strange room filled with all sorts of bizarre experimental equipment—and to find that she doesn't just have her picture in a girlie magazine, she IS a picture in a girlie magazine! The PC can't move or do anything other than look at the various items in the area for several turns, while a creature keeps wandering into a transmogrifer and emerging in various weird forms. Finally, the creature, in the form of a gorilla, picks up the magazine with the PC in picture form on it, and dumps it into a disintegrator machine. The only way out is to restore your saved position to back before you entered that room (and this time don't do what the voices tell you).
 * The interactive novel/adventure game Last Window: The Secret of Cape West sees you fulling controlling Kyle Hyde as he goes around a hotel trying to solve mysteries (No spoilers here!). There are points in which you have to think logically about who you must talk to next, what you must ask someone and things like that. However if you choose a wrong thing to do, then you are heading for a game over and there is nothing you can do about it. What makes it even worse, is the fact that the game continues like normal with no indication that you have already failed. One particular example has you having to go to the person you suspect of . The most obvious person who it could have been is in fact not the right person you are meant to talk to. The worst part is, if you do choose the wrong person, you will spend a good 30–60 minutes talking to them as well as searching their room when; in fact, you are guarantied to get a game over no matter what you do.

Mecha Game

 * In Armored Core: Nexus, the game ends with a sort of superweapon being deployed and you fight it in swarms as the screen fades to black. You are able to control your mech and fight them off, but the implication is that you are unable to prevent the drones from overwhelming you.

Platform Game

 * In Another World / Out of this World, after being imprisoned by the aliens, you have an option to swing in your cage. Doing so attracts the guard.
 * At the climax, and your controls are reduced to 'crawl forward (agonisingly)' and 'reach'. It's a bad time to be alone...
 * In Kirby Air Ride, you can flop around after dying in a multiplayer match.
 * In Super Metroid,
 * Speaking of the baby, after witnessing a Sidehopper being drained completely and being reduced to a brittle husk, it goes after her for its next meal, and will not stop until the Critical Annoyance alarm sets in to remind it of who it's feeding off of. Not Bombs, not the Screw Attack, nothing you can do will stop this from starting, much less from bringing you all the way down. And Samus will be slowed from the weight of the baby, so there's no running to an exit door, either.
 * In Metroid Fusion,
 * Running into a cobweb in Glider PRO will trap you, and kill you after a few seconds of struggling in vain to break free. Using batteries or rubber bands, however, can propel you out of a cobweb.
 * Possibly the first example of this ever is the classic Atari 800 game Mountain King. If you fall all the way down to the lowest part of the mountain, a Giant Spider may chase after you and wrap you full of web. Once you're all wrapped up, you can push left or right to struggle in that direction, but you're pretty much screwed. Some time later, the spider comes back and eats you and the web. Really leaves an impression when you are 6 years old. This makes this trope Older Than the NES.
 * In Sonic Colors, the Wii version, we find out this way
 * In Limbo, at one point you can get wrapped up in web by a spider. However, it turns out that you actually can do something about it: you can hop forward while still wrapped up in web.
 * In Limbo, at one point you can get wrapped up in web by a spider. However, it turns out that you actually can do something about it: you can hop forward while still wrapped up in web.

Racing Games

 * Need for Speed Most Wanted and Carbon after you hit a spike strip during a cop chase. Your top speed is now about 100 kph, you can only steer in one direction and you're pretty much doomed. Give up...
 * This only applies if all four of your tires are shredded. If one tire is shredded, your steering is severely compromised, but you can still make an escape. It's even possible with three tires shredded, as long as your last good tire is attached to the drivetrain, but obviously it becomes much more difficult. You can also use the "reset car" button to put your car back in perfect shape, but if there are cops anywhere nearby, you'll be immediately busted.
 * Mario Kart 64 has this when you die in multiplayer battles. After a player loses all his balloons and lost the match you turn into a bomb that drives slower, but gives you one more chance to try and suicide-bomb one of the other remaining players to make them lose a balloon. You've already lost and have no way to win, but you can at least take revenge on your killer!

Real Time Strategy

 * In Star Craft 2, there is a mission where you look into the future as Protoss, and are set upon by Hybrids. There is no way to win, just survive for a set amount of time. Even if you have the strongest army possible, the game will spawn more units than you can kill. You will die.

Rhythm Game

 * In installments of Dance Dance Revolution where the Extra Stage or One More Extra Stage forces you to select a specific boss song on Heavy/Expert difficulty, the game will still go to the song select menu, but attempting to change the song will result in the song selection wheel twitching in that direction before being helplessly bounced back, and attempting to change the difficulty level will result in a buzzer.

Role Playing Game

 * Technically, the beginning of Mass Effect 2. Your ship gets attacked and heavily damaged, and you have to make your way through it, unarmed, running through explosions, and then walking through an eerie segment where the entire ROOF has been blown away and the sound becomes muffled.
 * Similarly, a sequence later in the game where the Normandy SR-2 gets
 * Fable I has a version of this. After having been captured in a failed attempt to rescue the main character's mother, the hero is locked in a jail cell with no ability to use his powers and no items. All he can do is walk around the cage till he's sent off to the races.
 * In Final Fantasy VII, just before that part, Cloud is mind-controlled by Sephiroth and made to try to chop Aeris in half. As the mind control takes hold, Cloud's movements are restricted more and more until pressing the d-pad causes him to awkwardly struggle his hips in that direction and pressing the other buttons makes him shake or grab his head. The only way out of the sequence is to press the circle button, which causes him to come at her with his sword. Thankfully, your comrades stop you before Cloud lets his sword drop. Of course, this doesn't stop Sephiroth from getting the drop on her...
 * Another similar situation arises just after clearing the Temple of the Ancients, when Sephiroth mind controls Cloud into giving away the Black Materia that destroys everything, you get to control what seems to be Cloud's inner consciousness who can run around helplessly while Cloud's body slowly walks to Sephiroth and hands over the Black Materia.
 * There's a third part that tries to imitate this trope, where Tifa is being held in an execution chamber. You can move her body parts around in a seemingly hopeless struggle...However, the right combination of movements will allow you to fetch a dropped key and use it to free yourself.
 * The main characters of FFVII break into the Shinra HQ and end up locked in a bunch of jail cells. The only thing they can do is to talk to each other through the walls.
 * Speaking of FFVII, the prequel Crisis Core has what is quite possibly the cruelest example of this trope. We all know how it's gonna end, but rather than making it a cutscene, the game makes you play through the fateful showdown with the Shinra army, and it goes so far to show Zack's life flashing before your eyes!
 * Which still remains awesome, even regardless of the helplessness - something that few examples on this page can claim to be true. Yes, by the end of the day, Shinra is going to win. That doesn't mean you can't make it hell on them.
 * In Final Fantasy VIII, there's a scene in which you're trying to escape a missile base before it explodes. You can run around all you like, but, as you and your characters will eventually realise, the exit is blocked by the boss you just fought.
 * Later in the game, there is a sequence in which the Big Bad temporarily possesses and controls Rinoa. The player, controlling Squall, can't do anything to intervene or stop Rinoa's slow, limping progress across the space station; trying just gets him flung across the room by her sorceress powers.
 * Early on in Chrono Trigger, the player is tossed in jail after a kangaroo trial, and you have to sit in your cell for three in-game days before your friend busts you out. However, you can escape before that, but the method isn't very obvious to many first time players, who might not assume that the guards would be lacking the perception to not notice that the main character still has his katana...
 * A better example is when Robo is getting trashed by his fellow brethren. You have full control over Crono, but the robots simply swat him away. Your partner just sits there and protests. Finally they finish wrecking Robo and throw him away; now you can fight them.
 * In The Elder Scrolls: Oblivion, you start in the Imperial Prison, unable to do anything except listen to the mocking of the prisoner across the hall and examine your surroundings until Uriel Septim arrives.
 * If you have insufficient gold to pay your fines when arrested, the guards will throw you in jail if you surrender. There are several methods of escaping, but if such methods fail, you're left with little choice but to hang around in your cell until you "serve your sentence" by sleeping in the bed provided.
 * The Elder Scrolls V: Skyrim opens with the player character riding a cart to the execution of all aboard, hands bound. All you can do in this sequence is listen to the other condemned on board and admire the pretty scenery. When everything goes to hell, you have to run to Helgen Keep where your bindings will be cut.
 * Happens multiple times in Fallout 3. The very first scene is your birth, where the only thing you can do is press the "Action" button to cry. Later on when you get captured and immobilized, you can look around but not interact until you're released.
 * Once the nuclear missiles are launched in Shin Megami Tensei I, a 30-second countdown is displayed on-screen. You retain full control, so you can run around like crazy, maybe, for fun, see if you can get out of the building fast enough (or just cast Traesto, if you want to ruin the fun), but, of course, there's nothing you can do to stop the impact.
 * In the Tales (series), player characters get themselves thrown into jail or capture under player control fairly often - this has happened in Phantasia, Innocence, Symphonia, and Vesperia. Generally you're expected to wait and/or pace until either release or escape ensues.
 * In Hammer And Sickle, if you get arrested, you can run around in the cell forever, but there's no way to escape and it's effectively game over.
 * Xenogears rather cruelly combines this trope, in the form of boss fights where the enemy just beats you to a bloody pulp, with Winnable battles with really, really tough bosses. You won't know which is which until the game over screen pops up.
 * In Pokémon, if you are in an inescapable battle with a Pokemon that has run out of moves and no other Pokémon (or no attack moves) to use, it becomes this. "Magikarp! Splash attack now!"
 * Until you run out of PP, in which your Pokemon will take up using the 'Struggle' attack, which, while not exceptionally powerful, does do actual damage.
 * Even then, it's a recoil move. Using it does damage to your Pokémon as well, meaning you have a VERY limited time to beat your opponent... if you even can.
 * Breath of Fire II, the Big Bad seals you and your team in the crystals and break your friends away one by one. It won't kill you, but you can't proceed to the final battle without struggling a bit to break free by yourself.

Shoot'Em Up

 * In the video game adaptation of Blade Runner, your character ends up tied in a chair. All you can do is bounce around in the chair until you find the right place to free yourself.

Stealth Based Game

 * The various Metal Gear Solid games have lots of scenes where you're somehow restrained or incapacitated, but can still look around from a first-person perspective.
 * The worst of all possibly being from Metal Gear Solid 3, where you've just fought and defeated and as Snake regrettably realizes he has to finish the job he went there to do, Snake aims his gun, the dramatic music comes to a pause, the camera pans out and you realize that you, the player are in control, and the only control that works
 * Assassin's Creed does this when you're not travelling through time with help from your DNA.
 * There is also a version of this in the semi-cutscenes in which you're speaking with NPCs or obtaining information about a target; you can move Altaïr, but you can't move more than a few steps nor do any high-profile actions until the conversation/scene ends. No one ever seems insulted when Altaïr stares at a wall while they're speaking to him, although this might be due to the fact that, initially, Altaïr not bothering to pay attention is sort of par for the course.
 * In Splinter Cell Conviction, during  and later , you see Sam being held at gunpoint by  . At these points, you can either advance without being prompted, or try to stall for time by looking around, shortly after which your captor will make you advance anyway.
 * The last level in Chaos Theory has an area like this - a specific zone has guards with Less-Than-Lethal ammo that can take you down in a shot and, upon getting shot, you wake up in an interrogation room with everyone on full alert. Whilst it is possible to escape your captors, you're initially in a sequence where you can attempt to pick your handcuffs, but have to restart every time the interrogator slaps or strangles you (i.e. every couple of seconds).

Survival Horror

 * Another example, seen above, is Rule of Rose. Twice in that game, Jennifer is tied to a pole. The first time, she has no choice but to listen to the taunts and threats of her captors, until she is finally freed. During that time, you can use the control stick to wriggle around in the ropes. The second time, you have to free yourself by calling for your dog three times by pushing the normal "call dog" button, and he'll chew through the ropes.
 * In Dead Rising, later in the game,
 * ... except your camera, which they never think to take away from you.
 * On the other hand,
 * Also, once you start a new game,
 * In the Japan-only SNES game Clock Tower (not to be confused with the PSX Clock Tower, which is actually its sequel), Jennifer could pass out and wake up locked in a cell. You can move around inside the cell and talk to your fellow prisoner. Depending on your actions and if you have a certain item or not, you may end up being unable to escape the cell and end up killed by your fellow prisoner.
 * Specifically, eaten. And this was just one of many, many, many horrific moments.
 * Silent Hill Homecoming treats the protagonist to this on two occasions - first in the very beginning, and then towards the end of the game where you struggle against restraints while an antagonist mutilates you with a power drill.
 * There's also a part of the game where you wake up trapped in a prison cell until one of your dad's friends comes along and questions you about the events of the game up to that point. He seems to think you're involved.
 * Getting knocked down in Resident Evil Outbreak presents a mildly reversed scenario from Left 4 Dead—you have no more access to weapons, but you can feebly move around on the ground to try and reach other characters who must then pull you back up to your feet before you can resume attacking and going through doors unassisted.
 * The first half of Chapter 1 in Dead Space 2 has player character Isaac Clarke reduced to walking around with his hands tied behind his back in a straitjacket, with just a sliver of health on his life bar, as he wanders around the station until he finds a doctor who cuts him loose.

Third-Person Shooter

 * In Jet Force Gemini for the N64, you could press the A button to twitch after dying.
 * In Gears of War, a player who is incapacitated by gunfire can only press the fire button to raise an arm and call out for help while awaiting it, or just death. In the sequel, you could at least crawl around to aid your chances of survival.

Turn-Based Strategy

 * In Fire Emblem: The Sacred Stones if you decide to take Ephraim's path, in the first level that you play as him. You can control Tana, the princess of Frelia, while she is imprisoned in a cell awaiting execution by Grado.
 * This is also present in The Sword of Seals. Somewhat early in the game (8th chapter), Lilina is imprisoned in a room inside Castle Ostia, with an enemy archer nearby ready to kill her. You can move her around said room, and this is necessary to keep her alive, as she is needed to unlock a side chapter.
 * Thracia 776 also has this : in Chapter 4, Leaf and Rifis have been captured and thrown into a dungeon, along with Fergus and Karin. They have no equipment, so you can only have them move in their cells until your new party members, Machyua, Brighton and the Thief Lara, manage free them and do all the guard-slaughtering work. Then they retrieve their weapons and the fight becomes a little more equal.
 * About halfway through the DS remake, Shadow Dragon, you retake a castle in a fight against an enemy army that has imprisoned about four of your comrades in a jail cell they can move around in. Unfortunately, they're completely unarmed and nearby enemy ranged units attack them. Careful movements and abuse of the enemy AI is needed to keep them alive long enough for your main force to rush down the jail cell.
 * In Yggdra Union, at a certain point . You have the control over other units on this part (not over Yggdra), but the bridge connecting your units to the enemy is broken. So you can advance a little, but only watch as.

Web Games

 * One chapter of The Several Journeys of Reemus features Reemus and Liam tied up by a Gygax. You have to use his knee-jerk inclination to wallop Reemus to escape.
 * In Echo Bazaar, if you attract too much attention during one of the ambitions, you get beaten nearly to the death and put in "a small, velvet lined box". (Some traits may give you an actual way to escape, but otherwise, the only thing you can do is to kill yourself trying to escape.)

Wide Open Sandbox

 * In the first Way of the Samurai, this happens if you wind up
 * In Scarface the World Is Yours, if you amass too much visibility and then fail to escape police notice before time runs out, the game tells you (literally), "You're fucked!" and goes into a last-stand mode where all your menus and possible escapes are cut off. All Tony can do is hold out for as long as he can before he's gunned down.
 * In Dwarf Fortress's adventurer mode, when you die, you can check the temperature (Being dead is cold and clammy), the date (You have lost track of time since your death), or wait to see what happens in the immediate area right after.
 * Red Dead Redemption. After being, your hands are still tied behind your back. There is literally nothing you can do but run to Reyes who then will untie you and tell you where your weapons are.
 * The ending

Other

 * In the original Mario Party, once you've unlocked the final board, Eternal Star, and try to select any other board, the game will go through its board selecting animation, but force you back onto Eternal Star.
 * Although this restriction is lifted once you've played Eternal Star.