Disposable Fiancé

"Homer: This movie is tired and predictable! You know she's going to wind up marrying Richard Gere! [ audience gasps in shock] Dr. Hibbert: I thought she was going to wind up with that rich snob!"

- The Simpsons, "HOMR"

A subtrope of the Romantic False Lead that is extremely popular in romantic comedies. In order for these movies to last a full two hours, there needs to be some kind of obstacle substantial enough to encourage the leads to continue fighting their feelings for most of the movie. At the same time, the obstacle shouldn't be something that will continue to be a problem after they find their Happily Ever After.

Enter this guy. He might have been there all along, or he might be the result of a rapid Relationship Upgrade. Wherever he comes from, he's designed to slip away again just as quietly in the end. It's never stated how long he's been in a relationship with the heroine, how they met, or how she fell in love with him in the first place. The main issue with this character is that the writers can't allow the audience to sympathize with him when the heroine inevitably dumps him (often, right at the altar) and runs off with his romantic rival. Considering that this is actually a pretty horrible thing to do to someone, the writers employ several different tactics to ensure we're smiling at the nice couple and not cringing along with the loser holding the ring. As follows:


 * Bland Perfection: He's like Prince Charming come to life. Handsome, thoughtful, romantic, usually rich, in short, the ideal man. Only...he's kind of boring. Not even close to a three-dimensional character. He stays this way throughout, without one shred of Character Development. Nobody can be interested in a character like that and we can watch him walk off into the sunset without any regrets. He tends to pull a I Want My Beloved to Be Happy at the end.
 * Minor Flaws: This guy wouldn't be so bad if he didn't have such annoying habits. Maybe he writes really bad poetry. He might be embarrassingly nerdy or a total mama's boy. Whatever it is, it's clearly a sign that the heroine has given up on her romantic dreams and decided to settle down...with the wrong guy. This guy doesn't usually kick up a fuss at the break-up, although he can't carry it off with the dignity of Bland Perfection.
 * Latent Jealousy: The more extreme version of the above. Starts out sensible and modest, but turns wildly jealous at the first sign of a Love Triangle, to the point where this overrides his nice qualities and makes his Minor Flaws stand out more. He'll be a sore loser about the heroine rejecting him.
 * Evil All Along: This guy is such a sleaze bag, it's a miracle the heroine ever agreed to go out with him. He tends to cheat on her, often bad-mouths her behind her back and occasionally to her face. Sometimes he puts on a façade of Bland Perfection but expect him to Kick the Dog the minute the leading lady turns her back. This creep deserves to get dumped faster than a piece of rotting meat. Whilst a Disposable Fiancé of this type is the most straightforward in terms of getting the audience to root for the romantic leads, it can backfire if he's so utterly repellent that it makes the romantic lead look like a fool for even being with him in the first place.
 * Let's Call the Whole Thing Off: Sometimes, while the leads have been agonizing over their feelings for each other, the fiancé has been doing some thinking on his own. Something just isn't right in the relationship. Maybe he realizes that they are Better as Friends or maybe he has to make a promise to a dying mother. Well, he'll just have to try to break it to her gently. Maybe he realizes that the bridesmaid he's ignored throughout has lovely eyes. Or, heck, maybe he realizes women aren't for him in the first place.

Done poorly, this can involve Unfortunate Implications if the fiancé is crassly dumped without a second thought. Done well, it can provide a lesson about how rushing into things is bad, or that you should know someone well and be comfortable with their character before making such a large commitment.

Sometimes both leads will have a disposable intended and in rare cases, we end up with a Pair the Spares solution. See also Asshole Victim, which is very similar in certain aspects.

Anime and Manga

 * Kanae from Shoujo Kakumei Utena. Either a bizarre deconstruction of the trope, or a hilarious parody, depending on how you watch the show.
 * In the anime of Princess Lover, Charlotte's fiancé is tossed in at the halfway point of the story, and then rather promptly shot in the back (making him a literal Disposable Fiancé)..

Film

 * Sleepless in Seattle: Bland Perfection, but he does his I Want My Beloved to Be Happy moment so well that you hold out hope he'll find a new love soon.
 * And, on that note, You've Got Mail, although in that movie they were merely Disposable Roommates Who Are In Long Term Relationships With The Leads. But that doesn't roll off the tongue nearly as easily, does it?
 * They also filled the roles of being perfectly compatible with the two mains as they perceived themselves and were perceived at the beginning of the film, as they both start to grow and are shaped by the events of the film, they realize they are only compatible with their starting partner on superficial levels but are perfect for each other on deeper levels (even if they are superficially disagreeable with each other). All in all, done better here than most other times, since the audience is perfectly aware that the disposable female is a horrible person and the disposable male leaves amicably as they both realize they aren't really in love with each other at about the same time.
 * Sweet Home Alabama is of the Bland Perfection type.
 * It Happened One Night In this one, the fiancé is actually the reason the leads meet as Peter the reporter, hoping to get a good story, follows heiress Ellie along on her trip to meet the guy her father is trying to get her away from. Of course, Ellie never really knew her original fiancé. He was simply the first man she ever got alone with and married him to stick it to her overprotective father. Once she spends her time with Peter and finds out what falling in love is actually like, she realizes there's no way she ever loved the first guy.
 * Bringing Up Baby
 * His Girl Friday
 * The Awful Truth
 * The Philadelphia Story and it's remake High Society. Bland Perfection turns into latent jealousy.
 * The Graduate: Probably Bland Perfection, to the extent that the audience even gets to know him in the few minutes of screen time he has. Outside pressure was also most likely a factor in Elaine's swift engagement and marriage. Of course, in that movie, she'd already married the guy by the time she ran out in the wedding dress.
 * The Wedding Planner, of the "lets call the whole thing off" variety. Worked horribly, as the only person you feel sorry for is the fiancé. The man gets romantically involved with another woman (who turns out to be the wedding planner his fiancé has hired) and then berates her for "misinterpreting" his philandering. He then ignores the whole thing and lets his fiancé plan their wedding blissfully unaware that he's falling in love with the planner (who only superficially thinks of ending the whole thing and never lets her client in on what her fiancé is really doing). Meanwhile, the planner is constantly leading on a childhood friend who is desperately in love with her to either serve to make the male lead jealous, or to boost herself up emotionally as she pines for the leading man. At the last second, the fiancé decides she doesn't want to get married, giving him the opportunity to run after the female lead. With his behavior, it's kind of hard to imagine how either woman wants him in the first place.
 * And the planner is even less sympathetic, because it's revealed she's been the victim of this before, when her fiancé got back with his high school girlfriend on the night of their rehearsal dinner.
 * Moonstruck
 * Serendipity
 * The Wedding Singer: Evil All Along
 * The Princess Bride: Evil All Along.
 * Titanic: Evil All Along (though it is an arranged marriage)
 * Six Days, Seven Nights: Let's Call The Whole Thing Off
 * The Notebook
 * Four Weddings and a Funeral
 * Made Of Honor: Bland Perfection
 * Subverted in My Best Friend's Wedding where Julia Roberts' character is convinced that her love interest's fiancée is one of this type and does all in her power to break them up but
 * ''Spider-Man 2': Not a romantic comedy, per se, but still follows the trope to a T. John Jameson is Bland Perfection, which is probably lucky as if he had any personality at all Mary Jane's jilting him at the altar (with a note) would come across amazingly crass and insensitive.
 * It still does.
 * Spaceballs: As the name would suggest, Prince Valium is a case of Minor Flaws (so boring he puts himself to sleep). Plus it's an arranged marriage she was being forced into, so she doesn't come off as particularly cruel when she ditches him.
 * ... despite violently shoving him from the altar as soon as her love interest shows his face.
 * Valium doesn't seem to care, so why should you?
 * Enchanted does this both ways, always sympathetically. In the real world, Nancy gets a proper characterization, and the Minor Flaw is more on the side of the lead - Robert's eternal cold feet cause her a certain amount of stress to begin with, and a Not What It Looks Like situation understandably angers her - and it's Giselle who suggests the way to make her feel better. Later, when they realize that they're just incompatible with their partners, Giselle forsakes her own (adorably ditzy) Disposable Fiancé, Prince Edward, he and Nancy hop into the sunset - er, manhole - together.
 * Wedding Crashers: Evil All Along (curiously, the main character manages to win back the heroine without even revealing the fiancé's sleaziness). A notable example of the Evil All Along type, as while Sack Lodge is a Jerkass he is also charismatic and charming enough that Claire doesn't look like a complete moron for dating him in the first place. This is the hurdle that many romantic comedies using the Evil All Along Disposable Fiancé stumble over.
 * Old School: Evil All Along, and the type where he hides it from the love interest. It's employed to juxtapose how the lead is perceived as too immature and chauvinist to get the girl, but her fiancé is actually way worse.
 * Averted in Imagine Me and You - the fiancé (actually, husband) is a genuinely good guy and in love with the heroine. When she falls for the (female) florist who arranged their bridal bouquets, he is genuinely heartbroken with no emotional band-aid or Replacement Goldfish. It's the most convincing scene in the movie.
 * The Baxter is a movie told from the perspective of one of these guys a short while after he's just been dumped at the altar.
 * Addicted to Love: subverted in that the fiancée has already left Sam, he just won't give her up.
 * Subverted in Mrs. Doubtfire which seems to feature a Bland Perfection type, but he gets to stay with the woman in the end. Instead he just vanishes from the movie after Robin Williams is exposed.
 * Liar Liar. Bland, and pulls an I Want My Beloved to Be Happy at the end, when he realizes the relationship isn't just about him and the girl anymore.
 * Whos That Girl. Louden's fiancée is vain, self-absorbed and shallow, not to mention absurdly promiscuous and just not as interesting to be with as Nikki.
 * Ever After: Let's Call The Whole Thing Off;


 * Hope Floats torpedoes this trope right off the bat by having the would-be disposable fiancé dump her on live television.
 * Letters to Juliet. From what can be determined from the very detailed trailer, the main character's fiancé neglects her.
 * The original The Parent Trap: Evil All Along, as well as a rare female example. The remake reuses this plot point.
 * The Princess Diaries 2: Bland Perfection leaning towards Let's Call The Whole Thing Off. When Mia calls off the wedding at the very last minute, Andrew is perfectly understanding about it, and he's only worried about what his mother's going to think.
 * L'arnacoeur, aka Heartbreaker: Andrew Lincoln's character is definitely Blandly Perfect
 * Coming to America:
 * The prince had a fiancée back home, but he came to America specifically to find a replacement for her. You have to feel sorry for the girl. Her bland perfection stemmed from the fact that from the day she was born, she was raised to be his wife and do everything he said. She had no opinions or likes of her own, simply stating "whatever you prefer" when he asked her. What is the poor girl going to do with her life now? In all likelihood, she
 * Lisa, the Prince's love interest, has a fiancé too, whose Minor Flaw (sleaziness) makes him veer towards the Evil All Along type.
 * Young Frankenstein: Madeline Kahn has Minor Flaws.
 * What's Up, Doc?: Madeline Kahn again, and here her character Eunice Burns is really the innocent victim of the devious schemes of Barbra Streisand's character. At least Eunice seems to be happier with the millionaire she ends up with!
 * Baroness Schraeder in The Sound of Music is a combination of Minor Flaws and Let's Call The Whole Thing Off.
 * Cast Away is a rare aversion; many test audience members who were so used to this trope reacted negatively to the ending because it doesn't follow this pattern.
 * Leap Year has a combination of Bland Perfection and Minor Flaws (though said flaw is hardly trivial).
 * Runaway Bride - realising her fiancé isn't the one for her.
 * Young Adult: An immature Young Adult author probably wishes her "rival" is this, despite the fact that the author and her love interest broke up in high school, he got married and just had a kid.
 * Wicker Park starts with the male lead buying a ring to propose to his Blandly Perfect girlfriend. He then thinks he might be able to find the girl he dated before her, and spends the rest of the movie completely ignoring the woman he was apparently intending to marry, as well as sleeping with someone else. While she has no character, the way he immediately abandons their relationship without even bothering to inform her makes him come off as a Jerkass.
 * Twister has a rare female example in Melissa. Tends towards Minor Flaws, in that she is somewhat boring and holds back the lead character from doing what he loves.
 * Veer-Zaara: Zaara's fiancé is of the Evil All Along type, who decided to accuse Veer of being an Indian spy and keep him in a Palestinian prison, just to prevent the lovers for ever meeting again.
 * Jab We Met: Geet has two of these. The first was the childhood friend that her family arranged a marriage with and who fell somewhere near the Let's Call The Whole Thing Off; the second was the boyfriend she spent the first part of the film trying to reach for and turned out to be the Wrong Guy First.
 * In Band Baaja Baaraat, Shruti's fiancé is so disposable he doesn't even appears in screen and is only listened from the cellphone, although for what little we know he seems to be of the Bland Perfection type.
 * Vicky Cristina Barcelona: Doug. Subverted however.
 * 3 Idiots: Subhas, Pia's fiance, is such an example of Evil All Along that he manages to fail every Secret Test of Character he is administrated in order to prove he isn't a materialistic, self-obssesed jerkass, and yet somehow was took back by Pia after he failed the first two times (on her defense, they had reacquainted with enough years of distance to convince her he had changed for the better). She finally dumps him for good after he fails it a third time (and after she has given news of her actual love interest's whereabouts).

Films (Animated)

 * Pocahontas: Bland Perfection (the best warrior in the tribe) and Minor Flaws (as she puts it, "He's so... serious.").
 * In Monsters vs. Aliens, Susan's fiancé Derrick turns out to be a selfish egotistical jerk.

Literature

 * In Edgar Rice Burroughs' Thuvia, Maid of Mars, Thuvia has accepted an offer at the opening, though he doesn't actually appear. Then she's abducted, Carthoris chases after her, and the fiancé only reappears at the end—where Carthoris heroically saves his life and intends to leave Thuvia with him. Thuvia begs him to stay, though she admits it's dishonorable on her part, and her fiancé frees her.
 * P. G. Wodehouse made frequent use of the Let's Call The Whole Thing Off category, often combining it with Pair the Spares.

Live Action TV

 * In the world of television The Office's Roy (US) and Lee (UK) play this to Pam and Dawn, respectively. Mostly of the "minor flaws" variation, but with hints of Latent Jealousy.
 * Inverted in How I Met Your Mother, where where the main character Ted ends up as one of these with Stella.
 * He even lampshades this in a later episode, claiming it was always 'their' love story.
 * And then the guy she dumped to go back to writes a hit romantic-comedy movie about the whole thing, with himself as a Mary Sue and Ted as pathetic, evil, goofy, jealous monster (to the point where the fact that Stella is even dating him is described as the movie's only flaw). The Ted-expy even drops his Paper-Thin Disguise altered name ("Jed Mosley") and shouts "I'm TED MOSBY!" at one point during the movie.
 * From Stella's point of view, Ted probably fell into the "Bland Perfection" category, as in Robin's words, he was "disappearing into someone else's life". Stella later apologizes for her actions, telling him she was always in love with Tony, but she loved and cared for Ted because he made her believe in romance again (ironically priming her to be swept off her feet by Tony when he realizes he's about to lose her forever to Ted).
 * Glee: With Will/Emma being the primary romance between the show's adults, that pairing alone has a few of these. Ken Tanaka, Emma's fiancé at the beginning of the show, is this trope played entirely straight (complete with the "slipping away at the end" business). Terri is Will's disposable wife. In Season 2, when it seems like Will and Emma can finally get together, along comes her sexy new dentist boyfriend Carl Howell, who later seems set up to be a disposable husband.
 * Downton Abbey: Lavinia Swire may as well have had this written on her forehead from her first appearance.
 * In A Different World, Whitley becomes engaged to the handsome senator Byron Douglas III. He's pretty perfect (quite the political crusader) but not bland. Whitley leaves him at the altar and marries Dwayne. Since Whitley and Dwayne tend to be the One True Pairing, fans didn't think about Byron too much.

Newspaper Comics

 * For Better or For Worse had Therese as Anthony's Disposable Wife. She was meant to come off as Evil All Along due to her refusal to Stay in the Kitchen.

Theatre

 * Gloria Kramer in the musical One Touch of Venus exemplifies Latent Jealousy.
 * Tiffany in Mary, Mary, though not a Rich Bitch, is just too wealthy for Bob to keep, and she makes this one of several reasons to call off their engagement. As she leaves, she notes that he was never strongly attracted to her in the first place.
 * Jane in Brigadoon is far too bland to compete with Tommy's memories of Scotland.
 * In the 1993 musical of Tommy, the boyfriend talks about getting married with Tommy's mother. However, when her husband comes back home from the war, the mother feels surprised and relieved that he's alive after all, and the boyfriend soon becomes a Jerkass by acting hostile toward Tommy's parents and attempting to kill the father. Fortunately, the father disposes of him by shooting him dead in the struggle.

Video Games

 * Persona 3: In Mitsuru's social link storyline after
 * A Justified Trope Evil All Along example from Fire Emblem: Radiant Dawn; Astrid was supposed to marry Lekain, but it wasn't by any choice of hers in the first place. Instead she ends up marrying Makalov which is... well, it's better, at least.