Prince's Associates

Prince is famous for being prolific when it comes to songwriting. To avoid trouble with his label, he wrote numerous songs under pseudonyms or gave them to others - he knew lots of talented musicians in his entourage back in The Eighties. Their records are mostly interesting, with the occasional stinker, and at best just as catchy and well-made as his own.

Prince's associates generally come in a few flavours depending on songwriting:
 * People for whom Prince played every single instrument, wrote every single note (disguised with pseudonyms on the album credits) and sometimes even the lyrics. All they had to do was just add their vocals on top. For example: Vanity 6 and Apollonia 6.
 * People for whom Prince composed and produced but they had their own input, including lyrics, co-writing credits and occasionally playing instruments. For example: Sheila E. and Ingrid Chavez.
 * People for whom Prince sporadically contributed material but otherwise didn't do much. For example: Sheena Easton, Mavis Staples, Martika, and others.
 * Actual bands with which Prince was involved. For example: Madhouse and 94 East.
 * Formerly associated with him in some way but then broke away completely. Example: Wendy and Lisa, Dr. Fink, Brown Mark, Bobby Z., David Z., and so on.
 * Stuff which fits into more than one category. For example: The Time and The Family.

Many of these releases ended up out of print because they appeared on Prince's record label Paisley Park Records, which was shut down in 1994 by Warner Bros. due to severe mismanagement from his managers Bob Cavallo, Joe Ruffalo and Steve Fargnoli (They'd paid such exorbitant advances to signees, who were frequently signed behind Prince's back(!) that Warner forced Prince to lend Paisley Park Studios to other bands in an attempt to recoup some of their losses.) Keep Circulating the Tapes for some of them.

This list is by no means complete: there are several projects that never saw any form of release outside of bootlegs (like The Rebels and M.C. Flash) and there are probably even more that no one knows anything about, sitting in Prince's vault.

Vanity 6

 * Vanity 6

Apollonia 6

 * Apollonia 6

Jill Jones


(Later moved to no involvement)

Who the hell is Jill Jones?

Well, she was a backup singer for R&B star Teena Marie back at the start of The Eighties, and this is exactly how she met Prince during his 1980 Dirty Mind tour. She was quickly recruited as a backing singer for The Revolution itself, adding backing vocals to several songs on 1999 and appearing in the videos for "1999" and "Little Red Corvette". She had a bit part as a waitress in Purple Rain and a cameo in its shittier sequel Graffiti Bridge, in a scene where she takes off an undergarment to end a conflict with Prince. Squ- wait, WTF? Oh, wait, this is the guy who came up with the idea for Vanity 6. Nevermind.

Prince repaid her contributions to 1999 by producing her solo album, Jill Jones, which was released in 1987. Once again, he did everything and wrote all the songs and Jones merely had to put vocals on top. However, this album gained actual positive reviews from critics, mainly because Jones actually had vocal talent and could sing, as opposed to the competent vocals of Vanity and Apollonia, or the pleasant-but-bland vocals of Sheila E. and The Family.

After this, Jones did... well, nothing really. A second album got as far as the demo stage before being cancelled. She did tour with Chic in 1996 though. She finally emerged with a new, completely Prince-less pop-rock album in 2001.

Discography:
 * Jill Jones (1987)
 * Two (2001)
 * Living for the Weekend (2009)

The Time

 * The Time

The Family


(Overlaps with actual band)

"But nothing compares to you"

- The Family, "Nothing Compares 2 U"

Now, here's a bit of a trickier case. After The Time disintegrated for the first time in 1984, Prince restructured the band with a few new musicians and renamed it "The Family". Its members were as follows:


 * Paul "St. Paul" Peterson - vocals, keyboards, bass
 * Susannah Melvoin - vocals, keyboards
 * Jerome Benton - vocals, comic foil, percussion
 * Jellybean Johnson - drums
 * Eric Leeds - saxophone, flute

But on the resulting album, The Family (1985), Prince decided to be a Control Freak and once again wrote nearly all songs ("River Run Dry", the sole exception, was written by The Revolution drummer Bobby Z.) and played everything on the album, simply overdubbing vocals by Peterson and Melvoin and Leeds' saxophone and flute.

The resulting album contained a mishmash of high-energy funk ("Mutiny"), soul ballads ("Desire"), jazz instrumentals ("Susannah's Pajamas" - this title should not be surprising if you've made it so far down the page...) and New Wave ("The Screams of Passion"). However, it did contain a small song called "Nothing Compares 2 U", which was Covered Up and turned into a massive hit single by Sinéad O'Connor in 1990.

The band itself was short-lived, lasting barely a year before Peterson left, sick of Prince's Control Freakism. Still, it marked the beginning of Prince'ss long-term collaboration with Eric Leeds, for what it's worth.


 * Deliberately Monochrome: Their covers and promo pictures.
 * Instrumentals
 * Self-Titled Album: Either Prince's associates had to have self titled albums as part of their contract, or he saves the good titles for himself.

Carmen Electra
"So please, don't step to the mic. In fact, please step away from it. Far, far away from it. i-Mockery's hilarious review of Carmen Electra"

Yes, Carmen Electra used to be a back-up dancer for Prince (in fact, he gave her the Stage Name "Carmen Electra") in the early nineties and had a self-titled album produced by him in 1993. The album's famous for being a complete shitburger. A really funny skewering of it, complete with some audio samples, is available on i-Mockery.


 * Old Shame
 * Piss-Take Rap

Sheila E.


"She wants to lead the glamorous life Without love, it ain't much"

- Sheila E., "The Glamorous Life"

(Overlaps with sporadic contributions)

Drumming runs pretty big in Sheila Escovedo's family: her father Pete is a famous percussionist, her uncle Alejandro drummed for various punk bands before starting a solo career, her other uncle Coke played with Santana, her other other uncle Javier founded the seminal punk band The Zeros, and Tito Puente was her godfather.

It's little surprise then that Sheila took up drumming and quickly became really good at it, playing with such luminaries as George Duke, Marvin Gaye, Alphonso Johnson, Herbie Hancock and Lionel Richie before her early twenties.

Prince first met Sheila when attending a concert where she was playing with her dad. He quickly brought her into her entourage, where she contributed drums and percussion in the studio and provided vocals to "Let's Go Crazy"'s famous B-side, "Erotic City" (and some other vocals here and there, like the "transmississippirap" on "It's Gonna Be a Beautiful Night"). She secured herself the position of drummer for Prince after The Revolution disbanded, but left Prince in 1989 due to a collapsed lung. This split has notably been free of the really bad blood that other splits engendered, and the two have collaborated occasionally to this day.

While Sheila did attract attention for her vocals on "Erotic City", she quickly proved she was not another Vanity: while Prince did produce her first two solo albums, she got some co-writing credits and added her drumming all over the place. Most notably, Sheila at first broke from the very explicit "personas" that had been assumed by Prince's previous Girl Groups: her lyrics were decidedly PG-rated, dealing with love (not Intercourse with You, at least not yet) and sung in a pleasant, girl-next-door voice. In fact, many of the funk-pop songs existed solely for the sake of lots and lots of percussion solos. Nobody seemed to mind though. These two albums, The Glamorous Life and Romance 1600, were well-received and spawned two really long hits, the super-catchy ditty about how materialism's, like, superficial, man, "The Glamorous Life" (9 minutes) and a duet with Prince entitled "A Love Bizarre" (12 minutes!). Prince was noticeably less involved with Sheila E., letting David Z. produce the album and writing only a few songs.

Sheila's solo albums after leaving Prince's organisation were New Sound Albums somewhat, introducing Latin and jazz influences into her upbeat pop-funk. She took a long break from her solo career after the horribly-titled Sex Cymbal, presumably out of embarassment that she put out an album titled Sex Cymbal, and played with various other musicians (including being part of three versions of Ringo Starr's All-Starr Band). She also reunites with Prince every once in a while for live concerts and contributed to his album 3121.

Discography:
 * The Glamorous Life (1984)
 * Romance 1600 (1985)
 * Sheila E. (1987)
 * Sex Cymbal (1991)
 * Writes of Passage (2000)
 * Heaven (2001)


 * Epic Rocking: "The Glamorous Life", "Oliver's House", "A Love Bizarre", all of which fall squarely into Ear Worm territory.
 * Foil: She played this role in the All-Starr Band concerts, especially during the solos where Ringo would comically fail to keep up with her.
 * Incredibly Lame Pun: Sex Cymbal, so bad it hurts.
 * Piss-Take Rap: Averted - her Motor Mouth reading of Edward Lear's "The Table and the Chair" on "It's Gonna Be a Beautiful Night" is actually good. (The liner notes credit it as "transmississippirap" since Prince recorded her doing it over the phone from, well, the other side of the Mississippi River.)
 * Self-Titled Album: Interestingly, done for the third album.
 * Spoken Word in Music: "Toy Box". It sounds like a normal funk song at first, and then right at the end Sheila blind-sides you with a long, shouty rant that makes you wonder who spiked her coffee and with what.
 * Word Salad Lyrics: "Dear Michaelangelo", "Toy Box", "Romance 1600" and "Bedtime Story" have a special ability to make you scratch your head and go "huh?".
 * Word Salad Title: "Merci for the Speed of a Mad Clown in the Summer"... what?
 * You Make Me Sic: Michelangelo, not Michaelangelo.

Ingrid Chavez


Ingrid Chavez is Mexican-American and has been married to David Sylvian of the band Japan since 1992.

Chavez is one of those fringe figures in Prince's entourage. That's probably because she ain't an actual singer, but a poet instead. Prince was impressed by her poetry and quickly recruited her into his ever-expanding harem-cum-musical empire, first letting her contribute vocals to Lovesexy. Around this time, she cultivated a mysterious appearance and was nicknamed "The Spirit Child". OK, sure, whatever, at least Prince didn't try to rename her to "Clitoris" or something like that.

Chavez next played Prince's romantic interest in Graffiti Bridge. It was during the filming that she, Lenny Kravitz and Andre Betts co-wrote and recorded Madonna's famous hit "Justify My Love" - reportedly, Chavez came up with most of the lyrics and Kravitz thought sampling Public Enemy would be a nifty idea. A solo album followed, May 19, 1992 (released, oddly enough, in 1991), which combined Chavez's spoken-word poetry with atmospheric backing music composed by Prince and was favourably reviewed, one critic comparing it to "an entire album of 'Justify My Love's".

Chavez drifted out of Prince's harem musical empire soon after. Since then, she's frequently recorded with her husband David Sylvian and with Ryuichi Sakamoto of Yellow Magic Orchestra.


 * Happily Married
 * Spoken Word in Music

Mayte Garcia


Mayte first joined Prince's harem entourage in 1990 as a dancer, later graduating to occasionally contributing vocals in Gratuitous Spanish. She then married Prince in 1996. They were due to become parents, but the baby died from a rare skull disease named Pfeiffer's syndrome a week after he was born. Predictably, the marriage disintegrated after this traumatic event and Prince and Mayte divorced in 2000. Mayte has since returned to dancing and choreography.

Prince produced and co-wrote one solo album for her in 1995 (possibly in his sleep; it's kind of what he does...), entitled Child of the Sun. Nobody really noticed its existence and it's since gone out of print. In fact, the most notable song it contained was a a gender-reversed version of the cheesiest, Tastes Like Diabetes-est song Prince ever wrote, "The Most Beautiful Girl in the World". Yeah, it's like that. And a cover of "Brick House" by The Commodores, which is at least not as corny.

The second disc of Prince's Emancipation was inspired by their marriage and her pregnancy. Yes, this means Mayte is partially responsible for Tastes Like Diabetes-fests like "Friend, Lover, Sister, Mother/Wife". We hope she enjoyed the gift, because we might have not.


 * Cover Version: besides the aforementioned Prince cover, she covered "Brick House" by The Commodores (renamed to "House of Brick" for Prince knows what reason).
 * The Muse: One of the less fruitful cases? Depends.
 * Shiny Midnight Black: The picture shown here is a definite example.
 * The Cover Changes the Gender

Támar
One of the latest Princettes, Ashley Támar Davis sang backing vocals on Prince's album 3121 on the song "Beautiful, Loved and Blessed", and played a few live concerts in some small clubs.

Prince co-wrote and co-produced (yes, you guessed it!) an album for her named Milk & Honey. It was set to be released in August 2006, but got delayed and later cancelled. A few promotional copies have surfaced after being sold in Japan, and one of its songs, "Kept Woman", was re-recorded and handed off to Bria Valente.


 * No Export for You
 * Vaporware

Bria Valente
"A whole lotta people are gonna get pregnant off this!

Prince, describing Valente's album to the Los Angeles Times (clearly oblivious about his track record)"

Another protege in the grand tradition of Vanity and Apollonia, Brenda "Bria Valente" Fuentes began her association with Prince in late 2006, contributing backing vocals to "The Song of the Heart" (from the movie Happy Feet) and his album Planet Earth.

Prince produced a solo album for her named Elixer, in 2009. He described it as "a quiet storm" album, raising the prospect that he still hasn't abandoned his search for Audio Erotica and would give the world another hilarious trip to Narmland. Elixer was bundled together with Prince's two solo albums LOtUSFLOW3R and MPLSound as a three-disc set, which debuted at #2 on the Billboard charts. Because we all know it would've been a huge hit by itself... It usually got singled out as the weakest album of the three-disc set by reviewers.

Martika


"Step by step, heart to heart, left right left, we all fall down..."

- Martika, "Toy Soldiers".

Martika was a pop singer and actress in The Eighties, mostly known for appearing on Kids Incorporated and... uh, Mr. T's motivational video Be Somebody or Be Somebody's Fool!.

Her first album, Martika, was released in 1988. It spawned a #1 hit single, "Toy Soldiers", which Eminem later Sampled Up for his own song "Like Toy Soldiers", and two other hits, "More Than You Know" and a cover of Carole King's "I Feel The Earth Move".

Her second album, Martika's Kitchen, was released in 1991. This album was produced and co-written by Prince, who combined Martika's pop music with elements from gospel, jazz, Funk, R&B and Cuban music and lyrically explored such Serious Business topics as crack babies, racism and homophobia. An interesting melange to be sure, which eventually kind of flunked on the charts. Thus endeth Martika's association with Prince.

Discography:


 * Martika (1988)
 * Martika's Kitchen (1991)
 * Violince (2004)
 * Oppera (2006)


 * Incredibly Lame Pun: Martika tries to out-lame Sheila with Violince.
 * Self-Titled Album: This wasn't Prince's fault for once.

Mavis Staples
Much like Martika, Mavis Staples had already had a career going before her association with Prince. And it wasn't too bad either, what with being famous for having a great voice, recording with her family as The Staple Singers and being a civil rights activist in The Sixties.

Staples collaborated with Prince for a few years, contributing the song "Melody Cool" to the Graffiti Bridge soundtrack and having two solo albums, Time Waits For No One (1989) and The Voice, co-written and produced by him. And that's... kind of it actually.

Discography:
 * Mavis Staples (1969)
 * Only for the Lonely (1970)
 * A Piece of the Action (1977)
 * Oh What a Feeling (1979
 * Mavis Staples (1984)
 * Don't Change Me Now (1988)
 * Time Waits for No One (1989)
 * The Voice (1993)
 * Spirituals & Gospel: Dedicated to Mahalia Jackson with Lucky Peterson (1996)
 * Have a Little Faith (2004)
 * We'll Never Turn Back (2007)

Sheena Easton


"My baby takes the morning train He works from 9 'til 5 and then He takes another home again To find me waiting for him"

- Sheena Easton, "Morning Train (9 to 5)"

Sheena Easton was a Scottish singer back in The Eighties who scored a few hits occasionally, most notably with "Morning Train (9 to 5)" and "For Your Eyes Only", the theme for the James Bond movie of the same name. Her music was largely pop with bits of soft rock and New Wave floating around, with a pretty ordinary image.

Prince produced her 1984 album A Private Heaven and predictably transformed her into another trying-too-hard-to-be-sexy siren. She did get two hit singles out of it, "Strut" and the Narmy "Sugar Walls", so it probably wasn't that bad of a deal. Easton sang on two other Prince songs, "U Got the Look" and "The Arms of Orion", and collaborated with him some more on The Lover in Me before parting ways with him.

Discography:
 * Take My Time (1980)
 * You Could Have Been with Me (1981)
 * Madness, Money & Music (1982)
 * Best Kept Secret (1983)
 * A Private Heaven (1984)
 * Todo Me Recuerda a Ti (1984) - Spanish language release
 * Do You (1985)
 * No Sound But a Heart (1987)
 * The Lover in Me (1988)
 * What Comes Naturally (1991)
 * No Strings (1993)
 * My Cherie (1995)
 * Freedom (1997)
 * Home (1999)
 * Fabulous (2000)


 * Moral Guardians: "Sugar Walls" is best known for being one of the songs listed on the PMRC's "Filthy Fifteen" list.

Madonna
Prince wrote and produced "Love Song" on Madonna's album Like a Prayer. He also played the guitar solos on "Act of Contrition" and "Keep It Together".

Completely unrelated to this, former Revolution guitarist (and current one-half of Wendy & Lisa) Wendy Melvoin played guitar on the song "She's Not Me" from the album Hard Candy.

Kate Bush
Prince is a fan of Kate Bush, and met her during the 1990 Nude Tour, discussing a collaboration. Bush sent him the song "Why Should I Love You?", asking for backing vocals. When she received it back, Prince had not only sung but also added his own sizeable instrumental overdubs. This baffled Bush and her engineer Del Palmer, who then spent two years working on and off on it to try and "turn it back into a Kate Bush song". It eventually came out on 1993's The Red Shoes.

Bush also made a cameo appearance on Emancipation, singing backing vocals on "My Computer", but good luck hearing her at all on that song.

The Bangles
Prince wrote their big hit "Manic Monday", for which he recycled the verse melody of "1999" (fun activity: when you hear "Manic Monday", sing the lyrics from "1999"). He also dated their frontwoman Susanna Hoffs for a while, and that was it.

Tevin Campbell
Campbell contributed the song "Round and Round" to the Graffiti Bridge soundtrack and provided some additional vocals. Prince repaid him by writing and producing several songs on his 1993 album I'm Ready.

Candy Dulfer
A Dutch smooth jazz saxophone player who has sporadically contributed to Prince's albums and has served as an on-and-off member of his backing bands. Prince contributed the song "Sunday Afternoon" to her album Sax-a-Go-Go.

She's rather famous for the brutal puns that masquerade as her album titles, such as Saxuality, Sax-a-Go-Go and Candy Store. Also, she's the daughter of Dutch saxophonist Hans Dulfer.

Elisa Fiorillo
A backing singer on the Batman, Graffiti Bridge and Diamonds and Pearls albums. Fiorillo had one album named I Am co-produced by Prince and Levi Seacer, Jr. in 1990.

She also contributed a song to the soundtrack of Metal Gear Solid 3: Snake Eater.

Mazarati


Mazarati were a funk/Minneapolis sound band formed by Prince and his bassist Brownmark, active between 1986-1989. Its members were:


 * Casey Terry - vocals
 * Jerome "Romeo" Cox - bass
 * Craig "Screamer" Powell - guitar
 * Tony Christian - guitar
 * Mark Starr - keyboards
 * Aaron Paul Keith - keyboards
 * Kevin Patricks - drums (whenever it's not Mr. Linn LM-1...)

Its first album, Mazarati, was produced and co-written by Prince and spawned one hit single, the funk-rock "100 MPH".

Notably, Mazarati first received the demo of Prince's song "Kiss", back when it was a blues-styled song. They transformed it into a funk song. Prince was so impressed he added his vocals and guitars on top and released it as a single from Parade, quickly rocketing to #1 on the charts. Mazarati's backing vocals were kept on the song and they were credited for them. They were also initially given an outtake from The Time called "Jerk Out", but this was also later redone by The Time and turned into a #1 single. Mazarati's backing vocals were also kept on "Jerk Out".

Mazarati later moved away from Prince, signed with Motown Records and recorded another album, the New Jack Swing-styled Mazarati 2, before breaking up.

Discography:
 * Mazarati (1986)
 * Mazarati 2 (1989)


 * Rearrange the Song: "Kiss".
 * Self-Titled Album
 * Xtreme Kool Letterz: They're named after Prince's Maserati, obviously.

Madhouse


"I've always been mad, I know I've been mad, like the most of us are. It's very hard to explain why you're mad, even if you're not mad..."

Not to be confused with the similarly-named Post Punk band led by Monica Richards or the similarly-titled Funk band led by Gary Cooper (if you're into either of those...), Madhouse was formed in 1987 and intended to be the successor to The Family. Its members were:


 * Prince - everything
 * Eric Leeds - saxophone, flute
 * Levi Seacer, Jr. - bass
 * Matt "Dr." Fink - keyboards
 * Sheila E. - drums

Madhouse was a largely instrumental jazz-fusion band with a few funk influences, notable for its song and album titles: both released albums contain 8 songs and are named 8 and 16 respectively, with the songs on 8 being named "One", "Two", "Three", and so on up to "Eight", and the songs on 16 being named from "Nine" up to "Sixteen".

Madhouse released only two albums during their short existence, but at least two others were recorded and remain unreleased to this day. Some of their songs tended to show up during Prince's late eighties tours, "Twelve" in particular.

Discography:
 * 8 (1987)
 * 16 (1987)


 * Fake Band: In the few concerts they performed opening for Prince, Madhouse's musicians heavily disguised themselves with baggy clothes and sunglasses.
 * Instrumentals
 * Sampling: The only vocals on both albums are either samples from The Godfather or samples of Vanity simulating an orgasm.
 * Shout-Out: 16 is subtitled "New Directions in Garage Music", in reference to "Directions in Music by Miles Davis" from one of his most important releases, Bitches Brew.

94 East
The first "real" band Prince ever played in (He was also previously in a band named Grand Central and then Champagne with André Cymone and Charles Smith, but they never recorded anything), 94 East was a funk band that existed between 1975-1979. It was formed by Pepe Willie, the husband of Prince's cousin, and included Willie, Prince and André Cymone. Their stuff is hard to find and very likely isn't even worth looking for in the first place anyway.

Their recordings were predictably reissued a couple of times after Prince hit the big time, and the most common of these is the Minneapolis Genius album. This is technically Prince's first professional album, but he ignores its existence entirely, considering that he had no input into its recording.


 * Canon Discontinuity
 * Old Shame

Wendy and Lisa

 * Wendy and Lisa

Matt "Doctor" Fink
Matt Fink was a member of The Revolution and the NPG, working with Prince between circa 1979-1991. He played keyboards and became known as "Dr. Fink" for always wearing surgical scrubs on stage. According to Fink, it was the only outlandish outfit that Prince felt looked good on him. According to somebody else, Fink initially wore a prison outfit but discovered during the joint Fire It Up tour in 1979 that one of Rick James' bandmates did that already, and "doctor's scrubs" was the first thing he could think of as a replacement.

Fink is the longest-lasting original member of The Revolution, surviving the band's axing in 1986 and staying on until 1991, when he left along with last remaining Revolutionite Miko Weaver after the fractious Nude Tour.

After he left the Prince camp, he built his own studio (named StarVu Studios), worked on some videogame soundtracks, created a sample library, put out a solo album named Ultrasound in 2001, and signed an exclusive management deal for Europe with the company Mozart & Friends. Presumably this will lead to his releases being actually distributed in Europe.


 * Token White: Prince intentionally assembled the Revolution to be a multi-ethnic, multi-gender band like Sly & the Family Stone, and opted not to hire James Harris (later of The Time) because, while good, he did not contribute to the band's diversity. Fink was asked to audition instead and received the job, and while his talent and contribution to The Revolution is undeniable, the fact that he was a white keyboard player did represent a factor in him getting the job. He stopped being the Token White after Lisa Coleman, Wendy Melvoin and Eric Leeds became members.

David Z.
David "Z." Rivkin, brother of original Revolution drummer Bobby Z. and former member of Lipps Inc., does play instruments but is mostly famous for his work as Record Producer and engineer who pretty much helped codify the whole Minneapolis sound.

After producing and engineering for Prince and his associates in The Eighties, he left the camp sometime around 1989. He's carried on working as a producer ever since, with credits including the Fine Young Cannibals (their second album The Raw and the Cooked), Billy Idol, Neneh Cherry, Terri Nunn, the Trans-Siberian Orchestra and others.)