Mama Didn't Raise No Criminal

It's not unusual for fiction to depict the effects crime can have on the criminal's family. This trope is about when the criminal's family reacts with either disbelief, disavowal of responsibility, or, if they're hedging their bets, both. When confronted with evidence of serious wrongdoing, they often go through predictable emotional processes, most prominently denial. Denial as a psychological phenomenon can manifest in many forms.

When a family member or guardian is brought face-to-face with strong evidence that their child or more rarely other relative is a criminal, it will of course affect them in different ways. Some will sadly accept it and move on with their lives, some will be angry at their child, but maintain ties. To fall under this trope, though, the family must either;


 * React by denying any responsibility at all for the offending party.
 * React with rhetorical disbelief, where the family uses an expression of disbelief to show surprise.
 * React with totally irrational disbelief, some form of psychological denial.

Whichever way it is expressed, this trope can sometimes be used to help show that it is not just the victims' lives and families that are disrupted by serious crime, to humanise a criminal character, or for laughs.

Even if these reactions apply only temporarily, they count. People change, and few people in fiction or real life remain in denial their whole life.

Truth in Television. The denial variant is so frequent from relatives of young black criminals (that is then parroted as though it were actual evidence of innocence), despite clear and overwhelming evidence of guilt, it has given rise to the use of the term "Dindu" (From "Didn't do nothing") to describe young black criminals.

Contrast: The Family That Slays Together where not only did the parents raise their kids to be criminals but also treat crime as a family activity.

Compare: Parental Obliviousness, where the parents never realise their offspring is a criminal - subconscious cases of Mama Didn't Raise No Criminal might be stopping them from seeing the truth in some cases. Also compare I Have No Son, where family members deny even the physical fact of their blood relationship; and Don't Tell Mama.

Anime and Manga

 * In Death Note, Light Yagami uses the title notebook to murder criminals, earning himself the name "Kira". His father, Police Chief Soichiro Yagami, gets put in charge of the investigation to find Kira and bring him to justice. His own son quickly becomes the prime suspect, causing much angst.
 * Even more so in the film, where
 * Real-life examples of this trope are talked about in an episode of Lucky Star. Konata says "And they always ask the neighbors and they always say "He was such a nice boy. He didn't seem the type who could do that," to which Kagami responds with the subversion: "If you ever did something horrible, 'I always knew deep down she'd do something like this' is exactly what I'll tell everybody."
 * The page picture comes from JoJo's Bizarre Adventure, and shows Holly Kujo referring to her son, Jotaro Kujo. It's also a subversion in that Jotaro hasn't committed any crimes - he locked himself in a prison cell out of fear of his "evil spirit" (read: Stand).

Fanfic

 * Averted in Ultimate Spider-Woman: Change With the Light when Spider-Woman's Arch Enemy Jack O'Lantern is revealed as . Instead of irrationally denying it, Jack's relatives instead react with horror and dismay when they hear the news, along with the pure shock that they're related to a psychopathic mass murderer.

Film

 * The 2009 Korean film MOTHER is about a mother's attempt to exonerate her son, who has been convicted of murdering a teenage girl based on shoddy evidence. It turns out.

Literature

 * In the Harry Potter series, Dudley Dursley's mother Petunia refuses to believe her son bullies smaller children. Meanwhile, poor Harry gets punished for even the slightest offense by his Muggle Foster Parents until he is whisked away to a new life at Hogwarts.
 * In the Inspector Montalbano mystery series, Montalbano has a childhood friend Gege who grew up to be a drug dealer and pimp, with whom he retained a sort of friendship even after they embarked on very different careers. Gege is killed by gangsters in the second novel, and Montalbano goes to console his older sister, who taught both of them as children. The narration describes how the two reminisce about Gege being a lovable mischievous scamp as a child, but no stories are told of any of his life after adolescence. It's not clear how much his sister knew about his criminal life, but she obviously had some idea, especially because she had poor health and Gege would use his funds to afford surgery for her.
 * We Need to Talk About Kevin is told entirely from the perspective of the mother of a school shooter. Naturally, she struggles with her conscience - did she raise him to be a criminal?
 * Bryony in Outcast of Redwall refuses to believe her adopted son Veil is growing up to be a psychopath (he gets it from his birth father) until it's too late.
 * In the Japanese novel Kokuhaku ("Confessions") and its film adaptation, Student B's (Naoki's) mother is like this, absolutely refusing to believe her son had any role in the death of Moriguchi's daughter.
 * The Agatha Christie book Pocket Full of Rye has old Miss Ramsbottom who refuses to the police's questions about the murder of her brother-in-law because, "Living in this house are two of my dead sister's children, and I refuse to believe anyone with Ramsbottom blood could commit murder."

Live-Action TV

 * The Shield included an episode where the characters arrest a teenage vandal. Her mother arrives at the police station and harangues the officers about what a perfect angel her child is, until they open the door and the child is in the process of vandalising their interview room. Cue Crowning Moment of Funny.
 * Long Runner that it is, listing every single time this has happened in Law and Order and its various spinoffs would take up far more space than the database has. In fact, it'd probably be easier to list the Crime and Punishment Series that don't have this happen on a semi-regular basis.
 * In Wiseguy, Vinnie's mother thinks he is a criminal, when he's actually working undercover for the Organized Crime Bureau.
 * In the Star Trek episode The Ultimate Computer, The "M-5" is a living computer which commits murder, but Dr. Richard Daystrom, its creator, defends the events as "accidents." Dr. McCoy says that "even when a child kills, a parent will usually continue to defend that child."
 * Criminal Minds dealt with this in season three:.
 * In a season one episode, Gideon brutally deconstructs this trope with a father who continually makes excuses for his serial killer son.
 * Also appears in another episode of season one where a mother easily accepts that her son's murders aren't her fault.
 * An episode of The Fugitive has Kimble reuniting with his family. His father and sister are handling his situation well, but his brother is bitter over his difficulties holding a job once his bosses find out he's the brother of a supposed fugitive murderer.
 * Day Break: During one of the repeating days Detective Hopper visits his mother's home to further the investigation by digging up information on his dead father. When she chastizes him for not visiting her more often he explains that he's too busy at the moment since he's wanted for murder in Los Angeles, although he didn't actually do it. Her Response? "Well of course - I didn't raise no murderer!"
 * Ghoulishly subverted on an episode of CSI when a murder suspect mistakenly thinks that his son is dead. When the victim's body is found bricked up in his house, he nonchalantly attempts to pin the entire crime on his son...unaware that the son is alive and well and watching the interrogation through a one-way mirror. This leads to an I Have No Father moment from the son.

Newspaper Comics

 * Dick Tracy has frequently addressed the problems that go with being the innocent relative of a criminal. One of the most notable examples is Junior's first girlfriend Model Jones, who was overwhelmingly ashamed of her crook brother and alcoholic parents. In the end, she was

Radio

 * Neal Boortz is annoyed by this trope so much, he will preemptively suggest that the family will say such a thing when covering stories on criminals.

Theater
""Oh, please-a, judge, my Tony, he's a good boy.""
 * One of the examples given in the song "I Love a Film Cliche" from A Day in Hollywood, A Night in the Ukraine is a woman with a heavy Italian accent pleading

Video Games

 * In Double Switch,  mother knows that her son is insane. However, she is strongly in denial over it and even acts as his accomplice at one point.