World's Greatest Dad



Heathers meets Dead Poets Society WITH A NUDE ROBIN WILLIAMS!

Well, not quite. While Robin Williams does play a poetry teacher, and there is the faking of a suicide note (which leads to the dead teenager's posthumous popularity), there is much, much more to the film than that.

Robin Williams is Lance Clayton, a poetry teacher, as noted above. However, unlike John Keating, his class is very unpopular and he does not inspire his students at all. He is also a struggling writer who has not been able to get anything published. His girlfriend, Claire, is a pretty young art teacher, but she seems to be spending a lot of time with the handsome and charming English teacher Mike. And as if all that wasn't bad enough, his son, Kyle, is a surly, porn-obsessed, misogynistic Jerkass.

This film was made in 2008 and opened at Sundance in early 2009, and is now on DVD and Blu-Ray. It was directed by Bobcat Goldthwait, who also directed Shakes the Clown (in which Robin has an uncredited cameo) and Sleeping Dogs Lie, a romantic comedy where a girl reveals she fellated a dog in college and her relationships start to fall apart. (We don't make these things up, folks.)

Worlds Greatest Dad contains examples of:

 * Actor Allusion: Robin Williams plays a poetry teacher at a private school where a student commits suicide.
 * At one point, one of his colleagues has written a short story whose title Robin identifies as being a reference to Isaac Asimov's I Robot. Robin Williams starred in the film adaptation of Asimov's Bicentennial Man, but you can forgive someone for considering it an allusion.
 * Contemptible Cover: Some people who otherwise would have seen this film were driven away by the poster (above), since no one seems to have told the designers that "red text on a white background" has become synonymous with extremely horrible movies. Also, considering the last Robin Williams film to use the "red text on a white background" cliche was License To Wed... thank goodness the DVD cover is much different.
 * Erotic Asphyxiation -
 * Hey Its That Guy - Voice actor Tom Kenny has a cameo as a television producer. Kenny and Goldthwait were high school friends and performed comedy under the name "Tomcat and Bobcat," which is where Goldthwait acquired his nickname (and no, it's not the source of the name of Kenny's best known role.).
 * Mood Whiplash - Claire sexually teasing and fondling Lance is followed right by
 * Male Frontal Nudity - Robin Williams strips down to only his socks for the final scene where Lance jumps off a diving board after . Not meant as Fan Service or even Fan Disservice, but symbolic of how he's stripped off everything from his old life and become reborn. Most viewers still call it Fan Disservice (unless of course they're really into Robin Williams). Incidentally, this is the only part of the film interviewers seem to want to talk about with Robin and Bobcat. Robin and Bobcat are more than happy to answer, however.
 * May December Romance: Lance is considerably older than Claire, depending on whether Lance is supposed to be around the same age as Robin Williams or not.
 * Never Trust a Trailer - The trailer makes it seem like it's just about Robin Williams raising an extremely difficult son. They do show clips of Robin's nude pool dive from the ending, but they make it seem more comical than it really is. On the other hand...
 * Pac Man Fever - All the technology in the movie is contemporary to the time it was filmed, 2008, yet Kyle's game of choice is Doom. Then again, DOOM is still incredibly popular today.
 * Post Mortem Conversion: A father recasting his worthless son
 * Shout Out - Lance quotes Simon Pegg on modern zombies ("Death is an impediment, not an energy drink").
 * News Articles Always Spoil - Anyone who read any news articles on the film before they saw it would already know that
 * Teens Are Monsters - Kyle.
 * Too Soon - This film started showing at places other than Sundance just shortly after David Carradine's death. Critics did not let this slide (never mind that it was filmed in 2008). On the other hand, the film's satire of people being turned into saints after their death is, well... quite timely.