Gankutsuou



""Bide your time, and hold out hope.""

The year is 5053. A young French nobleman, Viscount Albert de Morcerf and his friend Baron Franz d'Epinay are partying hard on the moon colony of Luna, when a dark, ominous, blue-skinned stranger suddenly steps into their lives. Said stranger is the self-made Count of Monte Cristo, a man with incredible riches, unusual powers, and an unnatural interest in our hero, Albert. (The Count also appears to have some sort of mysterious connection to Albert's parents--as if he had somehow known them in the past, although neither of them can ever remember seeing the Count before.)

As time passes, the Count insinuates himself further and further into Albert's life and into the lives of the people he knows. But what is the Count's true reason for doing so? Is he, as he claims, a harmless wannabe nobleman who just wants to be introduced into High Society, or does he have a much darker purpose in mind?

Gankutsuou is a 24-episode paraphrase of Alexandre Dumas' famous novel, The Count of Monte Cristo, set far into the future and viewed through an anime-and-LSD filter. Because it's based on a work of Western Literature, it has an unusual pace and plot for an anime, choosing to ignore many of the most common tropes that one tends to find in that medium. It also has a weird visual style with fantastically rendered CG backgrounds and characters with elaborate clothing patterns that remain stationary as the clothing and characters themselves move. Some viewers are awed by this aesthetic, while others are so put off by it that they stop watching the show. (You'll know about five minutes in what kind of viewer you are.)

One of the better offerings of Studio GONZO in recent years, this show has everything you'd expect to find in a really good story -- suspense, romance, revenge, violence, tragedy, duels to the death, pot-boiling plot twists and one of the coolest anti-heroes to ever appear in this or any other medium.

This series provides examples of:

"AND EVERYTHING WILL BECOME A NIGHTMARE!"
 * Accidental Public Confession: At Villefort's trial, Andrea Cavalcanti shows up, and angers Villefort to the point of confessing that
 * He "confessed" not only that, but to
 * Adaptation Distillation: In the eyes of some fans of the novel.
 * An Aesop: Don't forget, revenge will consume your soul. Also,
 * Probably also the Anvilicious "a life of simplicity and togetherness is better than a life of luxury, superficiality, and crippling loneliness." See Edmond, Mercedes, Albert, Maximilien, Valentine, and also Fernand to some extent.
 * Or possibly; Stay away from creepy people who live on the moon.
 * Affably Evil
 * All There in the Manual: Quite a bit of backstory (for example, everything between the Count's escape from the Chateau d'If to the first episode) is included only in the manga. Or possibly the novel.
 * Animated Adaptation
 * Arc Words:
 * "Mesdames, Messieurs, bonsoir."
 * "Wait and Hope."
 * Aristocrats Are Evil
 * Arranged Marriage: Several plot points revolve around these, which are apparently common amongst futuristic aristocrats.
 * Artsy Moon: Somewhat justified by the fact that it is colonized, thus having its surface altered, the moon sports a creepy skull-like face.
 * Ascended Extra: Franz was a minor character in the novel. Not so in the anime.
 * Asshole Victim: Morcerf, Danglars, and Villefort all richly deserve what the Count plans for them, both for what they did to him and for the terrible things they have done since. Unfortunately, they aren't the only ones who are to suffer.
 * At the Opera Tonight: Albert's first meeting with the Count  as well as the first time he sees Haydée.
 * Awesome but Impractical: The reaction of some people to the art style. They don't actually dislike it but suffer from headaches from watching it.
 * Badass: The Count, Fernand, Bertuccio, and Baptistin.
 * Bait and Switch Credits: The Opening Song has a somber mood that is fitting to the tone of the series, but the art style is dramatically different -- and somewhat worrisome to first-time viewers, who might fear that the entire episode has been animated in that style.
 * Becoming the Mask: In the beginning The Count only pretends to like Albert when in reality he only views him as a tool for his revenge.
 * Best Served Cold: Naturally.
 * Beware the Nice Ones: Edmond really lost it.
 * Big Screwed-Up Family: Three for the price of one! The Morcerfs have a Smug Snake patriarch, a Hot Mom, and a Butt Monkey son. The Villefort patriarch is a Hanging Judge and the matriarch is a . But let's not forget the Danglars Family. A controlling Fat Bastard of a father, his cheating wife, and an on-and-off Type A Stepford Smiler for their daughter.
 * Bittersweet Ending
 * Blond Guys Are Evil: Two out of the three prominent blond males are wicked, wicked men. (On the other hand, the third is consistently one of the nicest characters in the whole series.)
 * Break the Cutie: Edmond, Albert, to a certain extent Mercedes and Franz.
 * Bring Out Your Gay Dead:  (Although to be fair, the show is far from being homophobic, what with all that Ho Yay.)
 * Brother-Sister Incest: It's non-consensual, which makes it even more squicky.
 * Byronic Hero: The Count is a fine example. He's even strongly associated with Tchaikowski's "Manfred Symphony," which is itself based on Lord Byron's "Manfred." The creator, Mahiro Maeda, has even said in an interview that he was influenced by Byron when creating the Count's character. Of course, this is also a reference to the original Count, who is compared to Manfred by several characters in the book.
 * Chekhov's Gun: A number of them: and an actual gun:  And lastly,
 * Chekhov's Gunman: ; also
 * Interview with the creators reveal that
 * The Chessmaster: The Count. Lampshaded in an episode in which he plays chess against an AI and wins, and also proclaims to a desperate Haydée that he will "throw away the useless pieces that stand in the way of revenge."
 * Collapsing Lair/Load-Bearing Boss
 * Compressed Adaptation
 * Conspicuous CG: Most of the backgrounds are fantastically rendered in 3-D. In fact, so much CG is used in this production that it is actually the non-CG stuff -- e.g., the character's faces -- that are conspicuous.
 * Cooldown Hug
 * The Corruption: Gankutsuou.
 * Cosmic Horror:  qualifies.
 * Costume Inertia: Albert's "Pirate Outfit"
 * Costume Porn: To the point where it makes your eyes bleed.
 * Courtroom Antic: Lots of these occur in the last part of the series, which include reveal-tacular Penultimate Outbursts by and about various characters.
 * Deal with the Devil
 * Death by Adaptation / Spared by the Adaptation: The poisoner is revealed to be much earlier than in the book, far too early for the resultant deaths of  and  and the Count's My God, What Have I Done?, so those two wind up surviving to the end. On the flipside, in the original their deaths caused the Count to change his M.O. to a less bloody one, whereas in this version he actually kills .  also makes it out alive in this version, and  doesn't.
 * Death by Materialism:
 * Demoted to Extra: Maximilien, who had a lot more to do with  in the novel.
 * Devil in Plain Sight / Unusually Uninteresting Sight: The count is blue and has fangs but almost no one seems to notice/comment on it. One of the only times it's acknowledged is in a From the Mouths of Babes moment from Edouard Villefort.
 * In fairness, some of the aliens in the background in this show are pink and have heart-shaped heads. In fact the weird thing about the Count is really just that he's blue and human.
 * The Count looks like he belongs to the same species as Haydée with his blue skin and pointy ears - just his fangs set him apart. Of course their similar appearance is just a coincidence, since the Count is human and Haydée is not, but your average observer probably couldn't tell the difference.
 * Damsel in Distress: Valentine's poisoning. Also Eugénie's rush to the altar.
 * Driven by Envy: Danglars.
 * Dropped a Bridget On Him: Happens to Albert. Then  uses it to wind him up for the rest of the series.
 * It is possible that this is a case of Ambiguous Gender since
 * It's implied that
 * Peppo may be a transsexual - in her final appearance in the commercial she says: "You too can be reborn", which seems to imply that that's what she's done.
 * Peppo was confirmed to be male by the manga adaptation, as well as originally being a boy crossdressing as a girl to seduce Albert in the novel.
 * Easily Forgiven:
 * Eccentric Millionaire: The Count, obviously.
 * Elaborate Underground Base: The Count has one, and it's a doozy. It even has its own indoor ocean.
 * Don't forget the sky. An UNDERGROUND SKY.
 * Mr. Fanservice: By God, the Count during You can hear the fangirls howling from here.
 * Even Evil Has Standards:.
 * Even the Guys Want Him: The Count might be a good case.
 * Also, Albert.
 * Everything's Better with Sparkles: Haydée attends an opera in one episode wearing what can only be described as the sparkliest dress ever.
 * Evil Counterpart: The Count is Albert's evil counterpart, while Fernand is Franz's. They even hang a lampshade on it with a flashback of Edmond and Fernand at the beach that is a mirror image of an earlier (or is it later?) flashback of Albert and Franz there.
 * Evil Laugh: Fairly late in the series the Count breaks down sobbing, as his next move involves destroying his friendship with Albert - and then the sobs turn to chuckles and soon he's howling with mad laughter.
 * Eye Scream
 * Facial Markings: The "eyes" on the Count's forehead are a manifestation of his power, and are only visible when he's using it.
 * These facial (later full body) markings are a Homage to Alfred Bester's The Stars My Destination (aka Tiger! Tiger!), one main source of inspiration for the writer.
 * Fan Disservice:  masturbation scene and.
 * Also, the Count's Shirtless Scene after . Turns out.
 * Fantasy Counterpart Culture: Nearly all references to foreign countries and customs from the book are replaced with "Eastern Space." Rome is replaced with Luna, a city on the moon that resembles a cross between old world Italy and modern day New Orleans. Haydee, who was an ethnic Turk in the book, is shown as a pale faced, pointy eared alien from a civilization that is a cross between Middle Eastern and Chinese influences.
 * Fat Bastard: Baron Danglars. Although flashbacks show that, while he wasn't always fat, he was always a bastard.
 * Fate Worse Than Death: Let's just say that convicts unlucky enough to end up "incarcerated" in the prison/space fortress, Chateau d'If won't mind execution after being literally plugged into its control system.
 * Femme Fatale: Half averted by Mercedes, who actually has a fairly innocent personality. She dresses every bit like an overly rich Femme Fatale, though.
 * Foreign Language Theme: Both the opening and the ending songs are in English.
 * And the narrator is French.
 * Freudian Excuse: Andrea.
 * Gainaxing: Haydée in her opera outfit, combined with Conspicuous CG. A rather odd case, especially in how exaggerated it is, considering that Haydée is relatively modestly endowed, and not intended as a sex symbol.
 * Glamour Failure: The Count appears blurry and out-of-focus in photographs, and his voice doesn't register on audio recordings.
 * Glowing Eyes of Doom
 * Good Eyes, Evil Eyes: The most purely good characters like Albert and most of his friends have wide eyes; more anti-heroic characters like Beauchamp and Debray have narrower eyes, as do the Count and his enemies. Andrea, being a real psycho has slitted pupils like a snake
 * Good Thing You Can Heal
 * Gratuitous English: The pattern for Albert's pirate outfit says "BERATE". Also, "Happy Birthday, Albert."
 * You certainly mean "Happii baasudei, Aruberu!"
 * Gratuitous French: There's a lot of French (most of the on-screen writing, for a start), but where it really goes over the line is that there is one character who is distinguished by speaking only in French, in the midst of all these French characters speaking what appears to be Japanese.
 * Hanging Judge: Villefort, who is actually referred to in the subtitles as "the hanging judge".
 * Have You Told Anyone Else?: Edmond, being a complete naïf, misses the significance of Villefort asking him this.
 * He Who Fights Monsters: A central theme in the case of the Count.
 * The Heartless: ( might be this.)
 * Heel Face Revolving Door: The Count's minions, particularly Baptistin and Bertuccio.
 * Heroic Sacrifice:
 * Heterosexual Life Partners: Albert and Franz
 * Though the "hetero" part apparently only applies to Albert
 * Franz's voice actor even affirmed in a DVD bonus that.
 * Hey, It's That Voice!: Let's just have a list.
 * Joji Nakata as the Count
 * Jun Fukuyama as Albert (the role that propelled him to stardom)
 * Daisuke Hirakawa as Franz
 * Jurota Kosugi as Fernand
 * Kikuko Inoue as Mercedes
 * Chie Nakamura as Eugénie
 * Tomokazu Seki as Andrea (a fan of the novel, he actually auditioned for the role of the Count, but fortunately landed Andrea instead)
 * Akiko Yajima as Haydée
 * Mai Nakahara as Peppo
 * Nobuo Tobita as Baptistin
 * Tetsu Inada as Maximilien
 * Kumiko Watanabe as Héloïse
 * In English, Albert and Franz have the same voice actors as Lelouch and Mao, respectively.
 * Also Tony Oliver as Maximilian. You can really hear the Bang Shishigami when he gets angry.
 * Additionally, Michelle Ruff as Eugénie, Yuri Lowenthal as Chateau-Renaud, Beau Billingslea as Bertuccio, and Wendee Lee in a small bit as the young Albert.
 * Beau Billingslea as Bertuccio in the English dub. He doesn't even bother pretending to be voicing anyone other than Jet Black.
 * Hidden Eyes: Albert, at certain key moments.
 * Hide Your Gays: Strangely for an anime with so much Ho Yay in it, it drops the suggestion from the novel that Eugénie is a lesbian.
 * Debatable, since it adds a large dose of Ho Yay between Albert and the Count, and Franz and Albert. Even Eugénie was originally designed to be a lesbian (the trailer even has her leaning in to kiss her piano teacher), but that was changed when she was retooled into Albert's love interest.
 * There's also the whole business with Andrea and his parents - the episode he's introduced in is chock-full of foreboding and creepy visuals, ranging from allusions to the Minotaur and its labyrinth to sculptures of babies and cherubs made horribly creepy by the context.
 * Captured by the Count's conclusion to one of his  in the manga:


 * Horrible Judge of Character: Albert.
 * Hot Shounen Mom: Mercedes.
 * Humiliation Conga: The Count's plan for his enemies is explicitly to do this to them so badly that they will long for death, but not receive it.
 * Humongous Mecha: Used by Dueling Noblemen of the Future -- apparently simple swordfighting isn't flashy or dramatic enough anymore.
 * Hypercompetent Sidekick: Let's face it: Franz is a lot brighter than Albert is.
 * "I Know You're in There Somewhere" Fight: Albert and the Count.
 * I Want My Beloved to Be Happy: The reason helps Albert crash . Also the reason for  Heroic Sacrifice. Franz helps Maximilian understand that this is the best way to love someone early on.
 * Idiot Hero: If only Albert had listened to Franz at, oh, really any point along the way. He eventually wises up...a bit too late.
 * If I Can't Have You:
 * To be fair,
 * Ill Girl: Valentine
 * Impossibly Cool Clothes: It's the future! Everybody wears these!
 * The Ingenue: Albert. (Even his virginity is emphasized a couple of times.) Then he undergoes a Break the Cutie process.
 * Instant Awesome, Just Add Mecha: The fight between Mondego and the Count. Also, the fight between and the Count.
 * Karma Houdini: escapes from prison amidst the confusion of, and is last seen in the Distant Finale having become a notorious master criminal.
 * Karmic Death: Anybody punished to the bitter end by the Count.
 * Large Ham: We all love the Count's melodramatic narcissism.
 * Laser-Guided Karma: Happens to in the end. See Karmic Death entry above.
 * Lecherous Licking: One scene has Andrea naked in a bathtub strewn with rose petals, drinking red wine...and then he crushes the wineglass in his hand until he bleeds, and he promptly licks the blood from his arm.
 * Lolicon: Possibly both applied and doubly subverted by Haydée. In the anime, everybody starting with Albert thinks that, which it is strongly implied isn't the case (especially since  ). This also subverts the ending of the novel, in which   Which was very squicky anyway.
 * Lost in Imitation: Averted: the anime manages to avoid the traps and clichés other adaptations of the novel fell victim to.
 * Love Dodecahedron: Oh god, the whole series is one HUGE Love Dodecahedron.
 * Love Hurts: Good god, Franz had to suffer a lot because of his unrequited love for Albert.
 * Albert's platonic (?) crush on the Count.
 * Of course Albert doesn't know that Franz is in love with him (and Franz never planned to let him know) which puts things in a slightly different perspective.
 * Love Makes You Evil: Morcerf.
 * Manly Tears: The Count cries a few times (mostly over Albert), but doesn't sacrifice his dignity by doing so.
 * Mark of the Beast
 * The Matchmaker: Albert becomes this for Valentine and Maximilien, frequently acting as a mediator between them and attempting to coach Maximilien on how to win her over.
 * Meaningful Name: The fact that Edmond Dantes's name may evoke "demon" and Dante's Inferno is taken quite literally in the anime.
 * It should be noted, though, that 'Dantes' is not a reference to Dante (in fact, the correct spelling is 'Dantès').
 * Some literary critics would disagree with this point. "Dantès" is a possible Southern French equivalent of the name "Dante."
 * Mechanical Horses: Pulling a hovercraft carriage no less.
 * The Messiah: Albert becomes something of this, especially at the end where.
 * Mind Rape: Edmond undergoes a major one in prison, although it's way more explicit in the manga.
 * Mismatched Eyes: The Count.
 * More Expendable Than You: The above-mentioned Heroic Sacrifice
 * Mushroom Samba: With its surrealistic scenes, the manga (as of volume 2) sometimes gives the uncomfortable impression that the crazy plot is All Just a Dream produced by a deranged mind, whether Edmond / the Count is hallucinating the whole thing as a result of smoking his hookah or has gone schizophrenic in prison. Dumas, This Is Your Premise on Drugs, happy?
 * Narrator All Along: It slowly becomes apparent that the narrator of the "Previously On..." segments is none other than.
 * Near-Rape Experience: When Andrea Cavalcanti.
 * Never Got to Say Goodbye: Franz to his father. Not only did he not say goodbye, he also told him he hopes he never comes back. Oops.
 * Never Trust a Trailer: The production team made huge changes to the story in the very last moment - so much so that the original TV trailers feature some characters looking completely different than how they ended up, footage that didn't make it in the end, and events that either never took place or were played out in a different way.
 * Probably overlaps with What Could Have Been for better or for worse, from the looks of it.
 * Not So Different: In his pursuit of revenge, the Count has become just as cruel as if not more so than the people who ruined him. This is explicitly spelled out in the end.
 * This may also be because the Count is no longer quite human...
 * Not really;
 * Obfuscating Stupidity: The Count.
 * Oblivious to Love: Albert was completely oblivious of Franz's feelings for him. It helped that Franz kept his feelings a secret from everyone.
 * Albert's not oblivious to love, just oblivious to guy love. Well, he's not gay so its kinda expected.
 * That didn't stop him from having a huge and very obvious crush on the Count, though.
 * Oedipus Complex: The manga implies that Albert is looking for a father figure in the Count because he has issues with his authoritarian real father. He also has an interesting relationship with his mother.
 * There's also Andrea who takes this to the logical extreme:
 * Our Vampires Are Different: The Count isn't technically a vampire, but the fact that he has several of their characteristics is Lampshaded several times and he doesn't have all of their characteristics.
 * This is actually carried over from the novel, where the Count is compared to a vampire by the Countess G---. It's just dialed Up to Eleven by giving him a vampire's magical properties instead of just being a guy who fits the traditional suave vampire archetype.
 * Out-of-Clothes Experience: In the manga.
 * Parental Incest:
 * Perfectly Arranged Marriage: Albert and Eugénie. Although Albert initially isn't in love with her (though Eugénie was revealed to have always been in love with him).
 * POV Sequel: The Count of Monte Cristo seen through Albert's eyes.
 * According to Word of God, one of the reasons Albert was chosen as the viewpoint character instead of the Count was to put the focus on the consequences of revenge rather than the satisfaction of it, as the creators worried about glorifying revenge.
 * The Power of Love: Gankutsuou is defeated
 * People who call it Epic Fail usually fail to realize that
 * Pragmatic Adaptation
 * Promoted to Love Interest: Eugénie Danglars. In the original novel she detested Albert (and all other men for that matter) and ran away to have a lesbian relationship with her piano instructor. In Gankutsuou the instructor has been cut out and Eugénie's been changed to something similar to a Tsundere.
 * Princess Curls: Andrea Cavalcanti, a rare example of a male with this hairstyle
 * It's interesting to note that the hairstyle was originally meant for Eugénie (as seen in the official trailer and concept art) - it was transferred to Andrea in the very last moment, when the writers decided that Eugénie would be a positive character and love interest.
 * Public Domain Soundtrack: Tchaikovsky's "Manfred symphony" is used a lot - the first movement is the Count's own theme and excerpts from latter movements are also used here and there. Eugénie plays the first movement (edited, though) of Rachmaninov's "Piano Concerto No. 2" and Schumann's "Traumerei" during her performance in the Opera, on Luna Albert and Franz meet the Count during a performance of "Lucia di Lammermoor", later in Paris the Count invites Albert to a performance of "Robert le Diable"... and the opening theme song is based partly on Chopin's "Etude Op.10 No.3."
 * The Punishment: Interesting subversion of this, in that the person who received dark, almost supernatural powers as a result of his punishment was innocent.
 * Race Lift: To preserve his status as exotic the Count's henchman Ali is changed from a black African to a green space alien.
 * Recycled in Space
 * Redemption Equals Death:
 * Rookie Red Ranger: Albert
 * Rule of Cool: Without his dramatic poses and mannerisms, the Count would just be... Edmond Dantes?
 * Runaway Bride: Eugénie becomes this towards Andrea, who was forcing her to marry him.
 * Runaway Fiance
 * Scary Shiny Glasses: Baron Danglars does this occasionally; Villefort somewhat more often, though his is a Scary Shiny Monocle.
 * Scenery Porn
 * Schizo-Tech: The setting is an odd combination of the novel's 19th century setting, mid-twentieth century elements (i.e. the cars) and far future technology
 * Sealed Evil in a Can: was sealed away for a thousand years but released some years before the start of the story.
 * Second Love: Valentine's first love was her fiancé Franz, but she eventually returns  feelings and ends up with him.
 * Secret Identity: Not only the Count, but also Fernand, Mercedes, and, to some extent, Villefort and Danglars. And don't forget.
 * Secret Identity Identity: Although he has fewer personae than in the novel, "Edmond" is so absorbed by his persona as the Count and  that he keeps claiming that Edmond died in prison and was reborn as the Count of Monte Cristo -at least  . Interestingly, he still signs "Edmond Dantes" when he wants to terrify his former oppressors. One might even argue that "Edmond Dantes" is a social construction that just exists in a few characters' (arguably deformed or idealized) memories while the Count is very real -and out for some aristocratic blood. What should we call him, anyway?
 * John Galt?
 * Shirtless Scene: Albert; the Count.
 * Shower of Angst: Albert has one in episode 8.
 * Sinister Shades: Bertuccio wears a pair. Notably, they're Opaque Lenses most of the time, but become translucent when he has moments of humanity. (And on one memorable occasion, when he's struggling with his conscience, one lens becomes translucent while the other remains opaque.)
 * Baron Danglars wears these all the time, as well. In his case they signify his shifty character.
 * Slasher Smile: The titular Count wears a rather terrifying example of this when everything is going according to plan (which usually involves a humiliating and/or painful death)
 * Space Jews: Foreign characters like Ali, Haydée, etc. are aliens. The series uses the term "Eastern Space" for locations that were in Turkey/the Middle East in the novel.
 * Spanner in the Works: Franz becomes this to the Count when.
 * Split Personality Takeover:
 * Super Soldier: Maximilien is essentially one, but also a Gentle Giant.
 * Symbolic Blood: Shed in large quantities by the mechas during the duel scenes.
 * That Man Is Dead
 * The Precious, Precious Car: Renaud.
 * Theme Tune Cameo: The opening theme song appears in other forms several times during the action of the show.
 * This Is Sparta: The Count, Andrea, and Fernand have some juicy moments, and the structure and intonations of spoken Japanese lend themselves to them very well. TAKE THE HAMMER STRIKE. OF REVENGE! Close-up on the Count's face, cue to some crazy Humongous Mecha fight.
 * Took a Level In Badass: Apparently, this is what Chateau d'If does to you. Albert is a more debatable case.
 * Transformation Trauma: Boy, does  in the anime look (and sound) painful. In the manga,   is even worse, as it involves  . His look of utter "What the hell was this!?" when he looks at his hands in the aftermath says it all, really.
 * Trickster Archetype: The Count has several personae, tricks people and is occasionally himself tricked, displays a confusing moral ambiguity and a total disrespect for social conventions, is histrionic, and also lives beyond traditional boundaries such as.
 * To a certain extent, he also has some characteristics of a Shape Shifter (see ).
 * Tsundere: Eugénie, sort of.
 * Two Guys and a Girl: Edmond Dantes and Albert's parents. Averted with Valentine, Franz, and Maximilien because of Franz' love interest. Subverted with Albert, Franz and Eugénie.
 * The Unfettered: The Count.
 * Unlucky Childhood Friend: Franz. Eugénie seems like this in the beginning,
 * Unmoving Plaid: Good Lord!
 * Unusual Ears: The Count has pointed ears.
 * As does Haydée.
 * Bertuccio has a pair too, coupled with a matching pair of fangs - neither of which he had before joining the Count's team.
 * Villain Protagonist
 * Villains Out Shopping
 * War for Fun and Profit: The motivation for.
 * Weird Moon
 * What Do You Mean It Wasn't Made on Drugs?: Not the script or premise, but the entire universe being made of Unmoving Plaid gives an effect not unlike an LSD trip.
 * Wholesome Crossdresser: See Transsexualism above.
 * Yandere / Cute and Psycho: Madame Villefort