Roland Emmerich



""I'm a Filmmaker, not a scientist.""

''In a World... Where B-Movies end up on the nadir of video store shelves... One Rich Man... Dares to make them awesome.''

Roland Emmerich is a German director who is the undisputed king of American Disaster Movies in the past fifteen years or so. He's known for blowing up the White House, among other things. Though his films have a tendency to get mixed reviews, he makes films that are usually enjoyable in their own rights.

He became interested in film after seeing Star Wars (like many others), and attended the University of Television and Film in Munich. His early films are generally unknown by most audiences, but were praised in his home country. His first film was Das Arche Noah Prinzip (The Noah's Ark Principle), about a space station that could be used to control the weather, which holds the record for Germany's most expensive student film (about 1.2 million DM). He made several further films in Germany that are borderline unknown; Joey, Hollywood-Monster and Moon 44; one of which featured one of his frequent collaborators in scripting: Dean Devlin.

In The Nineties, he traveled to Hollywood to direct his first blockbuster: Universal Soldier. While it received less-than-kind reviews, the film made a decent amount of money in the USA, it made over twice the amount of money overseas. After this, he directed Stargate, which later kicked off its own TV Series and franchise.

After Stargate, he would move on to direct his best known film: Independence Day. It was the first movie to make $100 Million in one week, and later became the second highest grossing film for the time. After taking a break from directing, he worked with Devlin on the one-season show called The Visitor.

Then, he worked on the 1998 R Emake of Godzilla, or Godzilla: In Name Only (GINO) as some fans called it. It used clever Viral Marketing, describing the size of the monster without giving it away. When the actual film came out, it wasn't received well. Roger Ebert and Gene Siskel, who criticized his previous his movies, pointed out his Take That in the film, and was displeased to find that he didn't get eaten or stepped on by the giant lizard. Ebert still holds a grudge against him to this very day. Over time, though, Godzilla fans have considered the movie to be better than less-enjoyable installments in the series.

In the 2000's, he directed the war epic The Patriot, which is generally seen by critics as his best movie, though still just okay. He made 2004's The Day After Tomorrow, about an ice age enveloping the northern hemisphere in a matter of weeks due to an extreme change in the climate caused by extreme global warming. Four years later, he created the poorly-received Ten Thousand BC.

2012, is apparently his swansong for disaster movies. Though the film has very little to do with the apocalypse theory in question, movie fit in as many disasters as it could. It's his most visually impressive movies, and given who we're talking about that's saying a lot. Interestingly, Roger Ebert (previously critical of Emmerich's work) praised the film, claiming that it was as entertaining as any disaster movie could hope to be.

His latest film is Anonymous,about Edward De Vere, Earl of Oxford, whom some suspect is the real author of the plays of Shakespeare. As always, there are many historical liberties and inaccuracies taken with the film, besides the obvious. Before the movie's release, Emmerich responded to the criticisms of the film's support of the oxford theory by calling the scholars who objected the theory liars.

Emmerich is openly gay, and in 2006, he pledged $150,000 to the Legacy Project, a campaign dedicated to gay and lesbian film preservation. Emmerich made the donation on behalf of Outfest, making it the largest gift in the festival's history. He owns homes in Los Angeles, Manhattan, London and Stuttgart. He likes to decorate his homes in a self-described "outlandish" manner, adorning them with rare Hollywood memorabilia, murals and portraits of dictators and Communist figures, and World War II-era relics. His extensive collection of artwork includes a painting of Jesus Christ wearing a Katharine Hamnett-styled t-shirt during his crucifixion, prints of Alison Jackson's works of a Princess Diana lookalike making obscene gestures and engaging in sex acts, a wax sculpture of Pope John Paul II laughing as he reads his own obituary, and a Photoshopped image of Iranian president Mahmoud Ahmadinejad in a homoerotic pose. His three favorite movies are The Poseidon Adventure, The Towering Inferno and Earthquake, all disaster movies.

MSTK3 Mantra is in full effect here. Don't try thinking about inconsistencies, internal and external, in his movies; you'll enjoy them more that way.

Compare him to Michael Bay. If they collaborated, Hollywood would explode.

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Selected Tropography:

 * Artistic License: He justifies the silly logical inconsistancies with this, feeling that the action in his movies don't need to be completely accurate to be entertaining. This is probably for the best. Your Mileage May Vary.
 * Disaster Movie / Epic Movie: Usually in tandem.
 * George Lucas Throwback: Almost all of the summer blockbusters that he's made tend to homage B-Movies.
 * Stargate was this for Sci-Fi films.
 * Independence Day was this for Alien Invasion flicks.
 * The above film, Godzilla, The Day After Tomorrow and 2012 are these for Disaster Movies.
 * 10,000 BC was this for "Prehistoric" picture shows from the 50s.
 * Hollywood Science
 * Loads and Loads of Characters
 * Monumental Damage
 * Old Shame: Of a sort. Emmerich regretted that he rushed Godzilla for a Labor Day release. He still defends the film, though.
 * Playing Against Type: Emmerich says 2012 will be his last disaster movie, at least for a while, and his next film, Anonymous, is a pseudo-historical mystery-thriller about William Shakespeare.
 * Refuge in Cool: Absolutely any film that he's involved in. And we wouldn't have it any other way.
 * Rule of Fun
 * Stuff Blowing Up