Dreamgirls



"We're your Dreamgirls, boys! We'll make you happy. Yeah... We're your Dreamgirls, boys! We'll always care. We're your Dreamgirls... Dreamgirls will never leave you! No, no... And all you have to do is dream, baby. We'll be there!"

- From the title song.

"And I am telling you, I'm not going..."

- Opening line of its most famous number

Opening in 1981, Dreamgirls is composer Henry Krieger and lyricist/librettist Tom Eyen's tribute to the lives and struggles of many 1960s R&B acts. A film version was released in 2006 after being in the works for years.

Mainly inspired by the story of The Supremes, Dreamgirls follows the lives of the Dreams, composed of full-figured and sassy lead singer Effie White, driven Deena Jones, and mousy Lorrell Robinson. With the help of Effie's songwriting brother C.C., the girls dream of leaving the slums of Detroit. They are plucked from obscurity by Curtis Taylor Jr., who becomes their manager, and arranges to have them sing backup for superstar Jimmy "Thunder" Early. While the Thunderman begins a long-term affair with Lorrell while married, Curtis falls in love with Effie. But when he decides to give the group their own act, he shifts his attention to the more conventionally beautiful Deena, pushing her to the top, and leaving Effie quite out in the cold. Years later, Curtis' ambitions for Deena clash with Effie's attempts to start on her own. More Drama Ensues.

"Greed: Curtis Envy: Lorrell, for Jimmy's marriage
 * Adaptation Expansion: The film version features details not seen on stage. Most importantly, it features
 * Not to mention adding three new songs. At least one stage production goes so far as to modify one of the new songs, making "Listen" less about Deena changing, and more about her apologizing to Effie.
 * Ambition Is Evil: Curtis, Curtis, Curtis.
 * Based on a True Story: The musical (and the film) are quite clearly based on Diana Ross, Florence Ballard, and Mary Wilson; better known as The Supremes. The musical was was somewhat careful about making its story less clearly based on the supergroup; the film, however, had no such qualms, and Mary Wilson even called it "closer to the truth than they'll ever know."
 * The musical's biggest difference with reality is the survival of Effie White, the Florence Ballard expy; in real life, Ballard tragically died of a coronary thrombosis just as she was poised to launch a solo career.
 * The film keeps Effie's survival intact, but also adds a subplot about Deena Jones, the Diana Ross expy, reconciling with Effie; in real life, Ross and Ballard remained estranged until Ballard's death, though Ross did establish a trust fund for Ballard's children after Ballard died.
 * The film also directly copies several Supremes covers, and the song "When I First Saw You" is set to Deena being photographed in the same manner as several famous Diana Ross photographs.
 * BBW: Effie, who is understandably quite pissed that top billing (and her boyfriend's affections) end up going to Deena because of her looks, even though Effie is the best singer in the group.
 * Boastful Rap: Jimmy's rap.
 * The Cameo: Aretha Franklin, John Lithgow, and John Krasinski in The Movie.
 * Cannot Spit It Out: A whole lot of drama could have ended before intermission had Effie told Curtis that.
 * In the film version,.
 * Chekhov's Gunman: Michelle, the girl Curtis hires as his secretary,.
 * Civil Rights Movement: Not central to the story, but racism and the civil rights struggle are brought up from time to time.
 * Composite Character: Several; to name one, Effie is based on Florence Ballard with elements of Aretha Franklin and Etta James.
 * Corrupt Corporate Executive: Curtis. When Deena's mom worries that her daughter is just a "product", he responds as though it were a compliment.
 * Cut Song: "Ain't No Party", where Lorrell voices her frustrations at Jimmy for not marrying her. A shame it was cut in the movie, since it gives her a bit of an edge.
 * Everything's Better with Sparkles: Jimmy loves flashy clothes (he claims he thought of it first), there's four cannons of the stuff in the finale, and they're all over the closing credits.
 * Expy / Lawyer-Friendly Cameo: In addition to the leads, there's also the Jackson Five and the Sly & The Family Stone expies at the Rainbow Records concert.
 * Face Heel Turn: While Curtis' more questionable actions are for the good of the group in the first act, by the second he becomes a full-fledged villain since the money and power had gone to his head.
 * Fleeting Demographic Rule: Many Beyonce fans were confused when the film turned out to be about Jennifer Hudson though the fact the original promos only showed Beyonce, Eddy Murphy, and Jamie Foxx, you can understand some of their confusion.
 * In-universe example: When Michelle replaces Effie, everyone acts like Michelle had been in the group the whole time, even though Effie was with them when they started achieving international fame.
 * He's Back: Subverted with Jimmy's performance during the fundraiser / Rainbow Records anniversary special.
 * Hope Spot: It seems like Jimmy's CMOA until the pants come off...
 * The Ingenue: Lorrell and Deena in the first act.
 * Inspired By: See the opening paragraph.
 * Kick the Dog: Curtis to Deena (paraphrased): "You're popular because your voice has no personality except what I put in it." It's kinda weird when the person you're telling that to is Beyonce freaking Knowles.
 * Curtis terminating Jimmy's comeback single for not conforming to the image he wanted to present, despite not having any particular plans to revive Jimmy's career himself. Especially heinous since Curtis owes Jimmy his career.
 * Lighter and Softer: Arguably the driving force of the plot. The Dreamettes are refocused into The Dreams (and later Deena Jones and the Dreams) moving from an R&B to a Pop sound. Jimmy Early gets a similar treatment.
 * As mentioned in The Moral Substitute, "Cadillac Car" covered as pop song.
 * The Moral Substitute: The rock'n'roll tune "Cadillac Car" gets a defanged reprise in the very next scene!
 * Motor City: The story of the film version begins and ends in Detroit.
 * Movie Bonus Song: Four in all: "Love You I Do", "Patience", "Listen" (all three were Oscar-nominated) and "Perfect World".
 * Never Trust a Trailer: The very first teaser for the Dreamgirls movie had three stand-ins posing and even used the original version of 'And I Am Telling You'. The original Effie was not amused.
 * Oscar Bait
 * Rearrange the Song: Effie's attempted comeback song, "One Night Only", is sabotaged, in more ways than one, by a disco version produced by Curtis and sung by the Dreams.
 * Ret-Gone: Michelle is (poorly) edited over Effie in all publicity photos of the old Dream/ettes.
 * Sassy Black Woman: Effie.
 * Screw the Rules, I Have Money: Curtis uses payola to help get his group to the top after the "Cadillac Car" fiasco.
 * Seven Deadly Sins:

Pride: Effie

Gluttony/Lust/Sloth: Jimmy, who does heavy drugs and cheats on his wife with Lorell, with whom he constantly dodges the issue of marriage."


 * The Seventies
 * Shout-Out: In the movie, Deena is briefly dressed as Carmen from Carmen Jones; one of Beyonce Knowles' first acting roles was Carmen in the MTV "Hip-Hopra".
 * The first teaser for the film ends with the Dreamgirls sticking out one leg, just like on the theater playbill.
 * Shrinking Violet: Lorrell, until she becomes sick of Jimmy's crap.
 * The Sixties
 * Spotlight-Stealing Title: Curtis' fixation on Deena is made most obvious when he re-titles the group from "The Dreams" to "Deena Jones and The Dreams".
 * Take That: Deena does this in the movie to Curtis after he says that her voice has "no personality" by singing the heart-wrenching "Listen". Quite evident she thinks so too when she finishes singing.
 * That Reminds Me of a Song: The entire first scene at the talent show.
 * Truck Driver's Gear Change: A few songs, including "I Am Changing".
 * Two-Act Structure
 * Un-Person: Effie became this when Michelle is edited over her, quite poorly, in all the old publicity photos of the Dreams and Dreamettes.