Under Capricorn

Under Capricorn is the name of a 1937 novel by Helen Simspon. It was adapted to a film in 1949, directed by Alfred Hitchcock. The novel was part of Historical Fiction Literature, though with comedic undertones. The film was a Costume Drama with tragic undertones. The main stars were Michael Wilding, Ingrid Bergman, Joseph Cotten, and Margaret Leighton.

The events of the film take place in 1831-1832 New South Wales, then the primary British colony in Australia. The film opens with the arrival of new governor Sir Richard (Cecil Parker) in Sidney. The novel specifies that the date is December 3, 1831 and the governor is Sir Richard Bourke (term 1831-1837). He is an Irishman (Bourke was from Dublin) and has brought with him a second cousin of his: Charles Adare (Wilding). Charles is the youngest of a Lord and therefore has no claim to the family fortune. He came to Australia seek his fortune. He meets bank manager Cedric Potter (John Ruddock) to discuss his prospects here.

Potter has nothing to offer him. But Charles has a chance meeting with Samson "Sam" Flusky (Cotten), a prosperous landowner. Sam has a business proposal for him. He has a certain problem of his own. He is unable to purchase further land properties from the government. He wants to finance Charles in purchasing land as his proxy. Flusky invites Adare to his house to seal their deal. The Irishman already knows that his new patron is an ex-convict and Self-Made Man. His visit helps him realize that Sam is a brooding loner with a Dark and Troubled Past, shunned by polite society.

He is introduced to the two women important to Sam. The first is his wife. Adare is surprised to recognize Lady Henrietta "Hattie" Considine (Bergman), a fellow aristocrat and family friend of his, who had eloped with her riding instructor. Evidently Samson is said instructor. He learns that Samson's crime was killing her brother Dermot in a duel. He had been sentenced to seven years of imprisonment in Australia. Henrietta left her family and fended for herself while waiting for his release. The years of hardship took their toll. She is still beautiful but a Lady Drunk. Lately she has been suffering from Hallucinations and might be loosing her sanity, The other woman is Milly (Leighton), the housekeeper. She is a Hypercompetent Sidekick type who keeps the household staff in order. Her employers have come to rely on her more and more over the years. She is devoted to Sam but openly disdainful of Henrietta. She has also largely supplanted Henrietta as the Lady of the House. Milly is infatuated with Samson and would like to be his second wife. The hallucinations of Henrietta may be the result of an old-fashioned Gaslighting operation.

Adare reminds Hattie of happier times and keeps her lucid. Sam invites him to settle in the Flusky mansion, effectively hiring him to help Hattie get back on her feet. This involves Charles playing dress-up with his own living doll, getting her to clean up nicely, restoring her confidence in herself and formally introducing her to Sidney society. There are signs of a Pygmalion Plot, with Charles stealing a kiss from his reluctant "student". Within the household, Henrietta wants to resume her domestic duties and gets into a power struggle with Milly. Milly does her best to point out to Mr. Flusky about Henrietta and Charles spending quality time in Henrietta's bedroom. And how that new dance, waltz, involves the Lady spending time in her partner's embrace. Samson turns into a Crazy Jealous Guy. There is conflict about to erupt.

The film was a box office flop at the time of release. The main reason being that it is not the thriller audiences had come to expect of Hitchcock. There are certain elements of it. Minyago Yugilla, the Flusky mansion, may be luxurious. But it is also ominous-looking and it gives locals the creeps. There is also a Gaslighting operation in effect, a decapitated head is left at Henrietta's bed and there is a poisoning scene. But otherwise it is a verbose drama. But its use of long takes makes for frequent lovely images. The performances of Bergman and Leighton have been praised. For the French New Wave creators of the 1950s, it was a highly influential film and a darling of the critics. The film has since become a great example Your Mileage May Vary. It has been hailed as a masterpiece and dismissed as a flop. Ranked by serious critics both among the best and the worst of the director.


 * Adaptational Attractiveness: There is little real description of Milly in the novel, other than being a "large woman". She is played here by 27-year-old Margaret Leighton, a tall willowy actress. Leighton had a reputation for playing highly sophisticated characters and does so here. She cold actually compete with bergman in the looks department.
 * Subverted in the case of Henrietta. Going by the novel, she is supposed to be a great beauty. "She looked like a goddess careless of human clothing, or some heroine of antiquity run nobly mad."
 * Adaptation Dye Job: Henrietta is an Irishwoman and her hair is red in the novel. The first description of her includes the phrase "red hair hung free on her magnificent shoulders". There are repeated mentions of her beautiful red hair. Bergman simply uses her natural light brown hair while playing the role.
 * Black Sheep: Charles to his family. He is not exactly morally upright. He finds it easy to forge an invitation on the film, he is an amateur burglar in the novel.
 * Crazy Jealous Guy: Samson.
 * Creepy Housekeeper: Milly has her moments.
 * Dance of Romance: Waltz.
 * The Dandy: Charles prides himself on his taste in clothing.
 * Dark and Troubled Past: True of both Sam and Henrietta. Particularly when the later refuses to explain her means of survival for those seven years.
 * Fake Irish: Charles, Henrietta, and Sam are supposedly Irish. They are played respectively by Wilding (English), Bergman (Swedish) and Cotten (American).
 * Foot Focus: In the novel, one of the first indications of Hebrietta's unkempt appearance is walking around on bare feet. In the film, the first view of Henrietta consists of a close-up of Bergman's bare feet.
 * Gaslighting: Henrietta is the victim of one such plot.
 * Hallucinations: Henrietta supposedly suffers from them.
 * Happy Ending: A rather weak and thoroughly unconvincing one.  It is considered a major weak point for the film.
 * Hopeless Suitor: Milly has fallen hard for Sam. He doesn't even realize it until the last minutes of the film.
 * Hypercompetent Sidekick: Milly
 * In-Universe Catharsis: Surviving a murder attempt and having confrontations with both Milly and Samson has this effect on Henrietta. She is much healthier character by the finale.
 * Lady Drunk: Henrietta.
 * Love Triangle: More of a Love Square. Samson and Henrietta still love each other, though having trouble expressing said affection. Charles has fallen for Henrietta and is a source of temptation for her. Milly has fallen for Samson and would like to marry him.
 * Marry for Love: Henrietta chose to marry Samson out of love. Going agains the social conventions of her time.
 * Murder the Hypotenuse:
 * Only One Name: Milly has no mentioned last name, both in the novel and the film. The novel even mentions "surname forgotten long ago".
 * Opera Gloves: Used by Bergman.
 * Promoted to Love Interest: While Charles does retrain Henrietta in the novel and helps her get back on her feet, he doesn't fall for her. His own love interest is Sue Qaife, ommited in the film.
 * Pygmalion Plot: Charles helps Henrietta stand back on her feet and in a sence retrains her. But falls for her in the process.
 * Rebellious Princess: Henrietta in her younger years. The years have not been kind to her.
 * Sanity Slippage: Happens to Henrietta.
 * Self-Made Man: Samson "Sam" Flusky has worked his way from impoverished convict to among the richest men in Australia. Though this earns him no social acceptance.
 * She Cleans Up Nicely: Henrietta. Though Bergman looked good even when supposedly drunk.
 * Taking the Heat:
 * A Taste of the Lash: Milly's way of punishing the members of the staff.
 * Upper Class Wit: Charles.
 * What Could Have Been: Hitchcock regretted casting Joseph Cotten in the role. His first choice for the role was Burt Lancaster.