James Bond (film)

""Bond. James Bond.""

A lengthy series of films based on Ian Fleming's literature about a British secret agent, code-named 007, which have also inspired many TV series. The 23 official movies thus far are: - Sean Connery: As the first cinematic Bond, Connery is perhaps the best known. When people think of Bond, they often think of his distinctive accent and his suave sophistication. In fact, it was due to Connery's portrayal that Bond was canonically established as half-Scottish. First to employ the Bond One-Liner, naturally.


 * Dr. No (1962) -- Bond shoots someone in cold blood. He encounters a number of death traps. Ursula Andress comes up from the water.
 * From Russia with Love (1963) -- Ernst Stavro Blofeld makes his first appearance and does his first ploy. Features The Baroness in the form of Rosa Klebb, a Cat Fight and one interesting seduction technique. Closest to an old-fashioned spy romp of the early films, with its code-breaking McGuffin.
 * Goldfinger (1964) -- A battle at Fort Knox, the infamous laser scene and a scene that got busted by the MythBusters. Perhaps most famous for the oft-parodied line, "No, Mr. Bond, I expect you to die." Set many of the tropes of the series, including the elite henchman dispatched by forcing a backfire of his trademark gimmick, the cool car with hidden spy-gadgets, and of course, Pussy Galore.
 * Thunderball (1965) -- Two stolen nukes, the Bahamas, a shark and "I think he got the point".
 * You Only Live Twice (1967) -- 007 goes to Japan and becomes a Ninja. 007 gets married (it's only part of his cover though). 007 meets Blofeld.



George Lazenby: Lazenby was an obscure actor and an obscure Bond. He only appeared in one movie, On Her Majesty's Secret Service. However, it is well liked among hardcore Bond fans and casual viewers alike. The film is widely assumed to be bad, since if it had been good, Lazenby would have made more, right? Well, not really. Lazenby's problems were primarily behind the scenes, and the fact that he was replacing Connery made it a no-win situation with some critics, but most of that criticism has faded with time. The film is well regarded these days among those who have seen it. Lazenby says that he didn't return because he was given advice not to. Apparently his agent told him that the Bond franchise was on its way out, but boy was that wrong. Lazenby fired his agent soon afterwards.


 * On Her Majesty's Secret Service (1969) -- Blofeld looks different, but so does 007. 007 gets married, for real. 007 gets widowed. As it turns out, they don't have all the time in the world. Oh and the awesome Diana Rigg is in it.

Sean Connery Again: See above.


 * Diamonds Are Forever (1971) -- Blofeld looks different again. A less than thrilled 007 chases diamond smugglers. A couple of assassins chase 007. Not guest-starring Howard Hughes.



Roger Moore: Moore tended to play his Bond more for comedy, but he did do it pretty serious at times, as in For Your Eyes Only. He probably hung around too long, and was older than Connery when he took over the role, and is tied with Connery for the number of Bond movies made. He's perhaps the most polarizing actor on this list, since two of his movies--The Spy Who Loved Me and For Your Eyes Only--are among the most well-received Bond flicks, while The Man with the Golden Gun and A View to a Kill are considered among the worst.


 * Live and Let Die (1973) -- Includes the line, "take that honky out and waste him." Also prompted some controversy as to whether or not Bond's bedding of Jane Seymour was really consensual. Has a villain who may or may not be an actual Loa (voodoo god). Also has Paul McCartney singing the theme song, which is arguably the most popular in the series considering it still gets frequent airplay on classic rock radio stations.
 * The Man with the Golden Gun (1974) -- Christopher Lee tries to hold the world to ransom during the energy crisis. One of the greatest car stunts in Bond history is ruined by a sound effect.
 * The Spy Who Loved Me (1977) -- Barbara Bach does a bad Russian accent. The film makes a bad nuclear error. And Jaws (as in Richard Kiel with metal teeth, not the shark, although he does bite a few) does a bad job of trying to kill 007.
 * And it's still one of the best Moore-era Bond flicks, and one of the best-loved Bond movies ever.
 * Moonraker (1979) -- Bond investigates the theft of a space shuttle, and ends up going into space to stop a genocidal madman's plot, then having sex in orbit with Lois Chiles. Basically the same film as the above, In Space!, except Jaws finds true love and executes a Heel Face Turn. Hurriedly greenlit after the success of Star Wars.
 * The scene in which Bond's Venice gondola turns first into a speedboat and then a hovercraft, whizzing across St. Mark's Square while a pigeon does a Double Take, is widely regarded as one of the low points of the entire series. It is widely thought that the producers watched it back, thought "My God, What Have I Done?" and commissioned...
 * For Your Eyes Only (1981) -- In which an Englishman, a Frenchwoman and an Israeli do Greek. In character, a Liverpudlian does Austrian. Roger Moore's love interests are now young enough to be his granddaughters. And 007 kicks a car off a cliff. All done with very little spectacle, no gadgets (the Cool Car is blown up early in a statement of intent) and little incidental music, making a very tense and effective Cold War thriller.
 * Octopussy (1983) -- Bond goes to India and imitates Tarzan. Maud Adams appears again as a different Bond girl. A mad Soviet general tries to destroy a US airbase. 007 dresses as a clown and makes it work.
 * A View to a Kill (1985) -- 007 snowboards with The Beach Boys. Duran Duran and the Eiffel Tower. Christopher Walken, Grace Jones and an exploding blimp above the Golden Gate Bridge. 007 has wrinkles. Oh, and San Francisco's City Hall ends up on fire.



Timothy Dalton: Nothing will start an argument among Bond fans as quickly as praising Timothy Dalton, the Marmite of Bond actors. He began the trend of portraying Bond with a darker tone, and is still considered the darkest of all of them, which some felt was needed after the sometimes overly comedic Moore films. He was also a fan of the books and tried to create Ian Fleming's Bond on-screen twenty years before Daniel Craig and the Bond producers ever thought of doing so. At the same time, he has also been praised for having the most realistic love scenes. The producers actually considered him for On Her Majesty's Secret Service, but he felt he was too young at the time, and didn't want to be the one that replaced Connery.


 * The Living Daylights (1987) -- A fake defection and a cello-playing Blonde Girl. An impressively twisty plot. Diamonds for drugs, and drugs for arms for the Soviets in Afghanistan. Great stunts, too.
 * Hilarious in Hindsight in that it features rebel Afghans as the good guys and Bond's allies. Of course, they were fighting the Soviets at the time, rather than the British and Americans. Not aired so much these days for obvious reasons.
 * Licence to Kill (1989) -- Felix Leiter gets introduced to a shark. 007 goes on a vendetta. Plus a man explodes. Considered the darkest Bond flick of them all, which polarizes longtime fans. Ironically, in this movie Bond has his license to kill revoked, but the producers decided that "License Revoked" would not have made a good title.
 * A persistent rumour also claims that test audiences didn't know what "revoked" meant or that they thought it meant Bond wasn't allowed to drive. Pre-production Artwork and posters have the License Revoked title, and some pre-premiere interviews refer to it as such, but the title was changed at the last minute and this blunder ultimately hurt the film.



Pierce Brosnan: Brosnan is the other person whom people think of when they imagine Bond these days, especially among viewers who came of age in The Nineties and GoldenEye was the first Bond flick they saw. He was supposed to appear in The Living Daylights, but the production staff of Remington Steele decided to pull a fast one on EON Productions. Brosnan was just what the franchise needed after the six-year hiatus due to legal issues. He rates second on the Bond poll. He also scores points for looking the most like Bond as Ian Fleming described him (Black hair that falls into a comma over the right eye, cold blue eyes).


 * GoldenEye (1995) -- A tank chase through St. Petersburg. A record-breaking bungee jump. Famke Janssen's killer thighs. And more fake Russians than you can shake a stick at. Made for a great video game too.
 * Tomorrow Never Dies (1997) -- Jonathan Pryce tries to start a war between the UK and China, in between heaping helpings of scenery chewing. Bond gets a new gun. A car hire shop gets a BMW returned in an interesting way.
 * The World Is Not Enough (1999) -- A boat chase down the Thames. A probe chase through an oil pipeline. A ski chase down a mountain. Oh, and it's got Robert Carlyle in it. Also, the final appearance of Desmond Llewellyn as Q before his death in 1999. John Cleese (who first shows up here) took over in the next film.
 * Die Another Day (2002) -- 007 gets tortured. Halle Berry hits a career high, and comes up from the water. Two cool cars fight each other and both halves of the Korean peninsula get rather annoyed.



Daniel Craig: When Daniel Craig was cast as 007, he got a lot of flak from the press. He was blond. He was short. He wore a life jacket on a speedboat ride to the announcement. A "Craig Not Bond" movement started up. Then Casino Royale came out. Now there seems to be a divide between fans who love Craig's Bond vs. fans who absolutely detest this version.

Due to the Comic Book Time employed by the rest of the movies, though the Craig films are often branded a reboot, they are actually a Retcon and are officially still considered part of the same series.


 * Casino Royale (2006) -- The series gets a Continuity Reboot. 007 gets his license to kill, falls in love, beats everyone at poker and gets tortured. With a knotted rope. (In the novel it was a carpet beater.) Daniel Craig comes up from the water.
 * Quantum of Solace (2008) -- Bond goes on a Roaring Rampage of Revenge, pissing off M and the CIA as a result. This time around, the Bond Girl also turns out to be more than just a Faux Action Girl. Often criticized for its tonal inconsistencies compared to the previous film and unanswered questions regarding the new evil organization Quantum. As it eventually turned out, most of these issues occurred because the 2007-2008 Writers Strike left the film with more or less no script during production.
 * Skyfall (2012) -- The film spent years in Development Hell due to MGM having serious financial problems, but was finally green-lighted and reached theatres November 9, 2012. Starring Ralph Fiennes, Javier Bardem and Albert Finney, no less, it completed the Continuity Reboot, leaving Craig's Bond at the end of the film in what is arguably the film-canonical starting point for the Bond mythos, complete with a male M and Miss Moneypenny.
 * Spectre (2015) -- 007 got a message from the previous M to send him to Mexico City for a mysterious yet unauthorize mission.
 * No Time to Die (2020) -- The film is Daniel Craig's fifth and last time as the MI6 spy. It's set to be release in April 8, 2020.

There are also at least three Bond films outside of the EON Productions canon:


 * Casino Royale (Climax!): The first screen adaptation of a Bond novel. A 1954 made-for-TV movie which recast Bond as an American. Named "Jimmy". It was performed live, which led to some unintentional hilarity such as Felix Leiter missing a cue and improvised dialogue when Jimmy couldn't undo his binds quickly enough.
 * Casino Royale (1967 film): spoof starring David Niven, Woody Allen (the second "Jimmy Bond"), and Peter Sellers, all as James Bond -- along with five other Bonds, after a key point, including Ursula Andress. Despite being widely panned, it had a number of interesting features, such as predicting the official franchise's habit of replacing its leading man, and being the only Bond movie in which Bond dies.
 * Never Say Never Again: 1983 remake of Thunderball, made by a different production company and returning Sean Connery to the role, albeit at an advanced age.


 * The Q scene, in which Bond gets his gadgets for the movie. Expect humorous other gadgets to be seen i.e. a decapitating tray (completely absent from Casino Royale, Quantum of Solace and Live And Let Die. While Q appears in On Her Majesty's Secret Service, he introduces only one rather disappointing gadget to M -- radioactive lint to plant on a suspect's clothes as a form of tracer device).
 * Also worth noting that many pre-Craig movies had a scene where Bond's watch has just the function needed when he's in a tight spot.
 * Bond and Moneypenny flirting. (She has makes no appearance in the first two Craig films,.
 * The gun barrel sequence, which has started every movie (yet again, except for Casino Royale onwards, where it's moved to the end of the pre-titles sequence and incorporated into the sequence's plot).
 * The Bond Girls. Usually at least two of them in one movie. You could write a book on the different girls Bond has bedded over the years -- in fact, Maryam D'Abo and John Cork did. The former played Kara Milovy in The Living Daylights, so she knows what she's talking about. Although it goes back to Thunderball, the Bad Bond Girl has become something of a feature recently.
 * "Mr. Bond, I don't know how you've done it, but you have 107 different venereal diseases...three of which are only found in sharks."
 * "Oooh, James!"
 * Lavish, surreal opening credit sequences, often featuring silhouettes of naked women and thematic to the movie, set to a Title Theme Tune. May also be a Villain Sucks Song (Most notably, Goldfinger) or Villain Song (as in Thunderball).
 * Every Bond film includes at least one of the following
 * Underwater action sequence
 * Skiing action sequence (in one case a memorable snowboard chase scene)
 * Aerial action sequence
 * Car chase (pretty much all of them!)
 * Speedboat chase
 * Sport vehicle chase: snowmobiles, motorcycles, jetskis...
 * An action scene with a helicopter (which might be any of the above)
 * Bond And A Babe In A Boat: On a documentary about the making of The World Is Not Enough, one scriptwriter commented that the ending had to follow the form "the villain's base explodes as Bond and the girl escape in a rubber dinghy". But, because it had become a cliche of the series, it couldn't actually be "the villain's base explodes, as Bond and the girl escape in a rubber dinghy".
 * Actual rubber dinghies: Dr. No, You Only Live Twice, The Spy Who Loved Me and Tomorrow Never Dies are specific examples.
 * Even if they're not on a dinghy, they're probably on a boat: See From Russia with Love, Thunderball, Diamonds Are Forever, The Man with the Golden Gun, Moonraker (for certain definitions of "boat"), For Your Eyes Only and Octopussy. Subverted in Casino Royale, where Bond and Vesper are happily on a boat in Venice near the end of the film.
 * Heavily averted in On Her Majesty's Secret Service (which is more ).
 * Usually a title with one or more of the following:
 * "Gold" (such as "Goldfinger", "Man with the Golden Gun" and "GoldenEye")
 * "Day" or similar (such as "The Living Daylights" or "Tomorrow Never Dies")
 * "Die" ("Live And Let Die", "Tomorrow Never Dies" and "Die Another Day")
 * "Kill" ("A View to a Kill", "Licence to Kill")
 * "Love" ("From Russia with Love", "The Spy Who Loved Me")
 * "Never" ("Never Say Never Again", "Tomorrow Never Dies")
 * M tries to call Bond at the end of most films, but Bond ignores him/her.

The cultural impact of 007 is, in a word, immense. The tuxedo has become associated with James Bond. The series has spawned legions of imitators and is pretty much the definitive spy fiction. Legions of media have also tried to "de-glamorise" espionage, such as the works of Len Deighton (the Stale Beer Approach To Spy Fiction, although it in fact predates Bond). He is also the definitive Action Hero, and many elements of many an action film can be traced directly to Bond, or at least were popularised by him, such as the hero saying something cool before or after offing the villain.

Arguably the most iconic character in cinematic history. On a number of occasions, people declared that Bond is old hat and that some new spy has replaced him, most recently with Jason Bourne. The Bond films continue to be massively popular among cinema goers, hugely influential in popular culture, and the franchise is the highest grossing in history by a mile (accounting for inflation; at face value its second behind Harry Potter).

So let's see what he's responsible for:


 * Blofeld Ploy
 * Bond Gun Barrel
 * Bond One-Liner
 * Bond Villain Stupidity
 * The Name Is Bond, James Bond
 * No, Mr. Bond, I Expect You to Dine


 * Aborted Arc:
 * Movie-wise, it has been announced that Skyfall will not follow the Quantum Of Solace storyline in the Daniel Craig era.
 * YMMV, as I thought that was the point. IIRC, Daniel Craig did an interview where he said the Quantum storyline was left open so another director could choose to finish, but it wasn't necessary. And who knows what the future will bring? A little early to call it abandoned.
 * Action Girl: Wai Lin and May Day, principally. Eve from Skyfall as well, .  Though others, despite not lacking of good moments, go more for the Faux Action Girl side, sadly.
 * Camille Montes from Quantum of Solace is also a genuine Action Girl, requiring little to no saving and kicking serious butt when given the chance.
 * Adaptation Distillation: Also quite a bit, as Ian Fleming was inordinately obsessed with Bond's food and drink.
 * Also there is a good deal more racism/sexism (especially heterosexism) in the books than in the movies. Not really surprising, given that the books were written in The Fifties.
 * Anti-Hero: Sometimes.
 * Artistic Title: These films usually have trippy title montages with naked dancing women's silhouettes in appropriate environments.
 * An extra bonus that most of these openings are directed by Maurice Binder.
 * Badass
 * Badass in a Nice Suit
 * Beauty Is Never Tarnished: Besides Dr. No, Licence to Kill and the Daniel Craig films (honorable mention to Die Another Day), Bond will never look awful.
 * Big Bad Friend
 * Body Count Competition: Bond probably has the highest on-screen body count of any film character ever, counting all 22 official movies. Unsurprisingly for an action hero/government assassin, he kills at least one person in every film, and more commonly a lot of people.
 * Carpet of Virility: Just look at Sean Connery's chest hair!
 * Cartwright Curse: For the few times when he has decided to settle down.
 * Cash Cow Franchise: The highest grossing film franchise ever. This is largely because it's one of the longest running, as well.
 * Catch Phrase: "Vodka martini. Shaken, not stirred." "My name is Bond. James Bond."
 * Chick Magnet
 * Chronically Crashed Car: Bond has a habit of destroying whatever Cool Car Q provides him.
 * Chuck Cunningham Syndrome: For every movie you see, you can bet that you will never see the Bond girl in the next movie again. They will almost never even be mentioned.
 * Averted with the first-ever movie Bond Girl Sylvia Trench - after Dr. No, she's there again early in From Russia with Love. She never shows up after, though.
 * Clothes Make the Legend: James will wear a tuxedo at some point in each movie.
 * Cool Car: Varies from film to film, but you can usually count on at least one per film.
 * Corrupt Hick: At least two films contain a racist sheriff.
 * Death by Sex: Several of the girls. Bond is also this close to falling on that often.
 * Death Trap: Not the originator, but certainly a popularizer.
 * Design Student's Orgasm: Every movie title sequence.
 * Distaff Counterpart: The John Gardner continuation novels had a female version of Q nickname Q'ute, who was basically a Q that Bond could (and did) have sex with.
 * Disposable Love Interest: the Bond Girls after Bond is through with them.
 * The Don: On Her Majesty's Secret Service has Marc-Ange Draco, head of the Unione Corse.
 * Double Entendre
 * Downer Ending:
 * The Dragon: Several, rarely if ever appearing in a later movie.
 * Duel of Seduction
 * Early Installment Weirdness / Non-Indicative First Episode: Dr. No lacks many of the trademarks that the franchise is known for. A Cold Open, the Cool Car, and many others are all absent.
 * Evolving Music: The iconic theme tune has changed over the years.
 * Girl of the Week: Or, in Bond's case, more a Girl Of The Movie -- though some movies have two, often one good and one evil.
 * Go-Karting with Bowser: The various villains inevitably have Bond over for dinner or cards.
 * Graying Morality: Over the course of the series, though the Craig installment seems to have started out grey.
 * Dr. No and From Russia with Love are actually pretty grey movies; it becomes lighter with Goldfinger but has light and dark moments throughout. The series is more cyclical as far as this trope goes- it starts off grey, but then becomes progressively more outlandish and lighthearted, before going becoming Darker and Edgier again.
 * Heel Face Turn: Often happens with Dragons.
 * Heroes Want Redheads: Though only three of them, one of which Bond had killed.
 * Hollywood Darkness
 * Incredibly Long Note: The title themes tend to end in a suitably epic fashion. Especially Shirley Bassey's songs.
 * Tom Jones fainted on the last note of Thunderball.
 * It May Help You on Your Quest: The most useless-seeming gadget Bond is supplied with is usually the one that saves his life.
 * Jerkass: Sure, he's a hero and he saved the world on numerous occasions, but the guy's an asshole. Just how much is subject to change with every actor.
 * Just Between You and Me: Probably better named "Before I Kill You, Mister Bond...". Actually averted in nearly every movie - Bond almost always figures the gist of the plan on his own, and what the Big Bad tells him is usually more like a Motive Rant, explaining the profit in their otherwise senseless act of mass murder or seemingly mundane criminal enterprise that Bond was trying to stop anyway.
 * Goldfinger is the only movie that comes close to playing this straight, and it actually zig-zags it a lot anyway, starting with Bond overhearing the villain explaining his plan to somebody else, and not even telling them the real plan anyway (partly by being interrupted) as well as murdering them afterwards. Sort-of played straight when Bond confronts him with apparent holes in his scheme and Goldfinger tells him he didn't get the whole plan, then confirms Bonds alternate theory - its still possible Bond had an inkling of what was really going on anyway, and would have / had figured out the real scheme, and was just manipulating Goldfinger into confirming his suspicions.
 * Large Ham: Practically all villains and/or henchmen like to chew scenery.
 * Latex Perfection: The Cold Open of From Russia with Love. Subverted in Live and Let Die, which has a perfectly realistic example.
 * The Magic Poker Equation
 * Meaningful Name: KGB-Chef is called Gogol. His second's name is Pushkin. For anyone with a degree in literature, they might as well have an Awesome McCoolname.
 * Minor Crime Reveals Major Plot: The plot always starts with something minor.
 * Mood Whiplash: Very much so in the Brosnan era, but present in the Connery and Moore films too.
 * No Plans, No Prototype, No Backup
 * Not My Driver
 * One-Man Army
 * Overt Operative
 * The Paid for Harem: One of the perks of being a Bond Villain.
 * Plot Tailored to the Party: Gadget variation.
 * Porn Names: Quite popular among the Bond Girls.
 * The Pornomancer: Bond. It's one of his defining traits. The Dalton and Craig eras, being Darker and Edgier, play with it. Bond practically has to be dragged into bed in the teaser for The Living Daylights, and stays monogamous throughout that movie Licence to Kill. In the Craig era, he actually doesn't sleep with the Bond girl of Quantum of Solace.
 * Pretty in Mink: Diana Rigg's character actually wears a sexy yet practical fur coat.
 * There's others who also don fur coats and look good in them.
 * Product Placement: A lot, especially in the Craig films. It has been joked that Bond has a License To Shill.
 * Pursued Protagonist
 * Rated "M" for Manly
 * Ready for Lovemaking
 * Recurring Character: Q, M, Moneypenny and Felix Leiter are the ones who appear the most.
 * Blofeld and Jaws are about a fair bit, on the other side of the fence. Until Roger Moore dropped the former down a smokestack before the opening credits in For Your Eyes Only and helped convince the latter to perform a Heel Face Turn (which also made Jaws utter his only on-screen line that wasn't a wordless grunt or scream) in Moonraker.
 * Recurring Extra: In the Roger Moore films The Spy Who Loved Me, Moonraker and For Your Eyes Only, the man who keeps seeing Bond do crazy stuff in Italy, probably without ever realising it is the same man (emerging from the sea in his car-sub; driving around the streets of Venice in his land-gondola; and escaping from armed assassins on skis in the Italian alps, respectively). In each case he is drinking and in the first two, finds what he's seeing so bizarre that he seems to wonder if he's been drinking too much (though not enough to stop, evidently). Played by Victor Tourjansky, who was the assistant director for these Italy-set scenes in all three films.
 * Producer Michael G. Wilson, Albert Broccoli's adopted son, has several cameos as various different characters, mostly extras or single-scene appearances; in Tomorrow Never Dies, for instance, he's the one Carver tells to blackmail the President.
 * Red Right Hand: Frequently.
 * Right-Hand-Cat: Blofeld's.
 * Right Under Their Noses
 * Scenery Porn
 * Sealed with a Kiss: Nearly every one, with three notable exceptions.
 * Sequel Escalation: Sometimes inverted (Moonraker > For Your Eyes Only), but usually the movies get bigger and bigger.
 * Second-Person Attack: The gun-barrel sequence.
 * Sex God: Guess who?
 * Shoe Phone
 * Sociopathic Hero: How long have you got? Aside from Bond's endless coldly wasting Mooks with the only emotion registering usually being amusement, he doesn't treat women much better: he all but rapes Solitaire in Live and Let Die, and Diamonds Are Forever begins with him strangling a woman with her own bikini top.
 * Spy Drama
 * Spy Speak
 * Spy Tux Reveal
 * Storming the Castle: Bond's preferred method of dispatching his enemies.
 * Supervillain Lair: The best of which, like the volcano rocket base in You Only Live Twice, were designed by legendary production designer Ken Adam.
 * On The Spy Who Loved Me DVD commentary around the time Bond and XXX are brought before Stromberg aboard his supertanker, there's a funny exchange between screenwriter Christopher Wood and director Lewis Gilbert. Wood wonders how anybody could build these great villains lairs without anyone noticing. Gilbert asks what about the huge staff and army the bad guy always seems to have. Does anybody write the next of kin whenever one of them gets killed? (The latter is lampshaded in the first Austin Powers movie.)
 * It was also Lampshaded in a Saturday Night Live sketch where an interviewer talked with Blofeld, Goldfinger and Largo. For example, they mention how contractors tended to jack up the price of gadgets (like electric chairs) when they find out a Bond villain is the customer.
 * Tech Marches On: Given that it's a gadget-heavy series that spans over 50 years, it's bound to happen every now and again. However, the more basic and low-tech a gadget was, the less likely it was to look silly in a few years.
 * Casino Royale came close to invoking this by featuring Blu-ray discs in several scenes before it was determined what the next-generation HD disc would be. Beyond that, however, the Daniel Craig films appear to be intentionally averting this trope by rarely giving Bond anything more high-tech than a mobile phone to play with.
 * Technology Porn: Any scene in Q's workshop where he demonstrates his latest gadget for Bond to use on his next mission. A great example is in Goldfinger where he shows 007 his new Aston Martin DB5 with all kinds of hidden weapons and features.
 * Textual Celebrity Resemblance: In Casino Royale, Ian Fleming describes Bond as looking like Hoagy Carmichael.
 * Time Bomb: Goldfinger has the most memorable one.
 * Title Drop: In most of the movies.
 * Token Romance: Most of the series' films. On Her Majesty's Secret Service, The Living Daylights, Licence to Kill, GoldenEye, Casino Royale, and Quantum of Solace avert this. The first one and the last two especially, as On Her Majesty's Secret Service and Casino Royale dedicate great amounts of time to develop their story's romances, while Quantum of Solace averts it entirely as Bond doesn't get together with the girl in the end.
 * Trophy Wife: A few of the women Bond manages to maneuver into a Sex Face Turn are the villain's neglected or duped trophy wife. Paris Carver in Tomorrow Never Dies is one of the latter examples.
 * Trust Password: Being spies, James has a number of signs and countersigns for when he meets friendlies (in GoldenEye, for example, he refused to even speak to Jack Wade until Wade showed him the Embarrassing Tattoo on his hip).
 * Trying to Catch Me Fighting Dirty: Every close combat fight scene.
 * Tuxedo and Martini: Normally only in Bond rip-offs or parodies; however, the Moore Bond sometimes ended up like this, yet normally with hints of self-parody.
 * Unguided Lab Tour: Bond does this on occasion, though most of the time he's impersonating someone who has a reason to be there.
 * Universal Driver's License: At least the most extreme example of it.
 * Villain Song: Characteristic of the Brosnan films - Goldeneye and The World Is Not Enough have two of the most iconic ones, and Tomorrow Never Dies has "Surrender" by k.d. lang over the opening credits (and it was pretty clearly originally intended as the opening one, as its music is heard throughout the soundtrack).
 * Wicked Cultured: Most of the villains.
 * What Happened to the Mouse?: One can't help but wonder what happens to the Bond Girls between movies, considering many of Bond's male allies have had recurring roles.
 * Wouldn't Hit a Girl: In fifty years, the number of women Bond has directly killed can be counted on three fingers, and two of those happened in the relatively recent Brosnan era: Fatima Blush (Never Say Never Again, 1983), Xenia (Goldeneye, 1995), and Electra (The World Is Not Enough, 1999).
 * In The Spy Who Loved Me he blows up that helicopter pilot; Thunderball should count even if it wasn't him who pulled the trigger; he also tried to kill Rosa Klebb in From Russia with Love but the Bond girl shot her instead; he savagely averts this trope in a more general sense too - while Bond is rarely overtly cruel with women, he has no problem fighting them, threatening to break their arms (The Man with the Golden Gun), strangling them for info (Diamonds Are Forever) and, in one case, actually threatening to slit one girl's throat [Licence to Kill). So yeah, Bond ain't this trope.
 * You Have no Chance to Survive Make Your Time: "No Mr. Bond, I expect you to die!" See also Bond Villain Stupidity.


 * Agent for H.A.R.M.
 * Alex Rider
 * Alias
 * Archer
 * Austin Powers
 * The Avengers'' (TV series)
 * The Bourne Series
 * Cars 2
 * Danger Man/Secret Agent
 * Danger Mouse
 * Fur Fighters
 * Get Smart
 * Golgo 13
 * The Incredibles (the music and Syndrome's island base)
 * I Spy
 * James Bond Jr.
 * Johnny English
 * The works of John Le Carre, not stylistically but Bond's popularity lead Le Carre to write his novels as a Deconstruction of Bond and a depiction of what real spy work is like.
 * The Jennifer Morgue
 * Kim Possible
 * Lupin III (one of the parents, anyway)
 * The Man from U.N.C.L.E.
 * Metal Gear Solid, particularly the third
 * Mission Impossible
 * No One Lives Forever
 * Operation Double 007
 * Perfect Dark
 * Secret Histories
 * Space Adventure Cobra (partially)
 * Spy Fox
 * Young Bond
 * Arthur: The Show Within a Show's James Hound.

"The End... but James Bond will return..."