What the Hell, Hero?/Live-Action TV

"Joel: (Super Dragon reveals that he'd already photographed the cure for a harmful drug to the mastermind, who's just taken poison) "What a jerk. He just wanted to get the guy's goat right before he died.""
 * A number of the protagonists of Mystery Science Theater 3000's movie-watching experiments are facetious, sexist, rude, stupid, and impulsive, among many other negative qualities, but are rarely recognized as the Jerk Asses that they are within the content of the story. Joel/Mike and the 'Bots are not so oblivious, nor as forgiving.
 * The titular Secret Agent Super Dragon is a good example:

"Sloane: I am such an idiot. It's so simple. The Borg hurt you, and now you're going to hurt them back!
 * One episode of Stargate SG-1 has the team (minus their Morality Pet) betray Fifth, a Ridiculously Human Robot and the lone Replicator capable of human emotion, to trap his more voracious kin and destroy them all. He returns later with an understandably large grudge against Sam.
 * This is a recurring element in Stargate, where most of the cast are military, and when people are counting on you for their safety, sometimes the smart choice trumps the right one. On one occasion, Daniel straight up calls Jack a "stupid son of a bitch," and Jack doesn't apologize or make excuses. He just says "it had to go down this way," and leaves it at that.
 * In the episode "The Other Side", despite generally operating from a neutral standpoint, SG-1 intervenes in a world war and inevitably causes a massacre of the white supremacist side. Despite the beggings of the faction's leader to be brought with them, Jack returns through the Stargate and closes the iris on him, drawing a shocked and horriffied, and possibly disillusioned or even infuriated, look from Carter.
 * There's also the fact that the leader promised to give them their advanced technology in exchange for letting him come with them. Guess what the primary task of SGC is and why NID has to take matters into their own hands.
 * In Stargate Atlantis, Michael calls out the team for what they did to him every chance he gets.
 * There is also the question as to who authorized the use of biological weapons against the Wraith. If it was Weir, where did she get the authority? From the IOA? Or the US government? Or did she think this one up on her own?
 * The IOA or the US government apparently authorized an attack on the Pegasus replicators (Asurans), leading to the practical extermination of the Asurans by the combined forces of the Atlantis Expedition, the Wraith (their primary enemies), and the Travellers (a society composed of a number of advanced starships). One's mileage may vary on this aspect, considering that the Asurans were, for better or for worse (usually for worse) sentient, and thus the actions of the expedition could constitute genocide and/or war crimes. On the other hand, the Asurans, far more so than the replicators of SG-1, are implacable and unambiguously evil (they are never portrayed as emotionless metal spiders, as in SG-1, but as malevolent human-like robots), meaning that the only practical way to actually defeat the replicators is to destroy every single nanite block. Further, the few 'good' Asurans actually survived.
 * In one episode, a man infects Jeannie, McKay's sister, with nanites so McKay will figure out how to program them to treat injuries. The guy wanted to cure his otherwise untreatable daughter. McKay does it, but the nanites are indiscriminate and render the kid brain dead (then she dies anyway). To save Jeannie, who will inevitably end up the same way, John Sheppard talked the father into being willfully fed on by a Wraith (preventing McKay from doing the same thing) by pointing out how pointless his life was now that his daughter had died. McKay expresses shock for about 30 seconds and then the matter is never brought up again.
 * One of the series' clip shows is devoted entirely to this. A newly formed interplanetary coalition puts the Atlantis team on trial, with the clip show highlighting every single plot-relevant fuck-up they had made to that point. They manage to win by bribing of one of the judges (who admittedly was already being bribed by someone else). One is swayed by their arguments, and the third was going to vote against them no matter what they said or did.
 * Stargate Universe hits this early in the first mid-season finale. Upon discovering, Young responds by   This action along with   further expands the rift between the military and civilian personnel including   shortly after.
 * The classic Star Trek: Deep Space Nine episode "In the Pale Moonlight" has Garak call out Sisko when the latter tries to express righteous outrage at the assassination Garak arranged, pointing out that Sisko had known at the start it would have come down to something like that when he had asked Garak to trick the Romulans into the war.
 * Sisko has another of these moments in "For the Uniform", where he manages to capture the rogue officer Eddington by poisoning a planet (the people on it have time to evacuate). It's Eddington who calls him out here. Subverted in the same case in that Sisko's plan is to force Eddington to feel morally superior and surrender to prevent any more such attacks.
 * Though in a bit of Solomonic wisdom, Eddington had  so Sisko's really undoing previous damage and capturing the bad guy here.
 * In "The Dogs of War," Odo calls out the entire Federation when he points out to Sisko that even though they all say they hate the methods used by Section 31, they don't mind standing by and reaping the benefits while
 * Even Jean-Luc Picard is not safe from getting called out. In Star Trek: First Contact, after the Borg have begun assimilating the Enterprise, he goes into (as Lily Sloane mentions) a full Captain Ahab mode. When he orders his crew to stand and fight, hand-to-hand if necessary, Sloane finally lets him have it.

Picard: In my century, we don't succumb to revenge. We have a more evolved sensibility...

Sloane: Bullshit! I saw the look your face when you shot those Borg on the Holodeck. You were almost enjoying it."

"Picard: I asked you a question, Cadet.
 * In the episode "Pen Pals", Data inadvertently begins communicating with a young girl from a pre Warp Capable planet which is facing an apocalypse. Data wishes to assist, but Picard refuses as the Prime Directive prevents interference in the natural development of a civilization. Most of the command staff seem willing to leave them to face their imminent demise, however, Geordi and Pulaski are actually willing to call out the other officers on being so dispassionate about a planetary extinction. Nevertheless, Picard orders Data to cease communicating, but upon hearing a transmission of the terrified girl begging Data for help, he agrees to violate the ["Alien Non-Interference Clause|Prime Directive and help."]
 * In the episode "Homeward", a primitive culture is also facing an imminent apocalypse, and the crew refused to help because of Prime Directive concerns. The entire crew is willing to let the population die, with one exception who transports the population up from the planet and into the Holodeck, and he feels pretty damn justified in doing so, even if he'll be a criminal in the Federation from that point on.
 * In the episode "The First Duty", Picard gives one to Wesley Crusher after he learns he and his comrades are covering up a colleague's death:

Wesley: I... choose not to answer, sir.

Picard: You choose not to answer... and yet you've already given an answer to the inquiry... and that answer was a lie.

Wesley: I said the accident occurred after the loop, and it did.

Picard: But you neglected to mention the fact that following the loop your team executed a dangerous maneuver which was the direct cause of the crash. Yes, you told the truth... but only to a point. And a lie of omission is still a lie. Do you remember the day you first came aboard this ship? Your mother brought you to the bridge...

Wesley: Yes.

Picard: You even sat in my chair. It annoyed me at first... a presumptuous child playing on my ship. But I never forgot the way you knew every control and display before you ever set foot on the bridge. You acted like you belonged there.

Wesley: I remember.

Picard: Later, when I decided to make you an acting ensign, I was convinced you would be an outstanding officer. I've never questioned that conviction... until now. The first duty of every Starfleet officer is to the truth. Whether it's scientific truth, or historical truth, or personal truth. It is the guiding principle upon which Starfleet is based. And if you can't find it within yourself to stand up and tell the truth about what happened, you don't deserve to wear that uniform. Mister Crusher, I'll make this simple for you. Either you come forward and tell Admiral Brand what really took place... or I will.

Wesley: Captain...

Picard: Dismissed."

""I know that, Doctor. And when you've flown away in your little blue box, I'll explain that to their families." Ouch."
 * One episode of Star Trek: Voyager had a Transporter Accident fuse Tuvok and Neelix into a new character, Tuvix. The entire episode is spent building him up as being more of a person than an accident, culminating his being forcibly dragged to Sickbay by security to be split back into Tuvok and Neelix. Most of the cast seems to be in favor of this, standing by silently during the initial struggle in the bridge. It's the Doctor who calls Janeway out on it, noting that his programming prevents him from acting against the wishes of his patient. Janeway accepts this, then turns him off before performing the procedure herself.
 * Actually, she left him running while she did it. Which might even have been worse, if you think about it.
 * Of course, not separating him would mean, essentially, accepting the death of Neelix and Tuvok both.
 * Morally and ethically, this is little different from the Doctor's later de-Borging of Seven of Nine, given that none of the individuals had willfully chosen to transform into new beings and were therefore returned to their original condition.
 * Tuvix was an aggregate personality with the full memories of both and an independent existence. That's a bit different that being slaved to the Collective. It was essentially murdering a man to bring two dead people back to life, with the added caveat that they weren't even really dead.
 * At this point Fridge Logic is introduced: Tuvix's personality could have been stored as a hologram, the same way the Doctor operates every day (and the same way Data in TNG preserved the holographic Moriarity ). Tuvix could have eventually been restored as a hologram/implanted into a clone or android body/any number of methods we've seen across all Trek series, and nobody had to die. It didn't help that Tuvix was actually a more interesting character than most of the main cast at that point.
 * This wasn't possible in Tuvix's case. Take, for example, the Voyager episode "Lifesigns", where the crew rescues a Vidiian doctor and she has to be put into stasis because of her decaying body, but they need her knowledge as well, and make her a holographic body. The Doctor would have loved nothing better than to keep her around, but the connection would not have lasted for more than a few days. You just can't do that kind of Brain Uploading in the Trek verse at that point.
 * Seven of Nine was not very happy when Janeway planned to fix the Doctor's guilt-induced nervous breakdown by giving him what basically amounted to a Holo-Lobotomy.
 * In "Virtuoso", the Doctor goes on a rant, claiming that Janeway doesn't see him as an equal and never has. She does have some valid arguments as to why she wants to refuse his request, but it's clear that he has a point as well.
 * Star Trek: Enterprise had the crew in a desperate need of a warp core because of a Xindi attack. They met a friendly alien ship also in need of supplies, but they refused to trade them a warp coil. Captain Archer, trying to justify it by and by . The alien captain refused Archer's justification by saying.
 * Of course, there was a planet, and by extension, the future at stake. And they did a good job of showing his progression towards that point.
 * Then there was the time when, and Phlox created an accelerated-growth clone of him in order to harvest neural tissue and save   life (the clone would then die). Of course, the clone rapidly became a fully-sentient human with all of his progenitor's memories, and learned that his purpose was to die in order to save another. He was... less than thrilled at the prospect, to say the least. Especially when a guilt-ridden Phlox then thought up an experimental treatment that might save the clone and give him a normal lifespan, which would obviously then mean   would die. Archer is unwilling to take the risk and eventually has to order the clone to die, after which both the victim and Phlox immediately call him out on it.
 * Another episode presented a dilemma for Archer and Phlox, when a pre-warp race was dying from a genetic disease and was desperately looking for a cure. While working on the cure, Phlox meets members of another race that has evolved on the same planet. They're treated as second-class citizens but are not abused. Phlox realizes they have great potential that can't be exploited as long as the other race keeps them down. He finds the cure but has trouble deciding whether or not he should tell Archer. Should he provide the cure, save one species, thereby dooming the other into stagnation and servitude; or should he withhold the cure, dooming the first species to extinction but allowing the other one to flourish. When he eventually tells Archer about the cure, he tries to justify his reluctance by claiming that fighting nature is wrong. Archer immediately calls him out by pointing out that doctors do it all the time. In the end,.
 * So... It's all right to let one sentient species die so that another one can advance? What kind of morality is that!? Whatever happened to "We'll give you the cure, but treat these guys better, m'kay?"
 * Doctor Who really loves this trope.
 * Donna turned down an invitation to take a spin around space-time with the Doctor after he wiped out the Racnoss. She continues to call him on his various "Time Lord-y" decisions throughout Series Four, particularly when he states is a "fixed point in time," and so he decides not to interfere; and how he
 * Joan Redfern calls the Doctor on the consequences of his dalliance as a human in "The Family of Blood": "If the Doctor had never chosen this place, on a whim... would anyone here have died?" And this after a couple of speeches in which various characters gush about how "wonderful" the Doctor is.
 * From the classic series, "Resurrection of the Daleks" has the Doctor's companion Tegan leaving as a result of her disgust over the bloodshed she had just witnessed and the Doctor saying he must mend his ways. (He doesn't.) Both these happened in Season 21.
 * In Series Four, "The Unicorn and the Wasp", Agatha Christie gets in on it. "How like a man to have fun while there's disaster all around him! ...I'll work with you, gladly, but for the sake of justice, not your own amusement."
 * Series Four featured Donna Noble as a companion, whose primary M.O. was to call the Doctor out on things. Those that love her as a companion do so because it's a change of pace from other companions who spent most of their time hero-worshipping him.
 * Queen Victoria also calls him and Rose out for giggling and acting silly immediately after a terrifying adventure. And then she which was slightly less reasonable.
 * Though she did knight them first, showing that she was at least grateful for them saving her life.
 * The Series Four finale, Journey's End, gives us an example of : The Doctor Although
 * He even gets called out by the Villain (Davros) - "You turn your Companions into weapons!" and considering that one of them (Martha) had gone from Trainee doctor to somebody holding a weapon that could destroy the Earth, he may have had a point.
 * Jackie Tyler, Rose's mother, used to chew the Ninth Doctor out for showing up out of nowhere, taking her daughter away with him with no explanation, and not even always getting the return date right.
 * Even Margaret Blaine, a.k.a. Blon Fel-Fotch Pasameer-Day Slitheen, an alien who has proved herself perfectly willing to destroy entire planets, gets in on the act in the episode "Boom Town", when she observes that the Doctor's "happy-go-lucky life" seems to generate an awful lot of destruction.
 * The Ninth Doctor also gets a couple very brief ones in the episode "Dalek."
 * Martha gives the Doctor a bit of a chewing out after his self-righteous attitude towards a group of UNIT officials, pointing out that they were doing their best to save the planet and frequently had to do so in his absence. Although, at the end of it, Martha mentions wanting to make them 'better'.
 * At the end of The Waters of Mars,
 * Often just the way the seventh Doctor treats Ace, especially when it's to further a hidden scheme of his.
 * In The End of Time Part 2 Wilfred calls out the Doctor for his
 * Also used in The Time of Angels. He spends a lot of time walking around like he owns the place, which usually works for him; not so much here. The Bishop in particular is offended at how arrogant the Doctor is, and calls him out on it. Frequently.

"Rory (to the Doctor): You know what's dangerous about you? It's not that you make people take risks, it's that you make them want to impress you! You make it so they don't want to let you down. You have no idea how dangerous you make people to themselves when you're around!"
 * Done quite well by Rory during The Vampires of Venice.

"Doctor: Your girlfriend isn't as important as the whole universe.
 * Rory does it again in "The Big Bang". Subverted as the Doctor was joking.

Rory: SHE IS TO ME! (punches the Doctor)"

"The Doctor: Your choice.
 * May apply for Rory again in The Girl Who Waited when

Rory: This isn't fair. You're turning me into you!"


 * In fact, the Doctor even does it to himself, in the form of the Dream Lord, pointing out his self-righteous attitude, and the fact that he never visits his 'friends' after he leaves them.
 * In "A Good Man Goes to War"

"Doctor: River! River! This is ridiculous! That would mean nothing to anyone. It's insane. Worse, it's stupid! You embarrass me."
 * In "The Wedding of River Song" the Doctor does this to River when she

"Fin: You're a bulldog, Stabler. Quick to assume, slow to admit when you're wrong. Makes for a good cop, but a lousy human being.
 * The Doctor's companions have been calling him on stuff like this since his very first incarnation - Steven nearly left the TARDIS over the Doctor's refusal to save anyone during The Massacre.
 * Even Jamie, probably one of the Doctor's most loyal companions, gives him a right telling off after being manipulated in The Evil of the Daleks.
 * The Doctor's companions have been calling him on stuff since the very first episode. Remember Susan's freak out when he decides to keep Barbara and Ian prisoner?
 * And Ian calls him on his refusal to help carry an injured man -- does he expect one of the women to?
 * Considering Barbara (or even Susan) might actually have been in better physical condition than the 1st Doctor, Ian can sound more old-fashioned than reasonable to present-day ears. Much more in line with this trope is when the Doctor moves as if to BASH SAID INJURED MAN'S HEAD IN (because he wanted to escape to the TARDIS and thought they were wasting time), and Ian intercepts him asking what the hell he thought he was doing.
 * In related-to-Doctor Who news, Jack Harkness gets called hard for his actions towards the end of the Children of Earth serial of Torchwood. The look on is painful enough without words. Add to that , and it ends up a brutal assault on Jack's modus operandi.
 * Gwen's video recording in Children of Earth also has a bit of "What the Hell, Doctor?" - not because he'd done something wrong, but because there were a number of times when he didn't show up. Then she decided that he must look away from them in shame, given what occurred...
 * Much earlier in Torchwood, Ianto got called out for keeping his Cyberman girlfriend in the basement. He also got two weeks suspension.
 * In the Law and Order SVU episode "Cold", Eliot thinks Fin has tipped off a suspect (who happens to be their colleague, Chester) to run, and dumps his phone records to check. A correct move for a cop, but an absolute dick move to do to a friend and co-worker (even Olivia thinks he should've just asked Fin). Elliot tries (half-heartedly) to apologize, but Fin's having none of it:

Oliva: Fin, hear him out.

Fin: Stay out of it, Liv. That being said, I know what it cost you.

Elliot: Appreciate that.

Fin: I'm not done. The problem is you will still be the same rat bastard tomorrow, and nothing you say will ever change that. (walks out of the station, handing his transfer request to Munch on his way out)"

"Sawyer: It's how I like to run things. I think. I'm sure that doesn't mean that much to you, 'cause back when you were calling the shots, you pretty much just reacted. See, you didn't think, Jack, and as I recall, a lot of people ended up dead.
 * Would it had been better had he just called Internal Affairs to investigate? (Probably not.)
 * From the same episode, Casey gets called out by her superior for
 * This happens plenty of times in the series. In the episode "Blinded," Olivia and Casey gets called out by each other (Casey for throwing the case of the perp of the week, and Olivia for deliberately informing the feds of the perps location, knowing that he would be executed, out of revenge for him blinding Elliot). They make up.
 * Elliot Stabler is really a walking 'What The Hell, Hero?'.
 * "Screwed" is possibly the most notorious instance of this.
 * Speaking of Law and Order, when Jack McCoy goes off into one of his many Writer on Board crusades, expect him to be called on it by at least his colleagues.
 * And an episode where they need to get a suspect out of the Iranian embassy, the characters have two women trick two of the embassy employees into taking their pictures, only to have detectives Lupo and Bernard conveniently show up, examine the camera and find pictures of famous landmarks. They then blackmail the employees into helping them under threatening to arrest them as terrorists. Fortunately for the two employees, they were smart enough to call someone higher up in the US government, who proceeded to chew the main characters a new one for the stunt they pulled.
 * Now that Jack is the District Attorney, he gets to throw a few of his own WTH Hs at Mike Cutter. Although Connie is the one that usually calls Mike out when he's being an idiot.
 * Adam Schiff loved to call Jack out whenever he went too far trying to deliver Justice by Other Legal Means and crept into flat-out abuses of prosecutorial discretion (though in some cases, he'd deliver just a snarky warning that he might be stepping over the line). Similarly, Jack shot down Abby Carmichael's attempt to convict a Serial Killer on charges he was innocent of; Abby pointed out Jack's penchant for bending the law and Jack replied he only did it to convict defendants of crimes they were guilty of in the first place.
 * McCoy gets another one in the episode Gov Lov when he succeeds in nullifying gay marriages in the state in order to force a man to testify against his husband (since there are some laws that allow spouses refusal to testify against each other). During the trial, the man bluntly tells McCoy that he would have willingly testified, but due to McCoy's actions ruining hundreds of marriages for his own goals, now refuses despite knowing he'd be held in contempt.
 * The Sarah Connor Chronicles does this with Sarah giving up John to foster parents, Derek Reese murdering Andy, and for extra awesome Sarah does it to Cameron. Yes, you heard right, the terminator gets called out on what she does.
 * Though in that latter case, Cameron was just doing what her programming told her to do, and she gets confused by Sarah's response.
 * And Cameron ends up being right in one situation in which she.
 * On Battlestar Galactica (the Darker and Edgier reboot), this happens all the time. Often between William Adama and Laura Roslin, or William and Lee Adama. Let's not forget Helo, calling Adama and Roslin on attempting biological warfare and kidnapping his daughter.
 * Another scene regarding Roslin arranging the kidnapping of Hera also provides an example of this trope: it is revealed that Adama was not consulted by Roslin about the kidnapping scheme, and believed along with Helo and Athena that Hera had died. Adama is epically PISSED when Roslin finally tells him what she did, to the point he can barely speak over his own rage.
 * Natalie does one of these on Nick in one of the first season Forever Knight episodes, when he was close to giving up on his humanity quest.
 * House is made of this trope. The climax of the Season 5 opener is Wilson deciding "enough is enough" and telling House he's cutting ties with him. Completely. Since House actually, this should have happened a season or two earlier. Back then, Wilson just settled for turning House in to Tritter (with eventual explanation), which caused its own problems.
 * And then promptly subverted when
 * Heroes: In the third season, Daphne pulls a true "What the hell, Hiro?" after watching him stab Ando right in the chest. The kicker?
 * Also, we see Nathan Petrelli getting this twice, first from Hiro in Season 1 and then from Peter in Season 3.
 * In Xena: Warrior Princess, Gabrielle betrays Xena, calls her out for her vengeful murder plot against the Green Dragon, and follows with a healthy dose of Why Did You Make Me Hit You? in The Debt. Of course, that was likely a reaction to Xena trying to murder Gabrielle's Enfant Terrible.
 * Crusade, Babylon 5's Screwed by the Network spinoff series, had two completed but unproduced scripts that were filled to the brim with this trope. In these separate episodes (one being midseason, the other being the season finale), Captain Gideon risks his current ship and crew to chase down and get revenge on the Mysterious Evil Spaceship that destroyed his previous ship, killing his captain and the rest of the crew, and between the space battles there are a lot of "What the hell?" speeches from the rest of the main cast. It's only overshadowed by the finale's revelation that, at which point Gideon gets to do some "What the hell?"-ing of his own.
 * In Babylon 5 itself, Sheridan gets called out by Garibaldi over his interrogation of Morden in "In the Shadow of Z'ha'dum".
 * The ending of that episode isn't exactly as satisfying as it is made out to be. Sherdian, despite his usual working moral compass, doesn't release Morden based on Garibaldi's What the Hell, Hero? or his own conscience but Delenn and Kosh telling him to do otherwise would pretty much screw the pooch on the galaxy.
 * Sheridan calls out Kosh for his Omniscient Morality Licence bullcrap and for doing nothing while the Shadows rampaged when he could have given Sheridan a much needed victory to get the alliance Kosh wants him to build off the ground. At first, Kosh refused, even smacks Sheridan around, then realizes Sheridan is right and caves in.
 * Delenn and Sheridan called out the Vorlons and the Shadows for failing in their self-imposed role as shepherds of the Younger Races. While they're not really heroes, they do claim some benevolent intentions (if strange and extreme methods of execution) which have been thoroughly perverted through the eons, and being called out by the Younger Races and the remaining Old Ones makes them realize this.
 * When Sheridan is set up for murder by renegade Minbari, Delenn (who seems pathologically incapable of telling anybody anything, at times) keeps her mouth shut, seemingly caught between the truth and loyalty to her people. Sheridan has to shame her into coming clean and clearing his name. It's one of the rare times she's actually called out on her evasiveness.
 * Of course, the ultimate Sheridan-to-Delenn What the Hell, Hero? moment comes when he finds out  but didn't bother to tell him.
 * There are many, many WTHH moments with Delenn and Sheridan. They both make bad calls more than once, although they have good intentions. Over the course of their relationship they've called each other out many times.
 * The Shield featured a ton of this as Vic Mackey being called out on his sins as the series came to an end. Between Shane calling Vic out on his murder of Detective Terry Crowley after Vic confronted Shane for his murder of Curtis "Lem" Lemansky and Ronnie Gardocki's final scene as he curses Vic out for betraying Ronnie in order to get full immunity for his laundry list of crimes, creator Shawn Ryan made a huge point of slamming Vic via this trope as the series ended.
 * Of course, Ronnie's calling out of Vic occurs seconds after Ronnie's co-worker (and honest cop) Detective Dutch Wagenbach calls Ronnie out on his own laundry list of sins, most notably his (tacit) willingness to turn a blind eye to the fact that Vic Mackey murdered Detective Crowley. Not to mention the fact that Ronnie is arrested within seconds of Claudette performing her own calling out of Vic Mackey, over how he drove his partner/nemesis Detective Shane Vendrell to murder his entire family and himself.
 * In the Lost episode "Namaste", Sawyer calls Jack out on his leadership in the early seasons (made all the more awesome given that Jack is used to leading Sawyer around, and that the entire interchange arises from Jack's questioning Sawyer for sitting around and reading instead of taking action):

Jack:

Sawyer: But here you are...."

"Harry Swinton: So we're all going to die... because you were scared?"
 * Unfortunately Sawyer's point is somewhat undermined by his being an ass about it directly afterward and showing signs of exactly the same trends of leadership Jack showed. For his part Jack shows relief and acceptance of Sawyer's general point about his leadership, though in his defense, unlike him, Sawyer has the luxury of a comfortable and powerful position to plan instead of react.
 * In the last episode of Season 5, it is revealed that What the Hell, Hero? indeed. Again sort of undermined when Sawyer changes tack and aids Jack, as does everyone else. Given how things ended up he will rightfully be pissed, but by changing his mind with everyone else and aiding him he has not much ground to stand on.
 * In Pushing Daisies episode Kerspslash Emerson Codd gets his Crowning Moment of Awesome when he calls out Ned and Chuck for attempting to.
 * The M* A* S* H episode "Fallen Idol" has Radar call Hawkeye out after the latter reports to surgery after getting drunk (due to his guilt over having urged Radar to visit a Seoul brothel on his R&R leave, leading to Radar getting wounded by mortar fire en route). This leads to a bitter, though temporary, falling-out between the two men.
 * In the season 8 episode "Preventative Medicine", Hawkeye performs an unnecessary appendectomy on a battle-happy colonel to put him out of commission who is scheming of how to an unauthorized (and potentially high-casualty) offensive in direct defiance of his orders. B.J. furiously protests this, calling it "mutilation" and a violation of every tenet they're supposed to live by as doctors. This is an interesting parallel/contrast to previous wingman Trapper, who was only too happy to help Hawkeye do the same thing in the season 3 episode "White Gold".
 * On a lesser scale, you'd be surprised on how many times Hawkeye gets called for his self-righteousness and sanctimony. These two flaws are commonly attributed to Seasonal Rot but for one, this is early seasons as well, and for two, it might have been deliberate.
 * One of the biggest plot points on 24. Jack Bauer is the one who gets the majority of these, but it happens to other characters as well. Part of what makes the show so superior is that when it comes to consequences for actions there's rarely a Reset Button, and saying I Did What I Had to Do rarely gets you off the hook.
 * Renee gets this for.
 * Lynn McGill gets one when he steps out to deal with his sister, enabling terrorists to get his card and . He explains to the security guard watching him that he was scared.

"Chuck: Come on, Sam -- sucking blood? You gotta know that's wrong."
 * In The Wire, Major Howard "Bunny" Colvin gets it from the drug dealers, his underlings, his friends, the media and eventually his entire chain of command for his Hamsterdam plan.
 * In a similar fashion, McNulty's scheme to manufacture a super-sexy fake serial killer, preying on the homeless in Baltimore in order to force the asshole Mayor to pump more funds into the Baltimore Police Department's budget after cutting said budget to the bone, led to much "What the Hell" yelling at McNulty.
 * The best of all of them in The Wire, however, is Bunk's truly epic calling out of Omar after . Seen here, it is truly powerful.
 * Bunk practically lives and breathes this trope, particularly in season 5.
 * In Supernatural, Sam gets a lot of these after he fails to keep his brother from being dragged off to hell.
 * Sam starts using his demon-blood-born powers to exorcise demons between seasons three and four, and in season four, the prophet Chuck is the first to call him on the way he fuels those powers:

"Britta: "Way to go!"
 * Dean finds out when Sam, jonesing for a fix, cuts a demon's throat to drink her blood so he can pull the demon out of Castiel's vessel's wife without killing her. Dean locks Sam up so he can detox from the demon blood. This is followed by Sam leaving to kill Lilith, thinking that's the only way to stop the Apocalypse after they fight when Dean calls him a monster.
 * The whole point of the addiction makes the title all the more fitting...
 * In season 6, Sam gets plenty of these. In Live Free or Twihard, Sam
 * Dean almost says it verbatim ("Sam" instead of "hero") in "Clap Your Hands if You Believe" when he finds Sam having sex instead of
 * In season six, gets one in "My Heart Will Go On" from Fate, over how Balthazar altered history by stopping the Titanic from sinking,
 * Later in the season, Dean, Sam, and Bobby confront
 * A particularly awesome example in season seven episode 1..
 * Dean gets a good amount of this from Sam, Bobby, and especially Castiel, who also gives him one hell of a beatdown, in the fifth season episode "Point of No Return" after they find out that he's willing to let himself become the vessel of Michael.
 * In middle season 2 of Angel the title character becomes increasingly "dark", to the point that he . After this, Cordy, Wes, and Gunn confront him, telling him he has to change the way he's been doing things.
 * Also the entire point of season 5's "You're Welcome".  returns from   in order to set Angel and the rest of the gang straight after they began to lose sight of their original goals
 * Again in late season 5 when Angel  and his friends suspect he has gone evil.
 * Angel wasn't alone on this. How about . The only person that is immune to this would be Cordelia  . However, they all eventually get called out on it.
 * Cordy calls Angel out in the first season for betraying Lindsey when he was trying to do a Face Heel Turn.
 * This trope is the main overriding theme of The Practice. At the beginning of the series, the lawyers are idealistic and guided by a clear sense of ethics. As seasons progress, however, the What the Hell, Hero? moments increase to an alarming rate. It first becomes serious as the last resort "Plan B" increasingly becomes a first resort and hurts their reputation among other lawyers. It finally reaches an apex in the final season with Alan Shore. Alan Shore has a notorious reputation for being just barely above-board ethics-wise, but he manages to actually take the moral high ground on the firm when, after firing him, Eugene speaks to Shore's longtime clients separately and tries to convince them to stay with the firm instead of Shore, even though Shore has only been a member of the firm for a few months. Something which Shore only even finds out about because one of his clients, for unrelated reasons, tapes all conversations he has with his attorneys.
 * The Firm became so notorious for their dogged "anything-goes" approach that if a lawyer was caught half-assing their defense of the Complete Monster of the week, someone (even the opposing counsel) could be counted on to point out the nun-killer or child-rapist they successfully got acquitted the other day, call them out on their hypocrisy for daring to allow their disgust at the defendant's crimes to interfere with their efforts and remind them of their legal obligation to use whatever underhanded tactics were at their disposal to get the defendant off.
 * Patrick Jane in The Mentalist frequently gets called out on his more... unorthodox methods. Considering his revelations also tend to crack cases wide open, he usually gets by with little more than a slap on the wrist, except when things go really over the top and/or his antics insult someone with connections. More severe consequences are occasionally in the offing, though, to the point that after a couple incidents he's lucky to still have his job.
 * In the "We're So Screwed" trilogy at the end of Farscape's run, John Crichton . It's only through a pre-planned Plan that John is forced to go back and rescue him. Scorpius, of all people, is the one to call him out on it during a quiet little sit down - sure, he's spent the past few years hunting John and making his life miserable, but he's always been honest about it, and kept any deals he made in full, including genuinely risking his own skin to protect John and his friends.
 * In the finale of Power Rangers Mystic Force, Nick gets called out  It didn't help that they had to
 * In the pilot episode for Firefly, Wash calls Mal on "the whole murder issue" when he threatens to throw Simon out the airlock if Kaylee doesn't survive her gunshot wound.
 * In Buffy the Vampire Slayer, this happens all the time. Citing all the What the Hell, Hero? moments would take a whole page. Some of these are solo efforts, others are group interventions, mostly with Xander spearheading them. Buffy is the most common victim of it (due to her tendency to keep secrets from her friends and to underestimate the danger potential of her boyfriends), but Willow gets her share in the later seasons, and not even Giles or Xander are spared from it.
 * Buffy's case is mostly the fact that she's still a teenager and isn't emotionally stable half the time, and people seem to forget that, even her own friends. Because of that, nobody supports her very well in the earlier seasons, even though they try to. This is most evident in the episode where she makes her return to Sunnydale after running away, where everyone collectively lectures her. Nevermind the fact that she waited months to kill her Complete Monster boyfriend; Xander blames her for putting everyone else in danger (the others try to pick up slayer duties), Willow avoids her until Buffy caves again emotionally and tries to run away again, and Joyce tried to give Buffy space, but seemed to have a little difficulty acknowledging that her daughter was home.
 * In the same episode, Buffy gives a Shut UP, Hannibal to her mother's What The Hell Hero speech; Joyce pointed out how worried she was while Buffy had run away, which incensed Buffy, since
 * Buffy "acting like such a bitca" in the beginning of season 2
 * In Canadian drama Flashpoint, after a teammate goes to save a girl who was involved in one of his previous cases without telling the others, his teammates call him out for doing something so stupid that could have gotten him killed and nearly did.
 * The second season of Bones features some major screw-ups on the part of the team members, especially in "The Man in the Cell" where several nearly die. This comes to a head in "The Man in the Mansion" when Hodgins' keeping secret his prior involvement with a suspect nearly gets the case thrown out of court. The federal prosecutor chews the whole team out over their behavior, although she apparently didn't know about Booth hauling off and shooting an ice cream truck.
 * In season 1 of How I Met Your Mother the normally moral and good-hearted Ted deliberately decides to cheat on his long distance girlfriend Victoria with Robin, the woman he's been crazy about for months. He trades phone calls with most of his friends, all of them whom tell him that even going to Robin's apartment is a very bad idea. The future version of Ted, narrating the story agrees that it's the stupidest thing he had ever done. There is fallout over this for the next two or three episodes.
 * This actually has fallout in much later episodes, up to the seventh season, when he  and reveals that he's felt guilty about this the entire time.
 * In the season three episode "No Tomorrow" Ted is once again on the receiving end of one of these, this time from Marshall after drunken shenanigans with Barney the night before, involving but not limited to hitting on a married woman.
 * Everybody Loves Raymond: In one episode, Ray discovers that Ally has been bullying a little girl at school, and informs Debra. Debra simply shrugs and brushes the matter away. When Ray presses the issue, Debra replies that she doesn't think it's anything to be upset about. Ray then asks Debra why she doesn't mind the fact that Ally is bullying other kids, and Debra expresses disinterest in the whole thing. When Ray complains about Debra's lack of concern about Ally bullying a little girl, Debra actually utters the line "So, you're upset that I've taught my daughter to be self-confident?!" When Ray is, quite justifiably, surprised and upset at Debra for saying this, Debra then calls him a wuss and begins making fun of him......while the studio audience cheers ecstatically for her. This bounces between What the Hell, Hero? and Moral Dissonance, because although the daughter is being recognized for the bitch she is, the mom isn't.
 * In an episode of Galactica 1980, Dillon and Troy Dillon and Troy don't mind passing stolen money off to honest people, but draw the line at giving money to thieves. In this episode, they are approached by thugs in Central Park. One of them demands that Dillon and Troy give the thugs all of their money. They respond that they can't do that because the money they have is stolen and that this would implicate the thugs in grand larceny. The money actually is stolen, but the problem with this is that Dillon and Troy have been spending that stolen money freely prior to this point. They'd bought camping supplies, paid for meals, bought airline tickets, and paid for taxi rides and every one of these transactions were with honest, law-abiding citizens. What the hell, hero?
 * Several in Highway to Heaven, a series about a do-gooder angel (Johnathan Smith) and his mortal sidekick, Mark Gordon who travel from place to place to do (usually) good deeds:
 * In one episode, Johnathan uses insider trading, including stealing the company's trash and hiring a disgruntled former employee for his insider information to start a series of deals so he can manipulate two companies' stock prices, gain control over the company's voting shares, and get rid of his enemies.
 * After seeing a bully take a guy's lunch and walking away, Johnathan (after being told by God not to do this) rips the trunk off the guy's car, then starts a fight with the guy and all his friends, including punching one of them so hard that the guy flies and skids across the top of the car.
 * Johnathan pushes a little girl into swimming pools for being a smart ass, but without the benefit of knowing why she was pushed in. Johnathan did it for self-satisfaction.
 * Mark also has his moments. In The Secret, Mark's friend Wes finds out that his wife lied to him about their daughter. Wes thinks his wife is a virgin when they met and that his wife can't have kids, but then adopted their daughter. The truth is, his wife slept with a guy before she met Wes, got pregnant, had the baby, and gave it up for adoption. When she met Wes, she hurried up and married him, made up the story about not being able to have children, then went to adopt her own daughter back from the adoption agency. Wes is (reasonably) upset at his wife about her deceit and moves out. Mark spends the rest of the episode trying to convince Wes that it's no big deal and that Wes is over-reacting. In the end, Wes "comes to his senses" and forgives her.
 * Don't know if this counts as live action TV, but in Survivor: Heroes vs. Villains, J.T. gives Russell, the only Survivor villain to exceed Jonny Fairplay, the hidden immunity idol. Granted the Heroes thought the Villains had an all women alliance, but how did they know they could trust Russell after Samoa?
 * None of them had seen Samoa. It was airing on TV the same time Hv V was filming, so they couldn't have known.
 * From Community episode "Introduction to Statistics", when Jeff finally snaps and tells his friends to get lost and leave him to seduce Slater, they -- and Slater -- are quick to point out what they think of this (although Troy subverts it):

Abed: "I know I'm not Batman; you could try not being a jerk."

Troy: "She's pretty hot."

Jeff: [Slinking back over to Slater] "Well, where were we little doggy?"

Slater: "Unseemly." [Walks off]

Jeff: [Deflated] "Yeah... crap.""

"John: There are lives at stake, Sherlock! Actual human li- just so I know, d'you care about that at all?
 * In a metafictional example, a number of reviewers of the 2011 pilot for the failed Wonder Woman remake have invoked "What the hell, hero?" in noting scenes in which Wonder Woman tortures a man for information, throttles others with her lasso, and (the most controversial) throws a pipe through a guard's neck - all acts considered violations of how the character of Diana has been established in the comics.
 * In the third episode of Sherlock, John attempts this on the eponymous character, with limited results.

Sherlock: Will caring about them help save them?

John: No.

Sherlock: Then I'll continue not to make that mistake.

John: And you find that easy, do y--

Sherlock: Yes, very. Is that news to you?

John: N...no.

Sherlock: ...I've disappointed you.

John: Good. That's a good deduction, yeah.

Sherlock: Don't make people into heroes, John; heroes don't exist, and if they did, I wouldn't be one of them."

"Gaius:...You see sorcerers where there are only servants..."
 * Holmes has a veiled one at
 * All in The Family generally ended its episodes with wrongdoing Archie Bunker learning the error of his ways, being made to look like a buffoon, and becoming lovable to the audience once more despite his actions (such as nearly cheating on Edith with a waitress). That is, except, in the seventh season episode "The Draft Dodger," where at the end of the episode, Archie STILL seems like a ruthless, loud-mouthed, heartless bastard.
 * This pretty much is all that goes on with Being Human after
 * Michael Weston gets these pretty regularly, usually from Fiona or Madeleine, when he is forced to endanger friends and innocents to get an operation to work. He got it most often in the 4th Season, when after inadvertantly burning Jesse Porter, Michael recruited him into his investigation without coming clean about his involvement, sometimes even bypassing opportunities to clear Jesse's name for the sake of the mission. More recently he got one after getting Sam involved in a very dangerous operation that nearly got him killed (significantly, Sam himself was okay with it).
 * In Glee, Burt Hummel gives Finn a truly epic one when he hears Finn calling Kurt homophobic slurs. In another episode, Kurt gets called out, also by Burt, for his slightly stalker-y behavior.
 * Don't forget Emma calling out Will on messing around with Shelby and for sleeping with April Rhodes (literally sleeping, but she doesn't know that nor does he deny it). "You're a slut Will. You're a slut."
 * Smallville breaks down like this: 50% characters angsting about what to do; 10% characters doing something; 40% characters being chewed out by other characters for doing whatever they did
 * Smallville is full of What the Hell, Hero? Clark moments, especially noticeable as his relationship with his "best friend" Lex Luthor declines. In many early episodes, Lex commits minor, explanable offenses, and Clark overreacts, only then to turn around and betray him in much worse ways. In one episode, he allowed a Lex to be  imprisoned in an insane asylum, and  because.
 * Are you talking about Season 3 Episode 9 (Asylum)? Because if so then I should point out that Clark actually tries to prove that Lex doesn't belong in the asylum, and tries to prevent the aforementioned torture despite others like Pete feeling he should leave Lex to suffer - the only reason he doesn't rescue Lex is because he's attacked by old enemies Ian Randall and Eric Summers, which delays him long enough for the shock therapy to begin.
 * Merlin has a rather epic one pulled by Gaius on Uther in "The Witchfinder". He's one of very few people able to do this without losing their head in the process.


 * Bonnie on The Vampire Diaries gives one to Elena for having Damon compel Jeremy, her brother, into leaving town and getting away from being put in the line of fire as Klaus and his hybrids wander the town. Bonnie brings up the fact that he should be allowed to choose whether or not he wants to do this, not be made to do it by a vampire's compulsion, even if Elena says she's doing it to protect Jeremy.
 * Brass spends much of the CSI episode "Genetic Disorder" getting these repeatedly, because he lets his own past influence his thinking that Doc's wife really was cheating on Doc. He doesn't let up until the end of the ep, when the evidence shows what really happened.
 * Twisted Tales, a clone of The Twilight Zone hosted by Bryan Brown, also starred Brown in the episode "The Confident Man". Brown's character and his wife are hardware store owners whose store is held up at knife point by a junkie. He picks up a cordless drill and manages to convince the junkie that it's actually a gun - he just thinks it's a cordless drill because he's so high. His wife and the other employee obviously back him up, and someone who later walks in off the street catches on. The police eventually arrive and cuff the junkie. Brown says "just so you don't go out of your mind, mate..." and pulls the trigger. Cut to his wife: "I don't understand!" It was over! Why did you do it?!". Cut to the junkie, on the floor with a smoking hole in his head. Cut to a gun in Brown's hand. "I thought it was a cordless drill".
 * Every single episode of It's Always Sunny in Philadelphia is based on this trope. You could say the show itself is a personification of it.
 * Apart from the fact that the protagonists aren't heroes at all and don't mind being called out.