The Vampire Files

The Vampire Files is a series of books by P.N. Elrod. It is the memoirs of one Jack Fleming, vampire, private investigator and later club owner, set in 1930's Chicago, starting in 1936. The core cast consists of Jack Fleming, former reporter and current undead, Charles Escott, a British private agent and former theatrical actor, and Bobbi Smythe, Jack's girlfriend and former night club singer. Other recurring characters include

Books in this series:
 * Bloodlist
 * Lifeblood
 * Bloodcircle
 * Art in the Blood
 * Fire in the Blood
 * Blood in the Water
 * Chill in the Blood
 * Dark Sleep
 * Lady Crymsyn
 * Cold Streets
 * Song in the Dark
 * Dark Road Rising

Short stories in this universe include:
 * "You'll Catch Your Death"
 * "A Night at the (Horse) Opera"
 * "The Quick Way Down"
 * "The Breath of Bast"
 * "Slaughter"
 * "Grave-Robbed"
 * "Her Mother's Daughter"
 * "Hecate's Golden Eye"
 * "The Company You Keep"
 * "Dark Lady"

A collection of all the above short stories and at least one new one is supposed to be released eventually. A spin-off series called Jonathan Barrett, Gentleman Vampire was also written by Elrod. It is currently four books long and tells the backstory of a character introduced in Bloodcircle.


 * Amnesiac Dissonance:
 * Anti-Hero: Jack. Escott definately has shades of this.
 * Arbitrary Skepticism: Escott is uncomfortable with the idea that ghosts could exist. This despite the fact that he works with Jack. Also, both Escott and Jack are quick to dismiss the idea of a cursed diamond in "Hecate's Golden Eye," and it's left ambiguous as to whether it's real or not.
 * Ax Crazy: Norma, from Lifeblood. And when in the mood,
 * Badass Normal: Charles Escott, private agent.
 * Berserk Button: For Jack, hurting Bobbi or Escott, or, ya know, killing him. And don't try to cheat Escott, or call him something a private investigator.
 * Big Applesauce: Jack used to work as a reporter in New York. He moved to Chicago shortly before dying. The Nightcrawler and its owners are tied to New York gang politics as well.
 * British Accents: Escott has one. It's no small part of why he's so charming, not that he believes that himself.
 * Cement Shoes: Jack pretends to do this to Nevis and Upshaw in Lady Crymsyn at the Stockyards. Instead, they end up stuck in two feet of animal waste products.
 * Character Tics: Alex Adrian twists his wedding band around his finger.
 * Cold-Blooded Torture: "Buckwheats" in Cold Streets. Also
 * Combat Pragmatist: Some of the bad guys do just shoot Jack, not that it helps against a vampire.
 * The Comically Serious: Opal, due both to being Literal-Minded and used to being a constant Butt Monkey.
 * Continuity Nod: Jack encounters works of art by the artists he met in "Art in the Blood" several times.
 * Crazy Prepared: Escott.
 * Cursed with Awesome / Blessed with Suck: Being a vampire. Sure you're super strong, super fast, have super senses, can turn invisible, have eternal youth, and can bend puny mortals' minds to your will, but you have to lie utterly helpless on a pile of dirt during the day, you can't use mirrors (an obvious sign of what you are, plus it makes shaving and clothes shopping really hard), even a tiny bit of sunlight can make you blind, just smelling food makes you nautious (which makes socializing over food awkward and a pain), when you're invisible you're also blind, if anyone knew you from when you were alive you have to explain why you look so young, and you can accidentally drive someone insane. Jack himself angsts briefly on most of these issuse (particularly the accidental Mind Rape), but is generally happy with his existance. For the most part, he finds the detractments annoying, not depressing.
 * Dangerously Genre Savvy: Upon first meeting Jack, Escott is mostly Wrong Genre Savvy, but with his hidden stake-loaded crossbow he is also arguably this. Played much straighter later with
 * Dead to Begin With: Jack, the title vampire.
 * Deus Ex Machina:
 * Also, one could say that  is this too.
 * Dhampyr: Not a hybrid, but 's condition is similar, his undead transformation having been impaired by the bullet that remains lodged in his skull. Sharing Jack's limitations and hypnotic gaze, but lacking the power to vanish, he casts a ghostly reflection in mirrors.
 * Distracted by the Sexy: Happens to Jack a lot, with Bobbi and other women. So much with Escott in Lady Crymsyn.
 * Does Not Understand Sarcasm: Madison, the main reason why he's the only person who can stand Marza.
 * Double Standard Rape (Female on Male): Subverted hard in
 * Driven to Suicide: Celia Adrian.
 * Evil Feels Good: From Fire in the Blood, when Jack
 * Fang Thpeak: Jack does this when his fangs come out, which happens when he's hungry or horny.
 * Fantastic Arousal: Not so much in how to turn a vampire on but what happens when you do: their fangs extend and they lisp when trying to talk around them.
 * Absolutely adorable to some fangirls, but YMMV.
 * Film Noir
 * Flashback Echo: Jack has a couple in the first book about his own brutal murder.
 * Flashback Nightmare: Jack has one early in the first book, again about his own murder, before he gets himself some of his home earth.
 * gets these from sleeping without his earth also, and actually seeks them out as a source of information about.
 * Freak-Out:  had one years ago when
 * Fridge Logic: How do people in Chicago know that Malone's gay?
 * Probably justified, as Malone's boss Nevis was a gangster and would have employees checked out before trusting them anywhere near himself or his money. Whoever watched to see if Malone was working with another gang probably spotted him on a covert date with a man.
 * Barrett flat-out refuses to entertain the notion that  on the grounds that she's "only a child". When Barrett was alive, girls younger than   were often married with children, and boys that age were off fighting the American Revolution.
 * Gangsterland: Set in 1930's Chicago.
 * Ghost Amnesia: In the beginning of Bloodlist, Jack can't remember the days leading up to his death, so he doesn't know who or why, or even when or how, exactly.
 * Eleven books later, we see  coping with an even stronger case of this.
 * Gilded Cage: Marian claims she's in one.
 * Glamour Failure: Jack is taken into an interrogation room with a two-way mirror.
 * Good with Numbers: Opal. It's why she's a Living MacGuffin.
 * Green-Eyed Monster: The motive behind
 * The Great War: Jack fought in it in his youth. Still known by this name as Hitler is in charge but hasn't invaded Poland yet.
 * Heroic BSOD: Alex after his wife Celia's suicide.
 * Hope Spot: In Lifeblood,
 * Hypnotic Eyes: Vampires have these. But depending on the emotional state and willpower, it can be difficult or impossible to use on certain people, particularly the insane or sociopathic. Generally, Jack needs people to be calm but unsuspecting in order to easily go under. Even then, a person's own twisted logic can make it tricky to get what he wants out of them.
 * Identical Stranger: Escott and Jack, though described as similar and not identical (possibly would have been identical before Jack's eternal youth kicked in). It figures into the plot a few times, specifically when someone is after one but finds the other.
 * Idiot Ball: Jack is occasionally guilty of this, especially with the more unsavory gangsters. Even when he's not subverting Thou Shalt Not Kill, you sometimes wonder why he doesn't just hypnotize them. Then again, depending on where you are in the story, Jack may be angsting about hypnotism or murder.
 * If I Can't Have You:
 * I Hate You, Vampire Dad: Averted. Jack was in love with Maureen. He felt betrayed and hurt when she left, but never hated her. In fact, it seems like none of the vampires in this series feel this way.
 * I Love You, Vampire Son: The situation behind most vampire sirings, particularly those of Jack, . Barrett tried to do this several times before it eventually took.
 * Immortality Begins At Twenty: If yous tart off as older than that when you die, you appear to be in your early twenties if you come back as a vampire.
 * Intrepid Reporter: Jack wanted to be one, but it doesn't seem like he ever got a huge scoop. He's got the instincts of one though, which helps with his current job. It does occasionally get him into trouble, though.
 * It Will Never Catch On: Grimmer useage than normal, as it's usually someone dismissing Hitler as a jumped-up blowhard who'll either retire or get booted out of office any day now.
 * Jerkass: Marza Chevreaux. Gets a little Jerkass Woobie moment before going right back to this with a vengence,
 * Kiss of the Vampire: Jack's been "rewired" to use this as a subsitute, and mentions on a few occasions that it's even better the new way. And if he drinks from them first, his human lover can return the favor.
 * Granted, Jack does engage in a lot of conventional foreplay as a precursor to neck-nibbling. When he spies on another vampire/human couple who play out this trope without any such buildup, he considers it a bit too sedate for his liking.
 * Lampshade Hanging: Done by the characters, especially Jack, to Dracula.
 * Literal-Minded: Opal, to the point where some readers wonder if she's autistic.
 * Living MacGuffin: Opal, Kyler's genius but highly sheltered accountant.
 * Love At First Sight: Jack all but names this trope when he talks about when he met Maureen.
 * Love Makes You Evil:
 * MacGuffin: In the first book, all the trouble is over the tititular list.
 * Made of Iron: Jack.
 * The Mafia: It's 1930's Chicago. Jack runs into them a few times.
 * Mayfly-December Romance: How most vampire-human romances turn out, since most humans are immune to becoming vampires.
 * Mind Rape: Unlike most examples, Jack does this. The first time is an accident, but he later does it on purpose.
 * Missing Mom: Maureen, in that she's Jack's sire. At the beginning of the book she's been missing for five years.
 * Morality Pet: Bobbi is this to Jack sometimes.
 * Mundane Utility: Who needs keys when you can just slip inside?
 * Who needs advertising when you can whammy your club's customers into having a good time?
 * Never Bareheaded: Whitey Kroun got his nickname because he always wore a white hat, even as a teenager.
 * Noble Shoplifter: Jack has to do his clothes-shopping after hours to avoid dressing-room mirrors, but he always leaves money on the counter.
 * No-Holds-Barred Beatdown:
 * Not Distracted by the Sexy: Holy goodness, Escott. Even when he has half the employees in a brothel hanging all over him.
 * Obfuscating Stupidity:
 * Older Than They Look: Happens with most vampires, most conspiciously with . Jack is regularly called "kid" by people who don't suspect his real age, and is unable to visit his parents because they'd be shocked by how much younger he looks.
 * Our Vampires Are Different: Like many vampires, Jack is superhumanly strong and fast, has a Healing Factor, can mesmerize people with eye contact, has problems travelling over moving water, and needs to drink blood, although animal blood suffices. Unlike many vampires, he can turn invisible and intangible, although when he does he's also blind. Also, he cannot turn into or control bats, rats, wolves, or other vermin, nor does he need an invitation to enter a dwelling. As mentioned in Wrong Genre Savvy below, most of the characters use Dracula as a point of referance.
 * Dracula actually exists in this universe, somehow.
 * Overprotective Dad: Marian complains that her dad is one. He seems to keep a close eye on her but not interfere with her love life, but we don't see enough of him to be sure.
 * Private Detective: Escott is one, but he prefers "private agent." Jack is basically one, but in truth he's more like Escott's assistant, if incredibly valueable and experienced.
 * Prove I Am Not Bluffing: Jack Fleming's friend shoots him with a crossbow in front of several of their enemies, partly to invoke this. However, they didn't realize Jack was a vampire, and since he'd deliberately missed Jack's heart, Jack recovered fairly quickly.
 * Reality Is Unrealistic: Madison Pruitt's hair looks so much like a toupee that Jack concludes it must be his real hair: a hairpiece would be better-made.
 * Rich Bitch: Several, including some male examples. "Money makes you evil" is practically a theme of the series. The rich, especially those born to it, are capable of astounding feats of selfishness and cruelty, whether it's for further wealth or some other petty desire.
 * Rich in Dollars, Poor In Sense: Madison is a rather benign example.  turns out to be this too, and it gives her away. Kitty and Marian may also be this, as well as many others.
 * Roaring Rampage of Revenge: Alex attempts this in Art in the Blood. Then Jack needs to save him.
 * Jack has done this himself a couple times, with better results. Being dead kind of gives you an edge.
 * Sarcasm Mode: Marza, particularly when anything remotely polite is coming out of her mouth.
 * Second Love: Jack to Maureen, Bobbi to Jack,
 * Secret Keeper: The few humans who know Jack is a vampire.
 * Shout-Out: Lots of references to The Shadow, in both radio and written incarnations.
 * Sickeningly Sweethearts: You get the impression that Jack would be like this to Bobbi if he didn't hold himself back. And that Bobbi would smack him if he did. Also, it's possible that Maureen and Jack were like this.
 * Single-Minded Twins: Ruzzo(s)
 * Smoking Is Glamorous: It's the 1930's, so everybody smokes. While Jack can't inhale, he'll puff on one to be social. He even uses one to make himself seem less scary to scared shitless Van Helsing wannabe.
 * Spoiled Brat: Several of the Rich Bitches, particularly the female ones. And they're all adults.
 * Spoiled Sweet: Kitty Donahue.
 * Squick: In-universe, how  react to discovering that Bobbi had sex with Jack, who they see as a literal walking corpse.
 * Possibly in conjunction with I Love You, Vampire Son, seeing as Jack even refers to siring one's lover as "reproduction" and "making a child."
 * Dugan's sociopathic detachment holds out until he's faced with, at which point even he succumbs to this trope.
 * Stealth Hi Bye: Escott hates it when Jack does this, courtesy of his Super Smoke.
 * Strawman Political: Madison Pruit, the diehard communist and idiot. While Jack notes that communism itself isn't a stupid idea, Madison is just about the worst person to have on your side in a political due to how blatantly illogical his arguements are.
 * Super Senses: Specifically Jack's night vision, and heightened hearing.
 * Super Smoke: And invisible smoke to boot! He's basically blind and has trouble hearing while in this form. After he discovers that he can fade gradually and appear transparent, he puts it to hilarious use. See the CMOF above.
 * This Is Something He's Got to Do Himself: In The Dark Sleep.
 * Those Two Guys: Marza and Madison.
 * Thou Shalt Not Kill: Averted by the good guys once in awhile.
 * Token Minority: Shoe Coldfield is this to an extent. He's black, a successful but relatively minor gang boss, and Escott's only friend from his theatre days that's around. Almost all other black characters that make an appearance are associates of his, and relatively minor characters. It makes sense though, since Jack is white and the city is segregated by both law and mutual ignorance.
 * Joe James from "Lady Crymsyn" is the Token Homosexual. Malone's gay too, but he contributes more to the plot.
 * Transhuman Treachery: Inverted with, who's a much better person after rising as a vampire.
 * Traumatic Haircut:
 * Upper Class Twit: Madison Pruit embodies this trope.
 * Values Dissonance: In-universe; Jack is more in line with modern morals than most people in the 1930's, which his comrades in WWI seemed to take offense to, though he held them off. He credits this with being raised on a farm and his family being too busy working so they can eat to bother teaching their children who to hate, though it could simply be that his parents had the same values, too. He doesn't give a rat's ass about race, and in "Lady Crymsyn," Elrod makes a point of it to show that Jack doesn't care about homosexuality, either.
 * For that matter, Jack's willingness to rearrange his own life for the sake of Bobbi's career -- and a career that requires her to dress and act sexy for other men's entertainment, no less -- is remarkable in an era when a man is expected to bring home the bacon while the woman keeps house. Justified in that they'll never have kids to support, so don't need to worry about homemaking.
 * Vampire Dance: Averted with Jack, despite him owning a nightclub. Likely to be played straight if Bobbi turns, as she's a professional singer who dances in many of her acts.
 * Vampire Detective Series: Subverted, as Jack lacks most of the stereotypical traits of these. He's far too young to inundate the reader with historical flashbacks or angst about his evil past. He spends the first couple books angsting about his sire, but that's because he was in love with her and she's been missing for five years, and at the moment he's a perfectly happy and stable relationship with someone new. He is a Vegetarian Vampire, though.
 * Vampire Fiction
 * Vampires Own Nightclubs: As of Lady Crymsyn.
 * Vampires Love Blondes: Jack to Bobbi.
 * Vegetarian Vampire: Jack is one. Human blood isn't addictive or necessary, so there's no reason not to be one. Plus, drinking human blood has replaced sex for him, so he sees the two as comepletely different. To Jack, human blood is like wine, consumed in small doses for pleasure, while animal blood is like milk, the stuff that actually sustains him.
 * Weaksauce Weakness: Wood and free-flowing water.
 * Well-Intentioned Extremist:  from A Chill in the Blood. Also Braxton and Webster from Lifeblood may qualify, especially the former, though they're not nearly as effective.
 * Who Dunnit to Me?: First book starts with Jack waking up dead with no memory how he was killed.
 * Wild Mass Guessing: Word of God has it that Jack's character evolved from her own Wild Mass Guess that the radio-drama character The Shadow must've secretly been a vampire, with powers of invisibility and hypnosis.
 * The Windy City: The books take place mostly in Chicago.
 * Wrong Genre Savvy: One villain, having seen Jack use one of his powers, deduces that . Also, most of the characters' ideas about vampires come from Bram Stoker's Dracula and the 1931 movie. Even when they take out the Exclusively Evil parts, there's quite a bit they get wrong. See Our Vampires Are Different above.
 * Xanatos Gambit: Jack pulls one in Chill in the Blood.
 * Your Vampires Suck: Some of the implausibilities of fictional vampires are poked fun at, such as asking why garlic would be any defense against a creature that doesn't need to breathe.
 * Wrong Genre Savvy: One villain, having seen Jack use one of his powers, deduces that . Also, most of the characters' ideas about vampires come from Bram Stoker's Dracula and the 1931 movie. Even when they take out the Exclusively Evil parts, there's quite a bit they get wrong. See Our Vampires Are Different above.
 * Xanatos Gambit: Jack pulls one in Chill in the Blood.
 * Your Vampires Suck: Some of the implausibilities of fictional vampires are poked fun at, such as asking why garlic would be any defense against a creature that doesn't need to breathe.