Gushing About Shows You Like (Sugar Wiki)/Video Games/A To F


 * Alan Wake is one of the most original games this troper has played in a while. One of the really good things about it is that the well-written story is always happening. Thanks to its TV series setup, each level has its own little mini-story, ensuring that something is always going on. The landscapes are breathtaking and accurate, and you frequently see your goal in the distance, and think, "I've got to go there? This is going to take forever!" and then you suddenly realize, "Wow, I'm there." without any loading screens. It's fun to have a Third-Person Shooter that doesn't rely on cover, and while you do the same thing over and over, it never feels repetitive. It'll occasionally throw you a gameplay change, such as fleeing from cops without weapons. The atmosphere is solid, giving decent scares without blood and guts. And finally, what other game (besides Left 4 Dead 2) has you defending a concert stage, with pyrotechnics being viable weapons, in a setpiece that's so awesome that even the characters have to comment on its awesomeness? And "Children of the Elder God" is an amazing song.
 * Amnesia the Dark Descent. This Troper, who's fairly hardened when it comes to Surv-Horror games, had to take a half-hour break after the infamous water section.
 * I put forward the criminally under-rated RPG Arcanum Of Steamworks And Magic Obscura. Detailed world, fantastic story, fascinating characters. I love it and you all should too. Oh, and it still has a marginally active community.
 * Where the heck is Armored Core: Master of Arena!? You have many Ravens to fight, all ruthless and hell bent on killing you, Customization for your mech, as with the satisifaction of winning every single Arena and Killing Nine-Ball. It is the greatest Mech Game This Troper has played.
 * Hear, hear. This Troper was a big fan of the PS 1 era Armored Core games, but feel they are surpassed by Armored Core 3 and Silent Line. While the series hit a bit of a roadbump with Armored Core 2 and Another Age, it more then made up for it with Armored Core 3 and Silent Line. Armored Core 3 took the best aspects of previous Armored Core games and combined them with the Play Station 2's superior power which made it better then Armored Core 2 and Another Age by leaps and bounds. While Silent Line, besides the graphics, was even better in every respect, with a staggering number of parts, a highly diverse set of missions, and reintroduced two-on-two and custom AI arena modes. While the rest of the AC games for the Play Station 2 didn't nearly match up (Ninebreaker probably being the weakest overall), this Troper still has a soft spot for Last Raven for it's sheer difficulty compared to the rest of the series (being that it's possible to fight an AC for every mission during the single player campaign) which makes truly becoming the "last raven" feel like a real accomplishment amidst the apocalyptic setting that brings the Play Station 2 AC era to a conclusion.
 * Armored Core 4 is, and will be until the day I die, my favourite game, EVER. Armored Core: For Answer was almost as good, but it didn't have quite the same feel to it that AC 4 did. Complain as much as you like about its Real Is Brown graphics, but I found that they suited the game perfectly I also spent hours upon hours just messing around on the missions, thinking quietly to myself. I personally found it to be on of the greatest, most (both graphically and setting-wise) beautiful games I've ever played.
 * Personally? I'm extremely fond of an entirely-forgotten SNES game, Ardy Lightfoot. Despite the unmoving backgrounds causing some confusion at points, the title character always had a cute, scruffy charm to him, Pec was just adorable (and deadly...), and the gameplay was awesomely fun. The story didn't always make sense, but to this troper, anything else can be excused solely on the merit of its soundtrack. Go play it.
 * Assassin's Creed was both one of the most frustrating and one of the most mindblowing games I've ever played. Even with the repetitive combat and the stupid flaghunt minigame and the non-ending, the story (including the framing story) and the core gameplay mechanics were so well-thought-out, so clever, and so much fun that they made up for it -- and that's without mentioning the sheer beauty of the game, or the innovative setting. Not many games are set in the real world's past, and Assassin's Creed made me wonder why -- climbing a building to get a proper view of the gorgeous scenery surrounding you gives you an extra kick when you realise that the building you're climbing is the al-Aqsa Mosque.
 * And for those who gave up because of the repetitiveness and ambiguity of the first game: the sequel is one of the very few cases in video game history where the developers managed to keep everything that was great about the original game (parkouring and climbing over real-world cities), discarded that which didn't work (collection sidequests with no rewards, repetitive missions), and expanded upon the experience with new features (the economy/villa-building sidequest, inventory management, tombs and catacombs). Assassin's Creed II sets the bar for what a sequel should aspire to, and it deserves several accolades for stepping out of the long shadow cast by its predecessor's flaws and rising on its own to become a well-made game in its own right.
 * Plus, it's extremely awesome to leap off a rooftop and simultaneously stab two fully-armored guards in the face.
 * Not to mention cathartic.
 * Axelay. It combines the best things about the 16-bit era into a Crowning Game of Awesome. It's a visual showpiece, and a treat to listen to, especially if you like jazz. (Yes, jazz in a shmup.) Case in point: Stage 2. You start by flying into a space station from space. The whole station rotates, and at one point, you can see your home planet, poking through an opening in the walls. Then it goes away. All the while, a piece of music fit for a Determinator swells in the background, building to the point where you see the planet in the background. Finally, you reach a part of the space station that appears torn and blasted apart. Then the music changes to a panicky electronic beat. At the end of the tunnel is a Humongous Mecha, with a distinct RoboCop style, and gorgeously rendered. As the fight continues, the music from the first part of the stage breaks out of the beat, and the robot starts using a big charging crush laser. Now imagine this, plus five other stages of SNES shmup glory. Words cannot describe how great this game is.
 * Banjo-Kazooie took what Super Mario 64 invented for 3D platforming and perfected it. I've never played a better game in my life. The worlds were beautiful and imaginative, the characters were funny, and the gameplay was easy yet magically fun.
 * Its sequel Banjo-Tooie is just about as much fun with bigger levels, better moves and more transformations. Plus you can turn Kazooie into a dragon!
 * Even the smaller GBA game Grunty's Revenge was decent. With a lineup like this this troper cant imagine Nuts and Bolts being as bad as Fan Dumb makes it.
 * It's not. It's different, sure. But the game has an absolutely brilliant sense of humor, poking fun at just about every single videogame trope ever, and the vehicle-creation system truly encourages you to think out of the box. The game asks a lot of its audience, and because of that audacity, too many people dismissed it out of hand, which is a bloody shame. If you approach the game with a creative mind, if you're willing to break the rules, and if you're willing to stomp on the competition with a Dakka-loaded Humongous Mecha, Nuts & Bolts is a bloody fantastic game.
 * Paging Doctor Bats... Paging Doctor Bats... IS THERE A DOCTOR BATS IN THE ROOM???
 * Batman: Arkham Asylum will forever be remembered as the game that broke the notion that licensed games have to suck (it's been confirmed by Guinness World Records, really!): it's an incredibly well-made, atmospheric dive into the world of Batman; it boasts a fun-and-easy-to-execute-yet-still-awesomely-flashy combat system that flows extremely well; you've got tons of Batman's infamous gadgets and techniques at your disposal, and they make you exercise your mind and study the scene the way Batman does; and that's not even mentioning all the fanservice and Fandom Rejoicing Triggers they whipped out, like Kevin Conroy and Mark Hamill as Batman and the Joker, plus all the bonus material that delves into the characters and history of Batman. I wasn't even a major Batman fan, I just liked the Dark Knight Trilogy along with everyone else - but this game has converted me!
 * TL;DR version: You. Get. To be. BATMAN!
 * Batman: Arkham City isn't even out yet, but looks to be an amazing game from the gameplay trailers and viral stuff. Specifically, the game also seems to be shaping up to be one of Hamill's best performances as The Joker. Just check it out! (Spoilers)
 * Batman: Arkham City actually manages to outdo its predecessor in almost everyway and take the throne as the greatest superhero game of all time. It's got a complex and really enjoyable story (sometimes a little overly crowded but it works), spectacular design, loads of sidemissions and Riddler puzzles, brilliant gameplay that expands on the original in every aspect, great music, and incredible voice acting across the board. I expected a great game. What I did not expect was one of the finest action/adventure games ever made.
 * Battlefield Heroes is great fun. What other game lets you snipe people from a plane, run people over with a jeep and wear a King Cobra on your shoulder, all in the same game? It deserves more popularity. The battles are perfectly-paced, lasting reasonably long without dragging on forever. Having a customizable hero is always great, too. And the theme is incredibly catchy without being annoying!
 * Bayonetta. I have no doubt that the only reason this game wasn't already here is the fact that everyone else who has a copy (at least of the 360 version) is too distracted to post it. It is, though, the distillation of an action game, then turned up to 11. There is nothing that it doesn't do in excess to the point of parody, from violence (such as beating a boss just to summon a giant demon made of hair to eat it), to violation of physics (Yay for treating walls as floors as a common game mechanic, and things like the sequence where you ride a motorcycle up the side of a skyscraper-turned-rocket as it exits the Earth's atmosphere, even jumping between the stages as they separate), to fanservice (really, in that regard, the game footage speaks for itself: http://www.youtube.com/watch?v=6NaUVRwAky4 ). Add to that a pretty cool (if slightly repetitive) soundtrack, and you get an awesome game which never takes itself particularly seriously, and is tons of fun to play.
 * No mention of Betrayal at Krondor? 'Tis a crime! The game is awesome. The graphics are immersive and functional despite their age. The characters make you care about what happen to them, the characterisation is built up subtly and gradually. Gorath is quite simply the coolest dark elf in the history of fiction, EVER. You come to cherish every little detail that's revealed about the world. And, gods, the ending. It may not be a happy ending, per se. But it's a true ending. That's how it often is in life, and coming to realise that, you'll be able to cherish everything so much more while it lasts.
 * There's a damn good reason this troper Entry Pimps Beyond Good and Evil--it's frickin' amazing, and, like Psychonauts, is one of the best games never played. On a technical level, it's a really fun, heavily experimental, and really short, Action Adventure game--but it's all the details that wowed her. Each NPC being completely unique. The really real Latin creature names. The epic soundtrack. And the characters! The three main characters are wonderfully realized, with fantastic, unique, likeable personalities. Their relationships are excellently written, too--the love between Jade and Pey'j doesn't need to be an Informed Attribute; it's undeniable and obvious yet never Anvilicious. And the growth of friendship and trust between Jade and Double H is organic and touching, culminating in the tear-jerking Take My Hand and "lighthouse" scenes.
 * Bioshock. No other game so perfectly balanced gameplay and story, and the whole thing is just so well presented. The beautiful character design. The amazing twists. The wonderful dialogue. The brilliant subversion of mindlessly following orders in videogames. The most Magnificent Bastard ever, in Andrew Ryan. And the most philosophically relevant game I have ever played. All together now. A Man Chooses. A Slave Obeys.
 * Bioshock is diabolically creepy fun, and looks and sounds sumptuous to boot. And the good ending is nothing short of heartbreakingly beautiful.
 * Bio Shock 2 came out recently. Holy shit. Let me explain: Bioshock 2 is better than it's predecessor in every area. Better characters, better ending, better storyline, dialogue that's just as quotable as Bioshock 1, if not more so (But the parasites say no!), better graphics, more choice, better gameplay (Incinerate 3 + Machine Gun + Armour-Piercing Rounds = I CAN TAKE ANTHING YOU CAN THROW AT ME, LAMB, BRING IT THE FUCK ON), and to top it all off, the multiplayer. Jesus Christ, the multiplayer. There were so many different ways they could have gotten it wrong, and 2K avoided all of them, and made a multiplayer experience that works just as well as the single player campaign. There is only one complaint I have with it, and that's that it seems much shorter than the first game. Buy. This. Game.
 * The Bit Trip Series for Wii Ware. These gems combine wonderful retro-styled visuals, Ear Worm music and stupidly addictive points-based rhythm-action game play. Buy any one of these games and you won't need another game for months. They may be Nintendo Hard, but the feeling of pure accomplishment you get when you master them is the pinnacle of gaming for me.
 * Blaz Blue is not just a good fighting game. IT'S AWESOMENESS INCARNATE and everything in the game just OOZES STYLE. No main character plays the same as another, everyone has their own unique abilities and the designs in this game are nothing short of excellent--even the menus are a gorgeous sight to behold. Let's not forget the rockin' soundtrack and surprisingly good dub as well as storyline. And the Teach Me Ms. Litchi! segments are pure comedy gold. The Wheel Of Fate Is Turning...
 * This troper will likely be killed for saying it, but bob's game. The game AND the forums (which count as the Third Game, which is the site) With the game's dark humor, fun minigames, and Crowning Music of Awesome, and the forum's lack of rabid fans and general niceness, it's hard not to like it, unless you were fooled by the viral and STILL hate Robert for some reason.
 * I'm going to say this out loud. I. Love. Borderlands. You can say what you want about the plot but everything else is absolutely perfect. Perfect controls. Perfect gameplay. Perfect RPG Elements, for christ's sake! Gearbox have taken everything good about an FPS and transferred it into this game. And the thing I love most? The thing that I absolutely adore about Borderlands? It has a sense of what is fucking fun. FPS's today (I'm looking at you, Modern Warfare) have gotten far too caught up in making things gritty and realistic, well let me put this in ways you can understand, Infinity Ward. FUCK. THAT. SHIT. When I play an FPS, I don't want it to simulate realistic combat! That's just boring. I. Want. To. Have. A. Revolver. That. Shoots. Alternating. Elemental. Effects. On. Each. Bullet. Terrorist plot? FIRELIGHTNINGACIDEXPLOSION, MOTHERFUCKERS! I want a reference to nearly every work of note in the last hundred years, all with quests and red text! I want to have a person over my intercom, not shouting "Ramirez! Take down that AC-130 with your knife!", but instead informing me that "SWEET JEESUS TITTY CINNAMON THAT IS A MAWN-STER! THIS IS GON' BE SWEET!". I want to be informed by the final boss of the next DLC via Twitter that my player character should "Dude, eat something." I want a game that, specifically, does not feel like a chore to play. And I think that every single game developer out there can learn something from gearbox: Realism does NOT always equal fun.
 * Even when Gearbox does go to the realistic side of the spectrum, they're still amazing. The Brothers in Arms series is mentally taxing to play, because it puts you right in the action, makes you care about the characters, and provides the most realistic combat I've ever seen in a video game. No Call of Duty run-and-gun tactics here, just use your cover and find, fix, flank, and finish. The storylines and characterization is simply stunning, too.
 * In all fairness to Modern Warfare, it's not nearly as realistic as the mainstream media wants you to believe. Its tactical FPS fore bearers - like the original Rainbow Six, Delta Force and Ghost Recon games; all of those series' first installments released before the Play Station 2 era - slanted much further in realism than any of the Modern Warfare games. In fact, a late 2011 issue of Game Informer brought up several realistic PC FPS games as an antithesis to Modern Warfare 3, just to dismantle this myth. Hell, even Counter-Strike has more realism than Modern Warfare, and no one mistook that game as anything beyond a more arcadey Rainbow Six. Modern Warfare is more Mis Blamed than anything, thanks to its popularity pigeonholing it into Trope Codifier territory for gritty, realistic FPS games, even though this clearly isn't true. Sure, the Modern Warfare series has plenty of legitimate faults, but being too realistic ain't one of them.
 * Braid is absolutely amazing. The innovation in game mechanics is... dare I say it... equal to Portal. It makes you think, and it makes you feel like a total genius (or a total idiot) when you finally figure out the puzzles. The world needs more games like this.
 * The final level of the game, World 1-1 or "Braid," is one of the most mind-blowing moments I've ever experienced in video games, without even getting into all of the implications and undertones involved. The entire time I, I was thinking "oh my god, this is insane. What is going on? I know what's going on, but what is going on?!" Whatever the size of his ego, kudos to Jonathan Blow for creating such a powerful moment in video gaming.
 * BRICKS by Andreas Rottler. Best. Klotski. Clone. Ever.
 * The Burnout series (3 and Dominator, in particular) is perfect for taking your road rage out in.
 * This troper finds Call of Duty: World At War underrated... some sections aren't that great but there are some scenes in that game that are just awe-inspiring. The others are good, too - but WAW is my favorite. (Keep in mind that I'm talking about the campaigns, as (YMMV here) online games with constant battling bore me - not that I'm knocking those, I just don't enjoy them - but that's neither here or there.)
 * Cave Story proves that some of the best video games are free. Plus, you have to admire the five years of effort put into it and its development team consisting of just one person.
 * Indeed. In fact, allow me to elaborate: Cave Story has the best stage design in a Metroidvania game ever, bar none. The feeling is not that you progress in the game, but that the game flows around you when you move. The music is about the pinnacle of 8-bit tunes - as was said in the Crowning Music of Awesome article, if you don't like the Outer Walls tune (Moonsong is its title), you should visit your local priest, because you're suffering from a serious lack of soul. And the characters are just awesome. HUZZAH!
 * You said it! Cave Story really stands alone as one of the most memorable and polished indie games. Unfortunately, its 'indie' status means not nearly enough people will get to experience it (unless Nicalis hurries up with that port...).
 * Another example of awesome freeware: Cho Ren Sha 68K, a scrolling shooter originally developed for the Sharp X68000 computer. Barring the same background used for every stage (save for Stage 0), the game combines tense wave-based enemy action with some elements of Bullet Hell and has an absolutely killer soundtrack. Sadly, his new, piece-of-crap computer can't run it at full speed.
 * I wish more people know about and play City of Heroes. The character creator alone is worth the subscription fee.
 * Agreed. The only thing that would make it better is if they included options for Magical Girl costumes... what? I want my poofy dresses.
 * Thirded to the ultimate power. Even though I had to stop at some points, and at times even went to The Dark Side (i.e., World of Warcraft), I've always come back to this game. The recent sale of the IP to NC Soft seems to have made the game even better, in that the devs are finally focusing on making a game that is just plain fun!
 * Hell, use the forums. The devs themselves are pretty awesome to begin with. I still remember when Positron and Cuppajo showed up in-game to a mock wedding ceremony for two people getting married in real life.
 * The world is relatively small, compared to some other MMOs, and the chat and search interfaces aren't terribly complex. Add the relatively low penalty for dying and the aforementioned costume generator, and you have an MMO that (aside from the occasional user conflicts) makes teaming not just rewarding, but easy.
 * Fifthed (?), CoH is an amazing game with lore that stretches back thousands of years and over multiple realities (and just keeps growing), continually compounding customization (See what I did there?), a dedicated (and friendly) staff of devs, and the ability to team and solo with ease. I wouldn't trade this game for anything.
 * Civilization IV. Only three words are needed: ONE MORE TURN!
 * Tell this troper about it. She started playing on a Sunday morning and the next thing she knew, the sun was up and it was time to go to work!
 * How about Civilization V? I know a lot of people bitch about it, but I can't think of any other game I've played where I log in for a few minutes, then finally log off about half an hour after I'm normally in bed.
 * Command and Conquer is my Most Triumphant Example of RTS, with a kick-ass soundtrack to boot. And Red Alert is even better, taking everything good about the original, turning it Up to Eleven and adding magnificent amounts of Large Ham-osity. And don't even get me started on Kane...
 * When I played Company of Heroes, I felt like it was a completely different game from the Age of Empires series and Age of Mythology RTS games that I played (I still love em') and it completely blew my mind. It felt realistic (in retrospect it technically just felt realistic, there was much about it that wasn't - it still does remain that way in feeling to me, however), which was a big jump from the aforementioned Age of-s I played. I'd feel the same about Dawn of War 2 with it being similar to Company of Heroes Recycled in Space (or, you know, Warhammer 40000. I like Warhammer 40000's setting.), aside from Games For Windows Live disconnecting my Xbox Live Silver account all the time in multiplayer and some balance problems that are being ironed out.
 * This Troper is a huge Crash Bandicoot fan, and not only does he love all of Naughty Dog's originals, he also loves Traveller's Tales' Crash: Twinsanity and Radical Entertainment's current line of games, which, although very different in style and gameplay, are very fun to play and brought the series back to just Crash fighting evil scientists and mutants in his islands.
 * This Troper would like to add that Crash Team Racing was just as good as Mario Kart, if not 500 times better.
 * Oh God, Crash 3: Warped...
 * Crimzon Clover is by far the best shmup since sliced Do Don Pachi. And that's saying something, considering it's Doujinshi--developed for 5 years mainly by one person, with a little outside assistance and another peson doing the music. As for the game itself, it puts as much emphasis on destruction as it does on dodging, BREAK MODE and DOUBLE BREAK MODE are hilariously fun, and the stages are intense, especially starting with Original Mode Stage 4. The game in general is just so polished that you'd be forgiven for mistaking it for a commercial game (although it being a PC game kinda gives away the fact that it's a doujin game).
 * Dark Cloud 2 is one of the most fun and adorable games ever. Though the storyline can get cheesy at times, the breathtaking visuals (that look hand-drawn), the easy but entertaining gameplay, and expansive world more than make up for it.
 * The sheer fact that you get a fully customizable Robot Buddy (even giving you the ability to give the robot a voicebox) is all sorts of awesome. Not to mention that the custom parts range from water gun CANNONS to samurai sword arms to having the body being an OLD REFRIGERATOR. Ridepod Drive-Bys people!
 * Death Gate is one of the best adventure games never played. It deserved a lot more recognition than it got and is easily four times longer than Legend's more famous Shannara. Which is also awesome.
 * For this troper Shannara and Death Gate wiped out all the other competitors for my personal "best game ever" award. I can't make up my mind on which one do I like more, Shannara or Death Gate. Both are awesome.
 * Deus Ex. No other game has kept me three weeks playing straight, with it's immersive world of world-spanning conspiracies, military bases that were difficult yet satisfying to infiltrate, strangely sympathetic enemies, tactical stealth and action, and replay value.
 * Diablo 2 is the greatest hack'n'slash rpg ever made. I played, replayed and re-replayed it so many times with every character cheating the hell out of it because it awesome. When i gotten to fifth act, the game was so heated that not one but TWO different CDs broke inside of my CD-rom. One of them killed said CD-rom. I just hope that third game will take it beyond the impossible and be even more awesome.
 * Likewise, I cannot stress it enough whenever bullet hell is mentioned: Do Don Pachi. Play it. Especially if you are new to the subgenre.
 * Doom! Good Romero, where do I begin? The game has the most memorable enemies of all time, the best atmosphere, the most imaginative and well-designed levels, the best soundtrack (save for Nobuo Uematsu-made ones), the best fun/challenge ratio and the most awesome weapons! The only things it lacks in are bosses and plot, but nevertheless it easily claims my personal "best game ever" award.
 * This Troper was shocked that Drawn to Life Wasn't on here. She likes the Raposa way too much. And even though  in the ending, she still likes it. Of course, she has a fondness for , manly because
 * With all the uncreative generic space marine or modern soldier FPS games being made these days, this troper has been fondly recalling Duke Nukem. While being unable to recall much of a story, this troper rather fondly recalls the game's humor and the interesting weapons and power-ups. Jetpack? Freeze gun? Pipe bombs? A plasma cannon that shakes the screen while its charging? Hail to the king, baby!
 * Dwarf Fortress is amazing. It's hard to believe it was basically made by one guy!
 * It's getting better all the time too, which may well be crazy for some.
 * 1.0 Will bring upon us The End Times.
 * Dynasty Warriors is the poster child for Capcom Sequel Stagnation, and has an AI that's retarded, but its also hack and slash taken to its core. Its your army vs the enemies army over a thousand people want you dead, the way to gain horses are always fun, the secrets are great, and the characters are always well designed. When you do a crowd clearing move the enemies are sent flying by the strokes of your weapons. Also its got ancient chinese laser beams, and ancient chinese flamethrowers in the form of wooden tigers. How awesome can this series get? The Nanman fight on Elephants! You get to use one as a mount! Its the most cathartic game series of all times, just turn on the game choose a level and start killing people without all the hassle of wanted levels.
 * Oh God yes, so much. After a long, hard, annoying day at work, these games are seriously better than booze for taking the edge off. And the Dynasty Warriors: Gundam series allows you to do the same thing WITH GIANT ROBOTS IN SPACE!
 * This game often gets flak for being a hack and slash game, but that's kind of, you know, the point of being a hack and slash game. If you want strategy, go look at the Romance of the Three Kingdoms titles. These games personify the fun value of pulling an absurd amount of Foe Tossing Charges, and there's nothing quite as delicious as setting the difficulty on Easy and simply mowing everyone down.
 * Elder Scrolls, guys, Elder Scrolls! Especially Oblivion, which, just...wow, I don't know where to start. They really nailed the wide open fantasy world setting with that one. My brother and I spent hours, literally hours coming up with characters and exploring and doing quests when we got that game, and they are all implemented fantastically.
 * The Elder Scrolls: Oblivion expansion Shivering Isles. This seemed like a complete turnaround for Bethesda's game quality. Morrowind and Oblivion weren't bad, but also not above critique. But the Shivering Isles were a beauty in visuals, sound, storytelling, voice acting, sheer insane fun. A lot of heart went into this, and the voice actors had great fun with it, and it showed! For the price, it added a great amount of game hours, and had a satisfactory ending (though it ended on an ill-advised Continuity Snarl that Bethesda will have to painfully swallow later.) The excellent work here leaves them even less excuse for their handling of Fallout 3, though...
 * Tell me where else in game you must contract a fatal decease and then turn it into a blessing and a weapon? Morrowind made me shiver when i saw what can Corpurus do to an ordinary human.
 * Endless Ocean is a wonderful game, especially the sequel. In a world where Video Games are largely made up of guns, explosions and gore, it's refreshing to see a game that you can play at your own pace, devoid of any negativity or blood. This game makes you appreciate the simple, sublime beauties of nature that you'd normally ignore in your everyday life. You'll lose yourself in the serene, visually-stunning environment as you go around finding treasure, discovering new fish and searching for the ever-elusive Legendary creatures. It's a great way to relieve stress, especially if you don't like the Catharsis Factor. And finally, the game has a lovely soundtrack of Celtic folk music!
 * Excuse this troper for stating the obvious, but...EpicMickey is epic.
 * Europa Universalis Rome: Vae Victis is beyond amazing. How can a simple expansion pack make a game that sucks into something that's not only playable but one of the best (and most addictive) things ever released on PC?
 * All 3 of the Fallout games are so dang awesome.
 * Let me elaborate. Fallout 2 is one of the best gorram games I've ever played. If other games "engross" you, it actually SUCKS YOU INSIDE. The music is hauntingly appropriate, the gameplay is simply superb, and the humour is about as black as the event horizon of an anomaly. I used to play it so much, THE CD BROKE INSIDE THE DRIVE.
 * I loved Fallout 3, among many thing for the fact that i walked post-apocalyptic world in first person. And as much silly things may have appear, it does not changes the atmosphere. I loved it.
 * A few choice exceptions aside (Fallout: Brotherhood Of Steel and to some, Fallout 3), the whole series is enjoyable from start to finish, being stocked to the gills with hilarity, tearjerking moments, and things that may haunt your nightmares for ages. The voice acting is incredible (including MICHAEL DORN as 2 characters: an intelligent super mutant who you can get as a companion, and a mutant cyborg schizophrenic serial killing psychotic secret service agent in powered armour), there's almost never a dull moment, I just can't do it justice...
 * The expansion packs for Fallout: New Vegas. Dead Money is the perfect Survival Horror experience, in the Fallout universe with amazing characters, an interesting locale, and heartbreaking events. Honest Hearts gives us one of the most Badass Atoners gaming has ever seen, and a great new area to explore. Old World Blues is the series' trademark Mad Science humour, set in a World of Ham with a cast of colourful characters. And Lonesome Road... It's a journey through a Death World with only one living character, but it manages to be an awesome, sad, open-ended conclusion to the Myth Arc that was building up across the previous three add-ons. When else has Downloadable Content ever rivalled the main game like this?
 * The quality can vary from AWESOME to So Bad Its Horrible, but I have to raise my glass and cheer the fans who make Fan Sequels and Fan Remakes of Sierra games. They do this on their own time, their own money, and face everything from lawsuits to people flaking on the project to real-life getting in the way. In particular, I have to toast The Silver Lining team for their perseverance and Tierra / AGD Interactive for taking what is possibly the most frustrating, non-sensical, Solve the Soup Cans entry of the King's Quest series and making it into something that is awesome on every level - voice acting (including Josh Mandel reprising Graham!), music, puzzles, and STORY.
 * The F.E.A.R. series manages to hit every single one of my personal favorite things in video games, from a compelling story to outright horror to a sympathetic child-like villain to cyberpunk trappings and Faceless Goons and semi-plausible, near future technology and laser beams that blow people into skeletons and flying double kicks to the face and ninjas and giant robots. It's a series that combines everything awesome.
 * Freedom Force from Irrational Games: A celebration of all that is gloriously, goofily lovable about Silver Age comic books... the ridiculous alliterative exclamations ("Rings of Rexor!"), the brilliant eye-popping color, the delicious gooey melodrama of the origin stories, the good-hearted but somewhat softheaded patriotism... and all held together with the most elegant, stylish premise I've ever seen for superheroes on Earth. See, what happened is, a deranged alien king has decided that it would amuse him to watch Earth destroy itself, so he arranges to seek out the most depraved and vile humans and grant them... "the awesome power of Energy X!" To say more would spoil all the wonderful twists and turns that manage somehow to be both familiar and surprising... and the ending! Oh, man, the ending...
 * And the gameplay! I cannot even describe how much fun it is, hurling cars, swinging lampposts, punching people off of rooftops, running into the middle of a group of enemies and blanking their minds or driving them berserk, launching chain-lightning balls that may very well arc back and hit you (luckily, you * gain energy* from incoming shock damage, don't you?), raining down fireballs as you hover cockily just out of enemies' range, making fire hydrants detonate as your enemies run past them, shooting beams of radiation which phase through walls, using superspeed to outrun bullets, turning into an entirely different hero with complementary powers (two heroes have to share the same body... it's complicated), I could go on. So I will! The enemies! The man with the cloning gun who creates evil copies of himself.. or your heroes!... the Commie-spy-turned-frozen-nightmare Nuclear Winter (still the * best* supervillain name I have ever heard)... the hard-skinned, hard-headed, hard-hearted gangster Pinstripe... oh, and of course, fuckin DINOSAURS! and MINOTAURS! Did I mention the minotaurs? YEAH! THOSE MINOTAURS'LL KICK YOUR ASS! DINOSAURS AND MINOTAURS'LL MESS UP YOUR DAY, HERO!... ahem. Sorry. But it really is that good.
 * And wait till you start creating your * own* heroes...
 * The sequel, Freedom Force Versus The Third Reich, is also amazingly brilliant, but the writing and story cannot match the first... however, the gameplay has somehow been made even better (although it's a shorter game and doesn't offer as much variety). Not many games could pull off a title like that, but FFvtTR does it with aplomb.