Howl's Moving Castle (anime)/Headscratchers


 * In the film, did Sophie's curse ever get broken? The witch said, but nothing about Sophie's cure, and throughout the film they'd been using varying ages for Sophie (all with grey hair) based on how Hot-Blooded she is at any given time ("You're only as old as you feel" was my original, and current, interpretation). At the end,.
 * While this troper is likewise uncertain as to whether or not the curse actually broke, she was under the impression that it simply didn't matter anymore. The curse made her age according to how she felt (when she felt insecure she turned old and when she felt more confident, she became her own age).
 * At the end of the film she's clearly young again, just with grey/silver hair.
 * The Fridge Logic here is, what's your evidence that this was any different than the times earlier in the movie when she was young again, just with grey/silver hair? Audience perception showed us what was (possibly incorrectly) assumed to be a metaphor earlier, where is the evidence that the curse was broken, since she still had grey hair?
 * This troper believes that the spell was never broken in the traditional fashion - rather, Sophie is (unknowingly) a witch, and when she's upset/in love/ confident in herself, her magic is strong enough to throw the spell off. The silver hair is a remnant of the unbroken spell.
 * The Power of Love.
 * Not "how did...?", just "did...?"
 * I noticed that at a certain point (specifically
 * Going from the above IJBM, if Sophie's "only as old as she feels", then how is she supposed to grow older? She wouldn't become an old woman anymore as she has more self-confidence, and if she doesn't become an old woman then she might not age at all.
 * If it is the case that the spell works that way, and it wasn't just a metaphor, then yes, Sophie is potentially immortal by way of not aging. She would likely age along with, though, since we see with Howl and the Witch of the Waste that a demonic contract does not prevent aging, just death by old age (and, in the movie continuity, senility).
 * They might be drawing that one from the book - Sophie's partially wished to stay old because she thought that suited her better. So it might be that in the film, the curse sort of unravels itself once she's confident enough.
 * What is Suliman actually trying to do to Howl in that weird sequence with the singing stick people in the sky?
 * This Troper always interpreted that as her attempting to do to Howl what she did to the Witch of the Waste, draining or severing his magic. The same stick figures appeared around the Witch when it happened to her.
 * I think not. The shadows that were used on the Witch looked much different than the spirits used on Howl. Besides, Suliman went through the trouble of sending a tidal wave through a black hole which turned into the sky, and then did that thing with the spirits, forced Howl into his demon form, and then threw a charged-up lightsaber staff at him. That was not something as simple as magic draining going on. Perhaps she intended to simply impale him on the lightsaber and thus finish him off. I am just as puzzled.
 * I know that she was explicitly identified as one in the book, but should I assume that Sophie was actually an (untrained) witch in the movie as well?
 * Its a logical conclusion based on what happens to her in the screenplay. They just don't go out of their way to spell it out.


 * What are we to make of ? Is it just intended as a joke, or does it have darker implications for the future of Sophie's relationship with  ?
 * I took it as a sort of joke, a sort of "I won't let this get me down." Hey, a man can dream, can't he?
 * There is a sequel to the book (in fact, there's two, but little-known as the first one is the second one seems to be even more obscure), so maybe it's drawing on something that'll happen there? I couldn't say, though, because they're pretty hard to get hold of so I've never read them.
 * No, I'm glad to say. Sophie is happily (if snarkily) married to, though neither time is he as been seen before.
 * Why does Sophie have an English accent as a young woman and an American accent as an old woman?
 * I didn't see it as her getting an American accent or having an English accent, more that she had a lighter pronunciation and then got an old-person-cranky-creaky-voice as an adult. It just sounds comparatively American and English to you (I've heard English characters and American characters on television who sounded more American and more English, respectively, who didn't have Fake Nationality).
 * Along this line, why do Sophie and he sister have English accents when her mother has an American accent?
 * She could be American (or Ameracish, or whatever), or raised in a different part of Ingary that had an accent that sounds vaguely American, while her stepdaughters and daughter picked up their father's and the local accent.
 * You can tell the difference between an American and English accent in Japanese?
 * I just assumed it was Emily Mortimer doing a generic old-woman voice.
 * Emily Mortimer does not provide the voice of the elderly Sophie; that would be the voice of Jean Simmons. Both of whom are English.
 * That witch Sulliman is a Karma Houdini. Yes, it's a complicated case in that she's working for her country, and Howl (as a powerful and independent and quasi-Demonically Possessed magician) was a threat to their war efforts. Not to mention she was either involved with the creation of the slimy war mages, or quietly complicit by not acting against their creation. They turned people into weapons with a tiny lifespan, how can she be happy at the end?!
 * I think the sort of people who'd try to hold military heroism against someone are the last people who'd have some kind of vengeful need to keep a mother and son apart. You can really chalk all her "sins" up to doing anything to have the prince returned.
 * Who's to say that she is happy? She seems to view her job with a calm practicality, that she's doing what has to be done. Throughout the movie though, we see that the wizards and witches who become involved with war and the military are ultimately slaves and screwed for life. It could be that Sulliman is just as miserable and hides it, in which case we know that she's still in the service of the king and forced to obey him.
 * Or it could be that she's been waiting for a chance to change things for the better. Note at the end when she receives Hein's communique that she requests a meeting with the prime minister to end the war-not the king seen earlier in the movie enthusiastically reviewing battle plans. It could be mirroring the decline of royal influence in politics after World War I.
 * Is Howl's castle CGI or traditional animation? My friend and I have been debating this for a while, I say CGI and he says traditional. The problem is it's really hard to tell.
 * Maybe it's both, depending on the scene?
 * Yeah, it's both.
 * Sophie really mistreats the sentient fire demon that Howl told her to take care of. Very out of character. Like forgetting to feed the dog.
 * Howl's eyes. They are just too blue. It's goddamn freaky.
 * Knowing how vain he is, they're probably glamoured.
 * Might be drawn from the book - they're almost always described as "glass marbles" there.
 * Where the hell did that ending come from? Turniphead's a PRINCE? It took three viewings before I caught the one single clue to it: As Sophie's racing out of the hat shop, two old men are discussing to themselves, and one says, "Didja hear? Their prince went missing!" The comment from Howl about Turniphead having a very powerful spell on him comes off more as a, "Hey, I cast an animate spell on my scarecrow, because I am insane, and like to see my workers suffer...?"
 * I got the line the first time I saw the movie, so it wasn't a blatant Ass Pull but it was definitely a Contrived Coincidence. And Howl didn't cast the spell, he could just see the magic. But like Sophie's spell, he couldn't lift it. Turniphead had to do it himself.
 * It's from the book; in the original Turniphead was a prince, so prince he stayed in the movie.


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