The Devil Never Sleeps

Early one Sunday morning in July, the filmmaker receives a phone call informing her that her beloved tio (uncle) Oscar Ruiz Almeida has been found dead of a gunshot wound to the head in Chihuahua, Mexico. His widow has declared his death a suicide. Most of his family, however, cry murder and point to a number of possible suspects: his business partner, his ranch-hand, the widow herself. In The Devil Never Sleeps, Lourdes Portillo returns to the land of her birth to find out exactly who her uncle was and to investigate the circumstances of his death. She explores "irrational" as well as "logical" explanations, searching for clues on both sides of the border and in the history of her family. Old tales of betrayal, passion, lust and supernatural visitation emerge as we follow the filmmaker deep into the life of a community in the homeland of Pancho Villa.

Released in 1994, The Devil Never Sleeps exposes the loves and hatreds of a Mexican family convulsed by the death of one of its members. The emotions that Portillo captures in her particular blend of traditional and experimental techniques bring out the nuances of Mexican social and family order. Poetic, tragic, humorous and mythic, this film crosses the borders of personal values, cultural mores and the discipline of filmmaking itself. It is a key film by a Latina filmmaker.

The Devil Never Sleeps was named to the National Film Registry in 2010.

Not to be confused with the 1962 movie Satan Never Sleeps, which was called "The Devil Never Sleeps" in some markets.