Miniseries

A drama that lasts longer than a Made for TV Movie but less than a season. A Miniseries is broadcast over several nights (usually at least three), often consecutively. Production values are frequently more lavish than for a regular series, and the cast usually includes big-name non-TV stars.

Miniseries are most commonly adaptations of large books, and as such differ from other shows in that they place a high value identifying the author, to the point that the author's name is frequently embedded in the program's title.

Although the miniseries format has produced some of the most outstanding television in history (Rich Man Poor Man, Roots), it has also been responsible for some of the worst TV as well (Princess Daisy, Hollywood Wives).

Parts of a miniseries are not always shown on consecutive nights. Recent Stephen King miniseries in particular, for some reason, tend to go with a Tuesday/Thursday/Friday or Monday/Tuesday/Thursday sequence. This is usually done when the network broadcasting the miniseries has one particularly strong night (Ratings-wise) and doesn't wish to pre-empt it for the miniseries.

Note that this means different things to different people. An American viewer would consider a eight-episode run to be a mini series, especially if it doesn't get a renewal, while such a run is commonly a full season in the UK. Not to mention in Asian countries such as China and Japan, where the the concept of TV seasons is much weaker, miniseries tend to be the de facto style of TV programming for dramas, with anything from 10 to 100 episodes per series.


 * The first American Miniseries was Rich Man Poor Man, broadcast in 12 parts in 1976.
 * The Blue Knight (with William Holden) was broadcast in 1973. The Law and QB VII were broadcast in 1974.
 * Davy Crockett appeared in 1955.
 * The format was arguably created by The Forsyte Saga, a British series made in 1967 which pioneered the "finite series" concept and proved quite popular in the United States.
 * Masterpiece Theatre, which broadcast The Forsyte Saga to an American audience, became a major venue for British-made miniseries, such as the famous Upstairs, Downstairs.
 * The most significant mini series (in terms of its place in both ratings and television history) was Roots (1977). Its cultural impact -- mostly due to the momentum it gained though its then-daring eight-nights-in-a-row broadcast schedule -- turned the Miniseries into a major event. A follow-up, Roots: The Next Generations, arrived in 1979, and 1988 brought the TV movie Roots: The Gift.
 * Rich Man Poor Man
 * The Thorn Birds
 * Reilly Ace of Spies
 * Amerika
 * The Winds of War and its sequel War And Remembrance
 * Holocaust
 * The Singing Detective
 * Centennial
 * The Kennedys
 * The British miniseries The Prisoner was produced before Roots, but was not as widely promoted in America.
 * Although originally conceived as a miniseries, The Prisoner was lengthened to one-season series.
 * Lexx, The 4400 and Battlestar Galactica Reimagined were Miniseries that proved popular enough to be transformed into traditional Dramatic Hour Long shows.
 * Shogun
 * Fresno a little known Affectionate Parody of 1980s soaps.
 * North and South
 * North and South US
 * Nuremberg
 * Storm of the Century
 * The first three books in the Dune series were made into two miniseries. The first was plagued by a low budget; the second had a slightly higher budget and was better.
 * A&E made tons of miniseries, many of which were adaptations of classic literature (Horatio Hornblower, Pride and Prejudice), before Network Decay set in.
 * Many of which in conjunction with a UK network, usually ITV.
 * State of Play
 * The Tenth Kingdom
 * Earth Star Voyager
 * The play Angels in America was turned into a miniseries on HBO. Starring Al Pacino, Meryl Streep, and Mary-Louise Parker (among others), it went on to surpass Roots in Emmy wins.
 * Generation Kill
 * John Adams
 * Band of Brothers
 * The Pacific
 * The BBC did Count Dracula, one of the most comprehensive adaptations of the novel to exist.
 * Master Of The Game and If Tomorrow Comes, both based on Sidney Sheldon novels. Many of his books became made-for-TV movies, often two-parters, but these are the only ones that warrant the miniseries name, as both are at least five hours long apiece.
 * The Meeting Place Cannot Be Changed
 * Into the West
 * Taken (No relation to that movie...)
 * One Hundred Scariest Movie Moments by Bravo counted down the scariest moments in movie history, across many different actual movie genres.
 * Ten Point Five is a Disaster Movie miniseries made for NBC. It has...problems.
 * The 2000s' adaptations of Dune and Children of Dune
 * Dead Set
 * The Lost Room
 * Neverland
 * Persons Unknown
 * Britains Best Sitcom
 * The Pillars of the Earth, 2010 miniseries adapted from the novel of the same name.
 * The Devil to Pay In The Backlands, a 1985 Brazilian miniseries based on the book of the same name.
 * Guest From the Future, a 1984 Soviet miniseries based on Alice Girl From the Future.
 * TASS Is Authorized to Declare
 * Sherlock
 * The Second Coming
 * Casanova (2005) by The BBC.
 * Seventeen Moments of Spring
 * Torchwood Miracle Day
 * Desperate Romantics
 * Clue by The Hub
 * Black Mirror
 * To the Ends of The Earth, adapted from a trilogy by author William Golding.
 * Arabian Nights
 * From the Earth To The Moon
 * Moby Dick
 * Jesus of Nazareth