Night Watch (Discworld)/Tear Jerker

For whatever reason, Night Watch is a particularly dark entry in the series, and this is reflected in its extremely high ratio of Tear Jerker moments.

"Vimes: Vetinari: Vimes:"
 * Night Watch deals with Time Travel, to a point in Ankh-Morpork's past that ain't exactly glorious. The tear-jerking starts when Vimes realizes he can't fix it.
 * Towards the end, when we realize what means.
 * See all the little angels rise up high...
 * Think about it. All the little angels, rising up... from where?
 * Vimes finally tracks down Carcer (if you didn't see that coming, then you don't know Vimes) and . One of the few times that Pratchett doesn't break the mood for the sake of fun.
 * Shortly thereafter when.

"The gods knew the man deserved it... but young Sam was watching him, across thirty years. When we break down, it all breaks down. That's just how it works. You can bend it, and if you make it hot enough you can bend it in a circle, but you can't break it. When you break it, it all breaks down until there's nothing unbroken. It starts here and now. He lowered the sword."
 * Be aware that, to this point Vettinari has always been able to "bribe" Sam at the end of each book for being able to do his job, making Vimes feel a bit as a dog being thrown a bone. But not this time. Not even Vettinari can bribe history.
 * I find young Sam's existence in that book in general to be very sad. Matching the idealistic young man with the hardened cynic of Guards! Guards! is just... depressing, especially imagining exactly what he went through the become like that.
 * To say nothing of what we learned about Nobby. Yes, we'd already known Sconner yelled at him, but brrrr...
 * What got this troper was the realization that Sam has been caring for Nobby his whole life. Nobby's been under his wing since the beginning. Is it any wonder that when the Night Watch was just three it was Colon and Nobby, who refused to leave Sam Vimes and move on? I always said that spoke volumes about THEIR character as well as his.
 * Reg's death was sad even though we knew it was coming from the beginning of the book and we knew he was going to be right back. That takes some skill.
 * There's probably something wrong with starting to feel all teary-eyed over the sentence "Carcer's going to bloody swing for this."
 * Vimes is squaring off with Carcer in the cemetery:

""He wanted to go home. He wanted it so much that he trembled at the thought. But if the price of that was selling good men to the night, if the price was filling those graves, if the price was not fighting with every trick he knew....Then it was too high. ""
 * It gets better when you realize that you don't know which Sam he's talking about. Himself in the past, or his newborn son, named for him.
 * "Just in case, and without any feeling of guilt, Vimes removed his knife, and... gave what help he could."
 * Oh gods yes, that entire sequence in the torture chambers. The descriptions are so vague and murky you can only begin to imagine the horrors down there. There's two scenes in particular that always get me—first, when Vimes finds his younger self in tears, because Sam found a woman who had had something horrible happen to her that we never find out, thankfully. Then, later on, when "Keel" stops Sam from killing one of the torturers and gives him a speech that pretty much defines who Vimes is and why he fights the monsters inside... well, it has to be read, but it always makes my vision go blurry...
 * Not to mention, the sight of that woman is something that has apparently stayed with Vimes. He considers going into that room, but quickly decides that once in his life was once too many to see that.
 * Vimes's "What if we actually won?" dilemma, his consequent Heroic BSOD and his recovery. Doubled as a Crowning Moment of Awesome.