Obligatory War Crime Scene

"The real war will never get in the books."

- Walt Whitman

A strange form of Kick the Dog in war movies, where the heroes (or more often, the side that the heroes fight for) commit a war crime of some sort, most often mistreatment of enemy prisoners of war or civilians. Done to illustrate that most wars aren't instances of Black and White Morality, as well as the mix of good and bad in most armies and how wartime can change a person's personality. Sometimes, these crimes will be reprisals for earlier ones against the heroes' side. May sometimes overlap with Token Evil Teammate.

A fairly young trope that emerged from the previously-hidden Truth in Television of The Vietnam War. Often used to show that War Is Hell.

Anime and Manga

 * In an early scene in Gundam Seed Destiny, the guerrilla fighters in Gibraltar whom Minerva assisted previously are shown executing the Earth Alliance officers they've taken prisoner. This can be interpreted as an early indication that the protagonist may not be fighting on the righteous side, after all...
 * A similar scene occurs in the Battle Of Panama in Gundam Seed. After taking Panama base and destroying it's mass driver, several ZAFT mobile suit pilots start shooting the surrendering Federation troopers. This was said to have been in response to the Battle of JOSH-A, where the Atlantic Federation brass activated a microwave device hidden underneath the base, wiping out most of the ZAFT forces as they broke through, as well as the remaining Federation defenders (Who were mostly Eurasian). It was a sign that the war was turning personal (or worse) for soldiers on both sides.
 * The entire Fullmetal Alchemist flashback to the Ishbal Genocide Campaign is basically one long hideous war crime.
 * Especially poignant was the death of Winry's parents, who had gone to the battlefields of Ishbal for Red Cross-type volunteer duties. In the manga, they were killed by, while in the first anime.
 * Even in the manga, Kimbly was on his way there with orders to blow them to heck. He just got there to find them already ripped apart by the guy he tormented and blew up yesterday. Kind of regretted it. Wanted to meet them, because he respects dedication and has some kind of relative moral code hang-up, so he was looking forward to killing them.
 * Goes somewhat beyond 'obligatory,' since the very plot-relevant idea is that  Also, that war is hell.
 * Arguably, this example should only fall under War Is Hell; it would fit this trope better if the Ishbalans were shown committing atrocities as well. As it stands, this lacks the moral ambiguity associated with seeing the "good guys" side committing war crimes since the "war"/CurbStompBattle is pretty universally depicted as an atrocity perpetrated by Armestis.
 * In Code Geass, the flashback to Lelouch, Suzaku and the blind Nunnally fleeing through Japan's countryside involves them stumbling onto the scene of genocide in a village. This event scars Lelouch and Suzaku, leading the former to hate Britannia with a vengeance and the latter to be
 * There's also Tamaki, who's usually just the Plucky Comic Relief of the Black Knights, ordering some of the Ashford Academy students executed after he finds them sneaking around, trying to save Suzaku, who is trapped in the disabled Lancelot. No one actually gets a chance to carry out those orders, though, and the event's never mentioned again.
 * The Emperor Rescue Mission Arc in The Five Star Stories features a scene with the AKD forces (more or less the good guys here) lining up and shooting captured enemy troops as the Morale Officer (actually a member of the Headdliner corps in disguise) begs their commanding officer to call it off.
 * In the Area 88 manga and OVA, Nguyen kills an enemy pilot who has ejected from his jet.
 * In the manga, Rocky witnesses anti-government forces slaughter an entire Bedoin camp. When Shin and Mickey fly over the desert carnage afterwards, they're both horrified.
 * In the manga, Rocky witnesses anti-government forces slaughter an entire Bedoin camp. When Shin and Mickey fly over the desert carnage afterwards, they're both horrified.

Comic Books

 * Appears several times in Nth Man the Ultimate Ninja, often pushing the boundaries of the Comics Code. These include the aftermath of a mass execution of civilians, children hacking to death a wounded soldier in reprisal for said execution, and a bombing run on a field hospital.

Fan Works

 * In Tiberium Wars, a Brotherhood of Nod soldier attempts to rape a GDI prisoner of war. Though she fights back, he eventually overpowers her, but before he can actually get started, a Black Hand officer smashes down the door, and a firsthand experience with Brotherhood field justice is observed - as sexual assault on a prisoner of war is considered an offense punishable by immediate execution according to the Brotherhood codes of justice.

Film
"Gunner: "Get some! Get some!" Joker: "How can you shoot women and children?" Gunner: "Easy! You just don't lead 'em so much. *laughs* Ain't war hell?""
 * Flags of our Fathers and Letters From Iwo Jima both showed the protagonists of both films (American in the former, Japanese in the latter) killing enemy soldiers trying to surrender by stabbing them with bayonets (and setting them on fire in one case). Known to have actually happened quite a bit in the Pacific Theater on both sides, as it was common for a surrender to be a ruse instead.
 * Several instances of this happen in Saving Private Ryan:
 * The shooting of surrendering Czech conscripts by American troops during D-Day.
 * The mental torture of the German soldier after the death of Wade, with Reiben threatening to desert The Squad if they don't execute the German and Horvath threatening to shoot Reiben if he tries it.
 * When Upham kills
 * In Stalingrad many of these scenes are depicted:
 * A German soldier is seen abusing captured Russian prisoners of war.
 * A temporary cease-fire to gather the wounded from the battlefield is broken by a suspicious German soldier.
 * The unsympathetic German officer orders the soldiers to shoot some Russian civilians who have been taken prisoner, saying they were found trying to commit sabotage. The protagonists state to themselves that the sabotage allegation is nothing more than a pretense to shoot the prisoners because they're running out of food to feed them, and one of them is a child who they themselves took prisoner and befriended. They hesitate before finally being intimidated into doing it.
 * After discovering a German officer's stronghold, the German soldiers find
 * In The Longest Day, there is one brief scene with an American shooting a German soldier who is unarmed and trying to surrender, saying, "Bitte, bitte!" The American soldier says, "I wonder what 'bitter bitter' means." It was later found that, historically, the medic that shot the Germans spoke German, but had a "take no prisoners" policy.
 * Apocalypse Now: Willard shoots the badly wounded only survivor of the accidental attack on the sampan, to avoid having to take her for medical attention and to make an example of the crew.
 * Arguable non-war movie example: The extended version of The Two Towers movie shows Faramir's troops brutalizing Gollum in hope of getting him to talk. This scene was cut for the theatrical version.
 * An actual montage of this trope occurs early in the 2008 film Defiance. The Bielski brothers raid trucks and people's homes for supplies as well as for vengeance. They shoot the women with the Germans as well as any townspeople who might get in their way. And later, the entire camp of refugees beat to death a captured German soldier. There has been some controversy on the film's portrayal of the Bielski partisans, particularly in regard to their links to Soviet partisans.
 * In The Hurt Locker, an American Army officer opts to withhold medical treatment from a wounded insurgent who would otherwise survive. It's implied the insurgent is shot shortly thereafter to hasten the process.
 * Sergeant Meserve in Casualties of War, which is the main plot of the entire story,.
 * To Hell And Back has the scene where Audie Murphy shoots several German soldiers as they try to surrender. The film was an autobiography. Also potentially the Trope Maker.
 * Full Metal Jacket: An American door gunner is randomly shooting civilians as they fly over rice paddies.


 * Inglourious Basterds: Pretty much every act committed by the Basterds is a war crime, from donning enemy uniforms to torturing their own spy to beating prisoners to death with a baseball bat.
 * In the Russian war movie Zvezda, a Soviet scout team captures a German soldier, interrogates him (with help of their innocent, nerdy interpreter who earlier demonstrated his knowledge of German by quoting a poem) and then shoot him while he's crying, "I'm not a Nazi! I'm a proletarian!" Then it gets a bit more brutal.
 * Pretty much everything Bunny does in Platoon, including beating a crippled Vietnamese civilian and his elderly mother to death just for the hell of it, and nearly raping a young girl.
 * You have to really look for it, but in Pan's Labyrinth, after the rebels win their battle against the fascists, they proceed to shoot their captives to death.
 * Battle: Los Angeles has a particularly disturbing scene where the Marines have grabbed one of the wounded alien invaders. The Marines had previously emptied entire magazines into individual invaders to little effect, so Staff Sergeant Nantz has his men hold the alien down while he and a local veterinarian rip, cut, and stab at the still-living alien's body in search of a vital point. Once they find a point to aim for, the Marines become a lot more effective at bringing down the invaders. Unusually, the movie doesn't present the scene in either a negative or positive light; the viewer is left to determine whether or not the act is justified or heinous.
 * The Dirty Dozen has been criticized for depicting war crimes: in one scene, Lee Marvin's character orders that a group of surrendered German soldiers be summarily executed. A later scene in which a group of German officers and their wives/mistresses are killed in a basement has also been cited as an example, though in the context of the mission the killing of the women would more likely be classified as collateral damage.
 * If the circumstances of the situation are such that it is impossible to take prisoners and keep them safely restrained (such as being behind enemy lines, or when vastly outnumbered by them and them still willing to continue resistance), and allowing them to go free will get you killed, then you actually are allowed to kill them -- because they're still a legitimate threat to your life.
 * The whole point of The Whistleblower. The UN peacekeepers stationed in the 1990's Bosnia are importing . Based on a true story.
 * Play Dirty ends with the only two survivors of the squad (With the possible exception of a man left behind with a mortal gut wound who potentially hadn't died yet) being gunned down by a British soldier who saw their white flag (They were disguised as German soldiers) and shot them anyway. The killer's CO simply said "Don't do it again".

Literature

 * Animorphs: In "The Hork-Bajir Chronicles", we discover that the (up until now apparently innocent) Andalite host of the leader of the Earth invasion killed thousands, if not millions, of Hork-Bajir in an effort to keep that planet from falling into enemy hands. By creating and releasing a virus that will break down the DNA proteins unique to the Hork-Bajir, meaning a peaceful race whose resistance movement has been of tremendous help has over half their population die by having their bodies disintegrate slowly and painfully.
 * A recurring theme is to what degree the Animorphs' actions are war crimes, especially since the Puppeteer Parasites they fight a.) are helpless in their natural form and b.) cannot be harmed without hurting their host if they are given a fighting chance.
 * Probably the best example of this trope is the second to last book, where Jake.
 * A Song of Ice and Fire has all five sides in the war committing terrible war crimes. The worst were committed by Tywin Lannister's outrider troops, although Robb Stark's army were incredibly brutal to the peasants in the allied Riverlands (though to be fair, the commander of this army was Roose Bolton, who neither asked nor cared for Robb's approval, and simply did it. Plus he later . Tavern wenches who slept with Lannister soldiers were likewise executed and hanged from trees, their bodies left to the crows.
 * The Sword of Truth series has shades of this, where there are several drastic and questionable actions the hero takes (having a prisoner tortured, mowing down peace protesters, imposing total war). Sometimes averted, where it's treated as if the hero doing this is completely right and just (the peace protesters), while in other places it's justified as the only option he has left (the total war).
 * It's always portrayed as totally right and just, the only distinguishing factor is how long they spend providing self-justifications. At one point Kahlan explained how torturing a captured soldier to death as slowly as possible was the right thing to do so he (who saw himself as a martyr) could understand how important life was.
 * It comes up in Discworld novels from time to time. Fred Colon mentions beating prisoners of war mostly because you just saw an arrow go through your friend's face and you're looking for the first son of a bitch in the wrong uniform to make an example of. In Monstrous Regiment, Sergeant Jackrum intentionally arranges things so that he can murder a POW, although in this case it's because he doesn't have the luxury of keeping him as a prisoner.
 * No Hammer's Slammers novel would be complete without at least one graphic description of what happens to civilians who get caught in the crossfire.
 * In the climax of Run Silent Run Deep, the hero has his submarine Sink the Life Boats to make sure a particularly effective Japanese destroyer captain will never sink another American sub. His crew obey orders, but they're shocked. So is he, really.
 * Your Mileage May Vary given the Japanese cultural strictures against surrender in that war.
 * They were in Japanese waters, less than fifty miles from shore. Trying to take prisoners under the circumstances wasn't possible, no matter what their attitude regarding surrender. So it was let them go, or murder them.
 * Chivalric Romance books and Knight Errant tales always depicted War Is Glorious. Cervantes, a veteran soldier, shows us that War Is Hell in his Older Than Steam Deconstruction: Don Quixote travels to Barcelona, a province of the Spanish Empire who is facing a Civil War.
 * In the last book of Harry Potter, Harry himself uses the "unforgivable" torture-inflicting Cruciatus curse to ambush a Death Eater—and reminds us that for the curse to work, you have to genuinely want the target to suffer.
 * Your Mileage May Vary, however, as it's clear that on the only two occasions he's used it, Harry is motivated by knee-jerk incoherent rage at what the target has done to people he loves and cares about. Contrast Bellatrix, for whom it constitutes a pattern of behaviour ranging from 'fun' to 'disturbing levels of enjoyment'. "Do unto others..." cuts both ways.
 * Except in the last book, he also uses it on a Death Eater just for spitting on Professor McGonagall. What's weird is that she doesn't call him out on it, but actually calls him "noble." In the same book he also uses the Imperius Curse, which is supposed to be just as bad, several times without any real moral quibbles. I think J.K. Rowling forgot how "Unforgivable" these curses were supposed to be.
 * In The Five People You Meet in Heaven by Mitch Albom a war crime is the main impetus for the plot. The main character is Eddie, a World War II veteran who fought in the Pacific. He ends up being held as a prisoner of war, but he and the others manage to escape. After escaping, they burn the entire village down. Eddie ends up thinking that there is a little girl inside one of the huts in the village and tries to run back into the hut, but is shot in the leg. After he dies (years later at the age of 83) and goes to heaven, he meets, among others,

Live-Action TV
"Spiers: You want to ask me, don't you? Lipton: Ask you what, sir? Spiers: You want to know if they're true or not... the stories about me. Did you ever notice with stories like that, everyone says they heard it from someone who was there. But then when you ask that person, they say they heard it from someone who was there. It's nothing new, really. I bet if you went back two thousand years, you'd hear a couple of centurions standing around, yakking about how Tertius lopped off the heads of some Carthaginian prisoners. Lipton: Well, maybe they kept talking about it because they never heard Tertius deny it. Spiers: Well, maybe that's because Tertius knew there was some value to the men thinking he was the meanest, toughest son of a bitch in the whole Roman Legion."
 * Ronald Speirs' execution of German POWs in Band of Brothers.
 * He also got amusement out it by offering his own men a cigarette immediately afterwards (as the story was he'd politely offered the Germans smokes and then mowed them down). Spiers' deadpan expression while his scared-shitless men take the offered cigarettes is a Crowning Moment of Funny.
 * Historically, Speirs had a reputation for killing German POWs, but it was never confirmed if he indeed had. Stories were passed through the company and battalion, but rumors were, according to the soldiers interviews, probably embellished, and Speirs was known to believe that having his own troops fear him wasn't necessarily a bad thing. The truth of what he did or did not do died with him.
 * The "did he or didn't he" aspect of Spiers reputation was explicitly pointed out during a conversation with Lipton.


 * In the 9th episode, E Company passes by while some French soldiers execute German soldiers they found hiding with little more than a shrug. This serves as a quick introduction to War Is Hell for an eager New Meat named O'Keefe.
 * Pacific has one poignant scene where US Marines are torturing a Japanese survivor of a banzai attack by shooting him in the arms and legs. The last Japanese soldier they tried to take prisoner blew himself up along with a couple of Marines, so they are not taking prisoners.
 * In one scene, a Marine is cutting the teeth out of a live Japanese soldier's head while the soldier screams in pain. Snafu shoots the guy in the head, putting him out of his misery, but saying that it makes it easier to get the teeth out.
 * In another scene, some Marines are shooting a Japanese soldier in various parts of his body, intentionally not killing him. Sledge shoots the soldier in the head, 'spoiling' the fun for the other Marines.
 * Although it was legal to take war trophies, taking the personal effects of dead soldiers was not allowed. This included the mutilation of bodies and the removal of their gold teeth.
 * In one scene, a Marine is seen choking a wounded soldier to death. This happens to a soldier who is no longer a threat to the Marines.
 * Occurs much higher up in the ranks than most examples of this trope, but in the The West Wing episode "Posse Comitatus", President Bartlet is forced to  and lie about it to avoid having to embroil the middle east in a war. Doubles as one of the heaviest examples of The Chains of Commanding in the show, and one of the biggest Tear Jerkers.
 * In Falling Skies, when the aliens order a mech to mow down a group of kids, as an example of what happens when the humans attempt to free one.
 * Also done by the humans, when the doctor is about to try and vivisect a prisoner, but is stopped.
 * On Alphas an attempt by government agents to arrest the leaders of Red Flag (an Alpha terrorist organization) gathered for a meeting quickly descends into chaos as some of the Alphas resist and the government agents open fire. They kill everyone they see, even those trying to surrender or hide. They shoot Bill (in his vest), failing to distinguish him from their targets after a demonstration of Super Strength. One agent nearly kills Gary when he has a tantrum over finding body - given that he weighs ninety pounds soaking wet and can barely lift the baton he was wailing on the agent with, it comes off very much like a Nazi about to stomp on a yapping chihuahua. The scene demonstrated how unprepared and heavy handed the government is when dealing with Alphas and that the situation has reached the level of a war.
 * Two such instances in the 1997 miniseries The Rough Riders. One involves a Spanish soldier who tries to surrender, but after he's already killed one of the Rough Riders. He's promptly shot. The other is the rather casual bayoneting of a German military adviser. The German's death is fictional, as no such incident is known to have occurred and indeed the presence of German military at the battle is disputed by historians. Why director John Milius would invent a fictional war crime unnecessary to the plot is not known, however he refers to the Germans bizarrely and inaccurately as Nazis on the DVD's audio commentary, suggesting a mild axe to grind even against pre-World War II Germans.

Theatre

 * In Shakespeare's Henry V, the hero-king threatens the citizens of Harfleur with some pretty grisly consequences for trying to defend themselves ("In a moment look to see the blind and bloody soldier with foul hand defile the locks of your shrill-shrieking daughters", etc.). He goes on, at Agincourt, to order his soldiers to slaughter all their prisoners (the text of the play actually has him doing this twice, which is a little weird). In the next scene this is explained by Captain Gower as retribution for the killing of the boys looking after the baggage (and many readers of the play are inclined to take his word for it), but the first of these orders is given before anyone on the English side learns of it, in response to the French regrouping.
 * The prisoners were presumably against it, but it must also have been a very unpopular order among his own army. Many of them had captured French knights that would otherwise have paid hefty ransoms. (Henry's kill-em-all order is the reason that his old drinking buddy Pistol looks forward to a future as a pimp and thief: he could have retired comfortably on the ransom his prisoner M. Fer would have brought him.)
 * In Real Life, the English archers did the slaughtering of prisoners. Being merely commoners, they would not have expected good treatment if they were captured, and they'd have seen none of the ransom money if the French were ransomed back after capture. Also, the order for the slaughter wasn't a form of Disproportionate Retribution, but rather to prevent the French knights from rearming themselves and attacking the English behind their palings. Even the French sources at the time don't call him out on it.

Video Games

 * Happens several times in the Call of Duty game series.
 * The execution of German POWs by Soviet soldiers in the first game.
 * Call of Duty 4 shows how neither side is saintly, and both the U.S. Marine Corps and the SAS will use brutal techniques to find out what is going on.
 * Call of Duty: World at War goes even further. The Pacific campaign starts with your character being tortured by his Japanese captors, and features ambushes from units playing dead, booby traps, and kamikaze attacks. In response, the Americans employ flamethrowers to great effect. The Eastern front has the repeated execution of wounded soldiers, the razing of crops and homes, and the massacre of surrendering soldiers... and that's as the Russians.
 * Modern Warfare 2 ups the ante even further with the infamous 'No Russian' level, In retribution for that mission,
 * In fairness it is possible to get through 'No Russian' without firing a single round into a civilian, although the game renders you powerless to stop your squadmates from doing so.
 * In the middle of the "Project Nova" level of Black Ops, Kravchenko is seen executing surviving German prisoners with his pistol as they beg for mercy. As he reaches the last one, he runs out of ammo, and uses his knife to kill him.
 * In the beginning of "Payback",
 * In the mission "The Defector" the entire civilian staff of the MACV compound is executed by the NVA for collaborating with American forces.
 * Fictitious war, but Fallout 3's Operation Anchorage features an American soldier executing 4 Chinese prisoners. Killing the American before the shooting causes your allies to turn against you, and try to kill you and the prisoners. Turns into Refuge in Audacity when injured American soldiers come out of the hospital, in underwear, in an Alaskan winter, and attack you with grenades. However, to balance things out, when you storm General Jingwei's camp, you see him executing American prisoners with his lightning sword.
 * Also, in the opening of Fallout, an old T.V. shows a news reel of America's annexation of Canada, with footage of an American soldier executing Canadian prisoners of war, then waving at the camera. The caption reads "Our dedicated boys keep the peace in newly annexed Canada."
 * In one Terran mission of StarCraft: Brood War, a civilian technician runs into a squad of UED marines who kill one of his colleagues to convince him to cooperate. When he does, they thank him... then shoot him anyway. One of them even quips "Err... oops. Heh heh heh..."
 * In the first mission Star Craft 2, the Terran Dominion are rounding up civilians for labor in a mining site, one of them tries to run, and a marine shoots him.
 * In Mass Effect, if you pick the "Ruthless" reputation, you sent many of your men to certain death in order to defeat a batarian position - and then massacred the surrendering batarians.
 * Games with moral choice systems frequently give you the option of doing this yourself.
 * Ulfric Stormcloak (or the Dovahkiin, on his order) executing General Tullius after he surrenders, or vice versa, in The Elder Scrolls V: Skyrim, though there's Values Dissonance in play: this was somewhat less objectionable in medieval times.
 * In addition, Ulfric Stormcloak is an escaped criminal already under a sentence of death and Tullius is merely executing the sentence. (Indeed, the game starts with Ulfric Stormcloak's intended formal execution after his presumed trial, and the opening combat sequence is a prison breakout.) Tullius' death, on the other hand, is a war crime, in that the Stormcloaks are refusing to accept the Imperial surrender and executing "no quarter" on every Imperial soldier who survived the siege of Solitude. (As contrasted to the Imperial sack of Windhelm, where Tullius does not purge all the Stormcloak prisoners afterwards -- only Ulfric, who is a convicted regicide and traitor.)