Salò, or the 120 Days of Sodom/YMMV


 * Critical Dissonance: To the more intellectual viewers, Salò is either a powerful art film about fascism... or simply a disgusting film.
 * Darkness-Induced Audience Apathy: But to the average viewer, Salò is pretty much only a disgusting film.
 * Ho Yay: The four libertines and some of the male victims and guards.
 * Les Yay: Two of the girls.
 * Nausea Fuel: Practically the entire movie.
 * Squick: The scenes in the Circle of Shit.
 * Tear Jerker: The entire situation in respect to the teenagers, really, but a special mention goes to the blonde girl whose mother was murdered while trying to save her.
 * Vindicated by History: For many artists and critics, Salò is one of the bravest, most powerful works of art ever made: it has featured in lists like Village Voice's 100 Films of the 20th Century and it was admired by the likes of Martin Scorsese, Michael Haneke and Roger Ebert.