Wendy and Lisa



"Wendy? Yes, Lisa? Is the water warm enough? Yes, Lisa Shall we begin? Yes, Lisa"

- Prince and the Revolution, "Computer Blue"

"Take a ride on the honeymoon express"

- Wendy and Lisa, "Honeymoon Express"

Childhood friends Wendy Melvoin and Lisa Coleman, much like Sheila E., had musical families: Wendy's father Mike and Lisa's father Gary (not to be confused with Gary Coleman the actor) were highly in-demand session musicians, and Wendy's brother Jonathan also went on to become a musician and served as touring keyboardist for The Smashing Pumpkins... until he died of a heroin overdose.

Lisa was the first to join The Revolution as a keyboardist in 1980, replacing Gayle Chapman. Once guitarist Dez Dickerson left in 1983, Lisa pulled the I Want You to Meet An Old Friend of Mine card and got Wendy into the band as a guitarist.

Wendy and Lisa (as they were always credited) were generally acknowledged by fans and critics as The Revolution's "secret weapon": their complex approach to melody and songwriting helped push Prince and the band to a whole different level musically, while their love of The Beatles was reflected in the Pop and Psychedelic Rock influences they added. Their backing vocals and contributions to Purple Rain, Around the World in a Day and Parade are held in very high regard. And their spoken introduction to "Computer Blue" (quoted above) has proven quite memorable, being referenced in Mystery Science Theater 3000 and other places.

Prince decided to repay their hard work by being a complete Jerkass towards them, turning each tour between 1984-1986 into a game of "How can I piss off Wendy and Lisa today?" (Answer: Giving Leeds Wendy's solos on "Purple Rain", expanding The Revolution with more musicians, antagonizing Wendy by bringing her twin sister Susannah in the band and getting romantically involved with her, etc.) Prince's asshole behavior towards Wendy and Lisa in the film Purple Rain wasn't exactly acting. In fact, Prince's conflict with the two was one of the key intra-band conflicts that eventually led to Prince's disbanding of The Revolution in 1986.

In response, Wendy and Lisa recorded their first self-titled album in 1987. They co-produced the album with Revolution drummer Bobby Z, called up contributions from family members (namely Wendy's sister Susannah, Lisa's brother David and father Gary), played various instruments, wrote and sang all the songs. The result was a quirky, low-budget pop album filled with memorable melodies and possessing an overall ethereal character. The album received positive reviews, made a bit of headway in the USA and climbed up to a moderate position up in the UK.

For their follow-up album, Fruit at the Bottom, the two abandoned the low-key charms of their debut and tried to take a shot towards success, adding more synths and dance beats to their music. Unfortunately, they came up short in the songwriting department, which was reflected in its sales: the USA pretty much ignored it completely, while the British again sent it up the charts.

Wendy and Lisa next signed with Virgin Records and released a new album, Eroica, a much more eclectic alternative-rock oriented work that didn't sacrifice the group's trademark ethereal atmosphere or memorable melodies. It met with strong reviews and became their biggest success... in the UK, natch.

The two took some time off from their solo career and found a second job out of soundtracks - they've since contributed soundtracks and incidental music for various films and TV shows such as Toys, Dangerous Minds, Heroes, Bionic Woman, Crossing Jordan, Something New and Nurse Jackie, the last of which they won an Emmy for. They also took up work as session musicians, appearing either together or alone on albums by Eric Clapton, Joni Mitchell, Meshell Ndegeocello, Michael Penn, Liz Phair, Seal, Madonna and k.d. lang.

They've also made two solo albums since, the Tchad Blake-produced Girl Bros. in 1998 and the entirely self-released White Flags of Winter Chimneys in 2008 (the latter's online release being similar to the ones for In Rainbows and Ghosts I-IV). No word yet on their sales in the UK.

Ironically, despite having absolutely nothing to do with Prince these days, they're probably the Prince associates that are worth checking out the most. Oh, and after bands and bands that pretty much embodied Erection Rejection, they're the only ones who managed to do Audio Erotica. Ain't life weird.


 * Wendy and Lisa (1987)
 * Fruit at the Botton (1989)
 * Eroica (1990)
 * Girl Bros. (1998)
 * White Flags of Winter Chimneys (2008)


 * Eighties Hair: They had this back in... well, the eighties.
 * Fading Into the Next Song: On the self-titled debut, "Everything But You" and "Light".
 * Grief Song: "Jonathan" deals with the death of Wendy's brother Jonathan after an overdose during a tour with The Smashing Pumpkins (the same incident resulted in Jimmy Chamberlain being fired from that band.) This topic was also explored in Sarah McLachlan's song "Angel", and Prince's own "The Love We Make" (judging by the hints left in the liner notes).
 * Heterosexual Life Partners: Except for the "heterosexual" part, of course.
 * Insistent Terminology: Their group name's either spelled "Wendy and Lisa" or "Wendy & Lisa". Nobody seems to agree on this, but the "&" seems to be the most widespread.
 * Instrumentals: "White".
 * In the Style Of: Given away right in the title of "Salt and Cherries (MC5)".
 * Lighter and Softer: Fruit at the Bottom.
 * Lyrical Dissonance: A common criticism of Fruit at the Bottom is that the dance beats clash badly with the lyrics.
 * Almost Pop Star Composer
 * Power Ballad: "Stay", "Song About".
 * Rearrange the Song: "This Is the Life" was rearranged for the Dangerous Minds soundtrack.
 * Something Blues: Played with a bit in the title "Blues Away".
 * Start My Own