Haruhi Suzumiya/Tropes A-I


 * 20% More Awesome: In The Disappearance of Haruhi Suzumiya, Kyon declares that Haruhi's ponytail makes her "36% more charming."
 * Absurdly Powerful Student Council: In the novels, Itsuki creates one to give Haruhi a foil and thus something to do. It quickly gets filled with members of at least two of the factions.
 * In Disappearance, Haruhi claims she's from the "Student Council Information Division" to convince Asahina to go with her. Invoking the name of the Council is persuasive, as is dragging Asahina away when she hesitates.
 * Accidentally Accurate: An In-Universe example rather than a writer's fluke. Haruhi somehow guesses the corresponding secret identity of the three unusual members in the brigade as part of the movie, and most of the additions she makes to the roles only makes it more accurate.
 * Averted. The novels reveal that Kyon had actually tried to spill the beans to Haruhi shortly before these events, but she hadn't believed him on account of the explanation being "too simple". However, that didn't stop her from using it as inspiration for her movie.
 * The anime features this too, but unlike the novel, where that it was the prologue, this is the final scene of the final episodes of the Sigh arc. Despite this, however, it was animated as though it were a flashback to Melancholy - Kyon and Haruhi are both wearing the same clothes they were wearing at the end of Melancholy Part 6.
 * Adam and Eve Plot: Brought up by Koizumi at the end of the first season. Kyon is not amused.
 * Adaptation Dye Job: An interesting case. In the original novels, Mikuru had chestnut-brown hair, Yuki had flat-gray hair, and Haruhi's hair was black. In the anime Mikuru's hair became bright orange, Yuki took up a few shades of purple, and Haruhi's hair became brown. But after the anime's release, in the later novels, Ito starts to use brown hair for Haruhi (though she retains Mikuru and Yuki's brown and gray).
 * Adaptation Expansion: "Endless Eight".
 * The Disappearance of Haruhi Suzumiya has some shades of this as well. One notable example is, which was only about two pages long in the novel, but was expanded into an inner-conflictesque scene that lasted at least a good five or six minutes.

"Kyon: What kind of dream was that?! Sigmund Freud's gotta be laughing at me!"
 * Agent Mulder/Agent Scully: Cleverly played with. At first, it seems pretty obvious that Kyon is our Scully, and Haruhi is our Mulder. However, Kyon just keeps running into too much weirdness to deny that any of it exists, and by the end of Disappearance,.
 * Meanwhile, with Haruhi...
 * Aliens Are Bastards: Every single alien except Yuki, and she has her moments.
 * All Just a Dream: Subverted in the "The Melancholy of Haruhi Suzumiya VI," and discussed by Koizumi in "Sigh V."
 * All Love Is Unrequited: In one case, at least. It's strongly suggested in Disappearance that
 * The same is (probably) true for
 * The reason for all this is The Masquerade Will Kill Your Dating Life of course.
 * All Psychology Is Freudian: Kyon, when he wakes up from his "dream" in episode VI:

"Kyon: Freud would have a field day with this!"
 * On a different sub and the English version of the first book:

"Yuki: "Watch it.""
 * Especially since the music playing during the "dream" was by someone who had sought Freud's advice (Gustav Mahler).
 * All There in the Manual: You're not going to understand everything in the anime if you're entirely unfamiliar with the books. Then again, you might not even if you have read them...
 * All There Is to Know About "The Crying Game": Even without having ever watched/read/anything Haruhi Suzumiya, thanks to this series' raving fandom, it's pretty well known in anime communities that Haruhi is an omnipotent god; ironically, this "fact" is actually Fanon.
 * Alone with the Psycho
 * Alternate Universe: The subject of Disappearance, at first glance.
 * While Haruhi wants to meet a slider, Kyon has stated that this is the one type who offers no advantages. So far he wins.
 * Alternate Character Interpretation: In-Universe this shows up a couple of times in Kyon's conversations with Koizumi. For example in Astonishment they debate whether Haruhi's unwillingness to be late is about making Kyon wait or simply about arrogance.
 * Anachronic Order: The anime practically revolves around this, with in-joke references to events that have transpired but that aren't shown until later episodes -- for example, having random items lying around the club room that are obtained in later (earlier?) episodes. Several episodes in the first season even include set-ups from earlier events whose episodes didn't get animated until the second season. Not as hard as it sounds, since the novels were written before the anime, but still shows very remarkable attention to detail on the animators' part.
 * "The Rebroadcasting of Haruhi Suzumiya" mixes old and new episodes (including Episode 00) in the order that Kyon experiences them -- chronological for the most part, but not in every instance. Thus the so-called "second season" is, strictly speaking, neither a sequel nor a prequel to the first, but more of an "interleafquel".
 * The novels include this as well, though to a lesser degree (1, 2, 4 and 7-9 are in chronological order, 3 takes place between 1 and 2, and the stories in 5 and 6 are scattered between the end of 3 and the start of the main storyline in 7).
 * Also Haruhi is prone to making throw away lines whose real meanings are found on the other end of a time trip.
 * And I Must Scream: "Endless Eight".
 * Thankfully, for the viewers it's (only?) 8 episodes. Even more thankfully, for those that read the books it was only a few pages.
 * Annoying Younger Sibling: Kyon's little sister, to him at least. Everyone else seems to think she's adorable, but then again, that's how it often works out in Real Life.
 * Anthropic Principle: Koizumi's explanation behind Haruhi's power.
 * Apocalypse Day Planner
 * Apocalypse How: The possibility of Haruhi having a bad day and unconsciously recreating the universe,.
 * Aside Glance: Kyon, when exasperated.
 * Arc Number: The eight episodes of "Endless Eight."
 * Arc Words: After a point, it starts to seem like every past-tense sentence in the Myth Arc contains the words "three years ago."
 * Eventually subverted when Itsuki starts a sentence this way, and Kyon interrupts him with "Screw three years ago!"
 * Dissociation takes place a year after Melancholy, so the Arc Words have appropriately changed to "four years ago."
 * Art Shift: "Remote Island Syndrome"
 * Artifact Title: For the anime at least, which takes the name of the first book. Those who haven't read the books will wonder why the show is called The Melancholy Of Haruhi Suzumiya, when she's anything but.
 * Artificial Human:
 * Ascended Meme: Nyoron Churuya-san.
 * Aside Comment: Kyon closes The Movie with one.
 * Asleep for Days: When Kyon  in The Disappearance of Haruhi Suzumiya, he awakens in a hospital room, having apparently been sleeping away a bad concussion for days.
 * Astonishingly Appropriate Appearance: Tsuruya's fang.
 * Aw, Look -- They Really Do Love Each Other: Despite arguing every other minute, Haruhi and Kyon are shown to care for each other.
 * Any nagging doubts viewers had were killed by the movie.
 * In the tenth novel,
 * Badass Adorable: Yuki.
 * Badass Bookworm: See above.
 * Also, Koizumi.
 * Badass Boast: "If anything happens to Yuki Nagato I will let all Hell break lose." Oh,
 * Bad Bad Acting: The SOS Brigade's film. If you pay attention, some characters can be seen reading their dialogues.
 * Barehanded Blade Block:
 * Played straight by
 * Bavarian Fire Drill: "Which one of you is Mikuru Asahina? Hi, I'm Haruhi Suzumiya, from the Student Council Information Division. Please come with me!"
 * Beach Episode: "Remote Island Syndrome".
 * Beauty, Brains, and Brawn: Mikuru, Yuki and Haruhi. Kyon thinks Mikuru's future self is supermodel level, Yuki is smarter than any human being, and Haruhi is the envy of all the athletes in the school.
 * Beehive Barrier: One of the more tangible forms of Yuki and 's powers.
 * Beleaguered Assistant: Kyon
 * Berserk Button: Don't threaten Yuki. Kyon doesn't like that:
 * When the Data Overmind considers erasing Yuki in Disappearance, Kyon threatens to reveal the entire Masquerade to Haruhi and have her rewrite the universe to save Yuki.
 * Then when the Sky Canopy Dominion incapacitates Yuki in Surprise, Kyon storms off to confront their interface. Alone. And unarmed. It takes Asakura to save him, and even she only manages to fight Kuyou to a draw.
 * Considering how Haruhi reacted to, she is probably already very similar to Kyon in this aspect, towards the whole SOS brigade.
 * And a different button: When Haruhi's abuse of Mikuru went too far and he was willing to punch her. Let's be clear, he was willing to deck GOD because she was being a bitch.
 * Better Than a Bare Bulb: Kyon's unsuccessful attempt to explain the student film's plot; the irony here is that he did it this way on purpose to prevent Skepticism Failure.
 * Between My Legs: In episode 00, there is one of these shots of Haruhi while she's standing on a table.
 * Beware the Nice Ones: Kyon finally snaps and actually tries to punch Haruhi after she takes her abuse and assumed ownership of Mikuru too far during her movie's filming.
 * Mikuru is kind, sweet, and an utter doormat who is forcibly stripped and dressed up in various costumes by Haruhi, and who is given strict directives she can't understand from her superiors in her time travel organization. The most Mikuru ever manages in response is a high-pitched, desperate "noooooooo!" You may be surprised to find that she has a character song about her wish to have revenge on those who have used her as a toy and a pawn.
 * And let's not forget the morally dubious things her future self does....
 * Big Damn Heroes: . And later
 * Also Kyon does it
 * The Big Damn Kiss
 * Big Damn Movie: The Disappearance of Haruhi Suzumiya.
 * Big Damn Villains:
 * Big Ol' Eyebrows: Ryoko Asakura, not in a manner which is Egregious, but definitely more so than the rest of the cast.
 * Bishonen: Itsuki and possibly Kyon.
 * The Computer Club president could count as well considering he's pretty cute and surrounded by a bunch of guys (in the computer club) who definitely don't fall into the Bishonen category.
 * And the student council chairmen certainly isn't ugly either, or Tanaguchi and Kunikada, for that matter
 * Bishoujo Series: The series has posters and articles serialized in Megami, as well as far more bunnygirl Haruhi figures than any in her other outfits. Mikuru is a sendup of the whole concept.
 * Bi the Way: Haruhi. "As long as it's not an ordinary human, I don't care..."
 * Black Comedy Rape: Haruhi's consistent sexual harassment of Mikuru.
 * Bland-Name Product: Espon laptops, Sicao cameras, Kyon's Pumu bag, and the characters eat at WcDonalds and at a WOLKS family restaurant (inspired by VOLKS). Also done with brand logos: one episode shows a box with a logo shaped like an unbitten apple.
 * Blatant Lies: Koizumi's entire explanation to Kyon about what happened during The Movie.
 * Blessed with Suck: Kyon is this and Cursed with Awesome for the largely the same reason. Pretty much everyone tells him that he has been "chosen" by Haruhi, but what this seems to entail in practice is that he is her Butt Monkey.
 * Kyon eventually decides
 * Blind Idiot Translation: You'll notice that a few of the novel titles are a bit...odd, with the awkward construct of "The x of Haruhi Suzumiya".
 * There's a bit of this in the dubbed anime, where the Japanese honorifics are translated into Miss or Mr. X when referring to classmates, but this is because most Japanese honorifics really don't translate to anything in English and leaving them in can be very confusing for people unfamiliar with the complexities of the Japanese language.
 * Bling of War: In "Day Of Sagittarius"
 * Blunt Metaphors Trauma: Yuki
 * Book Dumb: Kyon comes across as very smart and well-read (even though he isn't quite sure who Shakespeare is, yet can perfectly describe his plays), but is barely above average in school, to the point that Haruhi's had to help him out with schoolwork.
 * Book Ends: The second season ends with the screening of The Movie that opens the first season.
 * Boomerang Comeback: Ryouko uses this technique with her knife
 * Bowdlerize: "Remote Island Syndrome" is changed from the book through the addition of Kyon's little sister, who in the novel attempted to come along, but was discovered and left at home. Once on the island, the SOS Brigade members avail themselves of as much alcohol as their host can muster, which can't be shown on Japanese TV, since the characters are still in high school. The TV show has them doing things appropriate for the presence of a grade-schooler instead. Minus the  part, anyway...
 * Though understandable, if you only watched the anime, it will cause a bit of confusion for the Disappearance movie. The movie is extremely close to the original novel, and even keeps Haruhi's line that went something like, "I'm never going to drink again." Obviously confusing, as she never drank in the anime in the first place.
 * Which is peculiar, because during the movie, Kyon's little sister is referenced as having gone with the group to the island as well.
 * The dub of the movie simply skirts the issue by having Haruhi say that she swore she would never drink ever in her life. (Which, according to the anime, is accurate.)
 * Boxed Crook: In the tenth novel,
 * Boy Meets Girl: Essentially.
 * Bread, Eggs, Milk, Squick: complains about how Haruhi is not doing anything interesting and talks to Kyon about whether or not it is all right to enact a change to get a result, even if it is dangerous, right before  -- all without changing the pitch in her voice.
 * Brick Joke: When Kyon enters the clubroom after trying to punch Haruhi in Sigh, she's trying to put her hair in a ponytail, which she hasn't done since the last Melancholy episode.
 * Broken Masquerade
 * Broke Your Arm Punching Out Cthulhu / Nice Job Breaking It, Hero:  Kyon and   secret plan to deal with Fujiwara, Kyouko and Kuyou would have backfired horribly
 * Butt Monkey: Sometimes Mikuru, sometimes Kyon, and always the poor, poor Computer Club President, though he's closer to The Chew Toy, as his endless torment is meant to be funny.
 * Call Back: The scene where the Brigade finally reunites in Disappearance is comically similar to their original meeting in Melancholy. The Stinger also features Yuki watching a little boy help a little girl get a library card, just like Kyon did for her. Mikuru's entrance into the Clubroom was practically exactly the same as her original entrance in "Melancholy".
 * The scene of Yuki holding up her hands to catch falling snow, from the first season opening credits, appears toward the end of Disappearance. But it also appears as an illustration in the light novel Indignation, when Yuki writes a short story about being a ghost who marvels at falling snow.
 * Call Forward: ENOZ can be spotted in the first episode of Sigh.
 * Can't Get Away with Nuthin': Very brutally averted by Haruhi, whose main specialty (considering the non-awareness of her own powers) seems to be beating this trope to death and beyond.
 * Can't Hold His Liquor: Oh, man, Mikuru. It's worse in the anime, where she passes out after a bit of amazake (which is so weak you can give it to children) she was slipped for some Enforced Method Acting. Slightly more justified in the novel, where it's tequila, and in the dub, where they change it to sake.
 * Can't Stand Them Can't Live Without Them: Kyon and Haruhi's relationship gets this way, which comes to a head in Disappearance.
 * Can't You Read the Sign?: one of the repeated elements of Endless Eight: there is a "No Diving" sign in the public pool, and what does Haruhi do? She, obviously, dives. Which makes Kyon almost quote this trope (in his mind).
 * At least in the Sigh novel, Haruhi stands in front of a sign at a local shrine that says "Do Not Feed" and scatters bread crumbs across the shrine grounds.
 * Caramelldansen Vid
 * Care Bear Stare: Haruhi's intention was to send her "warm energy" into Kyon. However, it was nothing but a scary Death Glare.
 * Cassandra Truth/Sarcastic Confession:
 * Cash Cow Franchise: Image Songs out the wazoo (see below) and loads of other merchandise show that they could probably go more for years without even making more episodes. Which is good, considering how long book 10 took to be published.
 * In the meantime, we can buy a Haruhi game for the PSP, the PlayStation 2 or the DS. And we still have two more games to choose from on the Wii. Milking the cash cow at its finest. But only if you live in Japan.
 * Catch Phrase:
 * Mikuru -- "Classified Information." Taken to absurd lengths in "Endless Eight": "I used classified information to contact the future or for classified information... But when I hadn't heard from classified information for a week I thought something was wrong. And then classified information... I was so shocked that I classified information, but there was no classified information... What should I do?" All while crying her heart out. It's a compulsion deliberately put into place by her superiors to prevent her from divulging sensitive information, even if she wanted to. Normally, she just avoids using the taboo words altogether, but here the mechanism repeatedly trips because she's too emotionally vulnerable to watch what she's saying.
 * Haruhi -- "I'm so bored!"
 * And then of course there's Kyon's "Yare yare" (translating to something like "good grief"/"oh my"/"oh well").
 * In the DVD's previews:
 * In the DVD's previews:

"Haruhi: There's something I've always wondered about. You often see people die in the last episode of TV shows and the like. Doesn't that feel unnatural? Why do they just happen to die at that time? It's strange. That's why I hate anything where someone dies at the end! I would never make a movie like that!"
 * Lampshaded and subverted -- in the first episode, Kyon notes that Haruhi has a habit of saying "totally", but the audience doesn't hear it enough for it to qualify as a Catch Phrase.
 * Cats Are Magic: Shamisen, the calico cat. He (male calico cats being extremely rare) originally started as an ordinary cat, but was briefly given the ability of speech. This was because Haruhi believes witches need magical cats, and this belief altered reality and made Shamisen magical. She never finds out that Shamisen could talk, but was originally a little disappointed that he wasn't a black cat.
 * Caught the Heart on His Sleeve: Performed by Haruhi to avoid a Security Cling to Kyon's arm. Lampshaded by a possibly disappointed Kyon.
 * Also by Yuki to Kyon in Disappearance when he was about to leave her to have dinner alone with Asakura.
 * Caught with Your Pants Down: A double entry when Kyon was closing the pictures of Mikuru's chest with star-shaped mole: He forgot to close the folder named "Mikuru". He also neglected to name the folder something other than the obvious "Mikuru".
 * Character as Himself: Ultra Director Haruhi Suzumiya!
 * Similarly, some of the real life creators are listed as members of the SOS Brigade. The credits have several other similar jokes.
 * Character Development:
 * The novels are primarily focused on the character development. It is often left to the readers' interpretation just how far the characters have changed within the progress of the story.
 * Best example, Yuki Nagato: From a stoic "machine-like" Extreme Doormat, to a person who is not only kind and caring, but also independent from her boss. Hell, her must not be forgotten. Furthermore, the relationship between her and Kyon gradually expands over the time, to the point where Kyon stated that no one would "shake the bell in him" quite like Yuki. Nagaru Tanigawa himself stated that he likes focusing on Yuki's development.
 * Haruhi: From a self-absorbed, misanthropic loner, to a cheerful and hot-blooded, yet still quite sociopathic jerk who doesn't really get what she's doing wrong... Eh, well, see Kick the Dog. Then, in the later novels, she has become far more sociable, even to strangers, and generally has come more to terms with "this boring world" (and has come Out of Focus).
 * Kyon: From an apathetic, cynic and distrustful Deadpan Snarker who cares little for anyone besides "his" Mikuru and tells himself that he hates the brigade, to a True Companions-guarding, occasionally-Badass Knight in Sour Armor who freely admits that he's a member and would follow their commander Haruhi.
 * Mikuru: From a self-sacrificing group mascot who lets Haruhi do whatever she wants with her (Present Mikuru), to an assertive, empowered, and even morally ambigious woman who controls the situation from behind the scenes and is (Future Mikuru). The exact details of how this transformation takes place is somewhat sketchy (time travel is involved), but its seeds are present in some of the later novels.
 * Koizumi: From being a vague, mysterious representative of the Organization whose interest in the group seems purely professional, to a person who genuinely cares very deeply for the the Brigade, even stating that if he had to, he would choose the SOS Brigade over the Organisation.
 * Chekhov's Gun: Offhandedly mentioned objects usually play an important role later in the light novel it is mentioned in or in the whole novel series itself.
 * Kyo Ani is very careful about this. Objects that serve a purpose in a story are seen in the club room WAY before the second season was made (ex.- the bamboo leaf potted plant). Even more interesting is the fact that a couple of these were retroactively added to the DVD release, which weren't present in the original broadcast. This video, based around changes between the broadcast and DVD release of "Remote Island Syndrome", where one of the changes made was adding the bamboo plant to the background.
 * The anime's adaptation of "Remote Island Syndrome" ends with a conspicuous close-up of a mole on Kyon's neck. This is popularly considered foreshadowing toward "Snowy Mountain Syndrome", where
 * Chekhov's Gunman: Seemingly minor characters, if named, will usually have some major significant role in the plot later in the series.
 * A rather major example would be a character so minor she isn't even directly mentioned. Once again, Kyo Ani is on the ball with this when in Disappearance
 * Kimidori. Tsuruya. The esper girl (though really, who thought she WOULDN'T come back up again?), Kyoko Tachibana. If they get a name and they're not Taniguchi or Kunikida, expect them to be important. Those two are probably only still unimportant so that they can be Those Two Guys... and the light novels aren't finished, so it's hard to know if it'll stay like that.
 * In a way, Kyon himself is a Chekhov's Gunman. To quote Haruhi's extremely inconspicuous line: This is also invoked when
 * How inconspicious is it? In the anime, it makes sense in context of the conversation so much so that it can simply be taken as an example of Haruhi's eccentricity! (That and the fact that it's the stereotypical pick-up line in Japan...)
 * How many times have the characters made a point about not yet having a slider around?
 * There's also a really inconspicuous one in Disappearance. While reading out the class roster, Kyon also mentions the person before Haruhi, Sakanaka. Later on in the eighth novel, she appears as the second client of the SOS Brigade.
 * Remember Taniguchi's girlfriend in Disappearance whose absence in the Alternate Universe is Kyon's first hint that something is wrong? In volume 10,
 * Cherry Blossoms: The opening of the first chronological episode. Cherry blossoms are also at the center of an important event in Sigh, . Kyon is also constantly telling us the time of the year and season (especially in the novels), which often involves evocative statements about whether the cherry trees have blossomed yet, are currently in blossom, or how long it has been since the blossoms fell.
 * Cheshire Cat Grin: Haruhi.
 * Chick Magnet: Check the audience of the play at the school festival. Who are they there for?
 * Cicadian Rhythm: One of the various summery activities Haruhi forces the Brigade to participate in during their endless summer vacation is cicada-catching.
 * The Climax: Discussed at the beginning of Sigh, when Haruhi demonstrates that the concept of The Climax completely goes over her head:

"Kyon: Tell him to suck it."
 * The series' plot itself seems to agree with Haruhi, The Climax happens in the chronological middle of the season, while the chronological ending is a generic filler episode.
 * Consequently, Haruhi's failure to drive the movie's plot toward some sort of conclusion and the consequences of it turn out to be a major plot element of Sigh.
 * Season 2 actually has two climaxes, since that season is split pretty evenly into two "mini-seasons."
 * Closed Circle: Remote Island Syndrome. Haruhi wants to do one for fun,
 * Cloudcuckoolander: Haruhi.
 * Tsuruya can also be considered one for her tendencies to laugh at anything.
 * And even Nagato, if the short story she wrote in the 8th book is any indication, she views the world quite surreally.
 * Cloudcuckoolander's Minder: Kyon is this to Haruhi in the open, while the rest of the SOS brigade are it behind the scene.
 * Club President: Haruhi makes herself this. Also Computer Club President is never properly named.
 * Color Coded for Your Convenience: Lately each SOS member has been affiliated with a color.
 * Haruhi is Red, which shows her genkiness and her status as Brigade Leader.
 * Kyon is Blue, which is the opposite of red, which suits him as Haruhi's opposite.
 * Itsuki is Green, which stands for intelligence.
 * Mikuru is Orange, because of her hair.
 * Yuki is Purple. She seems to be the the blue oni on the outside, but is actually the red one on the inside. Red and blue make...?
 * The image song albums had this first, but a few were switched around. Kyon's color is Yellow, Yuki's is Light Blue (which might have something to do with her seiyuu), and Itsuki's is Purple (The Movie's opening credits actually goes through these colors in the beginning). While we're at it, the covers also give us colors for Ryoko (Dark Blue), Tsuruya (Green), Emiri (Light Green), Kyon's Sister (Pink), and Taniguchi (Gray).
 * The English paperback novels are, in order: red, yellow, green, blue, purple, and orange.
 * Comedic Sociopathy: If you can't handle Haruhi, stay back!
 * Comforting Comforter: Last episode "Someday in the Rain". It's left unclear whether it was Yuki or Mikuru.
 * Compliment Backfire: Kyon slowly learns to talk about what he likes in general, instead of telling the Tsundere that he likes whatever she's doing at the moment.
 * The Computer Society Are Cheating Bastards: Yuki plays by the rules when she's asked to, but has no qualms with fixing a game, computer or otherwise, to keep Haruhi happy.
 * Of course, Yuki playing by the rules is like asking Stephen Hawking to do elementary school algebra. She's still a highly advanced lifeform capable of simultaneously controlling 20 independent units in the above mentioned game while at the same time hacking into said game, rewriting/reprogramming while said game is being played (at super speeds flipping through multiple windows), and carrying on a conversation.
 * Contemplate Our Navels: Itsuki's favourite activity, much to Kyon's irritation. And, well...Shamisen too.
 * Contemptible Cover: The Japanese covers don't have anything like tacky battle scenes featuring Chain Mail Bikinis, but they are emblazoned with large pictures of anime girls. The English translation seems to be trying to play both sides of the issue by offering admittedly rather classy and mainstream-friendly redone covers for the paperbacks and retaining the Noizi Ito artwork for the hardcovers.
 * Cooking Duel: Chapter 3 of The Vanishing of Yuki Nagato chan has one (or two, or twenty) between Yuki and Mikuru.
 * Covert Pervert: In the novels (and sometimes in the anime), Kyon is frequently filled with inner Squee when Haruhi makes Mikuru cosplay. He also secretly likes how Haruhi's bunny costume shows off her curves.
 * Cowboy Bebop at His Computer: The official description to the English version of novel 4 labeled Yuki as a time-traveling robot...which is technically true...very technically: She doesn't physically travel through time, but can control it locally and can sync with past and future versions of herself, and while she is a construct, she's still biologically human.
 * The description on the back of the English version of Melancholy says that Kyon sits behind Haruhi in class, which has never been true.
 * Credits Running Sequence
 * Cross Dresser: Debatable, as the tracksuit Haruhi wears when sneaking into North High in Disappearance is technically unisex. Then again, it is Kyon's tracksuit.
 * Crouching Moron, Hidden Badass: A number of characters qualify (especially considering how many of them are hiding supernatural abilities), but the top of the list for being a formidable Badass Normal amongst the bunch is Tsuruya-san.
 * In The Sigh of Haruhi Suzumiya Part V,
 * Crucified Hero Shot:, deliberately invoking the symbolism. Of course, the sheer cliché and blatant villany doesn't escape a lampshade from Kyon.
 * The Cuckoolander Was Is Always Right
 * Cultural Cross-Reference
 * Cursed with Awesome: Kyon is both this and Blessed with Suck for the same reason. Despite him constantly moaning about how he wants to have an average life, his bond with Haruhi means that he probably has the most control over her powers than anyone else in the series (even Haruhi on certain occasions).
 * As mentioned under the Blessed with Suck entry, Kyon decides in The Disappearance of Haruhi Suzumiya.
 * Cute Little Fangs: Tsuruya, also known by her Fan Nickname LOL Fang-tan. Played straight in that it actually gives her a speech impediment, which can be heard clearest in the school festival's restaurant speech.
 * Cut His Heart Out with a Spoon: Haruhi in "The Day Of Sagittarius".
 * Dancing Theme: The ED song "Hare Hare Yukai".
 * The Danza: In-universe. All the main characters in Haruhi's movie. More interestingly, the actors are all playing as their respective secret identities. Which Haruhi has no knowledge of.
 * Dark World: Closed Space.
 * Day in the Life: "Someday in the Rain."
 * A Day in the Limelight: The Movie and the related novel for . Except for being three days long.
 * Deadpan Snarker: Kyon, the narrator.
 * Death Glare: Haruhi in "The Day Of Sagittarius".
 * Also in the spinoff manga Asakura can do it with the most cheerful expression
 * Deconstructor Fleet
 * Deep-Immersion Gaming: "The Day of Sagittarius".
 * Defictionalization: A few versions of The Day of Sagittarius III have been developed based on its appearance in the anime.
 * There's an App for that.
 * Deliberately Monochrome: The beginning of the anime has notably less vibrant colors than the rest of the series.
 * Depraved Bisexual: Haruhi, though one should not take it as seriously as the trope depicts it.
 * Did I Just Say That Out Loud?: The novels and anime frequently play with this. Since we almost never hear/read Kyon talking, only thinking, it is even more surprising when people reply to thoughts they really shouldn't have heard.
 * Made ambiguous when Kyon narrates with his mouth off screen, so the audience can't tell if he's speaking out loud or not. Making for even more ambiguity, Kyon's expressions aren't exactly opaque, so it would be quite easy for someone to guess what he's thinking and respond to that. And even if he was speaking everything aloud, Haruhi's selective hearing could steamroll right past it.
 * And even more confusingly, sometimes people around him reply to thoughts that were clearly not supposed to be said out loud, but without noticing the parts in the same sentence that were not addressed at them, like how much he wants to punch Koizumi in the face, or how much he adores Mikuru.
 * Didn't See That Coming: A note to Kyon to meet after class was not what it seemed.
 * Did You Just Flip Off Cthulhu?: In Disappearance -- Kyon vs Kyon wins, by simply pointing out that he knows how to end the world with 4 little words:
 * The official translation gives it a whole second level of defiance.
 * Did You Just Flip Off Cthulhu?: In Disappearance -- Kyon vs Kyon wins, by simply pointing out that he knows how to end the world with 4 little words:
 * The official translation gives it a whole second level of defiance.


 * Did You Just Punch Out Cthulhu?: Kyon comes within a hair's width of this when Haruhi takes her abuse of Mikuru too far.
 * Before that, ... which would make this something more like "Did You Just Cthulhu?"
 * Azazoth might be a more apt comparison, what with them spending the whole show trying to entertain her so she won't destroy their universe unwittingly.
 * Dispense with the Pleasantries: Remote Island Syndrome, Haruhi starts out extremely polite to the owner of the mansion. He then mentions that he's rather surprised since he has heard she's rather... direct. At this point she dispenses with the pleasantries and launches a barrage of questions about how many mysterious events, murders, etc. have taken place there.
 * Dissonant Serenity: Koizumi.
 * Disturbed Doves: Sigh. They actually started out as ordinary pigeons, but changed to match the trope after Haruhi invoked it.
 * Ditzy Genius: For a girl as smart and generally talented as she is, Haruhi is capable of being incredibly dense at times.
 * The Day of Saggitarius showed that Haruhi is no Patton -- she puts so much emphasis on being Hot-Blooded that she seems genuinely perplexed and irritated that "All ships charge!" is not an adequate strategy to win a tactics-based computer game.
 * So-called "Ultra-Director" Haruhi Suzumiya couldn't direct her way out of a wet paper bag (see above for her inability to even grasp a concept as simple as The Climax) and "The Adventures of Asahina Mikuru" shows it, with its only redeeming grace being Kyon's glorious narration. Yet Haruhi, without a trace of irony, proudly declares that it's worthy of an Oscar! Whether she's simply so arrogant that she thinks that ANYTHING she does is guaranteed to be genius, or whether her taste is simply so bad that she honestly believes this is impossible to tell.
 * Divine Date: According to Itsuki, and others, Haruhi really wants to do this with Kyon. But she won't admit it, and he won't believe it.
 * Does Not Like Men: Haruhi at the beginning, though she mainly doesn't like humans in general. Half of the time she barely acknowledged that men exist, or that there's some difference in social behaviour between boys and girls.
 * Does This Remind You of Anything?: The sounds Haruhi and Mikuru make while Haruhi is dressing Mikuru in her bizarre outfits sounds a lot less like Cosplay and a lot more like something else. Actually seeing what Haruhi is doing doesn't exactly clear up matters.
 * Doing It for the Art: "Endless Eight", each episode of which is completely re-animated, even though there are only minor differences. This doesn't keep people from thinking it was a horrible idea.
 * Double Standard: There is a big difference on how Kyon treats Mikuru, and how he treats Haruhi. Also, Haruhi is way nicer towards Itsuki than to Kyon, and never gives Kyon credit for what he does, but congratulates Itsuki for everything. Bamboo Leaf Rhapsody provides examples on the two cases.
 * The Drag Along: Kyon
 * Dramatic Wind: "The Adventures of Mikuru Asahina."
 * Drives Like Crazy: Arakawa. Played for Laughs in Haruhi-chan
 * Dude, She's Like, in a Coma: Subverted: Narrator Kyon implicitly threatens violent retaliation when Itsuki seems about to act out this trope with Mikuru in their film, as far as the viewer knows. Behind the scenes, he nearly does carry out this threat against
 * In a Season 2 episode Mikuru takes Kyon back in time 3 years, then promptly loses conciousness. Then Future Mikuru shows up to give Kyon a mission, saying she put her younger self to sleep because she didn't interact with herself in her memories. Kyon asks if he gets a reward for carrying out the mission, future Mikuru suggests that he can steal a kiss from her younger, unconscious self as reward. Try not to think about it too hard.
 * Dynamic Entry: Haruhi gives the Computer Club president one with both legs at once.
 * That line may set a new standard for jaw-dropping Accidental Innuendo.
 * Early-Bird Cameo: Arakawa (the butler from Remote Island Syndrome), appears as the cab driver in episode five of Melancholy. Because of the Anachronic Order, though, this appearance was actually broadcast after RIS.
 * Easily Forgiven: While it could be argued that she managed to subvert crossing the Moral Event Horizon,  Granted that this was her beginning path towards Character Development and he partially did it to avoid the universe being destroyed, it is still aggravating considering how she didn't even apologize for what she did.
 * Egocentric Team Naming: Haruhi's SOS Brigade doesn't look like this... until you expand the acronym and find that the second S stands for Suzumiya.
 * Eldritch Abomination:.
 * Elemental Rock-Paper-Scissors: Haruhi gets three of the four types she wishes for and usually missions will require the powers of multiple types.
 * The goddesses are strategically as important as Kings in the game of chess and as tactically useless.
 * The data entities are the strongest in tactical combat, and can dominate the environment like a Queen in chess, but are unable to effectively coordinate with each other, have limited social skills, and can't heal closed spaces.
 * The espers hunt in packs and their ability to enter and heal closed spaces resembles knight moves in chess.
 * The time travelers can rapidly advance or withdraw, but like rooks in chess they have limited flexibility once deployed and can get trapped.
 * And ordinary human beings are pawns that get in the way of the others, but Kyon seems to be getting dangerously close to the final rank.
 * Emotionless Girl: Yuki Nagato, which is somewhat justified by the fact that she's a computer program. Sort of.
 * There are a few hints dropped to suggest that she isn't devoid of emotion, but rather she's just really bad at expressing them. The other constructs that have shown up didn't seem to suffer emotional constipation in the way Yuki does, suggesting they all have emotions, or at least can ape them convincingly.
 * By Disappearance, she's had enough Character Development to.
 * In Snowy Mountain Syndrome, which takes place immediately after Disappearance, at one point Yuki displays what is best described as.
 * The End of the World as We Know It: At one point hinges on the outcome of a baseball game, of all things.
 * End of the World Special: The entire plot revolves around Kyon, Yuki, Mikuru and Itsuki preventing Haruhi from causing such a thing with her powers.
 * Enemy Mine: The SOS Brigade and the Computer Club team up to stop the Student Council President from evicting the Brigade from the Literature Clubroom.
 * Enforced Method Acting: Presumably the reason Haruhi had Mikuru get groped and not herself. Nobody's gonna believe those photos without the girl showing true horror and shame!
 * In Sigh, the lead-up to The Adventures of Asahina Mikuru, Haruhi and Tsuruya dose Mikuru with a full cup of tequila. Kyon is not happy.
 * Do NOT let Haruhi direct you in a movie, she's worse than James Cameron. She will resort to extreme measures to get you to do what she wants you to do, including everything from getting her star drunk so she can't protest against doing stuff she'd normally never do to
 * Enigmatic Minion: Yuki and Itsuki. Haruhi herself. Also Emiri later. Unclear for Mikuru.
 * Epiphanic Prison: Subversion. The only thing binding Haruhi's power is her belief that she has none. Maintaining this disbelief is at least part of what the SOS Brigade does.
 * Episode Zero the Beginning
 * Everyone Can See It: Haruhi likes Kyon, no matter how deep in denial he is about it. This is so obvious that alternate!Itsuki in Disappearance can tell just from Kyon's cursory explanation of how things were back before the world-switch.
 * Evil Is Hammy: Fujiwara, after his Villainous Breakdown.
 * Evil Laugh: Haruhi does this at least twice, both times after her Heel Face Turn.
 * Evolutionary Levels
 * Exactly What It Says on the Tin: "Endless Eight".
 * Expy: Kyon and Shinji. Mikuru and Asuka. Koizumi and Kaworu. Possibly reversed in the case of Mari and Haruhi.
 * Extreme Doormat: Pretty much the entire SOS brigade are Haruhi's bitches, but Yuki Nagato and Itsuki Koizumi are the standouts here. Yuki will quietly go along with pretty much anything, and Itsuki is a flat out yes man.
 * Eye Beams: In Sigh, Haruhi keeps coming up with colored contact lenses that each have a different type of eye beam. First is a laser, second is some sort of Razor Floss; Kyon states there are a few more, but the one we're shown shoots large metal spikes.
 * The official English translation mentions four contacts: the blue, for Mikuru Beam; the silver, for Razor Floss; the gold, for the spikes up above; and the green, for miniature black holes.
 * Eyelid-Pull Taunt: The final shot of "Someday in the Rain."
 * Eyes Always Shut: Itsuki, and in some cases, Kyon, as seen in The Day Of Sagittarius.
 * Face Palm: After Picard, Kyon is the best known Facepalmer on the Internets.
 * Fake Band: ENOZ, whose name is a homage to the real band ZONE.
 * Fake Video Camera View: In The Adventures of Asahina Mikuru
 * "Falling in Love" Montage: Parodied without mercy in "The Adventures of Mikuru Asahina."
 * False Camera Effects: Most notably, the first/zeroth episode consists of a simulated student film; but the whole anime has scenes drawn with simulated lens flare, barrel/pincushion distortions and fisheye lenses all over the place.
 * Fan Service: Special mention to episode of season two.  Specific focus given to Itsuki's and Kyon's bodies during shirtless scenes  as well as to Haruhi's and Mikuru's... assets. Also, close ups to the face play up Itsuki's bishonen-ness and the girls' moe-ness (and the entire episode seems to intentionally defy anyone to resist hugging Yuki). To cap it all, there's some Ship Tease all around for Kyon/. (Kyon has reactions to each of the girls' aforementioned Moe facial expressions, and even Itsuki arguably has his bit of ship tease). The episode just screams "intentional gratuitous fanservice."
 * Feel No Pain: Yuki.
 * Then, of course,
 * Female Gaze: Exactly how Tsuruya sizes up Kyon when they meet in The Boredom of Haruhi Suzumiya.
 * Festival Episode: Part of "Endless Eight".
 * Fetish: Kyon admits to Haruhi that he has a thing for ponytails, and encourages Yuki to lose the glasses because he isn't a fan of Meganekko.
 * In one of the novels, he admits to himself that Mikuru's maid outfit is his favorite one and wonders if he has a maid fetish.
 * And later novels he subverts this trope by noting he finds seeing Yuki in her uniform especially comforting, but not because he has a sailor uniform fetish.
 * Figure It Out Yourself: Both Mikuru Asahina (big) and Yuki Nagato give Kyon very incomplete information about  Kyon puts both clues together at nearly the last minute to do just so. Justified to some extent because both Asahina and Nagato are constrained by rules.
 * Filler: In the books, "Endless Eight" was a brief story that lasted about 30 or so pages and the time loop was broken without the reader seeing any other repeats after . In the anime, it's eight episodes of near-identical footage and dialogue, reanimated from scratch every single time (which in turn angered those who viewed the affair as a waste of money and season).
 * You can just skip episodes 3-7 of second season and literally miss nothing.
 * Hell, Star Trek managed to do the exact same plot in a single episode and nobody complained it was too short.
 * While this doesn't make it excusable, if you assume they were planning to do Disappearance as the movie all along, it starts to make a bit more sense. Both seasons of the anime put together cover literally everything that happens before the Disappearance novel, so they needed about that much filler to squeeze out a full-length "season" - otherwise season 2 would have only been 7 or 8 episodes long.
 * First Kiss: The climax of season one.
 * First-Name Basis: Kyon refers to Haruhi by her first name, no honorific extremely soon after the SOS-dan's founding, and she's the only one to call him by just his nickname, no honorific. Also notable is that Yuki never, ever refers to Kyon by name, only "you". Neither does Koizumi.
 * Also significantly, Haruhi's the only person that Kyon addresses by first name and no honorific.
 * In the student film, the characters are supposed to refer to each other by first name, but the actors sometimes flub their lines and use last name.
 * End of the Disappearance movie (not the novel): "I'm sorry, Nagato...Yuki." However, it's unclear if he was using her name or simply pointing out the fact that it had started snowing.
 * First-Person Smartass: Kyon, in an combination of his Deadpan Snarker and Narrator roles.
 * First Time Feeling: In Disappearance, Kyon discovers that Nagato.
 * Five-Man Band: Lampshade hanging, Haruhi purposely creates the club to her expected stereotypes.
 * Although, it should be noted that the roles change depending on the point of view. According to Haruhi, she is The Hero, Yuki is The Smart Guy, Koizumi is The Lancer, Kyon The Big Guy, and Mikuru is obviously The Chick. But for Kyon, Yuki is The Big Guy (and to an extent, his Lancer) and Koizumi is The Smart Guy. (The rest of them stay the same.)
 * Koizumi once says that he's pretending to be the agreeable Yes-Man everyone sees because he knows it's part of Haruhi's ideal.
 * Flash Back: For example, after the SOS brigade finishes the movie, we see what happens right after Haruhi meets Kyon at the end of Melancholy Part VI.
 * Flash Step: Done by Yuki twice to stop Mikuru's eye beams.
 * Foreshadowing:
 * Episode 00 has.
 * Kyon makes an offhand comment in Novel 11 that Koizumi is the last member of the brigade you would want to see angry.
 * In one early episode (chronologically, not the broadcast order) Yuki mentions that Haruhi would never belive Kyon if he told her about Yuki
 * In the third novel/first series story "Remote Island Syndrome," Haruhi notes that it's better to go to an island in the summer, because you can't get caught in a blizzard unless it's the winter, with Kyon even noting that isn't something to hope for. Sure enough, in the fifth novel, they visit the mountains in winter and get caught in a blizzard.
 * For Science!: Studying Haruhi? Okay. to see how she'll react? Ooookay...
 * Forgot the Call: There are scenes that indicate that Haruhi is up against a mental block as opposed to just being totally clueless.
 * Fortune Teller: Yuki in "Live Alive". However, as Kyon points out, she doesn't understand the difference between telling somebody their fortune and predicting their future; for example, she tells someone that he'll drop his ice cream in ten point three minutes.
 * Four-Temperament Ensemble: All in Haruhi combined! It's... totally awesome.
 * Fourth Wall Psych: In The Movie when Kyon asks a question to "the world".
 * Freeze-Frame Bonus: In the first part of the two-episode island mystery arc, there's a shot of the sunset, and then a wave passing over the beach. Pause in the two or three frames before the wave crosses the screen, and you'll see a bizarre sketch in the sand of...something. Haruhi? A caveman? Itsuki in a bikini?
 * Frickin' Laser Beams: For the most part averted; nobody is able to dodge them and they're even invisible! Completely averted if you can believe Yuki can run at faster-than-lightspeed to block them (and she probably can).
 * Frothy Mugs of Water: Underage drinking is a big no-no to the Japanese (or at least depictions of it are). In the Sigh novel, Mikuru was slipped tequila; the anime changed this to amazake, which is seen as alright to give infants, which makes Mikuru seem much, much worse at holding her liquor (not that she wasn't already bad in the original).
 * In a rare inversion, the English Dub actually changes it to sake.
 * InBoredom the ''Remote Island Syndrome" segment has the entire cast get very drunk twice (with the possible exception of Yuki). The anime adaptation cuts this out entirely and drags Kyon's little sister along just to make sure everyone stays on their (relative) best behavior.
 * Funny Background Event: while Haruhi is talking about how she doesn't see the point in love, there is a brief cut to a random scene outside where a male student helps out a female student with something, and it's all very flirty. Later in the episode, there's another brief cut to where the female student shoves the male student to the ground and runs away.
 * Multiple in "Live Alive":
 * Two TV personalities "Hard Gay" and Akihiro Miwa grab Kyon as he's walking through the halls.
 * When Kyon is leaving the building at the festival, there's a mom getting a balloon for her kid. The kid protests, and the mother threatens to leave the kid behind.
 * The two uninjured ENOZ members can be seen running past in the foreground. Not really a background event, but it's very brief and it happens while the main characters are talking. And, even earlier on, all four members of ENOZ can be seen arguing with the student council representative in the background, as shown up close in the flashback later in the episode. Talk about attention to detail.
 * Fun Size: Tsuruya-san's fan interpretation, Churuya-san.
 * Now Haruhi-chan as well.
 * Achakura, Ryoko's (still psychotic) but barely two-feet-tall incarnation from Haruhi-chan, is notable in that she's tiny compared to the rest of the heavily chibified cast.
 * Fun with Acronyms: SOS Brigade stands for  Sekai wo Ooi ni Moriageru tame no Suzumiya Haruhi no Dan, or Haruhi Suzumiya's gang whose purpose is to greatly enliven the world. To maintain the joke, the fansubbers and the official manga and light novel, gave this as  Save the World By Overloading It With Fun -- Haruhi Suzumiya's Brigade, while the official dub translated it as  Spreading Excitement All Over the World with Haruhi Suzumiya's Brigade.
 * Of course, the Fan Nickname is Slaves of Suzumiya.
 * Future Imperfect: Asahina sometimes does this. For example, she comments on Koizumi's telescope being "not very different from Kepler's."
 * This particular example could actually make sense, who knows how future telescopes work? In Asashina's time they might use non-optical telescopes, or more conventional telescopes built into contact lenses, or even simply direct the visual input into their minds. From this point of view, there is little difference between two cylindrical telescopes with glasses, and only half a millennium's development between them.
 * Gag Sub: The Adventures of Nagato Yuki
 * Gainax Ending: The final chapter of Surprise is the most confusing one yet.
 * Gainaxing: Poor Mikuru. Particularly noticeable in the opening.
 * Generic Cuteness
 * Genki Girl: Haruhi, as well as minor character Tsuruya.
 * Genre Busting: It's depicted as Sci-Fi, come on...
 * Genre Savvy: Haruhi insists on seeing Genre Tropes everywhere, even where they might not have existed; in a completely different way, Itsuki attempts to "appease" Haruhi by providing textbook, predictable examples of tropes. Haruhi does not do "predictable", so these tend to mutate.
 * Girlish Pigtails: One of Haruhi's haircuts. Also, Mikuru in her waitress outfit.
 * Girl with Psycho Weapon:.
 * Giving Someone the Pointer Finger: Sometimes played straight but also used to reference Phoenix Wright: Ace Attorney.
 * Or just outright parody Phoenix Wright, down to the dramatic speed lines.
 * A Glass of Chianti: The Computer Club President during the Deep-Immersion Gaming. Also Haruhi in the manga, when describing the importance of Moe. A glass of grape juice, that is.
 * The Glasses Gotta Go: Yuki Nagato, of course.
 * God: Or something similar...
 * A God Am I: subverted and/or reversed:
 * Godly Sidestep: Kyon asks Nagato, after treating with beings that are effectively ghosts of alien lifeforms, what happens after humans die. Her answer? Information classified.
 * Go Mad From the Revelation: Nakagawa in "Love at First Sight", who
 * Good All Along:
 * Gratuitous English: This trope is mostly invoked by Koizumi. Probably the most ridiculous is his line in "Endless Eight": "Perhaps grab her from behind, and whisper 'AI LAAV YOU' into her ear."
 * Kyon tends to speak English a lot too, mostly in "Endless Eight" - highlights are exclaiming "Excellent!" upon seeing Mikuru in a yukata, and his hilarious outburst of "Three days!?" when Haruhi tells him how long it took her to finish her summer homework.
 * Groundhog Day Loop: "Endless Eight", in which the SOS Brigade gets stuck repeating the same two weeks of summer vacation nearly 15,500 times and suffer from severe deja vu throughout -- except for Haruhi, who remembers nothing, and Yuki, who remembers everything. The anime adaptation makes you feel it too, dragging the short story out beyond 15,500 and into eight repetitious episodes.
 * Groundhog Peggy Sue: See above. An interesting variation in that.
 * Hands-Off Parenting: All characters' parents are so absent, they're not even mentioned. Yuki lives alone, being an alien, Itsuki's and Mikuru's parents are never shown, though presumably them being secret agents has something to do with their surprising amount of free time. Even Ordinary High School Student Kyon is at home with his sister, but his parents are never seen. In the novels, we do hear about Kyon's mom now and then though. Haruhi's mother is mentioned very briefly in the beginning of Astonishment, where she's explained to be a Lethal Chef.
 * Have We Met?: Haruhi casually asks Kyon this in their first conversation. So it's really a case of Have We Met Yet?. There's a similar time-travel paradox in the first meetings of Kyon and Mikuru:
 * Have I Mentioned I Am Heterosexual Today?: Kyon launches into a paragraph-long example in Disturbance to dispel some of the Ho Yay that had been accumulating.
 * Head Desk: Kyon can be seen doing this in the opening theme song, Bouken Desho Desho, cementing his Only Sane Man role in the SOS Brigade.
 * Healing Factor: Yuki.
 * Heel Face Return: Ryoko in the tenth novel.
 * Heel Face Turn: In the tenth novel,
 * Haruhi has one in Sigh after Kyon makes her realize that what she had done to Mikuru is a potential Moral Event Horizon on her part. Said MEH thus becomes either a subversion or an inversion.
 * Heel Realization: Arguably Haruhi in Sigh when Kyon calls her on her treatment of Mikuru. After that incident, she is much more consistent in her Pet the Dog moments and less consistent in her Kick the Dog moments.
 * Kyon has one in Disappearance where he realizes that
 * Heroic BSOD: Kyon is positively distraught in Disappearance when he finds
 * Heroic RROD:
 * Kyon has one in Disappearance where he realizes that
 * Heroic BSOD: Kyon is positively distraught in Disappearance when he finds
 * Heroic RROD:
 * Heroic RROD:


 * High School Hustler: Haruhi has gotten away with hijacking the literature clubroom, blackmailing the Computer Club President into giving a computer away for free by having him grope Mikuru, dressing as bunnies, submitting her film to the culture festival with the applications already closed...
 * Homage: One scene plays out as a blatant Shout-Out to the Ace Attorney series, complete with all the epic finger pointing, speed lines, and character sprite animations. This video demonstrates.
 * Hostile Show Takeover: The entire plot of Disappearance.
 * Of course,
 * How We Got Here: The movie.
 * Human Aliens: The Interfaces...whatever they actually are.
 * Humans Are Special: Humans apparently are the only organic lifeform that can actively seek knowledge and continuously advance themselves.
 * I Am Who?: . Kyon also occasionally discusses or invokes this trope when thinking about his own role.
 * : In The Disappearance of Haruhi Suzumiya, Kyon is given the opportunity to The offer comes complete with, but in one of the most moving inner monologues in the series,
 * Identical Grandson: In the manga,
 * Idiosyncratic Episode Naming: Every book, video game, and full-length album is entitled "Suzumiya Haruhi no ___", or "The ___ of Haruhi Suzumiya".
 * Idiot Hair: Taniguchi.
 * If You Ever Do Anything to Hurt Her...: Disappearance!Asakura to Kyon regarding Yuki. See the extra note under This Is Unforgivable.
 * I Just Want to Be Normal/I Just Want to Be Special: The series plays with these tropes in a pretty elaborate manner.
 * Kyon spent his childhood dreaming about having supernatural powers or hanging out with people who did, but he says that he got over it and now he just wants to be normal.
 * Haruhi lived a happy childhood until she discovered that her life was ordinary, and then decided that she would become an extraordinary person, or find extraordinary beings like aliens, time travelers, espers or sliders. She creates the SOS Brigade with that latter purpose.
 * Kyon and Haruhi are foils to each other when it comes to these tropes.
 * is a pretty straightforward case of I Just Want to Be Normal.
 * Image Song: The amount of additional music done for the show is staggering, rivaling Mahou Sensei Negima. 16 character albums, 4 soundtracks, 3 drama CDs, 8 combination soundtrack and drama CDs that shipped with one of the DVD versions, a live concert, and an orchestral concert. All this for just 28 episodes!
 * Not to mention that four of the character albums are for characters who are either spectacularly insignificant or appear in very few episodes.
 * Now that a second set is being released, let's just list all the characters covered:
 * First set: Haruhi Suzumiya, Yuki Nagato, Mikuru Asahina, Tsuruya, Ryoko Asakura, Kyon's sister, Emiri Kimidori, Itsuki Koizumi, and Kyon.
 * Second set: Haruhi Suzumiya, Yuki Nagato, Mikuru Asahina, Itsuki Koizumi, Kyon, Tsuruya, and Taniguchi.
 * Important Haircut: Haruhi cuts her hair after meeting Kyon, about the same time she changes from being antisocial to being outgoing and happy
 * Before that, she changed her hair based on the day of the week, with a full-blown explanation as to why.
 * Haruhi can sometimes be seen holding her hair in a ponytail after  with the most obvious example being   In fact, at one point, when deciding on whether or not to put Mikuru's hair in a ponytail, Haruhi
 * Improbable Age:
 * I'm Taking Her Home with Me: Tsuruya says this about Mikuru in Sigh.
 * Then they actually go to Tsuruya's house to do a scene.
 * Incest Subtext: Though Kyon is most definitely not attracted to his sister, he is attracted to Mikuru, and at least six times, he pointed out how similar she is to his sister, causing an inverted example of the trope. (He also sees simularities between Haruhi and his sister as detectives.)
 * Inconsistent Dub: An incredibly minor example, but when watching seasons 1 and 2 together in chronological order, you may notice that while the season 2 episode "Bamboo Leaf Rhapsody" uses the term "Tanabata", the season 1 episode "Mysterique Sign" that comes directly after makes references to the "Star Festival" instead.
 * Indecisive Medium: The Anime went out of its way not to show Kyon's mouth during his monologues, to keep the uncertainity from the novels, where you could never tell if he was saying something out loud, or just thinking.
 * Indirect Kiss: In Sigh, Mikuru shows some rare outgoing qualities by offering Kyon a drink from a water bottle that she already drank from, and Haruhi grabs it before Kyon can. Subtextual meanings runs rampant among fans.
 * A straight example at the end of the last episode of Sigh, when they flashback to when Kyon talked to Haruhi at the cafe in May - Haruhi finishes Kyon's drink shortly before storming out.
 * Info Dump: Lampshaded. Yuki, Mikuru and Itsuki lay these down on Kyon, who usually responds by pointing out that he doesn't understand, or just facepalming.
 * Itsuki in particular loves these, and seems to take pleasure in cornering Kyon for a few pages' worth of exposition.
 * Inner Monologue: Loves to edge on Did I Just Say That Out Loud?.
 * Invisible Parents: There are some parental figures, like the various adults in the island episode, but none of the characters' actual parents are ever seen. Yuki, of course, has no parents (in the human sense anyway) and Mikuru's probably haven't been born yet, but Haruhi and Kyon are implied to have parents...who never show up, (Kyon's mother is never directly seen or heard, but often referenced, and his dad is mentioned once) and never seem to say or do anything that affects the plot.
 * Invoked Trope: Woobie, Absurdly Powerful Student Council and a few others.
 * It Amused Me: Arguably the reason Haruhi does anything.