The Giver



A Newbery Medal-winning young adult novel by Lois Lowry. Known for its expertly merciless Deconstruction of the Utopia, The Giver incidentally provides an introduction to the Dystopia genre for grade-school readers for whom some of the bits of Nineteen Eighty-Four and Brave New World would be a bit too saucy.

In 2014, a film adaptation was released, starring Jeff Bridges, Meryl Streep and Brenton Thwaites.


 * After the End: While The Giver implies that the world "evolved" for lack of a better term, into Sameness, its sequel Gathering Blue shows that the world takes place after a major upheaval known as The Ruin.
 * Ambiguous Disorder: Gabriel does not meet typical developmental goals for babies/toddlers. It's vaguely implied that he had some kind of Pervasive Developmental Disorder. Note that when the book was written, PDD and Autism were thought to be much rarer than they are today.
 * Jonas' slightly goofy, fun-loving friend Asher shows some signs of ADHD such as hyperactivity, impulsiveness, and blurting things out without thinking them through.
 * Bureaucratically Arranged Marriage: All couples are arranged this way.
 * Canon Discontinuity: The two sequels are... there's argument as to whether they really fit with The Giver or not, with Lowry not giving a concrete answer.
 * The Chosen One
 * City in a Bottle
 * Color Coded for Your Convenience: Blue (or at least "pale") eyes are linked to the special Receiving ability.
 * Conditioned to Accept Horror
 * Crap Saccharine World: At first, the Community may sound like an ideal, orderly place to live in, no? Then you realize that you're not able to feel emotions, see colors, choose your own jobs or even spouses, and worst of all,
 * Cult: Close enough.
 * Culture Police: Totally unseen, but therefore all the more creepy.
 * Deadly Euphemism: "Released".
 * Deconstruction: The Giver is actually a Deconstruction of utopias and their necessary maintenance. In the slow revelation of the underlying rules The Community is built upon, it becomes apparent that played realistically utopias may become dystopias of their own.
 * Deliberately Monochrome: Use by the government, as people have be (presumably genetically modified) to be unable to see colors.
 * Disproportionate Retribution: A Pilot-in-training is Released to Elsewhere for a navigational error.
 * Dystopia: In disguise.
 * Erotic Dream: Jonas' dream of his "favorite female friend," Fiona, which prompts his mother to start giving him the pills.
 * Eternal Recurrence: The Gathering in Gathering Blue is the time when everyone is told how the world ends, rebuilds, ends, rebuilds, and ends over and over again, and will continue to do so in the future.
 * Everyone Calls Him "Barkeep": The Giver's real name is not revealed.
 * False Reassurance: The language of the Community is full of doublespeak and euphemisms - although what that means in a community that literally has no way of knowing it is left as an exercise for the reader.
 * First Time in the Sun: Among the memories Jonas gets from the Receiver is one of the sun, suggesting it's somehow filtered out.
 * Gainax Ending:
 * One fan theory says that
 * One theory received by Lowry from a reader was that
 * It is hinted in Messenger that
 * According to Lowry, this is deliberately tied in with the mention near the end of Gathering Blue that
 * There's also the fact that in Messenger,
 * This was finally addressed via Word of God at the author Q&A of the 2009 National Book Festival in Washington, DC. After asking whether or not anyone had any questions, Lowry added,
 * Government Drug Enforcement: Aside from the usual birth control pills, people are given painkillers for every little hurt, to keep them from feeling even that most basic of emotions, pain.
 * Grammar Nazi: Proper and precise word use are important in The Community. Jonas was punished for hyperbole when he claimed he was starving. He was also asked to use less vague language when he asked his parents if they loved him. Young children are not given an exemption: one toddler is beaten for saying "smack" instead of "snack", and for a time refuses to speak at all.
 * To clarify, he asked for a "smack," and received it.
 * Instrumentality
 * Happiness Is Mandatory: Well, actual happiness might disrupt things with excess energy, more "Quiet Contentment Is Mandatory."
 * Heroes Want Redheads: Our protagonist Jonas has his Stirrings on Fiona, who has red hair.
 * How Do You Like Them Apples?
 * Karma Houdini: Jamenson in Gathering Blue manipulates the protagonist and had  His punishment? Nothing, he gets off scot-free.
 * Meaningful Name: Ophelia in Hamlet reminds us that "There's [R]osemary, that's for remembrance" - is it any wonder the community banned her name after what she did to them?
 * Also, "Asher" means "happy."
 * Mind Screw: The ending left a large number of readers hopelessly confused, especially the younger ones.
 * Multiple Demographic Appeal
 * Never Say "Die": Nobody *dies* in the Community, they are "released" - or in rare cases, "lost".
 * No Blood Ties
 * Averted in that the reader is meant to assume, when the Giver reveals that And, when you think about it, male genetic DNA has to come from somewhere...
 * No Sex Allowed
 * Nuclear Family: All of them, without the dog.
 * Occult Blue Eyes: Having blue eyes, or at least light as opposed to dark, is very rare in the community in which the book is set, and seems to be a sign that one is capable of "seeing beyond".
 * Population Control: Every family is allowed two children. If a child dies, the parents either can apply or are simply given another baby of the same gender and given the same name, as a replacement.
 * Released to Elsewhere: Trope Namer.
 * Somewhat played with, as while the trope itself is "mandatory euphemism for death," the premise of the book twists this a bit. Since the Givers contain more-or-less all the community's knowledge, we have no reason to believe that anybody knows that "release" is death, which in turn means they refer to it as "released to elsewhere" not as part of some Big Brotheresque Newspeak, but because they don't know any better.
 * Renowned Selective Mentor: The community only has one titular Giver at a time. Each Giver must choose a child as his successor during his lifetime. The main character Jonas becomes the Giver's student, and he is considered to have a special rank in the community.
 * Science Fantasy / Mohs Scale of Sci Fi Hardness: Everything that happens in the book is mostly within the realm of reality, except for the psychic way memories are passed from The Giver to The Receiver. No science is involved, just physical contact and concentration, implying use of some form of magic or supernatural ability. But in the sequels, especially Messenger, certain people possess "gifts" that are essentially magical powers that perform a set task. There is even a forest that changes itself to reflect the attitudes of the members of a community.
 * There's a lot of weirdness connected to the memory-transferring ability. First of all, it's inseparably coupled with light eyes: you need to have light eyes to have it, and everyone with light eyes can do it. Secondly, while being one is necessary in order to not be colorblind, the Receivers' color vision isn't static: Jonas pretty much only gets it in flashes (and exclusively with red) before he starts his job as Receiver, but the more memories the Giver transfers to him, the more colors he can see and the more consistently he can do so. And it works both ways; after giving Jonas most of the memories, the Giver loses the ability to see color. Either their ability lets them punch through the limitations of their physical sight, or everyone else's colorblindness has nothing to do with how many types of cone cells they have in their eyes, assuming it's controlled by the same mechanism for the Receivers as for everyone else.
 * But don't forget: when Jonas, he can see all colors easily, and retain them. And don't forget either:
 * With the Giver, it's possible that he started randomly humming a tune he came up with.
 * Or he's the only one who could tell that ambient noises in proper rhythm and cadence were pleasant sounding.
 * Sexless Marriage: Every marriage is this, since sexual desires are suppressed by pills.
 * Sinister Surveillance: No one can turn the speakers off...
 * Except the Giver
 * Someone Has to Do It
 * Spiritual Successor: Gathering Blue was consider this to The Giver for several years. It wasn't until The Messenger that the two stories were connected.
 * Town with a Dark Secret
 * Unperson: The Community has removed, the previous Receiver of Memory, going as far as to decree that her name cannot be used for a newchild ever again, after
 * The Voice: The Speaker who makes the announcements and warnings over the loudspeaker.
 * War Is Hell: Jonas receives a horrible memory about war.
 * What Is This Thing You Call Love?: When Jonas learns about love through memories received from the Giver and asks his parents if they love him, they admonish him for not using precise language and say that asking "Do you enjoy me?" or "Do you take pride in my accomplishments?" would have been better.
 * The World Is Not Ready: For the memories.
 * World of No Grandparents: Literally.
 * Writers Cannot Do Math: Poorly-thought-out population control.
 * Each family unit is allowed a maximum of 2 children, the same number of children are born each year and they are all assigned to a family unit. Not all adults have children, and not all family units have the maximum of 2 children.
 * Birthmothers, the only job that allows giving birth, are only allowed to have 3 children each before they become laborers. This would require that at least 2/3 of all women become birth mothers to maintain a stable population, but this doesn't happen at the beginning of the book as the administration is handing out jobs to graduates.
 * Alternatively, the population control is intentionally poorly thought out by the author and points to the fact that the so-called utopia is unsustainable, and will inevitably break down in the future.
 * You Are Number Six: People have serial numbers besides their names. When children behave badly, their parents sometimes call him on their numbers, suggesting that a bad child is not worthy of a name.