Shoot the Shaggy Dog/Live-Action TV

Examples of in  include:


 * The ending of Mortal Kombat: Conquest was very much one of these. The show ends with  Had the series not been inexplicably cancelled, however, this would have been reversed.
 * Law and Order: all of them, but especially SVU - loves this trope. The more anvilicious they can make it, the better. Usually happens to their Victim of the Week, but bonus points if it wreaks further havoc on the detectives or resident DA.
 * The Corner, by The Wire creator David Simon, is one big grimfest.
 * Although each season of The Wire ends with successful convictions of drug dealers, it becomes progressively more and more clear with each season that the best the police can do is sweep up the low-level boys. Everyone sufficiently high up is untouchable, and American social and political systems make effecting actual change impossible. In the final episode,.
 * In spite of his Roaring Rampage of Revenge, never gets the chance to kill Marlo, nor does he make any significant impact on stopping the flow of Stanfield goods onto the Baltimore streets. He gets ). This was arguably deliberate on creator David Simon's part, as he wanted to show that being the most feared vigilante in the city doesn't mean much, and the character ultimately realizes how futile his struggle is in the scene prior to his death.
 * The first episode of Blakes Seven has the one lawyer on the planet who actually cares about the truth investigate Blake's frame job and get painfully close to unravelling the whole thing, when government guards simply gun him and his girlfriend down. It was a deliberate attempt to frame the entire series by demonstrating the spirit-crushing government's resolve, and it worked brilliantly.
 * The last episode of Blake's 7 was an even bigger Shoot the Shaggy Dog moment,
 * Hell, the whole of Season 4 (the last season) was spent shooting shaggy dogs. They barely accomplish anything except survival -- . All the episodes are dedicated to tearing them apart -- everyone around them dies, they lose important people, Avon's grip on sanity gradually weakens...
 * Doctor Who's third season finale manages to do this with the entire future of the human race (Long story short: ); This occurring two episodes after it was described as "indomitable", thus rendering said episode spectacularly moot. To really rub salt in the wound, the events that caused this are explicitly not covered by the Reset Button that later follows.
 * In the original series episode "Caves of Androzani", while the Doctor manages to save Peri, the rest of Androzani Major and Minor go completely to hell because of a chain of events that was started by the Doctor simply being there and ended with every main character dying pointlessly. The entirety of these places were so riddled with corruption that it just took one thing to make everything collapse. Particular examples of this hopelessness include Stotz killing the rest of his crew and Sharaz Jek, moments after getting the revenge that the war this episode centered around was started because of, is shot in the back.
 * This could pretty much sum up much of the Fifth Doctor's career. He had a tendency to not save the day.
 * This goes back even to Logopolis, his predecessor's final story (and the first in which he appears) where a significant proportion of is . Although insignificant on the scale of such an unbelievably cataclysmic event, the region destroyed includes, thereby almost immediately rendering all the events, people and struggles in  dramatically null, void and pointless. (The fact that this is only obvious when you stop and consider it suggests that this was a side-effect rather than dramatic intent on the part of the writers).
 * An episode of Star Trek: Voyager, "Course: Oblivion", has the crew discovering that they -- along with Voyager itself -- are in fact clones of the real crew and ship, having been brought into existence in an earlier episode, and now they're falling apart. They spend the episode dying one by one and unsuccessfully trying not to die, until the whole thing finally falls apart, kilometers from the real Voyager, which is totally unaware of what has happened. Arguably the most depressing part comes when, desperate not to have their existence be in vain, they create a log of their exploits and launch it into space, where it gets destroyed seconds later.
 * Especially depressing because the probe is destroyed during its launch. If they'd just left it sitting somewhere it would have been fine once the ship dissolved around it. Basically the Idiot Ball shot the shaggy dog.
 * This could apply to the whole third season of Supernatural. Sam tries so hard to save Dean from eternal torment and gets increasingly unhinged, Dean more or less gets over his suicidal nature and tries hard himself because he's terrified, they both bring the crazy, clingy panic in spades and in the end,
 * Also in "Mystery Spot" when Sam watches Dean die over and over, and once he thinks Dean's safe,
 * In the new Battlestar Galactica series, the mid season finale has the humans and the Cylons rebels in a Mexican Standoff with each side threatening to execute prisoners. It takes some work and some tough choices, but in the end, both sides agree to back down, set aside their differences, and to face the future...together. And together, they finally, finally find Earth, which cues the heartwarming music and the celebration montage. The ships enter the atmosphere of their new home after years of searching and finally... they find out that Cue a Panview of all the main and secondary characters standing and wandering around in shock, no doubt wondering "What the frak do we do now?"
 * The impact of this
 * Babylon 5
 * Confessions and Lamentations is a borderline example of this: At least he managed to save  . Also at least, this loaded an enormous Chekhov's Gun (which wasn't fired until the following season, in 'Matters of Honor').
 * Intersections in Real Time has Sheridan captured by his government, tortured and messed around with by a professional so he would confess that his seditious acts were due to being alien influences. In one scene they brought in a Drazi prisoner who they beat into confessing his involvement, but Sheridan convinces him not to give in. He's dragged off screaming, but eventually, Sheridan gives his torturer a rousing speech about how every time he refuses to back down, he wins. He's dragged off for what appears to be execution, but it turns out that they were just giving him to another torturer who repeats the same tactics that his predecessor did. And the kicker? We see the Drazi prisoner alive and well, as well as in on it.
 * Then there's Believers, where a young alien is brought to Dr. Franklin to be treated. It's explained to the parents that his condition can be treated with simple surgery. However, the alien's religion strictly forbids surgery, as they believe it will cause the soul to escape the body. Franklin spends the entire episode trying to research alternate treatments and/or convince the parents to allow him to perform the surgery. In the end,  Ironically, Science Marches On and only a few years after the episode was made techniques were developed that would make the cultural conflict moot today.
 * Heroes: DL's death. We found out he was dead in the first episode of S2, for god's sake, but they spent about half of Four Months Ago following him around to show us how. Was it from the bullet wound received in the S1 finale? Nope. Did he die a heroic death rescuing a little girl? No chance. He was killed by some psycho-moron who thought it'd be a great idea to shoot someone in broad daylight in front of hundreds of witnesses for the crime of cockblocking him - that is to say, asking him to pretty please let go of his wife, they're going home now. WTF? Oh, and did I mention the murderer hasn't been mentioned since?
 * The Dana breast cancer plot in season 3 of The L Word. (Arguably the show's shark-jump.)
 * Also all of season 6. In the end it turns out most of the established relationships are shams and Shane and Jenny's relationship is done in with Jenny's murder.
 * Are You Afraid of the Dark?: Many of the Downer Endings, examples include "Super Specs" (the Alternate Universe wins, and the protagonists are imprisoned in a crystal sphere), "Pinball Wizard" (doomed to repeat the game forever, i.e. "trapped in a grim cycle of reincarnation"), "Thirteenth Floor" (Karin goes through all that trouble to escape, only to find out she is one of the aliens and they were trying to rescue her), "The Dangerous Soup" (the demon is Not Quite Dead, and our heroes are once again Locked in a Freezer with it), and "The Chameleons" (Sharon sprays the real Janice, who is then permanently chameleonized, and executed shortly after).
 * Arguably the point, since the Framing Device for each episode is a campfire scary story. They're not supposed to have happy endings.
 * In its original run, the short-lived 1999 comedy series Action ended with the scamming Hollywood-agent protagonist (Jay Mohr) suffering a sudden heart attack, after a day of unsuccessfully shooting his last-chance movie. He dies in an ambulance, after which his new gold Rolex is stolen by medical workers. (He's out of time, you see.) Had the next episode aired, he would've woken up and returned to work, but the show was taken off the air, resulting in a shockingly dark ending to a rather dark comedy series.
 * There was once a planet named Earth. Beginning in 1992, it was attacked nonstop by numerous empires, organizations, and alien invaders- another one stepping in to invade the moment the previous one was defeated. The aliens only ceased their attacks for the occasional invasion by The Legions of Hell, and they both took a break for the occasional time-traveling mafia terrorist or mad scientist dinosaur. No matter who it was trying to conquer Earth, no matter how much was destroyed, defenders always stepped up to defend it, succeeding onscreen until 2008, and then offscreen until at least 2025, when Earth could defend itself successfully even against entrenched invaders, and had become an intergalactic crossroads. And the defenders, the defended, and their children all lived happily- wait, nevermind, everyone not in a specific city was killed by homicidal robots. In case you haven't figured it out yet, the show is Power Rangers, which shoots the shaggy dog in Power Rangers RPM, leaving every previous season ultimately futile.
 * By the end of the 30th century, what is still left of Earth has caught up and barely surpassed the technological levels seen in SPD about Nine hundred years prior 
 * Not to mention in those 900 years the ecosystem still hasn't healed itself and the Earth, for the most part, is still a barren wasteland.
 * It should be noted, however, that RPM itself ultimately ends on an upbeat note, albeit with a hint of The End - or Is It?, and Word of God says it's an Alternate Continuity anyway. No, RPM is Hamtaro compared to Amit Bhaumik's original proposal for what eventually became Ninja Storm. They knew Saban was going to lose the license after Wild Force flopped, and evidently Bhaumik wanted to send with his Hurricanger adaptation a "Screw you, it's over" message to any parties interested in buying it. The plot would involve a split between the veteran Rangers after Zordon's death, with half, led by Tommy Oliver, wanting to spread the Power to as many people as possible, and the other half, led by Phantom Ranger, feeling the Power should be kept to those who already have it. This would already be pretty traumatic to a kid following the franchise, but as the season proceeded, it would see the Rangers getting more and more selfish, losing sight of their purpose of protecting people, until the tensions finally climax in a massive battle between the equally-massive Zord fleets of each side... and when the dust settles, it would be revealed that the planet Earth was caught in the crossfire and left completely and utterly devastated. Yes, that's right, the Rangers themselves destroy the world. Then the series (and franchise) would end. And it would all be completely in-continuity. Sweet dreams, kids...
 * Buffy's sixth season runs on this trope, most particularly in the storylines ending with.
 * Even more particularly, the Nerds drug Buffy, she has a hallucination that she is in an insane asylum being treated for her delusions that she lives in Sunnydale, she is the Chosen One, she has The Power of Friendship and she fights supernatural monsters. Throughout the episode, we assume that the Sunnydale scenes are real within the context of the Story and the Asylum scenes are hallucinations. Near the end, Buffy is about to kill her "imaginary" friends, but the potion wears off Just in Time. The finale is back in the Asylum. Mad!Buffy has had a relapse. Doctor and Parents sadly leaves her cell. The sad implication is that Buffy really is mad and we have spent 6 years of our life watching insane delusions.
 * Not true. Joss Whedon invoked Word of God on this one via the DVD commentary. He stated that the whole episode was open to interperetation, but also made a clear point of saying that HE PERSONALLY BELIEVED THAT THE ASYLUM SCENES WERE HALLUCINATIONS.
 * Many fans of Eastenders felt that the Ronnie/Danielle storyline was an example: Danielle is Ronnie's long-lost daughter, Ronnie doesn't know, complications go on for months until Ronnie finds out, and just as they're about to finally embrace as mother and daughter
 * Arguably the same could apply to most soap opera deaths. Another example from Eastenders involves Sharon and Dennis, who spend years fighting for their happy ending. Then, on New Year's Eve, after Sharon finds out she's pregnant with their first child (after believing it was medically impossible for her to get pregnant).
 * The story of Jack Holden on Home and Away. After a long series of breakups remarriages and other crises with his soul mate Martha, he abruptly gets shot dead, right when she's only just recovering from her battle with breast cancer and the loss of her baby. Not only that, but he gets shot by a fellow cop who he has been following, believing to be corrupt. Angelo accidentally shoots him, thinking he's the crooked developer come to kill him. The kicker is that a few months later Angelo has been cleared of murder charges and is now a series regular.
 * The penultimate episode of Dollhouse season two.
 * During the first season of 24, Teri Bauer is kidnapped by a man she believes is a close family friend while looking for her daughter. She gets rescued several hours later by her husband, and then learns at a hospital that she's carrying Jack's child. When she gets put into a safehouse with her daughter, she's forced to run after an assassin kills all of the security protecting her - an act which culminates in her and her daughter being run off the road, and her believing her daughter died. Teri goes wandering around for hours (while suffering from amnesia) until she finds an ex-boyfriend she was with when she was separated from Jack, and they are eventually rescued. Near the end of the day, she even gets to reunite with her daughter (who isn't dead). Yet, in spite of all this, Teri is unceremoniously killed after snooping around CTU and discovering what had done over the course of the day, making her entire character arc pointless.
 * At the very least, Teri was a Character As Plot Device. She was killed off to demonstrate that the writers were not afraid to kill off any character, no matter how attached other characters or how much time the audience had invested in their adventures. They followed through on that, killing off, among others,  in season 2,   in season 3,   in season 5,   in season 6,   in season 7 and   in season 8. Being close to Jack Bauer or   greatly increased a character's likelihood of death in 24, but not as much as being a terrorist.
 * In season 4, after 12 hours of character development with President John Keeler and his son onboard Air Force One, it's hit with a missile and shot down over the Nevada Desert. The son dies, John is last seen in critical condition, and neither of them are ever mentioned again.
 * By the end of the eighth season, most of the supporting (and even main) characters are screwed out of anything resembling a victory. While Jack gets a Bittersweet Ending by exposing the conspiracy (albeit, at the cost of having to flee the country and leave his friends and family behind), President Taylor is so ashamed of her part in the day's events that she decides to resign when it becomes clear that everything she did (including trying to forge a fraudulent peace) was unbefitting of a leader. President Omar Hassan is still dead. Suvarov (if what Charles Logan did is anything to go by) will likely be pardoned by his successor, even though he was the one who orchestrated most of the events of the final season.
 * To top it off, Renee Walker, arguably Jack's last chance for love and happiness, is, and a post Season 8 scene reveals.
 * Quantum Leap - Sam spends the entire series improving the lives of everyone he leaps into, even, but Word of God (literally, it's just white text on a black screen) says.
 * According to Al the Bartender, this is because . Of course, things may have been different, if only someone told Sam that he was married.
 * In The X-Files, the plotline about Mulder's sister Samantha.
 * Given that Mulder's reaction to this is  this might not apply. The ending to the series, however, does:
 * Happened so frequently on The Outer Limits Revival that the trope Cruel Twist Ending was originally known as Outer Limits Twist.
 * You could say this about Derek Reese in The Sarah Connor Chronicles. After a near season of not being allowed to do anything and being sidelined by Sarah all the time, he ends up pointlessly dead for his time traveling troubles. Only to show up a few minutes later after John travels to the future...so this trope is subverted by time travel.
 * Wesley's arc in Season 3 of Angel. He finds a prophecy that he believes states that Angel will kill his son. So he kidnaps Angel's son, but he gets attacked and his throat cut and nearly bleeds to death. Meanwhile, Angel's son is taken, Wesley barely survives, loses all his friends, and   To top it all off, we find that   and Wesley's sacrifice was for nothing.
 * In The Vampire Diaries
 * Quite a few episodes of Homicide: Life on the Street, but most especially.
 * Scrubs has done this a few times.
 * In Dragons: A Fantasy Made Real, the first part of the Speculative Documentary follows
 * The Shadow Line: Joseph Bede reluctantly steps into the shoes of the drug baron he worked for (who's just been killed) in order to do one last big deal so he can get out of the drugs game and devote his life (and the money) to caring for his dearly beloved Alzheimer's-ridden wife. He sets up the deal, but his carefully-laid plan goes wrong. By risking his life in a game of Xanatos Speed Chess he manages to put it right. Finally the deal is concluded, and Bede prepares to end the game once and for all by getting ready for an attempt on his life which he knows is coming. Just then his wife attempts suicide, is compulsorily taken into care and tells him to forget her and move on. Unable to face this, Bede gives up and just lets his killer get on with it.
 * Also, in the other main plot thread, policeman Jonah Gabriel follows the long and complex trail leading from the initial murder investigation to a huge conspiracy involving senior police officers and drug traffickers, in the process overcoming his amnesia and unravelling the strange events he had forgotten (not to mention almost getting killed). Finally, having learned everything, he goes to confront the Big Bad. Knowing that this man is one of the most dangerous killers in human history, he brings along his most trusted subordinate, a skilled markswoman, to keep her gun trained on the villain and shoot him if Gabriel gives a signal. Then she shoots Gabriel instead - it turns out she was in on the conspiracy all the time.
 * The episode "Giant of the Skies" from Walking with Dinosaurs about an Ornithocheirus traveling halfway across the globe enduring varios hardships in order to reach the mating grounds only to have it driven away and eventually dying from starvation and exuastion, and it never got to mate a single time.
 * In the second season of Lexx, the crew jumps into the Light Zone and inadvertantly gives a crippled being named Mantrid the ability to self-replicate and produce millions of copies of his robotic arms (which end up assimilating entire races and planets). The crew has adventures on different planets throughout most of the season (which are then immediately eaten by Mantrid's robot arms, rendering all the development of the supporting characters pointless). By the end of the second season, the crew is forced to destroy Mantrid, but its too late - the Light Zone is destroyed (caused by all of Mantrid's drones collapsing the universe into itself by all congregating at a single spot) and the Lexx is spit back out into the Dark Zone. By the end, the only thing that's changed is that an entire universe of people and planets have been destroyed, as well as several main characters (including Lyekka and the original Zev).
 * The third season also does this. The crew wakes up after being in cryostasis, only to discover that the ship is low on food and must eat to survive. They come across two planets, Fire and Water, and decide to forego destroying the planets so Lexx can eat. 13 episodes later, after risking their lives many times over (with one main character, Stan, dying and then being resurrected), Stan goes to the Lexx's bridge and destroys both planets anyway, rendering the entire season's plot pointless.
 * For that matter, most individual episodes of Lexx consist of the crew meeting a bunch of weird people who will all be dead by the end of the episode.
 * Red Dwarf: The war between the Cat peoples. They fought a brutal war over whether the hats were red or blue. Lister reveals they were supposed to be green.