Baltimore, or, The Steadfast Tin Soldier and the Vampire



"“Why do dead men rise up to torment the living?” Captain Henry Baltimore asks the malevolent winged creature. The vampire shakes its head. “It was you called us. All of you, with your war. The roar of your cannons shook us from our quiet graves…. You killers. You berserkers…. You will never be rid of us now.”"

Baltimore, or The Steadfast Tin Soldier and the Vampire, is an illustrated novel by Mike Mignola and Christopher Golden, who had previously collaborated on several of the Hellboy horror novels. Going down the paranormal investigator route again, Mignola and Golden succeed in making Lord Baltimore very distinct from Hellboy in many different ways.

Born Lord Henry Baltimore, the titular character was a captain of an Allied squad during WWI. During a suicide mission, he wounds a vampire lord in self-defence, ruining the vampire's face permanently. In revenge, the vampire infects Baltimore's wounded leg with such hideous gangrene that it has to be amputated, leading Baltimore to gain his trademark wooden leg.

The vampire also begins spreading a plague all through Europe with its fellow vampires, which saps the life away from those infected until they are nothing but listless, "gray people". When even his family is killed, Baltimore begins a path of vengeance that takes him all across the globe.

The book mainly focuses on three companions of Baltimore, who have all convened in a tavern in an unnamed city to meet with their mutual friend. While waiting, they each recount how they came to know Lord Baltimore, and just what experiences they had in their life that made them all too willingly believe Baltimore's tale of vampires and curses.

A very dark book, it deals with the atrocities of war and their consequences, specifically on those who fight in them. Yet it is an excellent story, with an ending that is truly poignant.

Mignola and Golden eventually followed it up with a comic book series, which features Baltimore's later adventures, maintaining the novel's dark tone. It is illustrated by Ben Stenbeck, who also drew Witchfinder for Mignola's Hellboy universe.


 * Allegory Adventure - Most of the events that happen in Baltimore's portion are based on the events of the Hans Christian Andersen story of the Steadfast Tin Soldier.
 * Anthropomorphic Personification - Arguably,
 * Badass: Henry Baltimore, without a doubt.
 * Baleful Polymorph - What Doctor Rose encounters during the war that convinces him that Baltimore is telling the truth.
 * Big Bad - The Vampire Lord whom Baltimore calls "The Red King"
 * Big Damn Heroes - During the climactic battle,
 * Church Militant: The Inquisition in the comic, and boy are they militant.
 * Crapsack World: Very much so in Europe, at least, and made epsecially obvious in the comic. The Red Plague has devastated the population, all manner of supernatural creatures have appeared to prey on humanity, and the church has reinstated a merciless inquisition to combat the vampires.
 * Devil but No God - A very strange case of this; over the course of the book it's stated that everything Baltimore goes through is God's way of forging him into a weapon that can stop the vampire plague. Yet besides one monk who tells Baltimore this, we never actually see God (or a representative of his) actually take any direct action against the monsters. This leads to the main characters doing what needs to be done, but cursing God all the while for having to do it.
 * Eldritch Abomination - Though not of Mignola's usual Lovecraft variety:
 * Everything Is Worse With Bears - See Baleful Polymorph above.
 * To elaborate:
 * He Who Fights Monsters - While obviously still good, the experiences Baltimore goes through cause him to become just as otherworldy and threatening as the vampires he hunts.
 * Knight Errant - A rather grim and no-nonsense one, but Baltimore becomes this in his search for the Red King over the years hunting him.
 * Nested Story: see the page's literature section.
 * One-Man Army: Baltimore stops a Zombie Apocalypse single handily.
 * Our Vampires Are Different - For one,
 * : The Sea Captain Aischros
 * Psychological Horror - Standard for a Mike Mignola work.
 * Rage Against the Heavens - The main characters get very angry with God at times, and are very vocal about it; see Devil but No God above.
 * Some Anvils Need to Be Dropped - Though done far more subtly than usual; the whole point of the book is that
 * The Plague: The plague that's overwhelming Europe, which seems to be a supernatural version of the Spanish Flu.
 * You All Meet in An Inn: All three of Baltimore's friends meet in a tavern to wait for him when he summons them together; they spend almost the entire novel waiting and telling each other stories about their pasts.
 * You All Meet in An Inn: All three of Baltimore's friends meet in a tavern to wait for him when he summons them together; they spend almost the entire novel waiting and telling each other stories about their pasts.