Darker and Edgier/Anime and Manga


 * The 1980's remake of Kimba the White Lion by Osamu Tezuka.
 * The original novels that the Slayers anime is based on, while still fairly comical, are far more violent and grim. A particular spell, "Ragnut Rushavna", is gruesome to the point that no other media has had it: The spell involves the victim to be turned into a giant hunk of flesh that is eaten repeatedly by snakes over and over again until the caster of the spell is detained. The characters themselves, other than Lina ironically, are less humorous and blase than they are in the games or the anime.
 * On the flip side, Yu-Gi-Oh! 5D's went the way of Akira in order to achieve Darker and Edgier. In fact, popular consensus among the show's fans is that the sheer spike in Darker And Edgier material in it was a deliberate act to keep 4Kids! Entertainment from Macekreing it... not like it hasn't stopped them from trying.
 * Speaking of Yu-Gi-Oh!, Yu-Gi-Oh! GX went from the brainwashing cult of season 2 to the way darker tone of season 3. It started out with new main characters as usual and a seemingly tame (at least compared to season 2) villain until he gets defeated relatively quickly and then the series gets much darker including the characters, the main character getting tricked into releasing his Superpowered Evil Side and , and the The Man Behind the Man/Stalker with a Crush/Hidden Agenda Villain possessing the main character's best friend. Although 4Kids! Entertainment ruined season 3's dark tone in the dub, watching the Japanese version makes the dark tone obvious.
 * Little known fact: Akira was conceived as a Darker and Edgier retelling of Gigantor.
 * The actual Tetsujin remakes also have a touch of this. While the 1980s version wasn't particularly dark, the look of the series was redesigned to make it less cartoony and whimsical and more like the modern, high-tech Super Robot shows of the day. This ultimately resulted in a rather bland show and it's very telling that when a sequel series, Tetsujin 28-FX came out in the 90s, despite the new robots being even more complex, overbuilt and gimmicky, with transformation and combination gimmicks and such, the original Tetsujin was drawn in the classic style, googly eyes and all. The second remake in the 00s, from the people who brought you Giant Robo, took it in a whole new direction, keeping the cartoonish 1950s visual style and wrapping it around a grim story about war and political intrigue... and a boy detective with a giant cartoony robot.
 * Every adaptation of Read or Die seems to do this. The manga is fairly light-hearted (and the Read or Dream manga entirely so). The OVA has a bit of camp to it, but gets fairly dark, with a Bittersweet Ending. The TV series, R.O.D the TV, manages to get more depressing nearly every episode, but eventually rewards its long-suffering cast with a happy ending. Strangely, they keep improving.
 * Tekkaman Blade is a Darker and Edgier version of an earlier series called Tekkaman the Space Knight.
 * Pokémon Special, a manga spinoff of Pokémon's video game series, has fights to the death for everyone, humans included.
 * Pokémon Re BURST appears to be a much darker variant of the Pokémon manga aimed at an older demographic.
 * Pokémon Diamond and Pearl Adventure is this too. Not in terms of violence, though it has been described as "Dragon Ball meets Pokémon" and is hefty on the fighting, but more-so in the plot.
 * As far as the Pokémon anime goes, Diamond/Pearl and Best Wishes are both noticeably darker and more serious at times than much of what came before it, though the original Kanto season had it's fair share of dark moments as well.
 * Pokémon Zoroark Master of Illusions is definitely this, having easily the most shockingly evil antagonist in the series to date, heaping amounts of Cold-Blooded Torture, and in the entire series.
 * Gate Keepers, while dark in places, ended upbeatly, with the notion that people can stand against The Heartless with The Power of Love and Burning Spirit. Cue Gatekeepers 21, where 20 years later most of the cast is dead and The Heartless are winning.
 * Neo-Human Casshern while not a very kid friendly had a darker and edgier upgrade with Casshern Sins
 * Urasawa's Pluto does this to Tezuka's Astro Boy, showing the grittier side of life in the twenty-first century. This being Urasawa, it works tremendously well as the writing and themes are thoughtful and touching as well as dark and edgy.
 * Arguably a subversion. Urasawa doesn't change the basic plot very much at all, resulting in most of the same major robots dying as did in the original.  What made the story darker was the fact that each robot was actually developed, rather than simply being a collection of powers to be destroyed by Pluto.
 * GaoGaiGar FINAL was much darker than the television show for two main reasons: first, it was an OAV so they could get away with things that wouldn't fly on broadcast television, like explicitly sexual Fan Service. And secondly, it was aimed at a Seinen audience rather than at children.
 * Note however that FINAL is an example of why Darker and Edgier does not necessarily equate with Dark and Edgy. The original show was far down the Idealism side of the Sliding Scale of Idealism Versus Cynicism; the OAVs were just somewhat less so in comparison, and are still pretty darn light and fluffy, especially in comparison to certain other super robot shows which shall remain nameless.
 * The OVA of Magical Play is a much darker affair than the slapstick comedy of most of the original series—up to and including characters dying horrible deaths in big puddles of blood.
 * Mahou Sensei Negima did this intentionally as part of a Genre Shift from a Harem Series to Shounen. The two most obvious indicators of it are the characters' pasts being revealed, and Bloodless Carnage getting thrown out the window. The series still maintains its Fan Service and humor, but breaks them up with increasingly-longer stretches of action and drama.
 * In the same vein as Mahou Sensei Negima, Rosario + Vampire starts off as a typical Harem Series, with a Monster of the Week spin. Then Cerebus Syndrome sets in, the characters' troubling backstories are explored, and by Season II, it's much more action-oriented, with some Deconstruction thrown in for good measure.
 * Martian Successor Nadesico has Prince of Darkness as its Darker and Edgier Title, the plot becomes a moodier and much darker plot of the original series as many a dream is destroyed and it was not well received by fans at all
 * Higurashi no Naku Koro ni utilizes this about every 5 or 6 episodes. Each arc begins with a few gruesome shots of one of the character's deaths, and then proceeds to be lighter and happier for a while, while steadily approaching the doom shown at the beginning of the arc, getting darker as it goes on.
 * Umineko no Naku Koro ni not only follows a similar formula, but also has this trope by actually BEING darker and edgier than Higurashi. At least Higurashi was limited to depicting things that are relatively down to earth. Umineko gives us witches who pretty much do whatever they want, often to brutally graphic extents. One even delights in killing her victims in brutally creative ways, only to revive them and do it all over again. And when they're done with the killing they'll start with Mind Rape that makes Higurashi look like Casey And Friends.
 * In One Piece, the 6th movie, Baron Omatsuri and the Secret Island, the Straw Hats start to separate from each other, due to conflicts the antagonist is creating. The plot also contains some of the biggest horrors, as Luffy's comrades are, the Big Bad's backstory is also different, showing  , the movie's plot is also slightly more complex.
 * Naruto Shippuden/Part II has been increasingly darker than the original series. The main character, Naruto . And not to mention that Shippuden/II has more death, destruction, horrors, and Orochimaru-and later creepiness to show it's much darker and edgier than Part I.
 * Digimon Tamers is an example of this trope done very well.
 * Digimon Savers is also a good example, thanks to emulating the above show.
 * In-universe example in Ouran High School Host Club: Renge's first appearance has her making a video where the normally-cheery members of the club become darker personae, e.g. the Keet becoming a callous bully. It sells well enough to take the club out of debt.
 * Karakuridouji Ultimo seems to follow a zig-zag pattern with this trope and Lighter and Softer. The series started fairly light hearted, and comical, up until the chapter where Ultimo, the embodiment of good, beats up an evil doji into a rather nighmarish pulp while smiling. Then they threw in the main character's best friend turning into a Yandere, the world blowing up, and the entire good cast being killed quite brutally. Once everyone got better in Part 2 of the series, it went back to its original state, but then implied to have  Then Part 3 got even worse, by having the earlier mentioned Yandere   in a rather dark manner.
 * Once in The Seventies, there was a short shonen manga by Kazumasa Hirai and Hisashi Sakaguchi. Its name was Wolf Guy, and it was about the adventures of young werewolf Akira Inugami and his Hot Teacher Akiko Aoshika. Decades later, Yoshiaki Tabata and Yugo Yuuki (the authors of Akumetsu) took the basic concept of this manga and re-made it into a seinen story named Wolf Guy Wolfen Crest - which is full of Gorn, Fan Disservice, etc. Inugami gets almost killed several times, Aoshika-sensei is almost completely broken in all senses, and Big Bad Haguro Dou goes from a mere Yakuza heir to one of the most despicable Complete Monsters in manga.
 * AD Police, the spin-off of Bubblegum Crisis, is darker, more violent and adds some psychological spins to the original series concept. The TV spin-off they produced to this spin-off a decade later surprisingly was closer in tone to the original Bubblegum Crisis.
 * Osamu Tezuka's Black Jack is a rather dark series to begin with, safe for some comedic touches usually provided by Pinoko. Osamu Dezaki's video adaptation in the 90's however takes the darkness to extremes and (for the most part) deletes all hints of humour in the story, opting for high-tension, highly stylized drama instead.
 * Arguably happened to the anime installments of Magical Girl Lyrical Nanoha. The series starts out as an archetypal, formulaic Magical Girl series, but then the first season turns it into more of a serious action series with magical girls. The second season, meanwhile, goes from having no real villains to uncovering a Sealed Evil in a Can cyborg (who ends up being an Anti-Villain anyway). The third season then becomes a straight military series with a little bit of magical girls.
 * The fandom tends to do this. It seems everyone wants it to be Darker And Edgier. Then, there's the popular BetrayerS doujinshi, which literally cranks the darkness and edgy-ness up to 11. Hayate and Nanoha being Lawful Evil. You can get it here.
 * Record of the Magical War Nanoha Force is said to be Darker and Edgier by the writer. And he wasn't kidding. In the 3rd Chapter, we were introduced to Card-Carrying Villain Veyron who introduces himself by killing everyone in a chapel that Touma had visited earlier. We won't see Nanoha fall to the dark side but definitely we will see more people being offed by Belkan weaponry then usual and maybe a few kills with Midchildan weapons. Then, a few chapters later, there's a brutal fight between Signum and the Dark Action Girl Cypha, which involves the latter being partly dismembered and the former, landing in a pool of her own blood with a sword in her gut.
 * And how Touma's device is relies on The Corruption to work, and Lily is a source of death and ruin as she accidentally causes people to degrade to Body Horror like meat blobs
 * Meanwhile, ViviD defies the trend, going Lighter and Softer than even the original series was (So far?).
 * Puella Magi Madoka Magica is very much Darker and Edgier spin on the Magical Girl genre, which is also arguably a Deconstruction.
 * The Darker and Edgier spin for Magical Girl series (with one of the most notables being Puella Magi Madoka Magica above) is actually Older Than They Think. In The Nineties, Shamanic Princess took the Cute Witches Tiara and Lena, send them off in Magical Girl Warrior-type missions... and then headed directly into Psychological Horror, Fan Service and Mind Screw territories, never looking back.
 * Mobile Suit Zeta Gundam was much darker than the original Mobile Suit Gundam and earned the director the name 'Kill'Em All Tomino'.
 * Gundam SEED, to frankly put, was pretty dark for an Alternate Universe Gundam series. You got yourself brutal atrocities committed by both sides which becomes a Guilt-Free Extermination War with very little in the way of clear comic relief. Gundam 00 took this much further, increasing the death toll and toning down the comic relief, making it the darkest alternate universe Gundam...
 * That is, until Gundam AGE unveiled its true colors from episode 14 onwards. Don't let the series' kiddy art designs fool you. While initially masquerading as a children's Gundam series for the first 13 episodes, Add the almost-complete absence of comic relief and the series being set in a Crapsack World that would feel right at home in the Universal Century, and you got a series that somehow manages to surpass SEED and 00 as the darkest AU series yet.
 * Where the Gundam series is concerned, it's sometimes darker and edgier in their side stories, regardless of the calendar. Comic relief aside, the overall progression of arcs, foreknowledge, the ending and themes show that the likes of Mobile Suit Gundam 0080: War in the Pocket and C.E. 73 Stargazer to be less sunshiny than their respective calendars' main series.
 * To a point Gundam franchise in general was darker and edgier in comparison to the other mecha anime around, with the themes, the (generally) Grey and Gray Morality, the various War tropes present and not to forget the fact that the franchise was started by a man known as "Kill'Em All".
 * The Fooly Cooly manga is much darker and more bizarre than the anime its rather loosely based on. An example of this would be.
 * Amazing Agent Luna is becoming this as of Year 2. Not only does Luna undergo TWO Plot Mandated Friendship Failures in the course of Volume 7, but it's hinted from the brief description of Volume 8 at the end of Volume 7 that
 * Fullmetal Alchemist's first 2003 anime adaptation was this compared to the original manga. A lot of characters die who lived in the manga, there are fewer comedic Mood Whiplash moments, people suffer from Angst a whole lot more, the way Homunculi are created is a much darker theme, the overall theme is considerably more cynical, and the ending is far more bittersweet (though still optimistic). The people of Lior get hit the hardest by it, especially Rose. Two words:.
 * Ironically the manga has a lot of dark elements that weren't brought over. The Ishvalan War in the anime was a short Curb Stomp Battle, while in the manga it's full on War Is Hell and a number of chapters are devoted showing how horrible it was.
 * Brotherhood is arguably the darkest installments in the series.Unlike the 2003 version, it showed every dark thing in the mangna and made it worse by having it in color and animated.
 * Among Mayu Shinjo's already very melodramatic mangas, we have Haou Airen. While her stories are full of sex scenes (very often dubcon/noncon) and Fan Service, this is the first one that includes graphic violence. And not always with Gory Discretion Shots included.
 * Front Mission is known for being a war drama, but Dog Life and Dog Style takes it Up to Eleven as it incorporates the grittiness of Red Eyes in a completely uncensored and brutal manner (Which relates the journalist who brings out the uncensored truth). In the first two issues of the manga it starts off showing gruesome death, rape/sex and ultra violence.
 * In Sailor Moon, the villain Queen Nehelenia appeared in two seasons, and the contrast between which is huge. Season 4 was mostly rather light-hearted: there was a pegasus, the villains were campy circus people who were commanded around by a weird old lady, and it focused mostly on Chibiusa; only at the very end there was a real difference. The first part of season 5, however, was entirely different, even breaking with the usual format. There were no monsters of the week, only Nehelenia's nearly indestructible mirror minions. In the course of the arc, Mamoru was brain-washed once again, resulting in Chibiusa almost fading, and all the Inner senshi were taken out one by one, sometimes in very painful manners (like Makoto being electrified almost to death by Nehelenia herself). This arc also brought back the outer senshi, who have a much more cynical approach to these matters... and they also get taken out. Usagi barely manages to win, but before that she has to go through a full-blown Break the Cutie process that almost throws her to the Despair Event Horizon. (And how does she win? )
 * Even more so, the last part of Stars.
 * Fate/Zero is a Darker and Edgier prequel to Fate/stay night -- intentionally so, since the novel's intent is to show just how dark, depressing, and violent the Holy Grail War can be.
 * The Movie installments of Doraemon can easily feels like this, even if Nobita and friends remain good people. One movie deal with the horrid effect Black Magic (in a magical world), which comes from devils (who are aliens). Another deal with the revenge of the Reptilian people evolved from dinosaurs, who want to alter time so humans never exist. Yet another deal with the horrors of war as terrifying aliens invade a utopian planet inhabited by cute humanoid animals. The last one has a particular scene that can't be anything else but traumatic to its supposed audience.
 * THE iDOLM@STER - While the first half of the series was very lighthearted, the second half progressively began to take on darker tones, culminating in 765 Pro's rivalry with 961,
 * The upcoming Lupin III series, A Woman Named Fujiko Mine, seems to be taking this direction, along with big doses of Hotter and Sexier.
 * Also, the movies Dead or Alive and Island of Assassins were surprisingly violent for the anime series.
 * If you thought that Yuu Watase's Fushigi Yuugi Genbu Kaiden was merely Fushigi Yuugi from two hundred years ago... think again. Becaue not only the heroine Takiko comes from a very different time in the real world (more exactly, Imperial Japan during The Roaring Twenties, in contrast to Miaka and Yui who come from the Japan of The Nineties), but the Shi Jin Ten Chi Sho that she roams through is far bloodier and more complicated than the one we viewed during Miaka and Yui's journeys.