Break the Cutie/Film/Animated Films

Examples of in  include:

""This is my home now...""
 * Danny from Cats Don't Dance: He arrives to Hollywood with big dreams and is met with nothing but scorn and cynicism from every other character.
 * Chirin no Suzu. Chirin loses his mother the Wolf King. He spends the rest of the movie, corrupted by his own desire for revenge. Unfortunately, it doesn't end well.
 * The main characters of Grave of the Fireflies are an example of how truly tragic this trope can be.
 * The title character of Midori, a fantastically gory and disturbing 1992 short movie, faithfully based on Suehiro Maruo's manga Mr Arashi's Amazing Freak Show. The film was made almost entirely by one Hiroshi Harada over the course of five years, is the ultimate example of this -- her parents die, she is taken in by a freak show where she is routinely beaten and raped by the workers, and -- well, if not worse, it certainly gets more bizarre from there.
 * Fievel from An American Tail, who suffers disappointment after disappointment as he searches for his family in New York, to the point where he completely gives up trying to search for his family and decides to become a Street Urchin. Cue Gray Rain of Depression as he curls up and cries himself to sleep.


 * In the same manner Littlefoot does the same thing in The Land Before Time,suffering the death of his mother partially by his own doing,then completely separated from everyone else in his herd,then suffering nothing but disappointment from disappointment,eventually he gives up on finding the Great Valley. Luckily, that is exactly when his mother finally shows him the last steps to The Great Valley.
 * 5 from 9 is a very sweet and trusting character, but that doesn't stop him from getting abused. First he loses his eye. And then . And then, right when it seems like everything is going to be all right,
 * The normally cheerful and adorable little she-squirrel in The Sword in the Stone is tragically left heartbroken and in tears when Wart is turned back from a squirrel into his human form.
 * Arguably, WALL-E. Let's see, the main character gets rejected by his love, multiple times, and ends up risking his life to help her; said girl is called dysfunctional, is classified a rogue robot, and watches the robot she finally loves get squashed; and that's not counting the myriad of possibilities in the repair ward.
 * He's still a pretty cheery guy.
 * James and Hilda Bloggs of When the Wind Blows are a nice retired British couple who could be your grandparents. They really don't understand the implications of surviving World War III, so we're going to see them die of radiation poisoning, still believing that the Government will collect them.
 * Susan Murphy of Monsters vs. Aliens. Hit by a meteor on her wedding day, she begins glowing green and turns into a monster, sending everyone she knows fleeing in terror. She's captured by the military and locked away permanently. She's with real monsters who don't understand her. When she finally gets a chance to get out (by facing something out of her nightmares), her fiance rejects her and she's abandoned. Then she's kidnapped by an alien who wants the Phlebotinum that turned her into Ginormica so he can destroy the world. She finally grows a backbone and takes a level in badass.
 * Simba of The Lion King was once a fun-loving and somewhat immature little lion cub who just couldn't wait to be king. The former pic for the trope page (which is now the pic for the Please Wake Up page) is of the poor kid trying to get his father, Mufasa, to wake up after his evil bastard uncle Scar sent him off a cliff to be trampled to death by a wildebeest stampede that his hyenas set off in a dastardly scheme to take the throne of the Pride Lands for himself. And just for added Kick the Dog measure, the son of a bitch then makes Simba believe that he was responsible for his father's death before then encouraging him to leave the Pride Lands and never return, while at the same time sending his hyenas to kill him. It takes a number of years with Timon and Pumbaa, a reunion with his childhood sweetheart Nala, and a fateful meeting with the ghost of his father before he's finally ready to take back his home, and even then, it was only after learning the truth of who was responsible for Mufasa's death that he truly manages to turn things around emotionally.
 * Bambi. He loses his mother and has to live with someone who doesn't seem to care about him at all. He gets better.
 * Tod and Copper, who evolve into a Woobie and a Hero Antagonist through the course of the film. They start out as best childhood friends, and one of them is supposed to kill the other. Tod especially gets it bad; he is abandoned by the only family he knows to live in the forest where he meets some angry critters. He falls in love with a girl fox and makes a fool out of himself in front of her. His best friend blames him and wants to kill him for something that wasn't his fault. The way he got his friend to forgive him? Fight a giant bear and nearly die. And it's implied that they aren't allowed to see each other anymore after that.
 * Happens to Mater in Cars 2 after he discovers that everyone else views him as a clueless ditz, good only at distracting others while real heroes get things done.