Rudyard Kipling



"If you can talk with crowds and keep your virtue Or walk with kings, nor lose the common touch If neither foes nor loving friends can hurt you If all men count with you, but none too much If you can fill the unforgiving minute With sixty seconds worth of distance run Yours is the Earth, and everything that's in it And, which is more, you'll be a man, my son."

- If...

English writer and Nobel prize winner, born in India. These days Kipling is perhaps best known as the creator of Mowgli, star of The Jungle Book, though he wrote many other stories.

Many of Kipling's works, including The Jungle Book, are set in British India, and popularised most of the associated tropes. His other works include some early Science Fiction, while his literary style, particularly indirect exposition, was a significant influence on Campbell, Bertolt Brecht and Robert A. Heinlein.

Kipling's stories include:


 * The Man Who Would Be King
 * The Jungle Book, introduced Mowgli
 * Stalky & Co., Boarding School
 * Kim, novel capping Kipling's India stories.
 * Puck of Pook's Hill and the sequel, Rewards and Fairies.
 * "With the Night Mail" and "As Easy as ABC," SF involving Cool Airships run by the Aerial Board of Control.
 * The Just So Stories, tales written for his children based on Eastern and African myths and folktales.

Poems include:


 * "The White Man's Burden"
 * "If--" ("If you can keep your head when all about you / Are losing theirs and blaming it on you" -- one of his most famous poems, much quoted. It can be seen by players entering Centre Court at Wimbledon.)
 * "My Boy Jack"
 * "The Thousandth Man"
 * "Recessional"
 * "The Three Decker"

He lost a son in World War One and was responsible for choosing two of the common phrases associated with Remembrance in the UK: "Their Name Liveth For Evermore" and "Known Unto God" (on the graves of Unknown Soldiers). And... referred to it in Double Entendre of all ways: "If any question why we died, Tell them, because our fathers lied."

- Epitaphs of the War, "Common Form"

Poems from Kipling, sometimes set to music, are popular references in any military fiction or Sci Fi. His work (as well as that of Tennyson) received a recent boost in public attention after they were quoted by former Illinois governor Rod Blagojevich (ironically enough considering his quote about Chicago that appears on The Windy City trope page).


 * Just-So Story
 * More Deadly Than the Male ("The Female of the Species" poem)
 * White Man's Burden


 * The Jungle Book
 * Just So Stories
 * Kim

"For it's tommy this and tommy that and shuck him out the brute But it's savior of his country when the guns begin to shoot"
 * Affectionate Parody: The Just So Stories is this for various different oral traditions (hence all the repetition), most obviously The Butterfly That Stamped, which is a parody of the Koranic style ("Now listen and attend!")
 * Alas, Poor Yorick
 * Including a rather... unconventional scene in The Ballad of Boh Da Thone.
 * Alternate Character Interpretation: A common trick of Kipling's was to follow up a short story with a poem looking at it from the point of view of a secondary character or villain. The results can be startlingly different -- compare 'The Knife and the Naked Chalk' to 'The Song of the Men's Side'.
 * Author Tract. Be grateful for the common workers and soldiers that hold the empire together, not least the soldiers who, just before Kipling's time had been looked down upon by middle-class British.

"Is the torrent in spate? He must ford it or swim. Has the rain wrecked the road? He must climb by the cliff. Does the tempest cry halt? What are tempests to him? The service admits not a "but" or and "if." While the breath's in his mouth, he must bear without fail, In the Name of the Empress, the Overland Mail."
 * Awful Truth
 * Badass Creed: For Indian postmen in "The Overland Mail" (at night, in the jungle, uphill):

"Now Chil the Kite brings home the night, that Mang the bat sets free The herds are shut in byre and hut, for loosed til dawn are we Now is the hour of power and pride. Talon and tush and claw. Come hear the call, good hunting all, that keep the Jungle Law."
 * For predators in The Jungle Books:

"I could not dig, I dared not rob; Therefore I lied to please the mob. Now all my lies are proved untrue And I must face the men I slew. What tale shall serve me here among Mine angry and defrauded young?"
 * Bad Cop, Incompetent Cop: Not much, but... one meets Cool and Unusual Punishment in Steam Tactics.
 * Bad Liar: The weather in "Danny Deever" is -- odd.
 * Beast of Battle: Parade Song of the Camp Animals
 * Boarding School
 * Chekhov's Gun: Parodied mercilessly in the Just So Stories, specifically How The Whale Got His Throat, in which we are reminded practically every paragraph not to forget that the protagonist wears suspenders (braces). In the end these do play a part in the story (he ties a grate in place with them in the whale's throat) but this is hilariously minor compared to the leadup.
 * City of Spies: Lahore in Kim
 * Creator Breakdown: Kipling was an ardent imperialist. Then his only son died in World War One, after dad had pulled some strings to get him into the service when medical conditions might otherwise have kept him out. His "Epitaphs of War" afterwards were extremely bitter about the nature of the conflict, including the famous "our fathers lied" segment.
 * Not to mention:

"What is the sense of 'ating those 'Oom you are paid to kill?"
 * Culture Clash: Several of his short stories are jokes about this.
 * Defictionalization: Some of the dialect of the British Army was actually made up by Kipling. Originally it was a device to give the atmosphere of how soldiers talked without using the words soldiers actually used. In World War I a lot of boys entered the army brought up on Kipling and imported the dialect they thought was "soldierly".
 * Discussed Tropes: Lots of. E.g.
 * Demonization

"The Jackal may follow the tiger, but cub when thy whiskers are grown, remember the wolf is a hunter, go forth and get food of thine own"
 * Don't You Dare Pity Me!
 * Elephants Child
 * Exact Words: Both "A Smuggler's Song" and "The Shut-Eye Sentry" are about people being warned to look the other way at certain moments, so they'll be able to truthfully say afterwards that they didn't see any sign of wrongdoing.
 * Framing Device: Kipling makes extensive and careful use of framing devices in his short stories and narrative verse, sometimes doubly framing stories (a story within a story within a story).
 * Friend to All Living Things
 * Funny Foreigner: Played with in nearly every way possible.
 * God Guise
 * Greedy Jew: Subverted in The Treasure and the Law.
 * Heterosexual Life Partners: The gist of "The Thousandth Man".
 * Knight in Sour Armor: The protagonist of Tommy. Also a Deadpan Snarker.
 * Lawful Neutral: Some of his political opinions come across as this.
 * Locked Out of the Loop: "Marklake Witches" plays with the trope by having it narrated by the character who's locked out of the loop -- and who, at the close of the story, still hasn't realised there's a secret being kept from her, let alone learned what it is. Recognising that her various moments of bemusement are connected, and figuring out the nature of the connection, is left as an exercise for the reader, and if achieved alters the tone of the story significantly.
 * Malaproper: The narrator of Just So Stories, with such famous ones as "'satiable curtiosity" (for 'insatiable curiosity').
 * Mama Bear
 * Manly Men Can Hunt: Captains Courageous and The Jungle Book

"We have spent two hundred million pounds to prove the fact once more, That horses are quicker than men afoot, since two and two make four; And horses have four legs, and men have two legs, and two into four goes twice, And nothing over except our lesson--and very cheap at the price."
 * Merchant City: Peshawar in The Ballad of the King's Jest
 * Mighty Whitey: Sometimes. Mostly they get to meet white guys who aren't.
 * Nostalgia Ain't Like It Used to Be: Mocked Discussed in The King.
 * Obstructive Bureaucrat: Kipling poured over these enough of acid to dissolve a battleship or two. From Pagett, M.P. to Mesopotamia and Stellenbosh to The Lesson:

"They shall not return to us, the resolute, the young, The eager and whole-hearted whom we gave: But the men who left them thriftily to die in their own dung, Shall they come with years and honour to the grave?"

"That the magic whereby they work their magic--wherefrom their fortunes spring-- May be that they show all peoples their magic and ask no price in return." "Damnable! Oh, damnable! But I'll be considerate. I'll be merciful. By gad, I'll be the very essence o' humanity! Did ye, or did ye not, see my notice-boards? Don't attempt to deny it! Ye did."
 * Not So Different: Zig-zagged. Sometimes he described Europeans as just another tribe, sometimes as superior. Perhaps the summation was that he in fact thought Europeans were another tribe (and thus shouldn't make too much heavy weather) but that, by chance they happened to be a tribe that had a lot to teach other tribes.
 * Also Kipling was a good character writer and had a great fascination for how other people lived. His characters seem like real people that happen to be following the customs of their respective tribe/caste/whatever and not merely extensions of stereotypes.
 * The Roman Centurion's Song is about a Roman Centurion pleading not to be sent home to Rome, as he has lived among the 'primitives' of Britain so long that he has gone native. Kipling was making the obvious comparison of how many British soldiers felt after living in India, and pointing out that once upon a time it was the Britons that were the subject of colonial ambitions by a 'more civilised' power and were viewed as savages by their colonial masters.
 * The Paragon: "Kitchener's School" claims the English in general are this:
 * POV Sequel: Several, including The Pirates in England vs. A Pict Song.
 * The Raj: The setting for most of his works. Kipling is largely responsible for spreading awareness of The Raj as a literary setting outside the former British Empire, and popularising it within the Empire.
 * Rated "M" for Manly: His poem simply entitled "If--" is about as good a summary as you can get for what it takes to be a virtuous and well-adjusted manly man. Also a good account of what it takes to be a Knight in Shining Armour in the modern world.
 * Reality Is Unrealistic: Invoked in Light That Failed. The Return .
 * Recycled in Space: some sci fi is affected by Kipling.
 * Reptiles Are Abhorrent: Played straight in Rikki Tikki Tavi (unlike The Jungle Book)
 * Retired Badass: Col. Dabney:

"He spoke of the heat of India as the "Asian Solar Myth"; Came on a four months' visit, to "study the East," in November, And I got him to sign an agreement vowing to stay till September. ...[The summer temperature hits one hundred twenty] That was an end of the business. Pagett, the perjured, fled With a practical, working knowledge of "Solar Myths" in his head."
 * Roaring Rampage of Revenge: Invoked in Ballad of East and West when a British subaltern surrounded by Pathans warns the Pathan chieftain that his tribe will be ravaged by the British Army if he is killed.
 * Running Gag: The Just So Stories has lots, most obviously "you must never forget the suspenders".
 * Screw This, I'm Outta Here: Wilful-Missing
 * Second Boer War
 * Self-Insert Fic: Beetle in Stalky and Co and sequel short stories is, per Word of God, a fictionalized version of Kipling.
 * Sesquipedalian Loquaciousness
 * Settings: Kipling is best at this. His characters are quite good, and his plots are serviceable. However it is his ability to describe settings that really made him.
 * Silent Running Mode: They call it The Trade.
 * Star-Crossed Lovers: In Flood Time
 * Stiff Upper Lip: "If..." is one of the trope codifiers.
 * Street Urchin : Kim
 * Tall Dark And Snarky Stalky
 * Too Dumb to Live: A lot of characters, e.g. Pagett, M.P.:

"Stalky: Now, we must pull up. We're injured innocence -- as usual. We don't know what we've been sent up here for, do we? M'Turk: No explanation. Deprived of tea. Public disgrace before the house. It's dam' serious."
 * Trickster: Several, including Stalky (Stalky in Land & Sea Tales, Stalky & Co., A Deal in Cotton in Actions and Reactions, The Honours of War in A Diversity of Creatures), who fought anything unpleasant in Boarding School with tricks and little provocations. And won.

"Nilghai: It’s a chromo,’ said he,--’a chromo-litholeo-margarine fake!"
 * Troperiffic: "The Three-Decker" is a defense of the Troperific three-volume novel.
 * True Art: In the Neolithic Age elaborately mocked flamewars over styles.
 * Lighter and Softer: The Light that Failed:

"Dick: Then the art-manager of that abandoned paper said that his subscribers wouldn’t like it. It was brutal and coarse and violent,--man being naturally gentle when he’s fighting for his life. They wanted something more restful, with a little more colour. I could have said a good deal, but you might as well talk to a sheep as an art-manager."
 * Executive Meddling: The Light that Failed, the same incident.

"To the bench that broke their manhood, they shall lash themselves and die."
 * True Companions: The Galley-Slave is about the brotherhood between a crew of galley slaves.


 * Unreliable Narrator: "The Gardener" has an omniscient Narrator, but when he starts talking about what "every one in the village knew", you have to pay close attention to what he's actually saying.
 * Unusual Euphemism: Deserters Wilful-Missing.
 * Worthy Opponent: The Ballad of East and West
 * The Vamp: "The Vampire"