Punch-Drunk Love

""I have a love in my life. It makes me stronger than anything you can imagine."

-Barry Egan"

Punch Drunk Love (2002) tells the story of Barry Egan(Adam Sandler), an introverted, sweet but socially inept Man Child, whose life revolves around his novelty plunger business (Fun-gers) and attempts to extricate himself from the domineering influence of his seven sisters. His interests mainly include buying up large quantities of pudding to take advantage of their air miles offer, and using phone sex lines to alleviate his loneliness.

Then one day, Lena Leonard(Emily Watson) walks into his life, and everything changes.

Punch Drunk Love is notable as one of P.T. Anderson's low-key works, made between the epics Magnolia and There Will Be Blood, and for showcasing the dramatic chops of Adam Sandler while simultaneously being a warped Post Modern take on the Romantic Comedy and Adam Sandler movies in general.

This Film Contains Examples of the following tropes:
"Barry: I wanted to ask you something because you're a doctor. I don't like myself sometimes. Can you help me?
 * Actor Allusion: In many ways, Punch Drunk Love serves as much as a commentary on Adam Sandler films as it does Romantic Comedies. P.T. Anderson referred to it as "an arthouse Adam Sandler film".
 * Angrish: "SHUT UP! SHUT THE FUCK UP! Shut up, will you SHUTUP SHUTUP! SHUT SHUT SHUT SHUT SHUTUP... SHUTUP! NOW [Beat] Are you threatening me, dick?"
 * Anticlimax: Barry is frantically [and painfully] running from the Four Blonde Brothers when they drive past him and casually remind Barry that "they know where he lives". Barry stops running after this. They show up later and crash his car.
 * Berserk Button: Barry.
 * Cannot Spit It Out: Lena has to take the initiative. A lot.
 * Cluster F-Bomb: Most of Mattress Man Dean's dialogue when he's not shooting ads.
 * Crouching Moron, Hidden Badass: See The Power of Love.
 * Deconstruction: The movie takes the typical Billy Madison / Happy Gilmore-style Adam Sandler character and almost brutally deconstructs him, showing the real-life consequences of his behavior, and how dangerous such a person would feel to you if you actually met one.
 * Determinator: "I'd say, 'That's that, Mattress Man.'"
 * Dream Melody: The five note descending melody which pops up repeatedly on the soundtrack is actually played by Barry on the harmonium at one point.
 * Florence Nightingale Effect: Part of why Lena seems so besotted with Barry is that he's so helpless. Lampshaded by the soundtrack with the song He Needs Me.
 * Homage: The soundtrack contains the song He Needs Me from Robert Altman's Popeye film. Also, the supermarket where Barry shops bears a remarkable similarity to the supermarket photographed by Andreas Gursky in his picture 99 Cent.
 * Hypocritical Humor: The Mattress Man and his gang consistently call Barry a "pervert". You know, for calling a phone sex line that THEY OPERATE.
 * It seems to be a trap for blackmailing people out of money. It seems they feel justified in their actions due to their victims being pervs.
 * Iris Out: A particularly sweet example, as the Iris centres on Barry and Lena's hands clasped together and actually follows it as they disappear around a corner.
 * The Klutz: Barry's not only clumsy, but accidents also seem to happen just by virtue of his presence.
 * Leitmotif: Barry and the harmonium.
 * Open-Heart Dentistry:

Walter: Barry— I'm a dentist."


 * The Power of Love: Enables Barry to become a total Badass.
 * Took a Level In Badass: Barry in his second run-in with the Mattress Man's gang. Lena getting injured might have something to do with it.
 * Psychopathic Manchild: Although not villainous, it's clear that Barry's got serious anger issues.
 * Ripped from the Headlines: Barry's Pudding/Frequent Flyer Miles plan was based on an article P.T. Anderson read in Time Magazine about a civil engineer called David Phillips who did pretty much the same thing.
 * Read more about it here. (#5)
 * Smug Snake: The Mattress Man.
 * Throw It In: Barry's line, "That would be very food" was a typo which P.T. Anderson decided to leave in when filming.
 * Also, the effect of the camera suddenly jumping to an out-of-focus shot and then quickly refocusing came about when the steadicam being operated bumped into a table.
 * Tranquil Fury: Barry dealing with the Mattress Man's mooks.