The Woobie/Literature

"All four visiting New Republic pilots have been given nicknames by the natives. Tycho is "the doleful one".

Tycho: "I'm not sad."

Wes: "No, but you look sad. Makes the ladies of Cartann's court want to comfort you. They're so sad about wanting to comfort you that you could comfort them."

Hobbie: "And Tycho the only one of us with a successful relationship with a woman. Missed opportunities, Tycho.""

Literary characters who suffer so sympathetically that they make readers empathize and want to comfort them.

""I mean, look at the start I had in life. Frone inna river inna sack. An actual sack. Dear little puppydog opens his eyes, look out in wonder at the world style of fing, he's in this sack.""
 * Jesus's path to the cross included a kangaroo court, beatings and insults, scourging with a whip, a crown of thorns pressed into his scalp... and that was prior to the cross, the details of which you can easily find elsewhere if you're not squeamish. And on top of that the unimaginable non-physical pain of his first and only separation from God the Father and the bearing of the penalty for every single sin ever committed by humanity, past, present, and future.
 * Three kangaroo courts, one of them simply to mock him, and then further his punishment.
 * Especially since The Bible presents him as knowing exactly what was going to happen. It's easy to think 'He's God, he could take it, right? He knew it all in advance, probably wasn't even afraid!" But then you consider that in the Garden of Gethsemane he was literally sweating blood and desperately praying to his father, asking if there was any other possible way, that he would take anything else if he didn't have to die like this...and his father said No. So he said "not my will, but your's be done" and went off to die, completely abandoned; "My God, My God, why have you forsaken me?"
 * It is a testimony to the power of The Woobie when an entire major world religion is built around one.
 * Job had a good life overall, but there was a time when he lost everything, and then It Got Worse -- he lost his children in a freak disaster. Then, his wife had only bad advice for him. And as if that weren't bad enough, his closest friends believed suffering to be karmic in nature, leaving him bewildered and wondering what he'd done to deserve all this. And it was all a test of character, which he passed, and his fortunes were restored. He must have been able to patch things up with his wife, too, because they had ten more children.
 * Even Worse, this was basically a bet between God and Satan, to see if Job was genuinely righteous, or only because of all the stuff God had given him.
 * Note that there are many Christians who believe that parts of the Bible are symbolic rather than literal. Job in particular shows indications of being a Parable: for example, the dialogue betwee God and Satan, shown nowhere else in the bible, and the fact that it's recounted as truth, but we are given no background on how the author might have been privy to it (In the rest of the bible, prophets who have visions in which they hear God speak directly generally describe the vision.) Life is a "bet" between good and evil, a human being given the chance to decide between the two of them. People suffer in this world, but those who trust God, even when She doesn't seem to be making much sense, are rewarded after. Suffering isn't a punishment, but an opportunity for achieving holiness.
 * King Lear?
 * Shylock is something of a villainous woobie whether or not the writer intended it. And if the production is kind to him, Antonio gets his fair share of woobitude in the trial scene.
 * Most major characters in novels by Stephen R. Donaldson, author of The Chronicles of Thomas Covenant, among other works, tend to fall into this category. He's very fond of putting his characters through incredibly awful situations and torments.
 * Ironically, the biggest exception is Covenant himself, due to his being a Flat Earth Atheist Jerkass for 2 and 3/4th of the original trilogy, as well as crossing the Moral Event Horizon in the very first book by, after which it takes a long time for him to regain any reader sympathy (if he ever does, and in the opinion of most fans, he doesn't).
 * Berenice from the homonymous novel by Tessa Korber. Before the novel started, she suffered on a big, incredibly difficult trip to Babylon, only to be greeted by his brother Leonidas brutally scolding her. Then she gets sexually abused by Eumenes and Diocle, gets sent to Egypt where she must cope with two brash Amazons poking fun at her all the time, barely survives a battle against some rebels, gets sent to a city in Phoenicia and then towards an ice-cold fortress in Armenia, becomes Eumenes' sexual toy for a while, and then, while on her way back to Egypt with Diocle and Eumenes, her boat is raided by pirates.
 * Frodo in The Lord of the Rings may be an example of this trope. With the addition of Elijah Wood's huge, glistening blue eyes to punctuate every moment of pain, The Film of the Book version definitely is.
 * There's also Faramir. His mother died when he was very young, and his father never quite got over it. Denethor also strongly preferred his brother Boromir to him, and even went so far as to say, when Faramir asked him if "Yes. I wish that." This messed poor Faramir up so badly that he ended up going out on a suicide mission just to try and please his father. This only succeeds in sending the already horribly distraught Denethor crazy, as he crosses the Despair Event Horizon and tries to have both Faramir and himself burned alive, with Faramir only surviving because of Gandalf and Pippin coming to his rescue. But then, it all turns out all right for him. He ends up as the Prince of Ithilien and as Princess Eowyn's Second Love.
 * Gollum and even Grima might qualify. These are not of course good woobies just pitiful.
 * Is there a trope for "Bad Man over his head by becoming involved with someone Much Worse"? Because this is how I see Grima. I think his initial plan was that with Theodred dead and Eomer disinherited, he could use his position as Theoden's chief advisor to marry Eowyn and once Theoden died--he was very old after all--take the throne as her Consort. A nasty bit of politics, but pretty tame next to what Saruman was about.
 * Terry Pratchett turns Death, of all peop- Anthropomorphic Personifications, into one of these in Discworld.
 * Anyone who likes cats is already halfway to Woobiehood.
 * But Cheery would be my vote. Under that beard and helmet, she's a mass of need, and you love her for being so stoic about it all. I'd really hoped we'd see a happy storyline for her before Pterry stopped writing, but I doubt it will happen.
 * Also, Rincewind. His status as the Chew Toy is played for comedy, but you still really want to give him a hug and a potato set him down somewhere quiet to sort rocks or something.
 * Gaspode is up there too. All his backstory that we get in Men at Arms, The Fifth Elephant, Moving Pictures; I don't care if he's a smelly, mangy, infested, toothless mongrel, that dog's getting a sausage and a warm place to sleep.

"Ender: And I remember that you were beautiful. Val: Memory does play tricks on us. Ender: No, you look the same. I just dont remember what beautiful means anymore."
 * Tonker and Lofty from the book "Monstrous Regiment" are Woobies played straight.
 * There's also Twoflower after Interesting Times. Before then he's just your standard-issue Pollyanna-style Butt Monkey.
 * All through Guards Guards Vimes.
 * There's also Night Watch where he's displaced in time, fighting a war he cannot win to protect men who, if they survive, will be living proof that he has no home to go back to, but he can't stop fighting because if he doesn't, he's not Sam Vimes.
 * Taken up to eleven with Nutt. So tortured, so hardworking, so incredibly messed up, it almost seems like Glenda's main purpose is to reassure the reader that, even if they can't reach into the book to hold his hand and feed him pie, there's someone already in there who will.
 * Ender, in Ender's Game by Orson Scott Card: bullied his entire life for being a walking talking violation of the population control laws (even if he was born legally,) he ends up  - because the adults who were supposedly protecting him were afraid giving him any sort of help would make him less useful. By the age of twelve, despite having any number of followers who would gladly walk through fire for him, he's totally isolated and alone, with noone he could call a friend. He went to war to protect his sister at te age of five. When he finally sees her again at about age 10, on a trip allowed by the IF specifically to remind him he has something to live for, he has this conversation:


 * At this point, you just wanna hug him and never let anything bad happen to him.


 * Bean, expanded on in the Ender's Sadow series, almost has him beat. Raising himself on the streets literally from infancy, he was "adopted" by an older girl named Poke after he helped her crew get protection and food. His reward is to see the protector he got for them  He runs to the IF to escape this guy...only to find   He learns he has a brother...but they have to split up after the war for their own protection. The chaos that earth dissolves into after the   Discovers he is   starts to fall for  only to have her taken by
 * Many examples in A Song of Ice and Fire, due to how grim the series can be. The two Stark sisters, Jon Snow, Sandor Clegane, Davos Seaworth, Tyrion Lannister, Brienne...
 * My vote goes towards Edmure Tully. Nobody will ever cut that poor guy a break, least of all his sister.
 * Samwell Tarly qualifies as well. The very chapter that introduced him did a good job of establishing him as a woobie.
 * Poor Podrick Payne.
 * Most of the aforementioned are fairly decent human beings, but the Hound probably deserves special attention for his incredible ability to alternate between endearing and terrifying with alarming alacrity. Frequency of woobie-ness tends to increase with proximity to a certain Stark.
 * Jaime Lannister.
 * This one's a minor side-character, but Lollys Stokeworth. The poor girl seems to have been designed by the gods to have misery heaped upon her.
 * attains this status in A Dance With Dragons. In his previous role, he'd been unlikeable, arrogant, rude, and not very bright. In A Dance With Dragons, he is mentally, physically, and emotionally scarred so terribly that he's terrified to so much as think his own name.
 * Tobias in Animorphs. He starts the series out as a skinny, blond-haired loser Jake saves from bullies... and Jake is the closest thing he has to a friend, despite the fact Jake thinks he's weird. His parents are dead, his only two relatives fight over which one of them HAS to have him. He then gets trapped as a hawk by the end of the first book. The worst part is that he honestly feels his new situation is an improvement. To clarify: Stuck fighting an alien invasion involving thousands of conspirators with only four human kids while trapped in the body of a redtailed hawk and fighting the instincts of the hawk to retain his own humanity is a step UP for him. Then, he falls in love with the strongest, most confident member of the team, who helps him get through the times when Woobiedom seems a bit too much, . He's notably very cynical, at best, in the epilogue.
 * Oh, don't let's skip the torture and all of the lovely aftermath stuff that came with it.
 * This editor has never run into a bigger woobie than Patrick O'Brian's Stephen Maturin. At the beginning of the Aubrey-Maturin series, he's already been through disillusionment with the world, along with the death of all his friends and the girl he loved. He goes on to get his heart broken again, gets tortured by the French, struggles with opium addiction, duels a man over a woman, during which he accidentally kills him, gets nearly fatally wounded, and insists, as repentance, on removing the bullet from his ribs himself without anesthetic, and is generally scorned for being Catholic and illegitimate. And that's just the first three books. Out of Twenty.
 * Jace Wayland from "Mortal Instruments" is a woobie because he was abused as a child and believed for some time that he watched his father die . Because of some mistakes in genealogy, he believed that his mother abandoned him and thought that he was a monster. Later he finds out that he  . Also, he is betrayed by a friend   and handed over to the villain. He was arrested for , was kicked out of his house and left with no where to go and arrested by the Inquisitor again,  , and because almost everyone assumed that he had joined the evil side. He is also.
 * However, despite all this.
 * Also from Mortal Instruments is Alec Lightwood. He's gay and the member of a race of people who... aren't exactly accepting of it. As a result, he's too afraid to come out to his parents. Not only that, he's in love with Jace, who will never love him the same way, and is so hung up on this that he doesn't even notice when . This latter fact made me feel sorry for as well. Luckily, things work out for them in the end.
 * Subverted with Alice Maxwell, from Stephen King's Cell. She starts out as a woobie, after losing her mother in one of the most emotionally scarring ways imaginable. After taking a while to recover from this, during which she nearly has a psychotic break, she gradually heals, and becomes an endearing character in other ways. She proves herself to be quite Genre Savvy, and actually has a Crowning Moment of Awesome when she plays a major part in . Of course, this is a book where, so...
 * Ilyusha from The Brothers Karamazov: the son of a poor shipping captain who is beset upon by the protagonist's older brother and humiliated throughout the town. All he wants to do is restore his father's honor. He does this by biting the protagonist in a fit of passion, but we later learn he's not so bad (and not rabid). This is exacerbated later on when . Poor bastard.
 * Dostoevsky seems to have liked his woobies: Crime and Punishment is full of them: Raskolnikov despite his Social Darwinist delusions, his sister Avdotya, ready to marry a jerk for money, Sonya, the Hooker with a Heart of Gold, her siblings, all of St. Petersburg, but most especially the Marmeladov family.
 * In The Idiot, there's Prince Lev Nikolayevich Myshkin, the titular idiot, an ill boy - he has epilepsy - and the only genuinely nice character in the book. People he encounters either fleece him, make fun of him, or feel sorry for him. Dodgy creditors steal his money, Rogozhin tries to stab him, a libellous article is published about him in a local paper, he's forced to choose between two very temperamental women, one of whom, and to top it all off,
 * Marvin, the Paranoid Android from The Hitchhiker's Guide to the Galaxy. Listen to the Image Song: Marvin, I Love You. * Sniff.*
 * Forget Mostly Harmless... the moment the Guide series Jumped the Shark was the end of So Long And Thanks For All The Fish, when.
 * The Dresden Files - particularly notable in the main character, but there's plenty to go around.
 * Harry
 * His mom died having him (as it turns out due to a curse), and his dad died of a brain aneurysm six years later. He grew up in foster care and various orphanages until being adopted as a teen by a dark wizard. Said wizard put him through Training From Hell, then threw him out and tried to kill him for questioning his treatment of said wizard's other ward and his girlfriend - forcing him to kill the wizard and his girlfriend in self defense. He then owes favors to The Fair Folk and barely escapes the death penalty for killing with magic. All before the first book!
 * He's gets tricked into starting a war between wizards and vampires, for which he gets blamed, . He then gets  - let's just say he's not so happy-go-lucky anymore. He mentions in one of the books is that since the war started be hasn't been able to fold sunshine into a hankie - because you have to be happy to do it. Think about that for a minute.
 * He's also picked up a Death Curse from the former host of a fallen angel:
 * Not to mention
 * Changes starts kicking Harry from the very first page, and it only gets worse until the very last page  Highlights include:  After all that trauma, he finally gets back to Chicago... . Damn you, Jim, you cold-blooded monster.
 * Ghost Story has him  Seing the devastation he's left behind him, especially the absolute mess that   has become, and being nearly unable to affect anything   is agonising enough. Then, when Uriel confronts hiim with his options and he agrees to
 * Then There's just the sheer guilt of realising that bad stuff happens to everyone around him. Shiro, Michael  , Susan  , and that's only the beginning of the list. Yes, he does think the world hates him. With good reason.
 * Thomas
 * Abandoned by his mother (admittedly, not by her choice). His true nature concealed from him until his powers awoke, at which point he was presumably tricked into feeding on someone (as his father tried on Inari) - then his father starts trying to kill him. His family deliberately feeds him a girl he cares about when he's starving, and as a result he  Now, because he loves her, he can't touch her, or anything to do with her love for him without unimaginable agony because incubi are dangerously allergic to true love.
 * Kicked out of his wealthy vampire clan, and must now make a living on his own which becomes complicated by the fact that women (and possibly some men) lose all self control around him, and he's afraid to feed deeply on anyone lest he hurt them the way he did the girl he loves.
 * The novella Backup firmly cements Thomas's Woobiedom. That's kinda a low blow, with all the other crap he has to go through.
 * Turn Coat breaks
 * He has a relatively small role in Ghost Story - but what we do see of him indicates that  has brought him to a new low. Drunk, disshevelled (which for Thomas, is saying a lot) and despondent.
 * Small Favor: After being captured by the Denarians she is then exposed to horrible tortures at their hands. Keep in mind also that this is
 * On top of that
 * Even by the end of Proven Guilty, she wasn't doing so hot. She inherited magical ability from her mother, which her mother never warned her about on the assumption it would go away. Instead she nearly killed two of her friends, let a bunch of monsters loose in the city, and broke the third and fourth laws of magic, putting her under sentence of death. Harry's attempt to stop the monsters got her kidnapped by the Sidhe - and as soon as she gets back, Harry confronts her about what she's been doing...and she agrees to turn herself in to the council knowing there's an excellent chance they'll execute her out of hand.
 * At the end of Changes she  She's a magical sensitive, with finely attuned, easily overwhelmed senses - and she's plunged into   And while we don't find out about it until Ghost Story,
 * Ghost Story really does a number on her. The first time sees her, she is a complete babbling mess. She's barely recovered at all fromt he events of the last book -  Then there's the really bad part: In the last book, when Harry decided to go to   for help, he made arrangements beforehand for   Tell me that cannot mess up your head.
 * Charity
 * After her  She loves her husband, supports his work, and believes absolutely in the necessity of what he does...but that doesn't mean she doesn't live in fear of the day he leaves to go do God's work and doesn't come back. She knows Knight of the Cross isn't a career most retire from. She dislikes Harry because she believes he's going to get her husband killed - but she still helps him, because she won't compromise on what's right, even to protect Michael.
 * When Harry's attempt to stop the things  let loose ends up , Charity, who still does particularly like him, tells him she forgives him and that she still has faith that God will make things right, even as it looks like they're totally out of options.
 * Almost every character in House of Leaves. The entire Navidson family, two of the three explorers that go into the house (this troper excludes Holloway Roberts), Johnny Truant, and so on.
 * Hell, the reader needs a good hug after reading this.
 * Honor Harrington was often described as such on the Author's on personal boards. Rape, boyfriend murdered to simply get to her, eye plucked out, missing limbs (and in a world with the ability to regrow 'em she's one of the few rejects them), assassination attacks that use brainwashed friends to do it, has her telepathically bonded pet horribly injured as torture, her feudal subject's children getting blown up as revenge, and the meda making up a love affair with her married boss whose wife is considered a living saint. It was going to get even worse, but the Author was talked out of it by fans.
 * Sarah Monette's Kyle Murchison Booth. Raised by openly hostile foster parents after his father died of a curse and his mother committed suicide, subjected to relentless bullying at school, ... and all that's just the impetus for everything that happens to him afterwards.
 * Sam from The Sookie Stackhouse Mysteries. He's one of the few people who treated Sookie kindly from the start, has an open crush on her, and is a supernatural (a shifter) whose natural resistance to Sookie's telepathy would seem to make him a good match for Sookie (who blamed her lack of sexual experience not not wanting to take a man to bed and be privy to every one of his thoughts during). Not to mention he's been there for her time and time again (as a friend and bodyguard). Sookie knows all this, but keeps him firmly in the friend zone. The way she takes Sam for granted and her flimsy excuses for it make up approximately 75% of the fandom hatred towards her and the sympathy towards him.
 * True Blood seems to be following suit with its treatment of Sam, who gets yelled at by Sookie and Tara on a regular basis now, it seems, for basically doing nothing.
 * The Inheritance Cycle has an accidental woobie in Murtagh: he's abused as a child, his mother abandons him to ensure a better life for, he gets beaten up by an Urgal at some point, his mentor dies helping him escape from Galbatorix, he's imprisoned by the rebellion,
 * And what about poor Sloan? The author wants to convince us that he's some kind of Smug Snake when And how does Eragon, Designated Hero extraordinaire, repay him?
 * Now, wait a minute here.
 * Well,
 * Elva might not be the character you'd think about like that given her nasty personality, but think of what made her that way.
 * And what's worse is the author treats it like she was wrong to do so.
 * And then there's Thorn.
 * Warrior Cats has a lot.
 * Ashfur. First losing your mother, then losing a mate and having to mentor their son can do a lot to you.
 * Leafpool, who has always tried to do the right thing, but always has her efforts backfire in the end ("You can't always do the right thing. No matter how much you want to." "I know." Grief pulsed from his mentor [Leafpool], sharper and deeper than Jaypaw expected, "But I'll always try."). She's had to deal with the untimely death of, leaving her true love, being an outcast in her own Clan, , ("") and she still manages to put on a brave face (the only reason Jayfeather notices that she is depressed is because he can sense her emotions).
 * Crowfeather, who has lost both of the cats he loves and now has a mate and a son he doesn't care about just so he can prove his loyalty. In fact, throughout the entire third series, he seems to be covering up his true feelings just to be accepted. However, the cold and uncaring facade he puts up has (in some fans' eyes) brought him as close to crossing the Moral Event Horizon as possible without killing someone.
 * Cinderpelt. Her tragic life isn't brought up much in the books, but if you look back at her life, especially with consideration to the fact that she was in love with Firestar (according to Word of God), she has one of the saddest lives in the series (which is really saying something, considering this series). First she gets hit by a car, crippling her and destroying all of her chances of becoming a warrior or being able to be with Firestar. She then becomes a medicine cat, and has had to go through life watching Firestar fall in love with Sandstorm, and mentoring one of their kits. Throughout all of this, she never does break down (with one arguable exception), and never gave into temptation (as medicine cat, she was one of Firestar's top advisors).
 * Brightheart, who watched her friend get killed by a pack of wild dogs in front of her and nearly dies herself while getting her face mauled and permanently scarred. Bluestar gives her a horrible warrior name, "Lostface", that will only remind her everyday what happened. Luckily Firestar gives her a better name, and she puts up a brave front, but she constantly has to deal with new cats flinching at her face and is still haunted by her old name. For awhile it looked like her mate, Cloudtail, the only cat to believe in her and find her beautiful, fancied another she-cat more, and the only apprentice she's ever had was Jaypaw, a blind cat useless as a warrior who was resentful of having her as a mentor. Firestar then promises that she'll mentor another apprentice - from the next litter to be apprenticed, no less - which never ends up happening.
 * Tiny, better known as Scourge. Firestar's half-brother, the runt of his litter, who gets taunted by his siblings constantly. After his sister cruelly teases him that the Twolegs don't want him as a pet and that unwanted kits are drowned in the river, he runs away to the forest, where he gets attacked and nearly killed by Tigerclaw. Then he runs to the city, where he only gets respect from killing other cats.
 * Hollyleaf. She was (in)famous for her constant enforcing of the warrior code, and steadfastly believed that it was the root of all Clan cats' successes. But when she finds out, and that, according to the code, she isn't even supposed to exist, with all of her beliefs turned to dust before her eyes, she
 * This troper can't decide who to pick from the Vorkosiverse. This is probably due to the author's stated writing policy of trying to think up the worst thing that can happen to a character, and then doing it.
 * Aral - His mother and brothers are murdered before his eyes by the crazy emperor&acute;s goons when he's eleven. His father never forgives him for being the one to survive. He discovers that his beloved wife is having affairs with two other men. She kills herself with his own weapon by burning her face off...or possibly his father did it. Komarrans who have surrendered to him are massacred after he gave his word they would be spared and he kills the man who ordered it, thus both getting a terrible reputation, and a massive demotion. He gets dragged into the most nightmarish political assasination in Barrayaran history, which is really saying something, and tormented by his nominal commanders in the process. Completely spent, he returns to barrayar and tries to kill himself with drink...where as soon as he's vaguely functional he is expected to take on the responsibilities of regent. He and his (second) wife are attacked with a military poison gas while she is pregnant, and the antidote causes enormous damage to the foetus. The foetus in transfered to a uterine replicator, almost killing his wife, and leading to him almost being disowned by his father for trying to save it. Then a civil war starts, and the replicator is taken by the enemy. Then his wife disappears in the middle of said war.
 * Cordelia - She is captured by the Barrayarans. The first time her ensign is shot with a nerve disrptor in front of her, but that's about the worst of it. The second time she's nearly raped, saved by a complete psycho, whom she then has to try to keep under control, for her own protection and Aral's getting herself injured in the first time. When she gets home she's Mind Raped by her own side because they refuse to belive in the idea of good barayarrans, and she has to flee for her sanity. Then the gas attack. Then being put on a horse (of which she's terrified) with a five year old emperor and told to keep him alive. Then finding out her son's been captured. Then  right when they seemed to have won. Miles growing up to be a soldier, one of her worst fears; "Barrayar eats it's children." She still supports him though.
 * Miles may be the hardest to see as a woobie, mostly because he never wastes time on the rough stuff. However he does qualify in The Mountains of Mourning, during his depression when Illyan, and when his big plans for Ekaterin   And then you have the last book...you can just feel his heart tearing at the words
 * Mark - Created, indoctrinated, manipulated, crippled, tortured, all so Galen can have his revenge agains  Brought up with clone children destined to be killed so someone else can live forever...and outlives them. Royally screws up trying to bring down said cloning industry and
 * Ekaterin - Married young to an twisted incompetent bastard ("One of those subtle feral parasites who have you asking yourself "Am I crazy? Am I crazy?") He turns out to have a crippling genetic disease he didn't tell her about until her son was born, with the same condition. finally decides to  Just starts to recover and build a life of her own when she finds out
 * Ivan - Seems to be the butt of all of Miles' escapades.
 * Gregor - Becomes emperor at five years old, and grows up with all the pressure that implies hanging over his head. His mother is killed in the civil war, so he has to preside over two funerals for close family in the same two months...at five. Just before his majority he finds out his father was a sadistic killer who had to be destroyed for the good of the empire and now gets to worry aboutturning out the same. The first person his own age he plans to put into "his" government blows it. Then the man who really raised him
 * Ivan - Seems to be the butt of all of Miles' escapades.
 * Gregor - Becomes emperor at five years old, and grows up with all the pressure that implies hanging over his head. His mother is killed in the civil war, so he has to preside over two funerals for close family in the same two months...at five. Just before his majority he finds out his father was a sadistic killer who had to be destroyed for the good of the empire and now gets to worry aboutturning out the same. The first person his own age he plans to put into "his" government blows it. Then the man who really raised him

" "I come here for the Mark to see me," said the rabbit in his low, drained voice. "Every Mark should see how I have been punished as I deserved for my treachery in trying to leave the warren. The Council were merciful--the Council were merciful--the Council--I can't remember it, sir, I really can't!...I can't seem to remember anything." "
 * Duv Galeni - Komarran whose family died and their fortune lost during the Komarr Revolt. Joins the Barrayaran military anyway. Kidnapped by his not-really-dead father, Ser Galen. Watches Mark (who was raised by Galen for the subsitution plot) kill Galen. A few years later, falls in love with Laisa, but she thinks he's just a friend, and after she and Gregor get engaged, he's the first one they call with the news. Then after he actually finds love with Delia, he gets framed for murder and treason and publicly arrested at one of the Emperor's parties. (And last and probably least, he finds out that he's likely to wind up with Mark as a brother-in-law.)
 * Subverted in that despite all the crap heaped on them, every single one of these characters eventually gets the happy ending and the girl (or guy) of their dreams. Lois might make her characters run the gauntlet, but karma will eventually repay them for their sacrifices.
 * Margot from Ray Bradbury's short story, "All Summer In A Day". On Venus, the sun only comes out for two hours in a seven-year period. Since moving from Earth, she really misses the sun. A bunch of jealous children lock her in a closet, causing her to miss period of time that the sun is out. There is one glimmer of hope, though: in the following year, she might return to Earth.
 * The titular character from Stephen King's novel, Carrie. It's bad enough that her religiously insane mother is always tormenting her - but, at school, she is constantly being tormented by the other students. Even when, after being humiliated at the prom, she goes on a killing spree - it's hard to feel anything but sympathy for her.
 * Stephen King seems to collect Woobies. There's John Coffey of The Green Mile, Henry from Dreamcatcher, Paul Sheldon in Misery...and of course all his characters are pushed through as much hell as possible, which is totally not helping.
 * In Military Science Fiction, while Honor Harrington is a strong contender, but not an outright Woobie (she's simply too Badass for that), and Lois McMaster Bujold's Miles Vorkosigan just couldn't catch a break, the crown of the genre's Woobiesness goes to Sinklar Fist from Michael Gear's series Forbidden Borders. An orphan supposedly due to his parent being the executed terrorists and constantly bullied for that? Check. Military genius risen through ranks in a strongly class society and derided as a plebe and upstart? Check. A pawn in powergames of his nation's elite? Check. Cartwright Curse? Check. And that's not even mentioning the whole can of Wham opened in later books, where he finds, gets more suffering for him and his friends, and so on, so on and so on...
 * Read a Paul Kearney novel, any of them. There are so many woobies, I am glad this site gave this troper a name for them. Losing legs, falling in love with a woman who turns out to be your sister, getting turned into a werewolf. All par for the course.
 * Arithon s'Ffalenn, from Janny Wurts' Wars of Light and Shadow. Oh, so much. Most other Janny Wurts heroes, too.
 * Folly, who briefly appears in Alan Dean Foster's Spellsinger series. She's captured and enslaved by pirates, freed by the heroes, then given by the well-intentioned but misguided heroes to an Orphanage of Fear where Come to think of it, Jon-Tom Meriweather probably wobbles between this trope and Unlucky Everydude.
 * Alan Dean Foster also gives us Flinx, the main protagonist of the Humanx Commonwealth series. He starts out the series as something of a Canon Sue, but each novel since Flinx in Flux has left him more depressed and convinced of the futility of associating with the people that he's supposed to be saving from absolute destruction. It doesn't help that he's pursued by nearly every authority in the Commonwealth (half want to imprison him, the others want to "fix" him), had his Love Interest Put on a Bus, and suffers from headaches that make migraines seem trivial. Oh, and he most recently found out that.
 * Erast Fandorin ascends to Woobie at the end of the first novel and never quite leaves the spot. Favorite Great Detective as Benevolent Boss? Beloved first wife?  Best (and only) friend?  Greatest love of his entire life?  Respected Old Master?  Devoted Battle Butler?  As one character once mentioned: he is "loved by things but hated by fate".
 * Rhuald Sengar, The Emperor Of A Thousand Deaths from the Malazan Book of the Fallen. All he wanted was to serve his king and be a Big Damn Hero like his older brothers. He gave his life to protect the quest object from an enemy ambush... only to have that object be an Artifact of Doom, which linked him to The Crippled God, resurrected him, and made him the series embodiment of both Blessed with Suck and With Great Power Comes Great Insanity: The cursed sword makes him functionally immortal, but never healed him from the Tiste Edur death rites (which means he's covered in gold coins that were burned into his flesh). And every time he's killed, the Crippled God takes the opportunity to vent his pain and rage on his soul, making every trip to the "afterlife" a nightmare, taking it's toll on his mind and soul. Then one by one, those he loved - or at least thought he did - were removed from him. His eldest brother was killed while returning from a near-meaningless task he personally sent him on (then the man that killed him, Karsa Orlong turns out to be one of the "Champions" he's obligated to fight. His chosen bride (the dead brother's betrothed) killed herself rather than bear his child. His one true confidant, the Letherii slave Udinaas, abandoned him (though that wasn't his choice). Then, in a fit of rage over treatment of an lost colony of Edur kin, he sentenced his parents to a month in chains in the wrecked lower levels of the Eternal Domicile to teach them a lesson. Then they were drowned when the lower levels flooded. All of this with the cursed sword driving him a bit more into madness with every passing day, with the remains of the Letherii hierarchy and (whats left of the Warlock King) scheming to usurp him or use him, practically under his nose. And on some level, he knows it, but can't summon the will and clarity to deal with them.
 * The Dragonlance novels bring us Tanis Half-Elven, who due to his product-of-rape half-breed status is supposed to inspire Woobiedom in our minds, but the general consensus is that didn't work out too well. Broke knight Sturm Brightblade more fits the bill, being dedicated to the old codes of honor and justice (to the point of heroic death) in an age where such beliefs are antiquated and the knighthood is more a band of organized, well-armed bandits... except that Sturm is so resolute, it's almost like he won't let you consider him Woobie. Raistlin Majere has the long line of misfortunes - illnesses that stack, parental abandonment/loss, being the world's UnFavorite compared to his healthy, handsome twin, and more - but is generally so unpleasant about it that it's hard to empathize. (Not that it stops the fangirls, though.)
 * Caramon, Raistlin's twin, is distinctly Woobieish despite being the strong attractive type, due to a lifetime of devotion to a brother who spends 99.9 percent of the time belittling him, and the fact that even friends treat him as though he's mentally challenged despite it being shown that, away from his old situations, Caramon is actually a magnificent leader of men. (Not Raistlin-level genuis, but he's got Charisma.) And if you do not think that Tasselhoff Burrfoot is a Woobie after, YOU HAVE NO HEART.
 * Dragonlance also gave us perhaps the first dragon woobies. First came Matafleur, also known as Flamestrike, an ancient red dragon who had fought for the Dark Queen in the previous war against the forces of light, and who in the War of the Lance was assigned to guard the children of the slaves of Pax Tharkas, to guarantee the good behavior of their parents. An evil monster, right? Except that her own children had died in the previous war, and she had gone mad, and now believed that the human children she was supposed to be guarding were her own children, whom she loved and protected. In fact, when Highlord Verminaard and his dragonmount Ember tried to attack the children during the escape attempt, Flamestrike laid down her life to save them. The other example was Pyrite, the most ancient gold dragon, and perhaps the most ancient dragon period, in the entire world. So ancient, in fact, that all his teeth had fallen out, forcing him to live on a diet of oatmeal and other soft, high-fiber foods. He was also almost completely deaf and almost completely blind, and he was senile, constantly thinking that it was still the last dragonwar and that he had to protect the long-dead Huma. The fact that they are both so powerful physically only makes these two dragons even more woobieish.
 * Evanjalin/ from Finnikin of the Rock. What happened to her doesn't make this troper want to cover her with a blanket and give her soup, I want to give her sedatives and antidepressants. She fucking witnessed and felt every person from her country who has ever felt pain- all the tortures, rapes, murders, sicknesses and hungers, from the victims viewpoints, the witnesses, and sometimes the perpetrators.
 * Carrie in VC Andrews' Flowers in the Attic and the sequel, Petals on the Wind. Has severely stunted growth from being locked with her siblings in an attic from age 4 to age 8, her twin brother is effectively killed with arsenic-laced donuts by their mother, she is friendless and tormented at boarding school, finally gets a chance at happiness with a fiance in a Throw the Dog a Bone moment only to feel so unworthy because of the fiance's religious zeal that she commits suicide.
 * In the Gemini series, Celeste: Always The Unfavorite, her father dies, so does her twin brother, leaving her alone with her crazy mother who forces her to take on her brother's indentity, and she is at most 9 at this point. Her mother mistreats her horribly to maintain this delusion, she's never allowed to even go out, she's raped repeatedly by the only non-related person she knows who blackmails her into not telling, she isn't allowed to act as mother to her own daughter, the stepfather she grew to love dies, her stepsister is evil and Celeste accidentally kills her, and her mother, the only link the world she's ever had, dies, leaving Celeste completely alone and with no idea how to live in the world. Is it any wonder the poor thing goes insane?
 * Poor, poor Blackavar. Living in the oppressive, militaristic Efrafa he attempts to escape. He is apprehended and as punishment his ears are torn up and he is kept under solitary confinement. Every morning and evening, while the other rabbits are feeding, he is made to sit where everyone can see him, as an example to other would-be escapers.

" Imagine this. Imagine having your wife die suddenly of brain cancer. Then imagine having her parents attack you mercilessly in order to gain custody of your daughter. Imagine that they exploit allegations of neglect against you. Then they hire very expensive and clever lawyers because they have much more money than you have. Imagine that they prevent you from having any contact with your six-year-old daughter for months on end. And imagine they restrict your ability to earn money to support yourself and, of course, as you hope, your daughter. How long would you last before your will was broken? They had no idea who they were dealing with. Denny would not kneel before them. He would never quit; he would never break. "
 * And Fiver. When he's having epileptic fits and spouting Cassandra Truth, you just want to cuddle him and feed him carrots until he feels better.
 * I know this is weird, considering she's a minor character at best, but Hyzenthlay. That POEM...
 * Ebenezer Scrooge in A Christmas Carol begins the book as a Jerkass and ends it as The Woobie. Which goes to show that even woobification can make a decent plot, provided that you write it well enough.
 * Bertie Wooster. Dear sweet Jesus, Bertie Wooster. He tries. He really does. All he wants to do is help his friends, and he usually ends up the one getting kicked/punched/called an imbecile/blamed for everyone's problems/engaged to a girl against his will/believed to be clinically insane/forced to ride a bicycle 18 miles in the rain and in his pajamas. Granted, this is PG Wodehouse's world and misery is never a big deal in comparison to most other works, but you have to remember that Bertie has no shoulder to cry on when he needs one, except for Jeeves (who never gives him one because he usually has a bad-fashion-related reason for giving Bertie the cold shoulder in these instances, one of which comes right off the heels of Bertie expressing that he feels like no one loves him). Add to that Hugh Laurie's eternally puppy-eyed portrayal of him in the TV show and you'd be reaching for a blanket too.
 * It Gets Worse when Fridge Logic sets in re the Parental Abandonment situation. He seems to be Conveniently an Orphan, which means that he was probably raised by one or more of his family members, who, as a whole, run the gamut from Jerkass to mentally unstable and never have a kind word for him. He considers Jeeves a Parental Substitute and even calls him "mother" in one book. Sniff.
 * Jochi in Lords of the Bow is picked on by the other kids and suffers the disdain of his father despite being quite possibly the toughest, strongest of them all. It's no wonder so many fans root for him.
 * Pretty much every character in Guy Gavriel Kay's Tigana, even perhaps Big Bad Brandin of Ygrath, but especially Dianora. Some may find her to be too whiney, but others may find her to just be a very tragic character. Noteable exception to the "pretty much every character" is Alberico of Barbadior, who is completely unlikeable.
 * Tad Williams deliberately invokes this trope in the course of characterizing the Big Bad, Ineluki, in his Memory, Sorrow, and Thorn trilogy. As his Backstory is revealed to The Hero Simon in a series of dreams and flashbacks, the emphasis goes from what a horrifying monster he has become to the Well-Intentioned Extremist he started out as. In the end, the realization that Ineluki suffered more than any other being in all of creation is the key to his ultimate defeat.
 * Many secondary characters are also easy candidates for woobiedom, as the Anyone Can Die nature of the story guarantees that there will be some spectacular suffering going on. The two standouts in a very long list are Leleth and Maegwyn. Leleth is Princess Miriamele's handmaiden, who is savaged by hunting dogs and spends the majority of the novels in a nearly comatose state delivering prophetic dreams to the heroes. Maegwyn is a princess of the Hernystiri, a Celtic Fantasy Counterpart Culture, whose father and brother are killed early in the war and who is forced to lead the remnants of her people in exile, all while suffering Unrequited Love for Count Eolair. She eventually goes mad from the stress and, to add insult to injury, is Mind Raped by one of the Storm King's minions. What's particularly brutal about these characters is that.
 * Frankenstein's monster. He might look scary, but the poor guy's just really lonely. He starts out innocent, but society's mistreatment turns him into the monster they believe him to be. Among other things, he gets shot for saving a girl from drowning. His part of the novel makes Victor look like a completely pathetic douchebag. Just... just read it.
 * Sydney Carton. Just... Sydney Carton. If the ending doesn't make you at least a little sad, you are not human.
 * Levitas needs a hug. Badly.
 * During Victory of Eagles, Laurence was not much better off himself.
 * Charlie from The Perks Of Being A Wallflower, who will probably make you choke on the bubbly, warm goo that rises in your heart every time he says something totally innocent and wise. The traumatic memories also make you want to wrap your arms around him in a ridiculously tight squeeze.
 * Hari Seldon, through a few decades worth of Break the Cutie, though only in Forward the Foundation
 * Enzo, the narrator of Garth Stein's The Art of Racing in the Rain, is a dog. A wonderful, clever, lovable dog with a ridiculous capacity for empathy and a master whose life is (most of the time) a cavalcade of misery. Also, Enzo announces that he's dying of old age. In the first chapter. This troper has never said "awww" more times over the course of a single book. You just want to pat him on his head and tell him he's such a good boy, yes he is, oh, who's a good puppy... God. There I go again.
 * What about his owner, Denny? The guy just cannot catch a break. Enzo sums it all up pretty well here:

"There was a boy named Eustace Clarence Scrubb, and he almost deserved it."
 * Wisp. Oh God, Wisp. In Elfstones, Brooks tells us so little about this poor fellow, but it's more than enough to draw Tears From a Stone. He claims to have once been an Elf, but Mallenroh changed him to make him "cute" so he can "roll around and play with the stick men". The process also, incidentally, turned him into a docile, ever-obedient, fawning slave to the Witch Sister, with his favorite remark being an indication of just how devoted he is: "Wisp serves the Lady." Coerced to help Wil and his party escape the dungeons (in a rather upsettingly rough hostage-taking, until Eretria is able to persuade him with her beauty and soft voice), he is then forced to witness as his Lady and her twin sister Morag destroy each other in a huge conflagration. As if that isn't bad enough, when he finally leads the party to Safehold, the light of the Bloodfire so reminds him of what happened to Mallenroh that his mind snaps and he runs shrieking from the cave--right into The Reaper. This troper was in tears.
 * Prince Ahren Elessedil of the Elves, in The Voyage of the Jerle Shannara. He's sent on the Voyage because his brother wants to get him away from the line of succession. He Jumps At The Call because he sees it as the chance to be a part of a big adventure. He spends the next couple of books running for his life in the company of Ryer Ord Star, who he may be crushing on, despite being aware of her Mole status. He arrives at Antrax's headquarters too late to help save Walker, then gets captured by Cree Bega and The Morgawr. He spends the last book being interrogated for information and watching Ryer change sides again to help The Morgawr, escapes because she creates a distraction for him, and is then confronted by Cree Bega who mocks him about Ryer's torture, possible rape, and suicide, before engaging him in a Knife Fight; this is after, in a previous scene, forcing Ahren to watch The Morgawr drain an entire ship's crew of their minds. By the end of the series, Ahren has no self-respect and no sense of his own worth left; he never goes home, and dies at the start of the next series with very little effort. From start to finish, his entire story is one big tragedy, and even in Voyage, he is the standout Woobie. At least he managed to kill Cree Bega.
 * This troper thinks he found the only character to ever invoke sympathy from him in an Ayn Rand story in Andrei Taganov of We The Living. The guy gets strung along by both his "comrade", Pavel, who manipulates the system and lives the life of a corrupt capitalist he supposedly hates while Andrei remains true to his ideology and is mocked for it; and by his "lover", Kira, who manipulates him into using his power and position to help her help her true lover, Leo. Later, he uses his power to get Leo out of prison and away from a death sentence, he is then stripped of his position in the Party and is Driven to Suicide, and Pavel makes a party of his funeral. In the end, Leo leaves Kira to become a gigolo and Kira dies while trying to cross a border, and I could say that I don't care about either of them, but is this what Andrei's sacrifice amounts to for those two assholes?
 * Violet, Klaus and Sunny Baudelaire from A Series of Unfortunate Events. No human being, let alone CHILDREN, should go through what happens to them. For the record: Parental Abandonment, pursuit by a greedy psychopath, kidnapping,  One almost wishes they died in the fire with their parents so they wouldn't be put through all this...
 * Lemony Snicket himself.
 * In The Obsidian Trilogy, Mercedes Lackey and James Mallory give us an 18 year old goatherdess named Vestakia. She spend her first ten years living with her mother and aunt in the howling wilderness well away from any sort of settlement. She spent the next four living just with her aunt. The four years after that she lived all alone save for some goats and convinced deep in her heart that any who got a good look at her and didn't try to kill her on the spot were planning to kidnap her and subject her to far, far, worse. Before anyone asks, the people who told her that last bit were neither evil nor insane;.
 * Eustace Scrubb is the resident Jerkass for a good portion of The Voyage of the Dawn Treader. Then he gets turned into a dragon, and suddenly your perspective on him changes. He's a different boy after he gets changed back by Aslan, but he still goes through his struggles and you still root for him all the way.

"The masthead's face became as soft as wood can manage, and tears of sap flowed down her face. She spoke to the moat around her. "Itto? Itto? Do you see how big and tall I've become? I'm a real ship now, not a silly broken raft. Aren't you proud of me?""
 * Oscar from The Brief Wondrous Life of Oscar Wao. He goes through every damn misery a kid can go through in New Jersey AND the Dominican Republic. Of course, his mother and his grandfather go through much of the same. Well, at least his grandfather doesn't have to live in New Jersey.
 * Satou and Misaki from Welcome to The NHK. Satou feels worthless most of the time and is a total screw up who tries to act like he's fine. Since the story is told from his first person perspective, "I should just die" comes up a lot in his internal monologue. Misaki is sort of a Stepford Smiler who goes from being cheerful to saying oddly depressing things that reveal how much she hurts. There are so many moments where I wanted to slap and hug both of them.
 * Becky, in A Little Princess.
 * Sara becomes one after her father dies. And then there's Ermengarde and Lottie... That boarding school is like a Woobie breeding ground.
 * If you read Speak in it's entirety and didn't have the desire to give Melinda a hug, you are not human.
 * The Great Gatsby himself. He falls in love with Daisy, fools around with her, is not able to marry her because of his financial status, is going to get rich enough for her liking just to have that taken out from under him by a Woman Scorned, earns his money in questionable fashion, and starts living the high life in order to get her attention...to find out that Daisy is married. You think that would be the end of that, but Daisy proceeds to encourage him to spend his money on beautiful dresses for her, sleeps with him more, manages to get him to take the blame for a murder just to cover her tracks, and finally is able to convince her to leave her husband. So, naturally, they live happily ever after, right? Wrong..
 * Several characters in The Underland Chronicles have tragic pasts, and the events of the series do not help.
 * It's not as apparent in the movie, but if you can read through the Novelization of Escape from New York and not see Snake as a Woobie, for your own sake, check to see if you have a pulse.
 * Dr. Goldpepper from the Galaxy Magazine short story Help! I Am Doctor Morris Goldpepper! A leading dentist, he was lured by aliens, with promises of glory, into servitude to aliens who meant to infiltrate us (maybe just to leech off of us, but maybe with more sinister aims), forced to make false teeth for the (toothless) aliens.
 * Nicci from Sword of Truth. Her mother, a Well-Intentioned Extremist, continually hammered the teachings of the strawman communists into her head: that beauty is useful only to a whore, and that her life is worthless without self-sacrifice. Her father was a successful businessman who genuinely loved her, but her mother convinced her that he was evil due to his capitalist ways. This sense of worthlessness, combined with her magical training, led her to become a Woobie, Destroyer of Worlds.
 * Oliver Twist. Of course Woobie and Heartwarming Orphan usually go hand in hand, it just seems like poor Oliver is the world's Chew Toy.
 * Greg Heffley. Poor, poor, torchered, ignored, adorable, Greg Heffley.
 * In Percy Jackson and The Olympians, every major character has some Woobie traits, but special mention goes to the Hades clan.
 * First up is Hades himself. Looks like a composite of every major dictator there is has been, but when we meet him, he turns out to be an innocent victim of bad press and framing by Dark Messiah Luke and Jerkass Ares. What's more, it's implied that he fathered Adolf Hitler. Makes a father proud, doesn't it? Then his daughter gets killed. We later learn that his brother tried to kill  And in the sequel series, his son, Nico,   No wonder this guy can be a jerk sometimes.
 * Second, we have Hades' son, Nico di Angelo. Caught in a Lotus Eater Machine since the 1930s, he starts off pretty pitable, but only gets more so when his older sister gets killed by a malfunctioning Talos. He flees to the Underworld, where he is duped by King Minos into thikning he could retreive her soul, but gets sealed in the Labyrinth by him when he outlives his usefulness. And he's twelve. It Got Worse in the sequel series. At 13 he learns that Bianca decided to  without telling him. Then he gets
 * Third, there's Nico's big sister, Bianca, who has the same backstory as Nico, but, as mentioned, gets killed halfway through a quest by a Talos. Which only attacks because she picks up an action figure to bring back to her beloved little brother (the Talos is designed to attack anyone who touches the items in the junkyard it guards). Even after death though, she's still trying to help and guide Nico as much as she can.
 * And finally, there's Hazel Levasque, the daughter of Pluto (Hades' Roman aspect) first introduced in Son of Neptune. Born in the 1920s, her mother struck a deal with Pluto that caused Hazel to . Because of this, she and her mother were more or less outcasts causing  . This might have ended happily with Hazel in , except that would mean her mother would have to go to  . So Hazel struck her own deal that they would both go to  , which ended up being a thousand times worse for her, because of her abilities thanks to being Pluto's daughter. Finally, after years, she is rescued by her half-brother Nico, who only rescued her because he couldn't find Bianca. Add to that the fact that most of her life was spent with her semi-crazed mother, a Disappeared Dad, a love interest who  , her half-brother's   and the fact that, despite all this, she is still one of the most helpful and good-natured characters in the series and you've got the biggest Woobie of a Wobbie-ful family.
 * Niall in the Wicked Lovely/Faery court series. He was in love with the Dark King, Irial. He didn't know that he was a gancanagh, that the mortals he had slept with were addicted and dying, until Irial tells him. He freaks out, and tries to leave the dark court. Irial sends his servant/gaurd to bring him back to the dark court, permantley scarring his face in the process. There, Irial gives him a choice- he gives the dark fey the mortals he has addicted or gives him himself. Niall gives them himself. This results in him being horrfically abused and on at least on ocaision raped by the dark fey. Most of the fans were absolutely horrorified by his admission of this and Niall was completley, irreparably broken by it. In the end, his sacrifices were for nothing; the mortals still died, pining away for the drug in Niall's skin. He goes on to put his trust in another faery king, Keenan, who lies to him about a mortal girl named Leslie who had fallen in love with. And who is kidnapped and used as an emotional conduit -and as something close to a willing sex slave- by Irial. Yes, THAT Irial. Even when he eventually frees Leslie, she leaves both him and Irial, leaving them with eachother. And then Irial forces Niall into kingship, subsequently turning him into the one thing he hated and feared above all else. His scars (of which there are many, both physical and emotional) are tragic, but they make him more endearing.
 * Leslie herself. If your older brother allowing his friends to rape you isn't bad enough, then try seeing things no mortal should and losing your emotions. Watching someone become a shell like that is heartbreaking, both for the readers and Niall (Notice how it comes back to Niall? Guy's the personification of woobieness.)
 * Keenan is something of a Jerkass Woobie, although the reasons why (aside from the curse his abusive mother placed on him, and the things he had to whilst under it) aren't quite clear.
 * Also on the Jerkass Woobie side of things is Irial himself; he is only doing what he has to for the dark court, but watching the dark fey abuse your ex-lover in the worst possible way can't be pleasant, esspecially not when it's technically your fault.
 * Donia, a girl transformed by the curse. She is forced to carry the winters cold, being mistreated and Manipulated by Beira all the while, and even when she eventually is freed of it has to see the one she loves in anothers arms; her and Keenan love eachother, but can never be together.
 * As hard as it may seem to believe, what with his habit of killing people and all that, but The Da Vinci Code's Silas is very much a Woobie. A passage in the book tells us of his background, and it is revealed that his Father was deeply ashamed of his son's albinism, blamed his Mother for it and beat her often, eventually killing her when Silas was seven. Silas was so guilty that he'd allowed it to happen that he killed his Father, before running away. Due to his appearance the other runaways wouldn't accept him, leaving him alone on the streets for years and years, growing into adulthood, never shown any affection, if people noticed him it was only because they were scared by the way he looked. After killing a docker who'd reminded him of his Father, Silas was sent to a hellhole of a prison where he was, again, rejected and taunted by his peers. He was able to break out when the prison was detroyed, and spent several days running, delirious with hunger and exhaustion with nowhere to go, until he finally collapsed. Upon being rescued by Bishop Aringarosa, he was overwhelmed with gratitude because it had been the first time in years and years that anyone had shown him any kindness, and Aringarosa had to name him, because he'd forgotten his real name, remembering only the insults he'd had to endure all his life. You can't blame him for being a touch unhinged, really.
 * Balram's dad in The White Tiger really kills this troper every time. He's been poor and miserable his entire life, is abused by the women in his family and puts all of his efforts into making sure Balram receives the education he needs to have a good life, only to die painfully on the floor of a government hospital of tuberculosis.
 * The Codex Alera has a couple: Araris Valerian and Rook. Araris spends most of the series getting kicked around in various ways, some of them very painful (at one point he basically disembowels himself) and Badass as he is, he still ends up needing to be saved several times. His backstory is superlatively woobieish, and he can't even catch a break when ; even Bernard snaps at him. Not that you could tell from how he acts. Rook, on the other hand, is the head of the intelligence service for the Complete Monster's Complete Monster Lord Kalare, and though she hates him and would love to turn on him given the opportunity, can't because . So she has to continue to work against the people who have become her friends during her time undercover, and doesn't even have the consolation of being able to cry about it, since that could make them suspicious.
 * Eeyore.
 * Tom Robinson in To Kill a Mockingbird.
 * Oh God... This Troper has read To Kill a Mockingbird at least a dozen times, and every time Tom is convicted, I start crying.
 * Jamie from The Demon's Lexicon. Let's see, a timid guy who just wants everyone to get along, unhappy at home, miserable at school, marked for possession by a demon, ...and his only friends apart from his sister are a Knife Nut and a Consummate Liar. Nothing ever goes right for Jamie. The boy needs a hug per chapter. At least.
 * Dillard from Kingdom Keepers. Basically, he's a Muggle Best Friend that quickly loses his best only friend once he becomes a DHI.
 * It's impossible not to feel bad for 'Cita in the second Petaybee book- she is first introduced just after she fled a cult to escape an Arranged Marriage to a man who held her and her mother prisoner for years. Her given name at that point is Goat-dung.
 * Sissy from A Tree Grows in Brooklyn. All she wants in life is to be a mother, but she gives birth to ten stillborn children (even more tragically, one was said to have died two hours after it was born).
 * No mention of Serena Butler from "The Butlerian Jihad" of the Dune books? Her woobiness bordered on blatant character abuse.
 * Cosette, from Les Miserables, before Valjean rescues her. after that, she's fine, but before...if you don't want to hug the little 8 year old you have no soul. she's never had anyone be kind to her, she's always dressed in rags and barefoot, even in the winter- working ever since she could crawl(part of this involves making warm, child sized stockings- for her foster sisters.) she's never given enough food, she's beaten constantly-even if someone else does one of her chores for her- and she watches other little girls play with dolls, while she works, or if she's very, very luck, gets a break to play with a tiny sword, smaller than her pinky. plus she's verbally abused day in, day out, and thinks that she doesn't have a mother. she doesn't get love. also, she's the size of a six year old, for added adorability.
 * when she first meets Valjean, she's outside, in the very, very dark, carrying a huge, heavy bucket, and she's soaked and cold. the first thing she does back at the inn is go back to work- she can't even warm herself by a fire. if that doesn't make you want to wrap her in a warm blanket, and give her the biggest, prettiest doll in the world, you are not human.
 * Most of the characters get this sooner or later. Valjean needs a hug every time he has those night-long angsts about what's the right thing to do (he always chooses the right and painful path). Also, poor Fantine needs deus ex machina so badly. Éponine, even if the fangirls made her an annoying Sue, is heartbreaking in the original. Azelma too when his evil dad makes her to smash a window and cut her hand. Also, Gavroche and his little brothers in the rain. Old Mabeuf who interestingly, takes a level in badass. Marius' poor father... *sniff* ... heck, even Inspector Javert could use a hug near the end, he's so confused and desperate.
 * Ginger from Black Beauty. Abused by nearly all of her owners before Squire Gordon bought her, and then just after she decided it was okay to trust humans, she was sold to a vain owner who tortured her (and Beauty, who is also a woobie) with a rein so tight she couldn't breathe while she was wearing it. If you can blame Ginger for going crazygonuts after a few months of that, you have no soul. It Got Worse: The next time we see her, Ginger's next progression of owners have treated her so badly that she's completely worn down, physically and mentally, and hoping that her owner will be merciful enough to just shoot her.   It's one of the most powerful depictions of animal cruelty in literature, and by God, it works.
 * Astrid Lindgren (in The children from noisy street) has a little boy who's even younger and weaker than Lotta (the little girl), and it is stated that she can beat him up easily. When she's asked why she hits him, she explains: "Because he's so cute when he cries."
 * Sublett from William Gibson's Virtual Light. Where to start with this guy? First, he's an albino who has to wear sunscreen and reflective contact lenses constantly to avoid sunburn and corneal damage. Second, he has to chew special medicated gum multiple times a day because he has such severe chemical allergies that even walking into a room where cleaning fluid was recently used could kill him. Third, he was born and raised in a bizarre Christian sect that worships movies and TV, which confines him to his mother's trailer home as part of a penance ritual after he watches Videodrome on a recommendation from a friend (David Cronenberg's work is considered a tool of Satan). The only reason you shouldn't try to give this guy a hug is that your perfume/deodorant might put him in the hospital.
 * Several characters in The Orphans Tales, particularly the Stars, although the eponymous orphan storyteller is a definite candidate. The one that sticks in my mind the most, however, is Itto, the Twin Star. He falls to earth and deliberately gives away his light so he can live among humans. All he wants to do is build a red ship, and as his materials are stolen bit by bit, a red boat, then a red raft... And then eventually the raft is stolen, he's beaten half to death, and then thrown into the ocean.
 * The knife really slides in when the little fox girl who's heard his tale and helped him die peacefully finds the remnants of Itto's raft. The raft had washed up on a shore and grown into a Ship-Tree, hoping one day he would come and find her. Upon hearing about his death:

""I did it," he said, reflecting. "When ladies used to come to me in dreams, I said, 'Pretty mother, pretty mother.' But when at last she really came, I shot her.""
 * Robert E. Howard's Conan story "The Tower of the Elephant" managed the impressive feat of turning an Eldritch Abomination into one of these. Yag-kosha was once a member of a race of beings from beyond the stars that journeyed to Conan's world after being outcast from their own world by their kings, and lived for many, many years, seeing a lot of the history of the world of that time, and dying one by one until only Yag-kosha was left, the Last of His Kind. He was worshipped as a god by the Khitans until he was found by Evil Sorcerer Yara, who wanted power, and who eventually tricked him into divulging a secret he had not meant to bare, turned the being's own power against him, and enslaved him. Over the course of three hundred years, Yag-kosha was tortured, blinded, horribly abused and made to serve the sorcerer's evil will, and such was Yara's utter cruelty that Yag-kosha was not even allowed to kill himself to be freed from his centuries-long torment. When Conan found Yag-kosha in the title tower, after revealing the above to the young thief and warrior, the creature bade Conan release him from his agony, in the only way a being like him could be released, as part of a "last gift and a last enchantment" to finally destroy his tormentor.
 * Surely Sebastian from Brideshead Revisited counts? His family betray him, Charles betrays him, Kurt gets taken from him by the Nazis and he falls from being a beautiful and lively young man to a hermetic hanger-on at some backwater monastery, with plenty of alcoholic misery in between.
 * Dominick Birdsey in I Know This Much Is True by Wally Lamb. The book deals primarily with his struggle with having an mentally ill twin brother but what else doesn't happen to the poor guy? Abusive childhood, losing a parent, a painful divorce after losing his only child, severely injured at his job, an AIDS scare...
 * And Dolores Price (later Davies) from Lamb's first novel, She's Come Undone. Her abusive father leaves her mother, she's raped at thirteen years old before comfort eating her way to obesity. Her mother is then killed by a truck and she goes to college, where she is bullied because she is fat. After that, she witnesses the death of a beached whale and attempts suicide herself, and then spends seven years in a mental hospital. If that weren't enough, she then finds love - with an emotionally abusive idiot, whom she marries, becomes pregnant, and he forces her to have an abortion. Then her grandmother dies... Wally Lamb is very, very good at writing woobies.
 * Peet the Sock Man from The Wingfeather Saga. Just -- Peet the Sock Man.
 * In the Twilight series, Bree Tanner. Turned into a vampire against her will, confused and terrified, then abruptly killed off after apparently finding someone who can help. Even people who aren't fans of the series may find themselves wanting to hug her, although of course YMMV.
 * How about Leah? The author initially paints her as being a bitter, sarcastic bitch, but it's not without cause. Her father dies of a heart attack, which may have been brought on by the shock of Leah and her brother Seth turning into werewolves. She loses her boyfriend to her cousin Emily, thanks to imprinting, essentially a werewolf soul mate detector. She is originally a member of Sam's pack, and since werewolf packs are all connected mentally while in wolf form, she is constantly subjected to Sam's thoughts about Emily. Fortunately, she breaks from Sam's pack and joins Jacob's, but that's not the end of it. She reveals to Jacob that the shifting to a wolf has stopped her menstural cycle, and she worries that this may prevent her from ever having children, imprinting, or being imprinted on. She also feels some insecurity about being the only girl wolf and wonders if this reflects badly on her femininity. Granted, she ends the series a hell of a lot happier and with some plans for her future, but she still had to deal with a lot.
 * , once you realize that she will grow up to be a little girl in an adult body, with the additional Squick of being expected to fall in love with her mother's ex-Love Interest. It's also kind of hard to not feel sorry for someone with such a horrible name.
 * Tom from Rot and Ruin. Forced to run away with his then-18-month-old brother, Ben, leaving behind his Stepmom and zombified Dad because of the zombie outbreak. He loses several companions along the way. Him and his group were half-starved and being chased by zombies before finding a refugee camp. Fast forward 14 years, he's a closure specialist, paid by people to kill their zombified friends and family, which is an emotionally draining job. Ben hates him and believes he's a coward for running away instead of saving his Mom. His love interest And close to the climax of the book he  At the end, he has to , and it's revealed that he
 * Fezzik from The Princess Bride. Bullied as a child, forced into pro wrestling by his parents (who also threatened him with abandonment if he refused), reviled by audiences, verbally abused by Vizzini...good thing he has Inigo to look after him.
 * For that matter, what about Inigo? He grew up being dirt poor, but he didn't care at all because he had his father and loved him. And then he watched as his father was murdered by a bastard of a nobleman and no one dared do anything about it. While he devotes his entire life to being the greatest swordsman ever, he also becomes an alcoholic, which he is taunted by Vizzini over. And when he finally finds, he is stabbed and is taunted with "You must be that little Spanish brat I taught a lesson to, all those years ago. Don't tell me you chased me all of this time, just to fail now".
 * Fitz Chivalry from Robin Hobb's Farseer and Golden Man trilogies. As one of the characters in the series remarks, Fitz is constantly either tearing around at a frenetic pace or lying in bed recovering from yet another injury. He also has pretty much every chance at happiness he seeks taken away from him, usually brutally.
 * Kyle from Beastly goes here by the end of the story. He quickly abandons hope of anyone loving him, but he does really love Lindy and want her to be happy. Because of this, and even though he continues to wish she'd refuse the offer and stay with him, he lets her go home to her father, with an open invitation to return to him as a friend instead of a prisoner. When she doesn't come back, he believes she secretly hated him and resigns himself to a life alone. And to top it all off, on the night he's going to be stuck a monster forever, he gets a vision of Lindy being dragged off by a shady drug dealer who's implied to want her for prostitution. He goes to save her and is fatally shot in the process, after an entire subway full of people see him and call him a monster. He refuses hospitalization and decides to die in an abandoned warehouse, just so he can spend a few more minutes with her. His last thought before dying is that at least Lindy's safe and that he wants just one kiss from her before he goes.
 * Arthur Dimmesdale from The Scarlet Letter. It's almost painful to watch this sweet, well-meaning, and intelligent man rip apart from the inside. YMMV, but this troper found very touching. He fits the physical description, too: pale, with huge, sad, Brown Eyes.
 * Kaladin from Brandon Sanderson's The Way of Kings. His family is, to the point of , whom he follows to try and protect, . As a spearman he continues to try and keep his squad alive, , and the ones who remain For this, . After being bought and sold numerous times and abused, he tries to use his surgeon knowledge to help a fellow slave,  He becomes part of a Bridge Crew in Brightlord Sadeas' warcamp, where . At one point, Kaladin nearly  due to his station in life, but comes out of it when . When he discovers a tactic that would save bridgemen's lives, , for which he is beaten and then left to die tied to a wall in a highstorm, . After which he is hated by the new officers in charge, who first put Kaladin's bridge crew on full-time chasm duty, then move their chasm duty to the night so they can be on full-time bridge running duty.
 * Needful Things's Nettie Cobb.  Also, Norris Ridgewick.
 * The Chaplain from Catch-22, who is constantly accused of doing things that he didn't do and doesn't have the courage to stand up for himself.
 * Kurt Wallander. He deals with the anguish due to shooting a man for the first time, suffers when, then his horrible bitch of a daughter and his even more horrible bitch of an ex-wife visit him and tell him what a failure at life he is. And he just sits there and takes it, looking sadder and sadder.
 * Poor, poor Lolita.
 * De Sade's Justine. Sweet, kind girl who just wants to be good, but everyone she meets who doesn't want to beat and/or rape her wants to do something worse, and usually gets to do it. Some say de Sade was trying to make a political point about how the rich and powerful mistreat the poor and weak, but one can't help feeling he just enjoyed it.
 * Beth March. The Ill Girl of the March family, painfully shy around men and even more painfully aware of her flaws, and in love with a man who doesn't love her back. And then it got worse.
 * It would be easier to say who isn't a woobie in Uncle Tom's Cabin.
 * Aaron Stampler from Primal Fear.
 * Though you wouldn't think it, Artyom from Metro2033 is very smart, very naive, and, solely because he lacks a socio/psychopathic streak, he's constantly kicked both sides of the world, Every two seconds, somebody says "It's up to you now." and he's got to do it, despite being quite scared of the Metro, not as strong as the many people still alive (Natural Selection in the works) and only doing it because he was   Plus, it would seem that the Metro itself is actively trying to kill him, as there's often some sort of unexplained noise, or gunfire, or strange phenomena just around the next corner. The worst part, though? There's literally nowhere else to turn. If he stops journeying to Polis, the Dark Ones will kill everyone in VDN Kh, when he keeps going on he's almost killed every few seconds in a bizarre way, and if anyone wants to reclaim the surface and leave all the weird stuff in the Metro alone, they'll have to cleanse the atmosphere first, 'cause there's a nuclear winter on. Oh, and if Artyom were to die at any point,   Really, at this point, a hug would be like trying to fix all the wounds of all the wars in all of time with a band-aid.
 * And let's no one forget poor little Vardaman from As I Lay Dying. Those five words and it's obvious he needs a big hug and maybe a foster family.
 * This may not be the best place to put her, but she has appeared in plays and epic poetry, so... Cassandra from Greek Mythology. A gorgeous princess, she turned down the advances of Apollo, who cursed her with the ability to make always-correct prophecies that no one would ever believe. She predicted the fall of Troy, but nobody believed her, and when it actually happened she was brutally raped, in a church no less, by Ajax the Lesser (don't worry, he gets his) and taken as a spoil of war, only for she and her kids to be murdered for no reason by Clytaemnestra.
 * In Death: Poor Nixie Swisher from Survivor In Death. Her best friend and entire family are murdered in one night, with only her surviving. That happened because she woke up at night to get an Orange Fizzy, hid when the murderers came in, and the murderers thought her best friend was her. If that makes you feel nothing for her, then you must as soulless as the murderers in this story.
 * Alex Rider. Starts the series as a perfectly happy, if somewhat unusual kid, then by the end of the year his uncle his dead, he's gone through horrific situations that no adults should have to go through let alone a child,
 * Many people are this in Skulduggery Pleasant. The biggest probably are:
 * Fletcher, especially as of Death Bringer.  Also in Faceless Ones he was kidnapped and implied to have been briefly tortured until he complied with the villains, and it was also hinted he might have issues with his father.
 * Valkyrie, who ends up going through a lot of beatings, torture, watching friends die and general unpleasantness despite only being a teenager.
 * Skulduggery himself. His wife and child were killed in front of him, then he himself was brutally killed and came back as a skeleton. This along with the horror of war pretty much made him snap, . His insanity starts to show in Dark Days, after being tortured by The Faceless Ones for the good part of a year.
 * The Prince of Wales in The Prince and the Pauper. While Tom Canty was having a high old time pretending to be him, he was off being beaten by a jeering mob, followed by a similar beating from Tom's father and grandmother. Then after escaping their clutches and a brief respite with Miles Hendon, Tom's father recaptured him and, after fleeing said father and the gang of ruffians he'd joined up with, he was nearly killed by an insane hermit with a grudge against the king. Then Tom's father found him again and, after he was rescued again by Miles Hendon, they arrived at Hendon Hall only to be thrown into prison by Hendon's corrupt brother and forced to witness two women being burned at the stake. Sure, they were released and he managed to switch places with Tom again and it all gave him a keener appreciation for the hardships of the less privileged, but he was only fifteen at the time and a ruder awakening to reality is hard to imagine.
 * Haywood from Tales of the Frog Princess. Let us count the ways. Mother died, horrible father, siblings afraid of him because he's a wizard, can't do the type of magic he wants, his girlfriend's (the one good thing about his adolescence) mother turned him into an otter, he finally turns back but has trouble re-adapting, making him even more awkward and shy than before, and his girlfriend is cursed, turning her into an ugly nasty hag who hates him, and it's almost a year before the curse is broken and he finally gets to marry her. On top of all of that, he's probably in his forties when he finally has a son, and seeing as how this is the middle ages, he'll probably die when his son is in his twenties, or even still a teenager! In short, Haywood's life sucks.
 * Chartreuse is a Jerkass Woobie. She's borderline emotionally abusive to her daughter Emma, and has a loathing of magic (Emma's a witch)... but this is because Emma resembles Chartreuse's younger sister Grassina, who's a witch, even though Chartreuse tried and tried for years to become a witch. As a result, Grassina was the favorite of their own horrible mother. Whether you like her or not, it's sort of hard not to feel a twinge of sympathy for her.
 * Peter Pan gives us Tootles, the unfailingly sweet, ever-miserable, Born Unlucky Lost Boy. When he accidentally shoots Wendy and thinks she's dead, we get this memorable Tear Jerker:
 * Peter Pan gives us Tootles, the unfailingly sweet, ever-miserable, Born Unlucky Lost Boy. When he accidentally shoots Wendy and thinks she's dead, we get this memorable Tear Jerker:


 * Sarah Heap in Septimus Heap. After losing some of her children all the time, you really feel sad for her.
 * Hans Christian Andersen's "The Little Match Girl" also fits this mould. Afraid to go home and face her father after failing to sell any matches, she is reduced to huddling by a wall and striking her matches in an attempt to keep warm. The story ends with her being found frozen to death.