Transamerica



"After my operation, not even a gynecologist could tell there's anything out of the ordinary with my body. I will be a woman."

- Bree Osbourne

A 2005 film directed and written by Duncan Tucker, Transamerica starred Felicity Huffman just after her success on Desperate Housewives. Huffman received an Academy Award nomination for her role.

Bree Osbourne, formerly Stanley Osbourne, is a transwoman with a week before her big operation. However, she soon discovers that she has a son named Toby. Her psychiatrist, upon hearing of this, refuses to grant her consent for the surgery and forces her to connect to Toby. Thus begins a rather interesting road trip from Los Angeles to New York and back again.

Although some consider it to be decent, many people in the transgender spectrum accuse the film of being stereotypical about it's portrayal of transsexuals; so if you don't know much about transsexuals, you should be cautious about watching this.

This film features examples of:
"Bree's Mom: "He's still a boy!""
 * Ambiguously Gay: Toby. While he spends most of the film talking about (and having) sex with men, it's pretty clear his sexuality is largely targeted at whomever will give him the most attention and/or money, and there certainly aren't a lot of women soliciting teen boy hustlers. Of course the point might all be moot, since Toby's so fucked up emotionally that he might not have a true orientation at all.
 * Armor-Piercing Question: A little girl asks Bree out of the blue, "Are you a boy or a girl?"
 * Badass Native: Toby thinks his dad is this, including a continuing belief that he's an Indian of some sort. Too bad for Toby, he's not.
 * Bowdlerized: Lifetime replaced "dick" with "thing" repeatedly. Because that's the only thing that Moral Guardians hate about this movie.
 * Braids, Beads, and Buckskins: Subverted. Toby is surprised that Calvin, a Native American man who falls in love with Bree, would wear a cowboy hat. Calvin responds that it keeps the sun out of his eyes better than a feathered headband.
 * Buffy-Speak: "I can still see the Stanley in you. But it's like you put yourself through a strainer and got rid of all the boy pulp!"
 * The Comically Serious: Bree is hysterically prissy and uptight, which is perfect for a road trip movie across the Great Plains.
 * Cool Little Sis: Sydney.
 * Crotch Grab Sex Check:

""Eat your vegetables. You might wanna use a fork. Just an idea.""
 * Dan Browned: Everything to do with Bree's psychologist refusing to authorize her SRS: there's no way SRS could be scheduled before the psychologist approves it, and no competent doctor would refuse to authorize SRS for that reason. Since transition is such a complete mystery to the general public, most people wouldn't realize just how unrealistic the setup is.
 * Deadpan Snarker: Bree.

""She's like a Jesus freak or something. She'll probably try to convert you." "She can convert me anytime she likes.""
 * Depraved Bisexual: Toby is a prostitute who snorts any substance he can find and whose dream it is to make it into porn. He really doesn't care what sex he sleeps with, so long as they can be with him for that moment.
 * Different for Girls: Avoided; Bree is well-adjusted psychologically as a woman.
 * Dropped a Bridget On Him: Besides the obvious, Bree disparages a lady in pink for never being able to pass as a woman. Her friend turns to Bree and says, "Check your T-dar, honey. She's a...genuine girl. That's the Mary Kay lady."
 * Easy Sex Change: Averted; the movie starts when Bree's psychiatrist refuses to authorize her sex change unless she reconciles with Toby.
 * And in the opening voiceover of the film, we hear Bree discussing the sheer number of things she's had to go through to look even remotely feminine, including three separate face operations.
 * Then she has to get electrolysis to remove those last few pesky nose hairs.
 * An example of Reality Is Unrealistic. Very few trans women ever have any kind of facial surgery - it's the magic of hormones.
 * Fan Service: Kevin Zegers (Toby) gets naked several times, to the point that his body could be considered the third main character. The Peyote Shaman offers some great views too, including a full frontal. By contrast we also see Bree's penis.
 * Freudian Excuse:.
 * Grammar Nazi: Bree criticizes Toby for unnecessarily peppering his sentences with the word "like".
 * Heteronormative Crusader: Bree's mother hits just about every trope on the page.
 * Hooker with a Heart of Gold: Toby.
 * If You Know What I Mean:


 * Insane Troll Logic: Toby's explanation of why The Lord of the Rings is gay.
 * Lampshade Hanging: People throughout the film mistake Bree for Toby's mother. And then there's the time Bree's sis.
 * Law of Inverse Fertility: Bree is a complete virgin except for one time in college... If the math isn't adding up in your head, Stanley supposedly spent ten years in college without ever getting a degree.
 * Luke, I Am Your Father: We know that Bree is Toby's father, but he doesn't.
 * Missing Mom:.
 * Nice Hat: Calvin goes into the language of cowboy hat setting.
 * Progressively Prettier: Intentionally done with Bree. She starts out the film wearing ludicrous amounts of make-up to show that she's trying too hard to look female. Later when the duo's, she has to stop wearing so much, and her natural femininity shines through.
 * Recursive Crossdressing: Bree is played by a woman playing a man on his way to becoming a woman.
 * Skewed Priorities: After Bree rescues Toby from a life of street prostitution and drug abuse, and after showing her his disgusting hole-in-the-wall of a room, Toby reveals his ambitions for a future in porn. When Bree looks (understandably) upset, Toby's greatest concern is that she not think he's a bottom.
 * Transsexualism
 * Unresolved Sexual Tension: Bree and Calvin Manygoats are adorable together, and Calvin even gives her his number after she leaves. Now the question is just whether or not he could accept her past.
 * Transsexualism
 * Unresolved Sexual Tension: Bree and Calvin Manygoats are adorable together, and Calvin even gives her his number after she leaves. Now the question is just whether or not he could accept her past.