The Celebration



The Celebration (Festen) is a 1998 Danish movie directed by Thomas Vinterberg and was filmed according to the minimalist Dogme 95 guidelines.

Helge, a respected businessman, gathers his family and friends for his 60th birthday. Amongst the guests are his wife Elsa and his three children Christian, Helene and Michael. The family is still recovering following the suicide of Christian's twin sister Linda.

As guests arrive one-by-one, the action moves into the dining room where the celebration is about to begin. And then Christian stands up and prepares to make a speech. However, he gives his father a choice. Does he want a yellow speech or a green speech? After being coaxed by his guests, Helge settles on the green speech, which Christian has dubbed the "honest speech". Little idea does the guests have about what kind of dark family secrets that are going to see the light of day.


 * Awful Truth
 * Based on a Great Big Lie: Vinterberg stated that the story was inspired by story told by a caller to a phone-in show which subsequently turned out to be a hoaxer.
 * Berserk Button: Helge... Christian... Michael... deeply suppressed rage runs deep in this family.
 * Big Screwed-Up Family: It's like watching a a gigantic familial pile-up.
 * Black Comedy: This is sometimes injected into conversations, often as a result of severe Mood Whiplash.
 * Black Sheep: Subverted slightly by Helene.
 * Calling the Old Man Out: The whole point of this movie.
 * Dead Little Sister: Or in this case, twin sister.
 * Driven to Suicide: Linda.
 * Jerkass: So many to choose from... but Michael remains undisputed king by the end of the movie.
 * Minimalism: Well, it is a Dogme film.
 * Mood Whiplash: You're laughing, you're cringing, you're creeped out, you're appalled, you're crying.. and hey, you're laughing again!
 * Rape as Drama
 * : Helge
 * Sibling Rivalry: In spades.
 * Squick: Not visually, but certainly thematically.
 * The Unfavorite: Michael, again.
 * Villainous Breakdown:
 * "Well Done, Son" Guy: Michael takes this trope to disturbing levels.
 * While Rome Burns: The film's all about denial, which is how a lot of the guests are still able to carry on partying despite the family's implosion.
 * While Rome Burns: The film's all about denial, which is how a lot of the guests are still able to carry on partying despite the family's implosion.