An American Tail

A collaboration between Don Bluth and Steven Spielberg, An American Tail starts off on Hanukkah in 1885, opening in a Russian schtetl. The camera pans past the house belonging to the human Moskowitz family to reveal a tiny duplicate house inhabited by the Mousekewitz family. They are Jewish-Russian mice who are forced to escape persecution after their village is destroyed in a pogrom by Cossack cats.

Believing in the American dream they head to New York City by boat because "there are no cats in America, and the streets are paved with cheese." The hero, a little mouse named Fievel, is washed overboard in a storm, and his search for his family, who believe he is dead and therefore aren't looking for him, forms the bulk of the film. Once arriving in America, all mice immediately discover that there are indeed cats in America. They begin living in a typical late 19th century immigrant manner: working in a sweatshop, living in horrible conditions, being extorted by gangs and living in constant fear of being eaten.

Such is the plot of the most popular animated film of the 1980s that doesn't involve a singing crab. It was a surprise hit at the box office in 1986, and it became the highest grossing animated film of all time, much to Disney's sheer horror. It would keep this title until the debut of the next Don Bluth film, The Land Before Time. One important thing to come of all this was that the film displayed that animation could still be profitable at a time when the industry was in a slump, and caused Disney to step up its game in face of the competition. So in a way, this very film triggered a chain reaction that brought about The Renaissance Age of Animation.

Tellingly, more people remember the song "Somewhere Out There" than, say, the immigrant struggle aspect.

Almost as well known is the Lighter and Softer Contested Sequel, Fievel Goes West, in which the Mousekewitz family leaves New York for the Wild West (made without Bluth's involvement, but with Spielberg still on board), but largely forgotten is the short-lived TV series in the same setting, and two additional Direct to Video sequels (The Treasure of Manhattan Island and Mystery of the Night Monster) that played hard and fast with the established continuity, and had no involvement from the original creators. Have we mentioned that Don Bluth films tend to suffer from this sort of thing?.

Series-Wide

 * All Animation Is Disney: This is not helped by the fact that An American Tail and its sequels were regular showings on Toon Disney, or the fantastic Award Bait Song similar to the ones that Disney became so well-known for in subsequent years.
 * American Dream
 * American Title
 * Animal Jingoism: Cats vs mice; though its used as a metaphor.
 * Are We There Yet?: Fievel asks this on the boat ride to America in the first movie, and on the train ride out west in Fievel Goes West.
 * Armed with Canon: Fievel Goes West, the Lighter and Softer first sequel which Don Bluth wasn't involved with, seemed to take a few shots at the first movie (such as Tanya getting tomatoes thrown at her for singing "Somewhere Out There", and New York turning out to be a Crapsack World), and in general carried itself as if Lighter and Softer equaled better. Then the third movie came along, with yet another different team of writers. Fievel wasn't out west anymore, but in New York, and the writers decided to throw in a Wham! Line about Fievel having a dream where he moved out west, implying that the second movie is now Canon Discontinuity. They then proceeded to erase the Love Interest of Tony Toponi from the first film and pair him with their new character (which didn't even work in-story).
 * Art Evolution: And in its sequels, devolution. Take this, for instance.
 * The Artful Dodger: Tony Toponi, a streetwise orphan mouse.
 * Award Bait Song: "Somewhere Out There" in the first movie. They tried to do it again in the sequels, "Dreams to Dream" from Fievel Goes West being the only other remotely successful attempt, as it also received a Linda Ronstadt cover.
 * Barefoot Cartoon Animals: Most of the mouse characters.
 * Beast Fable: They're not just mice. They're immigrants.
 * Big Applesauce
 * Big Brother Instinct: Fievel, most notably in the first 5 minutes of the first movie.
 * Blessed Are the Cheesemakers: This is Mouse World after all.
 * Carnivore Confusion: Of the "Predators Are Mean" and "they could become vegan if they really wanted" varieties.
 * To be fair, at least some of the cats do human-like evil things to the mice such as or selling them to sweatshop labor factories rather then eating them.
 * Cats Are Mean: As stated elsewhere, Don Bluth is probably a dog person. Although Tiger is a nice guy.
 * Don Bluth said once in an interview that "We knew that if we were going to say "all cats are bad," we wanted to have at least one "good" one...and that's Tiger."
 * Crowd Song: Three: "There Are No Cats in America", from the first movie, "Way Out West" from the second, and "We Live in Manhattan" from the third.
 * Depending on the Artist: The art style varied greatly in the sequels. The only two movies in the series with nearly the same animation style are the direct-to-video sequels (there are only subtle differences between the two since the third film was a co-production with Tokyo Movie Shinsha (now known as TMS Entertainment) while the fourth one was shipped off to by Tama Productions). Even then, Tanya still somehow managed to look completely different in both movies (she's the character who goes through the most extreme design changes from movie to movie).
 * Expressive Ears: Fievel's ears seem to move around the most, going down when he's sad and up when he's alert or listening for his Papa. At least when his hat doesn't get in the way.
 * Four-Fingered Hands
 * Hair Decorations: In the first movie and for the rest of the series. Especially in the first movie for Tanya, who without her babushka looks like she could be Fievel's twin sister. Bridget provides a rare example of this trope being played on a older (teen-aged?) character. And later in the series Yasha sports a large pink bow.
 * Half-Dressed Cartoon Animal: The cat characters.
 * Historical Fiction
 * Humanoid Female Animal: Bridget is the best example in the first movie (even having flesh-colored, very human-looking hands), the sequels do it more though. Female characters tend to have much smaller hands and feet in the series.
 * Informed Judaism: Fievel's Jewishness is barely touched upon really. If you weren't paying attention you might not even know that they are celebrating Hanukkah at the beginning of the first movie, or notice the Yiddish text on the briefly-seen memorial the family has for Fievel when they think he's dead. And their Jewish heritage is all but buried in the sequels.
 * Of course, that may just sadly be a case of Truth in Television, as emigrating in those days more often caused families to forget their old culture.
 * On the plus side, Papa is basically the mouse equivalent of Tevye.
 * The Kids Are American: Mama and Papa have Russian accents, while Fievel and Tanya don't. This might be more believable if they didn't already have the American accents before moving to America.
 * Limited Wardrobe: Applies to most of the characters. Fievel's always got his red sweatshirt, blue pants and iconic hat. Granted, he turns it inside out and it becomes a cowboy hat (somehow) in Fievel Goes West and he wears a yellow neckerchief. Averted entirely with Tanya.
 * Mouse World: A world which even has its own equivalent of human legends; the "Giant Mouse of Minsk" is an obvious allusion to the Golem of Prague.
 * My Species Doth Protest Too Much: Tiger
 * Nice Mice
 * Not Even Bothering with the Accent: See Fake Russian in the Trivia tab.
 * Odd Friendship: Fievel and Tiger.
 * Panty Shot: Tanya has a tendency to show off her white bloomers - though arguably in an innocent manner (except in her saloon getup in Fievel Goes West, where they seem to serve as a G-rated substitute for the more revealing garments worn by real-life saloon girls).
 * Pun-Based Title: "Tale". "Tail". Get it?
 * Most of the overseas translations weren't able to incorporate this trope, but the German version, Feivel Der Mauswanderer, pulled it off (the word for emigrant is "auswanderer", so add an 'm' and it becomes a cute mouse pun).
 * Punny Name: The villains Warren T. Rat (warranty) and Cat R. Waul (caterwaul). The fourth film had Reed Daley (read daily), a newspaper editor.
 * Then of course there's the mouse puns throughout the series. Mousekewitz, for example, is based on the real Russian-Jewish surname Moskowitz (seen at the start of the first movie).
 * The Renaissance Age of Animation
 * Setting-Off Song: "Never Say Never" and "Way Out West."
 * Species-Coded for Your Convenience: Mice are good; cats are generally evil with a few exceptions.
 * Species Surname: Though they get creative with it. Mousekewitz, Toponi, etc.
 * Spell My Name with an "S": Fievel's name is listed as 'Feivel' in the beginning credits of the first movie, which is the correct yiddish spelling. The spelling was changed to 'Fievel' to avoid confusing American audiences who might otherwise pronounce it as 'Fay-vel', but in other countries where the movie was released the 'Feivel' spelling was left intact.
 * Stock Animal Diet: Mice eating cheese, cats eating mice.
 * Unnamed Parent: Fievel's parents are known only as "Mama" and "Papa".
 * An episode of Fievel's American Tails in which Fievel's Aunt Sophie comes to visit gives Papa the name Bernard. That's if you count anything from the TV series as canon, because it even contradicts Fievel Goes West at times...
 * Weirdness Censor: Not once do the humans ever find it odd that they're surrounded by talking, clothed mice and cats. Not to mention no one notices the Giant Mouse of Minsk either. This continues in all other sequels and adaptations, stretched to even more ridiculous heights in all three sequels.

An American Tail

 * Absurdly Spacious Sewer: Complete with the hideout of the Mott Street Maulers (containing a piano, tables, and other odd things that don't belong in a sewer), a big room with discarded bird cages, and a weird...bug-eating..reptile...thing...
 * This is 1885 we're talking about. Sewers in New York were that big because they needed to be large enough for maintenance people to move around down there.
 * Also justified in that the characters are mice and cats so everything is bigger than what a person would experience.
 * Accidental Kiss: Tony accidentally kisses Bridget as they stare at each other thanks to an accidental push by Fievel.
 * Alcohol Hic: Honest John.
 * Aluminum Christmas Trees: The Statue of Liberty's golden yellow color in the film wasn't just artistic license; when the statue was first built it really was that color. It slowly rusted to its current green color over subsequent decades.
 * Anachronism Stew: A group of children are shown reciting the Pledge of Allegiance which wouldn't be invented until 1892, and they add 'Under God', which wouldn't be added until 1951. And they have their hands over their hearts (due to Unfortunate Implications they couldn't have had them using the original salute, which was the original form of the Nazi salute). The majority of the movie takes place in 1886-ish.
 * An Immigrant's Tail
 * Ass in a Lion Skin: Warren T. Rat
 * Award Bait Song: "Somewhere Out There" is definitely one of the best-known examples, and probably the Trope Codifier.
 * Bedsheet Ladder: Fievel uses this to escape a sweatshop, freeing the rest of the workers as well.
 * Beneath the Earth: The Mott Street Maulers' hideout.
 * Big Shadow, Little Creature: Done while Fievel is aimlessly wandering through the city. Fievel's shadow takes up a whole wall.
 * Birdcaged: Warren's gang puts Fievel in a bird cage when they capture him, but Tiger lets him out.
 * Brats with Slingshots: Tony Toponi,
 * Break the Cutie
 * Cat Stereotype: Tiger (orange) is the one good cat. In the first sequel his love interest is light grey.
 * Chuck Cunningham Syndrome: Yasha Mousekewitz, the baby who inexplicably disappears midway through the movie. (She comes back in the sequels however.)
 * It's kind of Fridge Horror when you think about the mortality rate of babies during the 19th century, especially the babies of immigrants during those times!
 * That, and mice are known to eat their own young in times of famine.
 * Watching the movie, I got the impression they left her at home, possibly with someone to watch her. They didn't want an infant in such a dangerous situation as the one at the pier.
 * City of Cheese: What America must be like.
 * Contrived Coincidence: Fievel gets washed overboard in a raging storm in the middle of the Atlantic Ocean. Instead of drowning, he somehow ends up inside a floating glass bottle, which somehow ends up washing ashore right onto Ellis Island, which coincidentally is of course near New York, where Fievel's family was headed. Luck and the ocean currents were definitely on little Fievel's side, apparently.
 * Covers Always Lie: The cover of the DVD release features Tanya as she appears in the sequel Fievel Goes West. Probably because she's prettier to look at.
 * Crapsack World: Russia and New York are essentially portrayed as this. New York gets worse in the sequel.
 * Cue the Rain: As Fievel, all alone, curls up in Orphan Alley to cry, it starts to rain.
 * Cut Song: Fievel was supposed to have another song in the sweatshop.
 * Digital Destruction: The DVD release was horribly tampered with, as is discussed on this forum. Background music and sound effects were changed or added, new voice-overs were inserted, and the orphans who bully Fievel near the end have different voices (though at least the added/alternate dialogue was from the original recording sessions, even for the orphans - if you look at the lip sync of the animation, you can see that their mouth movements match the voices on the DVD version. It still doesn't excuse it, though).
 * Disney Acid Sequence: "We're a Duo", Fievel and Tiger's ode to The Power of Friendship, vaguely resembles one of the music videos from Michael Jackson's "Off the Wall" album.
 * Disney Villain Death: Well, sort of.
 * Distant Duet: "Somewhere Out There" is probably the Trope Codifier for this too.
 * Distracted by the Sexy: Tony, the instant he catches a glimpse of Bridget.
 * Dreadful Musician: Warren T. Rat plays a very cringe-worthy rendition of "Beautiful Dreamer" on his violin during the sewer scene. He claims it's because "his nose keeps getting in the way".
 * Early-Bird Cameo: Tony gets one when Fievel is first sold into a sweatshop, and later as the sweatshop employees are in bed one of the orphans who shows up much later in the movie can be seen.
 * Earn Your Happy Ending:
 * Pretty much applies to all the mice. They only get peace when they take the initiative to actually drive the cats away.
 * Eek! A Mouse!: One of the few times a human even notices the mice is when Fievel gets stuck in a woman's phonograph player, and she shrieks and throws things at him.
 * Elmuh Fudd Syndwome: Gussie "Wewease ze Secwet Weapon" Mausheimer. Voiced by Madeline Kahn who recycled the voice from the character she played in Blazing Saddles.
 * Failed a Spot Check: Fievel and his family keep missing each other when they're nearby. Perhaps the most frustrating time is when Fievel is at the podium at a rally that all the mice in New York are at, and his sister Tanya can't see him because someone's hat is in the way.
 * Fantastic Racism: The mice represent the disenfranchised races of the world, and the cats represent their oppressors. In Fievel's Russian hometown, the cats are antisemitic Cossack raiders. In Sicily, they're gangsters. And in Ireland, they're the British.
 * Good Smoking, Evil Smoking: Warren T., the main villain, smokes a cigar. So does Honest John.
 * Gorgeous Period Dress: On the more wealthy female characters.
 * Gone Horribly Right: The mice manage to stop the Giant Mouse of Minsk robot from being released early... only to have to release it immediately after it stops.
 * Gravity Is a Harsh Seamstress: After being hurled out a window by a frightened lady, Fievel falls through a sock hanging on a clothesline that had a hole at the end, and then grabs onto a hanging head scarf, using it to parachute the rest of the way down.
 * Gut Feeling: "I just have this feeling - like Fievel's alive!"
 * Grass Is Greener: In America!
 * Gray Rain of Depression: When Fievel cries during the scene when he's at Orphan Alley.
 * Heartwarming Orphan: Though Fievel is not literally an orphan he plays the part well enough. Bridget and Tony are also this, to some extent.
 * Herbivores Are Friendly: Tiger, a Vegetarian Carnivore, is the only nice cat in the film. He befriends Fievel after confessing that his favorite food is broccoli.
 * Hope Spot: Fievel has these several times throughout the movie, only to have his hopes of finding his family dashed to pieces again and again.
 * Humongous Mecha: The Giant Mouse Of Minsk is only about the size of a motorcycle, but that's still pretty damn big when you're a mouse or cat.
 * That's somewhat debatable, even in comparison to the mice and the cats it looked to be about seven to eight feet tall at the very least.
 * Impossible Shadow Puppets: Papa is somehow able to pull off a convincing Giant Mouse of Minsk with his hands at the beginning of the film.
 * Infant Immortality: Applies to the sheer amount of cat attacks Fievel's been able to walk away from unharmed.
 * Ink Suit Actor: Tiger bears a resemblance to his voice actor, Dom De Luise.
 * It Got Worse: The mice from various countries, fleeing oppression in their homelands at the hands of cats, in the belief that in America prosperity is plentiful and cats are scarce. Needless to say, their troubles don't end upon reaching the docks.
 * "I Want" Song
 * I Will Find You
 * Kick the Dog: We know Warren is evil after he sells Fievel into a sweatshop for 50 cents.
 * Kids Are Cruel: The kids Fievel meets in Orphan Alley convince Fievel that he'll never find his family, and then shove him into a puddle and throw hay at him so he can make a bed.
 * Kill It with Fire:
 * Living Statue: Apparently the Statue of Liberty is one. It winks at Fievel at the end.
 * Long Bus Trip: Or in Warren's case, a long ship trip, as he's shipped off to Hong Kong and never returns in the sequels.
 * Well... Warren and his gang realized that Hong Kong would have millions of mice waiting for them, so they actually liked the idea of being sent there. Could that be interpreted as a weird case of Karma Houdini?
 * You DO know what happens to cats there, right?
 * Not to mention the only guarantee that there are lots of mice in Hong Kong is Warren's word, which on top of being less than trustworthy was also worded an Ironic Echo of the thoroughly-disproved "There are no cats in America" statement: "There are plenty of mice in Hong Kong."
 * Lost at Sea: Fievel gets washed overboard, and floats to New York in a bottle.
 * Love At First Sight: Tony and Bridget instantly falling in love.
 * Male Frontal Nudity: During the two scenes in which Fievel is bathing. You don't see anything of course. Though we're treated to an extended shot of Fievel's bare little behind as he bends over to look into a storm drain with his pants falling down.
 * Manly Tears: Papa sheds them.
 * Melancholy Moon
 * Missed Him by That Much: Over, and over, and over. The movie even provides the page picture.
 * Mood Whiplash: Just the song "There are No Cats in America", in which each character gives the tragic story of what the cats did to them in their individual homelands...but...but there are nooo cats in America!
 * Mouth Cam
 * Mysterious Middle Initial: Warren T. Rat, and in the sequel, Cat R. Waul (John Cleese). Though the middle initials in both names are there to create a pun.
 * Most viewers probably assumed that the "T" stood for "the."
 * Perhaps a pun on the word "warranty" that he is definitely a rat. Ha, irony!
 * The Name Is Bond, James Bond: Fievel introduces himself to Henri the pigeon as "Fievel, Fievel Mousekewitz." He introduces himself this way a few times in the sequels as well.
 * Nice Hat: Fievel is given one for Hannukah at the beginning. Because it's his only link to his family, many an Indy Hat Roll ensues. One of the first causes him to be swept off the ship.
 * Funny thing is, the hat seems to vanish an reappear on occasion. It's a pretty important object to have so many continuity errors.
 * No Cartoon Fish: The herring and "sewer shark" are drawn photo-realistically—but then again so are the humans.
 * No Celebrities Were Harmed: Honest John is a pretty blatant parody of "Boss" Tweed.
 * Not Even Bothering with the Accent: See Fake Russian in the Trivia tab.
 * Novelization: Yes, there was a novelization. There were a few noticeable plot changes (Fievel is in the sweatshop for much longer, Fievel and Tony search for Fievel's parents a while before he meets Bridget, and other things that never made it into the movie.) Excerpts from the novelization were given away at McDonald's.
 * The One Who Wears Shoes: Bridget in the first movie (though in a continuity error, she is barefoot in a couple scenes). Tanya also dons a pair of slippers in a few scenes of the sequel.
 * Orphan's Ordeal: Really.
 * Parental Bonus: Warren T. Rat quotes Shakespeare (albeit in hilarious Malaproper fashion).
 * Paper-Thin Disguise:
 * Parasol of Prettiness: Bridget has one when Tony first meets her.
 * Pep Talk Song: "Never Say Never"
 * Police Are Useless: Policemouse: "We've got to do something about those cats." Honest John: "Besides paying Warren T. Rat for no protection."
 * Reality Subtext: Fievel was the real name of Steven Spielberg's immigrant great-grandfather.
 * The Reveal:
 * Ridiculously Cute Critter: Fievel and Tanya. This is a Bluth film, after all.
 * Rotoscoping: This was used to animate all of the humans appearing in the film, as well as the Giant Mouse of Minsk, while the mouse characters were drawn from scratch.
 * Sad Times Montage
 * Say My Name: Papa screaming out "FIIIIIEEEVEEEELLLL!!" at a couple different points, Fievel also shouts "Papa!!!" numerous times.
 * Scarecrow Solution: The Giant Mouse of Minsk
 * Shrine to the Fallen: Fievel's parents make a shrine to him in their new home because they think he's dead.
 * The Scottish Trope: For some reason the mice think the cats are more likely to come after them if they say the word 'cat' too loud.
 * Sequel Hook: So blatant it was used in the trailer for its sequel Fievel Goes West; when Fievel points to the horizon and asks if he can go see more of America, his pigeon friend Henri answers "Someday, you will!"
 * Shout-Out: The attack on the mouse village in Russia and a couple of background phrases overheard at Ellis Island are shout outs to Fiddler on the Roof.
 * To Shakespeare: Warren T. Rat is fond of incorrectly quoting Shakespeare. His accountant Digit seems to know the quotes better than he does.
 * Shown Their Work: The Mousekewitz family is processed through the mouse version of Castle Garden, Ellis Island's lesser known nineteenth century predecessor.
 * Sleazy Politician: "Honest" John. His sleaziness mainly consists of assigning "ghost votes" to deceased mice (votes which naturally automatically go to him), making sure his name is attached to the effort to exile the cats terrorizing New York when without Fievel and Gussie Mausheimer it would have never happened, and being drunk all the time.
 * Small Annoying Creature: Digit
 * Snooping Little Kid: Fievel was being a Snooping Little Kid when he snuck into the secret hideout of the cats and found out Warren T. Rat
 * Stock Footage: Some of the cats are reused bits of Dragon from The Secret of NIMH, and they all appear to owe quite a bit to his terrifying "cats as seen by mice" design. Additionally, there are moments where both the Cossack Cats and the Maulers who raid the market are the same animated cats with wardrobe changes.
 * Street Urchin: There are quite a few in New York, and Fievel nearly becomes one himself.
 * Take My Hand: Papa tries to grab Fievel's hand after he slips onto the deck of the ship. Sadly, Fievel's sleeve rips and he ends up washed overboard.
 * Token Romance: Tony and Bridget
 * Unusually Uninteresting Sight: All over the movie. The woman who screams at Fievel when he gets stuck in her phonograph player is more scared that he's a mouse, taking no notice that he's dressed in baggy pants, a big sweater and a poofy hat, and he's bipedal. Happens quite a bit in the sequels too, for example, at Cat R. Waul's saloon.
 * Then of course there's the two humans at the park who walk right past the rather loud mouse rally taking place.
 * Wasted Song: For some reason the jazzy background orchestration for Warren's first scene is completely absent from the soundtrack, and thus is impossible to find anywhere.
 * Watching Troy Burn: At the beginning, the village of Shostka, Russia suffers a pogrom at the hands of Russian Cossacks, and their pet cats. They set fire to most of the buildings, and after the Mousekewitz family survives the attack, they watch from a distance as their village goes up in flames. Thus, they decide to go to America.
 * What Happened to the Mouse?: Baby Yasha's existence is inconsistent.
 * What Measure Is a Non-Cute?: It's pretty Anvilicious about this too. Most of the cats are bullies, but Tiger is noticeably cute and looks like the Cowardly Lion and the cats who explicitly try to eat the protagonists are drawn as big, violent monsters. Digit the cockroach is just a pest and is kind of Ugly Cute but the sewer roaches who menace Feivel are rendered as realistic Big Creepy-Crawlies.
 * Goes West has Fievel menaced by a non-cute scorpion and hawk.
 * Wicked Cultured: Warren tries to come off as this by playing the violin and quoting Shakespeare. He's not very good at either of those things, though.
 * You!: Warren says this when he notices Fievel spying on him through his mirror.
 * Your Size May Vary: Taken to the extreme with Warren T. Rat, who at one point is dwarfed by the fat rat at the sweatshop, and later is shown
 * Not by that much if you look carefully.

Fievel Goes West and Fievel's American Tails
"Miss Kitty: You put a mouse on that stage and your saloon's gonna be as empty as Death Valley on a cold day in June when the snow don't fall. Cat R. Waul: What."
 * Aesop Amnesia: Everyone from Fievel's American Tails has this condition, due to the fact that it hardly even acts like Fievel Goes West happened.
 * All Animals Are Dogs: Played for laughs in when Wylie Burp teaches Tiger how to be a dog.
 * All Just a Dream: Fievel Goes West, according to the third movie.
 * Done within Fievel Goes West itself at the beginning where Fievel shoots a bunch of cats and gets a badge from Wylie Burp. A Dream Within a Dream if you think about it.
 * Some people see Fievel's dreaming in the third movie as foreshadowing.
 * Animation Bump: Say what you will about Fievel Goes West, but you have to admit that the animation was of amazing quality, even at the time it was released—it was even better than most of the Disney films out at the time.
 * Ascended Extra: A few of the extras from Fievel Goes West went on to become recurring characters in Fievel's American Tails.
 * Ax Crazy: Chula doesn't have the ax, but his personality fits the bill.
 * Babies Ever After: Tony and Bridget's Fievel Goes West cameos where they're seen with a baby.
 * Badass Longcoat: In Fievel Goes West, Fievel, Tiger and Wylie Burp all wear one for the final showdown with Cat R. Waul.
 * Badly-Battered Babysitter: Fievel's American Tails devotes an entire episode to this trope.
 * Balloon Belly: In Fievel Goes West, when Tiger is told to suck in his chest, and he instead deflates like a balloon.
 * Berserk Button: Normally wimpy Tiger after Chula threatens to drop Miss Kitty to her death.
 * Cat R. Waul has a similiar reaction to being called "Pussy Poo".
 * Be Yourself: It's what both Fievel and Tanya learn by the end of Fievel Goes West, and it's shown that they've learned it more through action than words; i.e. Tanya washing her make-up off and Fievel turning his hat right-side-in so it's blue again and not a cowboy hat.
 * Broken Aesop: Tiger learns that he has to be something he isn't in order for Miss Kitty to love him...
 * Not entirely. More than being something he's not, Tiger really just finds the courage he didn't know he had before. And Miss Kitty clearly loved him before, it just took her being under Cat R. Waul's thumb to realize what she left behind. Plus, in keeping with the visual metaphors above, Tiger returned to his feline appearance once the day was saved. So I guess he just learned to live up to his namesake and stop running away from everything. If that ain't Character Development, this Troper don't know what is.
 * BFG: Relatively, a human revolver operated by cats. More so in the hands of a mouse kid like Fievel.
 * Blue Eyes: Fievel is actually given an eye color in Fievel Goes West. In most of his other appearances he has the typical black pupil Cartoony Eyes.
 * Braids, Beads, and Buckskins: Native Americans in both Fievel Goes West and The Treasure of Manhattan Island stick to this dress code..
 * By the Lights of Their Eyes: In Fievel Goes West when Fievel is chased into a hole by a hawk, we see only his eyes, and the eyes of an angry scorpion.
 * The Cameo: Tony and Bridget can be seen very briefly in a few scenes in Fievel Goes West. The most noticeable examples are during the early cat attack sequence, and when the mice arrive in Green River and move in. They can also be seen in the crowd in the sewer, and in the audience sitting in the giant mousetrap, but in those scenes they are extremely Off-Model and thus can't really be distinguished without using freeze-frame.
 * Honest John, too. Look for him in "Way Out West."
 * Cassandra Truth: No one will listen to Fievel about Cat R. Waul's evil plans, except for Wylie Burp.
 * Chuck Cunningham Syndrome: Wylie Burp gets this for Fievel's American Tails.
 * Cowardly Lion: Tiger, at least until his Berserk Button is activated.
 * Comic Book Adaptation: Marvel Comics did a Fievel Goes West comic. It's Off-Model.
 * And just to demonstrate how laughably Off-Model it is...
 * Cool and Unusual Punishment: Cat R. Waul gets either what could be seen as this (see Gag Boobs) or And I Must Scream in Fievel Goes West.
 * Cousin Oliver: Yasha Mousekewitz is somewhat elevated to this in Fievel Goes West and the series Fievel's American Tails, despite having been in the first movie (she inexplicably disappears halfway through). In all the other movies she's mostly not much more than a prop.
 * A Day in the Limelight: Many fans actually prefer Fievel Goes West because it gives Tanya and Tiger a great deal more Character Development than the first film did, and isn't exclusively focused on Fievel (despite his name being in the title).
 * Death Glare: The Laaaaaazy eye.
 * Demoted to Extra: Tony and Bridget in Fievel Goes West.
 * Denser and Wackier: Or at least wackier than the original movie.
 * Desert Skull: In Fievel Goes West, Tiger runs into a buffalo skeleton that seems to come to life when he's not looking. Turns out it's being manipulated by native mice, who then capture Tiger.
 * Early-Bird Cameo: Cat R. Waul shows up for a brief few seconds in the day dream Fievel has at the beginning of the movie.
 * Evil Laugh: Cat R. Waul does these in Fievel's American Tails. Part of his Villain Decay.
 * Eye Pop: Made into a weapon by Wylie Burp. Used on full auto later in the movie.
 * Family-Friendly Firearms: Fievel Goes West is a mixed example. While there are some revolvers, those only get aimed at inanimate objects or aimed so badly they don't come close to hitting anyone. When the cats (and one dog) have their shoot-out, it's with slingshots that use bullet and ricochet sound effects.
 * Faux Affably Evil: Cat R. Waul is a shining example.
 * Flanderization: Just everyone in Fievel's American Tails. Fievel becomes so obsessed with cowboys that it's all he ever talks about, Tiger just becomes completely stupid, Waul loses almost all his Faux Affably Evil characteristics and becomes a Butt Monkey, Tanya is Demoted to Extra in most episodes and the Aesops everyone learned at the end of Fievel Goes West are all completely forgotten... about the only character who actually sees some Character Development is Yasha, ironically, due to her being Suddenly Voiced.
 * Flat What:

"Cat R. Waul: Chula, I want the subversive who tried to assassinate me found. Chula: I just looove finding subversives! ...Hey boss, what's a subversive? Cat R. Waul: ...Someone who doesn't have very long to live."
 * Freeze-Frame Bonus: Just as Cat R. Waul is picking Tanya up in his paws while she sings "Dreams to Dream", one of the animators snuck in a lewd drawing for a single frame, where she has her mouth open.
 * Gag Boobs: Cat R. Waul's owner smothers him with hers. Also a Marshmallow Hell.
 * PUSSY PUSSY!
 * Getting Crap Past the Radar: When Tiger is reunited with Miss Kitty at the end of the film, he kisses her and both tumble to the ground, out of sight of the screen. This is followed by Miss Kitty saying, "Oooo, Tiger!" As Wiley looks on, he smirks and says, "I never taught him that one."
 * Giant Spider: Jon Lovitz in Fievel Goes West
 * God Guise: In Fievel Goes West, Tiger is worshiped by a tribe of Native American mice because he bears a striking resemblance to a rock formation.
 * Guns Akimbo: Fievel, of all characters, in his daydream with Wylie.
 * Hiccup Hijinks: The Fievel's American Tails episode "A Case Of the Hiccups".
 * Hollywood Mirage: Fievel hugs a cactus and Tiger kisses an owl because of the mirages they see while wandering in the desert. Then they mistake each other for mirages when they pass each other by.
 * Improbable Aiming Skills: Fievel imagines to have these. That is, he doesn't even aim.
 * Injun Country: Played somewhat offensively straight in Fievel Goes West.
 * Ironic Nursery Tune: "The itsy-bitsy spiiiiiiiiiider caught a mouse in his web...the itsy-bitsy spiiiiiiiiiiiiiiider BIT OFF THE MOUSE'S HEAD!"
 * Just the Way You Are: This is the moral of Tanya Mousekewitz's subplot in Fievel Goes West. She gets a makeover so she can sing at Waul's saloon, but after discovering Waul is actually evil and tried to kill every mouse in Green River, she remembers what her friend Miss Kitty told her, that the real woman is what's underneath the mask, and she washes her make-up off.
 * Also, in a related play on this trope, Fievel realizes he can be a hero just the way he is.
 * Lighter and Softer: This probably had something to do with Bluth not being present. It leads to a few instances of Angst? What Angst? as mentioned above. Milage varies on whether this was good or bad, depending on how much one liked the first film.
 * Limited Animation: Fievel's American Tails, which is animated even worse than the later direct-to-video sequels.
 * Long-Lost Uncle Aesop: Fievel's Aunt Sophie from Russia in one episode of Fievel's American Tails.
 * Make Me Wanna Shout: Tanya is able to break glass with her singing voice in Fievel Goes West.
 * Manifest Destiny: Major theme in Fievel Goes West.
 * Marshmallow Hell: Whenever Cat R. Waul's human owner finds him she shrieks "Pussy poo!" and shoves his face between her very large breasts, much to Waul's intense dismay.
 * Miss Kitty: She even has the same name. Kitty leaves New York for an exciting future in the west, and ends up being one of the head matrons to what is essentially a brothel.
 * Oddly-Named Sequel 2: Electric Boogaloo: An American Tail: [Insert title here]
 * Ooh, Me Accent's Slipping: Cat R. Waul, voiced by the extremely English John Cleese, tries to fake a Texas accent when operating his mouse marionette, but despite the liberal use of "y'all" it's... less than convincing.
 * That's ze joke.
 * Pain-Powered Leap: Cat R. Waul jumps straight through the ceiling after Fievel stabs him in the behind with a fork.
 * It's also how Tiger catches the train-briefly-while being chased by a dog.
 * Parental Obliviousness: Fievel tried to tell his parents that Cat R. Waul was going to turn the mice of Green River into mouseburgers. But did they listen?
 * Plucky Comic Relief: Tiger in Fievel Goes West. Tony Toponi takes over the job in the other sequels.
 * Popcorn on the Cob: During the scene in which the Native Americans are worshiping Tiger and feeding him, an ear of corn is raised over the fire, then turned into a bunch of popcorn which Tiger promptly catches in his mouth.
 * Put on a Bus: Cat R. Waul is defeated by being put on a train, much like how Warren was shipped off to Hong Kong. It should be noted that villains in the An American Tail series are always defeated non-lethally.
 * Miss Kitty is put on a bus for much of Fievel's American Tails, which perhaps aided Tiger's Flanderization into a dopey bum who has nothing better to do but play with Fievel.
 * Reality Subtext: During the production of Fievel Goes West, Steven Spielberg had just finished a nasty divorce with Amy Irving, voice actress of Miss Kitty. What does the film introduce Miss Kitty doing? Breaking up with Tiger.
 * Recycled OUT WEST!
 * Recycled: the Series: Fievel's American Tails.
 * Retired Gunfighter: Wylie Burp.
 * Of course, it certainly doesn't take much convincing for him to help, as he made one small speech about how he was over the hill, and then ten seconds later, changes his mind for no reason.
 * Fievel's pouty face works in mysterious ways.
 * Ribbon-Cutting Ceremony: In Fievel Goes West, the opening ceremony for Cat R. Waul's saloon is a trap: cutting the ribbon would have triggered a giant mousetrap on the stands where the mice were sitting.
 * Rule of Funny: Tiger dancing to "Putting on the Ritz" with a skeleton for a few seconds, Tiger turning into a poodle at the mention of a dog, Tiger deflating like a balloon and falling off a cliff to a long farting sound...Fievel Goes West had way more moments like these than the first movie. Most if not all had to do with Tiger.
 * Sesquipedalian Loquaciousness: This is how Cat R. Waul talks.


 * She Cleans Up Nicely: Tanya after her makeover.
 * Shout-Out: To Gunsmoke, with "Miss Kitty".
 * The "Rawhide" theme is being sung by The Blues Brothers.
 * Also, many of the storefronts and signs in (the human-sized) Green River have the names of crew members on them, including both of the film's directors and several of the artists responsible for the background layouts. In addition, right before Fievel dispatches the villains, you can see a nameplate on the rear of the giant mousetrap (facing upside-down) which reads "Made in Acton, London"—which was the location of the animation studio where the film was produced.
 * Cat R. Waul screams "Revenge!" as he is driven out of town on the train, similar to his character in the Dirty Fork sketch in Monty Python's Flying Circus.
 * Another one involves a mouse mentioning various destinations (one while boarding, the other before narrowly escaping being eaten by Cat R. Waul) while closing each phrase with "...and Green River", likely an homage to Mel Blanc's famous Jack Benny Show Catch Phrase of a train leaving for "...Anaheim, Azuza, and Cuc-amonga".
 * The Tiger-shaped rock in the desert pulls a Cheshire Cat.
 * Showdown At High Noon: Well, at sunset, but same idea.
 * Stock Footage: Some celebrating mice at the end of Fievel Goes West are actually reused mice from "There Are No Cats in America" from the first movie.
 * Too Dumb to Live: How could the entire population of mice build an enormous fully functioning mouse trap and not have any single hint of suspicion?
 * Plus, how could they not notice that the cats in Green River are the same ones who attacked them in New York? (Also add on how they fell for the obvious puppet ploy early in the film, including Car R. Waul even forgetting to control it whilst favourably describing himself.)
 * Took a Level in Badass: Tiger, during the finale. He shows a surprising amount of competence during the first part of the finale, and goes into a complete Unstoppable Rage when he sees Miss Kitty in danger and proceeds to beat up every other cat in town.
 * Toon Physics: What Fievel's hat apparently runs on in this film, what with turning into a cowboy hat when pulled inside-out.
 * Too Smart for Strangers: The Fievel's American Tails episode "A Case of the Hiccups" utterly averts this trope. When a strange doctor named Travis T. Hippocrates comes to town offering free candy, Fievel's mother allows Fievel to become the doctor's assistant, and pass out free candy to everyone in town which gives mice hiccups so he can sell them a placebo "cure". After Fievel figures out what the candy is doing he tries to back out of his "partnership", but the doctor kidnaps Fievel and traps him in a jar. Fridge Horror ensues if you consider how the real life, non G-Rated-version of this scenario would likely play out.
 * Training Montage: Tiger, the Cowardly Lion of the series, has a montage while training to be a dog so he can help Wiley Burp and Fievel take on Cat R. Waul. The montage includes Tiger doing push-ups, walking through tires, beating up a Cat R. Waul dummy, and fetching a bone.
 * Translation Convention: Averted with the Mousican chief. When he speaks to Tiger he's heard using his native tongue but there are not even subtitles. Makes you wonder what's he just saying...
 * Train Escape: Tiger escapes a pack of dogs by hopping on the back of a train in Fievel Goes West. That whole scene is very Looney Tunes in spirit.
 * Vague Age: Figuring out how old Fievel and Tanya are can be very confusing. Tanya, for example, suddenly looks much older than Fievel in Fievel Goes West, while in the first movie, she looked around the same age as Fievel. And if we are to believe it's been a few years since the first movie, why is Yasha still a baby?
 * Not to mention that while Fievel and Tanya are still kids, Tony and Bridget are already married and with child.
 * Vocal Evolution: Fievel's voice was changing as his voice actor Phillip Glasser got older.
 * How about Jon Lovitz as Chula? Throughout Fievel Goes West, he seems to keep changing the type of voice he's trying to use.
 * Wasn't That Fun?: Fievel chimes in "Let's go on that ride again!" after he and his family have a terrifying trip down a sewer waterfall in a discarded tuna can.
 * What Measure Is a Non-Cute?: Jon Lovitz as a nasty, web-spitting (huh?) tarantula.
 * Wicked Cultured: Cat R. Waul wears a top hat with a cane (though in the proper time period), speaks with a British accent, and adores high-class songs, making Tanya his own personal diva.
 * Young Gun: Fievel daydreams about being a Young Gun at the beginning of Fievel Goes West, complete with his hero Wylie Burp telling him to 'get out while he still can', and Fievel blatantly disobeying him and shooting out a gang of villainous cats.

The Direct-to-Video Sequels
"Everyone: Tanya! Don't help!"
 * Abhorrent Admirer: In The Treasure Of Manhattan Island as they reach the native village, Scuttlebutt becomes the target of an amorous, huge female mouse. Later said mouse finds out that he's a bad guy and promptly kick his ass.
 * American Dream: Discussed at length in The Treasure Of Manhattan Island though it is arguably a major theme in all of the movies...except maybe the fourth one.
 * Animation Bump: The third movie, which was done by TMS Entertainment, has surprisingly better animation than you'd think for a direct-to-video production. The same can't be said for Mystery of the Night Monster (handled by Tama Productions).
 * Anywhere but Their Lips: Cholena makes it pretty clear that she doesn't share Tony's attraction to her, but by the end of the movie she cuts him some slack and gives him a kiss on the cheek.
 * Art Shift: Inverted somewhat, as they went back to Don Bluth's character designs in the third movie, but with a few differences, as the designs look like something in the vain of Animaniacs. The fourth movie mostly kept the same designs, but with less shading and movement from the characters. If you prefer the animation of Don Bluth or Amblimation though, you may not like it much. They're still both miles ahead of the animation in Fievel's American Tails (handled by Wang Film Productions), luckily.
 * Award Bait Song: The only real song of note in The Treasure of Manhattan Island is "Anywhere in Your Dreams" sung by Cholena and Fievel, which may also act as a Ship Tease between the two. The Mystery of the Night Monster has "Who Will", notable because we actually get to hear Tony sing a verse, and because of Susan Boyd's great singing voice.
 * Aw, Look -- They Really Do Love Each Other: Nellie Brie and Reed Daley end the 4th movie this way after having been at odds throughout the entire movie. This comes much to Tanya's dismay, who spent the movie crushing on Reed.
 * Baby Carriage: In The Mystery of the Night Monster.
 * Although the sequence itself turns out to be All Just a Dream.
 * Bad Cop, Incompetent Cop: Played straight in The Treasure of Manhattan Island.
 * Beneath the Earth: The subterranean tribe of Native American mice in The Treasure of Manhattan Island.
 * Bittersweet Ending:
 * Non Sequitur Episode: The fourth movie, The Mystery of the Night Monster, really doesn't have anything to do with the rest of the series. While the third movie at least made a few allusions to the first movie, the fourth one is just kind of all by itself canonically. At worst it seems like a recycled plot for a Scooby Doo movie.
 * Broken Heel: Fievel gets his shirt caught on a rusty nail as he and Tony are fleeing a speeding train in the third movie.
 * Bullet Seed: Fievel uses this against cops in The Treasure of Manhattan Island.
 * Butt Monkey: Scuttlebutt, who's frequently mocked and humiliated, has an Abhorrent Admirer and is costantly bullied by the police chief.
 * Twitch, one of Madame Mousey's minions in The Mystery of the Night Monster. He even gets all four of his legs dislocated during her Villain Song.
 * The Cameo: In the third movie Fievel and his friends are shown riding on Henri the pigeon for a few seconds during a montage.
 * Catapult Nightmare: Fievel wakes up from one at the beginning of The Mystery of the Night Monster.
 * The Chief's Daughter: Cholena in The Treasure of Manhattan Island.
 * Chuck Cunningham Syndrome: Bridget from the first movie gets this in the direct to video sequels.
 * Continuity Nod: Fievel reminds Papa why they came to America from Russia at the beginning of the third movie, and Mama still hasn't let Papa forget about being wrong when he said there were no cats in America.
 * Corrupt Corporate Executive: All three of the corrupt factory owners.
 * Death Course: In The Treasure of Manhattan Island, Fievel and his friends pass through a Death Course while exploring underground caverns on their way to the hideout of an underground tribe of Native American mice. Later on in the film some corrupt policemen are tricked into going through the death course themselves. There are noticibly fewer of them after they come out the other side.
 * Deranged Animation: Fievel's nightmare at the beginning of Mystery of the Night Monster includes being chased through a Disney Acid Sequence by a demonic hellcat with a mousetrap at the end of it's tongue.
 * Direct to Video: The sequels.
 * Dirty Cop: Chief McBrusque and his force in the third movie.
 * Discontinuity Nod: Given the fact that they pretty much said Fievel Goes West was a dream in the third movie, Tiger hissing at the angry mob of mice and then accidently yelling "Woof! Woof!", correcting himself by going "Oops, wrong species!" is almost insulting, as it could also be interpreted as a Take That.
 * Disney Death:  has one in The Treasure of Manhattan Island.
 * Disney Villain Death:
 * Dream Sequence: Done a lot in The Mystery of the Night Monster when Fievel keeps having nightmares.
 * Duet Bonding: Fievel and Cholena do this while singing "Anywhere in Your Dreams".
 * Edible Ammunition: The underground Native Americans fend of the NYPD with nothing but berries and seeds. The police aren't depicted carrying guns, which helps.
 * Extra! Extra! Read All About It!: Tony Toponi becomes a paperboy in An American Tail: The Mystery of the Night Monster, though he really wants to be a reporter and when he becomes discouraged and his rant begins to show it. * in a flat monotone voice* "Hey, get your paper here, whoop-dee-do paper here..." When someone passes him by he yells "Fine! So stay ignorant!"
 * Fail O'Suckyname: Scuttlebutt, in the third movie. You'd be a bad guy too if that were your name.
 * Gory Discretion Shot: In The Treasure of Manhattan Island, as the police are savagely beating down a protester with their clubs, we only see their shadows.
 * Hot Scoop: Nellie Brie in The Mystery of the Night Monster.
 * Injun Country: Done in The Treasure of Manhattan Island, but with respect.
 * In the Local Tongue: Cholena gives Tony (who'd been hitting on her) the nickname "Poolaook", which he is later disappointed to find out means "turkey".
 * Karma Houdini:
 * Little Miss Snarker: Tanya, in these movies.
 * Minion Maracas: Madame Mousey does this to Fievel after he calls her a rat.
 * New York Subway: The setting of much of the third movie. The Beach Neumatic Railway system actually did exist at the time the movies took place, and it was abandoned, so the writers at least did some research.
 * Nightmare Retardant: Invoked in-universe in The Mystery of the Night Monster when it's revealed what the 'monster' actually is.
 * Nightmare Sequence: Fievel's nightmares in the fourth movie, which are inspired by the exaggerated news stories about the Manhattan Monster eating up helpless mice.
 * Oh God, with the Verbing!: One of Madame Mousey's cat underlings talks like Jerry Lewis.
 * Pep Talk Song: "Get the Facts", sung by Nellie Brie to help Fievel get over his fears.
 * Police Brutality: In quite a daring move for a G-rated direct to video movie, The Treasure of Manhattan Island features a police force who savagely beat down protesting factory workers with their clubs, are being paid under the table by corrupt factory owners, and deliberately start a race riot. You know, for kids!
 * Retcon: In The Treasure of Manhatten Island, Fievel dreamed the entirety of Fievel Goes West.
 * Running Gag: After every time Tanya makes a snarky comment:


 * Shaming the Mob: Papa manages to stop the riot in the third movie by doing this.
 * Stalker with a Crush: The large native mouse who falls for Scuttlebutt and follows him giggling in an empty tent... just in time to catch him stealing. However this is a Played for Laughs aversion.
 * Stay in the Kitchen: Addressed directly in The Treasure of Manhattan Island. Mama and Papa agree to let Fievel go on the treasure-hunting expedition, but when Tanya wants to go they flat-out refuse. Tanya then complains that her brother always gets to go on adventures while she's stuck at home doing laundry.
 * They Do: Nellie Brie and Reed Daley.
 * Torches and Pitchforks: An angry mob led by Chief Mcbrusque hunts down Cholena in the third movie after being convinced that her being a Native American makes her a threat.
 * The Ugly Guy's Hot Daughter: Cholena, who is absolutely dwarfed by her father and looks nothing like him.
 * Unfamiliar Ceiling: Tony wonders if he's dead after he and Fievel awaken staring up at the pit they fell through, after narrowly avoiding being run over by a subway train and falling into an underground cave.
 * Villain Song: Both direct to video sequels did this. Pity the first two movies didn't actually.
 * Wham! Line: "I dreamed we moved out west and I became a famous gunslinger!" The line that broke a base, or at least caused many to disregard the DTV sequels entirely.
 * What Could Possibly Go Wrong?: Cited nearly word for word by Fievel in The Treasure of Manhattan Island when he persuades an Indian Chief to let her daughter live among the Europeans for a time and see if they've changed their ways. And of course, things later go horribly wrong.
 * What Happened to the Mouse?: A very literal example. Tony appears in the DTV sequels and in the third film, The Treasure Of Manhattan Island, he has a Love Interest in the shape of Cholena. But wait... where the hell is Bridget? She was his girlfriend in the first film and Fievel Goes West actually featured a cameo of the two, as a newly married couple, with a child no less.
 * White Man's Burden: Basically played straight in The Treasure Of Manhattan Island, when Fievel becomes disillusioned and severely guilt-tripped upon learning what the Europeans had done to the Native Americans, and he takes it upon himself to demonstrate that the European mice aren't so bad...which really doesn't work.