Hamilton: An American Musical

Hamilton: An American Musical is a Musical about the life of American Founding Father Alexander Hamilton, with music, lyrics, and book by Lin-Manuel Miranda. The show, inspired by historian Ron Chernow's biography of Hamilton and incorporating hip-hop, rhythm and blues, pop music, soul music and traditional-style show tunes, has enjoyed enormous success both in the box office and among critics.

The musical made its Off-Broadway debut in February 2015, but moved up to Broadway by August. In 2016, Hamilton received a record-setting 16 Tony Awards nominations, winning 11, including Best Musical, and was also the recipient of the 2016 Grammy Award for Best Musical Theater Album and the 2016 Pulitzer Prize for Drama. It is still bloody impossible to get tickets.

"Chorus: Here comes the General! Burr: LADIES AND GENTLEMEN! Chorus: Here comes the General! Burr: THE MOMENT YOU'VE BEEN WAITING FOR! Chorus: Here comes the General! Burr: THE PRIDE OF MOUNT VERNON! Chorus: Here comes the General! Burr: GEOOOOOOOOORGE WASHINGTON!"
 * Adaptational Weakling: Hamilton has downplayed examples, as personality changes do not mean the characters are weaklings, just softer compared to their real-life counterparts.
 * Vice-President and governor-elect Aaron Burr was a feminist in his time, a revolutionary who wasn't afraid to talk back to George Washington, a military general known for having a bad temper, and the man who invented modern electioneering. In the play, Aaron Burr is more soft-spoken; he has a sharp tongue as shown with Lafayette and John Laurens, but advocates to "Talk less, smile more" until you know who is on your side and who isn't. He accepts Washington rejecting him for a job position without much fuss, as well as Angelica rejecting his attempts to flirt with her. It's mentioned that he is a viable politician, he just looks less cool next to the upstart Alexander and switches sides when it benefits his position. Eliza in the workshop recognizes that it's Nothing Personal; Alexander doesn't, acting like it's a big betrayal when Aaron Burr beats her father in an election. That makes it all the more shocking when Burr finally loses his temper at Hamilton for torpedoing his presidential campaign and refusing to apologize, near the climax of the play, challenging him to a duel.
 * Eliza Hamilton nee Schuyler was said to be the wild Schuyler sister in her time. She was a tomboy with a fierce temper. In the musical, Eliza and Peggy are the sweetest sisters of the Schuylers, with Eliza diving headlong into her courtship with young private Alexander Hamilton and talking with optimism about their future about the war. Sure Eliza will go downtown to get news on the war against her father's curfew and she maintains correspondence with General Washington, but her older sister Angelica is the one known for her courage and bravery. With that said, Eliza shows that "sweet" is not the same as "weak" when she reads the Reynolds Pamphlet; she calls out Alexander in "Burn" for breaking her heart and writing about his affair publicly, which also involved shaming Maria Reynolds who was much younger than either of them and more a victim than a seductress. It takes.
 * Child Prodigy:
 * Alexander Hamilton entered college in the United States as a teenager. He mentioned he was only able to because his neighbors raised a collection for him to afford the basic tuition fees. While he later drops out to join the war, he becomes an accomplished lawyer.
 * Aaron Burr is also mentioned to be this, completing college in two years at a young age. Hamilton seeks him out in "Aaron Burr, Sir" to get his advice on completing college in a shorter timespan. Burr waves it off as honoring his parents' dying wishes, rather than any innate talent.
 * The Ditherer: Justified with Aaron Burr; in "Wait for It", he sings how he outlived his parents, but they both left high expectations for him. Everyone who loves him has died on him, and he's scared of what else he might lose if he takes further risks. Burr resents that Hamilton faced with the same drastic circumstances shows no regard for his life or for other people and yet seems to rise.
 * Driving Question: What is a legacy? How will we be remembered after we die? Both Hamilton and Burr struggle with this question throughout the play as their brief bond forms into a genuine friendship.
 * For Want of a Nail: It's shown a few times during the musical:
 * Both Burr and Hamilton court Angelica Schuyler, and both were eligible bachelors at the time. She turns down Burr because she doesn't like how he refers to her wealth as being attractive while reassuring her that he's not a gold-digger. Angelica did consider marrying Alexander, but then saw that Eliza was looking at him and whispered, "This one's mine." She thought about it, and introduced the two of them before giving them some alone time.
 * As Hamilton and later Angelica scathingly mention in her Cut Song "Congratulations", he ought to have gone on vacation with his family to upstate New York rather than stay to work at Congress. If he hadn't stayed at their apartment, Maria Reynolds wouldn't have come to him for help after her husband forced her into a blackmail scheme.
 * Hammy Herald: George Washington gets one in "Right-Hand Man" that is worthy of a WWE star.


 * Hard Work Hardly Works: Subverted. It at first seems that Hamilton's successes come to him easily while Burr struggles to get the same amount of respect. We learn, however, that both men worked hard at college, the war effort, and their subsequent careers in law and politics. Alexander seeks out Burr on learning that he finished college in two years, and Burr establishes that it was to honor his parents' dying wishes. The difference is that Burr is cautious and thinks through his actions; he feels he has a lot more to lose as the heir to an esteemed family with academics and leaders. That's not even mentioning he's courting a British officer's wife who marries him and gives him a beautiful daughter. Alexander's impulsiveness is what drives him forward, that he doesn't think of long-term consequences.