The Road to El Dorado



A traditionally-animated film by DreamWorks. The Road to El Dorado follows the adventures of Spaniards Tulio and Miguel as they try to con and cheat their way to fame and fortune. A game of chance earns them a Treasure Map which seems to point the way to El Dorado: the lost "City of Gold."

The two (mis)adventurers stow away by accident on Cortez's (yes, that Cortez) flagship, and their escape strands them in the New World with only Cortez's horse and the treasure map for company. Seeking enough gold to "buy Spain", they set off into the jungles of Central America, where they'll find something worth much more than treasure.

The film was a pretty big flop, but it shouldn't have been; it's ridiculously fun to watch, especially so if you understand the idea behind the film. According to the producers, after seeing so many animated features whose heroes were upstaged by more memorable sidekicks, they decided to just cut out the typical "hero" characters and center the film on Those Two Guys in the first place. Essentially, the end result is a cartoon version of Rosencrantz and Guildenstern Are Dead with the plot of The Man Who Would Be King, with songs by Elton John and Tim Rice, the music team from The Lion King.

As might be expected from the title and the two con-artists traveling plotline, the film is heavily influenced by the Bing Crosby, Bob Hope, and Dorothy Lamour series of Road To... films of the 1940s.

"Tulio: [after Altivo fetches keys for an apple] For Pete's sake, Miguel! He's a ruthless warhorse, not a poodle!"
 * The Abridged Fanfic: Here. Enjoy.
 * Achilles in His Tent: Miguel,
 * Adipose Rex: Chief Tannabok.
 * Agent Mulder: Miguel.
 * Agent Scully: Tulio.
 * All Animals Are Dogs: Altivo. Somewhat lampshaded by Tulio.

"Tulio: You had to be all 'Oh, look at me, look at me, I'm a god.'"
 * Anti-Hero: Miguel and Tulio probably both count as Type II.
 * Big Bad Ensemble: Tzekel-Kan and Hernan Cortez
 * Big Damn Heroes: When it seems like Tulio and Chel's ship won't make it past the falling pillar,
 * Blood Magic: Tzekel-Kan seems to power his magic with human sacrifice.
 * Brief Accent Imitation: Tulio briefly imitates Miguel's British accent at the end.

"Miguel: I have been around boats, believe me. And that, um... pointy tall... the-the-the long up and- up and down thing... Chief: The mast?"
 * Buffy-Speak: Miguel, when trying to explain why the boat is unacceptable.

"Miguel: All you have to do is find a pry-bar! A long piece of iron with a hooky-thing at the end!"
 * Also when trying to get Altivo to find them a pry-bar.

"Tulio: Did any of the provisions make it? Miguel: (Looks and sees Altivo eating) Well, yes and no..."
 * Cheaters Never Prosper: Both inverted and played straight. Miguel and Tulio do get into serious trouble for using loaded dice, but, on the other hand, . Later on, . Then again, it only delayed things since it directly led to the Big Bad coming after them.
 * The Chew Toy: Tulio, though mostly during the "Trail We Blaze" sequence.
 * Con Man: Both of the protagonists.
 * Conspicuous CGI: I hear CGI Gold is the best kind of gold.
 * Justified Trope: They wrote special animation software to make the gold look "gold" rather than merely "yellow".
 * Contrived Coincidence: The guy the duo gambles against happens to have a map to El Dorado just as the Spanish Fleet is leaving for South America, the duo happen to wash up right on its shores after days adrift at sea, and a volcanic eruption happens (and cancels itself) just as the duo are asked for proof of their divinity.
 * Convection, Schmonvection
 * Cue the Rain: When Miguel and Tulio are adrift at sea with no food or water.
 * Deadpan Snarker: Tulio, Miguel, and Chel. Well, it is a film about the sidekicks instead of the heroes...
 * Death Glare:
 * Tulio gives several of these to Miguel for digging themselves deeper into trouble.
 * Miguel himself gives a truly awesome one after his Shut UP, Hannibal speech.
 * Cortez, too, is good at these.
 * Denser and Wackier: There is a bigger emphasis on humor compared to the previous DreamWorks Animation film The Prince of Egypt.
 * Disney Acid Sequence: The "It's Tough to be a god" party sequence. Also a Mushroom Samba and Drunken Montage.
 * To be fair, it doesn't really get that acidy until near the end, where it's implied that they'd had a LOT to drink and smoke, and the wine/alcohol they'd been drinking was probably fairly strong, given that Tulio looks gobsmacked when he first takes a drink and Miguel spits it out.
 * Disneyesque
 * Disney Villain Death:
 * Does Not Like Shoes: Chel goes barefoot throughout the film.
 * Does This Remind You of Anything?:
 * The scene where Tzekel-Kan
 * Speaking of orgasm face, Tulio really gets into that massage he's gives Chel.
 * Double Edged Answer: Tulio and Miguel manage to sneak off Cortez's ship with enough food to get back to Spain, with the unexpected event of Altivo jumping off the ship in chase of an apple. After saving themselves, the horse, and the boat, Altivo eats all of their food within seconds.

"Tulio: Ladies and gentlemen, we've decided it's a draw! Miguel: Thank you all for coming! You've been great, see you soon! Tulio: Adios!"
 * Ear Worm: The opening theme. It even appears to be one in-universe, since Chel hums it casually while blackmailing Tulio and Miguel.
 * Enforced Method Acting: In a good way--Kenneth Branagh and Kevin Kline were actually in the recording booth together (which is rare; actors usually record their lines alone with someone else filling in the other characters) so they could play off each other and banter. It worked beautifully.
 * Eternal English: Played completely straight. Everybody - even the people of El Dorado - speaks English (though, being generous, it could be eternal Spanish).
 * Gets confusing when Chel needs to translate certain words for Tulio and Miguel, like the word for "spirit world".
 * Evil Is Hammy: Tzekel-Kan
 * Fan Service: Equal opportunity fanservice, no less. In addition to Chel's many lovely assets, there are plenty of scenes that show off the very nice bodies of the protagonists, including a changing scene bordering on Male Frontal Nudity.
 * They even lampshade it, with Tulio asking Chel (who is watching them change) "Do you mind?" She responds "No", and bites her lip. There's more than one gif that has superimposed the Tumblr logo over her face.
 * Femme Fatale: Chel.
 * Feud Episode: Tulio and Miguel nearly split up over Tulio's relationship with Chel.
 * Flynning: Justified when Tulio and Miguel do it deliberately during a (mostly) slice and dice rapier swordfight with each other, then reveal it's all an act to avoid being arrested.

"Chel: (alarmed) The High Priest?! What's he going to think when if he finds one of the gods like this with me?! Tulio: (dazed) Uh... lucky god?"
 * The way it's staged suggests that they've done it before, and considering the film being set in the early 1500s (and the rapier being a civilian weapon) it's likely that both are in reality adequate fencers.
 * Funny Background Event: Miguel playing his mandolin during the gambling scenes.
 * Hee hee
 * When they first enter the city, Altivo mouths "El Dorado!" along with Tulio and Miguel.
 * Getting Crap Past the Radar: When Chel seduces Tulio.

"Tulio: How did you get those? Miguel: Where was she keeping them?"
 * "HOLY... SHIP!"
 * SO MANY lines and moments - but when Tulio starts talking about "Ascending Horizontally," even Miguel gets in on the joke.
 * There's a surprisingly easy-to-miss one right at the beginning: During the opening song, a pair of armadillos meet, sniff each other's noses, and disappear into a bush. The bush shakes around a bit and a moment later the two armadillos pop out again... followed by a bunch of babies.
 * God Guise: The basis of most of the plot. C'mon, it's a Mayincatec classic.
 * God Test: The Doradans challenge the explorers to a ballgame... two gods against 15 mortals.
 * Gone Swimming, Clothes Stolen: By monkeys!
 * Gratuitous Spanish
 * Hair of Gold: Miguel fits almost every aspect of the male version.
 * Hammerspace
 * Lampshaded with Chel, with perhaps a bit of Victoria's Secret Compartment.

"Guard: I'm still okay!"
 * Played straight when Tzekel-Kan stows his codex under his tunic.
 * Hard Head: In attempting to figure out an escape plan, Tulio bangs his head on a wooden plank so often over a period of (we assume) months it leaves a worn, rounded dent in the shape of his forehead.
 * Hartman Hips: Chel.
 * Head Desk: Tulio is banging his head against a wall to try to figure out a way to escape from Cortez's ship. He appears to get an idea... but just resumes banging.
 * Heterosexual Life Partners: Miguel and Tulio.
 * Human Sacrifice: Threatened often, performed only once. "It just needs a little more... body.." Doubles as a Kick the Dog moment.
 * I Choose to Stay: Subverted.
 * Idiot Hair: Both Miguel and Tulio have it, though less pronounced.
 * Idiot Hero: Miguel and Tulio.
 * Ignored Enemy: Used twice.
 * I'm Okay: Used when a guard encounters the Jaguars foot. Then he gets stomped:

"Tulio: Apparently, El Dorado is native for great...big...ROCK!!!"
 * Incoming Ham: "BEHOLD! As the prophesies foretold! The time! Of judgement! IS NOW!!!"
 * Intellectual Animal: Altivo.
 * In the Local Tongue: Provides the page quote.

"Miguel: Look on the positive side. At least things can't get-- Massive thunderstorm starts Tulio: Excuse me. Were you going to say "worse"? Miguel: Absolutely not. I've revised that whole thing. Scene ends with a pan out showing sharks approaching."
 * It Got Worse: Lampshaded when the two of them (and the horse) are stranded on the rowboat in the Atlantic:

"Tulio: If it's any consolation, Miguel... you... made my life... an adventure! (sobs) Miguel: And if it's any consolation, Tulio... you... made my life... rich! Altivo: (rolls eyes)"
 * It Has Been an Honor: Tulio and Miguel in the rowboat, where they think that they will soon die.

"Miguel: You fight like my sister! Tulio: I fought your sister; that's a compliment!"
 * Jerk with a Heart of Gold: Both protagonists. Though Tulio is more of a jerk than Miguel, they both end up saving the city from Cortez and Tzekel-Kan.
 * Just a Stupid Accent: Everyone speaks English, period. The Spaniards sound like native-born Americans/Brits, most everyone else speaks with a Central American accent, and Tzekel-Kan has a dialect all his own.
 * Karma Houdini:
 * Karmic Death:
 * Keet: Miguel is toeing the line here.
 * Kick the Dog: Tzekel-Kan sacrifices his loyal but not-too-bright right hand man to fuel a spell.
 * Knight Templar: Tzekel-Kan wants to purge the city of, what he believes, the wicked and unrighteous citizens of El Dorado.
 * Last-Second Word Swap:
 * "Holy... Ship!"
 * Tulio: "...free from any tempta-- uh, distractions..."
 * Lean and Mean: Tzekel-Kan.
 * Lighter and Fluffier: The plot of the movie is based on Rudyard Kipling's "The Man Who Would Be King," which was made into a live action movie with Sean Connery and Michael Caine. The original story and the live adaptation are significantly darker.
 * Little Miss Con Artist: Chel's a sexier than usual version of this trope.
 * Living Statue: Using powerful magic, Tzkel-Kan brings to life a giant jaguar statue and controls it as a Marionette Master.
 * Loads and Loads of Roles: This films gives you your money's worth of Jim Cummings.
 * Loud Gulp: When Miguel and Tulio have to play a ball game they've never played before against fifteen of the best players in the city, and are expected to win since they are gods.
 * Lovable Rogue: Migel, Tulio, and Chel.
 * Marked Change: Tzekel-Kan gains Tron Lines on his body when he takes control of the stone jaguar.
 * Mayincatec: The native culture is sort of a blend of all the typical Hollywood Aztec/Mayan/Incan traits.
 * Meaningful Echo: "To err is human, to forgive Divine." First used as a means of appeasing Tzekel-Kan when they dismiss his "tribute". Later, said back to Miguel
 * Meaningful Name:
 * Altivo is Spanish for "arrogant".
 * And Miguel means "one who is like God".
 * Tulio means "That who leads".
 * Cortez is Cortés in Spanish, which means "polite".
 * My Grandma Can Do Better Than You Variant:
 * My Grandma Can Do Better Than You Variant:

"Miguel: Tulio, I just want you to know, I'm sorry about that girl in Barcelona."
 * Nice Girl: Chel
 * Non-Human Sidekick: Altivo the warhorse, and the armadillo to a lesser extent.
 * Non-Singing Voice: Averted; the main characters have the same voice actors for speaking and singing.
 * Noodle Incident:
 * Mentioned by Miguel when he thinks he and Tulio are going to die.

"Chel: You've got your reasons...and I've got mine."
 * Possibly, Chel's reasons for leaving El Dorado, which are never clarified, but her facial expression is more than a little suspicious in that instance.

"Tulio: (whispers) Not the face, not the face..."
 * In the junior novelization and storybooks, Tzekel-Kan was about to sacrifice her before the chief stopped him. This scene was the original opening to the movie before it was cut.
 * Not Even Bothering with the Accent: For a Spaniard, Miguel sounds awfully... British. And, come to that, Tulio sounds awfully... American.
 * Not in the Face: Tulio while Flynning.

"Miguel: And it is! It really is the map to El Dorado! *he pants with excitement* Tulio: ...you drank the seawater, didn't you?"
 * The Not-Secret:
 * Not-So-Great Escape: Takes on a pronounced zig zag through the beginning of the film: Miguel and Tulio avoid arrest through impressive Flynning only to fall into a bull pen. They make a dramatic exit with the bull mowing down some of their pursuers, jumping off of a high wall into open barrels full of water to elude the others. They pull the lids over themselves, only to be hoisted aboard a ship bound for the New World and have a large, heavy chest piled on top to keep them from getting out. At sea, the chest is removed, and they emerge dramatically in full view of the crew, promptly locked in irons for an involuntary audience with Cortez. They are thrown in the brig as stowaways and presumably flogged, eventually sneaking out in the dead of night with the help of Altivo's fetching skills. After another dramatic escape when Altivo jumps overboard, all three wind up at sea in a rowboat, dying of starvation and thirst. Fortunately, they miraculously beach themselves a stone's throw away from a landmark in their map to El Dorado.
 * Nubile Savage: Chel.
 * Obfuscating Stupidity: Around the middle of the movie . He probably chooses not to divulge this because the "gods"' presence weakened the high priest's power and put a stop to human sacrificing, which he was clearly against. The fact they were pretty fun anyway probably helped.
 * Ocean Madness: Referenced after Miguel, Tulio, and their horse Al Tivo have been floating for God-knows how long and then suddenly wash ashore:

""Apparently, El Dorado is native for... "Great. Big. ROCK!!!" (echoes) "Get. On. The horse." "WHAT. Do you THINK. You're DOING?!?" "...On the one hand - Gold! On the other hand (points at mural of an execution) - Painful. Agonizing. FAILURE.""
 * Ominous Latin Chanting: Well, ominous chanting, anyway...
 * Perma-Stubble: Tulio.
 * Planning with Props: When Tulio tries to formulate a plan for their boat of gold and the pillars that lead to El Dorado, he uses a stack of earrings to represent the pillars and a pendant for the boat. The armadillo spills water over the whole scene, inspiring Tulio to decide to crash the boat into the pillars
 * Pop Star Composer: Elton John co-wrote and performed all the songs for the movie.
 * Punctuated! For! Emphasis!: Tulio gets to do four of these:

"Tulio: We just have to lie low. Miguel: (beautiful music swells) But Tulio, this place is amazing! I mean I wonder what's- Tulio: NO! (needle scratch) Don't even move!!!"
 * Puppy Dog Eyes: Miguel uses this on Tulio, who calls it "The Face", to gamble for the map.
 * Record Needle Scratch:

"Miguel: Tulio, look on the bright side! At least things can't get any- (Cue pouring rain and thunder) Tulio: Excuse me, were you going to say WORSE? Miguel: Nnnno...no. Tulio: You're sure? Miguel: Absolutely not, I've revised that whole thing. Tulio: We're at least in a rowboat. Miguel: We're in a rowboat, exactly. (Cue Everything's Even Worse with Sharks)"
 * Recycled in Space. The Man Who Would Be King. In cartoon form. In South America. With musical numbers.
 * Red Oni, Blue Oni: Miguel and Tulio as well as Tzekel-kan and Chief Tannabok.
 * The Renaissance Age of Animation
 * Riding Into the Sunset: The movie ends this way, or rather Chel rides off, with Miguel and Tulio running to catch up after they fall off Altivo.
 * Rock Bottom:

"Tulio: Miguel and Tulio! Miguel: Tulio and Miguel! Both: Mighty and Powerful Gods! Chel: Hello! Both: *squeal*"
 * Scenery Porn: What'd you expect from the City of Gold? Also present everywhere during the "Trail We Blaze" sequence.
 * Screams Like a Little Girl: Miguel and Tulio. But, of course, you'd probably react the same way to a giant green stone jaguar breaking out of a temple. But less so when it's Chel.

"Miguel: "Look on the bright side, at least things can't ge-" (immediate thunderstorm) Tulio: (angry) "Tell me, were you going to say 'worse?'" Miguel: "Er... no" They argue as the camera pulls out to show at least a half dozen sharks following their boat."
 * Sinister Minister: Tzekel-Kan is an evil priest. He's also, to a certain extent, The Grand Vizier. Though the chief is not the typical Horrible Judge of Character who lets the Grand Vizier get away with everything; he clearly distrusts and dislikes Tzekel-Kan, and is glad when the gods start speaking for themselves.
 * Silent Snarker: Chel at times. Also Altivo the eye-rolling horse.
 * The Smart Guy: Tulio.
 * Soft Water: Quite a few scenes, including the scene where Miguel and Tulio get onto the ship.
 * Sorry I Left the BGM On: Miguel provides his own soundtrack at numerous points in the film.
 * South of the Border
 * Spiritual Successor: The film is seen by many fans as a Spiritual Successor to the old Hope and Crosby "Road To ..." movies.
 * Stillborn Franchise: This movie was supposed to be the start of a film franchise.
 * Stripperiffic: Chel.
 * Spicy Latina: Chel. Well she is voiced by Rosie Perez.
 * Tempting Fate: When Tulio and Miguel are stuck on the rowboat with no food.

"Miguel: That's right, do not question us! Or we shall have to unleash our awesome and terrible power, and you don't want that! Tzekel-Kan: Well yes! We do! Miguel: ...You do?..."
 * Thwarted Escape: After their impressive display of Flynning to avoid being arrested, Miguel and Tulio drop behind a stone wall, only to find they have fallen into the pen of a huge bull that doesn't seem too happy to see them.
 * Threat Backfire:

"Miguel: You fight like my sister! Tulio: Ah ha! I've fought your sister! That's a compliment!"
 * Treasure Map: The map won by Miguel and Tulio.
 * Trickster: Chel
 * Utopia: El Dorado is portrayed as a utopian civilization that combines facets of the Aztecs, Maya, Incas, and Atlantis.
 * Vagabond Buddies: Miguel and Tulio. Unsurprising, since it's styled after the Trope Codifier.
 * Vitriolic Best Buds: Tulio and Miguel are Type 2.
 * Wanted Poster: Miguel and Tulio are first introduced by one to establish that they are criminals.
 * You Fight Like a Cow:

"Miguel: You fight like my sister! Tulio: Ah ha! I've fought your sister, but with my best sword!"
 * Also a case of Getting Crap Past the Radar in the German dub: