Wrong Genre Savvy/Real Life

Examples of characters in  include:


 * Survivalists, thus far. Or the ones in the developed world. In many parts of the world, the things they do and prepare for are known as life. If the concept of survivalism can be changed and the current survivalist concepts can be applied to developed nations en masse, the developed world wouldn't have to fear an electricity apocalypse.
 * The TV show Doomsday Preppers sets out a wild collapse theory, rates the preparations of the featured preppers for that scenario and then points out how very very unlikely that scenario is.
 * On an episode of Penn & Teller: Bullshit! they visit a real-world "survival training camp" which not only shows them woefully inadequate to the tasks (but acting Genre Savvy), but they explicitly point out that the odds are you'd be in the large majority of the world that just outright die in whatever disaster strikes.
 * In The Decline of the West, Oswald Spengler mentions Swedish king Charles XII, who was a big fan of Alexander the Great, tried to follow his example, thus made war on the Russia of Peter the Great, only to have his army destroyed at the battle of Poltava, which effectively ended Sweden's time as a great power.
 * This is a recurrent theme in Spengler's theory of how history "works". Each Culture (meaning the largest sense of the word, cultures like Greco-Roman society, Western Christendom, old Egypt, China, etc.) all follow certain recurring patterns that can be compared and contrasted with each other, but it's like individual lives, each Culture only passes through each stage once, just as each individual only passes through each stage of life once. For a Culture in its late phase to try and operate like it did in earlier stages is like an old man trying to behave like a teenager, at best the result will be futile, and it may well be painful or fatal. As Spengler saw it, Napoleon is to Western Christendom as Alexander the Great was to Greco-Roman Culture. We've had our Alexander now, and the West can't do that again. On the other hand, our version of Julius/Augustus Caesar is still to come...
 * Nero's last words "What an artist, dies in me!" seems to indicate that he failed to realize he wasn't living in a play. At the very least he failed to realize he wasn't an actor but the emperor of Rome. (It is pretty much universally agreed that Nero was insane, if not possessed. The man did not distinguish between a Christian and a Tiki Torch.)
 * It's best to remember that nearly everything known about him comes from his enemies. Yes, he was a poor Emperor, most likely because he really wanted to be an actor and had no real interest in politics. So he focused on his aesthetic pursuits and neglected the matters of the state. The cruelties commited under his reign weren't really any worse than those under more competent rulers. Getting specified as the evil emperor came simply from the fact that he at one point used a small, unpopular religious sect as a scapegoat, and they ended up writing the history later on.
 * Some modern classical historians argue that Caligula wasn't the lunatic Roman historians presented him as, but a young Emperor who wanted to dispense with his imperial predecessors' act that the Emperor of Rome was just a senior statesman, not a monarch. He failed miserably, although if he had been Emperor about a couple of centuries later his approach wouldn't have gotten him stabbed.
 * An especially tragic instance of this trope would be the 9/11 terror attacks. Other than Flight 93's passengers, who were able to find out about the intent of the hijackers in advance, the passengers on the other flights were led to believe that this would be a hijacking akin to those of the 1980s, where individuals would fly the planes to Cuba. Instead, they had much worse in store.
 * Even some of the hijackers themselves had been fooled into believing this, if certain tapes by Osama bin Laden are to be taken at face value.
 * Many idealistic young men leapt at the chance to participate in World War One, seeing it as "The War to End All Wars." At its outset the War was romanticized as a sort of culmination of the revolutionary spirit of the 19th Century, a great cathartic conflict that would bring about an end to a stagnant old order and give birth to a new age for mankind. Unfortunately they got it backwards: the War turned out to be the death knell for 19th-Century idealism rather than its realization. Instead of a glorious revolution, it was a senseless bloodbath that defied any attempt to romanticize it. And while it did topple the old order in Europe, bringing about the collapse of many established empires, the new age it ushered in was one of the darkest times in human history.
 * Only on the Western front with static trench warfare. On the Eastern front, things were different and it was a much more conventional war.
 * Similar romanticization existed during The American Civil War, to the extent that early in the war there were citizens that gathered with picnics to watch a battle... and ended up fleeing when it moved near them, naturally.
 * An old military maxim says "Generals are always prepared to fight the last war." There are many examples across human history of leaders or armies being Wrong Genre Savvy. The most frequently cited example is that of the western Allies at the start of World War Two. They expected a conflict similar to the First World War, and prepared for a "ground war" of infantry, trench standoffs, and protracted sieges. They were completely unprepared for the blitzkrieg, which combined air power and "rapid dominance" ground tactics.
 * The French Maginot Line, a series of fortifications along the French border, is routinely cited as an example because the Germans either flew over it or went around it. But that was in fact what the Allies expected, and the reason they built it; see our entry on the Maginot Line for more details.
 * Part of the reason America lost The Vietnam War was because they went in thinking that we were fighting World War Two or The Korean War.
 * Saddam Hussein believed that he could win the Persian Gulf war by entrenching his forces and outlasting the US-led Coalition in another Vietnam War. But he did not expect that his forces would be easily outclassed by the Coalition forces and that the Coalition could overwhelm his armies with Blitz warfare. Plus he overlooked one other important (and missing) factor for a Vietnam-style war: the presence of a ubiquitous tropical jungle in which to hide his forces.
 * Also, he failed to recognize that sometimes a nation can learn from experience, Hussein himself failed to learn from experience, because he was still looking at the second round of the Gulf War through the Vietnam lens as well in the 2000s.
 * During the Troperrific Great Siege of Gibraltar, the Spanish thought that they were in a kind of heroic fantasy setting, where the siege of The Rock marked the heroes' final assault on the Exclusively Evil Big Bad's stronghold. For instance, 80,000 people turned up on the surrounding hills to watch the "Grand Assault," "trail the British flag into the dust." Don Jose Barboza thought that he could inspire his flagging soldiers with a suicide attack on the British sortie. It didn't work.
 * Joseph Goebbels said this about the end of World War II to try and inspire the Nazis: "Gentlemen! In a hundred years time, there will be a glorious technocolour film about these days. Do your duty, so that when your actor comes onto the screen the audience will not jeer and holler." Unfortunately, he was in Real Life, not one of his costume dramas.
 * He was right in a sense: There was a famous technocolor film about those days. And the audiences neither hollered nor scoffed. They mocked.
 * It would have been far more unfortunate had Goebbels been right.