Breaking Bad/YMMV


 * Alas, Poor Villain:
 * Similarly, the sheer amount of anger and sadness in face as he looks at  before  makes you almost feel sorry for him.
 * While a grunting, dead-eyed cretin who did Gus' bidding without so much as the slightest bit of hesitation, was still one of the show's most sympathetic villains. And yet he dies a completely pointless death, right after
 * Alternate Character Interpretation: Possibly the purpose of the show.
 * It's hard to decide if Walt's "cooking" is retaliation against a world that never cut him a break or a genuine desire to provide for his family, not that they're necessarily mutually exclusive. While the series finale has Walt himself give an answer by saying that, it doesn't necessarily invalidate the options presented above, either.
 * Skyler. A good woman who's acting poorly due to her husband's action? A victim of simple human frailty? A control freak who ran the family up until Walt's Break Bad and is now looking for any method to put him under her thumb in some form of twisted love?
 * Jesse, Book Dumb Anti-Villain or Villain Protagonist who's been using Walt?
 * Or neither. His actions make people's sympathy for him swing like a pendulum. In some instances he's actually shown to have one of the higher moral standard of anyone in the show (in regards to certain things, like kids).
 * The bathtub incident? Walter's fault, not Jesse's. Did it never occur to Walter to explain to Jesse why he absolutely needed to use plastic? Especially since the idea of an acid that eats through rock, glass, metal, and ceramic, but not plastic, is kind of counter-intuitive. Granted, using his own bathtub was kind of dumb, but only in that you wonder how he planned to rid of the slurry afterwards.
 * Jesse's parents: Long-suffering, well-intentioned people who just came to the end of any human's thread with their screwup son? Or faux-caring, shallow people obsessed with image who arguably caused his behavior by treating him as The Unfavorite?
 * Was Gale merely a fanboy of Walt's, or did his admiration go a liiiiiittle bit deeper than that?
 * Likewise, did Gale know that, or was he taking his boss' words at face value?
 * Badass Decay: Justified with Hank. He goes through a Humiliation Conga that ultimately leads to Break the Haughty, leaving him rather helpless and emasculated in the end.
 * Broken Base:
 * Over "Fly". Much of the fandom seems to think that it's either the best or the worst episode of the show. It's either a brilliant character study, or a pointless Filler episode.
 * The  at the end of season 2 is either a Contrived Coincidence that's a Cliffhanger Copout after all the vague flashforwards and build up or its a great metaphor for how Walt's actions have consequences he can't imagine.
 * Catharsis Factor:
 * Tuco finally getting his just desserts in "Grilled" is incredibly satisfying after all the pain he put Walt and Jesse through. Whether it's Walt's vicious verbal takedown, his screams of agony when Jesse shoots him in the gut and kicks the bullet wound, or Hank finishing him off Scarface-style, you'll be cheering as you watch this "insane, degenerate piece of filth" meet a gruesome end.
 * Walt isn't satisfying because of the act itself (if anything,  is one of the show's saddest moments). Rather, it's because he makes  look like a complete idiot after having to deal with his condescending, creepy attitude.
 * is satisfying as well, but 's is especially so after all the shit he did to Jesse, as well as . Just watch this crowd's reaction and try not to cheer along with them.
 * Complete Monster: Jack Welker, leader of the Aryan Brotherhood. And Walt himself may have crossed the line into becoming one towards the end of the show, committing illegal atrocities purely because it makes him feel alive. If not for his concern for his family and Villainous BSOD-inspired atonement in the finale, he'd have been 100% far gone. But as it stands, he only made it 99% of the way.
 * Crowning Music of Awesome: The music that plays when . It manages to convey the emotion of that scene perfectly.
 * A more light-hearted example would be "Negro y Azul", Heisenberg's catchy and goofy Villain Song from the cold open of the episode of the same name.
 * Dead Baby Comedy: Walt rationalizing that the airplane crash he inadvertently caused wasn't his fault... by hijacking a school assembly and making it all about himself. "It was really only the 50th worst crash in aviation history."
 * "Tied for 50th in fact."
 * Draco in Leather Pants:
 * No matter how badly the scale of his crimes escalate, plenty of fans will bend over backwards to make excuses for Walt's actions. Endangering innocent people? Manipulating and gaslighting Jesse? Murder? It's not his fault, it's everyone else's for never cutting him a break!
 * While he's more sympathetic than Walt and has clear lines he'll never cross, Jesse's often painted as an innocent angel who can do no wrong instead of the deeply flawed and troubled criminal that he really is.
 * Ensemble Darkhorse:
 * Hank and Saul. Especially Saul, he even has his own spinoff now!
 * Mike's stone cold badassery, intelligence, and Hidden Heart of Gold made him a fan favorite.
 * Jesse oddly enough fits a certain definition. Apparently, Jesse was originally supposed to die at the end of the first season but after seeing Aaron Paul's performance, they decided that it would be a huge mistake to kill the character off and by the middle of the second season, Jesse had become just as important to the show as Walt.
 * Badger gets quite a lot of love thanks to being a big, lovable dope responsible for some of the show's funniest moments. His buddy Skinny Pete also gets plenty of love for being just as funny, as well as having some mad piano skills.
 * Huell and Kuby, Saul Goodman's hired flunkies. Thanks to Lavell Crawford and Bill Burr's hilarious performances, their rare appearances are always a treat to watch.
 * Epileptic Trees: For some reason this series seemed to inspire a lot of pretentious attempts to reframe it as something else. Everything from the relatively mild "Most of the last episode takes place in Walt's mind as he succumbs to his cancer" to the ludicrous "The entire series is Hank's daydream about what his boring brother-in-law might get up to in his off time". This all despite the series never really giving any indication that what you see isn't exactly what you get.
 * Evil Is Cool: Mike and Gus. One is a grizzled old badass who can clear a room of hostiles out by himself, the other is a powerful drug lord running his operation right under the DEA's noses. Both are some of Walt's most dangerous and compelling foes.
 * Fashion Victim Villain: Good god, just look at some of Saul's suits.
 * Fan Nickname: Todd is "Meth Damon", due to the show's subject matter and, well, looking a lot like a version of Matt Damon who got kinda screwed up on meth.
 * Fridge Brilliance: The title of the final episode of season four, 'Face Off', suggests a direct confrontation between characters. It isn't until you've seen the episode that you realise the title means.
 * Genius Bonus: Heisenberg. If you paid attention in chemistry, this would bring to mind the Heisenberg Uncertainty Principle.
 * Growing the Beard:
 * Many people agree that while it was tightly plotted, compelling and contained an incendiary performance from Bryan Cranston, Season 1 suffered from having its run truncated by the Writers' Strike. Season 2 picked up at exactly the point Season 1 left off and went on to exceed all viewer expectations, not only developing Walt and Jesse as characters, but giving ostensibly ancillary characters (from Hank, Skyler and even Tuco) an unexpected depth. Add to this the addition of Bob Odenkirk as Saul Goodman, and Breaking Bad became must-see television.
 * The pace of the show markedly picks up from the beginning of season 2, with every episode feeling like an 'end of season cliffhanger'. While season 1 was great, season 2 onwards is as addictive as, well...crystal meth.
 * Also a literal example, as Walt grows himself a suitably villainous goatee towards the end of the season.
 * Season 3 and 4 have both been improvements on the previous seasons. Lets just say that this show has grown more beards than ZZ Top.
 * Harsher in Hindsight: Thanks to the events that take place in Better Call Saul, many of this show's own events take on a whole new weight years later.
 * Saul Goodman getting his law degree from the University of American Samoa (and from an online course, at that) and Skyler's incredulous reaction towards it is basically a punchline, a cute little joke showing just how shady and illegitimate of a lawyer Saul is. It turns out that he worked his ass off for that degree, and makes it come off as an unintentional Kick the Dog moment for her.
 * Whether it's Jesse goofing off with the lab equipment or Walt's slapstick-laden war against a stray housefly, the sillier moments that take place in Gus' underground superlab feel weird with the knowledge that.
 * When Walt and Jesse kidnap Saul Goodman so they can press-gang him into helping them build their criminal empire, his terror over "Lalo" potentially sending them after him is hilarious. It's a lot less funny in light of Lalo's ascension from a throwaway line to a fleshed-out character that quickly establishes himself as one of the series' most terrifying villains and leaves Saul traumatized by his actions.
 * While Hector's refusal to look at Gus seems to stem from their tumultuous history together and Gus' psychological torture of the man, it truly seems to be rooted in the fact that the last time Hector looked him square in the eye,.
 * Hell Is That Noise: I'd like to thank Breaking Bad for ruining the simple call bell. Now I can't play Pit anymore!
 * Hilarious in Hindsight: "The Fly" is an unconventional episode that has people split down the middle on whether they love it or hate it. It's meant to be a cerebral character study that sheds new light on Walt and Jesse's mindsets, and just so happens to be directed by Rian Johnson. This was nearly a decade before the release of The Last Jedi, which was even more polarizing and hit a lot of superficially similar beats, up to being directed by the same guy!
 * Holy Shit Quotient: All the freaking time.
 * Jerkass Woobie: Both Jesse and Walt qualify.
 * Hank, whose private pain is concealed by a willfully ignorant and obnoxious public personality.
 * Magnificent Bastard: Gus. The owner of Los Pollos Hermanos chain of chicken restaurants, and now the biggest Meth dealer of them all. Uses his chain as a cover, never been caught, and organizes anti-drug fun runs that means he associates with DEA agents that tell him all about their work. The Cartels respect him enough that he's able to call off a hit with but a single text message to two killers seeking personal vengeance. The only reason Walt is still alive is Gus can use him. Walt even figures out Gus is using him to break free of the Cartels to the point he's planning everything for his own advantages including Hank and the Cousins.
 * Walt himself has his moments of this, namely in the latter two seasons. He fully becomes one in the series finale.
 * Jesse displays some measure of this when he screws his parents over to get his aunt's house back. (How much of this was magnificent and how much of it was bastardly probably depends on what you thought of his parents' earlier actions.)
 * Misaimed Fandom:
 * All the supporters of Walt who find his crimes justified, are rooting for him to come out well-off from having committed them, and think of him as a sort of cool, inspirational figure or even role model...very clearly, the entire point of the story and Walt's character went over their heads.
 * Feminists attempted to rally to Anna Gunn's (Skyler's) defence against her growing Hatedom, claiming that her detractors were simply a bunch of sexists hating on a strong woman standing up to her Card-Carrying Villain of a husband. Of course for this to work, you have to ignore the fact that Skyler becomes complicit in her husband's crimes and very rarely displays strength when there's risk to herself. She spends the series swaying between berating and trying to hurt Walter, accepting Walter's money and trying to help him in his illegal activities, or cowering in fear of him. Holding up Skyler as an icon of feminist strength is sort of like holding up Emperor Palpatine as an icon of a fair and just head of state.
 * Moral Event Horizon:
 * Depending on your view of Walt's morality and the severity of his actions, there are a ton of potential moments where he crossed this. For some, it's him . For others, it's him nearly raping Skyler in a fit of adrenaline-fueled mania. Then there are those who think his entire treatment of Jesse constitutes as an ongoing MEH crossing due to all the verbal and mental abuse he subjects him to, as well as a healthy dose of manipulation and gaslighting for good measure. Some also site the murder of as well as . But for all but his biggest defenders, him  is absolutely the point of no return.
 * But even then, one could argue that the very act of breaking bad itself was when there was no turning back for Walt. Ignoring all the lives ruined by the meth he creates, Walt venturing into the dark and dangerous world of drug trafficking instead of accepting Gretchen and Elliot's offer to pay for his cancer treatments causes an untold amount of misery and suffering for everyone around him, all out of wounded pride.
 * TL:DR - If cooking meth is bad, and murder is worse, then the MEH is crossed in the pilot.
 * Several conversations between Walt and Jesse indicate that they felt completely justified in their actions right up until, which they consider (for different reasons) to be the worst thing they've ever done at that point. . On Jesse's end,.
 * If beating Jesse so badly that he had to be hospitalized wasn't bad enough, Tuco definitely crosses this when he beats his loyal henchman No-Doze to death over showing his support the wrong way.
 * Jesse comes dangerously close to crossing it when he While he isn't able to go through with it, those less sympathetic towards him feel that he actually crosses the line for even considering it in the first place.
 * While Gus Fring is the presumed Big Bad of the show, he draws the line at killing children to Walt. However, some episodes later Gus crosses it when he
 * While Gus may not be willing to hurt children, two unnamed drug pushers working for him have no such scruples and.
 * As long-established cartel bosses, Don Eladio and Hector Salamanca undoubtedly crossed this at some point in the distant past. But in terms of on-screen actions, there's . From this point on, you'll be cheering on in hopes of him getting his revenge, even if he is the show's current Big Bad.
 * Honestly, Hector could have crossed it even further in the past with his awful parenting. A flashback to the Cousins' childhood shows him almost drowning one of them just to prove a point to both boys, which is a mere snapshot of the abuse that would mold two innocent children into remorseless, sociopathic Mexican Terminators.
 * Todd guns down in cold blood. Without even hesitating. That's your first big sign that there's something deeply wrong with this guy.
 * Even Skyler is subject to this. Taking up smoking whilst pregnant is the first step to making her completely unsympathetic.
 * Replacement Scrappy: Gale for Jesse, briefly. Ultimately subverted in that Walt really likes Gale and probably relates to him better than Jesse but decides he has to take Jesse back to keep him under control. As such, to get rid of him, Walter treats him like this.
 * Rescued from the Scrappy Heap:
 * Skyler for a lot of fans in season 3, where she stops her nagging and complaining, and starts helping Walt launder his money. Not that it stopped her from re-entering Scrappy territory, unfortunately.
 * Hank starting in season 2 Not only does he show a more vulnerable side, but he undergoes genuine character development leading to him becoming a genuinely heroic detective that you'll find yourself rooting for.
 * The Scrappy:
 * Oh lord do people hate Skyler...
 * Also during the first season Hank was a greatly disliked but after about the second episode of season 2 he gained some Hidden Depths, is now an Ensemble Darkhorse and Rescued from the Scrappy Heap.
 * Marie is easily the most annoying character on the show thanks to her entitled behavior and kleptomaniacal tendencies. Especially since she has an annoying habit of talking and talking AND TALKING when it's long past time for her to just shut the fuck up. Being Out of Focus is just about the only thing that keeps the fanbase from bitching about her more than they do about Skyler. It must run in the family.
 * So Cool Its Awesome: "Suburban dad and chemistry teacher becomes a meth cook" is a premise that's every bit as outlandish as it is awesome.
 * Some Anvils Need to Be Dropped: Drugs Are Bad. Very, very bad. They will ruin your health, your hygiene, and your life. And even the smartest people make the dumbest decisions when they're chasing their next high. While it doesn't make it right, the lives and families we see destroyed by drug use make it easy to see why Hank and his DEA buddies are so gung ho about punishing even the smallest drug-related infractions.
 * Tear Jerker:
 * During the I.F.T. episode, *cries*
 * And for that matter,.
 * The entirety of "ABQ" is pretty depressing. But two things in particular stand out.
 * Walt's Speech during "Fly".
 * Walt crying to his son in "Salud".
 * Too Cool to Live:
 * Unintentionally Unsympathetic: This is one of the reasons why Skyler's so hated. While it's hard to find fault in her being upset with Walt for the dangerous criminal lifestyle he leads, she does everything in her power to make it hard to truly sympathize. To get back at Walt for what she assumes is him cheating on her, she endangers her baby's health by smoking while pregnant, and runs the risk of tearing the family apart by having an affair with a man she's barely even attracted to. And when she demands to be let in on his illicit activities and starts laundering his money, she loses any moral high ground she might have had and still has the audacity to shame Walt for killing someone who was perfectly willing to kill not only him, but his entire family (infant daughter included). So not only is she a major Hypocrite, but she even comes off as a Dirty Coward who is too spineless to stand up to Walt in a meaningful way aside from making a half-assed attempt at to escape from a criminal lifestyle she had willingly participated in.
 * Wangst: Skyler at times. Yeah, it sucks to be married to a meth cook. Marie is just as bad when it comes to needlessly whining and complaining.
 * What an Idiot!:
 * Ted. "I just received a mysterious inheritance equivalent to the amount of back taxes I owe. What should I do with it? I know! Buy an expensive car and 'hold out for a better deal.'"
 * Gale.
 * Jesse, Jesse, Jesse. His poor decision-making makes life difficult for himself and Walter time and time again. Burning a massive hole in his bathroom by dumping acid in his bathtub in complete defiance of Walt's instructions is merely the tip of the iceberg! It's at least justified in his case, though, since he's a junkie who may or may not have some sort of learning disability.
 * The Woobie: Jesse, among others.
 * Apparently, Walt thinks of Jesse as being a Woobie. According to Bryan Cranston on Inside Episode 12, in Walt's mind if something were to happen to Jesse, it would be like stabbing a puppy with a pitch fork.
 * Gale, poor Gale.
 * Walt himself starts as this, then becomes progressively less sympathetic as the show goes on.
 * The little boy in "Peekaboo". His parents are junkies who care more about getting high than taking proper care of their son, meaning that he's perpetually covered in dirt and living in a house that looks like a condemned building.
 * Gale, poor Gale.
 * Walt himself starts as this, then becomes progressively less sympathetic as the show goes on.
 * The little boy in "Peekaboo". His parents are junkies who care more about getting high than taking proper care of their son, meaning that he's perpetually covered in dirt and living in a house that looks like a condemned building.