Measuring the Marigolds



"''Inchworm, Inchworm, Measuring the Marigolds,

You and your arithmetic,

Will certainly go far.

Inchworm, Inchworm,

Measuring the Marigolds,

Seems to me you'd stop and see,

How beautiful they are.''"

- Frank Loesser, "The Inch Worm", from the musical Hans Christian Anderson

It's a somewhat popular opinion that those who analyze things for a living are boring and see life as numbers instead of an amazing thing. Opponents of certain types of sciences are quick to say that this is the result of trying to know too much, a reduction of the divine to the mundane. Or it's simply because Everybody Hates Mathematics, thus adding mathematics to every natural phenomenon interferes with beauty.

Of course, in Real Life -- despite the somewhat popular opinion that those who analyze things for a living are boring, stilted, unemotional, and closed minded -- most mathematicians and scientists would be quick to correct such assumptions, saying that discovery and understanding doesn't remove any magic from the equation for them; in fact, one still can love the beautiful qualities of a rainbow while knowing why they happen, but you also have the additional awe in knowing what a complex and delicate interplay of factors allows it to exist. Discovery and learning, in short, chasing after the ever elusive "why?", can bring their own magic. Indeed, many mathematicians and scientists themselves dabble in the creative arts. Scientific inventions even brought us awesome things.

The scientifically-minded will often find the train of thought leading to the idea of 'knowledge dismissing appreciation' to be a misunderstanding, so powerfully does it fly in the face of their own experience. Also, it is even possible for two intellectuals to be aroused by such discussions of knowledge.

It's not so in fiction. Characters like this are usually boring, emotionless, and almost-hostile against any show of emotion for such "trivial things" as rainbows, starlight, and the Aurora Borealis and often try to convince others to see their way of thinking.

This is a major gripe that Romanticism has against Enlightenment. Related to Straw Vulcan, Hollywood Atheist, and Mother Nature, Father Science, since this kind of character is almost Always Male. One manifestation of this is Don't Explain the Joke Compare Centipede's Dilemma. According to the scientifically-minded, this Trope is basically Complaining About Shows You Don't Watch. Has nothing to do with the Otaku Surrogate character from Questionable Content.

Anime and Manga

 * Edward Elric from Fullmetal Alchemist would launch into a speech like this every single time anyone said anything romantic. He used it to justify his anti-god stance in the first story arc, anyway. 'Alchemists are scientists, so we don't believe in vague things like God. And he hates me, incidentally.' Can be quite the romantic himself, actually, but seems to fancy the pose of being this.
 * Taken to one extreme in the final chapter-slash-final episode where Ed somehow manages to turn  into a discussion about the properties of alchemy,

Comic Books

 * One Fantastic Four story had a villain steal not the intelligence, but the creativity of Reed Richards, who is regarded as one of the most intelligent men in the Marvel Universe. He found himself shocked to discover that he couldn't even stare at a flower without being hit by the sheer sense of wonder Richards feels at the existence of all things!
 * Dr. Manhattan of Watchmen, though it's only partial. He finds wonder in such miracles as the bonding of atoms and the formation of mountains and continents, but doesn't hold any regard for life itself (mostly because he thinks he knows everything life has to offer). In fact, he only starts to love life again when he analyzes just how completely and utterly improbable (to the point of it almost being a statistical impossibility) daily life is.
 * Dan Dreiburg, AKA Nite Owl II, mentions this effect in passing in one of the supplemental pieces. He found he was losing his awe for owls in studying them, until a chance encounter with a hunting owl brought his fascination back.

Literature
"...Do not all charms fly At the mere touch of cold philosophy? There was an awful rainbow once in heaven: We know her woof, her texture; she is given In the dull catalogue of common things. Philosophy will clip an Angel's wings, Conquer all mysteries by rule and line, Empty the haunted air, and gnomed mine— Unweave a rainbow..."
 * Sherlock Holmes is a perfect example of this. He was always complaining about how Watson kept writing the adventures in a dramatic fashion rather than focusing on the meaningful facts. Which was rather hypocritical of him, since in "The Valley of Fear' he laid a trap for the villain and kept his associates in the dark about what he was doing specifically because it was more dramatic that way.
 * Depending on his portrayal, he's sometimes a subversion as well. For instance, in the films staring Robert Downey, Jr., he's shown to be doing the Sherlock Scan at all times instinctively, not even trying. He's also shown to be enraptured by the sciences (especially forensics) and CAN see and enjoy the beauty in the world around him. He just likes reducing it to the bare facts to tweak those around him, especially Watson.
 * The character Dee Dee Six in the Philip Ridley book Mighty Fizz Chilla is like this. At one point she says things like food don't matter to her beyond nutritional value - she could eat a banquet or take some vitamin pills and it would be the same to her.
 * Mark Twain once wrote an essay "Two Ways of Seeing a River" devoted to this very Trope. Read it here.
 * Homo Faber, the well-known novel by Max Frisch, has exactly this type of guy as the protagonist-narrator.
 * The Walt Whitman poem "When I Heard the Learn'd Astronomer" is about the narrator becoming bored at a astronomer's facts and figures and going outside to look at the stars.
 * What's implicit in Whitman's poem is made explicit in Edgar Allan Poe's To Science.
 * "since feeling is first" by E. E. Cummings includes lines like "who pays attention to the syntax of things will never wholly kiss you" and "kisses are a better fate than wisdom".
 * "o sweet spontaneous" is more obviously and scathingly against this.
 * In Discworld the Auditors fall into this whenever they're not trying to destroy things because they can't be measured using numbers. At one point they attempted to understand art by reducing a painting to powder and sifting through to find the bit of it that was the art.
 * In Small Gods, Brutha is shown some color illustrations of plant life at the Library of Ephebe, in a book about the useful qualities of plants. Deeply moved by the images, he remarks "they're beautiful...", and the fellow who's showing him the book replies that that's one use the book's author had entirely overlooked.
 * John Keats, Lamia:

Live Action TV
"Spock: That one looks like a dragon. You see the tail and the dorsal spines?
 * Star Trek: The Original Series episode "This Side of Paradise". Mr. Spock has been affected by spores that release his emotional side. He and his love interest Leila Kalomi are looking at clouds.

Leila: I've never seen a dragon.

Spock: I have. On Berengaria 7. But I've never stopped to look at clouds before. Or rainbows. I can tell you exactly why one appears in the sky, but considering its beauty has always been out of the question."

"The Doctor: Because I can't see it any more. I'm 907. After a while, you just can't see it. Everything. I look at a star, and it's just a big ball of burning gas, and I know how it began, and I know how it ends, and I was probably there both times. Now, after a while, everything is just stuff. That's the problem, you make all of space and time your backyard and what do you have? A backyard. But you, you can see it, and when you see it, I see it."
 * House (being essentially a Sherlock Holmes Expy) is frequently dismissive of human emotions and relationships. On the other hand he rides a motorcycle, takes a sadistic pleasure in artistic pranks, and does all sorts of other not-logical things. He doesn't look any happier, but they presumably do something for him.
 * A running theme on Scrubs involves the characters gradually becoming more and more jaded to the practice of medicine. For instance, when Turk is sued by a patient, Dr. Cox takes it upon himself to "crush his spirit," a process that culminates with Cox explaining to Turk and a roomful of sick children how a magician's "rabbit in the hat" trick works.
 * Reid has a habit of doing this on Criminal Minds. While he is excited about his scientific and statistical information he can bring to the current conversation, he usually sucks all the awe and emotion out of it for everyone else involved.
 * It's a bit of a running theme in Doctor Who- in fact, it's a lot of the reason that the Doctor takes human companions with him.

"Brennan: Booth has a bigger mandible and a more prominent zygomatic than Fisher, as well as a more pronounced ratio between the width of his clavicles and his ilia. Angela: So, it's because Booth is hot? Now we're getting somewhere."
 * Temperance Brennan has, shall we say, a unique means of appraising Seely Booth's appearance;

Meta
"But the heart of the problem is that TV Tropes takes good, challenging fiction and removes its identity as an individual piece of work. ... Nothing more quickly removes the fun and charm of something born from human emotion and creativity than to strip it down into cold and clinical statistics presented out of context."
 * One of the things critics of TV Tropes might cite would fall into this Trope: Tropes Will Ruin Your Life because, after a particularly long Wiki Walk, you'll start seeing Tropes every time you watch a Film and they'll distract you from enjoying the Plot.
 * This blog entry -- the last paragraph directly accuses TV Tropes of this:


 * On TV Tropes itself, complaints about Did Not Do the Research are usually put forward more because of a demand for accuracy rather than for intrinsic entertainment. Artistic License, Rule of Cool/Rule of Fun/whatever, will often be dismissed as 'the easy way out', neglecting the fact that good fiction uses these tropes just as often as bad fiction. And, well, it is fictional - there's no prizes for getting every detail correct. They don't seem to get that Tropes Are Not Bad, and that we're here to celebrate popular fiction. Indeed, half of the Wiki is now Awesome Moments, Funny Moments, Heartwarming Moments and their kin, which is basically the internet's repository of stuff people like just because they like it.

Music
"I was just guessing at numbers and figures Pulling the puzzles apart Questions of science, science and progress Do not speak as loud as my heart"
 * The song Miracles angrily renounces anything scientific, instead referring to almost all natural processes as "miracles", such as feeding pelicans and the workings of magnets.
 * The SNL parody "Magical Mysteries" takes things even further, featuring lines like "What is Alaska? Who is Brazil? Isn't a volcano just an angry hill?"
 * Loading Ready Run made a full rebuttal.
 * Coldplay's song "The Scientist":


 * On a different level, many a music teacher has suggested to his or her pupils that they dedicate time to learn at least basic music theory, as it will help them write music. Nearly as many music teachers have been saddened to hear their students claim that they "don't want to learn a bunch of rules that [they] have to follow." This is incorrect, because it assumes that music theory is a set of rules that must be followed. When told that music theory is more a way to analyze the writing and composition of music, these pupils are usually dismissive, citing, to some degree or another, this trope. What's sad is that this has almost certainly held back the musical talents of possibly thousands of budding musicians.
 * Not that as usually presented, basic music theory doesn't contain a lot of rules to follow. But if you haven't heard of the rules, you've also never asked yourself questions such as: "Am I already following these rules? Should I be? What is each rule trying to prevent? How do people get away with breaking each rule?" Music theory is to writing music as a map is to wandering; you can still put it away and enjoy the scenery. Having one just helps you know if you're going in circles, and lets you reach places far enough away from your home that you wouldn't have stumbled upon them otherwise.

Newspaper Comics

 * One BC character (probably Thor) neatly torpedoed his own chances of getting lucky by responding to a comment on the beauty of the moon rising by saying it's an illusion caused by the Earth's rotation. Cue him shouting at the retreating Cute Chick, "BUT IT IS STILL ROMANTIC, OH SOOOO ROMANTIC!" in a futile effort to recover the magic.
 * Referenced in the FoxTrot arc where Andy becomes obsessed with the film Titanic, to the point that Roger worries about her. Jason begins describing production trivia to her ("Did you know the scenes with everyone drowning were filmed in a heated indoor pool, and their foggy breath was added by computers?" and so on). Andy accuses Jason of trying to ruin her enjoyment of the film. The final panel has Jason telling Roger, "She's onto us. Do I still get paid?"

Tabletop Games

 * Overuse of this theme was one of the many criticisms leveled at the Old World of Darkness games. Mage: The Ascension had the Technocracy, who started out as an evil conspiracy combining the worst features of Nineteen Eighty-Four, the Agents from The Matrix, every Government Conspiracy ever, and an especially boring math class. (They did receive a lot of Character Development as the game-line went on.) Changeling: The Dreaming characters were vulnerable to "Banality", which in practice meant that inhaling while too close to an accountant could make their souls die. Science Is Bad, mmmmkay?!
 * Of course, Changeling was also somewhat schizoid inconsistent on this point, as for every book that treated a slide rule as just as bad as cold iron, there was a source book where the nockers pointed out it was the moon landing that resulted in the biggest rush of Glamour most changelings had seen in their lifetimes, or a sample boggan accountant who resisted Banality through his profession because he actually took joy in numbers.
 * Second Edition Mage: The Ascension listed the following as the quote to sum up the attitude of the Sons of Ether: "The beauty of science is not that it answers all the questions, but that with every answer, more questions arise."
 * Then there's the Weaver in Werewolf: The Apocalypse, a cosmic force which is associated with both technological progress and stasis. While it tends to be perceived as a lesser threat than the obvious Big Bad that is the Wyrm, many of the non-Glass Walker Garou continue to look down on things like cities or computers. Then it's further suggested that the origin of the entire Crapsack World can be traced back to the Weaver, since its imprisonment of the Wyrm was what drove it insane to begin with.
 * Early editions of Dungeons and Dragons had comparatively fewer rules than later editions for character actions other than combat and spellcasting. Back then if, say, you wanted to throw your drink in a villain's face to blind him, jump from a balcony, swing on a chandelier, sommersault through the air, land on your feet, and run out of the room, your DM would have to figure out exactly how that would work - probably an attack roll with a small penalty, some Dexterity rolls, and a decision about whether you've generally played your character as a guy who would do that kind of thing. Now, your GM has extensive rules for how far you can jump, how for you can move, how much damage you take when you fall, what difficulty the Acrobatics check should be based on your level, oh, and if you don't have an attack power that blinds (or at least stuns or dazes) you can forget the drink-throwing having any useful effect. The new version makes everything much more standardized, predictable, easy to run, and fair, but many old-timers argue that the "rules instead of rulings" style of modern editions take all the heroism and excitement out of the game.
 * Of course, that's why 4th Edition also included a SPECIFIC list and a table, devoted to 'actions the rules don't cover'...So the GM can EASILY get a ruling for you doing that cool shit. (Especially "I want to swing from a chandelier and hit them!)

Web Comics

 * In Gunnerkrigg Court, the animals of Gillitie Wood think that of the Court scientists' study of magic.
 * Conversely, many Court scientists feel that refusing to even attempt to explain how things work is a disservice to the beauty of their complexity.
 * Abstruse Goose: This is how scientists see the world. The strip does not, however, carry this trope throughout.

Web Original

 * A number of FSTDT quotes question how scientifically minded people can feel love (whether towards a person, a concept or a deity) if they believe it to be a neurological process rather than metaphysical in nature; the usual response is that this knowledge doesn't change the way it feels.
 * Mr. Deity accused Lucifer of this when she explained to him that Penn & Teller don't really have magic powers.

Western Animation
"Moe: *fossil falls on him while he hits it* I hope medical science can cure me!"
 * Amazo in Justice League. He started out as a blank-slate nanotechnology android capable of analyzing people to internally reproduce aspects of them. Lex Luthor manipulated him into doing his dirty work, and Amazo proved to be a serious threat because he could copy the powers of every superhero he encountered, then further evolve to become immune to their vulnerabilities. Eventually, he discovered Lex's manipulations, grew disillusioned, and left Earth, calling it insignificant. Some time later, after essentially evolving into a Physical God, he returned to Earth, creating massive panic among the Justice League, until it turned out he was struggling through an existential crisis, having obtained unimaginable power but not knowing what to do with it. Doctor Fate took him in, hoping to teach the android how to appreciate life and find a purpose for himself.
 * The Adventures of Jimmy Neutron, occasionally.
 * On The Simpsons, the citizens of Springfield once rioted against science, saying it was like someone who spoils the end of a movie.


 * In Young Justice this is how Kid Flash is portrayed in the episode "Denial", constantly explaining away everything done with magic, with science.
 * Which is of course in the setting stupid, and a bad analogy to any people from our world with similar opinions, as magic is relatively common in the DCU, including the new version of Earth-16 where Young Justice takes place, and has proved itself repeatedly.
 * Kid Flash's perception is likely owed to the fact that the Flash family doesn't really have any magical villains, including Abra Kadabra who uses technological tricks to perform his seeming magic and was probably who Kid Flash had in mind when going through one of his diatribes (Klarion the Witch Boy, who is spying on the group, even asks Abra, "Isn't that how you perform your tricks?")

Real Life

 * JRR Tolkien, in a letter to a friend, once told what he claimed was an old joke about a German professor who "wrote a large book on Das Komische. After which, whenever anyone told him a funny story, he thought for a moment, and then nodded, saying: 'Yes, there is that joke'."
 * Learning a language usually changes the way you perceive it. If you liked how it sounded before, you might not like it anymore afterwards (and vice versa).
 * Famed biochemist Erwin Chargaff felt this way about science, heavily criticizing the direction in which it was going.
 * Ever see a cool magic trick? They are not that amusing when you figure out how they work.
 * Sure they are. In fact, you can not only be amused by the performance, but amazed by the skill.
 * Penn & Teller had a recent show, Fool Us, in the UK. It was a competition. P&T would sit in the audience and see a trick one time from the audience's point of view. They got no help. No special camera angles, no tapes to watch, and only one performance of the trick. If they could not figure out how your trick was done on a single viewing, you won a trip to Vegas and the right to open for them. The acts were all top notch, and yet maybe only one in six actually got past them. That did not stop them from taking almost childish joy in each performer's tricks.

Anime and Manga

 * In Yotsubato!, Asagi shows Yotsuba that the tsukitsukiboushi making the onomatopoetic chirps heard in late-summer are cicadas, and not summer-ending fairies as she believed. Yotsuba, however is excited to learn something new, and eagerly spreads the word that cicadas are cicadas!

Fan Works

 * Dept Heaven Apocrypha has Ledah, a workaholic overachiever with all the apparent emotional capacity of a brick wall. Slowly, it's been revealed that this is more a result of his walled-in emotional problems and history of being abused than anything else, as he displays quite childish wonder at something so simple as realizing he has a friend.
 * He's also like this in canon, although the example is played rather straighter there. Interestingly, in both incarnations, Ledah is deeply religious.
 * In the fanfic The Conflicts of Haruhi Suzumiya there is a scene where Ryoko is watching the rain, explaining all the ways she can analyse it. She ends with, "It's beautiful. The more I find out, the more I feel I can appreciate how special everything really is."

Literature

 * The short story Democritus's Violin is about this trope. An academic windbag gets angry at the main character for using science in an essay on Bach and she gets back at him by pulling a prank which (supposedly) proves that the world is strictly reductionist and any belief in the power of art is the product of a dim mind. Um, yay?
 * In The Science of Discworld, Stewart and Cohen use the example in the Trope description; pointing out that understanding how rainbows work doesn't stop them being beautiful; it means you know why they're beautiful.
 * In fact Ian Stewart, like most mathematicians, uses the word "beautiful" a lot.
 * A particularly well-executed proof is often referred to as 'elegant'.
 * Mathematics, pure mathematics, is as much an art as it is a science. Theorems are astoundingly beautiful, if looked at the right way. The way high-school math is taught does not foster this perspective.
 * Another Discworld example might be Twoflower, who, according to Rincewind, "appreciates beauty in a different way. If he saw a daffodil, he would run off to fetch a book on botany, not realizing he had stepped on the daffodil."
 * The Word of God is perhaps more a Take That than an aversion, but at any rate it is too good not to link to here.
 * In Breakfast of Champions, there's a scene where the author is attacked by a dog. Vonnegut spends two full pages on a ridiculously detailed and brilliantly dramatic explanation of what happens biochemically in his nervous system, body and brain from the time he sees the dog until he jumps over a car.

Live Action TV

 * In an episode of Sliders, when an android explained to Wade why the sky is blue, and she found it romantic.
 * Charlie Eppes in Numb3rs is a math genius who sees incredible and fascinating beauty in how mathematics helps describe the world.
 * Indeed, Charlie gets very emotional and passionate when talking about math. However, he also provides a straight example when it comes to magic. He does not enjoy magic shows, because he so easily comprehends how the tricks are done. His girlfriend, on the other hand (who is also a mathematician), loves magic, and lampshades this very Trope in pointing out that understanding how it's done doesn't have to detract from the enjoyment.
 * Carl Sagan's Cosmos is, in its entirety, a repudiation of this Trope. In fact, it might be seen as espousing the opposite - seeing as you are made of trillions of highly evolved cells equipped with ludicrously complex molecular machinery, the components of which, as well as nearly everything else, were made from the ashes of long-dead stars, that we can transcend time and death by reading... The most mundane events are suddenly much more profound and wonderful.
 * As is Jacob Bronowski's The Ascent Of Man, described by Charlie Brooker as being like "taking a warm bath in University juice."
 * And Into The Universe with Stephen Hawking, a show on space and time that's framed as a peek into the titular physicist's mind. And it is gorgeous in there.
 * And the Swedes were lucky to have Peter Nilson, author and astronomer, who wrote beautifully about such things as the heat death of the universe, and didn't let his knowledge of acoustics spoil his love of music or of ecohistory spoil his love of the Swedish countryside - he wrote books on both, as well as science fiction novels.
 * Gil Grissom of original-recipe CSI is a poster child for this. There's an episode where Catherine chides him for wanting to know how magic tricks work.
 * Jonathan Creek.
 * Inverted on Northern Exposure: Ed Chigliak, Magical Native American, artist, and Bishonen, hates computers, until he realizes that ones and zeros are just like his people's view that the universe is made up of two things: Nothing, and everything.
 * Rarely explicitly stated, but in Big Bang Theory, the Nerds - even Sheldon on occasion - are amazed at the beauty and wonder that exists around them and quickly point out that there's amazing things that you wouldn't even know existed without the aid of science - Astronomy appears to be their poison of choice.
 * On Fool Us, Penn Jillette frequently says that he and Teller enjoyed a trick more than the audience because they knew how it was done and could fully appreciate the skill with which a piece of sleight of hand was done.

Meta
"You know, whenever I post one of these dissectory reviews, the first consequence is always, always, that someone will send me an e-mail demanding, "Why do you have to think so much about the films you watch? Why can’t you just enjoy them? Why do you get so upset?" Given the implication that "thinking" and "enjoying yourself" are necessarily mutually exclusive, it is perhaps not surprising that they rarely believe me when I say that such an exercise gives me a great deal of pleasure; that the process of putting a film under the microscope (ha, ha) adds considerably to my whole experience of it – and that’s true whether I ultimately endorse or criticize its science."
 * As said above, some claim that spending too much time on this site will make you jaded and unable to appreciate a work in any medium by automatically dissecting and analyzing it. However, not only can you get involved in a film's plot, you can have more fun on the way guessing which trope is going to be put into action before it does so.
 * And better, it gives you the tools to analyze and explain to others why you liked or did not like a piece rather than relying on "Eh, I just didn't like it."
 * This is basically what people who study Literature, music, art, etc. do for a living, and just like the science examples above, just try going up to a Literature professor and telling them that their understanding of the mechanics of plot, characterization, themes, and wordplay means they do not feel the same spark of wonder.
 * A good example is Shakespearean comedies - before studying them and their context, you'll get about a tenth of the jokes. Some people think that the guy laughing on his own in the theatre is showing off, because as Don't Explain the Joke suggests, you can't genuinely enjoy a joke that's been explained to you.
 * The author of And You Call Yourself A Scientist, picking apart movie pseudoscience, says something about this in her examination of Jurassic Park.


 * Phil Plait's Bad Astronomy page has in depth reviews of movies and their misrepresentations and mistakes in movies. For example, his article on Armageddon mercilessly picks apart the 'science' in the movie, but starts with how he simply loved the movie for it's story/humor/art.
 * He even have an entire page on this single point.
 * The creators of Extra Credits say they frequently receive comments saying that by analyzing games they are sucking the fun out of them. Their response can be found here.

Music

 * Tom Glazer wrote "Why Does The Sun Shine? (The Sun Is a Mass of Incandescent Gas)" in 1959. The long-forgotten song was later covered by They Might Be Giants for their children's educational CD "Here Comes Science", along with an updated song, "Why Does the Sun Really Shine? (The Sun is a Miasma of Incandescent Plasma)". Justified in that these songs are meant to both educate and entertain, (and do both splendidly).
 * As a judge on The Sing Off, Ben Folds is enjoying the show on more levels than the rest of us as he elaborates the exact technical merits of each performance. He looks giddy as he explains how the three-part harmony comes together or points out the arrangement of events every four to eight bars.

Web Comics

 * Of course, Xkcd is a complete inversion of this, which often talks of math and science with an infectious sense of awe and giddiness, demonstrated here.
 * Clinton from Questionable Content also inverts it, arguing that you can't truly appreciate the marigolds until you've measured them.

Web Original

 * Inverted by the Symphonies of Science which are pretty much nothing but various scientists gushing about how awesome the world and its mechanics are, Auto-Tuned and set to music.
 * Eliezer Yudkowsky argues against it under the title, "Explaining vs. Explaining Away, with some follow up notes on taking Joy in the "Merely" Real.

Western Animation

 * The 90s Spider-Man: The Animated Series made Peter a subversion of this Trope - for instance, when he's on a Ferris wheel, Mary Jane asks how fireworks work, at which point he goes into a talk on the fuses and the gunpowder and the doping with trace metals and so on. When Mary-Jane comments that he's taken the romance out of them by analyzing them, Peter points out that knowing how they work doesn't make them any less beautiful. She would later use the knowledge to create a makeshift distress signal.
 * The Disney cartoon Donald Duck in Mathemagic Land is an attempt to avert this. Despite Donald's insistence that advanced mathematics is for "eggheads", a disembodied "Spirit of Adventure" manages to convince him otherwise by showing how math influences things like parlor games and music theory.
 * This is the message of the "Give Your Heart a Try" number in Twas the Night Before Christmas, though the later song "Hope and Hurry" does a lot to balance it out.

Real Life
"Bertrand Russell, Study of Mathematics: Mathematics, rightly viewed, possesses not only truth, but supreme beauty, a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show. The true spirit of delight, the exaltation, the sense of being more than Man, which is the touchstone of the highest excellence, is to be found in mathematics as surely as in poetry."
 * Just ask any scientist about their field of specialty, and the last thing you'll get is a robotically dull answer. Try asking a botanist about flowers, or an astronomer about galaxies. These people chose these fields in the first place because they feel intensely about them. You don't get rich researching science. It is, almost of necessity, a labor of love.
 * Hell, ask a mathematician about their work, aka "the dullest thing in existence", and you're likely to get a whole lot of enthusiasm and excitement.

"Feynman: I have a friend who's an artist, and he sometimes takes a view which I don't agree with. He'll hold up a flower and say, 'Look how beautiful it is,' and I'll agree. But then he'll say, 'I, as an artist, can see how beautiful a flower is. But you, as a scientist, take it all apart and it becomes dull.' I think he's kind of nutty. [...] There are all kinds of interesting questions that come from a knowledge of science, which only adds to the excitement and mystery and awe of a flower. It only adds. I don't understand how it subtracts."
 * Physicians can be particularly passionate about their field, sitting where it does at the intersection of cutting edge technology, the frontier of science, and a deep humanitarian mission. Dr. Atul Gawande's Complications is an excellent introduction to just how emotional the field is.
 * Richard Feynman also was a major advocate of this style of thinking. In What Do You Care What Other People Think, he advocates this position with an argument he had with an artist:


 * After he received stories of people disillusioned by his book The Selfish Gene, Richard Dawkins wrote a counter to this viewpoint in the form of Unweaving The Rainbow. It helped that not only did most people criticize The Selfish Gene purely from title alone, but those that did actually read it thought that he was endorsing a bleak dog-eat-dog philosophy of the world, despite the fact that he explicitly said he wasn't doing this in the first chapter of the book. He also added a preface with that message when he found out the executives behind the ENRON scandal had cited the book as an excuse for their behavior.
 * Philosophy, (systematic) theology, and other exercises of raw reason are often enlightening once you've grappled with a particular problem and, as it were, solved the riddle, or at least contributed towards understanding it more.
 * Animators spend all day sitting at a desk, studying how a body moves, how things move, making them move, drawing hundreds of drawings. Learning how it works, systematically. It doesn't make it any less enjoyable to watch cartoons being able to spot where other animators went the extra mile, or made mistakes, or knowing what needs to be done to accomplish what happened.
 * Also, analysing people's movements make you realise just how different each person moves and how it reflects their personality, mood etc. Whereas most people would have the default assumption that 'a walk is a walk', a walk in animation tells you EVERYTHING.
 * The same applies to acting, whether it's a live action role, or a voice role. How does your character walk? Does he slump forward? Does he swagger? Is he pigeon toed? Does he have a particular accent? How strong is it? Is he trying to lose it? Does he have a soft voice, or a gravelly rasp? All of these little things change who he is, and how he's perceived. It's why the school of method acting still exists. People spend months getting into, and building their idea of who the character is, because it matters to them.
 * David Kushner's book Masters of Doom has this to say about id software's John Carmack and his programming knowledge: "...after so many years immersed in the science of graphics, he had achieved an almost Zen-like understanding of his craft...Rather than detaching him from the natural world, this viewpoint only made him appreciate it more deeply. "These are things I find enchanting and miraculous," he said. "I don't have to be at the Grand Canyon to appreciate the way the world works, I can see that in reflections of light in my bathroom." In further context, this could also be a Crowning Moment of Heartwarming for Carmack, who, up until that point, was said to have appeared impassive to his peers most of the time.
 * Simple kiddie tricks lose their awesomeness, yes, but more advanced tricks of master magicians become even more amazing when you start to understand how much brilliance, hard work, and showmanship skill go into them.