Adaptational Weakling



In an original work like a book or graphic novel, you have a powerful character. Maybe they are The Ace. Or they are a god, that demonstrates omnipotence. You respect their power.

But where's the fun in that when you adapt said work to a movie, television show, or anime? Where are the stakes when your character can beat down their opponents with ease?

The Adaptational Weakling, the opposite of the Adaptational Badass, can still be strong, just not as strong as their original counterpart. If a character is still supposed to be badass but is shown easily defeated in an adaptation, they might be victim of the The Worf Effect. Chickification is often a subtrope, when a girl who was previously a capable combatant becomes kidnapping bait. Sometimes the creator's intention is to raise the stakes. Other times, it's to further character development or aim for a change in tone.

Note: on TV tropes, this is referred to as Adaptational Wimp, but going with Weakling since it's a close-enough synonym and we don't have to debate on the name.

Anime and Manga

 * Sailor Moon
 * It's revealed that the Silver Crystal users, in general, are this in the 1990s anime. The users can do anything with the Silver Crystal in the manga and suffer little to no consequence; in fact, Sailor Moon was even able to revive the world during the Infinity Arc after Sailor Saturn had to destroy it to stop Pharaoh 90 and Mistress 9. In the anime, the crystal can grant the users' greatest wish if used at full power, but at the price of their life. Queen Serenity, Sailor Moon, and Chibi-Usa have each canonically died at least once while using this ultimate power. Sailor Moon and Chibi-Usa revived due to extraordinary circumstances, but sadly Queen Serenity did not.
 * Tuxedo Kamen gets more to do in the manga, owing to receiving a special attack that allows him to even the odds. For most of the 90's anime, he's stuck with the roses, though they still are pretty dangerous to the target. Just ask Queen Beryl, who received a killing blow with a rose to the heart.

Comic Books

 * Hector Hall in the Golden Age of comics was a formidable Justice Society of America member as the Sandman, along with Fury, his wife Hippolyta Hall. In The Sandman comics from 1989, Brute and Glob revived him in Jed Walker's mind to be a "yahoo" that would help them rebuild the Dreaming. When the real Sandman, aka Morpheus the King of Dreams, saw this costumed man attempting to find off what he thinks is an invader to Jed's mindscape, Dream bursts out laughing. He has to stop and take off his helm, looking like he wants to wipe tears of laughter from his eyes. Dream also reveals to Hector that he died a long time ago, and doesn't belong in the Dreaming, sending him to Death's realm by flicking his fingers.
 * Depending on the iteration, Stanley and His Monster have the title characters frequently switch these roles. The variant that pays homage to Calvin & Hobbes revealed that Monster, aka Spot, was a demon that Lucifer kicked out of Hell for being a softie; when Remiel mistakenly collects Spot thinking that he is a runaway denizen, Stanley literally goes to Hell with the Phantom Stranger's help to get his best friend back, using the power of childish belief to curbstomp the demons. A later reboot had Stanley's grandfather kidnap him, using him as bait to lure Spot on learning the two had a special bond. Spot not only kicks the guy's ass but also wipes Stanley's memories so that Stanley will never learn that his friend can be a monster and chooses not to be for Stanley's sake.

Film

 * In the How to Train Your Dragon novels, Snotface Snotlout is The Ace and top of the Hooligans' class, as well as Gobber's favorite student. He's a big jerk and a bully to his cousin Hiccup as a result, who . During How to Train Your Dragon's three movies, in contrast, Snotlout is probably the worst student of the Dragon Trainers excluding Hiccup before the latter starts excelling; he's full of braggadocio but can't aim, as a laughing Stormfly noted when he missed hitting her with a mace, and spends more time flirting with the ladies than focused on fighting. Even the twins are relatively better, as it's shown they figured out Stormfly's blind spot and hid it in while arguing. The first TV series showed that he does make up for it with hand-to-hand combat, which he uses to save Hiccup.
 * Lampshaded in The Lego Batman Movie many times.
 * Commissioner Gordon is shown to have earned his stripes in the comics, using Batman as an ally while fighting corruption with everything he has. He even stayed in Gotham during the No Man's Land arc to protect the civilians who could not evacuate. Here, his default solution is either pressing the button for the Bat-Signal or having Chief O'Hara dial the Bat-phone. With that said, when Batman is unavailable, he refuses to negotiate with Joker when the latter demands for the mayor to surrender and sets up a perimeter around the water plants where Joker has set up bombs to destroy Gotham city. He protests when the mayor prepares to surrender herself to the Joker. Fortunately, turns out the mayor was Batman in disguise and the real mayor is safely in hiding.
 * Happens a lot with Batman's usual Rogues Gallery. The heavy-hitters like Bane, Poison Ivy and Harley Quinn have a comic history of incapacitating Batman if not landing heavy blows on him. In the opening where Batman confronts them, he curbstomps them in seconds while singing a song about how awesome he is, with the Batmobile and 'Puter's help. Joker is befuddled and asks, "How is he beating all of you again?!" In fact, this realization motivates Joker to . Quite ironically, the Rogues prove to be more useful when they.
 * X-Men Film Series:
 * Wolverine has a healing factor, as he does in the comics, but he can still be incapacitated if a strong enough blow hits him, or Rogue has to borrow his powers to save her life. Decapitation can kill him, and The Wolverine movie showed that science could suppress his healing abilities or.
 * Rogue in most versions grows from a nervous teenager that lacks control of her life-absorbent powers to a straight-up badass that can fly or take on Apocalypse. While Rogue gains more confidence in X2: X-Men United to the point that she uses Pyro's powers to keep him from burning police officers alive, X-Men: The Last Stand has her change course. She finds out there's a cure for her powers, a gift she never wanted, and it's being administered a few miles away. After thinking about it, and talking with Wolverine who tells her that she should do it for herself and not for her boyfriend Bobby, Rogue decides to become normal. She doesn't regret it, smiling when showing she can touch Bobby without hurting him.
 * The Juggernaut in X-Men: The Last Stand; Kitty made him her bitch! Okay, she had to outsmart him with Leech's help, but it was still... Pretty embarrassing for someone who, in the comics, has gone toe-to-toe with the Hulk. Not to mention he seriously blew his chance to make a good first impression, telling Magneto (who sprung him out of jail) to "Let me out of here, I need to pee!".
 * All the benders in The Last Airbender. The most egregious example is the earthbender prisoners, who in the original series were in a ship in the sea to nullify them, while in this film they were imprisoned in land, and yet they didn't dare to use their powers to escape (and when they did use them was a mix of patheticness and Special Effect Failure)
 * Personality-wise, Iroh also suffers this during the initial meeting with Aang. While he was sleeping during most of the fight that Aang had with Zuko, he did unleash a barrage of fire when alerted to the situation, in an attempt to take Appa down and help his nephew achieve his goal to return home. Here, he becomes apologetic when testing Aang to see if he is the Avatar, thinking that his nephew had found another false lead in a Snipe Hunt. When Aang proves his identity and escapes to save his life, Iroh lets him go, telling Zuko they will get their chance later.

Literature

 * A possible interpretation of the story "Cruel Sisters", a take on the Child Ballad "The Cruel Sister". In the original ballad, Helen killed her younger sister with barely any effort and refused to pull her out before the currents took the princess. Patricia C. Wrede's version has Margaret, the narrator and middle sister, note that while the eldest sister Anne was certainly strong enough to push youngest sister Eleanor in the river, she doubts that it happened. For one, the harp that makes the accusation was made from Eleanor's body, and Eleanor was a liar in life. And for another, Eleanor assumed that they were fighting over a "true bonny" William, where William played with both girls' feelings. Anne also has a habit of not admitting her guilt or innocence to any crime, bearing her punishments with stoicism.

Live-Action TV

 * The Sandman
 * In the comic book The Sandman, Lord Morpheus is pretty powerful even after spending seventy years in captivity. He remakes his Dream palace with a simple gesture, and only needs a few days of bed-rest. In the show, Dream doesn't even get that owing to a hundred years in captivity; he can barely move a few pieces of rubble, and refuses to rest or get food. He has to sacrifice Cain and Abel's gargoyle Gregory to receive enough power to summon the Fates and receive answers about his tools' location.
 * Hector and Lyta Hall were superheroes in the Golden Age as The Sandman and Fury respectively. When Dream invades Jed's mind, where a dead Hector and living Lyta are imprisoned, Hector attacks what he thinks is the King of Nightmares and at least tries to fend off what he thinks is a supervillain. It does nothing to Dream, who bursts out laughing on hearing that Hector calls himself the Sandman, but it's implied he was formidable in life, and confirmed in the Justice Society of America series when Hector and Lyta continue their superhero work. In fact, it's implied that Lyta's hero moniker and previously rebooted backstory as Wonder Woman and Steve Trevor's daughter was what . The series, to avoid having to explain thirty years' worth of comic continuity, makes them both ordinary architects and Hector died in a random accident. What's more, Hector is more accepting if saddened when Dream breaks it to him gently that.
 * Comic-book Gilbert realized that he couldn't take on the Corinthian after recognizing him, but realized that the latter had . Here, Gilbert doesn't have that opportunity; Corinthian recognizes him at the Empire State Hotel when the latter is helping Rose search for Jed, and is willing to kill . Realizing he has no choice,

Oral Tradition, Folklore, Myths and Legends

 * Early myths of Loki in Norse mythology show that he can escape any scrape that he accidentally causes for himself or the Norse gods, with the power of trickery or shapeshifting. A later saga shows that after he got Baldr killed as a joke, the gods quickly hunted him down and killed his sons as punishment.
 * Depending on who is telling the story, Siddhartha Gautama aka the Buddha can fall victim to this. Buddhists and most Hindus agree that he is an avatar of Vishnu, the penultimate one before Kalki the Destroyer. Siddhartha was a virtuous prince that gave up his cushy life-- along with his wife and newborn son-- to pursue enlightenment. He proceeded to survive several assassination attempts from his cousin Devadatta, who was jealous of his growing followers. Another sect of Hinduism details in the Puranas that Vishnu became the Buddha to ensure that asuras would convert to Buddhism and forget their dharma, leading to them eventually being condemned to hell. That's a little less heroic, and not as cool as the Eightfold path.

Theatre

 * The original film of Beetlejuice had the dead couple Adam and Barbara quickly learn about possession and try it for themselves before soliciting Beetlejuice's help. In the stage play, they are worse at it, so Beetlejuice tries to convince Lydia to summon him instead to ruin her father's party. He also possesses Adam and Barbara to demonstrate his powers, something that didn't happen in the film. Lydia has to interfere by pushing him off the roof-- "What? He's already dead."-- and convince the more trustworthy dead couple to do some possession instead.
 * Hamilton has downplayed examples, as personality changes do not mean the characters are weaklings, just softer compared to their real-life counterparts.
 * Vice-President and governor-elect Aaron Burr was a feminist in his time, a revolutionary who wasn't afraid to talk back to George Washington, a military general known for having a bad temper, and the man who invented modern electioneering. In the play, Aaron Burr is more soft-spoken; he has a sharp tongue as shown with Lafayette and John Laurens, but advocates to "Talk less, smile more" until you know who is on your side and who isn't. He accepts Washington rejecting him for a job position without much fuss, as well as Angelica rejecting his attempts to flirt with her. It's mentioned that he is a viable politician, he just looks less cool next to the upstart Alexander and switches sides when it benefits his position. Eliza in the workshop recognizes that it's Nothing Personal; Alexander doesn't, acting like it's a big betrayal when Aaron Burr beats her father in an election. That makes it all the more shocking when Burr finally loses his temper at Hamilton for torpedoing his presidential campaign and refusing to apologize, near the climax of the play, challenging him to a duel.
 * Eliza Hamilton nee Schuyler was said to be the wild Schuyler sister in her time. She was a tomboy with a fierce temper. In the musical, Eliza and Peggy are the sweetest sisters of the Schuylers, with Eliza diving headlong into her courtship with young private Alexander Hamilton and talking with optimism about their future about the war. Sure Eliza will go downtown to get news on the war against her father's curfew and she maintains correspondence with General Washington, but her older sister Angelica is the one known for her courage and bravery. With that said, Eliza shows that "sweet" is not the same as "weak" when she reads the Reynolds Pamphlet; she calls out Alexander in "Burn" for breaking her heart and writing about his affair publicly, which also involved shaming Maria Reynolds who was much younger than either of them and more a victim than a seductress. It takes.
 * Holy Musical Batman
 * Even though the musical shows that Batman is willing to use lethal force on civilians and villains alike, he doesn't fare well against Superman. In the comics, Batman has many failsafes prepared against Superman, including a Kryptonite ring and even has Carrie in The Dark Knight Returns hit Kal-El with a tank. When the president orders Superman to stop Batman from taking down Sweet Tooth, since Sweet Tooth has threatened to poison all of Gotham while holding Robin hostage if Batman interferes, Superman admits it will be a great pleasure to beat up the "butthead". He proceeds to curb-stomp Batman, who only wins by bringing out his trump card: Kryptonite.
 * Superman himself is fairly powerful, but not respected. He resents Gotham for thinking he's upstaging Batman, and Batman for constantly ghosting him. While he does bring out his time-traveling power, he tells the audience that was a one-time thing.

Video Games

 * Victor Zsasz in the Batman Arkhamverse. He's still a serial killer as in the comics, but he's a lot easier to beat and take down, as opposed to the comics where he could take quite a beating and was a serious threat to Batman. By contrast, in Arkham Asylum and Arkham City, he's generally limited to encounters where a well-timed batarang to the head can render him harmless.
 * The Clue Finders generally has their founder and leader Joni as the tough one. She has a habit of being a Fearless Fool that rushes into situations without thinking, and doing most of the physical challenges. In the sixth grade game, Joni enforces this while offering herself as a hostage for the Anti-Villain plant queen in the third act. Joni admits that normally she would be the one going out to solve the problem, but as leader it's her responsibility to protect her friends, and she trusts them to carry out the task of . She takes.

Web Animation

 * This trope occurs frequently in How It Should Have Ended when the characters point out the logical flaws within established narratives:
 * Peter Parker in Captain America: Civil War webs up all of Cap's team before the airport fight can begin. During the actual fight in the movie, the rogue Avengers managed to hold off Iron Man's team long enough for Cap and Bucky to escape.
 * Spiderman: Into the Spiderverse showed two reenactments of the climax where realistically, Miles would not be able to hold off Kingpin. During the film he struggled but succeeded when showing Kingpin how his desire to reunite with his family would keep pushing them away. . In the other reenactment,.
 * Princess Diana aka the title character suffers this in the Wonder Woman 1984 reenactment. When facing Barbara, . Cheetah is able to pounce on Diana because she points out she's got cat powers, and Diana in her armor looks like a bird. Remember what cats eat again?

Western Animation

 * Avatar: The Last Airbender: this happens in-universe during "The Boy in the Iceberg," the play that the Ember Island Players perform that the Gaang watch incognito. Ember Island-Aang goes from a cheerful badass to a mischievous "bald woman" in Toph's words, Katara becomes an Inelegant Blubbering Soapbox Sadie that goes on about hope, Sokka loses his leader skills in favor of an obsession with food, Iroh is a Lazy Bum who wants to lie around and eat cake, and Zuko becomes a whining teenager who gets his ass kicked by the Blue Spirit. (Funnily enough, Zuko in-universe is the Blue Spirit who actually teamed up with Aang to break the latter out of General Zhao's custody, leading to a hilarious Reaction Shot when they see the Ember Island reenactment). Suki and Toph are the only ones who avoid this, owing to Suki not having any onscreen lines that we see, and Toph being reimagined as a giant male wrestler that uses echolocation to see and earthbend. The end of the episode deconstructs this, however; owing to the playwright's sources -- the Cabbage Merchant-- and the audience -- a brainwashed Fire Nation that believes in the rights to colonize the world-- the Gaang realizes that they're not being seen as the heroes but as the villains. The play also ends with Azula killing Zuko and Ozai killing Aang, and the audience cheers about children being murdered onscreen as well as siblings fighting to the death.
 * Batman: The Animated Series
 * Batman lucked out when facing Bane. In the comics, Bane made his debut by releasing all the crooks in Gotham and successfully breaking the Bat's back. BTAS Bane fortunately likes to play with his food; he taunts Batman by trashing the Batmobile, and kidnaps Robin as bait to lure Batman into a trap. Batman is able to find an opening in their fight and deliver him unmasked to his employer, Rupert Thorne. It still was a close call and Robin was unable to help because he was fighting Thorne's assistant Candice in the water.
 * The Batman
 * Rupert Thorne in Batman: The Animated Series was a formidable crime boss, one who kept both Batman and Bruce Wayne on his toes owing to how many fingers he kept in pies. He was indirectly responsible for Harvey Dent becoming Two-Face, and bringing Bane to Gotham City. The Batman pilot shows Batman tracking down and arresting Rupert Thorne within three years of crimefighting, as the latter can only beg for mercy. During the show's tie-in comics, however, Thorne got more to do.
 * Harley Quinn didn't fare well during her debut "Two of A Kind". Like Rupert Thorne, she was shown to be a Hypercompetent Sidekick and Number Two during the Joker, outsmarting people around her while showing she could kick their ass, either with her gymnastics skills or hyenas. While The Batman's Dr. Harleen Quinzel impresses "Mr. J" when she orders the hyenas to sit, she's nowhere near as badass as the original Harley. For one, she's not an actual MD, having gotten an online degree, while original Harley got her MD and was completing her intern year at Arkham before Joker seduced her to a life of crime. The Batman version of the Joker even lampshades while watching her talk show that she has no training or professional manner. For another, she can't even throw a punch at Batman when he crashes the "date" she's having with the Joker. He unmasks her easily. And for a kicker, she openly announced to the Joker that her plan was to use him as a subject in an upcoming book, and would split the profits with him if he revealed all his secrets to her. Joker used the opportunity to convince her to go on a crime spree for "research". "Mad Love" Dr. Quinzel was aware that Joker was a trickster, and he needed to use more subtle means to get her on his side. Batman was sympathetic during his Brutal Honesty that Joker groomed Harley, while Harley was holding Batman in a Death Trap, telling her that Joker has a habit of telling convincing sob stories to anyone who could help him evade prison or Arkham.
 * Comic and BTAS Poison Ivy is a Well-Intentioned Extremist and eco-terrorist who alternates between wanting to punish humanity for hurting the planet and using her brainwashing powers to commit crime or get revenge on people who crossed her. Just ask BTAS Harvey Dent, who still hates her in his Two-Face form because she tried to kill them while they were engaged. She's nearly killed Batman a few times, usually with poison. The Batman iteration of Poison Ivy is a teenager named Pamela Isley that was still an eco-terrorist, but more dumb and impulsive than competent, and that's before she gets coated in corporate chemicals that give her plant powers. Batman and her former best friend Barbara Gordon recognize that the chemicals may be affecting her brain, and try to reason with her. She still has her vines, mind-control powers, and ability to clone people using plants, but not-so much the capability for long-term reasoning. A tie-in comic even lampshades this when she and Harley Quinn bust out of Arkham; despite the two butting heads, Harley recognizes that Ivy is just a "kid" compared to her and tries to be a mentor during their night of crime. Batman and Commissioner Gordon lampshade that compared to how dangerous Ivy could be, they were lucky that the worst the two did was brainwash a restaurant into serving them a fancy dinner and growing a forest in a football field.
 * Parodied during a Batman Beyond episode where Terry takes Bruce to a Batman musical for his birthday; it actually seems to pay more homage to the Silver Age incarnation. Bruce is unamused because it shows him and Commissioner Gordon and dancing about how criminals are a "superstitious cowardly lot" rather than actually fighting crime in the show. He leaves in the middle of that song, though Terry sings it happily in the Batcave. Robin is shown as a typical dude in distress, and singing about it. That may have not also helped Bruce's mood, since it took.
 * In the Bunnicula book series, Howard and Chester may have had opposing views on if Bunnicula was evil or not, but they were tough enough to try and either harm Bunnicula (Chester) or save him (Howard). The Bunnicula cartoon turned Howard into a bumbling but well-meaning dog that if anything would solve magical problems by accident, while Chester's Nervous Wreck personality would sometimes cause them.
 * The main character of Superman: The Animated Series (and the DCAU as a whole by extension) compared to the comics. He's still super, but not the crazy levels the character often reaches in his comics. Unlike the comics, these powers would remain consistent throughout the series -- flight, Super Strength, X-ray vision, and heat vision-- complete in the Batman Beyond episode when Terry has to outfly.
 * Done intentionally and Played for Laughs in one Classical Mythology-inspired episode of Animaniacs. Heracles, despite his great strength, is portrayed as a crybaby who throws a childish tantrum because he doesn't want to do the Twelve Labors that his "mean old dad Zeus", as he puts it, told him to do. Of course, that alone means the writers took serious liberties.
 * An in-universe example that works in the hero's favor during  Paranormal Park. During "Night of The Living Kids," the party guests at a Phoenix Park sleepover summon a Night Hag with Courtney's help. When said Night Hag preys on the kids, turning them into sleep-deprived zombies, paid babysitter security guards Barney and Norma and talking dog Pugsley try to keep Barney's little brother Patrick safe. Barney remembers that Norma brought a retinue of Night Hag movies and that she's Genre Savvy; he asks her if the Night Hag in the Pauline Phoenix film had any weaknesses. Norma says no and the Night Hag won in the movies, just as they lose another kid. When it seems all hope is lost, Courtney says that you can either use another wolf bone to banish the Night Hag, or Pugsley can summon a Day Hag to counter her. Pugsley does the latter since Courtney is out of wolf bones, and the Night Hag stands down on seeing her sister Sheryl for the first time in millennia. After an awkward conversation between the Night and Day Hag, and they get affronted when learning humans call them "hags", both depart and the kids are restored to normal.
 * The Netflix version of Carmen Sandiego
 * The show portrays the title character as far more mortal, still a master thief who knows no equal, but in this case, not the Impossible Thief she was in previous depictions capable of Monumental Theft. The most valuable items she has stolen in this version are the 34 works of Verneer.
 * Player is meant to be a stand-in for the player character, a gumshoe detective that rises through ACME ranks and tracks down numerous crooks, including Carmen herself. Here, Player is a White Hacker teen who helps Carmen break out of VILE Island and mainly serves as her Mission Control.
 * Alas for Chase Devineaux, he succumbs to this during the show's first two seasons. In Carmen Sandiego: Word Detective, he is the player character's liaison for ACME and Carmen's former partner. He's off-screen foiling another of her plots, staying cool when she hacks his communications. Netflix Chase is impulsive and impetuous; sure he knows how to fly a plane and work a spy car, but Carmen makes a habit of outwitting him. She's impressed that he doesn't give up, and Chase refuses to succumb to VILE's torture devices when he's kidnapped in the season finale, but he is a few shades below game Chase.
 * The Superfriends version of Aquaman. His super strength and endurance, needed to withstand the crushing depths of the ocean, is often forgotten about by the writers (and the show's low level of violence meant it was less useful than one would expect even if they did) while his swimming is less than useful in a show where most action takes place on land. As a result his primary power in the show is his ability to talk to fish, which primarily matters when the writers design a plot around it. This version seen as having ruined the character's popular perception for two generations until Batman: The Brave And The Bold and the Sleeper Hit movie became the primary version in popular conscious.
 * Many of the Legion of Doom qualify as well by virtue of the whole organization being rather ineffectual and incompetent. One can forget Sinestro is capable of slaughtering multiple Green Lanterns, or that Scarecrow forces people to experience their worst nightmares.