Live-Action TV/Tear Jerker/Lists that need to be split by individual works

Un gars, une fille

 * This otherwise hilarious French-Canadian series got a few brilliant tear-jerker moments, all delivered by Sylvie Leonard. The first of the two most notable happens at the end of the episode in which Sylvie's mother dies. She gives a beautiful speech to her mother's grave, and asks her to give her a sign if she heard her. At this point, a pigeon poops on Guy's, her boyfriend, shoulder, turning it into a Crowning Moment of Funny.
 * The second happens during the final episode. After going all the way to Vietnam to adopt a little girl, Sylvie suddenly collapses in the street and wakes up in hospital. Weak and afraid she might die, she tells Guy how much she wanted to see their new child grow up and how much she loves him. The doctor arrives seconds later to inform them that Sylvie is actually pregnant, turning the scene into a Crowning Moment of Heartwarming.

General Hospital

 * While soap operas in general are liable to have a few tearjerkers mixed in with all the Narm, one would be hardpressed to find a span of time more rich with tearjerkers than 1994-1995 on General Hospital. In those two years, you had Monica Quartermaine's breast cancer, Stone and Robin's HIV/AIDS and perhaps the most tearjerking story ever on soaps, BJ's heart. Dominique's death in 1993 after hearing her unborn baby's heartbeat (carried by surrogate Lucy) was another good one.
 * Karen admitting to ex-boyfriend Jagger that she had been sexually abused as child, felt unworthy of love, and that that's why she pushed him away and broke up with him always got to me.

Tony: I want Maxie to have BJ's heart Bobbie: Oh no! NO! It's. too. soon! Then saying Bobbie telling Tony "You're not thinking straight. You're angry, you're punishing me" Felicia: Oh, God. . .not Barbara Jean! Not Barbara Jean's heart! Oh NOOO!! (collapses on the ground sobbing, Bobbie goes over and hugs her as if to say "It's OK, it's not your fault, don't be upset). A grieving mother still takes time to comfort her distraught sister in law and they cry together. . .I'm tearing up writing this. Kristina Wagner and Jackie Heyman What were the writers trying to do to us? Make us cry? Make us feel the pain? Well, it worked
 * BJ's death, which is on here, has to be THE biggest tear jerker a soap has ever done. Too many moments to name, here are just some of the biggest tear jerkers
 * Bobbie and Tony talking about giving BJ's heart to Maxie. Bobbie's response is so raw and so emotional, yet so believable.
 * Felicia finding out BJ's heart is the heart her daughter is getting. A mother's joy is turned to grief.
 * Tony saying goodbye to his daughter: I will give my heart to you, and no one will ever be able to hurt us again.
 * The scene of Tony laying his head on Maxie's chest listening to his daughter's heart beating within Maxie. Brad Maule deserves all the praise he got for this story, he doesn't say anything in that scene, yet doesn't need to.

Generation Kill

 * Sergeant Brad Colbert in Generation Kill has a really affecting moment when he realises that a Marine under his command . The fact that Colbert's nickname is "Iceman" for his usually detached and cool attitude
 * Navy Hospitalman Second Class Robert Timothy "Doc" Bryan trying to treat and protect a little boy before the group of Marines is overwhelmed by local civilians desperate for help and have to leave.
 * When Evan Wright says goodbye at the end. Oh man, the feeling of "it's better left unsaid" because what they'd been through together meant there was just way too much to put into words completely laid me out. It was also that, even though he'd become accepted by the Marines as a friend, he's NOT one of them - he's the odd one out.
 * The end of the seventh (last) episode, where the energy and tension of the invasion is winding down. Each of the characters (except Trombley) loses his momentum and, when he has a moment to think, realizes what they've all been through. Ray detoxing and provoking Rudy, Godfather defending his decisions in the field... and especially Lilley's video of footage.

Ghost Whisperer

 * "Save Our Souls": A room on a cruise ship is haunted by the ghost of a stowaway name Lorelai, where she saw her lover kissing another woman.

Glee
"Quinn: Do you want to know how this story plays out? I get Finn, you get heart-broken. And then Finn and I stay here and start a family. I'll become a successful real estate agent, and Finn will take over Kurt's dads tire shop. You don't belong here Rachel, and you can't hate me for helping to send you on your way.
 * When Will leaves Glee to go become an accountant and then returns after hearing the Glee kids singing Don't Stop Believing.
 * When Quinn found out about her pregnancy.
 * The club performing "Keep Holding On" in Throwdown in support of Quinn, particularly when she lets out one sob at the very end just before the credits start up.
 * "Wheels".
 * When Quinn's parents kicked her out of the house in Ballad.
 * Kurt's sad face/crying is enough to induce this.
 * Will finding out about Terri's fake pregnancy.
 * The entire "Smile" montage. The looks on Will and the club members' faces combined with the beautiful, yet sad music make it impossible to keep from crying.
 * Finn finding out he's not the father of Quinn's baby.
 * That scene at the "wedding" in Sectionals.
 * The whole episode, "Home". Especially when Kurt sang "A House is Not a Home", coupled with his broken expression at the end.
 * Kurt singing "Rose's Turn" in Laryngitis.
 * Rachel and  singing "I Dreamed A Dream" in Dream On.
 * Everything involving Artie in the episode Dream On.
 * "To Sir With Love" from Journey. Yeah. If you were not at least choking up you have no heart.
 * When New Directions came in  at regionals. We've all been there at one point or another.
 * Kurt singing "I Wanna Hold Your Hand" in Grilled Cheesus.
 * The scene where Jean asks Sue if she wanted her to pray for her and she accepts.
 * And the part with.
 * "I don't believe in God, Dad. But I believe in you, and I believe in us. That's what's sacred to me."
 * "Dad, I'm here. I'm not going anywhere."
 * The wedding speeches of Burt and Carole.
 * Kurt announcing his transfer, and giving Mercedes one sorrowful look before he walks out of the room.
 * "You said you'd NEVER breakup with me!" "... I never thought you'd make me feel like this."
 * Finn's speech to Rachel at the Christmas tree lot. Poor guy.
 * How distraught Karofsky looks after he kisses Kurt breaks my heart.
 * Santana finally working up the nerve to tell Brittany that she loved her, only to be turned down in favor of Artie. A case of alas poor Alpha Bitch.
 * Quinn telling Rachel that she is the one that Finn is going to chose. It is the sadest "I am going to win"-speech ever.

Rachel: I am not giving up on Finn. It is not ov...

Quinn: Yes it is! You are so frustrating! And that is why you can't write a good song; because you live in this little school girl fantasy of life. Rachel, if you keep looking for that happy ending, then you are never going to get it right!"


 * Especially when you consider her determination to get out of Lima and do something great with her life, even during the pregnancy plot. She went through absolute hell to get her life back, and just when things were looking up, a new wave of drama came up. And now, here she is, Quinn Fabray, finally battered and broken to the point where she has finally given up all her ambitions and is resigned to the fact that she's not going to amount to anything particularly great in life.Quinn has spent quite a bit of time being a bitch this season, but...
 * Will talking to Emma in "Rumors" about how he doesn't want to leave the kids and her behind because they've done so much for him and he needs them as much as they need him, but then saying how badly he wants to go with April. There's something about the idea that Will's dreams and opportunities are passing him by, but he wouldn't even consider going because the glee club means so much to him. It's both heartwarming and heartbreaking.
 * Kurt  as a humiliating, sadistic joke. Eventually he refuses to let it get him down and turns it into a Crowning Moment of Awesome, but still--teens are fucking monsters. And the worst part? Prior to this, the fandom absolutely loved the idea of   being voted Prom King/Queen as a gesture of acceptance. Ryan Murphy, you bastard.
 * Karofsky's tearful apology and
 * because of the scene's multitude of similarities to the deaths and funerals of people he cared about just as much as
 * The performance of Fix You in Asian F is a tearjerker and heartwarming especially the image of Emma as a girl praying.
 * Bieste...just....Bieste. And in "Props," when her douchecanoe husband says "Who's going to love you now?" She says "Me." Crowning Moment of Awesome, indeed.

The Golden Girls

 * The Grand Finale, for sure.
 * The second half to the end of the episode where the girls stay in a homeless shelter for the night, looking for a misplaced lottery ticket worth $10,000. They do find it but give it away to help the needy, having briefly experienced and lived as they did (and talked to some people, one of which was one of Sophia's friends and a big Tear Jerker of its own).
 * Rose's heart attack, particularly the scenes where her other three friends decide that they will take care of her, and each other, no matter what happens to them in the future.
 * Blanche's reunion with her husband, which turned out to be All Just a Dream. In fact, it was a dream that she had already experienced several times, but she always woke up just before she was able to hug him. In this (presumably final) time, she did, finally moving on from his death.
 * The end of the episode where Sophia successfully convinces a friend not to commit suicide.
 * Phil's death (Sophia's son, who was often referred to in the series but never actually seen). Watching Sophia, normally the most stout and strong-willed of the four girls, completely break down when it finally sets in to her that her son is gone is nothing short of heartbreaking. Here's the clip.
 * Blanche weeping over her father's death after spending the past several hours in complete denial of it.

Gossip Girl

 * Blair reading the letter she wrote to Serena.
 * Chuck coming to Blair to break apart in her arms and perhaps get some comfort after the death of . Also the scene earlier in the episode when Blair finally tells him she loves him, and he just drives off.
 * In the following episode when Chuck has mocked Blair for her love for him (this after he's left her in the middle of the night and disappeared for a month) and she breaks down crying in front of her mirror.
 * Blair confessing her love for Chuck once again in the season two finale, and him just walking away.
 * The hospital scene in The Debarted when Chuck has to deal with his emotions after his father's death (and Blair has to help him stand).
 * Chuck finally going to see Lily after she's been.
 * Eric telling his father that he doesn't want him in his life.
 * Blair breaking apart crying alone in her room after Chuck.
 * Chuck letting Blair go in the season four finale. Their entire conversation was heartbreaking and the look on his face as she walks away was just too sad for words.
 * After months of not being able to feel anything, neither physical nor emotional, Chuck finds out The writers cried, some of the actors cried...
 * Chuck visiting Lily after Dan's book has been released, lamenting his loneliness and saying he doesn't want to end up like Charlie Trout, his character in the book.
 * Everything after the accident in Season 5. Blair losing the baby, praying just for Chuck to be alive, and eventually deciding that she can't be with Chuck if there's any chance he'll be the one punished for it. Chuck's confusion as he desperately searches for a reason why she abandoned him and her constantly-about-to-break-down expression just breaks your heart.

Great Teacher Onizuka

 * The live action Great Teacher Onizuka episode where Tomoko pours her heart out during the public speaking part of the competition.

Grey's Anatomy
""Can I ask you something? ...Do you believe in heaven?"
 * End of season two,
 * Season 3. The 'woman with two uteruses' subplot in the episode "Let The Angels Commit"
 * "Damage Case", where an intern from a rival hospital causes a car crash and  The scene where the intern.
 * "Into You Like a Train"...

"I do... Don't you?"

"...I want to.""


 * End of season 5 where they find out that it was  who was  and  . Or when Meredith and Derek give their hospital wedding to.
 * That episode where Molly from The Unit was guest starring as a patient whose sister thought she was having serious hallucinations about . Her sister did not believe her and kept chalking the halluncinations up to the brain tumor that Molly's had for a while. Derek was the only one who really believed her. Molly has the surgery and she dies but what made this a true tearjerker was when.
 * In season 2, Break Through- When Meredith's DNR patient that she intubated by accident dies, she quickly leaves the room and goes to hide in a supply closet to have a quiet little panic attack. Derek, who is currently back with Addison, follows her and manages to calm her down enough for her to choke out, "I.. I can't- I don't- I don't want my mother to die alone!" When you find out later just what kind of hideously abusive childhood Meredith had, the fact that she has any shred of affection for her mother at all, much less to this point, it makes it all the more heartbreaking.
 * Dear God, the episode where Eric Stoltz's character, along with the storyline about the kid who needed a kidney and would have gotten it from the serial killer had the killer not had surgery. The scene where his mother is getting ready to say goodbye... And one of the final scenes where Damn you, Grey's Anatomy. Just... damn you.
 * In season 5 there is an episode with a little girl who is terminally ill and there is nothing left they can do for her but her father just keeps on fighting for her and trying to raise money to take her to Mexico and get her some special treatment. Eventually she
 * Seeing die in Bailey's arms.
 * Dear God most of that season's finale. Bailey
 * So many of the scenes between Cristina and Owen in Season Five, but especially the scene when he's having the panic attack and the scene when he's in the shower and describes how his best surgery involved lying on top of a guy to apply pressure to the wounds and slow the bleeding for two hours in order to save him. He tells Cristina that the guy wrote a letter thanking him... and then killed himself.
 * The bomb episode. Every single moment of it, whether invoking sad tears (when Derek finds out that it's, , or, you know, ) or happy ones (Bailey's ), the entire episode is made of this trope.
 * When George's mom comes to the hospital and Callie tells her about Arizona and Sofia.
 * After a 39 hour day when Meredith goes to answer the door expecting the pizza delivery and it is.

Hannah Montana Forever

 * The scene in "Love That Lets Go" while we're looking at back at some of the happy memories that Miley has been through with Blue Jeans, as the song of the same name plays over it. Also, the last bit before commercial where Miley tells the audience that it was dedicated to her horse in real life.
 * "Been Here All Along", where Miley tells Robby Ray that she's happy to have a father like him, and they hug, which is followed by them having fun together on the pier.
 * Then, Hannah performs "Been Here All Along". Watch and let the crowd's reaction reflect on you.
 * After that, she sings "I'm Still Good", and during the ending credits, the crowd dances along. It should make you happy to watch.
 * The finale has quite a few:
 * Lily
 * When they're at the airport and are about to leave, at the last second, Lily.
 * The part following it, showing
 * As well as the closing credits when "I'll Always Remember You" plays, especially if you were a long time fan of the series, you WILL be brought to tears knowing it's all over. As well as when the theme song plays, if you watched this when it premiered, you must have thought, "Wow, this is the last time we'll be hearing this..."
 * This whole episode is one big tear jerker. It won't completely obliterate your heart like that one Disney film, but it will take it, slash it in half and hit it with a giant rock.

nu!Hawaii Five-O
"Danno: Rachel, just hear me out. Before you sic your lawyers on me, I wanna remind you of something. I moved 5,000 miles so that I could see Grace twice a week. Twice a week, okay? That is 48 hours, 52 times a year for a grand total of 2,500 hours. When you factor in sleep, and school, I can really only count on 400 hours of real face time each year. And ya know? That's only going to shrink as she starts making friends... Then she goes off to college... So ultimately that does not leave me with a lot of time to spend with my daughter. Not as much as I would want. But I never complained. I never complained. Because every single one of those minutes reminds me of what I am doing, and why I am here. That little girl is my life. So I am asking you- I am begging you to please- please just be kind. Don't take her away from me, that's all."
 * In the first episode when  is killed while   is talking on the phone with him has to qualify for some.
 * Danny in "Malama Ka Aina" (episode 3) and Rachel threatening to take away Grace from him. The way he pleads at the end for her not to take Grace away (again) is just murder. Especially if you have father issues, and you hear this grown man begging his ex-wife to let him see his daughter because he loves her that much.


 * You may commence with the tears.
 * Later in that same episode, Steve just tells Danno "Maybe you're not as alone around here as you think Danno."
 * Steve finding out that his dad was at his football game. T_T
 * Chin's situation. Just, just Chin's situation. And what had to happen to his ex-fiancée Malia...

Hawking

 * The "eureka" scene, where a young Hawking - already debilitated but not yet immobilised by his motor neuron disease - comes to a sudden realisation about the nature of the Big Bang and chases after Roger Penrose at a train station before desperately chalking out diagrams on the platform flagstones

Hell Girl

 * In episode 2 of the live-action Hell Girl series, Enma Ai's client is a Hikikomori whose father has been murdered. There's a heartbreaking flashback sequence in which we see all the times his father talked to him through the door of his room, patiently trying again and again to reach his son. They love each other, but whatever sorrow has taken hold of the boy won't let go. And now it's too late -- he'll never see his dad again, never get to make things right. You'll need to hug someone you love after watching this.

Hercules: The Legendary Journeys
"Ilia: Daddy, I missed you.
 * Right from the start in "The Wrong Path." Hercules' wife and children are murdered by Hera... in front of him... before the opening credits. Before setting out to settle the score with Hera, Hercules buries his family and grieves.
 * "The Other Side": While on a mission to the Underworld, Hercules is briefly reunited with his family. Though overjoyed to see his loved ones again, Hercules knows full well this is only temporary, which clearly gnaws at him. Additionally, his family is unware they're dead, so the big guy has to carry this load by himself. And what viewer couldn't be moved by:

Hercules: I missed you, too, Ilia. I missed you all so much.

Ilia: Are you crying, Daddy?

Hercules: ...No, the wind just blew something in my eye."

""He wasn't so bad. He-he tried real hard. He was just no good at his job. You didn't have to do this!""
 * "Judgment Day": Hercules is framed for the murder of his second wife, Serena, by Ares. Though Hercules clears his name, Serena is still lost. The big guy blames himself for what happened to Serena, and viewers can't help but feel for him.
 * The end of the Serena arc is almost as sad. Herc is able to save her through time-travel, but in the new reality, she's married to someone else, and only Hercules and Autylocus (who went to the past with him) remember his second marriage at all.
 * "Twilight": Hercules' mother is dying. He struggles to save her, but even though he accepts that it's her time, he is no less saddened by this turn of events - particularly as he, Iolaus and Jason are there as she dies. The 3 heroes being on the edge of tears and not outright bawling is an accomplishment.
 * Iolaus died several times. While fans may mock the repetitiveness of it, in-show it was always treated seriously. Hercules always grieved over losing his best friend and never took for granted the possibility that Iolaus could come back. It's a testament to the actors that Iolaus' death was moving, whether it be the second or third time viewers had seen it.
 * Strife's death in "Armageddon Now, Part 1." You know it's bad when even Ares expresses regret over it and anger at Callisto for doing it.

"Hercules: This belonged to a friend of mine - a kid about my age. I had to watch him die to realize you were right, Mother. There's no glory in war.
 * The end of the flashback in "Twilight," in which a young Hercules returns home from his first war.

Alcmene: For every boy that's not coming home, one hundred more will and that's because of you.

Hercules: Then why do I feel like I failed?"

Heroes

 * Heroes - the ending of "Company Man". "I love you, Clairebear... (to Haitian) Go deep."
 * Also the scenes in 'Cautionary Tales' between . Especially the part where   It didn't provoke actual tears, but it came very close.
 * The final scene between Hiro and Yaeko.
 * Any of the scenes involving Micah in season 3, episode 3.
 * Virginia Gray's death.
 * Isaac's death. Even though it was strongly foreshadowed at, and showed signs of possibly being prevented thanks to Hiro's attempts to change the future where New York got nuked, it still didn't lessen the impact. "I finally get to die a hero".
 * And for that matter, Charlie's death and Hiro's failed attempts to save her from getting Sylared also qualify.
 * One of the saddest elements of the entire series for me was
 * The online tie-in Dreams Until Death. Two random Red Shirts Sylar takes down in seconds in the series were deeply in love (and, if you've read the rest of the tie-ins, were characters you might be invested in), and have a dream about what their life together would have been. No way he's coming back from the Moral Event Horizon, redemption arc be damned!
 * HRG and Claude's confrontation on the bridge during "Company Man." Especially the way it ends.
 * "First you show me that I can be harmed by no weapon, and then you cut me deeper than any blade possibly could." He was evil but boy did Adam get the shaft hard.
 * Hiro, regressed to the mind of a 10-year-old, traveling back in time and getting one last reunion with his mother.
 * The end of season 1.
 * In "Cold Snap":
 * This one.

"Peter: You know how he used to be, full of hope and optimism?
 * "Five Years Gone," especially the exchange between Future!Peter and Ando.

Ando: That's the Hiro I know.

Peter: Went away the day you died. Between you and me, I think that's why he's so obsessed about changing the past. He wants to save you."


 * The season 3 finale, despite the Fridge Logic involved in the death (where's Claire's blood?). Not the death itself, but the sequence of events that framed it.
 * 1. Fight in which  dies.
 * 2. Commercial break.
 * 3.  hunting down Matt to tell him that if he doesn't come with  's going to die.
 * From then on until they found the body were the most gut-wrenching 15 minutes. The only sounds out of her mouth for the rest of the episode were horrified whimpering and " needs to go School Days on Sylar's ass."
 * Matt's reaction to what are asking him to do and his reaction afterward to what he's just done, showing that he's still a good man.
 * Jeremy Greer. God in Heaven, Jeremy Greer. . Bennet and Tracy attempt to make a cover story for him, but the Smug Snake of a sheriff lets circumstantial evidence decide everything. When Bennet and Tracy do get him out, , causing the cops to re-arrest him. After they bring him in, a deputy takes him out back,   The sheer unfairness of it all.
 * ! It's amazing how, despite how many times, they still manage to make it so moving this time....
 * at the end of Upon This Rock. Pass the tissues please. And the part with  BAWWWWWWWWWW!!!
 * The scene where Claire talks with the Haitian after he's mind wipped Zach. Mostly due to the devastated look on Claire's face and her sobbing plead for the Haitian to "give him back".
 * in Thanksgiving. The look of horror on Samuel's face as he realizes what he's done sealed the deal of Samuel becoming the favorite character of many.
 * What happened to Future Syler's little boy. It's just so horrible. Poor, poor Sylar.
 * What happened to Future Syler's little boy. It's just so horrible. Poor, poor Sylar.

Higher Ground

 * The end of the Higher Ground episode "Innocence" where  If that doesn't get you, the episode's last shot of a 7-year-old Peter muttering "'bye, dad" as his father strides in slow-motion across a bridge will.
 * The end of "Daised (sic) and Confused", when Daisy opens her father's photo album, and finally grieves for her dead mother, after spending the entire episode resenting her and blowing up at her father (and showing up at the funeral in the very Goth getup that led her to the school in the first place).
 * How is "Exposed" missing? The scene in which Scott confronts Shelby in the woods and she loses it is heartbreaking.

Hogan's Heroes

 * Hogan's Heroes, for all that it's a comedy, still has moments of acknowledging that they're in the middle of a war. In one notable episode, Hogan attempts to seduce a female SS officer for information. She then confesses that she has no way out of her job without dying and is probably going to get shot soon anyway, ending with a pitiable "Help me...". Then it turns out she's going to the exact place where Hogan knows Allied forces are going to bomb and he can't tell her a word of it even to save her life.
 * Another is when General Burkhalter steals a painting from the Louvre and brings it smugly to Stalag 13. LeBeau, enraged at this further pillaging of his country, sneaks into Klink's office and steals the painting. When he removes it from its frame and holds it up in front of him, the surge of sorrow and anger causes him to start crying.

Homicide:Life On The Street
Charles S. Dutton's performance in "Prison Riot" especially his line "I'm in here forever, Detective. Forever."
 * Giardello's speech at the end of "Partners and Other Strangers".
 * The scene in "Every Mother's Son" when the mothers of a murdered child and the boy who did the killing meet unaware of who the other is.
 * The scene in "Crosetti" when Lewis realizes that his partner and friend committed suicide.
 * "A Doll's Eyes" when the parents have to take their son off life support.
 * The end of "Betrayal" in which Bayliss reveals why He takes cases with Murdered Children so hard
 * Lewis talking Kellerman out of suicide in "Have A Conscience" with a Heartbreaking invoking of Crosetti
 * "Bop Gun" is one long Tear Jerker with Robin Williams as a man who just saw His wife Murdered.Highlights include Him becoming furious after hearing the Detectives humourously banter about the Murder and the investigation and the final moments in which He says He is now a member of a "Special club where only the initiated can recognize the other members"]]

Horatio Hornblower

 * Horatio saying goodbye to Archie, after he confessed to pushing Captain Sawyer into the hold to save Hornblower from hanging. "Just take what I have to offer... and say goodbye." Sniffle.
 * Not only that scene, but a few scenes before, just after the battle has ended. Complete with some in-universe Mood Whiplash. The audience saw Archie get shot, but Horatio didn't, and as soon as the battle is over he and Archie are chatting, poking a bit of fun at Buckland ... then Horatio looks over at his friend, notices, asks "Is that your blood?" and it goes downhill from there.
 * "Sniffle". That whole plot twist. And that scene in The Wrong War when Major Edrington tells Archie gently, "And just ... take care of him [Horatio]." Though it's a Tear Jerker in itself, it certainly makes the "goodbye" scene more painful in hindsight.

House
"Stacy: We've got to let him cut the leg off.
 * The season 4 finale.
 * When
 * It didn't help that the music selection used as the bed for that scene was Iron & Wine's "Passing Afternoon", which is a haunting song.
 * Both and.
 * The scene where.
 * And, God, the dialogue from the above scene, especially,  and
 * Just the fact that it was  showing such raw emotion when he's usually cast as the straight man is what did it for me.  's breakdown left me absolutely speechless.
 * House's recovered memory of what happened. The part when
 * The ending. The bit where all the team comes to say goodbye, the bit where they were clinging to each other and having their last conversation, the bit where Thirteen's Huntington's test shows positive, and the bit where Wilson reads Amber's last note.
 * The look on Cuddy's face when House wakes up in the Season 4 finale.
 * When Wilson looked at House who had just woken up after having possible brain-damage, and just walked away without a word too. And the beginning of the first season when he told House they'd never been friends? Hugh Laurie makes House look like a kicked puppy at times.
 * Because House is usually such a Jerkass, the moments when he's vulnerable/human. Take, for instance, the scene in Skin Deep where he's asking Cuddy for some morphine. He drops his trousers and cane, shows her the ugly scar and says, near tears, "I could swear I remember a thigh muscle being here".
 * The end of Honeymoon.
 * The episode with the idiot savant concert pianist
 * The end of House Training. Foreman has just managed to kill a patient (she died of a fricking bra infection!) and goes home to his mentally ill mother for some reassurance. It's all going along swimmingly as she seems to recognize him but then she says "I had a little boy named Eric." His face crumpled about the same time mine did.
 * The episode "Histories", where a homeless woman sent to the hospital after collapsing. At the end
 * The two-parter "Euphoria", especially the second half. For so many reasons.
 * Three Stories... just Three Stories. Especially this piece of heartbreaking conversation in one of the flashbacks:
 * The two-parter "Euphoria", especially the second half. For so many reasons.
 * Three Stories... just Three Stories. Especially this piece of heartbreaking conversation in one of the flashbacks:

House: (in massive amounts of pain) It's my leg. It's my life.

Stacy: Would you give up your leg to save my life?

House: Of course I would.

Stacy: Then why do you think your life is worth less than mine? If this were any other patient, what would you tell them to do?

House: I would say it's their choice.

Stacy: What? not a chance! You'd browbeat them until they made the choice you knew was right. You'd shove it in their face that it's just a damn leg! You don't think you deserve to live? You don't think you deserve to be happy? Not let them cut off your leg? (They're both near tears.)

House: I can't, I can't, I'm sorry."

"Wilson:The operation is in two hours and I'd like you to be there.
 * The treadmill scene in Cane and Able. He suffers from chronic pain himself and to see House like that - close to crying because of all the pain he's in but still running anyway - is just too painful to see.
 * Soon after the beginning of the Season Five episode Simple Explanation, The biggest Tear Jerker comes at the end of the episode,
 * Using Pete Yorn's Lose You as background music for the funeral adds to the heartbreak. "when I can't stand / up in this cage I'm not regretting // I don't need a better thing / I'd settle for less / it's another thing for me / I just have to wander through this world / alone". Ow.
 * Hugh Laurie, why did you have to make "Under My Skin" so painful? Why?!
 * The last 10 or so minutes of the season five finale, especially the very end,
 * The end of "Son of a Coma Guy."
 * The season 2 finale, "No Reason." Four words: "You're miserable for nothing."
 * "Wilson? My dad's dead."
 * House starting to crack when he's speaking at the funeral.
 * The scene in the Wilson episode where :

House: No.

Wilson: ...why?

House: Because if you die, I'm alone."


 * The season 1 episode "Babies and Bathwater" features two successive impossible choices for a pregant mother and her husband.  the epitome of the tear jerker.
 * It gets even worse in "Forever". . If you wanted to slit your wrists at that, then we won't blame you.
 * The episode Maternity, because it featured the first paitient to actually die on the show . Then there's the scene right afterwards, when.
 * There are a few moments in the episode One Day, One Room but the one that really did me in is at the end when House says, "It was true."
 * "Lockdown" got me when House's would-be patient calls his daughter and leaves his message.
 * "Joy" when after all the stuff Cuddy went through
 * In the season 5 episode, "Emancipation," when the poor girl reunites with her parents.

How I Met Your Mother
"Robin: He can't separate the physical from the emotional. He's all like...
 * HIMYM is usually one of the happiest shows around... but dammit, it can make you cry like a baby:
 * The ending of Come On. Seeing Ted arriving home so happy only to find Marshall sitting on their building's doorsteps, in the rain, holding Lily's engagement ring.
 * Lily telling Ted she's having doubts about marrying Marshall and telling him why she wants to go to San Francisco in Milk. Aly's acting in that scene is perfectly heartbreaking.
 * Near the end of season 3 there was a subplot: Ted decides to "dump" Barney and Neil Patrick Harris decides to break our hearts for the next 3 episodes. Finally resolved with a Crowning Moment of Heartwarming, but terrible while it lasts.
 * The ending of Benefits. That is all. Damn you NPH!

Barney: I love you.

Robin: (misunderstands him and thinks he's talking about Ted) ... exactly! He's not like you, you know?"

"Ted: Okay, I'm gonna say something out loud that I've been doing a pretty good job of not saying out loud lately... what you and Tony have... what I thought for a second that you and I had... what I know that Marshall and Lily have... I want that! I do. I keep waiting for it to happen and waiting for it to happen, and... I guess I'm just, uh... I'm tired of waiting. And that's all I'm willing to say on that subject.
 * Definitely seconded. Just the look on his face while Robin remains oblivious...
 * Ted and Lily's extremely tense screaming match in "The Front Porch" after Ted realizes that Lily broke him and Robin up. Even though everything's forgiven in the end, it was like watching your parents fighting and threatening divorce.
 * Ted's speech to Stella in As Fast As She Can, about how he wants what Stella and Tony and Lily and Marshall have, but is tired of looking and waiting.

Stella: (...) I know that you're tired of waiting and... you may have to wait a little while more, but... she's on her way, Ted! And she's getting here as fast as she can.

Ted: (smiling softly) Goodbye, Stella.

Stella: (near whisper) Goodbye, Ted."

"Marshall: (breaking down in Lily's arms) I'm not ready for this."
 * The ending of "Bad News" where The look on Lilly's face alone was enough to make you cry. Then you notice that Marshell is trying to be strong and failing.

"Barney: You're lame, okay? You're just some lame suburban dad.
 * Jason Segel and Alyson Hannigan both REALLY sold this scene. It's very sudden, and it hits hard.
 * Marshall's breakdown  in "Last Words." Brings out all the emotions that run through a person in that circumstance.
 * Barney's emotional meltdown at the basketball hoop in the end of 'Legendaddy'. He has very recently had his father (who abandoned him when he was six) come back into his life and try to reconnect with him. Barney was hoping his father, Jerry, would be a hard-partying roadie who wasn't capable of being a father, since this would justify him abandoning Barney. However, Jerry has turned out to be a loving dad with two children, including a boy named 'Jerome Junior'. Barney can't handle this, and it culminates into him trying to yank JJ's basketball hoop off the garage so he could have at least some souvenir of a childhood he never got to have. Particularly heartbreaking is this exchange:

Jerry: Why does that make you so mad?!

Barney: (finally losing it) Because if you were gonna be some lame suburban dad, why couldn't you have been that for me?!?"

"Future Ted:...for Barney, the second that would never end was this one...""
 * At the end of 'Change of Heart', when Lily has finally convinced that Barney has actual feelings for Nora, he shows up where she is having brunch with her parents, and the scene goes on to show him going inside, apologizing for telling her he wasn't interested, and being introduced to her parents. Alas, it's just an imagination spot, and the look on his face when it pans back to him standing out there and giving up is just heartcrushing. To top it off, just after he walks away, Nora looks up and has missed him, also with a look as if she wished he were in there.
 * In "The Exploding Meatball Sub", when Lily is about to head off to Spain because supporting Marshall through his oblivious insistence on quitting his job and taking up ridiculous projects while volunteering for the NRDC is driving her crazy. Ted is rightly appalled, furious, and clearly terrified (for although he doesn't mention it, the memory of Lily breaking for San Fransisco is clearly in the forefront of both his and the audience's minds), until in the middle of Lily's rant, she breaks down into tears and confesses that she's afraid that Marshall doesn't want to have a baby with her anymore. Ted's demeanor immediately dissolves into tenderness with a soft "Oh Lil..."
 * At the end of 'Tick, Tick, Tick...'


 * the look on Barney's face is absolutely heartbreaking. Then the icing on the cake?
 * In 'Symphony of Illumination'

The Inspector Lynley Mysteries

 * When . Even though you know they wouldn't really do it, Lynley doesn't know, and his reaction is absolutely heartbreaking.
 * , Lynley's face, and Barbara doing her level best to save her. Just... ouch.

Inspector Morse

 * Inspector Morse The Remorseful Day The last few scenes where Lewis is saying goodbye.

It Aint Half Hot Mum

 * In the last ever episode of It Aint Half Hot Mum, the war is over and the men are demobbed. As Sergeant Major Williams struggles to make conversation, the viewers and Concert Party realize that the army was his life; he has nothing to return to as a civilian. Gunner Parkin invites Sergeant Major to dinner where he can see Parkin's mother (his former love) again.

Jin

 * Many many scenes - at least one per episode.
 * in episode 7.

Joan of Arcadia

 * The scene from Joan of Arcadia when
 * Watching "Death Be Not Whatever" and "Jump" scenes involving Rocky
 * The episode "Silence", in which Joan is diagnosed with Lyme Disease and begins to think that her contact with God is just a hallucination. The scene where she is pleading with all the avatars of God to tell her something, and they just look at her in silence...

K-9

 * In the finale of season 1 "Eclipse Of The Korven",

Kamen Rider
" : Why did something like this happen? All I wanted was to be happy."
 * Given its Anyone Can Die policy, Kamen Rider Ryuki, unsuprisingly, has a fair number of these moments.
 * 's final moments are particularly painful. Betrayed and left for dead in the Mirror World without his armor for protection, he spends his last seconds alive in the rain, gazing at the lone figure of a woman who may have represented everything he wanted in a life, as his body slowly dissolves into nothingness.

" : I just realized that I do want to close the Mirror World. I'm sure it will cause alot of pain, but I still want it to end. I don't know if it's right or wrong but as a Rider, I have a wish I want fulfilled, and this is it."
 * 's death in the penultimate episode. Lethally wounded by a Raydragoon, he drives off an army of Monsters before succumbing to his wounds. It's only made worse in one of the first scenes of the final episode, as  regretfully walks away, leaving  's corpse as one more casaulty in the day's massacre.

" :, if you sit there, you'll catch a cold."
 * Asakura Takeshi/Kamen Rider Ouja and Kitaoka Shuichi/Kamen Rider Zolda have had bones to pick with each other since the former's debut. When the time comes to finally settle things between them, Asakura is victorious.
 * As the victor of the Rider War,  Crawling all the way to her hospital room,


 * Realizing that his sister, Yui, would always reject his offer to save her, Kanzaki Shiro, in a moment of despair destroys . As the ending credits roll, we return to the Atori, and pull in on a picture of the Kanzaki siblings,.
 * Kamen Rider Kiva was always a serious show that could tug at the heartstrings, but when died, my eyes definitely watered for her. The ending of the episode was horribly sad when she  in Wataru's arms. Even more heart wrenching is how she died.
 * Kamen Rider Double isn't as serious as Kiva or Blade. It doesn't matter though, as it can deliver several sad moments. At the end of the A arc, the poor little girl. And
 * The Puppeteer Dopant. You have to feel sorry for him, since
 * A Bitter Sweet moment:
 * A Bitter Sweet moment:

Kasou Taishou

 * Kasou Taishou, the show that brought you the famous Matrix Ping Pong brings you a tear-inducing number called Friend in the Graffiti.

Kenan and Kel

 * The first half of the Kenan and Kel episode where Kenan has to move away. It's the slowed down theme music that does it. Also, in the 2nd half of that two-parter, "... Kel loves orange soda."

The Killing

 * Some may say it's a direct lift from Twin Peaks, but the whole scene where Rosie's body is found it's heartbreaking in its own right, especially with Mr. Larsen arriving on the scene. "Is that my daughter?"

Knight Rider

 * In the original series, the death of never fails to draw a few sniffles.
 * Screw that, then entire episode The Scent of Roses. The whole thing was effectively an exercise in ripping Michael’s guts out.
 * The episode where a teenage girl is asked to help find a treasure left to her by her father before his death (which the bad guys are after as well). She hated her father all her life, while others idolised him, feeling pushed aside, and agrees only reluctantly. In the end it turns out that
 * Given that one of the actors is a sentient car, the scene in Knight of the Drones, where a completely smashed up via missile launcher KITT weakly asks Bonnie why it’s so dark outside and she tells him that it’s night, is far more moving than it has any right to be. Bonnie is sometimes jokingly referred to as KITT’s mother, but in this scene, you can’t help but buy it.
 * In fact, any episode that features KITT being busted up (which happened every time they wanted to do a design revamp and thus, fairly often). Everyone worries about him as much as they would a flesh and blood teammate. On one occasion Michael even spends countless hours waiting around outside of the repair lab emergency room after KITT gets drowned in acid.
 * The death of  in the Knight Rider 2000 movie, complete with flashback to the first ever episode.

The L Word

 * was definitely the saddest moment of the series, no question, but scene in "Lacuna" where is a very close second. Jenny's so broken and Shane is so terrified for her, it's both painful to watch and moving at the same time.

Lassie

 * In the three-part episode, "The Odyssey", Lassie gets trapped in a truck and is driven hundreds of miles from Timmy and the Martin family, and tries to return home. Timmy meanwhile, slowly begins to lose hope of ever seeing her again. Near the end of the third episode, Timmy gives up, and with tears in his eyes, goes out to bury Lassie's toys. But as he's burying them, he suddenly hears a familiar bark. He looks up and finds Lassie running towards him down the hill.

Las Vegas

 * When Danny is called back into service by the Marines, Ed makes a phone call to one of his old CIA connections, and asks where his protege is being sent. We don't hear the response, but seeing the tough-as-nails Ed shudder and virtually age ten years makes it abundantly clear that he's convinced Danny will come home in a casket.

Laverne & Shirley

 * For a show that didn't usually take itself very seriously, the episode "Why Did The Fireman...?" is just heartbreaking.

Law and Order
"Lennie: "She was my baby, Rey. What am I gonna do?"
 * Law and Order had one with Lennie Briscoe in Season 8. His daughter gets arrested for drug possession and is forced to testify against her dealer, and after his acquittal she ends up murdered. He goes to the crime scene and has to be restrained from cradling her body by his partner. To see this gruff, world-weary homicide detective on the verge of sobbing just makes you ache.

Rey: "You're going home with me, partner.""

"Lennie: Anything, Rey. I don't care what time it is. Anything. You pick up the damn phone and you call me."
 * As Rey Curtis prepares to leave the squad to care for his dying wife, Lennie gives him a goodbye hug:

"Virginia Bryant: "I looked at her, it was so hard. Those little lines of blood in her eyes, her hands full of holes. My baby... It was so pitiful. She gave me the gun. She begged me, 'Mama...put me out of my misery. Do it for me...please.' I...I gave up. I gave her what she wanted. I killed my baby.""
 * In the season 3 episode Mother Love, a former honor student turned crack addict has been shot dead. The trail leads first to her dealer/boyfriend, but there is no evidence to link him to it. Stone and Robinette discover that the girl had stolen from her family, including bearer bonds from her grandmother, to support her habit and suspicion falls on her father. Ultimately, they discover that it was her mother who had killed her. Performed by the incomparable Mary Alice (the Oracle in The Matrix Revolutions).


 * In the Season 10 "Endurance", a mother has been put on trial for murdering her son, who suffered from severe physical and mental health problems which had obviously taken their toll on her. Upon his cross-examination, McCoy inadvertently prompts the mother to break down on the stand and admit that she had watched him have what she thought was a fatal seizure, unable to bear saving him only to force him to endure the pain and suffering he was forced to live through, and actually attempted to kill herself with her son's pills so that they would both die together before coming to her senses. The woman's tearful breakdown as she insists that she couldn't bear to see her son suffer any more is so affecting that even the hard-assed, seen-it-all-before McCoy looks shaken by it..
 * There's a similar episode where he's cross examining a pediatric oncologist who killed a man who had conned her out of money by claiming he could speak to the dead. The woman breaks down and begins babbling uncontrollably and McCoy is shocked to realize that for once, the accused wasn't presenting a bullshit defense. Years and years of watching children die despite her best efforts had taken it's toll on her, and this man scamming her was the final blow.
 * The ending of Season 4's "Mayhem". A very socially awkward but endearing man is on trial for a string of brutal murders - he's unable to provide an alibi but both the detectives and prosecutors feel he didn't do it. Eventually, his mother reveals
 * The season 6 episode "Aftershock".
 * The Season 7 finale, "Terminal." Adam has been unavailable throughout much of the episode and not quite up to his usual Deadpan Snarker standard when he is around, because his wife is dying in the hospital. The final scene is  He begins to cry.
 * McCoy is trying a man for killing several people while driving drunk. McCoy is going further than usual in his pursuit of justice. Everyone is telling him to back off, because Jack lost his lover to a drunk driver. Then the defendant breaks down and begs for forgiveness, and Jack realizes what he's doing. A defendant in tears and Jack pausing over a sheet of paper shouldn't be that evocative...

Law and Order Criminal Intent
"Nelda: Don't you care about me at all? I know you do, I saw it.
 * Law and Order Criminal Intent, episode Magnificat. Det. Goren's interrogation of Paul Whitlock, whose wife  You can view the clip here.
 * Also, the ending of Semi-Detached. You really must watch the episode to appreciate why it's so sad.

Goren: I didn't mean for you to see it."

"You're the best. You always will be."
 * The season 5 episode "In the Wee Small Hours," Detective Eames's testimony. The phrase "acquired taste" still makes some hardcore fans cry.
 * Goren's mother is scizophrenic, and has lymphoma. ON her last day alive, Bobby must find out from her whether or not her old lover, who turned into a serial rapist and murderer, was his biological father. She admits to never knowing for sure. His look of devastation will break your heart. In the same scene, he tries to calm her and she starts flailing on him weakly. It's really the saddest moment of the whole show, this poor woman beating up on her big, strong son in helpless anger, and he the one who loves her the most in the world. ..
 * Goren and Eames's final scene in the season nine opener. They have the most heartbreaking conversation,

I'm crying just thinking about it.

Law and Order SVU

 * Law and Order Special Victims Unit. The episode dealing with John Munch and his mentally disabled uncle, played by Jerry Lewis. Specially the end, where
 * The end of Paternity.
 * "Alex? ...Oh, no. No, no, no, no, no. Someone call an ambulance! Call 911! Now!! Alex, it's okay, Alex, look at me, it's okay sweetie, stay with me, stay with me, you're going to be okay, Alex, you're going to be okay, do you hear me? You're going to be fine, you're going to be just fine, stay with me... Alex, it's okay... Alex? Alex...?"
 * And then immediately following that first stomping of viewer hearts, the DEA agents summon Stabler and Benson to close out the case.  Olivia's heartbroken expression and hitching, choked voice in that scene has to be seen to be believed:

"Olivia: What about your kids...What about me?"
 * The emotional whiplash-inducing final scenes of "Ghost." Just as the squad is celebrating, the case has been won... "She wanted me to tell you goodbye."
 * Fault

"Elizabeth: "Of course. You did it for the greater good. The safety of society. Bull. You did this for you."
 * "Rage" - Elliot has all of his confidence and self-worth ripped to shreds by a criminal who bests him intellectually. All he can do is break down and beat his locker, because he has nothing left.
 * "Guilt"

Alex: "I did this for hundreds of Barnett's future victims."

Elizabeth: "One. One victim. Sam Cavanaugh. Did it work? Did it assuage your guilt?

Alex "...no. I don't think that's gonna happen anytime soon.

Elizabeth. "I got news for you -- it won't happen. Ever."

""He took off his belt and he... he beat me with it.""
 * The ending of the episode "Legacy". The story revovles around an abused little girl who has fallen into a coma.  The case hits particularly close to home for Munch because   At the end of the episode, Munch visits the victim's hospital room with a copy of the Dr. Suess book "Oh, the Places You'll Go" that he found in her bedroom. He reads a passage from it and the screen fades to black. It's just...heart-wrenching.
 * The episode Ripped, where Stabler talks about the abuse he suffered from his father. Elliot just gets this thousand yard stares and talks about how his father ruined the diorama he made for school when he was eight, and when he started crying-


 * The Episode Hell..just..it made em cry so much in the end..Manly tears
 * "Painless" so, so much, especially Munch begging Marlee Matlin's character to live and revealing that . Combined with the Reality Subtext, it's completely heartbreaking.
 * The ending of "A Single Life", where the victim's sister read the victim's obituary (that the victim wrote right before committing suicide) to the father that molested them both for years.

Law and Order UK
""You're always saying we should fight for the victim. I'm the victim. (tearfully) Fight for me"."
 * "Unloved": Steel's efforts to comfort and help a 13-year-old boy who's just pleaded guilty to murder after swallowing his barrister's argument that his genes made him a killer.
 * "Alesha":
 * Matt clearly struggling to hold back his anger and tears when talking to Alesha after her rape and his similar demeanor when reviewing the tape of her attack (he very noticeably stands far away from the TV and turns his back so as not to see it, but still cringes at what he hears) and during the trial. It's especially poignant when you recall that he spent the first half of the episode flipping out about her initial complaint that her doctor had touched her inappropriately, but now knows that he needs to put his feelings aside in order to be there for her.
 * Alesha begging James to prosecute her rapist:


 * "Confession"
 * Ronnie keeping hold of Matt at the crime scene
 * Pete's widow breaking down the minute she opens her door and sees Matt there
 * The end scene in the church where Matt tearfully admits that he genuinely doesn't know whether or not he was abused (after spending the entire episode denying it altogether), and Ronnie understanding that he needs to be alone after assuring him that he's done nothing wrong. "I'll be outside when you're finished."
 * The end of the episode "Deal". Just. . .watch it. It is that wrenching that one cannot accurately describe it.
 * Every scene in "Survivor's Guilt":
 * Natalie struggling to keep it together before finally breaking down in the privacy of her office, Angie being all subdued and somber, and Alesha crying as she corrected herself to use the past tense when referring to Matt, "WAS a police officer."
 * But the best moments went to Ronnie--his stunned, shell-shocked demeanor at the crime scene, consoling Matt's sister (who tearfully admitted that she always knew she would hear this news someday), his wandering around Matt's now-deserted apartment, struggling with the temptation to drink, petting Matt's cat and quietly telling it "Yeah, I miss him too", his simply asking Matt's killer "Why?", actually empathizing with him (the man was acting out of misplaced vengeance over the death of his brother) and reaching out to him with words that clearly reflected his own feelings-—“When someone you love dies, the hardest thing is to be left behind. You’d do anything to bring them back. You’d take their place.”, and later, in a conversation with the gunman's mother, "The police officer, who died? His name was Matthew Devlin. And he was like...like *my* son."
 * You could even count the gunman's My God, What Have I Done? moment, where he not only musters up the courage and decency to confess and plead guilty, he caps it off by apologizing to Matt's sister, "for taking your brother away from you".

Leverage
""You put these kids in the system, and odds are, they're gonna, they're gonna...they're gonna turn out like me.""
 * The flashbacks to the death of Nate's son, slowly parceled out throughout the first season.
 * Parker's fear for the orphans in "The Stork Job":


 * "The Future Job": A fraudulent psychic uncovers a secret Parker has never told anyone: that she witnessed (and blames herself for) the death of her brother when they were children. Made worse by the fact that Parker has No Social Skills -- she can't interpret normal nonverbal cues, and thus has a hard time understanding cold reading.
 * "The Maltese Falcon Job." The season two finale, Nate after spiraling further and further out of control after the loss of Sophie. Finds himself at the mercy of his rival Sterling who wants to exchange a Gun Smuggler his after and Nate's team in exchange for Nate's freedom . Because Nate is not like them. In the end Nate has captured the Gun Smuggler and in a gambit leveraged his way to exchange his capture for his teammates freedom. While the team escapes a FBI mooks asks "Who is this guy?" Nate, bleeding and exhausted. Who for the last two years prided himself for being above his team laughs and says, "I'm a thief."
 * The Star-Crossed Lovers backstory in "The Van Gogh Job".

Life After People
"Narrator: And so, like an abandoned village on a global scale, the Earth will move on without us. There was life before us, and there will be life...after people."
 * At the end of the original documentary, it's speculated that while apes may one day achieve a human-like mastery over the environment, the ability to look outside one's self and contemplate your place in the cosmos was an evolutionary accident that will likely never be repeated. Ultimately, it doesn't matter whether anything from the time of humans survives...because even if it does, there will be no one to talk about it.


 * Then there's the closing perspective on humankind's "reign" over planet Earth: if the Earth's 4.5 billion year existence were condensed into a 24 hour period, man's time on the planet would be half a minute long. And the 10,000 years it would take the earth to wipe out nearly all traces of our existence? A fraction of a second. We Are As Mayflies, indeed.
 * The Inferred Holocaust of millions of domestic animals that won't be able to make it outside.
 * The seeing-eye dog that continues to follow its daily routine as if its master was still there by its side. The poor thing continues to adhere to its training, ignoring the instinct to raid the cupboards in hunger while it waits for a feeding that will never come. Well-trained dogs will do this almost to the point of starvation.
 * The destruction of mankind's greatest works of art. It's not easy to watch the Mona Lisa rot away and the dome of the Sistine Chapel crumble to dust.

Los Archivos del Cardenal

 * The Chilean TV series "Los Archivos del Cardenal" ("The Files od the Cardinal"), narrating the struggle of the "Vicaria de la Solidaridad" ("Vicary of Solidarity") during the terrible Chilean dictatorship, is the perfect mix of Tear Jerker and Nightmare Fuel. Maybe the names and some circumstances were changed to protect sensitibilites of the victims and their families, but the emotional impact is devastating.