Mood Whiplash/Comic Books


 * It's been said that the Joker, written properly, should frighten you one minute, have you laughing the next, then hating yourself once you realize just what you're laughing at.
 * The last two pages of The Widening Gyre. Batman has just opened up to a new hero, unveiling himself as Bruce Wayne, and introducing the man to his fiance, and the hero, who's already revealed himself to Batman earlier, takes his own off for all of them to go have breakfast and talk like normal people. Next page,
 * Another example is from the novel "A Death in the Family" when Jason Todd finally meets his long lost birth mother and they have a heartwarming reunion when suddenly The Joker arrives and forces her to betray him by handing Jason over to him where the Joker thrashes him within an inch of his life with a crowbar then leaves them locked in a warehouse triggered to explode, and they both die.
 * Part of Battle for the Cowl starts with Damian taking a Batmobile on a joyride with a goth/punk girl he picked up, before Oracle takes over the controls and ejects the girl from the passenger seat in a panel played for laughs. Then, about two pages later, Killer Croc tackles the Batmobile and belches up the girl's shoe, thanking Damian for the "snack".
 * One of the better known issues of Fantastic Four featured Sue Storm having complications during her pregnancy. They decide to engage Doc Ock, appealing to his intelligence and so forth, and have a typical superhero-on-supervillain battle at one point, only to return to find that they were too late, and Susan already miscarried.
 * Nite Owl's snow suit. The story in general is depressing as hell, but....when he puts on that ridiculous fluffy white coat, it's hard to take it seriously.
 * The best part? It's (of course) an owl-suit.
 * Double freakin' Happiness. Starts off as a light Fish Out of Water Slice of Life story. Then, just as the protagonist starts to fit in and gets a date with a cute girl,
 * Keith Giffen and J.M. DeMatteis' Justice League International was a very good example, where a comedic quip, a Deadpan Snarker, or a hilariously drawn expression by Kevin Maguire would come out of nowhere in a dramatic scene. Issues ranged from pure comedy to action/drama at will.
 * Dead@17 ends its rough cut arc, which is a flashback involving child abuse, torture, demons, and a sociopath murdering a bunch of people, with an 11 Omake made by three artists. The middle one especially is a series of 3-4 panel strips staring the main character and her best friend (who split up in the previous arc after said friend was brutally tortured for her connection to the main character) making light of the zombies who killed half their town and the main character's status as undead.
 * Secret Six is a freaking mood roller coaster.
 * The Slavers was an incredibly dark, depressing story where Punisher tried to tackle a real-world problem and, ultimately, failed. So, to lighten the mood a little, Garth Ennis brought in the most outrageous and over-the-top villain in the MAX universe: Barracuda. While it was hardly a Disney movie; a mercenary with gold teeth that read "FUCK YOU" who likes pancakes and sea shanties is considerably cheerier than gang of slave traders who brutalize young girls and kill infants.
 * In issue #5 of The Sandman, a relatively light story involving the Justice League, Silver Age villain Dr. Dee escapes from Arkham Asylum and gets a ride with a passing motorist. She's initially terrified, but Dee looks harmless and frail, and soon the mood relaxes and they are chatting amiably. At the end of the story she lets him out at his destination, telling him sincerely to take care of himself...and he casually kills her. The next issue, "24 Hours", is one of the most nightmarish stories in the entire Sandman run.
 * Tarot Witch of the Black Rose wanders from Fanservice to Fan Disservice to High Octane Nightmare Fuel to Author Filibuster and back.
 * Sin City had a short story featuring Shlubb and Klump. The story involved the mafia getting tired of their goofiness and tricking them in blowing themselves up. Normally, what humor the series elicits is along the lines of Bloody Hilarious. This time around, it was a cartoonish bomb hidden inside of a dummy with a more family-friendly effect. When the bomb goes off, it's enough to blast a dock to splinters but it simply gave the characters Ash Face and Amusing Injuries. The slapstick was a major departure from the grittiness found in most stories.
 * Whedon's run on the Astonishing X Men saw Kitty put on a ten mile long bullet shaped bus, effectively dead, but Beast was told by the half-alien head of Sentient World Observation and Response that she needed him to check her judgement on the job, and wanted to break him like a pony off the job, and that his blue furry monsterdom was not a turn off to her. Also that she was half alien.
 * The Spider Man comics and sagas lives in this trope....
 * The french fantasy serie Les Légendaires is a devoted adept of the trope: there are so many times the story switches between silly and serious moments that it's hard to count them. Most notably, almost all story arcs started with the protagonist being portrayed as incompetent heroes that get themselves embarrassed while fighting some minor treath, only to be then thrown into some major treath and proving them competent. Most notable uses of the Trope include :
 * The First book is quite much of a joke almost all along, spoiler: until its end who leaves a [[Sequel Hook by revealing Elysio, the mysterious amnesiac kid who was travelling with the Legendaries is actually Darkhell, the Legendaries Arch Enemy. In the next book, we learn that a whole group of heroes, including protagonist Danael's Big Brother Ikael, have been turned into monstrous beings in an attempt to get the Stone of Crescia the Legendaries were trying to get. Then all Legendaries but Danael dies trying to get the Stone, only to have the demonical Evil Sorcerer Skroa take it away from them. Though they recover, the book ends with a hint that Elysio drank a memory potion and became Darkhell again.
 * Book 3 and 4 switch several times between the comical theme of the Legendaries trying to team up with their rival team the Fabulous,
 * Book 5 starts dealing in a comical way about Danael's and Halan's rivalry for Jadina's heart.
 * Book 7 starts with the Legendaries trying to stop a ridiculously arrogant villain named El Diablo from stealing a potion,
 * The Anathos Cycle was probably the most extrême case:
 * The Anathos Cycle was probably the most extrême case: