Lifetime Movie of the Week



""This Thursday, Meredith Baxter Birney gets beaten with an iron rod, in a Lifetime Original: Rod...""

- Jim Gaffigan

Lifetime Movie of the Week is a genre of Made for TV Movies that feature similar plots and thematic elements—mainly aggrieved women and their struggles to find empowerment of one sort or another. The Trope Namer is Lifetime, a cable TV channel in the United States with programming geared toward female audiences, which is well known for giving rise to the subgenre. Despite being the Trope Namer and Trope Codifier, Lifetime isn't the only source of movies in this subgenre; some of the most well-known (Not Without My Daughter) and most-parodied (Mother May I Sleep With Danger?) movies weren't Lifetime Movies at all, although they now are frequently re-run on that channel.

The four basic plots of the Lifetime Movie of the Week can be summarized as follows:
 * Woman against man. A woman suffers from Domestic Abuse, Parental Incest, or has a Stalker with a Crush. Rape as Drama may be involved or merely threatened. This plot is very likely to end in a Karmic Death for the Evil Man.
 * Woman against woman. A woman is abused, oppressed, or vilified by another woman—either in a position of power over her, like her boss or mother; or a jealous ex/stalker of the Good Woman's boyfriend/husband. This one is likely to end in the Evil Woman going to jail, though the evil ex and stalker are more prone to Karmic Death.
 * Woman against child. A woman has a problem child—autistic, seriously ill, violent, or drug-addicted. She must fight accusations of abuse or neglect while trying to find someone to help her cope. This one usually turns out in a Downer Ending if the child is intractable.
 * Woman against herself. A selfish, alcoholic, or generally insane woman wrecks her life and/or family despite everyone's attempts to help. This one is likely to end up in her being a Karma Houdini, unless it's Ripped from the Headlines and the real life woman in question went to jail. Also, there is usually a sympathetic character who serves one of the above roles.

In all cases, she must fight not only against her problems, but also against the Uncaring System that refuses to believe her or even accuses her of being the villain. Anyone on her side is unable or unwilling to help her, except for one person, typically male, who comes to believe in her or her plight and comes to her rescue at the end, but not before she's been put through a Trauma Conga Line.

One reason for the films' similarities is that they are designed to play on the fears of their target demographic. Thus, the themes of violent or uncaring men, female rivalries, smothering mothers, difficult children, and absent support systems are prevalent. Though notionally intended to send a message of empowerment by having the female triumph, it can seem like they have the opposite effect, as the world is depicted as harshly uncaring and even antagonistic toward "good" women, and rarely does a protagonist succeed without help from a male ally. For the same reason, expect Ripped from the Headlines and Very Loosely Based on a True Story to come into play (and be heavily advertised).

For the opposite, see A Hallmark Presentation, named for the Hallmark Hall of Fame series of films which, appropriately for a greeting-card company, tend towards the other end of the scale.


 * Abuse Is Okay When It Is Female On Male
 * All Abusers Are Male
 * All Men Are Perverts
 * All Take and No Give: Husbands are often presented as extremely selfish and self-centred.
 * All the Good Men Are Gay
 * All Women Are Prudes
 * Bait and Switch Gunshot
 * Bastard Boyfriend
 * Based on a True Story
 * Beauty Is Bad: The Evil Woman is often very attractive.
 * Bitch in Sheep's Clothing: The antagonist is often this.
 * Black and White Morality
 * Break-Up Bonfire
 * Broken Aesop
 * Bullet Holes and Revelations
 * Cassandra Truth
 * The Cavalry
 * Chick Flick: Lifetime movies, being usually dark, bitter and vengeful, could be seen as the Evil Twin of the Chick Flick.
 * Cut Herself Shaving
 * Death by Woman Scorned
 * Defenestrate and Berate
 * Department of Child Disservices
 * Destructive Romance
 * Devil in Plain Sight: Antagonists are often very easy to spot, even without proper introduction.
 * Damsel in Distress
 * Domestic Abuse
 * Domestic Abuser: Almost always the heroine's husband. Otherwise, it's her own mother or her mother-in-law.
 * Double Standard
 * Dr. Jerk
 * Evil Matriarch
 * Extreme Doormat
 * Gay Best Friend
 * Girls Need Role Models
 * Girl Show Ghetto: Lifetime contributed a lot to enforcing this creed.
 * God Save Us From the Queen: A woman in a position of power over the protagonist, such as a boss or mother, will usually be a bitch and often the villain.
 * Good Adultery, Bad Adultery:
 * Good Girls Avoid Abortion
 * Good People Have Good Sex
 * Guys Are Slobs
 * Hormone-Addled Teenager
 * Hysterical Woman
 * Idiosyncratic Episode Naming: Something Sounding Scandalous: The Victim's Name Story. Not all Lifetime movies use this title format, but enough do that it's used by almost all parodies. Premise: Lurid Phrase is also common.
 * The Internet Is for Porn: Or cyberbullying.
 * Karmic Death
 * Littlest Cancer Patient
 * Love Martyr
 * Made for TV Movie
 * Melodrama
 * Mama Didn't Raise No Criminal
 * Missing White Woman Syndrome: A given for Ripped from the Headlines films about, well, Exactly What It Says on the Tin.
 * My Beloved Smother
 * No Accounting for Taste: Unless there's a Psycho Ex-Girlfriend or Yandere involved, in which case the husband practically has Single-Target Sexuality for his wife (Half the time, anyway.)
 * Pandering to the Base
 * Police Are Useless
 * Psycho Ex-Girlfriend
 * Rape and Revenge: "Punishing The Rapist" is a very common plotline.
 * Rape as Drama.
 * Rape as Redemption
 * Rape Is a Special Kind of Evil
 * Reactionary Fantasy
 * Real Men Hate Affection: Except for the aforementioned Good Man who helps the protagonist.
 * Retroactive Recognition: Considering the number of movies they make and the fact that they primarily cast of relative unknowns for the sake of budget, it stands to reason that eventually a few of them would hit it big. When this happens, expect Lifetime to drag the movie they made out of the archives and air it frequently if the person has a big movie coming out soon.
 * Revenge Against Men
 * Ripped from the Headlines: Typically regarding whatever missing or dead woman is in the news this week (the movie about Natalee Holloway, the movie about Amanda Knox, the movie about the Craigslist killer, etc.) Also often adapts true stories about mothers trying to get justice for their sick/mentally ill/LGBT child.
 * Save Our Students
 * Screaming Birth
 * Screaming Woman
 * Sex Is Evil
 * Shoot the Shaggy Dog
 * Sliding Scale of Gender Inequality: Type 7
 * Social Services Does Not Exist
 * Stalker with a Crush
 * Stepford Smiler: All housewives are usually some variation of this.
 * Straw Feminist: Whenever a woman shows an attitude, she's almost always this.
 * Teen Pregnancy
 * Toxic Friend Influence: Especially when the film deals with underage girls.
 * The Unfair Sex: He cheats? He's a pig. She cheats? She's just seeking love from somebody else because of how evil her husband is.
 * Very Loosely Based on a True Story
 * Villain with Good Publicity
 * Why Did You Make Me Hit You?
 * Your Cheating Heart

Comic Books

 * A variation of this can be found in V for Vendetta in the story arc of Rosemary Almond, a gentle and demure housewife whose husband, Derek, just can't wait to get home every evening so he can get beat her up and get drunk to vent off his everyday frustrations. Derek is then killed by V himself, making her a Widow Woman. She is then hit on by one of her husband's co-workers whose sole purpose is to sully her husband's memory by fucking his wife. He is also killed by V later on. She is then expelled from society and is forced to become a showgirl to support herself. Eventually she snaps.

Fan Fiction

 * This author writes stories for the Pokémon and Yu-Gi-Oh! fandoms that fit this mold perfectly.

Film

 * Enough features a protagonist who, after abuse and cheating from her husband, breaks into her husband's house with the full intention of beating him to death with her bare hands. Her threat, "self-defense isn't murder", rings pretty hollow considering she's instigating the fight in his home and not hers, goes out of her way to remove anything he could use to defend himself, and even plants evidence to prove the version of the story she plans to tell the cops. She gets the upper hand, but then she chickens out. After more struggling he falls out a two-story window.
 * Not Without My Daughter
 * The 1993 remake of Attack of the 50 Foot Woman fits this formula. Men are abusive, sex-obsessed monsters? Check. Women are weak, spineless victims? Check.
 * The Oksana Baiul Story. Most glaring among the liberties taken is the near-complete absence of Viktor Petrenko. In real life he persuaded his own coach to coach Oksana, he paid for all her costumes early on, and even translated for her during interviews before she learned English.
 * Waiting to Exhale is a bitter piece-of-life movie where all men who ever walk on screen are either immature, total assholes or perverts who can't keep it in their pants, leaving all the main Four-Girl Ensemble embittered, lonely or sad and realizing that having Sisters Before Misters is the best way of life for women if they don't want men to walk all over them.
 * The ABC Family movie Cyberbully is one of these, even though it aired on ABC Family.
 * The 1993 movie Men Dont Tell is a Gender Flip.

Literature

 * A lot of Jodi Picoult's novels fit this trope, usually falling into the woman vs. sick child and woman vs. herself category.
 * In the V. C. Andrews novel Celeste(2004), it's mentioned that the events of the Cutler series by the same author (a girl discovers that she was kidnapped as a child, and has to go to a new family who are by turns abusive and neglectful) were turned into a Lifetime-esque movie.
 * It would be fairer to say that Andrew Neiderman, who has been ghostwriting novels in V.C. Andrews' name since her death on December 19, 1986, wrote this, as the Cutler series (1990-1993) and all subsequent novels were completely written by him.
 * Feminist Fairy Tales, written in 1996 by atheist advocate of neo-pagan spirituality Barbara G. Walker, is intended to be Feminist Fantasy involving retold fairy tales and retold myths and legends, as well as original fiction containing fairy tale and/or mythic elements, all of which were meant to convey messages of empowerment and strength to children and young teens. Unfortunately, the stories contain numerous anti-feminist broken Aesops such as "Don't tell anyone that someone attempted to rape and murder you" ("Snow Night"), "Don't take any action to save anyone unless you'll profit from it" ("Gorga and the Dragon"), "Mocking people's disabilities is fine if the disabled expect it" ("The Sea Witch"), and the old favorite, "Abuse Is Okay When It Is Female On Male" ("Prince Gimme and the Fairy of the Forest," "The Littlest Mermaid," "The Three Little Pinks," "The White God," etc.). Male characters, unless they're of the Nature-loving/Mother Goddess-worshipping variety who let women run everything, tend to be rapists, pedophiles, and/or abusive toward their wives, girlfriends, or children.

Live-Action TV

 * The Mexican shows Mujer: Rompe el Silencio ("Woman: Break the Silence") and Lo Que Callamos las Mujeres ("What us Women Keep for Ourselves"), broadcast by Televisa and TV Azteca respectively, are pretty much Latin-American versions of Lifetime shows in a one-hour TV series format. Stories about females in peril or distress that claim to portray how women live in modern society? Check. Men portrayed as selfish, cruel, one-dimensional, perverted and/or abusive unless they throw themselves at the Lead-Du-Jour's feet and kiss her ass? Check. Women caricatured as weepy, whiny little victims who are Too Dumb to Live to an egregious degree? Check.
 * The predecessor of both two shows mentioned previously was the long running Mujer: Casos de la Vida Real ("Women: Real Life Cases") with former Mexican young actress Silvia Pinal (known to younger people as the old lady in "Mujer..." and to film buffs as the protagonits of Luis Buñuel's Viridiana). The show actually started as a charity show (i.e., every peso we get by the viewers watching this Lifetime Series goes to the charity) to help the people affected by the 1985 earthquake. It eventually got a Full Circle when in 2005 at the 20 year anniversary, Mujer: Casos de la Vida Real transmitted an entire hour about real life cases of women in the 1985 earthquake.
 * And continued by La Rosa De Guadalupe ("The Rose of Guadalupe") and Cada Quien Su Santo ("To Each His own Saint", transmitted by Televisa and TV Azteca respectively, which is about the same but with religion played in.
 * More than a few episodes of Law and Order Special Victims Unit fall into this, not helped by Olivia being sometimes portrayed as a borderline Straw Feminist.
 * One episode brutally deconstructs this when Stabler suddenly finds himself being treated as if he was "the evil man" in this sort of drama, despite him (for once) genuinely doing everything he can to help the female victim. (As in, really trying to help instead of wanting REVEEEENGE)
 * Another didn't so much deconstruct it as show how absurd making the massive leaps in logic these movies do can be in real life. A woman claims to be "stalked" and "burned" by her ex-husband, and after a confrontation with the cops he gets killed. Turns out she burned herself and did it because she was resentful of him leaving her. Olivia "fought" for her the whole way, and was rewarded with the woman looking right in her eyes and saying "I sure showed him!" as she lay dying after revealing her scheme. In short, Olivia's own prejudices helped a woman kill her husband by proxy.
 * The Oxygen series Snapped tries to promote itself in the same vein as the Lifetime movies by being about women who have suffered terrible abuse and decide to kill their abusers.
 * Occasionally, there are women featured who killed/tried to kill their significant other for no clear reason. That, or completely unsympathetic reasons, like trying to collect insurance money/inheritance, or they had a love interest on the side and needed the first guy out of the way.
 * Strong Medicine, in Medical Drama format.
 * Morning TV shows in Chile have some sketches about supposed Real Life stories, but said "stories" are not only very badly acted and planned but also pretty much Lifetime Movies in 20-minute format.
 * Human Trafficking counts, but unlike most Lifetime films it was well received. The fact that it's inspired by actual events might have helped though.
 * There used to be an Indonesian version of this program in one of the local TV channels called "Oh, Mama. Oh, Papa" (or something like that) based on a true story segment from a magazine with the same name.

Newspaper Comics

 * Between Friends bears many aspects of this genre, although as much as men are depicted badly, the allegedly "empowered" women are depicted as hyper-insecure, Does This Make Me Look Fat? types who both agonize over buying the low-fat double-whipped frappucino and also pound back the cheesecake like there's no tomorrow.
 * For Better or For Worse has Michael's novel, Stone Season. The plot concerns a woman stuck in a loveless marriage with an abusive husband which she makes no effort whatsoever to escape until the 'empowering' climax: he goes out into a storm to hit the bar and doesn't return. She goes searching for him, finds him seriously injured and weakened, and he berates her to help him. She says "No", and leaves him to die. She's a Pinball Protagonist who only exists to suffer tragically until 'fate' disposes of her husband for her, and is praised as 'strong' and 'amazing' for this.

Film
""Up next on Lifetime, Valerie Bertinelli stars in Bitter Harvest, a sensitive portrayal of one woman's struggle with cancer…""
 * Her Married Lover looks like a straight example, but notice that the flashbacks tend to have more of this style than the scenes in the present? It turns out this is a Deconstruction.
 * Saved! features clips from a fictional Lifetime movie, complete with Adam Westing from Valerie Bertinelli. It leads to a Eureka Moment when the main character realizes that she's pregnant as a result of something she sees in the movie.

Live-Action TV
""Tanya! You've been going to those parties where girls give oral sex for bracelets!""
 * An episode of Thirty Rock featured scenes from a fictional Lifetime movie which told the story of how C.C. became a congresswoman after being shot in the face by a dog. The movie was titled A Dog Took My Face And Gave Me A Better Face To Change The World: The Celeste Cunningham Story and the scene where she's shot had her dramatically gasping "I'm going to get into politics!" as she fell to the ground.
 * Saturday Night Live did a Real Trailer, Fake Movie for "Lifetime's" Hello Stepson, Now Let's Go to Bed: I Went to Bed with My Stepson: The Laura Bengal Covington Story.
 * They did another one about a woman whose husband kept standing abusively close to her. After the trailer, the "real life" victim explained that she and her husband discovered he had a hearing disability, and was subsequently lauded for standing up to his abuse of being so close to her all the time.
 * A sketch about a Lifetime channel game show, "What's Wrong With Tanya?" where the contestants were all suburban mothers from Lifetime movies. They had to guess what specifically was troubling different teenagers named "Tanya" that were brought out.

"Ann: I watch a lot of Lifetime movies. There was this one, How Far is Too Far Enough: The Terry Palaver Lonagan Story. This woman had agoraphobia and her therapist was obsessed with her. And he hid in her house, and then he attacked her and tried to eat her toes. Also, her daughter was having sex way too young. So yeah, free self defense class? I'm there."
 * Mentioned in an episode of Parks and Recreation:


 * "The Wedding Bride" from How I Met Your Mother is an over-the-top version of these combined with a healthy dose of Her Codename Was Mary Sue that casted Ted and Stella's relationship as the good girl in love with an evil man and as the happy ending. That is not how it happened in the show proper.
 * Parodied by Almost Live here, though it was making fun of NBC's awful "Made for TV movies" that followed a similar format. In this one, the "victim" is an alien abductee who behaves insanely after her return.

Web Comics
"The President: My new bill will make rape the new legal currency of America."
 * Chainsawsuit has She Cried Veto: The Susan Miller Story (starts here), in which Susan Miller is assaulted by the President of the United States. Money quote:

"I think that's how I want to see the first Dr. McNinja movie made. With the budget and style of a movie on Lifetime. What's that? Why yes, I will throw away life's opportunities for the sake of a joke."
 * In The Adventures of Dr. McNinja after the ghost wizard takes over Dark Smoke Puncher he suggests that his mother might get a Lifetime movie out of their fight, entitled A Woman's Choice. A Mother's Nightmare. The alt-text goes on to say:

"Seriously, Lifetime. Being "television for women" shouldn't mean being "television with no standards"."
 * Immediately subverted on the next page, when Mitzi unhesitatingly orders Gordito to shoot her son fatally.
 * Simultaneously played straight and subverted in a Something*Positive arc, in which Kharisma's arrest for murder is portrayed as an inspiring Lifetime Movie...but even the actress portraying her knows it's a load of bull.

Web Original

 * Skewered by The Onion here. They also pointed out the absurdity of the premise by doing a Gender Flip in this article.
 * Similarly parodied by Something Awful here.
 * Mother, May I Sleep With Lifetime? is a blog dedicated to reviewing movies in this genre. It is not kind to them.

Western Animation
"Roger: Oh, my God, look what's on Lifetime! Daphne Zuniga in Spooning with Anger. Steve: So? Roger: So?! That's our favorite spousal abuse movie of all time. We gave it even higher marks than Valerie Bertinelli's classic, Please, Kevin. Not in the Face. TV: "I'm sorry dinner was late! I love you so much!" Roger: Why do they stay, Steve? Why do they stay?"
 * Sent up in American Dad':


 * That particular episode ("A.T. the Abusive Terrestrial") is itself a parody of the Lifetime Movie of the Week...and ET the Extraterrestrial. Roger feels neglected by Steve, so he makes friends with a new boy (an Expy of Elliot). The boy eventually turns abusive, which Roger tries to hide from Steve. When he does find out, Steve helps Roger figure out a way to escape safely by pretending he has to return to his homeworld. However, the boy catches on, so Roger settles for kicking him in the crotch and walking off.
 * A skit on the claymation show Starveillance parodies how Lifetime movies are usually the end of the line for actresses, particularly TV actresses, with sinking careers. The skit features Mischa Barton taking a nap in a cafe shortly after her character was killed off on The OC. In her dream, she meets Michelle Rodriguez, Star Jones, and Shannen Doherty whose entry is accompanied by an ominous flash of lightning. They tell her that, since she left the show that made her famous, her career, much like theirs, is doomed to spiral downward, with her only career openings all being on the Lifetime channel. They point to Shelley Long, whose career was never the same after Cheers ended and is still preparing for an audition for Shakespeare In Love even though that movie came out years ago. The dream ends with the other actresses mobbing Mischa like zombies, chanting "You're one of us now, Mischa!" She is finally awakened from her nightmare by her agent, who is calling her with a movie role. She is initially overjoyed to hear his voice, but after she learns that the role she's been offered is that of a young mother with cancer, she asks what channel the movie is airing on. Cue Big No...
 * But follow that with a Funny Aneurysm Moment when she ended up in the Lifetime movie Homecoming as a psycho who couldn't let go of her high school sweetheart and lost it when he brought his new girlfriend home for the weekend.
 * Family Guy had Brian and his girlfriend Jillian watching a commercial for a Lifetime movie entitled Men Are Terrible and Will Hurt You Because This Is Lifetime. What little we saw of it consisted of a woman who was raped by her doctor, who then tells her in a very disinterested fashion that she has cancer.
 * An earlier episode showed the family watching a show with two women eating ice cream and making very lame jokes about men. Then it went to commercial announcing that they were watching Lifetime: Television for Idiots.
 * Another episode featured Raped By a Clown, starring Meredith Baxter-Birney (who voiced herself).
 * The episode "The Story of Brenda Q." subverts this. It's NOT a parody.
 * An episode of The Simpsons had Marge watching "WifeTime: Television for Housewives", the movie being about a widow whose husband was heavily in debt and didn't have any life insurance (despite the fact that debt obligations aren't inherited and the worst that could be done is repo collateral). The widow becomes insane, homeless, broke, and ugly; she then ends up going to Harvard Medical School...as a cadaver.
 * In another episode, Dr. Hibbert gives Marge a DVD of a Lifetime movie called The Woman Who Couldn't Leave Her House to help her cope after being robbed at gunpoint.
 * Then there was the time the babysitter thought Homer was trying to grab her butt (he was actually trying to pull off a piece of candy that was stuck to the seat of her pants—thus explaining the incriminating drool). She denounced him for sexual harassment. Next thing you know, Fox is running the original movie, Homer S: Portrait of an Ass-Grabber.
 * In "Bart The Murderer", Bart is accused of apparently killing Skinner and soon, there's a TV movie titled, Blood On The Blackboard: The Bart Simpson Story.