Guilty Crown/Awesome


 * The show starts with an action-packed chase scene, with a serenely beautiful song sung by Inori playing over. Soundtrack Dissonance exemplified finely.
 * And it ends with the lead guy taking down a mecha with a BFS!
 * "Go... Kaleidoscope." Cue Beam Spam, directly pointed at the baddie's face. Oh Crap indeed.
 * Shu's escape from the GHQ facility in Ep4 is a work of art. It has to be seen to be believed.
 * Then you have episode 6, where Gai takes down a mecha with nothing but some string and a Luger, and Shu combining two Voids to make some sort of gunblade powerful enough to completely destroy a falling Kill Sat.
 * Dan punching Segai in the face  after Segai points a gun at Shu's mom. It's made all the more awesome by the fact that he managed to make his claims of disgust upon seeing Segai point a gun at a woman sound more badass than sexist.
 * Seeing Shu break through GHQ Antibodies' countless liens of defense with his friends' voids was pretty damn awesome. It starts as Inori sings the show's ending theme. Shu and friends are driving up to the barricade ad Arisa's void deflects GHQ's outrageous machine gun fire; they follow up with Souta's void getting them through a wall, destroying the pursuing Endlaves in the process; Hare's void repairs an entire damn bridge while Kanon's void helps them find Inori; to top it all off, Yahiro's void let's Shu slice clean through Daryl's Endlave. It's all done with the spectacular animation and soecial effects this show is already famous for.
 * EPISODE TWELVE! After getting hit with a MASSIVE reveal on the nature of Lost Christmas, we see Gai's void:  J-Rock starts playing in the background, Shu and Gai start running around fighting giant... giant eyeball/crystal things, Gai's Void , and Shu uses it to get Keido away from Inori, Keido gets knocked out by the blond kid, Gai starts blasting more of the eyeballs   and he finally tops it all off with a  . In the end
 * In episode 13, when a group of disgruntled refugees attacks the school, Shu unlocks Ayase's void, . Working together, they both singlehandedly repel the attacking refugees and destroy the Endlave they brought with them, closing off with a Back-to-Back Badasses finishing pose while the entire school cheers them on.
 * Episode 14 has Ouma take a major level.
 * In Episode 15, after, Shuu goes berserk Shinji-style and gains an upgrade for Inori's Void. Simply swinging it causes it to shoot crescent moon-shaped pulses of energy in whatever direction he was aiming. Even better, he manages to curbstomp Daryl, who's charging at him, while standing still and not even swinging the sword. He's just holding it horizontally, and Daryl's Endlave is cut in half, after which he shoots a sword beam at the two other Endlaves attacking them.
 * In Episode 16, the standoff between Argo and Shuu.
 * At the end of episode 18, after having overcome Mana's attempt at using Inori's body to  and receiving a subsequent explanation as to why Inori is a monster without a soul, Inori remembers Shu telling her that she is who she is -- that Inori is her own person. Then, after telling Shu that she will always be by his side, that he shouldn't blame himself, and that they will always have each other, Inori solidifies her Character Development by finally shedding her Emotionless Girl persona and single-handedly curb-stomping an entire squadron of Endlaves.
 * Episode nineteen. To take a page from Sega's book: the Return of the King.  and promtly uses it to wipe out an entire troupe of Endlaves. His flying around, dodging missiles and bullets is completed with a beautiful Animation Bump and a spectacular Curb Stomp Battle.   This troper is having trouble typing--her hands are still shaking from the excitement!
 * Special mention goes to the unnamed UN Naval Fleet Captain in episode twenty-one, who shrugged off being infected by the virus in order to maintain command and a legitimate strategy against  forces. This came just after Funeral Parlor Out Gambitted the Ghost Troops.
 * Shu's duel with Daath. Daath had about fifty mooks whose Voids he was drawing on, while Shu was using his own to call out his friends' Voids, but only one at a time. Combine with an Animation Bump to an already well animated episode, and you have the single best fight on the show.
 * Funeral Parlor's final battle with GHQ in episode 22. When it looks like  are going to cause a global Lost Christmas and   is in the midst of giving Shu "The Reason You Suck" Speech, Haruka breaks through GHQ's defenses and corners Keido,  ; Shibungi corners   and gives Tsugumi the upper hand she needed to hack into GHQ's firewalls; and, lastly, Inori's song   It it essentially one giant Kick the Son of A Bitch to GHQ. To top it all off, when it looks like Shu , Inori also
 * Funeral Parlor's final battle with GHQ in episode 22. When it looks like  are going to cause a global Lost Christmas and   is in the midst of giving Shu "The Reason You Suck" Speech, Haruka breaks through GHQ's defenses and corners Keido,  ; Shibungi corners   and gives Tsugumi the upper hand she needed to hack into GHQ's firewalls; and, lastly, Inori's song   It it essentially one giant Kick the Son of A Bitch to GHQ. To top it all off, when it looks like Shu , Inori also