Girls und Panzer/YMMV

"Shiho: That's absolute heresy. If you're my daughter, you'll show her the one true way to fight."
 * Abusive Parents: Shiho is never shown to raise a hand against her daughters, but her parenting has left Miho with PTSD from a high-school sport (over an incident where she should have felt pride for rescuing her teammates from possibly dying) and socially isolated. This could be chalked up to disastrously poor communication and misunderstanding, but then she travels to Oarai's semi-final match against Pravda with the sole purpose of watching Miho lose and disinheriting her.  Oarai wins, setting up the final match against Kuromorimine, but Shiho claims this is due to luck and Pravda letting their guard down.  When Maho defends Miho's methods of adapting and bringing her team together, as opposed to the rigid and ruthless Nishizumi style, Shiho replies:


 * Before we even see Shiho, the first episode shows Miho reminding herself, with sudden delight, that she's not living with her family any longer. What that tells the viewer about Miho's home life....
 * Awesome Music: Much of the soundtrack is composed of military and national songs, which are all awesome.
 * St. Gloriana: The British Grenadiers
 * Saunders: The US Field Artillery March, ''The Battle Hymn of the Republic
 * Pravda: Katyusha, Polyushko-polye
 * Kuromorimine: Panzerlied
 * Chihatan: Yuki no Shingun
 * In The Movie, when the other schools band together to help Oarai against the University Combined Team, a stirring medley of all of the school's themes plays.
 * Oarai's theme is not derived from any particular nation, but it's still good. Panzer Vor!
 * Most Wonderful Sound: The "thwap!" of a surrender flag. (Unless it belongs to a friendly tank, of course.)
 * Subbing Versus Dubbing: The English dub is generally good, but the songs with lyrics did not make the transition well. Katyusha (Ep 8) got completely replaced by an instrumental arrangement of Korobeiniki, and the "Anglerfish Dance" and Yuki no Shingun (Ep 9) were translated and sung in English, which gets a little stilted.
 * On the other side, some of the subtitles get a little odd. In the second OVA ("Survival War!"), "Itadakimasu" is subtitled as "Rub-a-dub-dub, thanks for the grub!" -- which is a classic "camp grace", but not exactly in-character for the girls.  Later, during the spam sketch, "Urusai!" is translated as "It's annoying!"  This might be the literal meaning, but the colloquial translation ("Shut up!") would fit the Monty Python theme better.
 * The Woobie: Miho Nishizumi. She appears to have gone through life with zero affection from her family (Maho cares for her, but hides it to keep up the appearance of being the ideal Nishizumi heir for their mother), and when the Student Council tries to bully her into joining Oarai's tankery club, she is surprised that Hana and Saori are willing to stand up for her.  Her favorite childhood toy is a teddy bear patched up with bandages, which is Woobie-ish enough, but then, in Der Film, we learn that it's not bandaged because of wear and tear.  He came that way, because this bear is a popular (in-universe) character whose defining quality is that he gets beaten up, he appeals to the audience for encouragement (which Miho happily provides), he gets up and prepares to fight back against his opponents...and then he gets beaten up again.  Forever.
 * Hana Isuzu as well. When her mother tells her to leave home and not return until she quits tankery, Hana bows and apologizes for intruding.
 * Arguably Maho, too. It's revealed in the manga Little Army she plays the ideal Nishizumi heir so that Miho will "be free" -- which suggests Maho doesn't much like the Nishizumi style either; she's just better able to stomach it. But she'll be a "true Nishizumi" to protect her little sister ... and then she learns Shiho intends to crush Miho's attempt at non-Nishizumi tankery, meaning Maho's sacrifice has been wasted....