Darker and Edgier/Comic Books

"Jiggs: That's right! Have a good laugh while my wife beats me up! Laugh like you have all these years! Maggs: You WORM! My dog is dead and it's all your fault! Jiggs: Nobody getting beatings like me can survive... in this serious atmosphere!"
 * Mad Magazine did this to Bringing Up Father, a very old-school Newspaper Comic from the early 1900s about a Wacky Irish Immigrant, Jiggs. He is constantly abused by his wife, which is played for laughs in the original strip. In a rather dramatic Art Shift, the parody begins like this and ends like this: showing Jiggs in a pool of his own blood as his vicious wife looms in the doorway, rolling pin in hand. This ran in Mad #17, 1954.


 * In comics, this move is most famous for Batman. After the end of the Batman TV series, it became apparent the campy tone had burnt out, and DC realized a change was needed quickly. With Denny O'Neil's writing and predominantly Neal Adams' gothic and realistic art, Batman was made a darkly fearsome night stalker much like he was in the original stories before he was softened for kids. Later, in the mid-80s, Frank Miller's The Dark Knight Returns overclocked this to dangerous levels. Also note that the pattern repeated itself with the movies. After the increasingly silly Batman Forever and Batman and Robin movies failed, DC started again from the beginning with the more serious Batman Begins.
 * The shift also carried over to Batman's Rogues Gallery, most notably the Joker, who had been written as a comical "Clown Prince of Crime", but now returned to his psychotic murderous roots.
 * In the '90s the Batgirl mantle was passed from Barbara Gordon to Cassandra Cain, a character who came complete with a much darker origin (she's a mute trained from birth to be an assassin) and a costume that wouldn't look out of place at a BDSM club. Fortunately, she was written well enough in her own series to not come off as completely ridiculous.
 * Bat-Azrael was a darker, edgier, more brutish version of Batman, created to show what makes the true Batman not a vigilante. However, DC was totally ready to keep Azrael as Batman, if it sold well enough.
 * Jason Todd as Batman is similar to Azrael: a thuggish, heavily armored Batman who guns criminals down with his pair of pistols. Fans have taken to calling him "Gunbats".
 * Even the first two Batman movies with Michael Keaton were intended to be darker-and-edgier versions of the Dark Knight than the campy Adam West Batman most people had grown up with, partly in an attempt to cash in on the popularity of The Dark Knight Returns comic.
 * Indeed, The Dark Age of Comic Books was an instance of this for the entire American Comic Book medium.
 * Alan Moore, who helped begin the trend with Watchmen, has shown some regrets over this. "The apocalyptic bleakness of comics over the past 15 years sometimes seems odd to me, because it's like that was a bad mood that I was in 15 years ago."
 * The Transformers Generation 2 comic books, loosed from even the moderate Contractual Immortality restrictions they had been operating under before, promptly started massacring the cast. Issue #1 cover copy: "This is Not Your Father's Autobot." #2: "Fort Max Gets the Ax." #3: "Killing Frenzy." The characters would also kill without hesitation and use guns that weren't their signature weapons.
 * Here's one way to kill the party: Turn cheerful, bouncy Robbie Baldwin from the playfully heroic Speedball into an apparent murderer with a guilt complex worthy of Angel. Now he calls himself Penance, and wears a suit with 612 built-in points of pain, one for each person killed that day. His new powers can only manifest when he is in pain.
 * In Thunderbolts, however, Penance has come to terms with the Stamford incident not being his fault. He reveals to Nitro the real reason for the suit.
 * Much of Marvel's Ultimate Universe runs in this vein. A stunning amount of the process of its "updating" traditional Marvel characters for the modern era has involved inflating the sex and violence content (e.g. the Hulk isn't merely violent or even murderous, but is also cannibalistic; Quicksilver isn't just very protective of his sister the Scarlet Witch, but is in a sexual relationship with her; Tony Stark is a genius as expected -- due to a painful cancer-like affliction which has spread brain matter throughout his body and will soon kill him). "Updating" personalities means turning pretty much everyone into a complete and utter Jerkass. Spider-Man largely escaped, but The Avengers and X-Men were all turned into such vile bastards that... well... they wouldn't exactly look out of place on the new Battlestar Galactica. Oddly enough, Iron Man is actually less of a dick in the Ultimate universe.
 * The biggest example of this in the Ultimate Universe is Captain America (comics), who in the 616-universe is the embodiment of American ideals and values, including but not limited to equality, openness to political discourse, and dedication to international harmony. Ultimate Cap is a racist, sexist hardliner who calls the French cowards, despite the fact that he fought alongside the Resistance in WWII. His characterization is more of a Deconstruction of the original idea: a man who's been frozen in ice since the 1940s and yet has to be the quintessential American hero for today, despite being the hero of (and thus holding ideals from) yesterday.
 * Said Ultimate Universe spread to the 616-universe, as far as evil Iron Man and Reed Richards and Cyclops expelling Xavier from the X-Men (even though Cyclops utterly bombed as Top Guy at the school as far as Xavier saving the X-Men's asses during the Messiah Complex X-Over) and starting his own murder squad, a move even Wolverine found distasteful and only agreed to lead to try and keep Scott from turning Wolfsbane, X-23, and Warpath into soulless murderers). Not to mention the whole "Spider-Man selling his soul" crap.
 * The whole "Professor X is no better than Magneto" creep from the Ultimate to the main universe that was exemplified by Deadly Genesis, where it was revealed that Professor X led a team of X-Men to their deaths in rescuing his original team from Krakoa and just mind-wiped everyone into forgetting that it happened and trying again with another new team. And that Professor X later realized that the Danger Room was becoming sentient, but ignored it, leading to Danger being created years later.
 * A 2004 Thundercats mini, Thundercats: The Return. Lion-O gets trapped in the Book of Omens for five years, and when he gets out he finds the Thundercats beaten and enslaved by Mumm-Ra. Of particular note are Wilykit and Wilykat. Let's just say that puberty has been good to them, and that Mumm-Ra has the same tailor for his slaves as Jabba the Hutt. There is also implied rape of Cheetara by the Mutants.
 * Marvel as much as said at the time that the thinking behind USAgent, War Machine, and Thunderstrike was to have Darker And Edgier versions of Captain America (comics), Iron Man, and The Mighty Thor, without losing the originals. There's even a famous Avengers cover of the two versions facing off. Though created prior to the decade, they would see their heyday as Nineties Anti Heroes.
 * The DCU's Post-Crisis universe was so grim, it supposedly drove the Silver Age-inspired Superboy-Prime crazy -- causing him to become a mass-murdering fanatic and perhaps the darkest and edgiest DC character of all time.
 * One of the flashpoint events leading to this was Wonder Woman's killing of Big Bad Maxwell Lord.
 * The Superboy-Prime saga, which climaxed in Infinite Crisis, was followed by an even darker and edger storyline called 52, and also saw the relaunching of numerous series with a generally darker tone. A prime example is Checkmate; issue #1 featured a team of superpowered spies infiltrating a Kobra base and leaving no survivors (with the Badass heroine of the series, Sasha Bordeaux, shooting the Kobra Big Bad dead, execution style). The series muted its violence considerably after the first half-dozen issues.
 * While not generally darker and edgier as a whole, the DCnU titles are divided into groups, such as "Batman", "Superman", "Justice League", etc. Two of the groups are known as "The Dark" (supernatural titles) and "The Edge" (titles about anti-heroes).
 * The new Wolverine-led X-Force team, now reborn as the X-Men "black ops" team. Where everyone wears black leather and has red eyes, and there is much growling and slashing had by all. I mean, look at them. LOOK AT THEM.
 * To put it in perspective: the original X-Force itself was a Darker and Edgier version of New Mutants and X-Men for that matter. To make a team that saw its heyday during The Dark Age of Comic Books seem Lighter and Softer in comparison is... something.
 * Marvel even parodied how dark the series was, reprinting the first three issues with a variant cover showing puppies and rainbows coming out of wounds like blood.
 * Dare, a 1991 take on Frank Hampson's iconic British 1950s space explorer Dan Dare. The 1991 version was written for Toxic magazine by Grant Morrison, and illustrated by Rian Hughes. Dare awakes in the 1990s to find that Britain has become a capitalist society, and that a thinly-disguised parody of Margaret Thatcher has sold Britain to the evil Mekon. During the course of the story all of the main characters are killed - Digby even has his arm blown off - and the final edition ends with Dare blowing up London with a nuclear bomb.
 * The League of Extraordinary Gentlemen is a Darker and Edgier take on all Victorian literature, though said literature was hardly light and fluffy to |begin with.
 * Parodied extensively in the Belgian comic Kiekeboe, where in one issue, The Simstones, a character from the comic buys the publishing rights to the comic (very meta) and introduces a darker and edgier style.
 * Marvel Year In Review 1993 parodied this in their own titles, by taking characters that this had been done for, and then making new characters that turned it Up to Eleven:
 * Spider-Man -- Venom -- Carnage -- Bile (Cannibalistic madman with the proportionate strength of a spider)
 * Captain America (comics) -- U.S. Agent -- The Patriot Missile ("Blow all them foreigners to hell and let God sort 'em out!")
 * Thor -- Thunderstrike -- Godhead (Convinced he is God. Holed up in his compound, waiting for Ragnarok)
 * Wolverine -- Sabertooth -- Clawjaw (Unhousebroken, uncontrollable killing machine with poor bodily hygiene)
 * Iron Man -- War Machine -- Terror Device (High-tech armored Avenger with two attitudes and Plausible Deniability)
 * Green Hulk -- Gray Hulk -- New Green Hulk -- Red Hulk (Intelligent rampaging monster with a big gun and razor-sharp claws)
 * New X-Men: Academy X. After House of M, the title was hit by Darker and Edgier hard, but the change was especially marked in contrast with the first half of the series. Under Weir and De Filippis, the book was fairly light-hearted fluff that focused on relationship drama. When Kyle and Yost took over, dozens of students were immediately blown up, and everyone else was left traumatized by their failed rescue attempts. Then a main character was shot in the head and killed. And another main character betrayed the team, was mutilated, and died. They were replaced by a former assassin Tyke Bomb. Succeeding plotlines saw the entire team sent to HELL, one of them tortured and spending a lot of time crying herself to sleep, and so forth and so forth. In fact, most of Kyle and Yost's work falls under this trope. See also: X-Force, mentioned above.
 * Now they're going to do it to Superman. The announced reboot of Superman in the 'Earth One' title is listed as being darker, sexier, and moodier.
 * Not really, the reboot, is only going to change smaller details in the Superman's universe. Like Lois and Clark not being married anymore. They aren't going to make the blue boy scout, too dark, as the descriptions for the reboot, were only to get people talking about it.
 * DC's Vertigo Comics imprint revolves around material intended for mature audiences. After the success of Swamp Thing, Doom Patrol, Hellblazer, Shade the Changing Man, and Animal Man, all of which starred fairly obscure characters from established DC canon, there were a few misfires - up to an including a brooding, psychological take on Brother Power, the Geek. For the uninitiated, Brother Power is a human-sized hippie rag doll given life and super strength by magic sunshine who once ran for a U.S. congressional seat and was last seen orbiting the Earth. Someone tried to make that serious.
 * Similarly, Grant Morrison himself tried to revive Kid Eternity in a darker and edgier fashion. Kid Eternity was a demi-angel who could summon the spirits of dead famous people. All told, it actually worked out surprisingly well; the miniseries sparked a (short-lived, but still) ongoing by Ann Nocenti, if that's any indication.
 * Sonic the Comic is this to the games at the time it was being produced, and Sonic the Comic Online is this to the source comic.
 * Archie Comics Sonic the Hedgehog seems to be becoming this, as Dr. Eggman very nearly killed off a Freedom Fighter (with a REAL machine gun turret). If it weren't for Sonic going back in time 10 seconds and saving them, almost all of the Freedom Fighters don't seem to be doing any better in the comic's latest issues.
 * Parodied in issue #10 of the old Chip 'n Dale Rescue Rangers comic book. In it, the Rangers are brought to the set of a movie featuring a dark-and-gritty version of, of all things, a superhero squirrel puppet who originally appeared in a Sid and Marty Krofft Productions-type children's show. The character's creator is shown working as the movie's creative consultant and is not at all happy with the way the movie portrays his creation.
 * Supreme Power is a darker and edgier reimagining of the original Squadron Supreme.
 * Archie Comics, surprisingly enough, has done this occasionally:
 * Life With Archie: The Married Life presents stories from the "future" in which Archie has grown up and gotten married, and now has more realistic, adult-sized problems to deal with.
 * The original Life With Archie series (1958-1991) featured longer, more "adventure" oriented stories than the typical Archie titles, including elements like five-alarm fires, attempted kidnappings, and... mysterious Satanic boxes that melt people's faces off.
 * The above story wasn't even the only Archie comic to feature face-melting action. From 1972 to 1974, Archie published a Sabrina the Teenage Witch spinoff, Chilling Adventures in Sorcery as Told By Sabrina. It had the odd combination of straight-up horror stories with art in the familiar Archie house style. One story in particular stands out, featuring a boy who teases a stutterer at school. The kindly teacher happens to be a witch, and gives him an enchanted book that melts his face off, and possibly kills him! The story probably violated several rules under the Comics Code, but somehow gained the CCA seal of approval (perhaps because Archie pretty much ran the CCA?)
 * And then there's the "Archie Horror" imprint, which in the mid-2010s published titles featuring the Archie characters as horror monsters: Afterlife with Archie (zombies), Jughead: The Hunger (werewolves), Vampironica (vampires), and Chilling Adventures of Sabrina (not-nice witches).
 * Paperinik New Adventures is a rare case of this done well. Those stories are way darker than the ones on "Topolino" (the Italian magazine where it is usually published): Paperinik stops fighting the Beagle Boys to defend the Earth from aliens, time travelers and crazy A Is, creating a new roost of supporting cast and using weapons which are much more powerful. However, he remains a very optimistic hero, and the comic gives us several funny and heartwarming moments to balance the mood.