The Lion King



"Nants ingonyama bagithi Baba Sithi uhm ingonyama"

- isiZulu chorus, "The Circle of Life"

The most financially successful film in the Disney Animated Canon, The Lion King tells the story of Simba, a lion who is heir of the African Pride Lands. After his father, Mufasa, dies, his uncle Scar tells him it's all Simba's fault, ordering him to run away.

Simba subsequently runs away from the Pride Lands, and is found and rescued by Timon and Pumbaa, a meerkat and warthog duo who raise him under the philosophy of "Hakuna Matata" -- "no worries". Many years later, Simba meets an old friend from the past, and realizes that he must return to reclaim his dying kingdom.

A plot described by some as Hamlet and Macbeth with Talking Animals. The sequels seem to follow the Shakespeare trend, as The Lion King II: Simba's Pride is Romeo and Juliet and Macbeth With Talking Animals In Africa and The Lion King 1½ resembles Rosencrantz and Guildenstern Are Dead, a much more recent play and Perspective Flip of Hamlet. Timon and Pumbaa also star in a spin-off animated series, imaginatively named Timon and Pumbaa, which was vastly different in tone and setting from the original movies, doesn't fit into canon, and has a tendency towards almost complete anthropomorphisation.

The video game adaptation for the Genesis and SNES (and others) was very well received, though notoriously hard beyond the first level.

A Screen to Stage Adaptation arrived on Broadway in 1998 and it was an instant smash hit that received much acclaim for its imaginative staging, musical numbers and general awesomeness, by director Julie Taymor.

Now has a re-release in Disney Digital 3D, which has become the first re-release of a movie since the 1997 re-release of Return of the Jedi to hit number one at the box office.

Original Film
"Simba: But you're not scared of anything! Mufasa: I was today. Simba: You were? Mufasa: Yes. I thought I might lose you."
 * 3-D Movie: In September 2011.
 * Actor Allusion:
 * James Earl Jones and Madge Sinclair played an African king and queen in Coming to America as well.
 * Zazu is a royal advisor played by Rowan Atkinson. It seems the makers of this film are fans of Blackadder.
 * When Scar says "You have no idea," in response to Simba telling him he's weird, it's said with the exact same intonation as when Claus von Bülow says it in Reversal of Fortune. Both characters were played by Jeremy Irons.
 * Adult Fear: Discussed.

"Young Simba: But I can't marry her. She's my friend! Young Nala: Yeah, it'd be so weird."
 * Accidentally Accurate: There are some scenes where Simba is swimming and enjoying the activity, while Nala didn't. For many, Nala's reactions was common since many wild cats, like Lions, don't often enjoy bathing in water. However, since the film's release, there has been cases where lions will go for a swim, most of the time in order to find food. Keep in mind, Simba is a lion and he's okay with water... so Disney was right about this one.
 * Aerith and Bob: The hyenas: Shenzi, Banzai and Ed.
 * All-Star Cast
 * Alternate Animal Affection: It's hard to draw realistic lions kissing, so crossing necks will have to do.
 * Alternate Ending: The original ending to the movie would've had Scar actually throw Simba off Pride Rock at the end of the fight (after Simba tries to save his life). Scar then dies laughing hysterically as the fires surrounding Pride Rock engulf it, burning him to death. Simba survived the fall (ironically meaning Scar throwing him off Pride Rock saved his life) and then meets up with Nala after the fires are put out. This was changed as the filmmakers felt this wouldn't have really brought Scar to justice for his actions.
 * Amusing Injuries: Zazu being tackled by Simba. Zazu being launched high into the air by a geyser. Banzai falling into a thorn pit. All three are notable for the other characters finding them funny as well as the audience: "Cactus butt!"
 * Animal Talk
 * Arranged Marriage: Simba and Nala; a rare happy one, although they're not too thrilled by the idea when they first find out.

"Zazu: (trapped) Let me out, let me out! Timon: (chased) Let me in, let me in!"
 * Artistic License Astronomy: There certainly seemed to be an inordinate number of shooting stars in the sky when Simba began making his triumphant return to the Pride Lands. (A few minutes earlier he had had a spiritual visitation from his late father, so who knows what to take literally?)
 * Artistic License: Biology:
 * Rafiki is a Mandrill with a tail of a Baboon and living in savannah instead of in the forest; Pumbaa is a reddish brown warthog that looks more like a big-headed pig than a warthog and which eats bugs instead of Real Life grass; Timon is an always-bipedal meerkat with human-like teeth and that says "Ugh, Carnivores!" even though he belongs to the order Carnivora as well; the Spotted Hyenas (Crocuta crocuta) that bear some resemblance with Striped Hyenas (Hyaena hyaena), with grey hair, large shaggy black manes, black ears and low-hanging head. And why are Giant Anteaters present in the "Just Can't Wait To Be King" scene, considered that Pangolins and Aardvarks were available for that (and they are just as amusing to draw?) And what about the Leafcutting Ants? Are all those examples of Rule of Cool, They Just Didn't Care or (hard to believe) Did Not Do the Research?
 * As for Pumbaa, warthogs, like any kind of pig, will eat bugs. Reality Is Unrealistic, after all.
 * Another example occurs during "Can You Feel The Love Tonight?". As Simba, trying to woo Nala, attempts to impress her with his agility, he does so by running off-screen and charging, full force, until he leaps at a convienietly-placed vine and gracefully swings off of it. Adult lions wouldn't be able to hold on to something as fragile as a vine before it snapped in half.
 * Attack! Attack! Retreat! Retreat!:

""We'll have food! Lots of food! We repeat! Endless meat!""
 * Award Bait Song: "Can You Feel The Love Tonight". ("Circle of Life" also earned nominations, but that one is the only that fits the "Award Bait" formula.)
 * "Hakuna Matata" was also nominated.
 * Babies Ever After: Simba and Nala's cub appears in the final scene.
 * Backstab Backfire: Scar would've won his last fight if he hadn't chosen to tell Simba who was really responsible for Mufasa's death. And he still might have survived it if he hadn't tried to blame everything on the hyenas (who were practically his only supporters at that point) before he ended up needing their help.
 * Batman Gambit: A particular talent of Scar's. He plays everyone like a fiddle because he knows them so well.
 * Battle Amongst the Flames: One of the most famous examples occurs at the end.
 * Beauty Equals Goodness: Who appears as the most beautiful between Mufasa and Scar (and between Simba/Nala and Shenzi/Banzai/Ed)? Averted with Pumbaa, who is ugly and stinky, but is extremely tender and caring.
 * Berserk Button:
 * Mufasa is level-headed and wise, until you mess with his cub...
 * Simba's last reservations about his status disappear when Scar hits his mother, which doesn't make him too happy.
 * Scar can't stand hearing Mufasa's name, to the point that he makes a law against saying it.
 * Pumbaa is called a pig, prompting him to say "Are you talking to me?! They call me MISTER PIG!" before attacking. However he doesn't mind when Timon or Simba call him one; it's just strangers.
 * Better Living Through Evil:

"Banzai: What were we supposed to do? Kill Mufasa? Scar: Precisely."
 * Beware the Nice Ones: See Berserk Button. Makes sense in this case, as you don't want to piss off a boar warthog.
 * Big Damn Villains: Simba may be too moral to kill Scar, but the hyenas are all too happy to rip him to shreds.
 * Big No: Twice by Simba. When Mufasa dies and when Simba finds out who did it.
 * Bilingual Bonus:
 * "Hakuna Matata" is a touristy phrase -- versus Hamna Shida -- translating roughly as "there are no worries" in Swahili.
 * The first line of Rafiki's chant is "Asante sana squash banana." In context, it doesn't mean anything, but "asante sana" is Swahili for "thank you very much." In addition, the second line does mean "You're a baboon and I am not".
 * The Zulu chants provided by Lebo M. certainly count as well.
 * Most of the characters' names are Swahili words: Simba ("Lion" or "Courageous Warrior"), Mufasa ("King"; in Manazoto rather than Swahili), Pumbaa ("Simpleton"), Nala ("Gift"), Rafiki ("Friend"), Shenzi ("Savage") and Banzai ("Skulk").
 * Banzai counts for it twice as it's also a Japanese word which has different meanings depending on the context of the sentence, but which sometimes translates to "Forever", among other things, again depending on the context in which it's being used.
 * Biting the Hand Humor / Self-Deprecation: Zazu starts to sing "it's a small world". Scar freaks out and demands him to sing anything else but that. Even funnier, in the Broadway show, Zazu may sing "Be Our Guest" from Beauty and the Beast or "Supercalifragilisticexpialidocious" from another Disney movie that has become a successful Broadway musical.
 * Black and White Morality: A Disney hallmark after all...
 * Bloodless Carnage: Mufasa's body seems to be in pretty good condition for someone who had just been thrown off a cliff and trampled to death by a stampede of wildebeest.
 * Scar and Simba duke it out with claws extended but neither has any sign of injury after.
 * Averted when Simba slashes Shenzi's face, leaving three clear and bloody marks.
 * Blunt Yes:

""Well, as far as brains go, I got the lion's share, but when it comes to brute strength, I'm afraid I'm at the shallow end of the gene pool.""
 * Bond Villain Stupidity: Scar could have avoided all this trouble if he had just killed Simba himself rather than sending him running off and delegating the killing to the incompetent hyenas, although that would have included the danger of him being seen or found out. More obviously, Scar telling Simba that he killed Mufasa, which gave Simba both the determination and the support of the pride that he needed to win.
 * Book Ends: The film begins with Mufasa's cub Simba presented to the kingdom. It ends with Simba's cub similarly presented, both accompanied by the same song, "The Circle of Life".
 * Played a bit screwy, to the point of being turned completely inside-out, in the middle of the song "Hakuna Matata": "It means no worries for the rest of your days" is Simba's final line as a child, and first line as an adult; his youth in the movie ends the same way his adolescence begins.
 * Brains Evil, Brawn Good: The strong and noble Mufasa, (and later Simba) vs. the Lean and Mean Scar, who even lampshades it.

"Pumbaa: And I got down-hearted... Timon: How did you feel? Pumbaa: Every time that I- Timon: (claps hands over Pumbaa's mouth) HEY, PUMBAA! (looks right at the fourth wall) Not in front of the kids! Pumbaa: (also looks) Oh! Sorry."
 * Breaking the Fourth Wall: In the middle of Hakuna Matata, Timon and Pumbaa do this (though they might have actually been looking at Simba).

"Nala: Have you guys seen Simba? Timon: I thought he was with you. Nala: He was but now I can't find him. Where is he? Rafiki: [chuckles] You won't find him here. The King has returned. Nala: I don't believe it. He's gone back. Timon: What? [looks up and sees Rafiki has disappeared] Timon: Hey, what's going on here? Who's the monkey? Nala: Simba's gone back to challenge Scar. Timon: Who? Nala: Scar. Pumbaa: Who's got a scar? Nala: No, no, no. It's his uncle. Timon: The monkey's his uncle?"
 * Simba gets in on the act a second later as he seems to have been looking at the fourth wall as well in response to the above exchange, but it's up to the viewers on that one.
 * Briar Patching: Scar tempting Simba to visit the elephant graveyard.
 * Brick Joke: Arguable, and possibly unintended. Early on, Scar said that he would be a monkey's uncle when Simba becomes king. Later, when Nala is looking for Simba after he's left for Pride Rock to become king we have this conversation.

"Timon: Gee. He looks blue. Pumbaa: I'd say brownish-gold. Timon: No, no, no. I mean he's depressed. Pumbaa: Oh."
 * Broken Aesop: In-universe. Simba's new lesson of "Hakuna Matata, forget your worries" results in him running from his problems and thus shirking his duty as king.
 * Another in-universe, Rafiki teaches Simba that it's okay to make mistakes as long as you learn from them. Simba decides to quit running and forgives himself before confronting Scar. Despite putting his guilt behind him, Scar turns his family against him and Simba quickly falls victim to his guilt yet again. No one rallies behind him until Scar admits he killed Mufasa.
 * Bros Before Hoes: Timon and Pumbaa are firm believers, which is why they're more than a little upset when Nala comes along to break up the trio.
 * Butt Monkey: On one side of the power struggle is Zazu, who starts out as Mufasa's PR guy and constantly finds himself at the butt of Simba's antics. After Scar takes over, he is reduced to a court jester and is almost eaten by the hyenas on several occasions. And on the other are the three hyenas, especially Banzai, who gets claw-marks and thorns in his butt.
 * Cain and Abel: Mufasa and Scar.
 * Carnivore Confusion: Solved by having Simba eating bugs, a Truth in Television since real lions are happy to eat them if necessary. Averted when Nala stalks and nearly kills Pumbaa, but then backs off when she has her reunion with Simba. With no recourse at all, the movie "solves" these troubling issues by Lampshading and then ignoring them.
 * Cheated Angle: Pride Rock is always seen from the left, except for one shot at the very beginning of the film.
 * Chekhov's Gun: "Ha! Pinned ya!" Serves as a Something Only They Would Say moment later.
 * Childhood Friend Romance: Simba and Nala.
 * Circling Monologue: Scar circles Simba during the end while blaming him for Mufasa's death. Almost works. On the other hand, the Hyenas' one around Simba and Nala doesn't work at all.
 * The second example might have been more effective if the hyenas weren't distracted by their own Hurricane of Puns.
 * Cliff Stack: At least once, to great effect.
 * Comically Missing the Point: This exchange:

"Mufasa: You deliberately disobeyed me. Simba: I was just trying to be brave, like you. Mufasa: Being brave doesn't mean you go looking for trouble."
 * Timon and Pumbaa's worry-free lifestyle is based on the motto "Hakuna Matata". They may have missed the fine print that said the phrase only tells you not to worry in a given situation- you still need to face your problems.
 * Coming of Age Story
 * Conspicuous CG: The wildebeest from the stampede were cel-shaded to avert this. Compared to other mixed CGI-in-handrawn-animation examples, this one still holds up pretty well after all these years.
 * Continuity Snarl: Primarily from the obscure book series The Six New Adventures Of The Lion King, which came out after the first movie, but before Simba's Pride. The series added the character of Simba and Nala's son, a cub named Kopa, some other cub characters to Mufasa's original pride, the story of how Scar got his scar, as well as named Mufasa's parents and grandfather, and Scar before he got his scar. Since Kopa has since been Retconed into Kiara in Simba's Pride, the extent to which Six New Adventures is considered canon is hotly debated amongst some fans, and has resulted in much Wild Mass Guessing and cries of Fanon Discontinuity. Also, the animated series gave a different (and fairly moving) version of Timon and Pumbaa meeting than 1½.
 * Convection, Schmonvection: The "Be Prepared" sequence seems to have happened in a lava hotspot.
 * Cradle of Loneliness: Simba briefly makes Mufasa's body cradle him just after Mufasa's death.
 * Crush Parade: Mufasa saves Simba from this, but gets knocked away. Simba looks on at the stampede in horror, but then Mufasa emerges and climbs up the cliff to meet Scar, who throws him off and sends him falling back down to it.
 * Crying Wolf: Subverted. Simba says to Scar "Why should I believe you? Everything you ever told me was a lie." Technically, however, it's really more along the lines of VERY skillful equivocation.
 * Curse Cut Short: "Why do I always have to save your- AAAHHHH!"
 * Cut Song: Several. A Dark Reprise of "Be Prepared", "Warthog Rhapsody" (an alternate Timon and Pumbaa song), "Thanks To Me" (the original version of "Be Prepared"), "The Lion in the Moon" (a lullaby sung by Sarabi), and "To Be King" (sung by Mufasa and cut because people thought James Earl Jones as a singing lion would be unintentionally funny). "The Lion Sleeps Tonight" was supposed to be in the movie in its entirety, but Timon and Pumbaa end up singing only a couple of lines of it during the final version.
 * Dark Chick: Shenzi.
 * Darker and Edgier: Compared to other Disney films of the period. It is, in fact, a very tense, pathos-filled drama rather than the usual fairy tale romantic comedy.
 * Deadpan Snarker: Scar, Nala, Timon, and Zazu.
 * Desert Skull: As Simba returns to the Pridelands, he finds it riddled with wildebeest skeletons to show how Scar's rule has ruined the land. At the end, as Simba returns to power, there's a brief shot of a skull being washed away by the rain, to symbolize the end of the old regime.
 * Deranged Animation: A vast majority of "I Just Can't Wait To Be King"'s backgrounds employ this.
 * Did Not Do the Research: Some anteaters are shown in the "I Just Can't Wait To Be King" sequence, but anteaters are not found in Africa; they live in South America.
 * Same goes for the leaf-cutting ants seen at the beginning.
 * Also averted combined with What Could Have Been - the movie was originally going to be called King of the Jungle and be about African lions living in the jungle. This idea was dropped when the production staff realised that lions don't actually live in the jungle.
 * Disappointed in You:

"Scar: My friends. Shenzi: Friends? I thought he said we were the enemy."
 * Disney Acid Sequence: "I Just Can't Wait to Be King". Justified this time, because the directors wanted to capture Simba's perspective during the song.
 * Disney Death: Averted. Mufasa is quite definitely Killed Off for Real.
 * Does This Remind You of Anything?:
 * Goose-stepping hyenas. The scene was based off of the Nazi propaganda film Triumph of the Will, from the 1936 Olympics in Berlin.
 * Besides, in the end of the "Be Prepared" sequence there is a giant crescent moon in the background. Unfortunate Implications indeed.
 * The Japanese TV show Janguru Taitei "Kimba the White Lion" has no similarity with the Lion King whatsoever... None...
 * The king's brother overthrowing (and killing) him, and the prince is persuaded by the ghost of his father?
 * The Dog Bites Back: Near the end, Scar attempts to pin everything on the hyenas not knowing that they're there listening to him say it. This works out for him about as well as you'd expect.

""Simba, it's to die for." "If it weren't for you, he'd still be alive." "If it weren't for you, Mufasa would still be alive! Do you deny it?""
 * A Dog Named "Dog": Simba the simba.
 * The Dragon: Shenzi. Quite possibly Dragon with an Agenda (See Better Living Through Evil above.)
 * Co-Dragons: Though Shenzi as the leader makes sense considering her species, Scar seems to refer to the three as equal rank for the most part. Banzi at one point even goads Shenzi to go after Simba, even if she scoffs at it.
 * Dramatic Spotlight: On Simba, then Timon and Pumbaa, during the song "Hakuna Matata".
 * Also Natural Spotlight on Pride Rock when cub Simba is shown to the masses. The sun's timing is impeccable.
 * Dynamic Entry: The hyenas chase Simba and Nala to a corner of the elephant graveyard. As they calmly close in for the kill, little Simba suddenly feels brave enough to "roar", which they find laughable. The second roar, however, is considerably more startling to them.
 * Earn Your Happy Ending
 * Equal Opportunity Evil: What Scar offers to the hyenas.
 * Extremely debatable. As is argued in this Cracked article, Scar seems to have been offering the hyenas true equality in the Pride Lands. While other animals, including the carnivorous lions and cheetahs, could roam and hunt freely, the hyenas were all slowly starving in "that shadowy place." The only "evil" aspect of this plan would be that the hyenas' hunger was being manipulated by Scar as to place himself on the throne.
 * Epic Movie: Arguably Disney's most well known example from their animated films.
 * The Epic: Essentially, this film is a straight up classical one.
 * Even Evil Has Standards: After Scar takes over Pride Rock and drives everything to ruin and starvation, the hyenas become resentful of him, because they, too, are starving (see Equal Opportunity Evil above).
 * And at the end, when Scar inadvertently betrays them,.
 * Evil Is Burning Hot: Fires set the stage for Simba's final battle with Scar. For some reason there's unexplained volcanic activity during the Villain Song.
 * Evil Will Fail: Even if Simba hadn't shown up and pulled a Rightful King Returns, Scar's rule over the lion pride would have collapsed anyway since he'd driven the pridelands to the point of ecological ruin.
 * "Falling in Love" Montage: "Caaaaaaaaaaan you feeeeeel the looooooooove toniiiight...?"
 * Family-Unfriendly Death: Scar's death, although technically off-screen. Mufasa's death is scary but not quite traumatic...until we get to see little Simba crying over his dead body. At length.
 * Family-Unfriendly Violence: Scar and Simba's brief no-holds-barred beatdown, and Mufasa's death as implied (but not shown).
 * Floating Head Syndrome: Mufasa in the cineplex posters. This is a unique case of it pertaining to the events of the story.
 * Follow the Leader: Many concepts, compositions and characters are notoriously similar to that of Osamu Tezuka's Kimba the White Lion. Whenever a member of The Lion King production team speaks on the matter, the claim is usually that they hadn't heard of Kimba. In the case of some individuals working on the film this may even be true, but to assert that no one one the film's huge production team had ever heard of Kimba is iffy at best. This is not helped by the fact that some early production reels depicted Simba as a white lion, and there are several claims of people on staff mistakenly calling the film a remake of Kimba, or calling Simba by that name.
 * Forbidden Fruit: The elephant graveyard.
 * Foreshadowing: At the climax of "I Just Can't Wait to be King" when the tower of animals collapses, it can be interpreted as foreshadowing how Simba's whole self-image is about to come crashing down thanks to Scar's frame-up.
 * For the Cel of It: The wildebeest from the stampede sequence are CGI, but cel-shaded to look like traditional animation.
 * Frame-Up and False Confession: After Scar kills Mufasa, he gets Simba to believe he's responsible, leading to Simba's running away. Simba believes this until the Just Between You and Me moment in the final act, even to the point of confessing himself to his mother and the rest of the pride.
 * Freeze-Frame Bonus: There's a famous myth that the dust clouds form the letters SEX for a split second. They actually spell SFX.
 * From a Certain Point of View: Almost nothing Scar says to Simba before or after the stampede is untrue, which has the dual effect of covering his ass and appealing to his twisted sense of humor.

""This is probably the most steamy love scene in a Disney film ever!" "Wooooooooooooooo!""
 * Full Boar Action: Pumbaa, once his Berserk Button is pressed one time too many.
 * Funny Background Event: Pay attention to Timon and Pumbaa in the background during young Simba's solo in "Hakuna Matata".
 * Gasshole: Pumbaa.
 * Getting Crap Past the Radar: This.
 * Gilligan Cut: "A diversion? What do you want us to do, "
 * Glad I Thought of It: "When he grows up, maybe he'll be on our side."
 * The Good King: Mufasa. And Simba after his return to the Pridelands.
 * G-Rated Sex: At the end of "Can You Feel The Love Tonight". Surprisingly heavily implied, actually, and confirmed by Disney itself. From the DVD audio commentary narrated by directors Roger Allers and Rob Minkoff and producer Don Hahn:

""Well, the buzz from the bees is that leopards are in a bit of a spot. The baboons are going ape... I told the elephants to forget it, but they can't... Cheetahs never prosper"."
 * Hakuna Matata: Trope Namer.
 * A Handful for an Eye: Scar blinds Simba by kicking hot ashes into his face.
 * Held Gaze: Simba and Nala gaze deeply into each other's eyes at the end of their "Falling in Love" Montage of "Can You Feel the Love Tonight?" before nuzzling each other in a manner that resembles a kiss.
 * He's a Friend: Simba to Nala for Timon, Pumbaa.
 * Heterosexual Life Partners: Timon and Pumbaa... though both voice actors insist that they're the first openly gay couple shown in a cartoon.
 * Animal Ladder: Zazu at the end of "I Just Can't Wait to be King".
 * Hurricane of Puns: Zazu's morning report. The cut song has even more of them.

"Banzai: We could have whatever's... lion around! Shenzi: Wait wait wait. I got one. Make mine a cub sandwich. (Ed tries to get their attention) WHAT, ED?! Banzai: Hey, did we order this dinner to go? Shenzi: No. Why? Banzai: 'Cause there it goes! (Points to Simba, Nala, and Zazu running like crazy)."
 * Also, when the hyenas first meet Simba, they consider eating him, Nala, and Zazu.

"Simba: You don't deserve to live. Scar: But Simba...I am family."
 * But oddly enough, nothing about the mane course.
 * The Hyena: Three of them. Ed is the one that fits the trope the most.
 * Hypocrite:

"Shenzi: Ohhhh, that's your son! I didn't know he was your son. Did you, Banzai? Banzai: No, I had no idea. Both: Ed? Ed: (grins and nods excitedly)"
 * Idiotic Partner Confession: Provides the trope quote.
 * Also happens when Mufasa confronts the hyenas.

"Pumbaa: King? Your Majesty! I gravel at your feet. (begins kissing Simba's paw) Simba: (pulling it away) Stop that! Timon: It's not gravel, it's grovel."
 * I Kiss Your Foot: Pumbaa, after learning Simba is the king.

"Zazu: Sire, what is going on? Mufasa: A pouncing lesson. Zazu: Ah, very good... pouncing. (Turns back, Beat) (Realizes what he just said) POUNCING?! Oh, no, sire - you can't be serious! Oh, this is so humiliating."
 * Interspecies Friendship / Odd Friendship:
 * Mufasa with Zazu and Rafiki.
 * Timon, Pumbaa, and Simba.
 * Ironic Echo: "Run. Run away and never return."
 * Incest Is Relative: Debated by fans -- Scar and Mufasa are the only males in the pride, so who's Nala's father? Made more uncomfortable when Scar goes nuts in the Broadway production and tries to make Nala his queen. Made even worse than that when you know this was a scene cut from the film because it was too dark for kids.
 * I Was Beaten by a Girl: Simba is visibly frustated at being handily pinned by Nala in their scraps. He uses this fighting tactic to recognise her as an adult. He finally does pin her later on, but not in quite the same aggressive stance...
 * Just Between You and Me: Prompting Simba's Heroic Resolve / You Killed My Father reaction.
 * Just Desserts: Happens to Scar.
 * Just-So Story: Timon's theory about how stars form was actually confirmed in The Princess and the Frog.
 * King of Beasts: It is about lions.
 * Large Ham: Scar and Timon.
 * And Pumbaa. Well, the hyenas certainly see him as one.
 * The Last Bird Crosses The Finish Line: Zazu, even after being told by Mufasa to turn around, and obeying the order willingly, continues to ramble on before realizing that he's the target of Simba's pouncing lesson:

"Timon: Gee, he looks blue. Pumbaa: I'd say brownish-gold."
 * Left Hanging: Although an interlude in 'Hakuna Matata' explains why Pumbaa became an outcast, Timon's story was cut from the song for time. This is picked up in The Lion King 1½.
 * Let's Get Dangerous: Pumbaa and Rafiki.
 * Life Isn't Fair: Said by Scar in a creepy tone.
 * Like Brother and Sister: Shenzi and Banzai. One moment they ACT like brother and sister, but then they DON'T act like brother and sister. Are they Just Friends? In denial? It's another of the things fans of the film love to argue about.
 * Literal-Minded:

""Ed?"
 * Lying on a Hillside: Simba, Timon, and Pumbaa while looking at the stars.
 * Malaproper: Pumbaa, occasionally, for example saying "I gravel at your feet" instead of "grovel" and messing up Timon's saying "You've gotta put your past behind you" as "You gotta put your behind in your past". Timon corrects him both times.
 * Meaningful Echo: "Run, Scar. Run away, and NEVER return."
 * "Danger? Ha-ha! I walk on the wild side! I laugh in the face of danger!"
 * The hyenas echo themselves at the end, but with a much darker overtone:
 * insane laughter*"

"Pumbaa: Every time that I--! Timon: Hey Pumbaa! Not in front of the kids!"
 * Meaningful Name: Simba means lion in Swahili (and can also mean "courageous warrior").
 * Medium Awareness:

"Banzai: Yeah be prepared. For what? Scar: For the death of the king. Banzai: Why? Is he sick? Scar: No fool we're going to kill him. And Simba too."
 * Mighty Roar: Used a lot by the lions whenever they are about to do something awesome, though when Simba was a cub, his roar was an anticlimatic meow.
 * Misplaced Wildlife: South American Giant Anteaters and Leaf Cutting Ants; all the other fauna is properly from central Africa. Also a reference to cacti, but considering that the term in question is "cactus butt" it probably just sounds funnier than "thorn butt."
 * Mood Whiplash: Constantly. Perhaps most notably when we go from Mufasa and Simba's funeral and Rafiki crossing out Simba's outline to... bowling for buzzards! (But the comic relief was badly needed after the past few minutes).
 * More Than Mind Control: Timon and Pumbaa unwittingly sway the guilt-ridden Simba away from fulfilling his role in the Circle of Life by convincing him that nothing can be done about his trauma and indoctrinating him into their careless and slovenly "no worries" lifestyle to keep his mind off of the past and his duties. This has as much to do with his misplaced guilt as their influence.
 * My Name Is Inigo Montoya: Following the Heroic Resolve above.
 * Natural Spotlight: The king being held to the sky. There aren't even any clouds to justify the light slits.
 * Never Say "Die": Averted. There's a Villain Song about murdering the king and a child! And it isn't masked in the slightest. This is no doubt because all characters are animals, and not human beings.

"Shenzi: (to Simba) Like...you? Simba: Oops."
 * Nice Job Fixing It, Villain: Scar is being challenged by Simba's return, but he gets the pride turn against Simba by making him still believe he caused Mufasa's death. As he drives Simba towards the cliff, he decides to give a Just Between You and Me speech in which he tells him what really happened. This helps Simba shake off his guilt, and gives him his second wind against Scar.
 * Non Indicative Names: The hyena trio.
 * No Ontological Inertia: Scar is killed and within what must be roughly a lion's gestation period the Pridelands have gone from barren and burned back to Ghibli Hills.
 * Not So Harmless: For all his sniveling, Scar is still perfectly able to go toe-to-toe with Simba in the climax. Even more evident in the deleted ending, which is more along the lines of a Curb Stomp Battle in his favor.
 * A bit out of place considering that he groans about getting the brains and none of the brawn in the beginning, but even if he only just lost his psychological advantage to Simba, Mufasa was not around to really show Simba how to defend himself and do much for hunting, so he might not know how to use his brawn as effectively as Mufasa did. Plus, Simba's diet has consisted in bugs for the past how many years?
 * Odd Name Out: On a grand scale. All members of the main cast have African names (except Scar). (Scar's real name is Taka, which means "trash"). The only one to have a more European sounding name is Ed. He also seems to be mentally retarded (either that or completely off his rocker...maybe both), make of that what you will.
 * As mentioned in Bilingual Bonus, Banzai's name is also a Japanese word, though it's possible the writers either didn't know, didn't care, or just decided to Throw It In anyway because most people wouldn't care even if they noticed since the film was set in the African savannah and jungles.
 * Oh Crap:
 * Scar, realizing he's about to be killed by his former mooks.
 * Rather oddly this was shortly after provoking one from them after realising they didn't finish Simba off.
 * Also, said mooks after realizing why calling Pumbaa a pig wasn't the brightest thing to do.
 * Simba, at the start of the stampede. One of the rare examples of Oh Crap not being funny, but a dark kind of awesomeness.
 * And Mufasa, when he realizes his son is in the middle of a wildebeest stampede, as well as he finally realizes how insane, dangerous, and power-hungry his brother is when he kills him.
 * The hyenas when they realized that Mufasa arrived.
 * Before that, after Simba confidently laughs in the face of danger, he gets this reaction after he hears danger (i.e. the hyenas) laugh back.
 * Pain-Powered Leap: Banzai the hyena jumps about 30 feet into the air after he is knocked into a bramble thicket by the other hyenas.
 * Pale Females, Dark Males: Nearly all the lionesses are lighter compared to the lions, except Sarabi.
 * Perma-Stubble: All male hyenas have dark patches around their muzzles that look remarkably like stubble. It's one of the few things that distinguish them from the females. In The Lion King 1½, there is another female hyena -- you can tell because she has no stubble and a thick tuft of fringe.
 * Pick on Someone Your Own Size: Simba yells this at the hyenas when they start picking on Zazu. Turns out, it wasn't a very good idea.

"Scar: I will be king! Stick with me, and you'll NEVER GO HUNGRY AGAIN!!!"
 * Pop Star Composer: Elton John.
 * Pre-Mortem One-Liner: "Long live the king".
 * Prodigal Hero: The film follows this with Simba, invoking Rightful King Returns since he was royalty before fleeing.
 * Punch Clock Villain: Although they have a grudge against the lions, the hyenas are primarily in this just for the food.
 * Punctuated! For! Emphasis!: As Scar is about to throw Mufasa to the stampede, he delivers the line "Long. Live. The king."
 * When he has Simba in a similar situation towards the end of the movie, he whispers "I. Killed. Mufasa."
 * Pumbaa's Pre-Ass-Kicking One-Liner in response to Banzai calling him a pig. "They! Call! Me! MIS-ter Pig!"
 * Scar again, when Simba has him cornered towards the end of the movie. "But Simba, I... am... family!"
 * Putting on the Reich: The hyenas goose-stepping in grid formations. The animators based the sequence on The Triumph Of The Will. On top of that, Scar's rhetoric is right out of Hitler's mouth:

"Simba: You said you'd always be there for me! But you're not. It's because of me. It's my fault. It's my fault."
 * Quirky Miniboss Squad: The hyena trio. Although they're unusually frightening, effective villains for this trope.
 * Rage Against the Mentor / Rage Against the Heavens: Simba briefly has this towards his dead father, before it turns into rage against himself.

"Simba: When I'm king, what does that make you? Scar: A monkey's uncle. ... Nala: No, no, no, it's his uncle. Timon: The monkey's his uncle?"
 * Ragtag Band of Misfits: The group to take back the Pride Lands: Simba, Nala, Timon, Pumbaa and eventually Rafiki.
 * Redemption in the Rain: When Simba climbs Pride Rock at the end, it begins to rain. A clear case of the rain being "purifying" and symbolizing new life, as the sequence includes a gazelle's skull being dislodged and washed away.
 * The Renaissance Age of Animation
 * The Resenter: The hyenas, toward the lions. Scar also resents his brother.
 * They Call Me Mister Tibbs: When Simba says "Banana Beak is scared", Zazu says "It's MISTER Banana Beak to you, fuzzy!"
 * Pumbaa does NOT like being called a "pig", and when the hyenas do so towards the end, he says "They call me MISTER PIG!" before kicking their butts.
 * Ribcage Ridge: The elephant graveyard.
 * Rule of Symbolism: There are quite a number of Christian parallels, which is unsurprising considering lions being associated with God and Jesus for centuries. There's Simba's apparent resurrection--Nala says to him "It's like you're back from the dead" and is informed "The King has returned" in a manner rather reminiscent of Mary Magdalene in the garden with the open tomb, and both Scar and Sarabi think he is his father come back from the dead. There's the Fisher King analogy, with Simba's fight with Scar being easily related to Jesus combating Satan after his Second Coming. There's Simba's anointment by Rafiki, his reluctance to do his father's will, and Mufasa's divine image declaring Simba his son and the true king.
 * Running Gag: Simba's complete inability to beat Nala in a fight. It's even given a Continuity Nod in the sequel.
 * Scenery Porn: The movie is packed full of it, especially during "The Circle of Life".
 * Second Coming: Simba returns to the pride he left to despose his uncle Scar as the rightful king.
 * Seldom-Seen Species: Several, most famously Timon the meerkat. Most people in the Americas had no idea what a meerkat was before this film was released.
 * Sequel Hook: The birth and presentation of Simba and Nala's cub at the end.
 * Shout-Out: "THEY CALL ME MR. PIG!!!"
 * Sickly Green Glow: The song "Be Prepared".
 * Sidekick Song: "Hakuna Matata".
 * Sketchy Successor: After Mufasa is killed in The Lion King, Scar takes over, and promptly turns the Ghibli Hills savannah into a desolate ruin. The Lion King is, according to Word of God, based off Hamlet.
 * Slasher Smile: One of the hyenas during Scar's final scene, complete with Blank White Eyes.
 * Sliding Scale of Anthropomorphism: Animals are anthropomorphised to varying extents. This even varies with animals of the same species -- compare Timon with the meerkats that appear in the opening of "Circle of Life".
 * Something Only They Would Say: A non-verbal example occurs when Simba first encounters Nala as an adult. When she pins him, he realizes her identity.
 * Species-Coded for Your Convenience: Lions are good, hyenas are evil.
 * Spell My Name with an "S": Is Pumba(a)'s name spelled with one or two A's? Official media uses "Pumbaa".
 * Strange Minds Think Alike:

"Pumbaa: And I got down-hearted... Timon: How did you feel?! Pumbaa: Every time that I-- Timon: Hey, Pumbaa! Not in front of the kids!"
 * Subverted Rhyme Every Occasion:

"Pumbaa: It's our motto! Simba: What's a motto? Timon: Nothing, what's a-motto with you?"
 * Take That Us: Zazu sings "it's a small world" and Scar interrupts him saying "NO! No! Anything but that!" This is actually a bit of Disney humour; they've been going Take That Us about "Small World" for years.
 * Tastes Like Chicken: Timon eating a grub as big as himself in the middle of "Hakuna Matata".
 * Terrible Trio: Shenzi, Banzai and Ed; also Quirky Miniboss Squad.
 * Tertiary Sexual Characteristics: Shenzi -- her eye patches are shaped like heavily applied eyeshadow, her mane extends to having bangs and a fringe, and she lacks the Perma-Stubble that both Banzai and Ed sport. Well, you have to be able to tell her from the guys somehow...
 * They Died Because of You: Right after murdering Mufasa, Scar tells Simba that he's responsible for Mufasa's "accidental" death.
 * Think of the Censors: "Pumbaa! Not in front of the kids!"
 * This Cannot Be!: "Mufasa? No. You're dead."
 * That's subverted; we know Scar's right about that. Earlier in the film, he shoved his brother to his death. He just said that because he mistook Simba for Mufasa until he revealed who he really was to his mother.
 * Except if he HAD pretended to be Mufasa, he could've scared Scar long enough to finish him off. But where's the fun in that?
 * This Is Gonna Suck: After Simba gets busted by his dad at the elephant graveyard, Mufasa says that he needs to teach his son a lesson, and Simba cowers. Simba takes his time coming to his father's side, earning himself a First Name Ultimatum.
 * This Is Unforgivable!: Simba says "You don't deserve to live." to Scar as soon as he corners him after hitting him with a "Murderer" in which Scar responds to with "Simba, Simba, please. Please have mercy. I beg you."
 * Throw It In: Nathan Lane supposedly ad-libbed some of his dialogue, including the "hula" line.
 * Tomboy Princess: 90's-era Disney movies were known for these, and Nala is arguably the best example.
 * Tree Cover: Timon and Pumbaa manage to completely conceal themselves behind a tree that's one-third Pumbaa's width.
 * Truck Driver's Gear Change: For the last verse of "I Just Can't Wait to be King".
 * The Unintelligible: Ed the Hyena, although this trope uses laughter instead of the usual mumbling.
 * Unresolved Sexual Tension: Timon and Pumbaa, depending on your personal interpretation...
 * Vegetarian Carnivore: A young Simba turns insectivore at the behest of his two animal friends. Just let go of your worries, and you too can grow big and strong on a morally-appropriate diet of creepy crawlies!
 * Vertigo Effect: During the wildebeest stampede.
 * Villain Song: The extremely badass "Be Prepared" (also a Villain Recruitment Song for the hyenas).
 * What's a Henway?:


 * What Song Was This Again?: "Be Prepared" gets changed a lot in foreign language dubs.
 * A World Half Full: An excellent example given how dark some of the film can be. Simba loses his father and is convinced by his uncle that it was his fault. He goes into exile for many years but eventually overcomes his guilt and goes back to depose his uncle and take his place. He ends up triumphing and everything his uncle ruined begins to come back together.
 * Xanatos Speed Chess: A talent of Scar's although he ultimately does it a little too much.
 * X Meets Y: The movie was called during production, and is still sometimes called 'Bambi meets Hamlet with Lions in Africa' (or alternatively, 'Bambi meets Hamlet meets Kimba').
 * You Killed My Father: "Murderer!"

Simba's Pride
"Zira: This is for you, Scar!"
 * Accidental Kiss: Between Kiara and Kovu.
 * And This Is For:

"Zira: It's over, Simba! I have dreamed of nothing else for years! Timon: Boy, does SHE need a hobby..."
 * Artistic License: Biology: During "Upendi", Rafiki gives Kiara a passionfruit (and tries to give one to Kovu), which she swallows happily. In Real Life lions are carnivores, and cannot digest fruits.
 * Avenging the Villain: Zira's goal.
 * Beauty Equals Goodness: Justified, since the Outlanders are only skinny and sunken-eyed from not getting enough to eat. After being accepted into Simba's pride, they're shown with the same build as the Pridelands' lionesses.
 * Best Served Cold: Zira's attitude towards revenge.

"Zira: You betrayed your pride! Betrayed Scar! Kovu: I want nothing more to do with him!"
 * Bilingual Bonus: Like the original Lion King, there's quite a bit of Swahili. Kovu means "scar". Zira is the verb radical of hate. Vitani is similar to Shetani, meaning Devil. Kiara means "princess" in Swahili. Upendi means love (noun form).
 * Call Back: During one of Kiara and Kovu's romantic moments, Kovu licks Kiara in a very similar manner to the way Nala did to Simba in the first movie. Before that, Nala pins down Simba in a way that recalls their childhood.
 * Calling the Old Man Out: Kiara tries to do this several times to her Overprotective Dad, but it never seems to take until Simba banishes Kovu, resulting in "You will never be Mufasa!" Also, Kovu kind of calls the old lady out:

"Now, the past I've tried forgetting And my foes I could forgive. Trouble is, I know it's petty, but I hate to let them live!"
 * Continuity Nod: Kovu accidentally channels Scar through his reflection, same way Simba channels Mufasa.
 * Kovu doesn't take this well.
 * Cult: The Outsiders are the Cult of Scar.
 * Dark Chick: Most of the Outsider lionesses are Dark Chicks, but Vitani is the most prominent.
 * Disney Acid Sequence: "Upendi" is Rafiki's How-To-Guide to making a Disney Acid Sequence!
 * Embarrassing Rescue: Subverted with and played straight with Kovu saving Kiara.
 * Empathic Environment: The thunderstorm during the Final Battle.
 * Even Evil Has Standards: Zira's own followers defected to Simba after Zira threatened to kill her own daughter for refusing to participate in Zira's second attack.
 * Evil Is Petty: Mentioned in Zira's Villain Song.

"I've been exiled, persecuted, left alone with no defense. When I think of what that brute did, I get a little tense. (Assume "that brute" refers to Simba)."
 * Fartillery: Timon shotgun-pumps Pumbaa's tail and offers Zira's Amazon Brigade a facefull. They run away screaming.
 * Final Love Duet: "Love Will Find A Way".
 * Freudian Excuse: Zira expresses a very brief one at the beginning of "My Lullaby".

"Kovu: (to Kiara) Let's get out of here. We'll run away together! (wiggles his backside with a seductive voice) And start a pride all our own. (emphasis his)"
 * Good Scars, Evil Scars: Kovu ends up getting a scar identical to Scar's, but that happens after he's decided to become the mask. The song "Not One of Us" has the animals believing it's an evil scar.
 * Heel Face Turn: Kovu, and later on Vitani, who is the first lioness to realise Kiara is right.
 * Incest Is Relative: Averted at the last minute, after the production staff had an Oh Crap moment.
 * Inevitable Waterfall: In the "Upendi" song.
 * Also,.
 * Kissing Cousins: The creators of the sequel averted this in the middle of production realizing Kiara would have been in love with her cousin once removed. Instead, Kovu was Scar's protege, despite looking just like him which just brings up the question of who Kovu's father actually is...
 * Sort of a pointless worry when you remember that Nala's mother was Sarabi's (Simba's mother) sister.
 * Lady Macbeth: To add to the Shakespeare analogies, Zira is the late Scar's Lady Macbeth.
 * Love Makes You Evil: Zira's motivation is revenge for Scar's death. Well that's most of it, she's also got a chip on her shoulder from being exiled, but this is the main reason.
 * Love Redeems: Kovu switches sides due to his love of Kiara.
 * A Minor Kidroduction: Like in the first film, Kiara is shown as a cub in the beginning, but all that's shown are the events leading up to her meeting Kovu.
 * Mood Whiplash: Timon and Pumbaa really do not belong in this movie, as their only purpose is to ruin genuinely dramatic moments with non sequitor jokes. On a more positive, there's another dimension of Mood Whiplash, between Lighter and Softer moments and Darker and Edgier moments. Disney movies in general tend to have this, but this movie takes it even further than most, like when a cutesy song about all creatures being a big family is quickly followed by a Villain Song about revenge. That's a very deliberate tonal shift, intentionally juxtaposing the differences between the two families.
 * "My Lullaby" also has this...twice. It begins with Zira seeming to show Kovu motherly affection and wishing him a goodnight, then instantly cuts to singing about how she can't wait to hear the screams and cries of her dying enemies and their loved ones. Then cuts back to her singing about how she loves and cares for Kovu, then cuts to how she wants to raise him into a killer. Strangely it works.
 * Nice Job Breaking It, Hero: Way to go, Simba, for banishing your daughter's love interest that she finally calls you out for your actions.
 * Opposites Attract: The princess and the exiled peasant.
 * Technically, Kovu is a prince, but of the exiled Outlanders and to the late Scar so still counts.
 * Parental Bonus/Getting Crap Past the Radar:


 * Parental Hypocrisy: Simba is very over-protective of Kiara. At one point, Nala points out to Simba that Kiara's just like they were when they were cubs, and Simba explains that this is what worries him.
 * Physical Scars, Psychological Scars: Kovu gets a scar across his eye
 * The Power of Love: "Love Will Find A Way".
 * Retcon: A tie-in book cast Simba's and Nala's cub as a male named Kopa.
 * Some Fanon theories try to correct this by having Kopa have died somehow, some of which cast this as the reason Zira was exiled...
 * Save the Villain: After attempting to attack Simba, Zira is tackled by Kiara and the two are sent tumbling off the cliff. In a very familiar TLK fashion, Zira is left clinging for her life and risks falling into the raging river below to her death. Kiara attempts to save her ("Zira... give me your paw!"), but she meets her watery fate regardless.
 * Shamed by a Mob: When Kovu is mistakenly believed to have been part of the plot to attempt to kill Simba, and a huge crowd is singing about their hatred for him.
 * Shout-Out: Word of God says this film is Romeo and Juliet + The Manchurian Candidate.
 * Sins of Our Fathers: Kovu mentions this in a line.
 * Suicide Is Painless: What Zira's death might have been before the directors decided to cut part of her death from the final version. The cut scene features Kiara reaching out to save Zira... . The directors evidently thought this was just a bit too dark for a movie who's plot is driven mostly by Zira's obsession with revenge.
 * Standing Between the Enemies: Kovu and Kiara at the climax of the story.
 * Star-Crossed Lovers: Obviously, as this was based on Romeo and Juliet.
 * Take My Hand: "Give me your paw!"
 * Taking the Bullet: Kiara intercepting Zira's attack on Simba.
 * This Is Unforgivable!: The song "One of Us" includes "...But do not forget what we cannot forgive" as some of the lyrics to it.
 * Villain Song: "My Lullaby". Written by Joss Whedon!
 * What Happened to the Mouse?: Sarabi's voice actress died before the sequel was made, so they just left Sarabi to a cameo as a background lioness with no lines.
 * What Would Mufasa Do?

The Lion King 1 ½
"Timon: We're gonna get old walking across this thing."
 * Ambiguously Gay: Maybe even dropping the "ambiguous" part. A lot of the movie, especially regarding Timon's relationship with his family, seems to play this up as straight as possible, with little gems like this scene. Also, a mushy scene of Timon and Pumbaa staring into one another's eyes causes Timon, in the "audience", to start crying to the point where the movie has to be "paused" for him to recover. A later scene even has them accidentally sharing a Spaghetti Kiss while eating an earthworm.
 * Balloon Belly: Timon and Simba at the end of the bug eating contest.
 * Breaking the Fourth Wall: "It's hard to think with all this music!"
 * Comically Missing the Point: Timon takes Rafiki's advice to "look beyond what you see" a little too literally.
 * Continuity Nod: Doubling as a Funny Moments and (as usual for him) a bit of Leaning on the Fourth Wall, this moment when Timon is talking to cub Simba after he keeps waking up in the middle of the night to go across the log from the first movie.

"Shenzi: Ooh, that breaks so many laws of nature!"
 * Determinator: Timon.
 * Disney Acid Sequence: Timon's "That's All I Need".
 * Eating Contest: The bug-eating contest between Timon and Simba.
 * Everyone Calls Him "Barkeep": Uncle Max.
 * Follow The Bouncing Grub
 * Fun Size: Timon's tiny stature makes for a few deliberately cute moments, such as him falling asleep under Simba's paw with his arms around one of the toes. D'aaaaaw.
 * Glad I Thought of It: The first time Timon does this, Pumbaa looks mildly confused. Then he just goes with it.
 * The Gump: Timon and Pumbaa run into several scenes from the first movie, and set a few minor events into motion.
 * Has Two Daddies: Simba was so young when he met Timon and Pumbaa that they're his surrogate parents as well as his friends, something which doesn't really come up in the original film.
 * Inevitable Waterfall
 * "I Want" Song: Timon's "That's All I Need". Ironically, this is played a lot more straight than in the original movie.
 * Momma's Boy: Timon, in spades.
 * Moment Killer: Timon and Pumbaa try their best to ruin the moments between Nala and Simba.
 * Odd Name Out: Uncle Max? Yeah, that fits right in.
 * Overly Long Name: Shenzi Marie Predatora Veldetta Jacquelina Hyena.
 * Pale Females, Dark Males: Timon's mom is a peach-y tan color compared to the male meerkat shades of tawney and flat brown.
 * Parental Bonus: Far more than the average Disney Shout Outs of the first and second film, this one references everything from the works of Shakespeare (a given) and Abbott and Costello to Pulp Fiction and The Godfather.
 * POV Sequel: The Lion King, re-told mainly from the point of view of Timon and Pumbaa.
 * Series Continuity Error: Any attempt to fit this story into the canon of the first film will swiftly run into trouble.
 * Most are easy, but the big one is at the end, when Timon and Pumbaa distract the hyenas from following Simba, which means they weren't there to hear Scar try to blame them for Mufasa's death and subsequently turn on him. It also turns Scar's fall into a true Disney Villain Death.
 * Maybe the tunnel that the hyenas were sent down deposited them to where Scar landed?
 * Space Jews: The meerkats are a group of Animal Jews in both personal relationships and in that they employ gratuitous Yiddish.
 * Spaghetti Kiss: Between Timon and Pumbaa, using a worm.
 * This Is Wrong on So Many Levels: When Timon proposes to Shenzi as a distraction.


 * Tunnel King: All the Meerkats except Timon.
 * Willing Suspension of Disbelief: The only way this movie could be accepted as canon.
 * You Have Got to Be Kidding Me!: Banzai, to Timon and Pumbaa's stalling tactics.
 * "You?" Squared: A variation occurs when Nala tries to hunt down Pumbaa, but Simba comes to rescue. They fight for a few seconds, then Simba loses he exclaims, "Nala!?".

Stage Musical
"Scar: I need to buck up. Zazu: You've already bucked up royally!"
 * Adaptation Expansion: A mild case in the musical, especially with Rafiki. Nala and Scar get a bit more too. Most of the additions are just songs, though. At one point, Zazu turn his head toward the audience and says "That wasn't in the cartoon."
 * Also, several new songs. Simba and Nala get their own songs; "Endless Night" and "Shadowland" respectively.
 * Artistic License: Biology: While the film itself is rather good about it, the theater adaptation seems to make Shenzi more of a moll to Banzai, despite the fact that hyena packs are well-known matriarchies.
 * The Caligula: Scar's status as this is given a new song here.
 * Dual-Wielding: Mufasa and Simba, against the hyenas and Scar respectively.
 * Gender Flip: The musical makes Rafiki a woman, since Julie Taymor felt that there weren't enough female characters. It doesn't hurt the story at all.
 * I Have You Now, My Pretty: Nala's explanation for fleeing the Pride Lands in this version is Scar deciding to make her his mate when he realizes She's All Grown Up.
 * Nude Colored Clothing: Some of the plant costumes are examples of this.
 * Old Retainer: Zazu, even more so than in the original animation. At one point he consoled Mufasa regarding Simba's rebellious streak; "I seem to recall a young lion cub, more willful than wise. And he achieved some prominence."
 * Parental Bonus: This exchange between Scar and Zazu:


 * Spikes of Villainy: Scar's costume.
 * Villain Love Song: "The Madness of King Scar" starts as a Villainous Breakdown and ends as this when Nala enters the scene.
 * Visible Invisibility: The puppet operators are always visible -- most notably, Timon's actor is bright green, and Zazu is a small puppet riding on the actor's head -- and yet you can easily focus on the puppets rather than the actors.
 * This also applies to many stage mechanics and devices that, in most musicals, are kept hidden; this was highly intentional, to produce an effect where imagination filled the scene in.