Sweet Charity

Sweet Charity is a 1966 musical with book by Neil Simon based on the Federico Fellini film Nights of Cabiria, score by Cy Colemane and Dorothy Fields originally directed by Bob Fosse and starring Gwen Verdon. It tells the story of Charity Hope Valentine, a romantic dance hall hostess looking for love in all the wrong places, and how she eventually finds it--and loses it. The play is considered a classic example of Fosse's direction and style of dance, and some of the numbers (ie Big Spender and Rich Man's Frug) are some of the best examples of Fosse style dance.

This work provides examples of

"Helene You run your heart like a hotel. You got guys checking in and out all the time."
 * Adorkable: Oscar. Neurotic, geeky, shy and utterly loveable...until the last scene.
 * All Musicals Are Adaptations: It's based on Federico Fellini's "Nights of Cabiria"
 * BSOD Song: 'Where Am I Going' even more so in the movie, when it is featured after Oscar walks out on Charity
 * Downer Ending: No matter which of the three endings the production uses, it's going to be sad.
 * Did Not Get the Girl: Charity. And she came so close! The circumstances change depending on which ending the production you see is using (there are three) but the fact is, Oscar and Charity do not wind up together.
 * Eleven O Clock Number: 'I Love To Cry At Weddings'
 * Fire-Forged Friends: Charity and Oscar spend hours trapped in an elevator together while Oscar has a nervous breakdown and Charity has to attempt to calm him. They leave the elevator already a little bit in love!
 * First Kiss: At the end of Charity and Oscar's first date, they stand together awkwardly and a sign (in the original production) lights up saying 'The First Kiss!' It doesn't happen.
 * Hooker with a Heart of Gold: Charity, Nicki, Helene and all the girls in the dance hall. Very few of them seem to be actualy prostitutes (Charity specifically says all she sells is her time,) they all still are caring people, especially prevalent in the 'I love to cry at weddings' scene.
 * I Kiss Your Hand: Oscar is too shy to kiss Charity goodbye, so he kisses her hand. Charity thinks it's adorable. Her friends think it's a bit odd.
 * Irrelevant Act Opener: "Rhythm of Life." What exactly does this scene have to do with the plot? Nothing. Is it awesome. HELL YES.
 * Locked in a Room: Charity and Oscar meet in an elevator that gets stuck between floors.
 * Looking for Love In All the Wrong Places: Charity's main problem.

"Nicki I could marry Herman-- Helene And be permanently sorry! Nicki and Herman We would make a really lousy pair."
 * No Antagonist: Charity's kind of her own worst enemy...
 * One-Scene Wonder: Daddy Brubeck, (Sammy Davis, Jr. in The Movie) who sings Rhythm of Life and is never heard from again, yet his song is one of the most famous in the show.
 * Original Cast Precedent: Bob Fosse decided Gwen Verdon would wear a Little Black Dress for the whole show, just becuase he liked the way she looked in it. This dress has now become the standard Charity costume. She'll occasionally wear red for her scenes in the dance hall, but other than that, you'd be hard pressed to find a Charity who doesn't wear it for at least a few scenes.
 * Pair the Spares: Doesn't actually happen, but Nicki lampshades it.

"Oscar You're a great girl, Charity. Sweet Charity."
 * The Pollyanna: Charity herself. She loses everything in one day when her husband leaves her, and yet skips off alone, saying 'There's always tomorrow.'
 * Sidekick Song: "Baby, Dream Your Dream" by Nicki and Helene.
 * Single Woman Seeks Good Man: And thinks every guy is 'the one!'
 * Title Drop: It's Oscar's nickname for Charity.


 * Wacky Wayside Tribe: The Rhythm of Life Church. A jazz group that turned into a religion. Okay, sure.
 * Wrong Guy First: Charity goes on a date with movie star Vittorio Vidal, and it's set up as if he is going to be the love interest of the musical. Sure, we've seen worse. But Charity winds up convincing Vittorio to go back to his girlfriend Ursula, and spends the night in a closet while Vittorio and Ursula make love. She leaves with nothing but his autograph and a hat and cane.