Hand Wave

"Nick: But wouldn't they blow up in an all-oxygen environment? Jeff: Probably. But that's an easy fix. One line of dialogue. "Thank God we invented the, you know, whatever device.""

- Thank You for Smoking, discussing cigarette Product Placement in a Sci Fi movie.

A Hand Wave (also memetically called "Scotch Tape") is any flimsy explanation - particularly involving the Backstory, a Retcon, or a use of Phlebotinum - which is noteworthy for its lack of detail or coherence. It may be used to (try to) hold together an Idiot Plot or an otherwise outrageous story. Often consists of throwaway lines like "It's the Only Way." The name comes from academia, initially to refer to where complicated parts of a valid argument are glossed over for the sake of convenience.

Sometimes this is simply because the writers couldn't think of a plausible explanation, so decided to play down its importance. In the best cases it's because the explanation is genuinely irrelevant to the story and would be a distraction. Sometimes it's because the thing they're handwaving is so universally reviled that they want to joke along with the audience's disdain for it.

In an adaptation, a Hand Wave can result from Adaptation Explanation Extrication - the writers removed the back story to a plot element, and then realized that someone needed to say something about it.

When skillfully done, a handwave can obscure the ridiculousness, or at least make it plausible enough so that the audience achieves a Willing Suspension of Disbelief. It can also just turn the whole detail and its inexplicability into a joke. Scotch tape may not be strong, it may not be pretty, but if you're striving to create an accurate piece of storytelling that aims to describe, it may be much better to have some sort of explanation than nothing at all. This is only the case, however, provided that dream logic or other tropes and rules do not work much better in the context.

The Watson is often a valuable source of Scotch Tape. In Science Fiction shows, a handwave is usually conducted with Techno Babble. In fact, an alternate name for Phlebotinum is Handwavium.

In the industry, the vague and generic direction given by management to actors, designers, editors etc is sometimes known as "hand waving" as it is frequently accompanied by a lot of equally unhelpful gesturing. But that is not this trope.

See also A Wizard Did It. Compare and contrast Justified Trope. A.K.A. Scotch Tape (not to be confused with Duct Tape). May take advantage of the MST3K Mantra. Often related to an Unexplained Recovery. Not to be confused with the Jedi Mind Trick, which is often accompanied by a literal hand wave.

Anime and Manga

 * Tengen Toppa Gurren Lagann does this with anything that isn't completely awesome; Spiral Energy did it. And, to be honest, most of the stuff that is.
 * The lack of male-type humanoid robots in Yokohama Kaidashi Kikou is supposedly because of the male versions being "weaker" than the female ones, but how this difference comes about is never explained. And that's not the only thing in the manga that gets handwaved...
 * Played (kinda) for laughs in Bleach in one of its filler arcs. When Renji's sword Zabimaru breaks free, Zabimaru is shown as a split being, a monkeyish woman and a childish snake. This is contrary to Zabimaru's previous appearance, which was an actual monkey that had a snake for a tail (a Nue). When Renji asks why Zabimaru isn't in its previous form, the Chimpett half of Zabimaru simply laughs and says, "Since when are you so concerned with minor details?" "That's a pretty big freakin' detail!"
 * This is actually based on an Omake when Renji and Hisagi read a catalogue of changes Mayuri can do to their weapons' true forms, Renji sees that changing them into females is possible. So it may or may not count.
 * Also in Bleach the main character getting stronger bafflingly (if not infuriatingly) fast is explained by - "Learning fast is one of his special abilities."
 * Ulquiorra has stated that Ichigo's power is "in constant flux." Which kind of explains how he's stronger than certain characters but those characters are stronger than people who were able to completely annihilate him. This "flux" is actually why Ichigo gets his ass handed to him from time to time. Does not excuse the Villain Ball that happens afterward, gets a passing mention, and you can count on your fingers how many plots this affected.
 * The Future Arc in Katekyo Hitman Reborn recently concluded with  when the inevitable Time Paradox is pointed out by Shoichi,
 * Haruhi Suzumiya. Haruhi damn it, Tanigawa Nagaru, he deliberately makes the Esper, Alien, and Time Traveller members say they don't really know how their upper structure works to justify their status, which sometimes gets rather ridiculous.
 * Eiichiro Oda, maker of One Piece, is famous for giving very strange explanations when the fans ask him about the show, like saying that Zoro can talk with a sword in his mouth because his heart allows him to. Or that Sanji's leg is perfectly unharmed after being intensely heated because 'his heart burns hotter.' Given that the entire world of One Piece runs on Nonsensoleum, these explanations (as ridiculous as they may be) are also literally true.

Comic Books

 * Batman: He does not have any super powers but he does have super intellect, peak level human ability, and is unequalled as a detective, fighter, inventor, scientist, strategist, and whatever else the plot requires him to the the best at. He is also one of the top three wealthiest men in the DC universe. Batman also has a backup for every backup for every backup et cetera. Alfred the butler also seems to also be everybit the universal polymath being a medic, mechanic, technician, spy, actor, and occasionally a butler.
 * Scrooge McDuck has always been known for swimming in his money. In the Carl Barks story, "Only A Poor Old Man", the Beagle Boys manage to legally get his cash, leading Scrooge to lament how he won't be able to indulge in his hobby. After giving a demonstration, the old duck offers that the Boys try it themselves. The Beagles dive in, and immediately knock themselves out on the pile of coins. When Huey, Dewey and Louie bring up the Fridge Logic, Scrooge remarks, "I'll admit- It's a trick!"
 * The Flash has the Speed Force, a dimension that is also apparently a prison and a mass vaporizer. And just an all-around way for speedsters to tell the laws of physics to sit down and shut up.
 * Amusingly, there actually is a measure of valid physics in it. All of the violations of physics that the Flash is involved in are ultimately different flavors of violating Conservation of Energy... but Conservation of Energy only applies in closed systems, and the entire point of the Speed Force is that he's shunting mass/energy into and out of another dimension which means that the Flash is no longer operating in a closed system.
 * Probably not attributable to the original creators, but a Finnish Superman magazine once answered the question in reader mail about how Superman can fly: It's just like how we walk. He activates the muscles used for flying. And now you know!

Fan Fiction

 * My Immortal: Dumbledore isn't Out of Character, he only swor coz he had a hedache ok
 * In Naruto Veangance Revelaitons, Madara's talking in Ye Olde Butcherede Englishe is said to be the result of traveling back to the 1800s. This raises several logical issues, most notably the fact that people didn't talk that way back then.

Film
"Nick: But wouldn't they blow up in an all-oxygen environment? Jeff: Probably. But that's an easy fix. One line of dialogue. "Thank God we invented the, you know, whatever device." Nick: Of course."
 * In The Wizard of Oz (1939 movie), Glinda waits till the end of the movie to tell Dorothy about the ruby slippers. Why didn't she tell her at the beginning, instead of sending her Off To See The Wizard down the Yellow Brick Road? "Because you wouldn't have believed me." This covers up a plot hole caused by merging two different Witches from the books.
 * In Batman Begins, Batman (who has a strict no-kill policy) gets into a high-speed chase on the freeway with the cops, causes more than a couple crashes and drives over several cop cars with the cops still inside, endangering dozens of civilian and police officer lives. Yet we know no one is hurt (very badly) because Alfred says: "It's a miracle no one was killed." The same thing happens in The Dark Knight, as he fires high-powered guns into what appears to be a mall's glass door to break it so he can drive through, then showing people dodging out of the way. No way someone wasn't going to get hit. In The Dark Knight, it is "explained" that the Batmobile has "life sign scanners."
 * In the film The Abyss, the pressurized station so deep underwater that it can cause illness to people on board is brought to the surface in the space of less than a minute, and immediately people climb out, without having any symptoms of 'the bends.' Lindsey defuses a Fridge Logic moment by saying "We should all be dead. We didn't depressurize," and another character answers "[The aliens] must have done something to us." No further explanation is given. The novelization (by Orson Scott Card, no less!) handles this a bit better...holes such as this (and the alien's back-story) are filled in fastidiously. All without diminishing the mystery and wonder.
 * Played for comedy in Big Trouble in Little China when Egg Shen appears above a hole in the ceiling. Jack asks how he got up there, and Egg simply replies, "Wasn't easy!"
 * Back to The Future
 * At the end of Part II, the DeLorean gets struck by lightning while flying, and gets sent to 1885. At the point when the lightning actually strikes the car, it is stationary in the air, but it has to be moving at 88 miles per hour to time travel (which is important in both parts I and III). When it got hit it wasn't moving. The handwave is that the lightning causes the DeLorean to spin at 88 miles per hour, shown with the trails of fire being spirals in the air (the 1885 date is justified, as the time circuits were shown earlier to be broken, and an 1885 date was briefly shown).
 * The letter that Doc Brown sent in 1885 to Marty. The idea that anyone would follow through with instructions to send a letter to someone 70 years in the future with exact location and time is a little tough to swallow; the guy just explains that they were taking bets down at the Western Union whether Marty would be there or not.
 * This trope is referenced by a movie executive in Thank You for Smoking. They are discussing the idea of having two actors smoke in a movie that's set on a space station.

"Dumbledore: Take my arm. Harry: Sir, I thought you couldn't Apparate within Hogwarts. Dumbledore: Well... being me has its privileges."
 * In the book Harry Potter and the Half-Blood Prince, in order to travel to a plot-important location, Harry and Dumbledore must sneak out of the school to a completely deserted street in a nearby village, from which they can then Apparate. In the film, the following time-saving exchange occurs:


 * A reasonable interpretation would be that he wrote the spells involved, so he left himself a backdoor.
 * That is actually explicitly stated later in the book; the spell preventing Apparition within Hogwarts (the Anti-Apparition Jinx) is under the control of the headmaster and can be temporarily deactivated. That's how Hogwarts is able to hold Apparition lessons inside the Great Hall; it was a scheduled activity and the Headmaster switched off the protections in the Great Hall for the duration.
 * In the film Ocean's Thirteen, to explain the absence of series regulars Julia Roberts and Catherine Zeta-Jones, Danny Ocean (George Clooney) repeats the phrase "It's not their fight!" numerous times within the first ten minutes of the film.
 * Bill and Teds Excellent Adventure: After Bill asks how the time machine works, Rufus replies "Modern technology, William."
 * In the 1965 Sherlock Holmes film ''A Study in Terror, Holmes is trapped in a burning building. They quickly cut to him back at Baker Street, explaining that he survived because, as everyone knows, he's indestructible. Shades of the Master (see below)!

Literature
""Miss Gerraghty," Johnny said sternly, "if you had ever read science fiction, you'd know that the dullest part is always the explanation. It bores the reader and clutters up the story. Especially when the author flunked high-school physics and simply doesn't know how it works.""
 * Lampshaded in Jasper Fforde's Thursday Next series; a "textual sieve" is apparently some sort of book security device, but it is never very clear exactly what it does. At one point, a character asks Thursday just what it is, and she replies, "It's never fully explained."
 * In the children's science fiction novel I Left My Sneakers in Dimension X, the main character is transported to the titular dimension. Shortly after finding himself able to communicate with one of the locals there, he asks how speaks his language. The local responds that the opposite is happening and the protagonist is speaking the language of Dimension X, which he quickly realizes is true. The explanation given is a quick bit about cross-dimensional travel's effect on the mind, and is never brought up again. Nor is it really a very good explanation, if someone from Dimension X came to our dimension, what language would they speak? (Considering in the series it includes not only the hundreds of languages on Earth but also alien ones.)
 * It's stated that you have to "cross dimensions in exactly the right way", and that the monster that brought the protagonist there is "a perfectionist". Presumably, if you cross precisely, you can rearrange someone's brain in just the right way that they start speaking a different language. Telepathy, which appears into the series a lot, is probably also involved. It's still a major Hand Wave, but at least you could say that it's the work of the one creating the dimensional bridge, rather than a natural effect.
 * In one of Harlan Ellison's short stories, he has the protagonist trapped in a situation that, judging by the description, there is absolutely no way he could logically escape. The author then stops the story to tell us that the protagonist remembers a time he once bought a pulp novel that ended with a Cliff Hanger in which its hero was likewise trapped in a seemingly inescapable situation. When the next chapter finally arrived, he very eagerly snapped it up, only to discover that it tied up all the stuff left hanging in the last episode in the first sentence by turning the hero into an action figure and having him punch his way out of the trap. Getting back to the story, the author then tells us the protagonist was still thinking of how cheated he'd felt about that pulp novel's hand-wave--when he finally escaped.
 * In Jack Finney's short story "Behind the News", a newspaper man uses a melted-down meteor made of an unknown metal to make his news come true (kind of like the Twilight Zone episode "Printer's Devil"), and when his secretary doesn't understand how it's happening, he gives the following explanation:

Live Action TV

 * Anything involving Dawn as the Key on Buffy the Vampire Slayer. And any time when someone explains why the main problem of an episode just can't be resolved using a simpler spell or plan.
 * Star Trek is famous for its Techno Babble "explanations", but sometimes it doesn't even try that hard:
 * An early episode of Star Trek: Voyager has the crew needing to conserve power. Yet they still wanted the characters to play around on the holodeck. So they threw in a line about how it's power systems are self contained and cannot be used by any other system on the ship.
 * In the Star Trek: Deep Space Nine episode "Paradise Lost", Captain Sisko is framed as a shape-shifting Changeling by a Well-Intentioned Extremist, who somehow rigs Sisko's blood sample to move by itself and glow the way Changelings do when changing shape. In the following Just Between You and Me scene, Sisko asks him how he did that. He replies, "Does it really matter?", and the subject is dropped.
 * In "Trials And Tribble-ations", several Deep Space Nine crew members (including Commander Worf) travel back in time to an episode from Star Trek: The Original Series. They remark on the difference in appearance between Worf (with his elaborate makeup and appliances) and the smooth-headed Kirk-era Klingons (with very simple makeup). Worf puts them off, saying, "We do not discuss it with outsiders". Eventually it is retconned in Star Trek: Enterprise as the result of some earlier botched attempts to create genetically "augmented" Klingons.
 * The transporters include a component called a "Heisenberg compensator" as a handwave to get around quantum uncertainty effects. As the page quote attests, Michael Okuda likes getting around questions of how it works by answering, "It works very well, thank you."
 * On Star Trek: Enterprise, on at least two occasions aliens cursed at Captain Archer in their native tongue. When Archer looks to Sato for the translation, all she would say is, "You don't want to know." On another occasion, which doesn't qualify under this trope, she crudely translates a Tholian curse with "Something about your mother..."
 * In "Bound," an Orion tells Archer about the Gorn (obviously foreshadowing their eventual appearance in "In A Mirror, Darkly (part 2)." Archer or Reed says, "Gorn?", and the Orion says, "The less you know about them, the better." This troper begs to differ.
 * Farscape
 * The explanation as to why the Breakaway Colonies force the heir to the throne and her spouse to be frozen (while pregnant, and able to hear everything) for 80 years and left in a governmental chamber, is along the lines of, "We've always done that, and it works!"
 * The explanation given by Crichton at one point as to how a ship equipped with 'hetch drive' is able to travel faster than light is that "Einstein was wrong" which, for a bit of handwaving, is actually quite clever.
 * In Doctor Who:
 * The sonic screwdriver is a small handheld device capable of performing almost any task needed to get the Doctor out of a (often writer-induced) jam, from diagnosing injuries to locking/unlocking doors, hacking computers, blowing up security cameras, and, yes, even turning screws (well, one). The device works by flipping a switch and waving it at the intended target. Overuse caused the screwdriver to get removed from the classic series, but it was brought back and significantly strengthened in the new run. To compensate for its increased usefulness, they introduced a Kryptonite Factor in the "deadlock seal," which cannot be opened by sonic screwdriver. Oh, and it doesn't do wood.
 * Its "point it at something and it does whatever you want it to" nature was recently explained as it being able to work psychically. You point it, think of what function you want it to perform, and press the button. Sort of a way to save on-screen time, since the Doctor doesn't have to re-adjust it every time he wants it to do something different.
 * The Master's return from certain death (being burned alive in "Planet of Fire") is completely handwaved when he next appears in "The Mark of the Rani". When asked how he survived, the Master simply replies "I'm indestructible. The whole universe knows that." And that's the end of it. No explanation is even attempted onscreen. (There's a very brief, rather unconvincing one in the novelization, though.)
 * K-9's bout of laryngitis during one story of Who during the 4th Doctor's Era, due to the writer of the story personally disliking K-9. The Doctor himself was completely bewildered: "What do you need it for?"
 * The TARDIS is semi-sentient and has long-range telepathic connections with the Doctor (as evidenced by the translation field). Not only that, in the new show the sonic screwdriver is increasingly connected to the TARDIS, to the point of the latter's "regeneration" with the 11th Doctor popping up a new sonic screwdriver in the control panel. Somehow these facts do not turn it into more than a very basic remote control (it can lock\unlock the doors) or ability to summon the TARDIS to the Doctor's current location, whether by flight or materialization.
 * Of course not. That's what a Stattenheim Remote Control is for.
 * Of course, the Tardis would be far too complex to fly remotely using a screwdriver....
 * In "Lets Kill Hitler", a River Song suggests to herself "Maybe I'll dial back the age a bit. Gradually. Just to freak people out." as a handwave for why she appears to be getting older even though her timeline and the Doctor's are reversed.
 * This is a case of handwaving arguably being unnecessary. It had only been about 3 (real world) years since her first appearance, so she actually didn't look any older.
 * The perception filter, which either acts as a disguise or (more usually) prevents people from noticing you. It's now being used as the excuse for the monster of the week to be able to hide from everyone all the time. The writers at least had the grace to lampshade this in an episode where when everyone fails to notice for ages that they're on a planet of two-headed aliens and all the statues have one head, when the Doctor declares that it's either a perception filter, or they're just all idiots.
 * The psychic paper was explicitly devised by Russell T. Davies to facilitate this; it can show whatever the person holding it wants the person reading it to see, meaning that the Doctor could explain what he was doing in the room where he shouldn't be or why he might have been found over a corpse quickly and bluntly without having to hold the plot up however many episodes until it all got sorted out.
 * There is a Swedish reality show called Lyxfällan (Rough translation: "The Luxury Trap"). The show deals with regular people with severe financial problems, usually from living a luxurious lifestyle that they cannot afford. The hosts of the show try to help these people, not by giving them money, but by helping them analyse their financial situation, selling off valuable things and making deals for paying off their debts and such. The goal is to get them back on their feet and save them from bankruptcy. One episode featured a woman who had not paid her bills in eight years! When asked why the hell not, she hand waved it by explaining that the payment of bills was not a part of her life. In this case though, ADHD is a possible reason why she is not able to handle her economy, which makes the viewer feel somewhat sympathetic of her. Most of the other people on the show, however, are either Too Dumb to Live or an example of exactly why you shouldn't ignore a problem with the hope that it will just go away.
 * In Babylon 5, one common statement is that no Minbari has killed another Minbari since Valen's time. But in a season four episode, Marcus challenges Nehroon to a battle to the death under the Minbari ritual of denn'sha. Since Nehroon immediately knows what it is, that implies that the Minbari have been killing each other in formal duels for quite some time, despite this 'Minbari do not kill Minbari' principle. In one of the books they hand wave it by saying that by agreeing to fight a denn'sha duel, you agree to take responsibility for your death on your own hands if you lose. This means that every Minbari who died in a duel has technically committed suicide, which doesn't count.
 * In The Man from U.N.C.L.E., one of the innocents involved in the Affair was concerned that Solo was killing so many enemy agents, he explained that they used "sleep darts" in their guns.
 * In Cheers, Frasier Crane mentions that his father is dead, and was a research scientist. Fast forward to the Spin-Off Frasier, and Martin Crane is an ex-cop and very much alive. The writers explain this away when Sam Malone visits Frasier and points this out, by having Frasier admit he was actually lying, because he'd just had a fight with Martin offscreen when he said that.
 * Parodied in the "Cycling Tour" episode of Monty Python's Flying Circus. Gulliver and Pither are about to be bayonetted by a group of Russian soldiers. Just as the soldiers charge, a "Scene Missing" slide appears on the screen. Immediately after that, they cut to Gulliver and Pither on a road in Cornwall, with Pither saying, "Phew! What an amazing escape!"
 * In Sabrina the Teenage Witch, season 2 episode 16, Zelda pulls a periscope down from the ceiling. When Sabrina rightfully asks "Since when do we have a periscope in the kitchen?", Hilda replies, "You've lived here two years and you've never noticed it? Teenagers".
 * In the episode "The End of the Whole Mess" in Stephen King's Nightmares and Dreamscapes series of TV movies, Howard Fornoy hand waves the issue of how he and his brother raised the vast amount of money needed for their experiment in such a short time. Justified in that an explanation would kill the story's momentum, the narrator genuinely doesn't have time to go into it and nobody really cares.

Video Games
"Link: Luckily I brought my Smart Sword. It won't hurt anyone friendly. In fact, it makes them talk!"
 * In Final Fantasy VIII the Big Bad Ultimecia wants to force the world to go under "Time Compression." Infuriatingly to many players, when the question of what her motive is in doing this is handwaved away by the mad scientist Odine as "Who knows? It does not matter." Thanks to some cryptic statements made by Ultimecia in the final battle all sorts of theories have been suggested regarding her motives, including the idea that she is the future version of Rinoa (a theory Jossed by Word of God). Ultimecia's reasons for undergoing time compression are explained throughout the game. Officially, she was trying to destroy time as time had unfairly painted her as a villain. (This is in fact supported by the script throughout the game as well.)
 * Sephiroth's motivations stem from wanting to become a deity, but the exact mechanisms he's planning to use for this are just as hand-wavey. Not that bad, since Biologically Sephiroth was actually more Jenova than Human at the time. Everything he did does make sense, with that knowledge.
 * Final Fantasy VI's Kefka Pallazo. His motivation for conquering the world and the magic could also fall in this trope, but for him a motivation is not really necessary considering he's nuts. He just do it because he can and wants to.
 * The video game Deus Ex has lockpicks and multitools that, for some unexplained reason, can only be used once. During the tutorial level your support says that "unlocking doors expends the resources of modern lockpicks", but seeing as how the actual item is just two rods that spin about, it doesn't make much sense. It's never mentioned why the multitools can only be used once. Maybe they used really cheap batteries?
 * The Hand Wave is actually that the actual lockpick mechanism is significant nanite swarms that attempt to mimic the lock combination - depletion of those is what causes lockpicks to deplete. As for multitools, there's no explanation but it's easy to assume that a catch-all tool made to hack any and all tech in a Twenty Minutes Into the Future high-tech game world would require a lot of juice. The damn things shouldn't be disposable though. It'd be like throwing a way an iPhone after every call.
 * A better Handwave would be that you're actually carrying only one lockpick and one multitool, each of which has a certain number of "charges" (up to ten); you're never seen putting one away and getting out another even on locks that require multiple uses. Thus when you pick up an additional device, you really just take the batteries out of it and use them to recharge your tools.
 * In the first three games in The Elder Scrolls video game series, the nation of Cyrodiil is described as mostly tropical jungle. The fourth game in the series is the only one that actually takes place there, and it is shown to actually be mostly temperate hardwood forest. The in-game books "Commentaries on the Mysterium Xarxes" vaguely explains that the god Talos (the endivinated spirit of the first Cyrodiilic emperor) used his powers to make Cyrodiil colder to make the local soldiers more comfortable.
 * This inconsistency was supposedly brought up in an interview with one of the devs of the game, whose response was rather hostile and went along the lines of "Are you really going to complain about esoteric information located within the backstory of the backstory?" (Good thing he wasn't a Mass Effect developer?)
 * And this isn't even touching the explanations for why the Argonians and Khajiit look so drastically different in every game. Which, oddly, is not as much a case as the Cyrodiilic Contradiction, what with its explained by more than a vague note in an obscure book, not contradicting previously established fact, and being entirely consistent with the metaphysics and natural laws of the universe from Morrowind onward (when we got most of the metaphysics, that is).
 * Three endings in Drakengard are given explanations like this. The third ending has expository dialogue which is particularly ambiguous and poorly written. The fourth ending's explanation trumps them all, though, with a hastily-written and somewhat nonsensical fable being the justification for a suicide run against the Final Boss in the hopes that the fable will be re-enacted. Given, the circumstances were pretty dire, so the characters could almost be excused for thinking what they did. The fifth ending, well, is supposed to be anticlimactic. What else do you expect to happen after vanquishing Ultimate Evil? The sequel clears up a lot of the fog presented here, but that's no excuse.
 * The manual of Sonic 3 handwaved the game's physics bugs as just part of the "many diabolical traps" created by Robotnik, so players couldn't say they weren't warned about having to reset their games.
 * In BioShock (series), the research camera analyzes the creatures you photograph and will give you "research bonuses" towards greater damage. Atlas explains this with a lot of five dollar words, but it still doesn't eliminate the fact that it's just a camera.
 * An even bigger hand-wave of the same stripe comes in the form of the Camouflage Tonic, discovered by research-photographing the disappearing-reappearing Houdini Splicers. That's right, kids, all it takes to engineer an advanced tonic that allows you to go sight unseen is a few handy snapshots! Grab those cameras and do Andrew Ryan proud!
 * The Vita-Chambers handwave Bioshock's system of allowing the player to respawn at the instant of his death, with opponents retaining the damage you have already dealt them. Not that it does any good later on. He did state that he has disabled the nearest Vita Chamber before letting you in to see him. Perhaps it does have an effective range.
 * The existence of villain Sophia Lamb in the sequel is justified by a Hand Wave. Lamb's a brilliant psychiatrist, smart and eloquent enough to best Andrew Ryan in public debates and charismatic enough to assemble a cult. Why did we play through the first game without the slightest hint of her existence? There's an audio recording in the sequel where Ryan tells his security chief to go beyond just imprisoning Lamb: he wants her wiped from the history books. Problem solved.
 * After completing Metal Gear Solid 3, you get The Boss's gun if you start a New Game+. If you equip it and call your weapons expert, he asks how Snake has it, and Snake tells him not to worry about it. He also tells Snake that the gun has infinite ammo because the ammo feed is shaped like an infinity sign. "Makes sense..."
 * At one point, Snake can eat some Bio-Luminescence Mushrooms in a cave, they recharge the batteries of all your electronic objects. When you speak with Para-Medic about this, she says that it's impossible for that to happen. When Snake proves to her that it happened, she says that it must have been the placebo effect.
 * The Legend of Zelda: The Minish Cap seems to be, at least in part, Nintendo's attempt to do more than simply Hand Wave the fact that Link is able to find money in random bushes and patches of grass, by explaining that the tiny race of people known as the Minish like to scatter the money for big people to find.
 * They also scatter bombs, arrows, and hearts, and may be responsible for some of the ubiquitous treasure chests.
 * In the original Street Fighter, players fought an enemy named Birdie, who was a white punk with a mohawk. When the character returned in Street Fighter Alpha, he was a huge, hulking, black punk with an even bigger mohawk. In Street Fighter Alpha 3, he claims in one of his win quotes, "I looked pale because I was sick."
 * Due to lazy programming in the first two The Legend of Zelda CDI Games, you interact with all objects in the game world by hitting them with your sword. This also includes the NPCs which you can start a conversation with by stabbing them. This is hand-waved in the in-game tutorial:

"Pit: What's an Exo Tank doing here anyway? Pandora: I wanted to get my driver's license. So I whipped up a little parking lot to practice in. But then it hit me. How am I supposed to steer without hands? Pit: How'd you build a parking lot without hands? Pandora: Hard work and determination."
 * World of Warcraft pulls a bit of one in the justification for why the Gnomes had failed to retake Gnomeregan for four years and the Darkspear Trolls had failed to recapture the Echo Isles, despite each being held by an elite boss capable of being killed by low-level players. Apparently, the thousands of Thermaplugg's and Zalazane's heads turned in by players over the years were all from fakes, not the real deal.
 * Remnants of Skystone vaguely attempts to justify why the player missions could surely be done by the Rooks, Nidaria's standing army (who are even just dressed better to take on monsters than you), with a description that says they employ freelancers when they can't wait for the Rooks' ponderous command structure to swing into action, and with individual Rooks in the levels telling you that they wish they could accompany you, but they have orders to remain at their post.
 * Conflicts in the Tales (series) are often justified with these. No good reason for our heroes and the boss to be fighting? Heroes agree? Well, too bad for them, that's just the way things are.
 * Superman 64 is an odd case of having two different plots before release, and both were handwaves. The games original plot was that Lex Luthor was spreading Kryptonite Fog all over Metropolis, which was clearly a clumsy attempt to explain the game's ridiculous amount of fogging (a common trick used in early 3D games to prevent framerate dips). Later, the story was changed to Lex Luthor trapping Lois Lane and Jimmy Olsen in a virtual reality version of Metropolis, which handwaves not only the fogging but every other problem with the game.
 * "Kid Icarus: Uprising" has a particularly funny hand wave regarding Pit not wanting to take his clothes off in the Hot Spring, as seen in the trailer.
 * Not to mention, in Chapter 5:


 * Dark Souls's explanation for Co-Op Multiplayer and PvP: "Uh...The flow of time is convoluted. Yeah that's it."

Web Comics
""Please. I always carry a Swiss army knife and a coil of wire.""
 * The webcomic Harkovast does this with the explanation for why the female reptilian humanoids have breasts.
 * Girl Genius: Agatha builds a "mechanical taxidermist and tailor" in a forest without even a box of scraps. How? She completely fails to explain:


 * Best part? The Foglios are making fun of this trope. It's not actually Agatha who's pulling that stunt, but a fictional Agatha on a radio show broadcast by the in-universe Foglios. And each of these segments is cut short by the "real" Agatha smashing her way into their studio to have a few words with them.
 * Later on, Othar Trygvassen, Gentleman Adventurer gets what appears to be a back-breaking injury from a Jagermonster. Not a comic late,r he is back on his feet and punching said Jagermonster like nothing happened. He explains his recovery with "Special trousers. Very heroic."
 * 8 Bit Theater lampshades this with "the wizard who did it."
 * Captain Broadband dies at the end of issue two when killed by his own explosives device. By issue three he is back without explanation, save a small editor box stating clearly 'Captain Broadband died last issue' with no further explanation.
 * What the Fu's preferred way of explaining things. The characters just roll with it.

Web Original
"Keegan: What are you hiding? Why can't you tell me? Commander Canada: I can't tell you why I'm still alive because the author is too lazy to come up with anything! Let it go! Keegan: Oh. Okay. Commander Canada: Now, back to the damn story."
 * Parodied by The Onion: "Sci-Fi Writer Attributes Everything Mysterious To 'Quantum Flux'"
 * Lampshaded in Keegan's Truck 5, when Commander Canada repeatedly dodges Keegan's questions on how the former is alive despite being killed years ago (repeatedly insisting that it is irrelevant), culminating with this exchange:


 * Project Million: Spazz tries to figure out how The Wire escaped her TV. She throws several explanations at him such as she's not there and that he's in a dream within a dream, before claiming she "crawled through a river of shit and came out the other side clean".
 * Invoked and acknowledged tongue-in-cheek in Fenspace by the most common name of the mystery substance which makes the entire setting possible: Handwavium.

Western Animation
"Stewie: Say, Brian, now that I think about it, how can you possibly have a thirteen-year-old son when you yourself are only seven? Brian: Well, those are dog years. Stewie: That doesn't make any sense. Brian: You know what, Stewie? If you don't like it, go on the internet and complain."
 * The Aeon Flux episode "Reraizure" deals with the fate of creatures called "Narghiles". Since they're dangerous, one character decides to get rid of them, but because "You can't kill them" (those were his exact words and the only explanation given), he plans to put them all on a platform that will be shot into space.
 * Creator example: writers for the Justice League Unlimited episode "Epilogue" state that part of the reason they wrote the episode's events -  - was them realizing both him and his brother Matt have black hair, which looking at their parents (Mary is a redhead while Warren has light brown hair) is genetically improbable, a very clever way of handwaving any inconsistencies said reveal may create.
 * Family Guy likes to lampshade its hand waves, since it makes no secret of operating on the Rule of Funny.

"Brian: So why did they film that scene live? Stewie: Convenience. Brian: Yeah, but- Stewie: How about we not pull at that thread anymore?"
 * And again:

"Homer: Wait a minute, Frank Grimes wasn't married! Junior. He had a fondness for hookers, okay?"
 * A few Simpsons episodes use this trope. In "Homer's Barbershop Quartet", after Homer tells Bart and Lisa about his barbershop quartet, the kids have some questions about why they'd never heard about it until now, where all the money went, and so forth. Homer assures them that "there are perfectly logical answers to all those questions, but they'll have to wait for another day".
 * One of their questions ("When did you write a song?") was answered in the 11th season episode "That '90s Show".
 * One is made explaining the appearance of Frank Grimes, Jr.:

"Robot Leela: We're robots and we're in love. Let's ditch these meat jackets. (strips out of her mutant skin, revealing a Terminator-like exoskeleton) Robot Fry: Whoa, cool! (takes off his human skin to show a similar exoskeleton, then speaks in a matching voice) Hasta la vista, wiener! Robot Leela: (also in a Terminator voice) We'll be back... for our stuff. (The two robots leave.) Amy: Why did their voices change? Farnsworth: That's the one thing we'll never truly understand."
 * The Futurama episode "Rebirth features a premise where everyone except for Professor Farnsworth died, leading to Farnsworth attempting to resurrect them. Complications in the plot led to the existance of Ridiculously-Human Robots robot versions of Fry and Leela. Once everything is cleared up between them and the real ones, the robot doppelgangers leave with this exchange:

"Zoidberg: My home! It burned down! (sobbing) How did this happen!? Hermes: That's a very good question. Bender: So THAT'S where I left my cigar. (Retrieves the cigar, puffs on it.) Hermes: That just raises further questions!!!"
 * One funny example is from the episode "The Deep South". Dr. Zoidberg makes a new home inside a giant conch shell in the ocean. Later on, hilarity ensues when it is destroyed through likewise impossible means.

"Cubert J. Farnsworth: That's impossible! You can't go faster than the speed of light. Professor: Of course not. That's why scientists increased the speed of light in 2206."
 * A great deal of Futurama's plot points are hand waved. Usually done through Professor Farnsworth, usually played for laughs, and usually raising way, way more questions than they answer. Of special note is the episode Clone of My Own.

"Sizz-Lorr: After your escape, the great Foodening began! Foodcourtia's most horrible food rush, that lasts twenty years! The gravatational pull from all that snacking makes it impossible for anything to leave the planet. I was trapped. Alone. Without help. Zim: Twenty years? But I haven't been gone that long. Sizz-Lorr: There's a time warp involved or something."
 * In Evil Con Carne, Hector Con Carne, Major Doctor Ghastly, and General Skarr visit an island and meet their currently elderly future selves. Eventually, we learn that Hector and Ghastly settled down and bore a son which Hector, being only a brain and a (sentient) stomach attached to a bear, naturally lampshades this. Ghastly handwaves this by being caused by "the miracle of love".
 * Early South Park episodes described the "Terrance and Phillip Show" as a cartoon with crappy animation, though this later evolved into a weirder (but funnier) premise that the show was actually filmed in Canada, where everything actually was crappy-looking. In the episode "Behind the Blow," which parodied VH-1's Behind the Music, this inconsistency was waved away with a rather convoluted explanation. Apparently, in the South Park world there used to be a Terrance and Phillip cartoon that was separate from the live-action show, but the cartoon was so popular many people became confused as to whether or not T&P were real people or cartoon characters.
 * In The Adventures of Jimmy Neutron: Boy Genius episode "The Junk Man", Sheen asks Jimmy several questions as they are flying to and from the Moon, like why the voyage takes only a few minutes and why the boys don't need space suits and helmets. However, both times Jimmy starts to answer Sheen's questions, the camera cuts to Carl on the other side of the rocket singing an off-key, made-up song about the Moon. Both times Carl finishes singing, the camera cuts to Jimmy asking Sheen if he understands his answer and Sheen responding that he is still confused.
 * In the Invader Zim episode "The Frycook What Came From All That Space", Sizz-Lorr's very appearance is lampshaded by Zim of all people. The handwave comes in with Sizz-Lorr's response.

Real Life

 * In dreams, if you are aware enough to spot an inconsistency, your mind will hand wave it with the first explanation it can think of (which can be even more implausible than the original fact) to prevent you from waking up. And you will perfectly accept it. Then, when you wake up, Fridge Logic will come to you. In lucid dreaming, things that are out of the ordinary or impossible are called Dream Signs.
 * A person whose brain's lobes have been separated makes for interesting experiments. Essentially, each eye now reports only to half of the brain and each half is operating somewhat independently. Show one eye a card telling the person to do something (get up and get a Coke, say) and the person will then do so with no memory of having read the card. Ask why he did that and he'll begin inventing more and more fabulous explanations for why he did so, even when he's shown the card with both eyes. Freaky.
 * Even when the brain is whole, people are capable of awesome hand waves. When confronted with moral decisions, people make them almost instantly (unless they're really tough, like whether it's okay to sacrifice four people to save five others). Essentially, three things happen when we make a moral decision. One portion of the brain feels empathy for those involved (oh, wook at da baaybeees). Another portion of the brain seeks a much more utilitarian solution (kill the spares, collect all the food, live as a king). Depending on how strongly these two fire, we reach a decision, usually some kind of balance between the two. Then the final act happens; our prefrontal cortex (the part of the frontal lobe responsible for, among other things, logical thought) justifies the decision we've reached. In other words, all those books you had to read in philosophy 101 about morality and the justification for various ethics? So much handwaving for decisions stuffy German men had already made. But very, very sophisticated handwaving.
 * Though, to be fair, it takes quite a lot of handwaving for biologists to reach a conclusion like that.
 * One way people reduce cognitive dissonance (a difference between our actions—say, driving an SUV—and our beliefs—say, environmentalism—which causes some discomfort) is by rationalising their actions. This rationalization often takes the form of handwaves ("If it wasn't me driving this SUV, it'd be someone else, and I use public transport when I can."). Often if you give these explanations to other people, they'll point out just how flimsy they are. Unless they agree with you, in which case they'll tell you how rock-solid your logic is.