Call of Duty/Nightmare Fuel

We all know that war is hell, right? And we are reminded of it on certain passing days. But this series does not sugar coat how bad war can be...and the tropers who have played this and attained nightmares (and probably browned pants) can attest to that whole-heartedly.


 * One level in Call of Duty 4: Modern Warfare ends with one of the playable characters' entire unit being . If that weren't enough, you are forced to control that character and see through his eyes as he.
 * If you listen carefully near the end of that scene, there's the sound of a playground full of happy children in the background.
 * There's also plenty of instances where, unlike in most FPS games, wounded or dying enemy soldiers will still be moving around, crawling, stumbling, and writhing on the ground as they slowly die - though in some cases, they fight back. Watching it is rather disturbing, and in Call of Duty 4 you actually get an achievement for being cold-blooded enough to execute wounded enemy troops with your knife.
 * The first sign that the creators weren't screwing around is in the opening credits. Why? Because while the credits roll, you see through the eyes of the president of an unnamed Middle Eastern country as the victorious revolutionary troops drive him through a war-torn coastal city, showing civilians being gunned down by their rather menacing army without the driver even commenting to a courtyard, where you get to see the president's execution in first person.
 * Remember "Death From Above"? Fun, right? Not so much when you think about how it must've felt being the Ultranationalist troops on the ground as their comrades are suddenly disintegrated by the dozens. The application of Danger Deadpan, which implies that the player character and his fellow crewmembers actually enjoy this, does not help at all.
 * Watch some real AC-130 gunship footage sometimes. There is almost no difference between the game and the footage.
 * Chernobyl. Several parts of the levels were lifted straight from photographs of the actual site. Then there's the bits where you can faintly hear the laughter of children in the distance....
 * The part where Macmillin gives that speech about what happened to Pripyat and the disaster** In the sequel, the infamous airport terrorism mission. Not only are you killing unarmed civilians, you slowly start to realize that the airport looks familiar, that it could just as easily be you. Taken to the next level with
 * The bit at the end is an Oh Crap moment as you realize

"U.S Soldier: All the civilians at the Louvre are dead!"
 * The view from space as   Not enough?   He undoubtedly dies. Probably on impact if he was lucky.
 * If it comforts you in any way, the ISS scene was scientifically inaccurate as
 * While it's more of a Tear Jerker, the deaths of  definitely qualifies. Made worse by the fact that
 * The audio logs in the Nazi Zombies bonus mode In Call of Duty World at War, especially the logs in Der Riese.
 * And of course, the Hell Hounds. "FETCH ME THEIR SOULS!!". It does not help that they can easily kill you, and half of them EXPLODE.
 * The moment in MW2, where
 * The cherry on top of this is Captain Price's frantic voice on the radio shouting -- as.
 * Also in Modern Warfare 2, seeing most of DC and Virginia in flames was incredibly shocking (particularly to me, living in the area AND serving in the military)
 * Not to mention the mission Of Their Own Accord, whose intro briefing is the Emergency Fucking Broadcast System, telling civilians to evacuate the area. It even throws in a dash of Fridge Horror with the last bit about "BE AWARE OF YOUR SURROUNDINGS. REMAIN ALERT." The civilians have to be alert because the Russian soldiers are killing any Americans they find, not just military personnel.
 * As if the broadcast system wasn't bad enough, the intro starts literally a second after the previous mission. The term Jump Scare dosen't even begin to do it justice.
 * It's specifically disturbing to us because, since it fills the entire screen and is made to resemble an actual Emergency Broadcast Message, it looks like it's actually a REAL Emergency Broadcast Message, as if they're warning you that the Russians really ARE coming to your homes to shoot you dead (If you're playing the game in America, anyway)
 * They wanted 1000 dead Americans for every victim of the airport attack. They really don't give much of a damn whether they're armed or not. The civvies in that airport weren't.
 * The ending of Modern Warfare 2.  All while you're in first-person.
 * The multiplayer map "Vacant" from Modern Warfare 1 and 2 certainly qualifies; is an abandoned building with surreal graffiti paintings, a office-like room with lots of computers and some BEDS in the corridors, and can't figure what people did there.
 * The single-player trailer for Black Ops. Especially somewhere in the middle, where the background is a hellish red, and the scientists are just dying from no apparent cause other than the air? Or the GKNOVA 6 zombie videos, with the zombies apparently becoming a world-wide problem, business-suit zombies, and swarming zombies everywhere in cities, soldiers getting swarmed and falling back?
 * Speaking of Black Ops...
 * The bits with Mason's Sanity Slippage are also quite unsettling.
 * Really anything with Nova-6 counts. Especially
 * Kravchenko's log in "Victor Charlie." You know the guy was a Complete Monster when you see him slicing captured German throats for the fun of it a mission earlier, but the fact that they were gassing random villages with the compound, performing lab tests on infants, and removing infected tissue from exposed victims (read: slicing them apart while they were still alive and dying) all to see how much longer they could keep the victims alive proves that this man was a sick bastard among sick bastards.
 * Zombies mode manages to be this just by selecting it on the menu. As you select it, the lights take on an orange tint. The monitors on the right change, now showing panicking civilians, soldiers in hazmat suits fighting, and occasional glimpses of the monstrosities the soldiers are shooting at. Your interrogator moves off to the side for a second; when he comes back, he's a zombie. When he notices you, he starts pounding on the window, trying to get to you. Also, you're no longer able to escape from your chair...
 * The normal title screen does just as well. As soon as you launch the game, you are strapped in a chair, being interrogated - and of course, because you haven't played yet, you don't know the answers. Assuming, of course, that you're not in-the-know regarding secrets, you start the game in a position which would, in real life (and for most of the game, too), be one of total helplessness - trapped, with no apparent way out, being tortured, with no way to abate the torturer.
 * Speaking of Black Ops: . You don't know about what's in the spoiler box, of course, which is what makes this even worse. You find that you can't get   from repeating in your head over and over again. It gradually begins to erode your grasp of reality. People around you begin to be visibly weirded out by your behavior, even when you aren't experiencing anything unusual. It's almost too late when you realize
 * There are actually some pretty disturbing sounds in Rebirth and a couple other levels were you see of . It sounds like a bloody scream from a bigfoot. If you've seen Lost Tapes episode with Bigfoot, you should know what I'm talking about.
 * Samantha Maxis. A creepy child that appears to be controlling the Hellhounds (and maybe the zombies), and changes from being sweet to psychotic in seconds. The fact that she still might be alive doesn't help.
 * The "Revelations" mission was pretty freaky. After you punch out your interrogator,, you stumble through the NSA building that they've been keeping you in. You see the numbers in the air, hear them being spoken over Mason's screams that he keeps "HEARING THE FUCKING NUMBERS!", hear flashbacks from earlier in the game, and you can hear Mason yelling "Proceed to target" and "Oswald compromised", then you walk into a room and see footage from your escape from Vorkuta while Reznov speaks to you.
 * Fridge Horror: After the Battle of Berlin, several German women were raped or otherwise brutalized by the Soviet soldiers. So, Dimitri, the character you just played as, and Reznov, one of the biggest Badasses of the series? Yeah, for all you know, they could be rapists.
 * "Several?"
 * Worse, it's not altogether unimaginable that Reznov would rape a German woman, not for his own pleasure, but simply to inflict pain on the Nazis.
 * 's death scene in MW3. Yeah, he was a Complete Monster who had it coming to him, but was it really neccessary to show him frantically flailing around before he died?
 * Yes. Yes, it was. And the bastard deserved a lot worse for what he did to
 * And  Ok, maybe not
 * And the airport. Don't forget that.
 * In Modern Warfare 3, when, even though you see what happens in the "Davis Family Vacation" bit, the full scope of the attack is not revealed until several missions in, when you first get to Paris. Dead civilians everywhere.


 * is terrifying. Worst Mood Whiplash ever. It's still frightening even if you know what's going to happen, and if you haven't had it spoiled for you, the Genre Savvy gamer will know that when in a game like Modern Warfare, shit is about to go down. It's like the Sat1 sequence from 2, except much, much closer to home.
 * In Black Ops, anytime Mason starts screaming or yelling, whether during his Sanity Slippage moments or otherwise. Can also double as Tear Jerker moments if you've grown attached to that character.
 * All of the American levels in MW 2 and MW 3, just imagine if the Russian Invasion and the reasons for it were just a tad bit earlier, like a few years before the games events, looks like Occupy Wall street would have become run from wall street, and then there were the people in the tunnel, just floating there made me cringe at the thought.