Mass Effect/Tropes Q-Z


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The rest of the list found here:


 * Tropes A-D
 * Tropes E-H
 * Tropes I-L
 * Tropes M-P
 * Tropes U-Z

"Game Salesman: Those asari/hanar porn games they sell down in Shin Akiba are really nasty."
 * Racial Remnant:
 * 288 years before the main events, the quarian race lost their home planet to the geth, forcing the survivors of the war to flee. At the heart of their culture is a strong sense of loyalty and a deep attachment to their home world, beliefs passed down by their ancestors. For this reason, almost every quarian you encounter is devoted to finding a way to take back their home world from the geth, despite the fact that no current living quarian has ever stepped foot on the home world. However, according to Tali in ME2, it would take 60 years for them just to acclimate to Rannoch, and ten times that for any other planet.
 * In 3,
 * Ragnarok Proofing:
 * Prothean technology is remarkably durable, most of it still working fifty thousand years later. Granted, though, there is a fair amount of it that's gone offline, and what's left tends to be glitchy or breaking down.
 * Krogan architecture was designed with this in mind, with Tuchanka having already suffered one world-wide nuclear apocalypse. Krogan hospitals are actually built more like bunkers because critically injured Krogan in the midst of blood rage tend to attack anything.
 * Ragtag Bunch of Misfits:
 * Played absolutely straight in the first game and taken screamingly Beyond the Impossible in the second.
 * Archangel also built up one of his own during the two years Shepard was out of commission.
 * Railing Kill: Possible with biotic powers or with weapons that can cause knockback like shotguns.
 * The Mass Effect 3 multiplayer mode used to suffer from major abuse of this. It has since been changed, with knocked-off Cerberus troops using their boot rockets, normally used to slow descent when falling, to boost back up.
 * Ramming Always Works: Played straight in the first game: Sovereign makes a direct run at the Citadel and plows through anything in its way. Subverted in the third game: when it becomes clear that the Reapers can't be defeated conventionally, a Codex entry notes that kamikaze attacks could be an effective alternative... except the FTL system used by every Council species (including humans) has a built-in safety feature that prevents high-speed collisions. Given that FTL technology was devised by the Reapers, this "flaw" is likely intentional.
 * Rape, Pillage and Burn: What happens to a number of colonies throughout the games. Including Shepard's hometown, if you went that route.
 * Raygun Gothic: It's subtle, and certainly a more modern take than is usually traditional, but the game is as much a tribute to the aesthetics of early Space Opera as it is to the plots. Almost every ship is shiny like new, and even the clothing captures the same 'space age' feel of early sci-fi without being too corny.
 * Real Is Brown: Mass Effect 1 seems to have places where this trope is averted and played straight in equal amounts, the most notable aversions being the Citadel and Virmire. In 2, however, the aversions are much fewer in number, and even tropical locations tend to be painted in brownish shades, and, judging by the demo, 3 seems to follow 2's example. Justified in many cases: Tuchanka, Krogan homeworld and major location in both 2 and 3, is a Death World that has been rendered further uninhabitable by nuclear war. Many other locations take place on atmosphere-less cold rocks with enclosures fit for habitation. And in 3, the Reapers destroying everything equals lots of dust.
 * Really Seven Hundred Years Old:
 * The asari and krogan often have lifespans over 1000 years.
 * In the case of your squadmates, Liara states she's 106 and barely considered more than a child.
 * While we don't know how long the Krogan Rebellions lasted, Wrex hints that he fought in them during his youth. When one considers they started in 700 AD, this puts Wrex's possible age at nearly 1500.
 * Which says something when you realise that Warlord Okeer was stated to be even older, with the implication that as a veteran of the Krogan Rebellions, he was roughly the same age as Wrex's father.
 * Krogan may actually be immortal as far as natural causes are concerned; ironically, their deadly homeworld fauna and violent way of life result in the average krogan living a shorter life than a human. Exceptional individuals like Wrex, however, end up notoriously hard to kill due to millennia of accumulated combat experience.
 * And then there's in Mass Effect 3.
 * Real Time with Pause: Practically essential. It lets you figure out where the enemy is, not to mention distribute orders to your squad members. For what should be obvious reasons, Mass Effect 3's multiplayer mode disables pausing, making adjusting to multiplayer in the third game more of a challenge than usual.
 * The Red Mage: Meet the Sentinel class, a biotic engineer. Got a combat upgrade in the sequel, making them Jack of All Stats instead.
 * Reconstruction: Specifically of many science-fiction tropes popular in The Eighties.
 * Recursive Precursors: The Mass Effect universe is the Trope Codifier for this trope; there is an extremely long line of civilizations that came before our own, starting with the protheans 50,000 prior to the games, and ending with the reapers at least a billion years ago.
 * Recycled in Space: A lot of tropes present in cop dramas show up in Mass Effect, such as:
 * Cowboy Cop: As mentioned, you can play Shepard this way, and Garrus himself is like this.
 * You also encounter a couple of these among the background chatter on the Citadel in the third game.
 * Turn in Your Badge: The Council grounding the Normandy is effectively this.
 * Red Oni, Blue Oni: Series-wide, Blue has represented Charm/Paragon and Red has represented Intimidate/Renegade.
 * Religion of Evil: The geth's worship of the Reapers basically boils down to this; after all, how benevolent can a religion be when one of its core tenets is 'exterminate all organic life'?
 * Remember When You Blew Up a Sun?: Word certainly gets around in the Mass Effect universe. Between systems. And between games.
 * Replacement Mooks: Reapers are fond of this trope.
 * Indoctrinated humans?
 * Reptiles Are Abhorrent: Oddly played with. While the krogan actually encountered throughout the series are generally villains or mercs working for villains, you run into more than a few halfway decent ones, and a couple in particular are the fan's favorite heroic Badasses. Also, the species as a whole may become staunch allies in the finale of the series. As for the other races, nobody really seems to mind the salarians, and the drell are even seen as a race of woobies. And a potential romantic interest.
 * Well, the Krogan sure seem to mind the Salarians, and the fact that many Drell serve as elite assassins for the Hanar (who adopted them wholesale after the loss of the Drell homeworld) tends to make many people view them with caution at the very least.
 * Restricted Expanded Universe: Bioware has stated that the official continuity is what happens for the player. Because of this, the novels and comics have to avoid mentioning any of the decisions players can make in the games. The exceptions are thus, appropriately vague: The second and third novels reference Retribution and Inquisition state that
 * Retcon: The physical appearance of the batarians.
 * Some would argue the new "it's-not-ammo" ammo system in the second game counts.
 * Retraux: The games come replete with a faux film grain filter to complete the seventies and eighties throwback feel.
 * Retro Universe: The entire ME universe is built from tropes present in the seventies, with some from the eighties thrown in. Even the art styles are reminiscent of that era. Most people don't even notice, though, until it's pointed out to them.
 * Revolvers Are Just Better: The M-358 Talon pistol....with added awesome for being a revolver-shotgun hybrid. No seriously, it shoots multiple projectiles, has the highest base damage of all pistols and higher than some real shotguns and requires six revolving blocks of ammo to offset the ridiculous heat it generates. Yeah.....
 * Ridiculously-Human Robots: The geth, from having a blood-like fluid spatter when they're wounded, to doing some serious soul-searching constantly to the point of adopting religions, to screaming in pain when they die.
 * Ring Menu: Pretty much every menu in the game, from the main to the power selection to the weapon selection, even the dialogue system.
 * Ringworld: The Citadel. Okay, maybe not strictly a ring, but it does fold up into tube-like shape when under attack, and besides, Lotus World isn't exactly a trope.
 * The Presidium, the rich folks neighborhood on the Citadel and location of many of the high offices of Citadel government, fits the trope to a T, however.
 * Ripped from the Headlines: Cerberus Daily News sometimes bear a striking resemblance to topics currently hot in the real world..
 * Rite of Passage: Several species have them in the games. Constantly mentioned is the quarians' Pilgrimage: when a quarian reaches adult age, they leave the Flotilla and go out into the galaxy, not allowed to return until they have found some kind of gift, some item, resource, or information that will help the Flotilla. Then there's the krogan rite of passage, which, true to their origin and general nature, involves killing lots and lots of things. Followed by five minutes of frantic running from a Sand Worm.
 * Or killing said sandworm, if your name is Urdnot Wrex, or Commander Shepard and serving as part of a Krannt.
 * Or, in the case of shamans, spending seven days trapped in a cave with barely enough food to last.
 * The turians also have a rite of passage, one which is a little more mundane - conscription and military service from age 15, for another 15 years.
 * Robot Religion: The geth form a religion based around worship of the Reapers and the extermination of all ascendant organic life in the galaxy.
 * Also subverted.
 * Robot War: A few. First there was the war between the geth and the quarians, which ended badly for the quarians. Then there was the more recent invasion by the geth, led by Saren, which ended less badly for the galaxy.
 * Roma: The quarians are an odd mix of Roma and Space Jews; their lifestyles are reminiscent of Roma, but their beliefs and some behavior is similar to Jewish traditions. Some Quarian accents are also similar to that of Roma, such as Tali's, but in the sequel its revealed accents differ widely between ships.
 * Rousing Speech: Both Commander Shepard and Captain Kirrahe.
 * And Wrex in the third installment.
 * RPG Elements: After all, you are playing a third-person shooter. With character customization. And experience points. And amazing plot, character development, and dialogue.
 * RPGs Equal Combat: Yes and no. You certainly do get exp for killing things in the first game; however, a good chunk of your early levels will come from talking to various people and scrutinizing various computers and viewpoints. The second game discards with combat rewards entirely; you get exp for completing missions, and nothing else.
 * Rubber Forehead Aliens:
 * The asari.
 * To be fair, they're more like Rubber Back-head Aliens.
 * The quarians are stated to be very human-like, being convergent species and all.
 * Confirmed in the third game.
 * Rule 34: Inevitably. Primarily focused on the asari (as you might expect), but also includes Naughty Tentacles from the hanar. Somehow also applied to Tali, even though she's always in that suit.
 * Hilariously lampshaded by BioWare itself in Mass Effect 2 with.
 * To be fair, they're more like Rubber Back-head Aliens.
 * The quarians are stated to be very human-like, being convergent species and all.
 * Confirmed in the third game.
 * Rule 34: Inevitably. Primarily focused on the asari (as you might expect), but also includes Naughty Tentacles from the hanar. Somehow also applied to Tali, even though she's always in that suit.
 * Hilariously lampshaded by BioWare itself in Mass Effect 2 with.

""I've had enough of your disingenuous assertions!" SHEPARD PAWNCH!!!"
 * They poked fun at this trope by including an in-game inter-species porn magazine (Fornax) that Shepard can purchase (it's un-readable). Sure enough, fans made this magazine a reality, that can be downloaded for free.
 * Running Gag:
 * The human trying to get a refund from a merchant in the Citadel. He returns in the sequel having finally gotten permission to get a refund... only to end up in a similar situation on the specifics of the refund itself. The player knows it's the same guy because he states it's taken him 2 years to get a refund.
 * Mexican Standoff is done so often that it's not even funny anymore.
 * There's also Shepard decking the tabloid reporter, complete with Meme:

"Sergeant: I dare to assume you ignorant jackasses know that SPACE IS EMPTY! Once you fire this hunk of metal, it keeps going until it HITS SOMETHING! That can be a ship, or the planet behind that ship! It might go off into deep space and hit someone else in 10,000 years! If you pull the trigger on this, you are ruining someone's day, somewhere and sometime!"
 * Sand Worm: Thresher Maws.
 * Sapient Ship:
 * Saving the World: You get to save multiple worlds throughout the game, or at least the only parts of the world that are colonized. And of course, the entire point of the series as a whole is to save the galaxy. May be averted, though, in that they acknowledge that if they fail, there will be others who come after them.
 * Scars Are Forever: Pretty much every 'seasoned warrior' type character in the game has some form of scarring:
 * Shepard has at least one in default mode (for both genders), and Wrex, Zaeed, Mordin, James Vega and have very impressive scars on their faces.
 * Played with in the case of However, plastic surgery is an (expensive) third option.
 * Interestingly, any scars that Shepard had gained from character creation from the first game are gone in the second for plot reasons as Cerberus pretty much had to regrow your skin from scratch. Scars being the result of external stimuli, not genetics, would logically not reform.
 * Scary Dogmatic Aliens: Both averted and played straight. The batarian government is fascist-like and runs primarily off of slavery, not to mention the government doesn't entirely condemn the predation of pirates and outlaws on defenseless human colonies. The quarians, on the other hand, are very much communistic: any resources beyond personal effects are available to the community at large (by necessity), and they are most definitely not enemies. If anything, the fanbase woobifies them to the extreme.
 * Scenery Gorn: Pretty much the entirety of Mass Effect 3.
 * Scenery Porn: Frequently. And for people who played the first game, the second arguably opens with.
 * ME2...Illium. ILLIUM.
 * The Normandy Crash Site is just beautiful.
 * The Overlord DLC has some particularly jaw-dropping vistas. The designers were apparently so proud of it, the onboard computer of your vehicle draws your attention to it.
 * The third game tends more towards the above trope, but Rannoch is beautiful.
 * Science Is Bad: Although not played anviliciously straight, you still hear a whole lot more about science gone wrong than any other kind. Then again, you tend not to notice science at all until it does go wrong.
 * It should be noted, however, that the vast majority of the "Science gone wrong" stuff is conducted by Cerberus, which seems to have few ethical guidelines, if any.
 * This trope is averted (or even inverted) for universe at large. The biggest problem in the setting, is that all the races are content to rely on technology that they found, instead of making their own FTL methods, to the point were they shoot at anyone who tries exploring a dormant relay. Meanwhile, new technologies have saved Earth from environmental catastrophe, also curing most human diseases and dramatically increasing human lifespans.
 * Sci-Fi Writers Have No Sense of Scale: Averted in that the game acknowledges the fact that the galaxy is quite large and that interstellar travel would be impossible without the mass relays, even with Faster-Than-Light Travel. The fact that just 35 years after the discovery of alien technology on Mars, mankind has settled a bunch of planets and is poised to take their place alongside the three most prominent species in the galaxy who have already been space-faring for over a thousand years looks like a case of this at first glance, but that's exactly the point.
 * Justified; this is explained by the fact that the Council has a policy of not activating any dormant mass relays unless they have a good idea of what's on the other side, since that's how the Rachni Wars got started. Humans actually got into their first inter-species war that way, when a turian patrol found an explorer fleet trying to activate a dormant relay (an incredibly stupid move from their perspective) and opened fire on them. Colonization also isn't as much of a concern for other races as it is for the humans, who are new on the scene, noted for being aggressive and expansionist, and suffering from a horribly overpopulated homeworld. While human colonies tend to be small, the aggressiveness with which humans are spreading alarms many species.
 * We cannot allow a colonization gap!
 * A more excusable one comes up in the descriptions of how space combat works. Lasers are effective close range weapons because they go at light speed, but are hard to focus at longer ranges, making mass accelerators more effective at longer ranges. In reality, lasers could be focused well enough that they would miss due to light-speed lag before they would cease to be damaging, and mass accelerators would be even harder to hit with.
 * The Codex also mentions the trope. It gets down to knife fight ranges... which are measured in tens of kilometers. As well, it mentions things like heat, projectiles traveling until stopped, and so forth as reasons why fights don't get any closer than this. Shooting the equivalent of a tactical nuke in space is bad if you miss... and there is something you don't want destroyed right behind your target. Which makes the Citadel fight stand out, if you think about it. One, the attack is coming in within visual range, meaning they're unprepared for something that close. Second, they have to worry about missed shots hitting friendlies and/or the Citadel itself.
 * A great little bit of background dialogue takes this out of All There in the Manual Territory (and into Memetic Mutation territory). Behold, Sir Isaac Newton: Deadliest Son of a Bitch in Space!
 * Averted in regards to time and space when you learn about the end of the Protheans.
 * Sealed Evil in a Can: There are also more than a few stories of how a certain peril was mostly dormant until someone came along and stirred it up; the most common is caches of dragon's teeth (husk-making devices) and other bits of  technology scattered throughout the galaxy.
 * Sealed Good in a Can: Subverted with
 * In the first game, one of the many random planetary descriptions involves a wealthy (and somewhat crazy) volus businessman buying an ancient crypt planet and digging it up with mercenaries, claiming to have received visions of "beings of light" designed to protect the galaxy from "mechanical demons". Considering that "demons" is a very good description of and Shepard has been on the receiving end of multiple visions courtesy of the Protheans, not to mention the fact that more than one side description turned out to be important later on, fan theory holds that this will be important later on.
 * Proves to be a Red Herring in the third game.
 * Semper Fi: The Marines and the Navy are pretty much inextricable in space these days, so they are encountered everywhere throughout the series.
 * Send in the Search Team: There's a very Heart of Darkness-esque mission in the second game involving . However, in a more literal application of the trope, quite a few side missions (and a few main ones) involve some person/people going missing and Shepard being tasked to go find them. And then fight his/her way out of whatever mess those people got themselves into/made.
 * In the third game, you repeat this trope, looking for, this time in a Shout-Out to another 70s classic Alien.
 * Sesquipedalian Loquaciousness: In the first game: "I've had enough of your snide insinuations!" In the second: "I've had enough of your disingenuous assertions!" Also qualifies as Sophisticated As Hell, since your character says that right before.
 * Set a Mook to Kill a Mook: The AI Hacking ability present in both games allows you to temporarily turn mechanical opponents against each other. Obviously, the stronger the better, but some of the largest ones have immunity to abilities. In the first game, only Tali has the ability for sure; Shepard can only do it if s/he is an Engineer, or plays through a second time with a specialty. The second game has the ability more spread out, and even adds a new one: Dominate, which lets take control of organic enemies as well.
 * can do this with organics using the Dominate ability.
 * Shaggy Dog Story: The main story is fine. However, in the first game (they seem to have fixed this in the sequel), all the search and rescue side missions have you go out and search for a guy. Almost every time, the guy was already dead long before you got there.
 * Played with in the third game when you have to find the
 * The third game's endings, once Fridge Horror sets in.
 * It's not quite that bleak if you think about it some more. Sequel Hook, anyone?
 * Shocking Defeat Legacy: Both general and personal. Shanxi is the big one, and it even applies to both sides. Short story: humans try to open a random mass relay. This is illegal in Citadel space, because opening inactive relays is forbidden after past unpleasantness. Turians find them and shoot instead of talking, follow them to a colony with a good-sized fleet, and attack. The colony surrenders and the turians let their guard down, thinking they wiped out the human military. Real human military shows up and wipes out them. Turians gear up for all-out war, but the Council stops them before things go too far. The humans are sore at being attacked unprovoked, and the turians are sore that the conflict ended on a high note for the humans. Both sides are really upset, though, because it gave them a good look at how freaking strong they all are.
 * Shoot the Shaggy Dog: Rana Thanoptis, the Asari scientist you find researching indoctrination on Virmire in the first game, also shows up in the second game helping Okeer with his research. In the third game, if you spared her both times,
 * Short-Range Long-Range Weapon: In terms of gameplay, largely averted. The cover system encourages you to stay away - far away - from your enemies. It still gets played straight occasionally, but only because your melee attack are laughably ineffective when it comes to dealing with enemies who like to get up close and personal. Also, largely averted in space combat, or so we're told. The ones we get to see happen at extreme close range, but each time they are explained and justified.
 * Short-Range Shotgun: Averted in the first (more so if you specialize), played straight in the second. There's even a specific "long-range shotgun" in the second game. *facepalm*
 * Shoulder Cannon: Hasn't been seen (so far!) but it's mentioned that the elcor's primary armaments essentially turn them into mobile heavy weapons platforms.
 * Shout-Out: See Mass Effect/Shout Out.
 * Shown Their Work: The development team at BioWare went out of their way to keep the internal universe consistent, with in-depth analysis of how the titular mass effect influences society and physics, along with in-depth geological information on each planet that can be visited in-game and extensive information about each species' biology.
 * Sidequest: Numerous, all of them optional, though not taking many of them will make you feel like a big jerk.
 * The lamentable number of "Go to planet X, find bunker Y and kill everyone in it for reason Z" sidequests is arguably the only flaw in an otherwise overwhelmingly well-made game.
 * The Singularity:
 * Slave Mooks: Quite a few throughout the series: Husks, Collectors,
 * Even the.
 * Slave Race: The Collectors of the second game. A particularly shocking one is
 * Sliding Scale of Idealism Versus Cynicism: Entirely up to you. However, even at its darkest, the series never slides quite to the end of the cynicism side.
 * Takes a hard turn towards cynicism in the third game. The unofficial tagline being "you can't save them all".
 * However, Vanilla Shepard (aka Blank Slate with no imported saves) takes it so that Shepard is semi-Renegade. Not complete Renegade but when faced with the major outcome of the mission always takes the Renegade option for better or worse.
 * This, however, is due to change with the "Mass Effect:Genesis" DLC, which condenses ME1 into an interactive comic, presenting players with 6 necessary questions.
 * Sliding Scale of Linearity vs. Openness: Level 5. Definitely has a direction in mind, but a lot of the missions in a given chapter can happen in any order, and almost all of the side missions are available whenever.
 * Sliding Scale of Robot Intelligence: All of it.
 * Sliding Scale of Villain Threat: Everything up to Galactic level shows up at one point or another.
 * The Smurfette Principle: Averted with respect to your squadmates in both games, but applied to entire species. Asari (who are technically a One-Gender Race) are the only female aliens you see most of the time, and the only other female aliens you encounter are quarians and the rachni queen - and note that the main asari and quarian characters were both designed to be love interests for male Shepards. You'll never run into a single female turian, salarian, krogan, batarian, vorcha, elcor or volus (well, it's hard to tell with the last few, but all the ones we meet have masculine voices).
 * Averted to an extent in the third game, where a female krogan and a female salarian put in appearances.
 * Some Call Me... Tim: Shows up alllll over the place. Especially with certain races (hanar, salarians) who tend to have fairly complicated names. There's even one character whose Fan Nickname really is TIM.
 * Something Only They Would Say: Part of quarian standard procedure is to give a code phrase upon returning to the Flotilla.
 * Also incorporated (optionally) into in the second game.
 * Something They Would Never Say: Along with another one used to indicate duress should they ever be held hostage in a Trojan Horse situation.
 * Space Battle: Only a few are actually seen in the games, though they are discussed in-depth in the Codex. Space combat does largely avert most Did Not Do the Research tropes about space that come up; the devs just go to a lot of effort to make sure the battles that happen in-game justifiably involve ships flitting around at extreme close range as opposed to hammering each other from thousands of kilometers away.
 * Space Clothes: For a Space Opera, the clothing isn't actually that bizarre, for the most part, though standard reporter and diplomat attire has apparently changed somewhat.
 * Space Fighter: Mentioned, never seen. Their role is to harass and weaken larger ships to let their backup get the real hits in, though they can be loaded with very potent mass effect torpedoes that can apparently do nasty things to bulkheads.
 * Actually visible during the space battle in the first game, trailing behind the Normandy. They are just really, really small.
 * ...and are equippable with the Thanix Cannon, according to the codex. Think about that for a second.
 * Featured more prominently in the third game.
 * Space Is an Ocean: As demonstrated by the Alliance Navy and the terminology used by same. The quarian fleet is also known as the Flotilla, another naval term.
 * Averted in other ways though. The finale space battle though has Alliance ships coming at the Big Bad from all angles and notably, it's the only space borne battle depicted. In general, the game makes it a point to demonstrate that while ships are basically impossible to stop from going anywhere outside of mass relays and docking bays, it's more the political and other ramifications that are the real tricky part.
 * Subverted and combined with Fridge Brilliance in the way the Normandy itself manoeuvres in the final battle against Sovereign. The fact that it flies up, inverts, then dives looks like a classic mistake of using a spaceship like an atmospheric fighter. Then you realise how the drives work. The element zero core modifies the mass of the ship, allowing the drives to produce greater thrust/force on the vessel. So when the Normandy does this flip, it is simply using the full potential of its element zero core to reduce mass to apply massive thrust as it 'dives'.
 * The nature of space is gloriously spelled out for some cadets in the Citadel in ME2.

"Joker: You know that it's just our heat emissions that are hidden, right? They can look out a window and see us coming."
 * Space Is Cold: Averted. Though it only really comes up in the in-game codex, the inherent temperature of the near-vacuum, the lack of convection, and the problem of heat radiation (both in acquiring and disposing of heat) are treated correctly.
 * Space Is Noisy: Simultaneously played straight, averted, and even slightly justified. For the most part, the cutscenes play this almost painfully straight, although Rule of Cool is in full effect. On the other hand, it gets played with quite a bit. There are Codex entries that mention the silence of space, and several of the noisy space scenes take place in particularly thick nebulae or a planet's upper atmosphere, where at least some noise could be possible (though, admittedly, nowhere near the amount used). It's also messed with in gameplay. For example, at the beginning of the second game,, the only sound used during the spacewalk is the sound of Shepard's breathing inside his/her helmet. Also, during the battle on the docking bay in the Arrival DLC, the sounds are muffled, giving the feel of silent space while simultaneously allowing the player to hear audio clues as to what's happening.
 * One NPC in the third game mentions turning off the sound emulators so he can watch spacecraft take off silently - implying that this trope is actually enforced in-universe, probably because hundreds of years of Space Opera movies have created the expectation in most races.
 * Space Jews: The volus.
 * To a certain extent, the elcor are a Space Jew variant. Their culture and government has some noticeable parallels to rabbinic law.
 * The quarian trial board in Mass Effect 2 bears some striking resemblances to the Beth Din (an ancient rabbinical court during the age of the First Temple). Additionally, the prayer they recite at the beginning of the trial is almost a word-for-word translation of the Shehecheyanu.
 * Space Marine: In the most literal sense, the entirety of ground-based human military seems to be made up of Marines, including the Player Character and a few squad members. They play most of the tropes straight, being equipped with Powered Armor, Deflector Shields, and loaded up with Bio Augmentation.
 * Justified since what was the Army is now part of the fleet (aka Marines) because it is pointless to fight on the ground if you don't control the space above it.
 * Space Navy: Natch.
 * Space Opera: An essential, played absolutely straight example.
 * Space Pirates: They're called 'mercenaries' more often than not, but what with all the independent hits they make, they're really this most of the time.
 * Space Police: C-Sec for the Citadel, and Spectres for Council space in general. The human Systems Alliance Navy also has a policy of aggressively dealing with criminals they come across, typically from orbit.
 * Actually, the Spectres are only charged with upholding galactic PEACE and very specifically NOT galactic law.
 * Space Romans: The turians. This is so prevalent it makes them the most powerful military force in the galaxy; the only reason the krogan and humans can't measure up is because the former is too disorganized and the latter doesn't have the same recruitment levels.
 * Spanner in the Works: Shepard obviously serves as one for the Reapers. It is also discussed that the Geth as a race are this as well, as they are both unique among sentient species and are developing technology outside of the Reapers' usual technological plans.
 * Spare Body Parts: The krogan. In spades. Spare hearts, spare lungs, spare nervous systems, spare testicles...
 * To a less extreme degree, the batarians, who only have four eyes.
 * The vorcha can spontaneously grow them!
 * Spider Tank: Armatures and Colossi.
 * And Destroyer-class Reapers.
 * Spiritual Successor: Since BioWare never got around to (personally) making a Knights of the Old Republic sequel, most of the community sees this as the next best thing.
 * Sprint Meter: Used in both games. Shepard usually moves at a slow jog, but when in combat (actually, only in combat) s/he can run at high speed. The brevity of the meter makes this impractical as an escape strategy, and the patheticness of the melee system limits its use as an attack. Its best use is in diving for cover.
 * Averted in the third game, where it's possible to sprint without fatigue during combat, and the improved melee makes it practical.
 * Standard FPS Guns: Though not a FPS, the games still manage to make most of the checklist. In terms of what you can personally use, you have standard pistols, shotguns, automatic weapons, and sniper rifles. The second game adds in a different flavor of automatic weapon, along with every brand of heavier equipment on the list (grenade launcher, missile launcher, flamethrower, BFG, etc.).
 * Standard Sci-Fi Fleet: Escape pods, fighters, frigates, cruisers, carriers, dreadnoughts.
 * Standard Sci Fi Setting
 * Starfish Aliens: Rachni, the Thorian, elcor, and hanar. Also,
 * Aren't the hanar more Big Stupid Jellyfish Aliens?
 * Starfish Language: Quite a few.
 * The geth's extremely high-speed "data pulsing" language.
 * The hanar communicate through bio-luminescent pulses as opposed to speech; they have to have specialized translators to vocalize to other species.
 * The elcor primarily communicate through speech, but convey meaning through pheromones and extremely subtle shifts in body language as opposed to tone or inflection. They have to learn to clarify what they mean with every sentence they speak.
 * The rachni communicate by "singing," which other species are incapable of hearing. This is never fully explained.
 * And though no proof is given, it is theorized that the Prothean language is this, considering how squad members react to hearing it spoken. And how Shepard reacts to having his/her head crammed full of it.
 * Starfish Robots: The Geth have some pretty strange designs, ranging from the Armature to the larger Geth platforms.
 * Stat-O-Vision: Used to explain why enemies are clearly labeled and marked in-game, as well as why their current shield, armor, and health status is displayed, along with your squadmates.
 * Stealth Pun: Several pop up in the series. Such as the Mass Effect 2 "Collectors' Edition."
 * Stealth in Space: The Normandy is the first ship to be able to do this. The ship is still visible, it just has all its emissions contained and is able to move without thrusters due to its drive core. The visibility is not much of a problem unless it gets very close to another ship and they actually look out of the window. Also notable that going to FTL speeds makes it easily detectable.
 * Joker even comments on this during 's loyalty mission:
 * Joker even comments on this during 's loyalty mission:

"Weyrloc krogan: Run away now while you still can! Shepard: I don't know, I might trip on the dozen or so krogan I had to kill to get here."
 * It's also mentioned repeatately that with the dimensions of space, most people don't pay much attention to visual signs. The geth don't even have windows.
 * Steel Ear Drums: Played straight for the most part; explosions don't seem to hamper the team's ability to hear or communicate in any way. Somewhat averted in the second game, with Shepard temporarily experiencing Shell-Shock Silence whenever an explosive goes off near him/her. It only lasts a few seconds, though.
 * The effect does not really evoke the usual Shell-Shock Silence impression, but rather sounds like it is the work of audio dampers protecting your (non-steel) eardrums. How this is supposed to work, even if you've chosen not to wear any helmet (or the helmet you wear doesn't cover the ears), is an entirely different question. Probably A Wizard Mass Effect Field Did It.
 * It's probably cybernetics, given what happened to Shepard.
 * Stereotype Flip: Overlaps with My Species Doth Protest Too Much on occasion; the Codex spends all of its time describing the stereotypical behavior of most species. Then you actually go out and run into lots of people who don't conform to those standards.
 * Sticks to the Back: Pistols and submachine guns have holsters, but everything else folds up and packs onto the back. Justified as mass effect field emitters can be seen on the back of armor and cloth uniforms exactly where the weapons "rest."
 * Storming the Castle: Present in the first two games. The attack on Fist's bar and the Virmire assault from the first game, and the entire point of the second game is recruiting soldiers to attack the Collectors on their side of the Omega-4 relay.
 * And then comes the third game, which features both you and the main antagonist factions engaging in this.
 * Story-Boarding the Apocalypse: In a way. The first game gives the general details of what happens every time the roll around, including timing and general behavior. But not everything was revealed, making the discovery that
 * Story to Gameplay Ratio: Definitely more to the Story than Gameplay side, but there's still an equitable amount of both. It starts to tip more towards gameplay if you skip the dialogue.
 * And more towards story if you take the time to read every codex entry and log.
 * Strange Syntax Speaker: Hanar, elcor,
 * Streaming Stars: Averted. Plenty of light going by, blueshifted by the speed of travel, but the stars stay right where they are.
 * Stripperiffic: Three of Shepard's companions have impractical high heels and skin tight outfits. The law enforcer (Asari Justicar) looks like this. Lampshaded in Miranda's case by several NPCs including two of Normandy's engineers and an asari mercenary who tells her she's waiting for Miranda to get dressed before the shooting starts. And then there's.
 * Stronger with Age: Asari age like this.
 * Subspace Ansible: The primary form of communication is using photons ferried through the mass relays, which results in limitation of bandwidth. The Illusive Man has found another way to talk to someone on the other side of the galaxy, but as it isn't in mass production, it is of limited use outside of Cerberus channels.
 * Quantum Entanglement Communicators are in use in the third game, but seem to be very expensive and/or difficult to acquire. The Normandy has been fitted with one, and other users are the Alliance military, Citadel Council, salarian homeworld, and, surprisingly (or not), the quarians.
 * Sufficiently Advanced Alien:
 * Even more so,
 * Suicidal Overconfidence: For the most part, played straight; a massively large number of mercenaries, pirates, and private security teams seem to think they can take on the Normandy's crew. There are a few places where Shepard can point out that this didn't go too well for the last few hundred or so people to think like this and urge them to reconsider. Most of the time it works. Sometimes it doesn't.
 * Lampshaded during the Mordin loyalty mission:

"Garrus: You know me. I always like to savor the last shot before popping the heat sink. ((Beat)) ...Wait. That metaphor just went somewhere horrible."
 * Hilariously lampshaded in the encounter with Niftu Cal.
 * In the third game, if Shepard acts very confident about defeating the Reapers, many characters will think this trope applies to Shepard. Which it might.
 * Superior Species: Though they have all the hallmarks, the asari rarely actively play this trope straight. Which is good, because it's averted more often than not, and even deconstructed in the second game.
 * Superpowered Mooks: Enemy biotics, and any Collector controlled by Harbinger.
 * Superpower Russian Roulette: The only way to get a biotic is through pre-natal exposure to eezo. However, this has a higher chance of causing brain cancer than granting people gravity-controlling powers.
 * Super Reflexes: The Soldier class' Adrenaline Rush ability.
 * The Infiltrator class has its own version; when looking down the scope of a sniper rifle, time slows down for a few seconds, giving ample opportunity for headshots.
 * Super Soldiers: Every Alliance marine fits the definition of this trope in the ME universe, having received numerous genetic tweaks as part of standard training, though specialists get more fancy enhancements. There are more fantastic examples, though, mostly in the second game, notably Shepard, Miranda, and Grunt. It is unknown what the tweaking policy is for other species.
 * And in the third game, we learn that has its own ways of doing this.
 * Surprisingly Elite Cannon Fodder: Mass Effect 2 could be seen this way as a serious example; a Ragtag Bunch Of Misfits sent away on an admitted suicide mission, the leader of whom
 * Surprisingly Similar Stories
 * Surveillance Drone: Often seen floating at the shoulders of reporters, intrepid or otherwise.
 * Survivor Guilt: Not as rampant as some other issues common amongst Shepard's team, but each one still has members who feels this. Like Shepard him/herself. Or Ashley. Or Kaidan. Or Jack.
 * Han Olar could be the most profound example of this in any game ever.
 * Garrus, too. In ME2, Liara shows signs of this in regard to.
 * Starts to weigh heavily on Shepard in the third game, and Admiral Zal'Koris.
 * In the third game,
 * Tactical Shooter: Though the line between TS and FPS has become somewhat blurry of late, Mass Effect hits three of the criteria.
 * Take Cover: The game's combat system utilizes extensive cover, like most Third Person Shooters.
 * Take Your Time: For the most part, this is played absolutely straight. Anytime you receive a distress call, are informed of a 'desperate' situation, or have been sent an urgent communique about something that needs to be dealt with right now (like tactical missile launches, falling asteroids, or falling ships), go ahead and ignore it. It'll still be there in five hours. Memorably subverted in one instance in the second game, however:
 * Averted twice in Mass Effect 3: if you don't complete the evacuation of Grissom Academy within a certain amount of time, . Also, failure to disable the Tuchanka bomb.
 * Talking Lightbulb: Both quarians and volus have this built into the "mouth" area of their suits. Why has not been explained, nor does it entirely sync up with their speech.
 * The rule seems to be that the light dims once for each word spoken, although in the case of many short words spoken rapidly this can be hard to make out. This makes a lot more sense than the more common matching of syllables, since the sounds we hear are not actually the sounds they speak, thanks to Translator Microbes.
 * Fridge Brilliance: The reason the light blinks is because if more than one quarian, volus, etc., is present, its helpful to know which one is speaking. Sure, you can also do that off of voice recognition, but that's only if you know them.
 * Talking Is a Free Action: As in all BioWare RPGs, though not quite as bad as in others. Most of the time, if something urgent is going on, the conversations will be short, and you can't start a conversation in the middle of a gunfight. However, certain sequences, like  occur while
 * Lampshaded in the sequel a couple times. Shepard can bring up inane topics a few times in the middle of critical situations, and the character s/he's talking to will call him out on it.
 * ...or be zapped with electricity, in one particularly uncomfortable interrogation in the Shadow Broker DLC.
 * Tank Goodness: One in each of the first two games.
 * To elaborate, it was used in the first game for exploration, and many people liked exploring enough to forgive the bad controls. Also, the PC version had much better controls for it.
 * Taxonomic Term Confusion: Mostly averted; except for the Protheans, Reapers, and Collectors, all of the species names are uncapitalized, like "bottlenose dolphin," "human," or "saber-toothed tiger." The latter two are titles rather than the species' actual name and the first might also be so it's sort of justified in those cases. However, this hasn't stopped the fandom from capitalizing the species names, sometimes on this very wiki.
 * Technology Levels: Played straight...sort of.
 * We find out in Mass Effect 2 that
 * Technology Porn: The Codex probably doesn't need to go that in-depth on details of mass effect technology. But then, most of us don't care, one way or another.
 * Terminally Dependent Society: The quarians. Most of their food comes from a few agricultural superships. These ships are kept at the center of the fleet, and are so fragile they're most of the reason for why quarian military forces will only transmit one warning before blowing your ass out of the sky. Also, galactic travel is impossible without the mass relays.
 * Terraforming: Mentioned but rarely, if ever, seen, mostly because it's hideously expensive.
 * Terrified of Germs: The quarians, courtesy of having immune systems that are slow to adapt.
 * It's subverted, in that, most of the time they don't have to worry about getting sick, just allergic reactions. Also, the quarian immune system has always been very different from a human one. On their home world, viruses were partially beneficial, and formed a symbiotic relationship with their bodies, so they even had trouble with this before their exile.
 * Tertiary Sexual Characteristics: Quarians have several suit differences between male and female: females generally have a "girly" color scheme, males have hook-like things that extend off their masks, and so on.
 * Thanatos Gambit:.
 * That Came Out Wrong: Almost everyone has at least one of these, but the most common (and popular) come from Garrus, Tali, and Liara.

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 * That Makes Me Feel Angry: Elcor have extremely monotone voices because they communicate their emotions through pheromones and other means too subtle for other species. To get around this they state their emotions while speaking, such as "Delighted: welcome." This is later used to humorous effect in a random Citadel radio announcement when a human patron of the arts says he's organizing an all-elcor run of Hamlet, the entire point of which (as far as human audiences go) is to filter out all the emotional overtones to the Danish Prince's behavior.

""Anyone who fights us is either stupid or on Saren's payroll. Killing the latter is business. Killing the former is a favor to the universe.""
 * And the elcor bouncer at afterlife when a customer threatens to force his way past him "With barely constrained menace, I would like to see you try"
 * An elcor on the Citadel in 2 is accused by his companion of hacking his translator to lie about his speech conditionals. His response: "With a sincerity such that doubt would be considered deeply offensive: No".
 * Averted in one instance by the elcor ambassador in Mass Effect 3: He doesn't use a prefix, stares downwards, and sounds like he is about to cry.
 * That's No Moon: The Solar System's mass relay was Charon. The rock and ice seen in the 21st century were just a concealing shell.
 * Theme Naming: As of the second game, Shepard has met two, Sovereign and Harbinger. While those are not their real names, they are both adjectives you would most likely see used to refer to a hero or some other position of greatness.
 * Curiously, they seem to have been mixed up. Sovereign is the one heralding, which is basically what "harbinger" means. Harbinger, meanwhile, is the one best known for assuming direct control.
 * There Are No Therapists: Averted. Repeatedly. The most messed up people in the game, should you so choose, are quite explicitly shipped off for therapy. And the second game even has its own therapist on your ship.
 * Perhaps inevitably, said therapist is the only one to visibly have problems adjusting after.
 * Third Person Person: The hanar speak like this, since their culture believes that using first person in public is rude.
 * Time Abyss: Most notable in the first game with the Thorian, Vigil, and the Reapers. The page-quote from the trope page in fact originates from.
 * in the third game.
 * Timed Mission: Contains a few, but they're really not too difficult, and for most of the missions you can take as long as you need. They also make for some of the more memorable missions in both games.
 * Some of the notable ones include: in the first game, rescue Tali (or she dies); in the second game, the Thresher Maw, which you only need to survive for five minutes - Bonus Points for actually killing it. In the endgame,
 * And then there are the challenges in the Mass Effect 3 multiplayer mode.
 * Title Drop: as seen in the page quote, "mass effect" is an ability of element zero to increase or decrease objects' masses depending on the polarity of an electrical charge via dark energy. It is the basis for the technology of interstellar civilization, and is mentioned to be such.
 * Token Romance: The romances in both games. What happens on the Normandy, stays on the Normandy.
 * May ultimately be averted in the third game.
 * Of course you can avert this as the romance is entirely optional.
 * Too Dumb to Live: Why thank you, Wrex.


 * To Win Without Fighting: The Charm and Intimidate conversation options. The earliest example occurs during a Mexican Standoff in the first game. Either Paragon Shepard points out that this would be a good time to leave, or Renegade Shepard points out that he/she's killed about fifteen well-trained guards to get there.
 * Translation Convention: We hear a Prothean recording on Ilos speaking in English, but Shepard is the only character who understands it because of the Cipher. When the party meets Vigil shortly afterward, however, he addresses them in English Galactic, having monitored and analyzed their radio communications. Note that the Translator Microbes present in the setting means that the entire party would thus understand him even if you take alien allies to Ilos.
 * In the Redemption comic, Translation Convention is both referred to (it starts by talking about Omega station and how it also means something final in alien languages, and a mention of how a phrase may not have translated properly) and played straight when.
 * Translator Microbes: As explained in the codex, alien languages are translated real-time by portable computers or sub-dermal chips, without which intergalactic culture would be a far more difficult affair to sustain.
 * Trial and Error Gameplay: Since dialogue options do not reflect exactly what Shepard will say or do, picking any option is often a leap of faith that leads to an undesired result. Such unwanted responses tend to result in many players jumping to the Pause menu to reload their last save.
 * For example, one option for a male Shepard to resolve the Ashley/Liara love triangle is to suggest a threesome. There's no real way to predict this outcome.
 * Tribal Face Paint: The turians all have facial markings defining the wearer as a member from one of the colonies where they were born. Which all stems from some sort of civil war.
 * Trope Overdosed:
 * Before Mass Effect 3 came out, the series had THIRTY-FOUR pages, and the Mass Effect 3 main page alone had over 150 tropes. Again, that's before the game was even released.
 * Mass Effect 2 takes the cake with four different pages to cover all of its tropes.
 * And now we have eight different character pages. "Eight?" "Eight, Bob!".
 * Even its quotes are troperiffic: "Ah, yes, Reapers. The immortal race of sentient starships, allegedly waiting in dark space. We have dismissed that claim." Nineteen tropes. One per word.
 * Troper Critical Mass: How many times have the various pages had to be split, again?
 * True Companions: The crew of the Normandy in all three games is a Band of Brothers, brought together principally by Shepard and hir mission. More than half your crew in the third game were with you in the first and their conversations reflect this. The Krogan species generally forms these and call them 'krants'.