Mildred Pierce



""Personally, Veda's convinced me that alligators have the right idea. They eat their young.""

- Ida Corwin

Mildred Pierce is a 1945 Warner Bros film, based on the novel by James M. Cain, directed by Michael Curtiz, and starring Joan Crawford.

One gunshot opens the film. Monte Beragon (Zachary Scott) collapses onto the floor, and chokes out "Mildred" before dying. Mildred herself is walking out to the docks, looking over the edge as if to jump. The police take her to the station and she relates her story.

Mildred Pierce (Joan Crawford) is a typical middle-class housewife in suburbia. Bert (Bruce Bennett) is her recently unemployed husband, and they have two spoiled daughters--preteen Kay (Jo Ann Marlowe) and teenaged Veda (Ann Blyth). Bert is against Mildred's parenting style, which he calls "buying them love", but Mildred sees it as protecting them. After fighting over this and Mildred's claims that he has been cheating on her, Bert decides to leave. Mildred rebuilds her life by becoming a waitress and eventually owner of a successful restaurant (with money borrowed from callow heel Wally (Jack Carson), though Veda sees the work as degrading. Mildred does anything she can to impress Veda, but the girl insists on regarding her mother as "a common frump whose father lived over a grocery store and whose mother took in washing."

Mildred eventually marries Monte, a rich playboy, to impress Veda. Things go downhill from there, until we find out how Monte was killed.

Joan Crawford won a Best Actress Academy Award for her performance, and the film was nominated in several other categories.

In 2011, the original novel was adapted into a three-part, five hour mini-series for HBO, with Kate Winslet as Mildred, Evan Rachel Wood as Veda and Guy Pearce as Monty. The mini-series followed the novel more closely than the movie, restoring the novel's Downer Ending and plot points such as Veda becoming a successful opera singer.

Sonic Youth named one of their songs after the film.

"Kay: Aw, pretzels!"
 * Acceptable Feminine Goals: ("I'll do anything for those kids. D'you hear me? Anything!") in which the eponymous heroine becomes rich as a restaurantress.
 * Adaptation Distillation: The movie; while the entire third act and murder plotline are invented for the movie, it is largely seen as a move that better fits the story. Having Joan Crawford as Mildred helps as well, as Crawford's strong will makes Mildred's blind spot towards her daughter's sociopathic nature all the more believable.
 * All Take and No Give: Mildred's relationship with Veda, obviously.
 * Bratty Teenage Daughter: Deconstructed.
 * California Doubling: In the miniseries, New York doubles for Southern California.
 * Character Title
 * Color Coded for Your Convenience: Kay, the sweet good child has blonde hair. Veda, the bratty, manipulative daughter is a brunette.
 * Composite Character: Lucy Gessler, who is Mildred's neighbor and best friend in the novel is left out from the movie, but a part of her personality is incorporated into Ida's character.
 * Cool Car: Mildred gets Veda a very nice, expensive car.
 * Cut and Paste Suburb
 * Cut Himself Shaving: Wally says this is where he got the cut on his hand when he was framed.
 * Deadpan Snarker: Ida -- oh, so much!
 * Also Kay, awesomely (when Veda whines about her new dress not being good enough, she drawls "oh, you're breakin' my heart"). However, she doesn't get too many good lines.
 * Death by Adaptation: Monte. While the novel ends with him leaving with Veda, the film opens with his murder.
 * Downer Ending: The book:
 * The mini-series takes the downer ending and turns it into a Bittersweet Ending:
 * Fan Service: Evan Rachel Wood gets full-frontally nude on screen for the first time in the miniseries (though considering, it could be something else).
 * Femme Fatale: Mildred fits this role. While a fairly good person throughout most of the story, she frames Wally for Monte's murder at the start of the film.
 * Fille Fatale: Veda.
 * Film Noir
 * Food Porn: Any scene with Mildred cooking or serving food.
 * Freudian Excuse: Veda insists on it. "You're the one who made me the way I am..."
 * Good Girls Avoid Abortion: In the book, Bert and Mildred consider "an operation" when, but veto it for health and moral reasons.
 * Gosh Darn It to Heck:


 * Hair of Gold: Kay.
 * Hope Spot: The mini-series; in the book, once she is stripped of her restaurant empire, it is stated that Mildred doesn't have the will to try again at business. In the mini-series, Ida (who now runs the business) is still friends with Mildred and makes it clear to Mildred, that she needs to get back into the food service industry when Ida points out how their customers have noticed a drop in quality in the product ever since Mildred was forced out.
 * Housewife
 * How We Got Here
 * Incurable Cough of Death: develops one right before going on vacation with her father.
 * Karma Houdini:.
 * Kill the Cutie:.
 * Mama Bear: Mildred, so much. She'll do anything for her ungrateful daughter.
 * Manipulative Bitch: Veda full stop. At first she mostly just uses her mother to get things she wants. Later, she does this other people. At one point
 * May-December Romance:
 * Parental Favoritism: Bert favors Kay above Veda, due to how spoiled she is. Mildred doesn't sway too much towards either daughter, though she is the reason Veda is way she is.
 * In the book, Mildred favors Veda - when, she (guiltily) thinks to herself that she's glad it wasn't Veda.
 * Pretty in Mink: Mildred has a sable coat and hat at the end.
 * Smoking Is Cool
 * Smoking Is Glamorous
 * Spoiled Brat: Veda.
 * Spoiled Sweet: Kay.
 * Stay in the Kitchen
 * Teens Are Monsters
 * The Vamp:
 * Who Names Their Kid "Dude"?: In the book, Mildred's daughters are called Veda and Moire, due to "the principles of astrology, supplemented by numerology". Mildred and Bert mispronounce Moire as Mwaray, and shorten it to Ray.
 * Your Cheating Heart: Monte cheats on Mildred.