Sheri S. Tepper

Sheri S. Tepper is an author, born in Colorado, America. She writes primarily sci-fi and fantasy; and also has a couple of horror and mystery titles, written under various pseudonyms.

Works by Sheri S. Tepper with their own trope pages include:

 * The Gate to Womens Country

Other works by Sheri S. Tepper provide examples of:

 * Alliterative Name: The Marianne trilogy is one doozy of an example: Marianne, the Magus and the Manticore, then Marianne, the Madame, and the Momentary Gods, and finally Marianne, the Matchbox, and the Malachite Mouse.
 * Anti-Magic: The 'muties' in The True Game series suppress the gifts of all nearby Gamesmen.
 * Anvilicious: Tepper's works are loaded with rather less than subtle commentary on feminist philosophy and religion; particularly The Gate to Womens Country and The Revenants.
 * Author Tract
 * Bad Powers, Bad People: In The True Game series, with lampshade-hanging from a scholar who remarks that in every case he's aware of, the unpleasant powers always go to unpleasant people who actually enjoy having them.
 * Body Horror: It's found in spades in Tepper's novels. In Shadow's End, in exchange for humans being permitted to live on the planet Dinadh,  In Gibbon's Decline and Fall the main villain   It seems that Tepper's pre-author career working for Planned Parenthood gave her plenty of personal Nightmare Fuel. See also the novel Sideshow for dinka-jins.
 * Call a Smeerp A Rabbit: In the novel Grass there is a native breed of animal specifically called the Hippae, but those who live on the planet of Grass commonly refer to them as horses and ride them in their fox hunt. Due to some miscommunication, offplanet equestrians arrive to join in the hunt and encounter what can only be classed as Nightmare Fuel - the Hippae  Tepper initially leaves the reader just as much in the dark as to the nature of the Hippae as she does the offplanet tourists.
 * Also the "Hounds" and "Foxen" (archaic plural of "fox").
 * City Planet: Tepper has a novel called Beauty, in which the Earth has had all its wilderness wiped out, followed by any and all crop growing facilities. And in Shadow's End, the governing planet of an entire solar system is a City Planet.
 * Conjoined Twins: in Sideshow, also in the Margarets
 * Contemplate Our Navels: In Grass
 * Culture Justifies Anything: Sideshow is set on a planet obsessed with preserving cultural diversity, to the point that there are Enforcers whose job is to prevent its various subcultures imposing their values on each other -- even values like "sacrificing infants to stone idols is bad".
 * Day of the Week Name: In Raising the Stones siblings were named after days of the week. They didn't know what the words meant - their parents took them from an old list in an obsolete language, and thought they'd make good names.
 * Fractured Fairy Tale: In Beauty, based on the Sleeping Beauty fairy tale, Beauty
 * Future Food Is Artificial: In the section of Beauty set in the future, the population produces only one type of food. It is small, squarish, and cracker-like. The artificial colours indicate what vitamins each cracker provides. They are largely tasteless and textureless (although one of the blues has a slight flavour).
 * Functional Magic: The True Game series has not one but two detailed and structured systems of magic. One is described rather better than the other.
 * Gaia's Lament: In Beauty. In the section of the book set in the future, the wilderness and all its animal species are wiped out (even the oceans) to make way for crop growing facilities and housing for the rapidly growing population. People live packed on top of each other in tiny appartment 'boxes' and eat artificial food.
 * Genius Loci: In The True Game series, there are several examples of Genius Loci such as forests, roads, and pools.
 * Heir Club for Men: Played with.
 * In Six Moon Dance the founding mothers of the planet Newholme create  and a dominant ideology that females are the stronger sex and males are the weaker, leading to the population desiring female heirs.
 * In Raising the Stones the power derived by males from their heirs is eradicated by legally denying the father-child relationship. Heirs are are only accepted through the maternal line, and any male claiming fathership is frowned upon.
 * Lady Land: Is used in Six Moon Dance and The Gate to Womens Country.
 * Mister Seahorse: Found in Tepper's The Fresco.
 * No Woman's Land: For examples just close one's eyes and point at any random Tepper book.
 * Persecution Flip: Six Moon Dance is about a repressive matriarchal society. Tepper has a very feminist message in a lot of her work, so this is sort of like "examining demographics that would lead to men being oppressed in the same way as women".
 * Planetary Romance: In The True Game series
 * Prophecy Twist: In The Revenants, the protagonist sets out to fulfill a prophecy, not knowing that it's actually a distorted transcription-from-memory of the real prophecy. By the end of the book, both versions of the prophecy have come true.
 * Religion Is Magic: In Beauty, Christian miracles are unconsciously drawn from the same magical energy that pagan magicians and fairies consciously work with.
 * Robotic Torture Device: In Six Moon Dance there's a sexual bondage device which is set to inflict sadistic pleasure at first...before it just gets sadistic. And deadly.
 * Shapeshifter Baggage: In the "Mavin Manyshaped" trilogy shapeshifters can increase their mass by incorporating additional organic material (Mavin uses a sack of grain at one point), but decreasing their mass (beyond discarding the additional material) is not directly addressed.
 * This troper remembers a conversation between Peter and Maven implying that shifter simply consolidate their neural net when forming smaller shapes.
 * And this troper remembers in a subsequent scene that Mavin made soup out of the "discard". But it is the only time this problem and solution is mentioned.
 * Sliding Scale of Gender Inequality: Ranges from Level 6 in Grass, to level 9 in The Gate to Womens Country.
 * Starfish Alien: Many, but especially the rather strange life-cycle in Grass. Spoilered, as it's a major plot point.
 * The Greatest Story Never Told: In Tepper's The Fresco
 * Tomato Surprise: In The Family Tree, the story is told from two disconnected points of view through most of the novel, until it is revealed . Then shortly thereafter we find out that.
 * To Serve Man: In The Awakeners, humans are allowed to immigrate to the planet Northshore after the government essentially makes a Deal With the Devil with a native species (that resemble human sized, talking birds).  Um, yeah...
 * Tongue-Tied: In The True Games series a character is unable to speak about certain information, but is able to write it down. Even further, any character who reads this information will then find themselves unable to speak the same information.