Rat-Man



Rat-Man is an Italian comic book created in 1989 by Leonardo "Leo" Ortolani. It depicts the adventures of an unlikely hero, the titular Rat-Man, a not very bright (and very inept) guy without any superpowers in a goofy yellow rat costume.

What began as a Shallow Parody (albeit very funny) of Tim Burton's first Batman film has since grown into a very complex storyline, full of homages to the Silver and Golden Age of comics (Leo is an avid admirer of Jack Kirby's characters), but also to the gritty realism of the Dark Age. The main purpose of the comic was to make a parody of anything and everything, not only superhero-related tropes, but of other genres, films and popular culture in general; however, it has since introduced a number of long and fairly serious story arcs that give a deeper insight into Rat-Man's previous life. Of course, there is still plenty of parodies and wacky moments.

In 2006 Rat-Man was given an Animated Adaptation which was not very well received.

"Insomma, tutta la scienza del mondo era Altrove. ("In short, all the science in the world was Somewhere Else.")"
 * Abhorrent Admirer: Cinzia the transgendered hooker, a former male postman who fell in love with Rat-Man (or better, his civilian identity before he became a hero). He never realized who she was despite some blatant evidence, and the fact s/he involuntarily helped him to become Rat-Man in the first place (in short, he subscribed to Mickey Mouse comic books and the postman sent him those comics every day, then he decided to wear a rat costume...).
 * Adult Child: Both Rat-Man and his friend Brakko.
 * All There in the Manual: If the story gets a bit too confusing and convoluted, there have been summaries of the plot so far added after the stories (in Rat-Man 35 and Rat-Man 70-75), which also explain details and things you may have missed because you were laughing too much.
 * Anti-Hero: Rat-Man is a Type 1.
 * Artificial Human: The "Vegetoidi", humanoids created from plants and vegetables. Thea, Rat-Man's Love Interest and the only woman he ever really loved, was one of these, the most advanced example.
 * Art Shift: In some issues, such as the "Yellow" trilogy which spoofs/homages anime and manga.
 * Author Appeal: Geology. Ortolani has a degree in that field, and it shows when the usually dumb Rat-Man becomes knowledgeable about rocks. There are also many gags involving geology during the comic, including an entire story, which is also a James Bond parody on top of that!
 * "Author Not-Appeal": Rat-Man has an extreme hatred of cats, and it is implied that Leo hates them too.
 * Back from the Dead: In one issue Rat-Man dies and goes to Hell, but a very powerful demon (which is an obvious Shout-Out to Spawn) helps him on his way back to life. At the end of the issue, it is revealed that the demon is really major antagonist Janus Valker's soul, and he helped Rat-Man because every time he performed a good deed his punishment would be a little less harsh.
 * Beat Panel: Leo is very fond of these. Many jokes and overly long gags rely on them for maximum comedic value, and to stretch the scene to make sure that the action continues from the first panel of the next page. It's even (hilariously) discussed as a comedy tool in the story "Comic School".
 * Black Best Friend: Police captain Thaddeus Brakko, to Rat-Man.
 * Black Dude Dies First: Set up in the The Expendables' parody, where there is a character known only as (even by that character himself) "Muscly Black Dude Who Dies A Gruesome Death", and whose purpose is only to say "You're totally mad, bro!" and "You said it, dude!". He frequently lampshades this behaviour, and even explains how a family photo is the way they chose to give depth to his character.
 * Fully averted:.
 * And at the end
 * Non Sequitur Episode: one issue of the comic, "La Mummia" (The Mummy), had nothing to do with Rat-Man. It was a parody of the Mummy series of films starring ancestors of Aldo and Giuda, characters from Ortolani's comic series "Venerdì 12".
 * Breaking the Fourth Wall: Often. Sometimes, it's more subtle, where the characters are aware that they are starring in a comic book (and they treat it as a job) and interact with panels and speech bubbles. Others, they make jabs at the artist, or comment on the nature of the comic (a favourite one is remarking on the bimonthly publication schedule.)
 * Calling Your Attacks: In the story "Il Grande Ratzinga!", Rat-Man became the pilot of a giant Super Robot, and naturally used this trope. The story was mostly a parody of the Super Robot and anime tropes.
 * Catch Phrase: "Fletto i muscoli e sono nel vuoto!" ("As soon as I flex my muscles, I'm flying!")
 * Chekhov's Gag / Brick Joke: In spades. Expect minor jokes, throwaway lines, references and characters to return several times. It may be in the next page, at the end of the episode or even at the end of the story arc, several numbers later.
 * Example: at the beginning of a 2001 Space Odyssey parody, a prehistoric monkey throws a bone in the air, and in the very last panel the bone falls down and hits Rat-Man in the head... followed by another brick joke from that issue, a sabertooth tiger that carries an unconscious Rat-Man away.
 * More Extreme Example: in "Rat-Man's Escape", Rat-Man is evading Cinzia, who claims to have a gift for him. He rudely remarks that it's probably thirty centimetres long, but s/he chastises him, saying it's only a rose. He apologizes and admits that sometimes he's biased against her/him, only for him/her to reveal that s/he had it tattooed on her/his penis. When, at the end of the arc, three episodes later (which correspond to six months of real life between publications), Rat-Man and another character are about to have a horse race, Cinzia promises a rose to the winner, prompting him to shoot his horse to avoid competing...
 * City of Adventure: La Città Senza Nome ("The City With No Name")
 * Cloning Blues: One of the story arcs.
 * Crapsack World: In Rat-Man's world, almost everybody is stupid, violent or insane. Sometimes all three at once...
 * Crossover: Back when Rat-Man was still little more than a fanzine, Rat-Man met various well-known characters such as Spider-Man and Dr. Doom. Later, he started to meet only expies of comic book heroes, but there were some cross-overs with Italian characters such as Erinni and Lazarus Ledd.
 * Fake Crossover / Covers Always Lie: One cover of the comic depicts Rat-Man being terrified by Aldo, the hideous main character of Venerdì 12, a series that shared space with Rat-Man in the comic books. The two characters have never met in the actual comics.
 * Crouching Moron, Hidden Badass: Rat-Man is a moron, but sometimes he'll do things like making a fool of an Expy of Son Goku (showing more resistance to pain than the rock Goku's expy was hitting him with in the process) or jump the Villain of the Week while forced on a wheelchair. And he still remains a moron.
 * Dead Baby Comedy: Sometimes literally, like when Rat-Man joked that Brakko's son was stillborn.
 * Dogs Are Dumb: Svarz, Brakko's "guard" dog. Though it's hard to tell if he's dumber than his master...
 * The Dog Was the Mastermind: All the events of the "Comic School" story (see Stylistic Suck below) are revealed as the plot of Graziello, a doodle-boy with an Annoying Laugh appearing throughout the issue (scribbled on walls, papers etc.), who never had the opportunity to be published, and so hijacked Rat-Man's story to finally be printed and appearing in a comic book!
 * Eldritch Abomination: La Gatta, which looks like a beautiful woman, but whose true form is a demonic being from another dimension that feeds on humanity's lust and desires.
 * Evil Albino: Janus Valker.
 * Evolutionary Levels: In the 2001 homage/parody, a scientist uses on himself the power of the monolith and suddenly evolves into various lifeforms (including Pikachu), before ascending to a higher plane of existence and short-circuiting the monolith.
 * Expy: During his adventures Rat-Man meets many transparent expies of superheroes, such as "L'uomo con il costume da ragno" ("The Man in the Spider Outfit"). Justified by the fact that the times of real superheroes are over, and those are people without powers inspired by the heroes of times past. It is maybe something of an homage to the Golden and Silver eras of superheroes, it's not really that clear.
 * Aldo of Jason, in Venerdì 12. But only in his appearance.
 * The "New Superheroes" arc features Ironcrash, Wallclimber, Zoth, Captain Battle, the DNA-Men, and others.
 * Eyeless Face: One-time character Mr. Tristazzi from the "Comic School" story has spectacles... but no eyes underneath.
 * Funny Background Event: Often there will be one in order to cram more jokes or get through exposition.
 * Future Me Scares Me: Averted. Rat-Man meets his future self, but he looks and acts just like him... only fatter.
 * Gag Penis: Transsexualism Cinzia Otherside's defining feature.
 * Getting Crap Past the Radar: more like, crapping on the radar as much as possible. Let's just say that the fact that one of the main characters is a transsexual prostitute and that it still has to at least pretend it's a comic suitable for kids lead to lots of racy double-entendres.
 * Good Angel, Bad Angel: Parodied. Rat-Man once met the well-endowed starlet Gessica Lovebol, and had the chance to undress her. Both the devil and the angel on his shoulders asked him to remove her bathing suit!
 * Horny Devil: La Gatta ("The Cat").
 * Hot Scientist: Kalissa.
 * Humanoid Abomination: Possibly Janus Valker and Joba, since they are possessed by L'ombra (The Shadow).
 * The Igor: Janus Valker's assistant, Jorgesson, is a faithful and competent scientist who serves his boss with loyalty and abnegation. It is stated several times that he is one of the few people Valker cares for, and the only one he tolerates after embracing the shadow.
 * Incredibly Lame Pun: There are some: for example the plot-wise very important labs are called "Altrove", which means "Somewhere else":

"Cinzia, to the bartender: "Call a taxi for me.""
 * Infant Immortality: Averted, and how. Sometimes it is Rat-Man himself who causes the death of children, through incompetence or sheer malice.
 * Mad Scientist: There are many, most notably Dr. Denam.
 * Mad Scientist's Beautiful Daughter: Thea Denam, who really was an Artificial Human and his most advanced experiment ever.
 * The Man Behind the Man: During the events of the six-part story about Rat-Man's origins (known among fans as "The Hexalogy"), a mysterious cloaked man appears in various places without ever saying or doing anything, but it is mentioned that he knows about Rat-Man's fate and will control it. Characters acknowledge his presence, but rarely interact with him (an exception is, for example, the Jack Kirby expy) and Rat-Man is afraid of him.
 * Meaningful Name / Reality Subtext: Rat-Man's real name is revealed as being "Deboroh La Roccia". "La Roccia" in Italian means "The rock", a nod to Ortolani's degree in Geology.
 * Cinzia Otherside is transsexual. What a shock, uh?
 * Thea Denam (see the Artificial Human example) is named after the Tea rose, the plant she was created from.
 * Mind Screw: The story called "The R-Files", a parody of The X-Files, but a very twisted story on its own, full of Breaking the Fourth Wall moments and Doubly subverted tropes. For examples, the Mulder and Scully parodies find the real Rat-Man, but then he is revealed as being Leo Ortolani, the creator of the (real and in-story) series. Moments later, Ortolani accidentally spills ink all over his panels and he disappears into blackness, revealing they were characters in a comic all along... It Makes Sense in Context. Or maybe not.
 * My Friends and Zoidberg: Mixed with Self Deprecating Humor, the title of number 78: "The Greatest Heroes of the World! And Me."
 * Also in number 88, "Il Grande Magazzi e il Principe Mezzo-rospo" (something like "The Great Wizardus and the Half-toad Prince"), Rat Man is randomly called Olaf, and has been attending a Wizardry School for a long, long time (without success). The headmaster begins his start of year speech with the words "My dear future wizards...*beat*...and Olaf."
 * No Celebrities Were Harmed: Many characters have features based on popular actors and other celebrities. Brakko is based upon Danny Glover, Kalissa (Janus Valker's Love Interest) looks like Cher. Lupo, Rat-Man's former instructor, is based on Sylvester Stallone, and Il Pipistrello, Rat-Man's mentor, is obviously Patrick Stewart. Even the Animated Adaptation is not immune: recurring character Dr. Schafausen is based upon Christopher Lee.
 * No-Holds-Barred Beatdown: It happens often to Rat-Man as Marvelmouse, while he was fighting many opponents in the Arena and getting destroyed in seconds by all of them. Once a member of the audience asked the Kenshiro parody to stop senselessly beating Marvelmouse, and another time Il Drago (see Take That below) bashed him with a stone for so long that... the stone asked for mercy! It's all part of the humorous tone of the comics, but these fights also show how much of a determinator Rat-Man is.
 * Non-Human Sidekick: Piccettino (something like Li'l One), Rat-Man's old, small, worn-out teddy bear. He's just a regular teddy bear (maybe), but Rat-Man thinks it can speak and do things. Then again, it's stated many times that Rat-Man is mentally retarded.
 * Parody Names: Averted. The parodies usually give to the characters names with no relation to the original ones. Try to get which character's parody is supposed to be Professor Richlady without reading the story where he appears.
 * Post Modernism: The more this comic is running, the more its humour becomes post-modern: characters are aware of being in a comic book, or are just actors playing a part; one story arc eventually revolved around the fact that Rat-Man (the series) had won a prize (in real life) and Rat-Man was supposed to take it... and then discovered it was all a plan devised by an evil publisher who used Rat as a means to capture and publish God!
 * Actually, it was "God" who rigged the awards with the help of new toons so that Rat-man would try to run away from the editor, which would eventually lead the evil publisher to enter the toon world and be killed by a long-missing toon. Obviously both Rat-man and Brakko don't understand what happened even after Brakko himself explains the convoluted plan.
 * Really Gets Around: Clara, Brakko's wife, has slept with almost every man in town, but Brakko is completely oblivious to this.
 * Running Gag: There are some, such as Cinzia Otherside's desire to marry Rat-Man.
 * Self Deprecating Humor: Leo Ortolani himself appears as a minor or semi-minor character, usually as a pathetic little man (whom even Rat-Man makes fun of sometimes!) who sometimes gets killed.
 * He frequently makes fun of of his "useless" degree in Geology. But sometimes, like when Rat-Man succeeds in finding out a secret hideout by moving a rock that shouldn't be in that environment, it's surprisingly useful.
 * Shallow Parody: Rat-Man began as a Batman parody, but the more the stories went on, the more Ortolani removed elements of it, such as Rat-Man being a millionaire, his Rat-Mobile, his sidekick Tòpin, and so on. Justified since Ortolani wanted his hero to be more like a metropolitan vigilante a la Spiderman.
 * Venerdì 12 (Friday the 12th), another series by Leo published on the Rat-Man magazine, has nothing to do with Jason Voorhees besides the title and the fact that the protagonist is a hideous man turned into a monster who lives alone and hides his face under a blank mask.
 * Shout-Out: Too many to count.
 * Many covers are homages to famous comic book covers, such as the first appearances of Superman, Batman and Spider-Man, and many other iconic arts. Rat-Man usually substitutes the hero in the cover.
 * Show Some Leg: Hilariously parodied with Cinzia Otherside. S/he was in need of a lift and did this to stop a truck, but we only see the aftermath... Cinzia in a bar, and behind her the wrecked truck, upside-down and burning!


 * Stand in Portrait: Rat-Man tries to pass unnoticed by hiding among figures on a wallpaper. He fails... even if it is revealed that the pattern on the wallpaper looked exactly like him!
 * Stylistic Suck: The "Comic School" story is an interesting example of this. Basically, in the "Comic School" story, Rat-Man and other characters attend a school for future comic artists, but he and the others represent the real people behind those characters, and so each one of them is drawn in the style of those people wanting to be artists, but not having the abilities to do that. The majority of them are little more than doodles.
 * Sunglasses at Night: Valker and Joba never remove their sunglasses. They do this to hide their real demonic/possessed nature: the sunglasses also act as some sort of Power Limiter, and when they remove them, they can unleash terrible powers in the form of living shadows.
 * Take That: Many to be found, especially against anime and manga, which Leo isn't too fond of. Most notably the battle between Rat-Man and Il Drago, a transparent parody of Dragon Ball's Son Goku.
 * The Television Talks Back: Used in a story parodying The Ring. Bizarrely, it wasn't even a real cursed tape, just a prank by the owner of the store Rat-Man rented the tape from.
 * The Movie: Rat-Man: il segreto del supereroe.
 * The Trope Without a Title: Almost every setting in the series has a name like this, such as "La Città Senza Nome" (City Without a Name), "La Città Molto Grande" (Very Big City) and so on.
 * When the comic books spawned a Trading Card Lame, it was called "Il gioco senza nome" (The Game Without a Name).
 * Unperson: Played for Laughs. Rat-Man as Marvel Mouse once fought a character called Il Drago (a parody of Son Goku and the Saiyan from Dragon Ball), who had a special move which, according to Rat-Man, sent the opponents in a dimension so far away that nobody would have remembered their existence. Il Drago was stopped by a superhero called "L'uomo con il costume da Ragno'' (a Spiderman expy) who reversed the effect of the move and sent them both in the other dimension. Later, Rat-Man saw a poster of his fight with Il Drago and wondered who the latter one was.
 * What Happened to the Mouse?: Fittingly, this happens to Tòpin The Wonder Mouse, Rat-Man's former sidekick and a parody of Robin the Boy Wonder. However, it is implied that Valker may have killed him.

The Animated Adaptation provides examples of:

""Hello-ooooooo, both of you!"
 * Bowdlerised
 * Continuity Nod: In his Rat-Cave, Rat-Man has a picture of the Second Secret Squad, the Guardian and the Cat's calendar.
 * Couch Gag: At the end of the credits something different happens to Rat-Man every time. One of these even directly referenced The Simpsons, the Trope Maker.
 * Like this giant foot?
 * The Cameo: In almost every episode a caricature of Andrea Plazzi, Leo's editor, appears. Caricatures of the production staff appear as well. Also Fry appears sometimes.
 * Getting Crap Past the Radar: as a result of the animated series being (obviously) Lighter and Softer, Refuge in Audacity becomes Refuge In Subtlety. To elaborate - Rat-Man's comment upon seeing an Expy of Pamela Anderson?


 * Hey, It's That Voice!: Ladies and Gentlemen, Naraku dubs Rat-man!!
 * Pragmatic Adaptation: Some plotlines, characters and jokes are recycled from the comic, usually simplified to compress it in a ten minute cartoon and not let the complex mythology lock out those who do not know the source material. For example, the movie is based on the the cloning arc (Rat-Man 12-14) with several details changed to make it a stand-alone story.
 * Shout-Out: Again, lots and lots.