Hero with an F In Good

""Why am I so bad at being good!?""

- Zuko, Avatar: The Last Airbender

Like the Minion with an F In Evil, the Hero With an F in Good almost always is basically a nice person deep down, but while the Minion with an F in Evil became a Punch Clock Villain because Evil Is Cool, but his Pet the Dog personality foils his bosses' plans, this character sometimes daydreams of becoming one of The Hero's True Companions, or being the hero by himself, but serious character flaws make it a poor career goal. He doesn't have a problem with doing heroic things, but he does have trouble when it comes to other aspects of being good.

Typical Characteristics:
 * The Hero with an F In Good has redeeming qualities that make part of him want to be a hero out of a desire to do good or the right thing, in other words a Jerk with a Heart of Gold or Well-Intentioned Extremist rather than a Jerkass. They can be a Jerkass Woobie.
 * This character almost invariably has a checkered or mysterious past, or a bad reputation, which makes it difficult for authorities and other heroes to trust them. Perhaps the character was once a villain or Noble Demon who has more recently done a Heel Face Turn.
 * They often find that Good Is Boring and just obeying the law and community decency standards can be difficult or trying at best.
 * They may be a Nightmare Fetishist, Cloudcuckoolander, etc., who just does not "get" the whole Good Versus Evil thing, because Evil Feels Good. If the character has recently done a Heel Face Turn, because Evil Cannot Comprehend Good, "behaving themselves" is new to them, and it's hard to unlearn the old ways. Often the character Wants a Prize For Basic Decency.
 * The Hero with an F In Good tends to get themselves kicked out of the Justice League, Rebel Alliance, etc. for 'minor' offenses (theft, destruction of property, etc.).

This character differs from other related tropes as follows:
 * Misunderstood Loner with a Heart of Gold: both have a bad reputation, but only the Hero with an F In Good deserves it.
 * Designated Hero: both want to be seen as good, but the Hero with an F In Good honestly tries and fails. The main difference is while the Designated Hero's flaws are only obvious to the audience, the Hero with an F In Good's flaws are readily apparent to the other characters.
 * Mr. Vice Guy: the Hero with an F In Good's flaws directly interfere with his status as a hero, and he's not excused for them.
 * Noble Demon: while the Noble Demon cultivates his "bad" reputation, this character daydreams of being a hero. Can be the result of a Noble Demon doing a Heel Face Turn and realizing they don't know a thing about being a hero.
 * Punch Clock Villain: for the Hero with an F In Good, evil isn't just a job. It's a job they hate, but sometimes the only job that pays the bills.
 * Villain Ball Magnet: it isn't the universe that paints the Hero with an F In Good as a villain, it's his own flaws.

Allowing them entry into a Superhero organization, etc. could cause serious problems for the group's reputation, cohesiveness, etc., so instead a common fate is to become Flanderized into a recurring Ineffectual Sympathetic Villain who the heroes can still count on when the Big Bad crosses the Moral Event Horizon, because Even Evil Has Standards.

In a more Black and Grey Morality/Dystopian setting, this character often ends up being the one who Took a Level In Badass and joins the heroes anyway.

Compare The Team Wannabe. Compare and contrast Nominal Hero.

Anime and Manga

 * Sousuke from Full Metal Panic!. He's (arguably) a good person at heart, but... he just cannot live as a law abiding citizen, and more often than not, he does more harm than good. It has been hinted multiple times that the only reason why he's on the "side of justice" is because he just happened to get accepted into Mithril because of Kalinin, and he decided to work alongside Kalinin there.
 * Sousuke is very law-abiding, it's just that he abides by military law. Sousuke is a former child soldier who was brought up in the most war-torn regions of "Khazakastan" and, after his first unit disbanded, grew to his present age serving in one mercenary band or another until he finally came to Kalinin's attention and was recruited for Mithril. He knows absolutely nothing about civilian life and can barely comprehend the blissful ignorance civilians live in. For example, if a person tampers with his locker, he blows it up -- because he's probably seen friends and coworkers die from bombs or poison slipped into personal belongings. Hell, he may have used that method to kill people himself. While there are times where he genuinely deserves Kaname's exasperated pummelings, there are others where it really can cross into Dude, Not Funny territory: it's basically beating the snot out of him for being ignorant.
 * Durarara!!: Shizuo Heiwajima really does want to do good by people -- it's just that his massive anger issues and Unstoppable Rage tend not to discriminate between bad guys and innocents
 * To be fair, how accurate can you be with a thrown vending machine?
 * Baccano!
 * Isaac Dian and Miria Harvent work on atoning for their previous (harmless) crimes by stealing large amounts of cash and goods from wealthy families Just Like Robin Hood.
 * Half of this show's cast fits this, as even the protagonists are often The Mafia, a Noble Demon, a liquor bootlegger etc. Also note Durarara's entry as well. The author, Ryhogo Narita, is in love with this trope.
 * You're Under Arrest: The Striker the self proclaimed hero only causes more damage than good on anything.
 * Bleach: Don Kanonji was this. He believed he was a role-model for children everywhere, a hero who made life bearable for children everywhere by showing there that there was someone in the world who stood up to the monsters that go bump in the night. And then he learned the tactics he was using were actually creating the very monsters he thought he was fighting.
 * from Naruto might not be the Complete Monster he appeared to be at the outset, but there's still the fact calling him "one of the good guys" is quite a stretch.  While he is depicted as a man who made many sacrifices and tough choices,   is still dangerously close to just being a Manipulative Bastard with an Omniscient Morality Licence.
 * Tentai Senshi Sunred is a short-tempered, easily irritated bum with a pachinko addiction who survives day-to-day on the sufferance on his girlfriend Kayoko. His glory days of Sentai leadership long behind him, he now fights the monsters of Evil Organization Florsheim simply because they won't leave him alone, and even then tends to treat it as an annoyance he'd rather be without.
 * This is probably the most even-handed way to describe Shinn Asuka from Mobile Suit Gundam SEED Destiny without descending into the Fan Dumb battles that have raged since the show ended. He's well-intentioned, wanting to protect the innocent, but has severe anger issues and an anti-authority streak that only get worse as he's manipulated by Chairman Durandal and has to deal with Athrun Zala's unintentionally poor mentorship. The moment that divides the fandom is ; this permanently ensures that he will never be a part of Kira's team, which means that as Kira gradually starts taking the forefront, Shinn gets portrayed as a mindless attack dog on a wire leash.
 * Making it really sad, the spoilered point above is simply a Gone Horribly Wrong version of something Kira himself did in the original Gundam Seed . Other than that, can he be blamed for siding with the Chairman, who treated him like a son, rather than Athrun, who Bright Slapped him once for disobeying orders and once for obeying them? Super Robot Wars (particularly Z and L) fixes this by having Kira, defusing his anger and giving them the chance to become friends.

Comic Books

 * Hank Pym from The Avengers. He tries to be a hero but his unstable personality sometimes makes him more of a menace. He is another one who's getting over it, what with leading the last Mighty Avengers incarnations who, in-universe, nearly overshadowed Norman Osborn's Dark Avengers. However, his tendency to screw up things is still there too...
 * Plastic Man from the Justice League of America is frequently this, betrayed by his criminal background and frivolous, comedic personality.
 * Depending on the Writer, Deadpool can be this when he tries to be a good guy. He's too violent and psychotic to really pull off being a hero, too conflicted and silly to really be a villain, and tends to swing between Anti-Hero and Anti-Villain like a pendulum. Most of the heroes of the Marvel Universe can't stand working with him (Cable and Siryn being rare exceptions), and considering it's a Crapsack World where even guys like The Punisher and The Hulk are afforded some respect and trust, that's saying something.
 * F in Good or in evil, depending on your side: during the Civil War storyline, he became a registration enforcer… then he attacked superhero groups because he didn't check they had registered!
 * Max Damage from Incorruptible. Once a Complete Monster, he got scared straight when the resident Captain Ersatz of Superman snapped and went on a rampage. The entire book's about his struggle to redeem himself, but all he knows about being good is "do the opposite of what you used to do".
 * The Spectre, God's Angel of Vengeance, has such a horrifically skewed sense of proportion and priorities that, he needs to be kept bound to a morally upstanding human soul just to reach the level of Good Is Not Nice Sociopathic Hero. That's right, not only did he get an F in good, but God gave him a cheat sheet, and he's still only getting Cs and Ds.
 * The Hal Jordan version of the Spectre is a lot less vengeful, but makes up for it by being incompetent. His more notable deeds include the time he resurrected Green Arrow as a soulless amnesiac, and the time he restored Wally West's secret identity by making everyone in the world forget who the Flash was. Including Wally.

Film

 * Star Wars: Anakin Skywalker in the prequel trilogy. He's brave and willing to risk himself for others, wants to do what's right, joins the foremost good guy organization... But he's impatient, uncontrolled, unable to accept his place and constantly tempted to just go ahead and (to sum up all the various temptations) do whatever he damn well feels like at the moment. When he does, it ends badly for everyone. After that he becomes an entirely different character who gets an A in Evil easily. Until the end of Return of the Jedi, that is.
 * The Chronicles of Riddick: Riddick. He is a full-grown Satisfied Street Rat -- a vicious and remorseless human predator who has killed hundreds of people at torture range. What makes him a "hero" is that though he is a genuinely Axe Crazy Knife Nut who lives to tear people to shreds simply for the joy of it, he has no interest in killing those who cannot defend themselves, finds children to be amusing distractions(especially since those feelings are usually returned), and treats those that do kill the defenseless as animals. He thus finds himself regularly rescuing loads and loads of people by accident despite never intending to.

Literature

 * Chronicles of Thomas Covenant: Thomas Covenant becomes one of these in the first trilogy, after an act that many consider a rare "heroic" Moral Event Horizon. Covenant himself is sickened and guilty over what he's done and tries to make up for it where he can, but he generally just winds up making things worse.  It's worth noting that while Covenant does turn out to be a good person, (very) deep down, it takes three whole books for either him or the reader to admit it.
 * In a very real sense, the entire point of the first trilogy is the psychological redemption of an utterly broken man into someone who can live with himself - the first book setting him up as someone the audience very likely hates as a reflection of how badly he already hates himself. And since the series very strongly straddles the line between reality and psychological allegory (and occasionally argues that both answers are valid), by definition saving the Land saves his own soul - and vice-versa.
 * This entire framework continues into the second trilogy - except instead of being Covenant's redemption, it's the story of how Linden is ultimately tested and redeemed (and no, all the references in the series to alloys and forging aren't coincidental at all). It's hard to tell if the third (and final) tril... err, tetralogy follows the same pattern, and if so, precisely WHO is being redeemed. As of the third book,
 * Artemis Fowl: For awhile, Artemis's Heel Face Turn was impeded by his love of devious plans, until he realized that a Chessmaster doesn't have to be a villain.
 * The Once and Future King describes Tristam as one of these. Basically, he's got the rough idea of the Knight in Shining Armor, but doesn't really understand why he should act like one--particularly when sex is involved.
 * Molly Carpenter, Nice girl, not very good with using moral methods to present moral outcomes. There's a reason there's a death sentence over her head if she gets out of line. It starts with using mind control to get a friend off Heroin, which ended up being more Mind Rape. Oh, and Black Magic is addictive too. She keeps trying to use Mind Rape several books later when she feels its worth it (it never is).
 * In the obscure children's book Simson and Samson, Sir Simson looks like and does his best to be a classic heroic knight. He's not very good at it, generally wreaking so much incidental havoc that the peasantry desperately hopes he won't try to help them with their problems.
 * This is why, in Twilight, Jacob is considered inferior to Edward. Jacob is ostensibly nicer, shares more of Bella's interests, lacks Edward's self-loathing issues, and seems like a lot more fun - but unlike Edward he isn't particularly ashamed of his monster side, and has extreme mood swings in which he could do Bella serious harm (wheras Edward has much better self-control). At one point, he even decides to take revenge for Bella dying in childbirth by murdering her baby, because it killed her.

Live Action TV
"Spike: I'm not sampling, I'll have you know. Just look at all these lovely blood-covered people. I could, but not a taste for Spike, not a lick. Knew you wouldn't like it. Buffy: You want credit for not feeding off bleeding disaster victims?
 * Charmed: Cole Turner. While, admittedly, he is the victim of double standards, he does have trouble doing good, even during the times he isn't being treated unfairly. Often end up solving problems using violence.
 * Buffy the Vampire Slayer: Spike from in season 5 frequently falls into this trope, often doing things not because it's right but because it's what Buffy would want.

Spike: Well, yeah.

Buffy: You're disgusting.

Spike: What's it take?"

Video Games
"Jack: I don't help people, I kill them."
 * Yuffie from Final Fantasy VII tries to be good, but she just accidentally gets an entire trope name after her inability to do so.
 * Jowan of Dragon Age is blood mage who, unlike the others you meet, is perfectly well-meaning and just wants to live a normal life and do some good. Unfortunately, his efforts at doing so all end in disaster.
 * Illidan from Warcraft desperately wants to be revered and, if possible, be revered for being a hero. However, his attempts to be a hero always end with him crossing another Moral Event Horizon.
 * MadWorld: Jack, according to himself:

Webcomics
"Kareen Zalia: Great. Now you think she's some kind of Superhero too! Feng: No way. A superhero wouldn't cut a living human being's ribs out one at a time out of curiosity."
 * Abraham from El Goonish Shive basically defines this trope. He's a Well-Intentioned Extremist trying to destroy the "abominations" created by the Dewitchery Diamond--the diamond that he enchanted. This is lampshaded in-comic: A wizard tells Abraham that every properly trained mage in the world is taught about Abraham, "the idiot apprentice who decided to enchant a diamond to cure his noble friend instead of selling it and getting aid from someone more experienced."
 * Also, the "abomination" in question? Had long since adjusted to  situation and become a beloved cast member. Meaning he was basically targeting an innocent just for existing. When this was first brought up, he remorsefully stated that the only reason he continued trying to kill   was because he was bound by an oath.
 * Amya: Vincent does his job because he needs to get paid - but when things start to go badly he doesn't hesitate to let his abductees loose.
 * Oasis from Sluggy Freelance does try, but she gets an F-.


 * Order of the Stick. Belkar is a subversion. Being the Token Evil Teammate, he finds a way to do what the rest of the party expects of him, but in the most evil - usually violent - way possible. Elan plays the Trope more straight, sometimes because he's The Ditz (to the point at which Roy briefly abandons him to his fate) and sometimes because he's too Genre Savvy.
 * Gawaine in Arthur, King of Time and Space. He understands why Arthur's code of chivalry is better than the old "might is right" philosophy (sort of) but well, he was raised by Morguase and Lot, so it's sometimes hard for him to act accordingly. He does try though, at least until.
 * Vriska Serket from Homestuck counts. She's on the side of good, but she's a manipulative, backstabbing, self-serving egomaniac all the same, and has quite a bit of difficulty getting over this.
 * Jareth in the Mega Crossover fancomic Roommates. So much that it's a Running Gag... when he succeeds by some miracle the power of Narrative Causality gets him. Just take a look at this lovely banner.
 * Cassiel of Misfile is Satan's niece, and normally just bothers the main characters with Poke the Poodle evil plots (such as serving them sub-par snacks). When she decides to do nice things for her mortal friend, however, she ends up screwing things over pretty bad.

Web Original

 * Captain Courage, of the Whateley Universe. He tries to be a hero, but he has so many illegitimate children and paternity suits that there are more wanted posters out for him than for most supervillains. In most places, he's now known as Captain Condom instead of his real codename.

Western Animation
"Lisa: When you try to be good, you're even more evil!"
 * The Simpsons: Mr. Burns unsuccessfully tried to be good. He tries his hand at recycling, and ends up using the plastic he recycled to overfish the nearby sea.

"Fry: Now me and Leela are forming an awesome crime-fighting duo. Bender: Wow, crime-fighting. Cool. You say you're a duo? Yeah duos are good. Of course sometimes they're a little short handed. See ya. With two humans you'd think there'd be a robot in there... to balance things out. But, whatever. I have these three costumes you could use. But, I guess I'll just throw one away. Leela: We'd love to have you on the team Bender. But aren't you more on the supply side of crime?"
 * Bender from Futurama:


 * In Superman: The Animated Series, Bizarro thinks he's Superman, so goes around "saving" a building from what he didn't realize was a scheduled demolition, and "fixing" an opening draw bridge, thinking it was falling down, causing a ship to almost crash into it.
 * This sort of action was played for laughs in the Daffy Duck cartoon "Stupor Duck." Daffy, as mild-mannered Cluck Trent mistakes dialogue from a TV drama as a villain's arch plans, so as Stupor Duck, he rights a to-be-demolished building, stops a staged-for-filming railroad demolition, surfaces a legal submarine, and gets sent to the moon on a rocket.
 * Avatar: The Last Airbender: Zuko yells "Why am I so bad at being good?", but he may not fit the trope. Zuko did waver between bad and good, but it was more a case of wavering between My Country, Right or Wrong and Defector From Decadence than wavering between Anti-Villain and Anti-Hero.
 * In the episode "Zuko Alone", he fits the bill better than usually though. He's just beginning to find himself in that episode and gets reluctantly drawn into a conflict with some corrupt Earth Kingdom soldiers that are abusing their position in a small village. He struggles with not wanting to get involved (and of course hiding that he is a Fire Bender), but in the end, saves the day. Of course, his Crowning Moment of Awesome, when he tells the Earth Bender EXACTLY WHO just beat his ass, turns sour when the townsfolk (including the little boy he just saved) no longer want anything to do with him after seeing his Fire Bending. On top of that, the reason the boy was in trouble at all was because Zuko gave the child his own dagger as a parting gift and the boy threatened a guard with it.
 * To clarify, Zuko says this after he accidentally burns Toph. But in the Grand Finale, he is the second most important person in the world to end the war, after Aang.
 * Note that Zuko is pretty ineffective as a villain too, though.
 * Coop of Megas XLR. He's a good guy, and far from incompetent (but still within view of it), he's just a Destructive Savior to the nth degree. One episode dealt with some alien superheroes mistaking him for an outright villain, and their nemesis thinking he was trying to pull an Eviler Than Thou.
 * Plastic Man in Batman the Brave And The Bold. Recently redeemed and enthusiastic about being a hero, but frequently exasperates Batman with his difficulties being competent and not stealing stuff.
 * Justice League: The Huntress gets herself kicked out of the League for attempting a revenge killing. Aside from that one time though, she does a pretty good job at being a Hero.
 * In My Little Pony Friendship Is Magic, Princess Luna turns out to be this. She's a genuinely sweet and nice pony, but she's thin skinned and her aggressive awkwardness comes off as creepy or threatening. When she's rejected, she has a tendency to lash out with hordes of spiders and lightning storms, then desperately try to cover it by joking about getting the spiders in the net. She later decides to embrace Evil Is Cool and Rule of Scary by playing herself up as a fake, pretend villain. Because life's no fun without a good scare.