A Scanner Darkly



"This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed - run over, maimed, destroyed - but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it..."

- A Scanner Darkly, afterword, Philip K. Dick

A Scanner Darkly is a classic 1977 darkly comic dystopian Science Fiction novel by Philip K. Dick. Dick dedicated the book to numerous people he personally knew that died, became insane or irreversibly ruined their health because of drugs. Among that list he placed himself, as his own early '70s drug use had destroyed his pancreas and eventually caused his premature death in 1982.

Bob Arctor, the protagonist, is an undercover narc in the war on Substance D, a drug which gradually destroys a person's ability to think or perceive reality. Substance D deteriorates a person's mind, until they are obsessed only with the drug, and endanger themselves and others going after it. It seems to be made in only one place, but the narcs just can't seem to find that place or stop the flow.

When Arctor appears in public, doing anti-drug talks or comparing notes with other narcs, he wears a special suit that hides his features completely by changing how he looks every second and removes the affect from his voice. This is supposed to be to protect the narcs from internal corruption; not knowing what your fellow undercover agents look like makes it much harder for a crooked cop to sell out to the cartels.

Bob only wears this suit when he's in straight society. In the world he's infiltrating, a world of poverty and crime, he uses no disguise and simply goes by "Fred". As "Fred", he blends in well, fitting in more with the people he scopes out than with the straights. He even uses Substance D, the better to blend in. The narcs are aiming for the big dealers, and they hope that Arctor will lead them to the people they're hunting for by hanging out with the small fish.

But Arctor's drug use is starting to impair his thinking. His current case, strongly suspected of being a major Substance D dealer, slips out of his grasp by entering a rehab center. The rehab centers give the people who enter completely fresh starts, and our protagonist's attempt to get confidential info from the one that suspect entered simply wrecks the chance of his using it again, either for info or for rehab.

So Arctor talks, in disguise, with his superior, also in disguise, to get his next case. The boss seems understanding about his losing his quarry. So they discuss all the Substance D users in the neighborhood; this requires him to talk about "Fred" as if he were someone else, since doing otherwise would make it clear who he was and make him a direct target for corrupt cops. His boss determines that the "Fred" he reports on is behaving suspiciously and getting large amounts of money at irregular intervals; it's actually reward money from Bob's successful tips, but, not knowing "Fred" is a narc, the boss thinks he might be a dealer... and so Bob is given the assignment of spying on himself. Which doesn't make things easier on his drug-addled brain.

In 2006, it was adapted into a movie by Richard Linklater, starring Keanu Reeves, Woody Harrelson, Robert Downey, Jr., and Winona Ryder. Neither a traditional live-action nor animated feature, the movie was recorded on digital video and then rotoscoped to create a graphic novel-like visual effect. Both versions of the story are well-loved, although some significant elements of the film are different from the novel.

"Narrator: The next thing he knew, a creature from between dimensions was standing at his bed, looking down at him disapprovingly. Freck: You gonna read me my sins? Eh, it's gonna take a hundred thousand hours. Creature: Your sins will be read to you ceaselessly, in shifts... throughout eternity. The list will never end. Creature: (begins reading) "The Sins of Freck." Narrator: Charles Freck wished he could take back the last half hour of his life. Creature: "... theft of fingernail clippers..." "... you did knowingly and with malice..." "... punched your baby sister, Evelyn..." "... December, theft of Christmas presents..." "...one billion lies..." Narrator: One thousand years later, they had reached the sixth grade, the year he had discovered masturbation. Creature: "... November fourteenth, Percodan... Vicodin... Cocaine...""
 * Arc Words: If I had known it was harmless, I would have killed it myself.
 * As the Good Book Says...: The title is a modern spin on the famous quote by St Paul in 1 Corinthians, (to see imperfectly) "through a glass, darkly".
 * Becoming the Mask:
 * So much so, Bob forgets that he's also Fred, while Fred forgets he ever used to be Bob...
 * Also in a secondary sense, the mask of "Bob" the druggie and "Fred" the narc also become solely his identity as he loses who he was before. His brain becomes so dissociated from who he has become that it speaks to him in German.
 * Bittersweet Ending: Going almost into Downer Ending territory.
 * Black and Gray Morality:
 * the cops are using questionable means, the drug dealers are pushing a drug that kills people, and the . No real good guys here...
 * The rehab clinic and the people who run it are pretty much the only side in the entire book that have the word "BAD" clearly written over them in big black letters.
 * Bungled Suicide: Freck's attempt, in the movie. In the book, the suicide attempt is his last appearance in the story, so it may have actually worked.
 * Cast as a Mask: In the movie, Mark Turner plays "Hank", who is later revealed to be.
 * Casting Gag: Robert Downey, Jr., who's infamous for his highly publicized drug problems (which he was just recovering from at the time the movie came out) is cast as a drug addict living in a household full of them.
 * Creator Cameo: In and out of universe, both in regard to the scramble suit. The suit works by mixing and matching facial and body features constantly, but very very randomly, the face of the inventor will pop up complete on the face of the suit. In the movie, at one point, Philip K. Dick's face makes its way onto the suit.
 * Dating Catwoman: Subverted. Bob/Fred says he loves Donna and would love to date her, but never ultimately does. She claims she doesn't date. He does have sex with someone and hallucinates that its Donna, though...
 * The Dead Have Names: The epigraph to both the novel and the film.
 * Driven to Madness: Arctor by the dichotomy of spying on himself, which slowly cleaves away his sanity... and then eventually the reader.
 * Drugs Are Bad:
 * The whole point behind the anvils it drops.
 * However, what was different in this book it that through it clearly shows that the drugs are destructive, it asks the question: if the reality without drugs isn't a world you want to live in, what's the point? It shows the pay off: a brief life of dark instability where wonderful moments can still happen, terminated quickly by damage, psychosis and death; or a world of straight living where nothing changes and routine just whiles away the interminable time of your long life. That entire struggle is manifest in Arctor's decision to become an undercover cop, and then in the identity split between Fred and Arctor. Par the course, really, for PKD's dystopian view of reality, the question is discussed vigorously and never answered.
 * Full-Body Disguise: The scramble-suits.
 * Future Slang: Subverted. Dick used the language of the Berkley drug culture, the language his friends spoke with. But to those out of the know, and anyone reading nowadays, it sounds like Dick is trying to pull A Clockwork Orange.
 * Hallucinations: Another side-effect of Substance D. The opening scene details a character who is convinced he's surrounded by aphids, to the point where he thinks they're crawling over him and has to scour his skin off. He's eventually committed into an asylum.
 * Hired to Hunt Yourself: Bob being instructed to spy on Fred, with the catch that Bob starts to forget that he's Fred and at one point considers him the prime suspect.
 * Hollywood Silencer: Subverted. It's badly made, and actually amplifies the sound.
 * If You Can Read This...: In the film, a surveillance console displaying a lot of scrolling small text is actually scrolling through Blade Runner's screenplay.
 * The Infiltration: Bob/Fred is trying to find the source of Substance D by associating with junkies and dealers.
 * Jekyll and Hyde: Arctor's druggie persona and his narc persona separate more and more as the story goes on.
 * List of Transgressions: To quote the film version --

""What does a scanner see? I mean, really see? Into the head? Down into the heart? Does a passive infrared scanner ? see into me ? into us ? clearly or darkly? I hope it does see clearly, because I can't any longer these days see into myself. I see only murk. Murk outside; murk inside. I hope, for everyone's sake, the scanners do better. Because if the scanner sees only darkly, the way I myself do, then we are cursed, cursed again and like we have been continually, and we'll wind up dead this way, knowing very little and getting that little fragment wrong too.""
 * Literary Allusion Title: It's a reference to a bit about "a mirror, darkly" in The Bible. There's also a Title Drop.
 * Magic Brakes: Borderline example. It's the accelerator pedal that's broken, and won't come up from the depressed position, causing the car to keep accelerating until the protagonist rips the key out of the ignition.
 * Mandatory Twist Ending: Well, it is Philip K. Dick. Read the spoiler under Bittersweet Ending if you really want to know.
 * Mind Screw: Welcome to the universe of PKD's writing, will you want to pay for your insanity with cash, check, or credit card? We have a special discount on dissociative identity disorders, if you're interested?
 * Mood Whiplash:
 * On the one hand, the movie shows the utter destruction of a man's life because of drugs. On the other, watching the stoners fool around can be hilarious.
 * Also: Charles Freck's suicide attempt!
 * Nietzsche Wannabe:
 * Bob/Fred.
 * Well, it's kinda both subverted and inverted. His bleak outlook on life is a reflection of the events he perceives happening.
 * Noodle Incident: In the movie, one of the characters makes a vague reference to Leonardo DiCaprio hitting an "Elvis phase", hinting that he has a career-ending breakdown some time in the near future.
 * Reverse Mole:.
 * Sanity Slippage: Bob/Fred as Substance D takes its toll on him.
 * Shout-Out: The movie contains a reference to an unnamed Leonardo DiCaprio movie about DiCaprio's character "pretending to be other people", as well as a brief reference to Leo going through an "Elvis phase".
 * Split Personality: Bob/Fred (obviously).
 * Through the Eyes of Madness: The more drugs Arctor takes, the less sense everything makes. The few brief times reality is seen through Freck's eyes, all sanity takes a leave of absence.
 * Title Drop


 * Twenty Minutes Into the Future: 1994 or 1995 in the book (Luckman was born in 1962 and is said to be 32), "seven years from now" in the movie.
 * What Do You Mean It Wasn't Made on Drugs?:
 * Well, Philip K. Dick was a user, but he was clean at the time. The film is also Deranged Animation.
 * Funny story, this was the ONLY book Dick wrote while not on drugs. This one and possibly VALIS. You might have a hard time proving that one though.