Gender and Japanese Language

As stated elsewhere, Japanese includes several words or word-variants on the same concept to address the culturally important concepts of politeness and formality. This comes strongly from Japanese culture (after the Tokugawa Shogunate period, which had a caste-based society) as a hierarchical and stratified society where class relations were paramount.

Japanese social stratification also occurred along gender lines. Because of this, there is a distinct difference in the way men and women are expected to speak, with some words and constructions considered more masculine and others more feminine. The feminine words are called "onna kotoba" and the speech habits "joseigo". Some examples of this can be seen in the Japanese Pronouns entry. Other examples:


 * Sentence endings of "wa", "wa yo", "wa ne", "da ne", "no ne", and "no yo" are usually feminine. "Kai", "zo", "to", "ze", "sa" and "yo" are more masculine.
 * Women often speak in a higher register above and beyond that attributable to physiology.
 * Women tend to use polite forms more frequently. For instance, they are more likely to say "ocha" rather than just "cha", making it more formal. However, in formal situations, such as at work, members of both genders would be expected to say "ocha".
 * Women tend to omit the copula form "da" in favour of "desu". For men, it is the other way around. However, "desu" is considered to be polite Japanese for both genders; men using "da" in formal contexts would be rude.

In real-life situations, there is considerable variation—and several outright exceptions—to the rules. However, in media, a character speaking in a manner that does not traditionally fit their sex adds a different dimension to him or her that non-Japanese speakers would miss.

In the recent years, linguists and social commentators in Japan have noticed a shift in women's speaking habits. Very few younger Japanese women use so-called joseigo anymore, and the speech habits of anime characters and drama characters do not represent modern-day Japanese women in real life (especially the relatively younger crowd). That is not to say that women's speech habits have become masculine; rather, they have become neutral.

Also, do note that all this is a matter of vocabulary and social usage of the language. Grammatically speaking, unlike, say, most Romance languages such as French and Spanish, Japanese has no concept of gender; indeed, it didn't even have a separate pronoun meaning "she" until European texts started to be translated into Japanese, at which point one was invented (and is now in common use).

Anime and Manga

 * Urusei Yatsura: Ryuunosuke Fujinami has been raised to be a man amongst men -- handsome, tough, and aggressive. Too bad she's against the idea. However, her father's training has been so thorough that she can't help but slide into the masculine role... a conflict personified when she angrily protests "Ore wa ONNA da!!!" -- i.e. "I'm a WOMAN", using the most masculine construction possible.
 * In an anime episode where Lum finds herself traveling between several alternate dimensions, she finds one where everybody is a polar opposite of their original forms. Thus, Ryuunosuke is now a boy, wearing a girl's uniform, and tearfully proclaims "Atashi wa Otoko yo!" A very feminine way of saying "I am a man!"
 * Similarly, Ranma in Ranma ½ is neither feminine nor particularly polite, and tends towards rough, masculine speech under most circumstances -- even in female form.
 * In Superlink, the Japanese version of Transformers: Energon, Alpha-Q's pale, smiling face speaks in a high (but male) voice and uses female speech patterns. Another face also refers to this face as an "oyama", the Japanese word for a male actor who plays female parts in kabuki. The Alpha Q entity, however, is considered male. (However, as )
 * The doll Souseiseki in Rozen Maiden refers to herself as "boku" often (as opposed to everyone else's gimmick of sentence-ending words) so much that Shinku comments on it in the first part of the Ouverture OVA.
 * Girls using the masculine "boku" are a trope unto itself.
 * The doll Suiseiseki has gone memetic for raising "desu" to the level of Verbal Tic.
 * One episode of The Wallflower features a photographer that for some reason begins to use feminine dialect when he gets agitated. The comments of his assistants indicate that it is a habit of his.
 * Yubel, the androgynous/hermaphrodite Duel Monster in the third season of Yu-Gi-Oh! GX, is constantly referred to (even by itself) with masculine constructions... which wouldn't be half as bad, except that most of the time, it uses a woman's voice and mannerisms to convey itself.
 * At the end of .hack//Sign, The English subtitles make no note of this in any way.
 * In Naruto, the (male) character Orochimaru tends to speak in the feminine style. Unlike .hack//sign, the American dub addresses this by making him have a feminine voice.
 * The titular character finishes his sentences with dattabayo, while
 * Rukia Kuchiki in Bleach speaks in a notably deeper voice than most of the other female characters.
 * Also in Bleach, Yoruichi Shihouin has both a male voice actor and speaks in a very masculine form when first appearing, making it all the more shocking to others when it is later revealed she is a (very attractive) woman. Her companion Kisuke Urahara is the inverse, a man who uses feminine personal pronouns.
 * In Spirited Away the fact that Haku uses watashi rather than ore or boku is the first clue that he's something other than what he looks like.
 * Or just that he's very polite and formal. Watashi is a gender-neutral pronoun, in itself. His use of rather dated court-Japanese is a better hint that he's Older Than He Looks.
 * Given how fluid gender is in Simoun what pronouns are used by what characters varies quite a bit. For the character of Yun in particular, when she
 * This is a plot point in the first Star Ocean. Phia Mell is a tomboy (and captain of the Astral Guards) who always speaks using masculine speech. Her childhood friend Cyuss is nonplussed when he sees her speaking to him using feminine speech, which clues him in that the Phia he's talking is a fake. Unfortunately, in the translated remake this was glossed over and substituted with a different clue entirely.
 * In the Kino's Journey prequel OVA Kino speaks in feminine patterns, using "atashi" for "I" during most of her stay in her Master's place, as well as wearing dress and keeping her hair long. After she returns from her first brief journey, her hair has been cut short by the circumstances, and she's shifted to masculine "boku" form, as well as finally being comfortable with her assumed name.
 * Tomboy Ritsu from K-On! uses masculine speech patterns, and is told to stop doing that when she's cast as Juliet in a school play.
 * Hinagiku aka Angel Daisy from Wedding Peach uses "ore" and masculine, rough Japanese in general, even in her frilly, feminine Love Angel form.
 * Ryougi Shiki uses the masculine ore to refer to herself.

Live Action TV

 * In Heroes Kaitou Nakamura uses 'watashi' in a posthumous video (his own son Hiro has gotten into the habit of 'ore'). "Watashi" and "watakushi" are more formal ways of saying "I." In something like a will, it would seem fitting. Hiro, in season 1, used "boku" which sounds more "boyish." Since his father's death Hiro would had to have felt a need to "man up."

Video Games

 * Cute Witch Marisa Kirisame from the Touhou games uses masculine verb forms and typically ends her sentences with "da ze", but, in something of a twist, exclusively uses the gender neutral pronoun watashi. (This fact has tripped up enough Doujin artists just looking to cash in on the series' runaway popularity that "Marisa-who-says-ore" has become something of an in-joke with the Japanese fanbase.)
 * On reaching the Hermit Social Link's fourth rank in Persona 3, Maya tells you about a creepy man in Paulownia Mall (the Devil Social Link, ). "You'll know him cuz he talks like a woman" is how she sums him up. The idea doesn't quite make the jump into languages without such enforced masculine/feminine speech patterns.
 * In Remember 11, where Kokoro (a woman) and Satoru (a man) have their minds swapped randomly throughout the story, their companions eventually learn to tell which personality is currently in control by listening to their manner of speaking.
 * Geragemona, the Japanese Cackletta uses "atashi" as her personal pronoun of choice with masculine sentence endings.