Quest for Glory



""Mumble, mumble... overworked... mumble... underpaid... mumble, mumble... no control over my life...""

- The Hero, (talking to himself) in the Quest for Glory 1 VGA remake

So, you want to be a hero?

Back in the 80s and throughout the 90s, Sierra was big in adventures. We had King's Quest, Police Quest, Space Quest and everything you could stick a "Quest" to (and a couple of other ones). What most of these have in common, though, was that they used variants on the same engine and thus had the same game play, first using the parser ("get item") then using a more "traditional" (for adventures) point and click interface.

One series that differed a bit from this formula, however, was the Quest for Glory series, using a Mix And Match of Adventure and RPG. But that was not everything; the games also were a brilliant (and hilarious) Affectionate Parody of the adventure genre and had a very strong continuity despite being spread out over the course of nine years. Originally called Hero's Quest, before copyright issues with Milton Bradley resulted in them changing the name.

Planned originally as a quartet of games, Quest for Glory follows the adventures of an unnamed hero, from his very first trials to the point where he finally becomes a true hero - and beyond. The series is well remembered by fans for its ability to seamlessly combine epic fantasy stories often of surprising complexities with unique and colorful locations and surreal humor worthy of a Lucasarts game into one strong package.

The games are, in chronological order:


 * Quest for Glory I: So You Want To Be A Hero?
 * Quest for Glory II: Trial by Fire
 * Quest for Glory III: Wages Of War
 * Quest for Glory IV: Shadows Of Darkness
 * Quest for Glory V: Dragon Fire

Quest for Glory was created and designed by husband-wife couple Lori Ann Cole and Corey Cole. They have tried to buy the rights to the series from Sierra (now swallowed by a network of larger companies), though to no avail. Their homepage can be visited at http://www.transolar.com/

The entire series can be purchased at Good Old Games. The second game has a VGA fan remake that is compatible with modern computers.

"To identify yourself as a Thief, you must make the proper 'Thief Sign'. This consists of placing your thumb upon your nose with the hand held perpendicular to the face and the fingers outspread. You then wiggle your fingers while focusing your eyes on your thumb and patting your belly with the other hand."
 * Action Mom: Uhura (No, not that one)
 * And the Adventure Continues...: The ending to.
 * Also the end of the first game.
 * Anti-Hero: The Thief character can do some pretty dickish things in his sidequests. Despite all this, the Thief is ultimately a good person, as he will still save the realm in each game. It's sometimes funny when your friends introduce you to others as an acrobat or spy, mostly because they're too embarrassed to admit you're a criminal.
 * Bag of Spilling: Played with; games 2, 3, and 5 partially avert it by letting you retain your money and some of your items (though your money is confiscated near the climax of 2, limiting you to the "prize money" you get for saving Raseir). Game 4 plays it straight with the justification of a botched teleport spell, but in the long run there's a slight subversion as in game 5, Rakeesh will return something that you left behind when you teleported.
 * For thieves, this actually makes Dragon Fire a bit easier:
 * Battle Theme Music: In all the games, though how it is done varies. Some games simply have the same tune in all battles, or have one or two variants (ie. easy and hard combat). The fourth game has individual themes for every foe, some of which may qualify as Crowning Music of Awesome, due to the Power of Rock.
 * Belly Dancer: The profession of the slinky and seductive Nawar, one of the possible love interests for the Hero. The zaftig bar tender/former harem girl Budar also does this in the fifth game, as does the Hero himself (the comedic male version of the trope). In the second game, the Hero's Katta friend Shema dances in the inn owned by her and her husband.
 * Bloodier and Gorier: In Quest for Glory III, many death animations show the hero melting, (if poisoned,) impaled by a spear, or turning into a food product such as a hamburger or (in a famous easter egg) a pizza. (When eaten. And no, it is not as graphic as you think.) While it is not overly bloody, it is certainly more so than the first two games. This is surprisingly Inverted in the fourth and darkest game, in which some deaths just show (vegetarian!) food products if the hero is eaten, and most deaths just show the hero falling. Only few examples avert this.
 * Breaking the Fourth Wall: The series does this often to varying degrees, Sierra's wry brand of humor being part and parcel.
 * The VGA remake of the first game doesn't allow you to rob the sheriff's safe twice or you will be arrested for "blatant power-gaming."
 * You can literally do this by trying to attack Julanar in the second.
 * The fan-remake of the second game adds another one:
 * Brick Joke: The QG3 documentation lists "Thermonuclear Blast" as a possible spell. It only appears at the end if the demon succeeds in opening the gate for the Bigger Bad to past through. In QG5, someone finds a scroll enabling the player character to learn the spell, which could be used to defeat the dragon in the final battle.
 * Cap: Statistics are maxed out at 100, multiplied by instalment number. If you cheat and set it above the cap, it will reduce it back to the cap as soon as the skill is trained.
 * Catfolk:
 * Katta, catlike humanoids. A major species that crops up in all the games except the fourth one.
 * Liontaurs, another major species, a sort of leonine version of a centaur. A warrior race, of whom the famous paladin hero Rakeesh is one.
 * Cheetaur, a black panther version of a centaur. A feral menace in the first game.
 * Leopardmen, a tribe of magic users who transform themselves into leopards as part of their ritual magic.
 * Chekhov's Skill: An odd example: Towards the middle of Quest for Glory III, fighters and paladins learn to throw javelins in order to be initiated into the warrior tribe. At the end of Quest for Glory IV,
 * Cherry Tapping: You can pick up an infinite number of rocks from the ground and throw them. Normally, the reason for this is either to knock down an item that's in a high place, or to build up the Throwing skill. They can also be thrown at enemies, but they do only a tiny sliver of damage. If you have enough time on your hands, you can avoid combat and defeat many enemies by throwing rocks at them. Lots and LOTS of rocks. Oh, and rocks have weight, so you'll have to keep picking them up as you run away. Have fun!
 * The Commandments: Tarna's legal system in the third game.
 * Compilation Rerelease: All five official games, including both the original and enhanced versions of the QFG1.
 * Concealing Canvas: Common.
 * Correspondence Course: The Famous Adventurer's Correspondence School, of course!
 * Cosmic Horror: The Dark One of QFG4
 * Possibly also the demon lord from III. Iblis, on the other hand, is "merely" a genie.
 * Critical Encumbrance Failure: You're totally fine until the narration says "You're carrying so much that you can hardly move", at which point (depending on the game), you're either slowed down significantly, or you start to lose stamina simply by walking. Or both.
 * Critical Existence Failure: As long as you have one health point remaining, you're fine. In an interesting variation, if you're in battle and run out of stamina, you'll be too exhausted to continue fighting and promptly killed. If you escape from battle and run out of stamina while running, however, you'll be fine (you'll lose health for running without stamina though, and you can run yourself to death).
 * Crossover Cosmology: Baba Yaga, Djinns and more exist within the same universe, depending on the place.
 * The Dev Team Thinks of Everything: Certain commands produce amusing results; the most famous is "pick nose", which has you use your lockpick on yourself, either killing you or opening your nose depending on how skilled you are. Trial by Fire has a few of its own, such as "put down lamp" making your character verbally abuse the item, "drop lamp" makes you break up with it, and "give Ferrari the bird" has... well... the obvious result.
 * The last one isn't as much of an example of this trope as you'd think, though, as you have a bird and you need to provide it to Ferrari -- it's pretty much guaranteed that the player is going to type that. (Partly because the only commands that the parser accepts at that point include the words "give" and "bird.") More The Dev Team Makes funny interface jokes sometimes.
 * The dev team clearly does not think of everything, considering how frequent (especially) the fourth game crashes with the error message "you tried something we didn't think of".
 * The "pick nose"-thing was taken even further in the remake of the second game. Not only could you pick your nose, but surrounding characters actually had a wide range of reactions to it... ranging from giving you a weird look, making fun of you, or throwing you out of their house.
 * The Dragon: Several, but Khaveen from Trial by Fire is probably the most archetypical.
 * The brigand wizard from QFG1 turns out not to be what he seems. QFG3 doesn't really have a dragon. QFG4 has, who also qualifies as The Starscream. QFG5 has a literal dragon, but it's more of a Sealed Evil in a Can,
 * Dropped a Bridge on Him: If the game doesn't like what you're doing, it sometimes kills you out of spite, often breaking the fourth wall when doing so.
 * Does Not Like Shoes: Katrina seems to be barefoot in some scenes.
 * Easter Egg: Boy howdy.
 * One of the most famous examples is in QFG2, where using X-ray glasses at a certain time allows you to see pixelated sixteen-color boobies.
 * Everyone Calls Him "Barkeep": Your character is rarely referred to by name. The first and fourth game, you're called "Hero", the second one "Effendi", and the third and fifth games "Prince of Shapeir." This is understandable in the last two games, as they are fully voiced.
 * Also the "Famous Adventurer™" Yes, the trademark is part of his name.
 * The Fair Folk: The fairies of the first game are adorable pixies with a childish demeanour who will happily provide you with fairy dust if you dance with them... and screw with them, walk into their fairy circle at night, or even just not give them a straight answer, and they will dance you to death.
 * In Shadows of Darkness, the fair folk are portrayed as still somewhat capricious, but more elfin. Erana, one potential love interest, is part fairy, albeit not at all capricious.
 * Fan Nickname: Often thought to be averted, since the name of the main character is known, among many fans, as Devon Aidendale, a name taken from a strategy guide. Word of God says it was just the name of that writer's character and insisted that the hero is supposed to be whoever you want them to be.
 * Fan Sequel: QFG4.5 "So You Thought You Were a Hero?" is a parody sequel to the fourth game which disregards the fifth and largely takes place in Spielburg. Also various others in production that never seem to get anywhere (Hero6 being the most prominent example) and a bunch of parodies including Quest For Orgy, and Quest for Yrolg.
 * Fantastic Racism: The Liontaur-run city of Tarna is an example. A lot of liontaurs make no secret out of the fact that they consider humans an inferior species. Humans and most liontaurs live segregated in Tarna, with humans being forbidden to enter the liontaur section of the city. Liontaurs are the only ruling class and humans have to live on the lower plateaus of the city, so liontaurs literally look down on them.
 * Fantasy Counterpart Culture: Justified, since Gloriana (the world of Quest for Glory) is an alternate Earth.
 * Fast Forward Mechanic: The games allow you to rest your Hero in intervals from 10-60 game minutes, or "until morning" (in the first game, this could easily trigger Have a Nice Death on the assumption that some monster killed you while you slept).
 * Fetch Quest: Naturally, some of the quests fall into this category. The adventure game/RPG hybrid nature helps here though, and lots of times you need to think on how to restore the soul of a woman turned into a tree, how to build a flying machine, or how to capture a baby antwerp, rather than simply ferrying raw materials to some guy who'll do the thinking for you.
 * Fighter, Mage, Thief: The three classes your character can be, and the page image. A fourth class, Paladin, can later be unlocked.
 * Flat Earth Atheist: A lot of the Scientists believe there is no such thing as magic... in spite of there being plenty of mages whose magic is easy to verify empirically that it does indeed work. In the last game, some went so far as to try and murder a few of them.
 * Flaming Sword: If you're a Paladin. It does a bit more damage than the non-flaming variety (affected by your Honor rating), and can defeat Earth Elementals to boot.
 * Foreshadowing: The Blackbird statuette in the Brigand leader's office in Quest for Glory 1.
 * Food Porn: Anything made by Shema, Sloree, Scoree, Bella (if you like garlic), or Marrak. Subverted to the point of Nausea Fuel by Gnome Ann's cooks.
 * Friend to All Living Things: Erana. She objects to being given flowers as a gift, because it kills the flowers...
 * Though she does appreciate them anyway for the pollen/seeds to plant more flowers.
 * Furry Confusion: Katta and Liontaurs exist alongside housecats and lions. Of course, following the Word of God, the situation may be something similar to how humans view apes.
 * Gameplay and Story Segregation: Averted at times, played straight at others. You can't accomplish certain actions without having a sufficiently high corresponding stat (the swamp in Mordavia comes to mind: if you have a high enough strength stat, you can slog through it slowly, otherwise you slog through it slowly and it sucks your stamina faster than anything else in the game). In other cases, your stats have no bearing on the outcome whatsoever, though these are mostly puzzles (there's no way to take into account the hero's intelligence score without screwing with the player).
 * Gargle Blaster: Dragon's Breath, which appears in the first game and is instantly fatal. It turns up again as a Drink of the Day in the fifth, and by that point you're strong enough to take it (though you still turn red and bounce around like a Looney Tunes character). Some of the other alcoholic drinks in the series, like Troll Sweat and Djinn Slings, could also qualify.
 * Notably, any time you can have an alcoholic drink, you're usually better served by declining (or choosing something else to drink). Alcohol is either a waste of money, or makes things harder in the short term.
 * Give Me a Sword
 * Godiva Hair: The Rusalka in Shadows of Darkness.
 * Gondor Calls for Aid: The end of QFG3. Also, the end of QFG5.
 * Half-Human Hybrid: Erana and Zara, half human, half faerie folk. Yorick is also commented on seemingly "having Gnomish blood in him". Also, Goons are considered half-human, half-ogre.
 * Handshake Substitute: The Thief Sign, which is incredibly silly on purpose, so that non-Thieves will just write it off as a seizure or something.


 * Have a Nice Death, as with all Sierra games of the age.
 * And there's John-Rhys Davies cut death narrations in Shadows of Darkness.
 * Heroic Mime: From the third game on, whenever you "speak", a dialogue box says something like: "you tell the people about your exploits". He has said a few things in the earlier games, mainly to Aziza and to himself, as well as have the narration box quote you.
 * Heroic Sacrifice: when facing the Dragon. All of the above are intentional, and the first is perhaps the best example, as  Points are awarded for averting this as it's considerably more difficult: the sacrifice cuts the dragon's health in half.
 * In QFG5, while in Hades when asked which love interest to choose,
 * Erana in the backstory.
 * Toby also from the fourth game.
 * Rakeesh tried to do that, but it didn't work out so well.
 * 100% Heroism Rating
 * Hurricane of Puns
 * Improv: In the fourth game, the voice actors of the three farmers in the inn actually abandoned their own scripts and improvised their lines based loosely on the actual ones, resulting in hilarious dialog that's only captured in the voice friendly version of the game.
 * It Only Works Once: The Ultimate Joke. Also, the thermonuclear blast spell, albeit for different reasons.
 * Jack of All Trades: It is easy to make the Hero into one of these, especially if you start with the first game and import your character to the others - it's relatively cheap to buy new skills in the first game, and gets progressively more expensive in the later games. So yes, you can be a Fighter or Thief who can cast a few spells, or a Magic User who can throw rocks and climb trees like a pro.
 * It's even easier considering that stats are leveled by performing associated actions instead of with XP. As long as you have some points in a skill, you can increase it by using it. It's possible to start out with very low stats in just about everything and then eventually max them all out (although it makes the early game a lot harder.)
 * The game does use Experience Points, however, as a Cap. So no matter how hard you try in the first two games, you will eventually reach a plateau that requires more adventuring before your training can continue at a reasonable pace (you can grind it if you really want to). From the third game on, this cap is removed, presumably because repeating actions became slightly more time-consuming with the point-and-click interface.
 * Karma Meter: Honor, but only barely. It only matters if you want to be a Paladin, or already are (allowing you to unlock new skills).
 * Knife Nut: Bruno in the first game
 * The Chief of The Thief Guild in the first game also qualifies.
 * The player can become one as well (in gameplay terms at least), if you buy a ton of daggers and max out your Throwing skill. It's possible to hurl daggers at enemies and kill them before they can close to melee range.
 * Or if you don't want to spend money on daggers, you can do the same thing with rocks. They're free and do a surprising amount of damage.
 * Knight Errant: Let's face it, the capacity for evil of all classes of Hero are limited, but the Paladin is the exemplar of the Knight Errant. Rakeesh also meets the criteria for a Knight Errant. He's somewhat past his prime by the time he and the Hero meet, but that doesn't stop him from getting around.
 * Lady of War: Elsa von Spielburg
 * Large Ham: Baba Yaga
 * Leitmotif: The Hero's March, which is featured in some capacity in all five games.
 * Lovable Rogue: Ugarte. The hero if you are a thief.
 * Lost Forever: It is EASY to mess up becoming a Paladin in the second game, mainly by taking dishonorable actions like killing unarmed people or peeking at dressing slave girls (that being said, there's only one action that will ruin your chances to become a paladin on its own: killing the griffon. Everything else simply affects your chances). May, however, be subverted because you can choose to be a Paladin in the third and fourth game by using your old save.
 * You also get a second chance to legitimately become a Paladin in the third game, which is somewhat harder to screw up. Only as a fighter this time, though. It actually makes the Fighter Lost Forever instead. It's quite easy to accidentally complete all the requirements of becoming a Paladin, even if you didn't want to. And it doesn't give you a choice either.
 * If you choose to modify an imported character to have magic power starting in the third game that didn't have it before, you started the new game with every spell previously made available, just like a wizard... except the Zap spell, which could only be learned again in the fifth game.
 * Love Redeems: Katrina
 * Mad Scientist: Bunch of these running around in the fourth and fifth games, most prominently Doctor Cranium in the fourth. Unifying themes with all of them include obsessive love of pizza and obstinate disbelief (even in the face of the obvious) in all magic.
 * Magic Knight: Play a Fighter. Take Magic skill. Profit!
 * Also, the Paladin. Or a Paladin with the Magic Skill.
 * A bug in the third and fourth games had the Paladin's "Heal" ability classified as a spell, even though it used stamina instead of magic power. However, because it showed up in the magic spell section, the game naturally assumed that you had some degree of magical power. If you didn't (Magic skill = zero), then it gave you magical power (magic skill = 5, the absolute minimum). You could then go around collecting a good number of the spells available in the game and building up your magic power.
 * Magic Versus Science: The scientists are all portrayed as Flat Earth Atheists to a man. Some go so far as to try and assassinate several of the mages.
 * Mentors: There are a few in the series:
 * Rakeesh Sah Tarna is the most archetypical mentor and The Obi-Wan. He's an aged hero you come across in the second game, and he will be around for the third and fifth as well. While he is most directly a mentor for fighters and paladins, he will be there to dispense advice regardless of your class.
 * Erasmus can be considered the Eccentric Mentor, particularly for Wizards. He'll sponsor your entry into the Wizards' Institute of Technocery.
 * Other minor potential mentors include the spirit of Piotyr in the fourth game, and the Famous Adventurer in the fifth game, the latter of whom wrote all the Famous Adventurer's Correspondence School books.
 * Merlin and Nimue: Surprisingly averted in 2, as Aziza never really becomes a magic mentor. 4, on the other hand, has an evil version with.
 * Minotaur: Traditional, except not quite as bloodthirsty as in mythology.
 * Although since we only see two in the entire series, and the second one (Minos' bodyguard) seems to be quite bloodthirsty, it's hard to say which one is the typical example.
 * Money for Nothing: Present in a few games. Thieves tend to run across this problem, although one might suggest that the journey and the collecting of cash is its own reward. Probably the most prominent in the fourth game, as you can buy everything you need for the entire game in the first visit to the General Store with the cash you picked up in the first room of the game.
 * Motif: The series was intentionally designed with each game representing a cardinal direction, season, element, and specific mythos. Some of it is a bit arbitrary.
 * So You Want To Be A Hero: North, Spring, Earth, Germanic. Spielburg is north of the other places you journey. The game takes place in early spring, plus this is the beginning of the Hero's journey. Earth could be reflecting the mountain terrain. However, the protagonist is consistently called "hero from the east".
 * Trial By Fire: South, Summer, Fire, Middle Eastern. Shapeir, being an expy of the Middle East, is far to the south. Not only is it summer now, but the hero has proven himself and is surrounded by friends and admirers. While all four (five?) elements are present in the elementals, the scorching desert clearly represents fire.
 * Shadows of Darkness: East, Autumn, Air, Slavic. Mordavia, again, is situated in the east. Autumn is particularly appropriate here. Not only is it that time of year, but the land is losing itself, like the trees that lose their leaves. Similarly, the hero is stripped of his equipment, allies, and even his fame. Air relates to the big bad's plot to darken the sky.
 * Dragon Fire: West, Winter, Water, Greek. Oddly, despite being an expy of Greece, Silmaria is apparently to the west. Water is very appropriate, as your quests take you from one island to another. Winter reflects the hero, growing a bit weary of his long travels is looking for a place to rest. Silmaria itself has extremely mild winters, so it's not terribly obvious that it's winter at all, but from the graphics it would seem like this game is spring and the first one is winter.
 * Wages of War doesn't match up with the motif because it was added later, as detailed elsewhere on this page; the Coles admitted that they broke their own metaphor. However, the mythology is clearly African.
 * Non-Human Sidekick: Manu the monkey in the third game, for the Hero. Some NPC wizards also have familiars, most notably Fenrus (the rat familiar of Erasmus). Frequently misspelled as Fenris in the fifth game.
 * Old Save Bonus: Explained above
 * Offered the Crown
 * Our Centaurs Are Different: Centaurs which are perfectly civilized, but it also features cheetaurs, an all black feline with a humanoid torso topped with feline head, which are quite feral. They later added liontaur, which were much like the cheetaur but with lions, though they were actually civilized, ruling a very Egypt-inspired city.
 * Petting Zoo People: So very many... The setting favors these over the traditional Elves and Dwarves of Tolkien/D&D style fantasy.
 * Jackalmen, race of nocturnal bandits in the second game. Attack in groups.
 * Crocs, Lizard Folk who are enemies in the third game.
 * Various humanoid dog folk, in the third and fifth games. Usually played up for laughs.
 * Boarmen and Goremen in the fifth game, a barbaric Pig Man race. Just random enemies.
 * Prestige Class: Paladin
 * Redemption Equals Death: See Heroic Sacrifice above.
 * Running Gag: There's a stuffed moose head in every adventurer's guild in four of the five games (QfG3 has it in the bazaar). This was first seen all the way back in King's Quest III, and is also found in Police Quest and Leisure Suit Larry games.
 * Stay in the Kitchen: Several characters in QFG5 make disparaging remarks about Elsa's fighting ability; considering she's the strongest NPC warrior in the game, however...
 * In the first game, she can One-Hit Kill the hero. Then again, this is because of the magic spell possessing her.
 * The spell only made Elsa forget who she was. It didn't affect her fighting skills at all. She really is that good.
 * Schizo-Tech: Justified by Word of God saying a global cataclysm caused time to advance differently in different parts of the world, explaining why (for example) one part of the world is set in Arabian Nights Days while another has a Mad Scientist playing Frankenstein.
 * Science Is Wrong: Scientists tend not to be portrayed positively, being either obstinate, foolish, or even malicious, and they fanatically cling to their belief in a purely scientific reality in a world where people can literally shoot lightning from their hands. Meanwhile, homeopathy is a legitimate means of curing things (though most likely involves the judicious use of magic).
 * In fact, the roles of Mages and Scientists are the opposite of Real Life. Wizards are the ones who are actually studying the world, while scientists are deluded fools.
 * That's scientists. Science itself can actually be quite useful, particularly when your Hero crafts his own hot air balloon without a drop of magic needed in its construction.
 * Screw Destiny: In the fifth game,
 * This seems to happen in the second game as well, but Big Bad Ad Avis had the wrong version of the prophecy. Except He Who Waits Behind.
 * Screw the Rules, I'm Doing What's Right: Paladins do what is right, not what is lawful. This is most obvious in QFG3, when the Paladin helps (or is supposed to help) a convicted thief whom nobody else even acknowledges. (The sentence for theft is to be called "Honorless," and nobody in Tarna will even talk to an honorless person.) On the other hand, there is no law explicitly forbidding you from helping the honorless, either. Of course, non-paladin heroes had better help this poor guy as well, because you'll need him in the endgame.
 * It's possible in Tarna that the law mandating that one behave with honor includes never recognizing an honorless person.
 * Except that you don't get arrested for talking to the thief, because you're not talking to anyone.
 * An example in the manual for QFG4 explains that a law that is not right can be ignored by a Paladin, because law and order mean little if they are used to oppress. The hero occasionally gets to indulge in this behavior as well.
 * Sealed Evil in a Can: Each installment, beginning with "Trial By Fire". The actual sealed evil is Iblis, not the elementals.
 * The elementals were actually meant to attract someone that could fulfill the prophecy that would release Iblis.
 * If you didn't defeat the elementals by weakening them and sealing them in their proper container, you'd get a game over and a message stating that the elemental grew too powerful to defeat and that it destroyed the city of Shapeir.
 * Shout-Out: So very many. Just to begin with, each game features a nod to a famous comedian or comedy troupe, including the Three Stooges in QFG1, the Marx Brothers in QFG2, Sanford & Son and Laurel & Hardy in QFG3, and Rodney Dangerfield in QFG4 (sadly, Dragon Fire lacked such a reference).
 * Combined with Product Placement in QFG4. Dr. Cranium's descendant is Doctor Brain, whose castle is the castle in the game.
 * The entire series has a running gag reference to The Maltese Falcon in the form of the Blackbird statue. For most classes it's just a Shout-Out, but to Thieves it becomes a running subplot that pays off in Dragon Fire.
 * Signor Ferrari and Ugarte are two characters important to Thieves.
 * Spider Sense: Paladins can "sense danger or evil intentions."
 * Though QFG4 plays with it, allowing the Paladin to sense danger and general feelings or thoughts associated with said danger. It almost falls into mind-reading territory at times. However, the "danger sense" only activates during events that are associated with non-obvious danger.
 * Spoiler: The opening movie in QFG5.
 * The ending of QFG3 spoils QFG4..
 * To be fair, it's not exactly a big secret
 * On the other hand, Ad Avis's magic was supposed to have been released, and felt by mages the world over.
 * Well, he DID die.
 * Start X to Stop X: Quest for Glory II, III, and IV all have this. In IV, for example, the only way to drive the Dark One away from Mordavia is by completing the rituals to summon it TO Mordavia.
 * Statistically Speaking: Subverted.
 * Talking Animal: Fenrus the rat, the familiar of Erasmus (also a Pungeon Master), a fox who gives you some advice in the first game, and Manu the monkey in the third.
 * Thieves' Guild: A staple in the series for Thief characters. There are active guilds in the first and fifth games. The fourth has a guild that's mostly abandoned.
 * Too Dumb to Live: A character can train his lockpicking skill by typing "Pick Nose". If your skill is too low, you jam the lockpick in your nose and kill yourself.
 * And if you succeed, you get the congratulatory message "Success! Your nose is now open." As mentioned, this trains your lockpicking skill, and is probably the safest way to do so once you can do it without dying.
 * Any fight that you're obviously losing and don't run away from. You idiot.
 * Asking the sheriff of Spielburg where you might find the Thieves Guild. You moron.
 * Every one of the games allow you to use the thieves' sign. If the person isn't a thief, they just think you're having a fit of some kind and get a little worried. This is why it's the preferred method to contact other thieves.
 * The sheer number of stupid ways for you to die in the first game is impressive. You can shoot yourself with your own spells, throw rocks and daggers into your own face, and you can decide to sleep in the middle of a hostile forest. You get better as time progresses and things that would kill you in the first game merely hurt later on (try out the Dragon's Breath in the fifth game, it's surprisingly non-fatal).
 * Unexplained Recovery: In QFG1, the fighter has to fight Toro apparently to the death, although the game never confirms that he is dead. Toro is then seen alive (with his arm in a sling) when the credits roll, and is seen again in QFG5.
 * Unwinnable: Mostly averted. While there are instances of this (it is a Sierra series after all), most of the deaths are either the result of the hero not being strong enough, not being careful enough, or just a case of Violation of Common Sense like dropping your own sword before combat.
 * One particular case: Mages who qualify as Paladins for the third game (after being imported from the second one) MUST acquire the throwing skill, either by or by buying it (at severe cost) at character creation. Winning a throwing event is necessary for the plot to advance in the third game (The leopardman prisoner only appears after you defeated Uhura at the targets), and if the new paladin starts the game without the skill, he will never get the chance to learn it, let alone win the needed challenge, making the game unwinnable from the start! The equivalent plot-advancement quest for mages (acquiring a staff, which causes the game to make the prisoner appear) is not available to Paladins, even if the paladin is a former mage, he cannot make the plot move forward at all.
 * Another instance is burning down the evil monastery before getting everything you need. Yes, this is possible, and no, you can't win the game if you do so.
 * Unwitting Pawn: The Hero accomplishes the villain's goals approximately 3 times out of 5. And still manages to out-gambit the villain each time. Usually by being at the Right Place At The Wrong Time, or just a plain old Indy Ploy. The Hero is, starting with the second game, directly responsible for the bad things that happen in every game, and then directly responsible for making things right afterwards. Sometimes there's a prophecy about it. Most times the hero just says Screw Destiny.
 * Vapor Wear: Uhura of the Simbani wears only a large tribal necklace as a top in the third game, and in the remake of the second. Justified as it's the standard garb of a Simbani warrior.
 * Video Game Cruelty Potential: Despite the protagonist's supposedly noble demeanor, you can get away with a staggering amount of cold-blooded butchery without a game over: Killing a helpless talking fox, killing the baronet of Spielburg, and killing the Chief Thief in Mordavia, just to name a few.
 * The games do draw a line, though: if you break into Nikolai's house and kill him, for example, you get an immediate game over for being an asshole.
 * This may also be a matter of perspective in many cases. The Baronet Killing the fox may be a newbie blunder. The Chief Thief is the chief thief,.
 * Weird Trade Union: The Adventurers' Guild and the Thieves' Guild. Sometimes the attendant jokes are dropped, such as "Local ###" or regarding union dues.
 * What Could Have Been: The Coles have said on record that several intended features had to be cut from the series for various reasons, usually time and technical limitations. For example, the first game was supposed to have different races (Gnome thief, Elf wizard, Centaur archer, Human jack-of-all-trades) and a large Goblin warren maze; the former was replaced with the three classes, while the Goblin base remains as The Artifact of the latter. Similarly, the fifth game lost the ability to use bow and arrow, and to play as Elsa, over the course of its development.
 * Other artifacts of the first game: The workshop appeared to be occupied in the original version of the first game (the remake made it more clear that it serves no purpose); it, along with the butcher shop, barber shop, and bakery were probably intended to serve some sort of purpose that was scrapped, and thus are always closed in the final version.
 * The second game, Trial by Fire, was meant to be a 256-color VGA game, which would have made it Sierra's first, until Ken Williams decided to reserve the honor for their latest flagship game, King's Quest V. As a result, Trial was relegated to EGA status.
 * What Kind of Lame Power Is Heart, Anyway?: So subverted with the fifth elemental, Pizza, in the remake of Trial By Fire.
 * Also, the Calm spell is very useful for avoiding combat.
 * Of course, don't bother using Calm in combat. All it will do is make the monster/enemy calmly kill you. Whoops!
 * Using it right before combat begins (When the enemy is still approaching you) is quite effective, though.
 * Whoring: By design, where you constantly repeat a task to improve a skill.
 * Wizard Needs Food Badly: You die of starvation if you go too long without eating and can dehydrate without drinking in the second game.
 * Due to a design oversight, it's not possible to die of starvation in either version of the first game, as was found out when someone put together a series of videos showing the ways to die in the series.
 * Word of God: The series was originally intended to be four games, but in the design process for Shadows of Darkness the Coles decided that going from an evil wizard to an Eldritch Abomination was too far a jump for the Big Bad, and made Wages of War as a transition. In a 2008 interview, they added that after completing Trial by Fire, they felt that Rakeesh and Uhura were "crying out to have their stories told".
 * Additionally, the Coles have said that Glorianna, the games' setting, is an alternate Earth which suffered an explosion of magic, creating the various animaloid races like Liontaurs, as well as making time flow differently in different parts of the world (hence the Schizo-Tech).
 * Yet Another Stupid Death: See Too Dumb to Live, above.