Gothic

"Piranha Bytes apparently takes any concepts that are salvageable out of the trainwreck that is Ultima IX (figuratively speaking), patch it all up with what they carried over from their pen&paper passion, and somehow make a great game out of that. The new German RPG prodigy is called Gothic."

- Hardcore Gaming 101

Not to be confused with the genre of Gothic Literature, or the Goth lifestyle, or medieval architecture, or the tribe of people from Gotland.

A 2001 German game translated into English, Gothic is the first in a trilogy of PC action-RPGs starring the Nameless Hero, who has been thrown into a prison colony. We never find out exactly what crime he committed, or what his name is, and none of the other characters really care. At first, he's just trying to survive, and maybe escape if he's lucky... but he ends up having to save the world.

Had a sequel Gothic II where the Nameless Hero, now finally free, is promptly recruited again to defeat the approaching army of dragons. Sounds easy enough. It also had an Expansion Pack Night of the Raven (uniquely for an expansion pack, Night of the Raven makes large changes throughout the world instead of making them self contained to the new area), where Raven, a minor NPC from the last game, attempts to obtain the Claw of Beliar and the Hero is out to stop him, rediscovering an ancient, lost civilization in the process.

In the third game Gothic 3, the Nameless Hero travels to the mainland of Myrtana, only to find out that the land has mostly been conquered by the Orcs, though several factions are still struggling, such as La Résistance. Finding himself in the middle of a political struggle which also represents a war of dominance between gods, the Nameless Hero has to choose a side. First game in the series to feature Multiple Endings, allowing the hero to join several of the previous game's Bad Guy factions, or even Take a Third Option. Was something of an Obvious Beta at release, but due to hard work by the fans and various patches, may have been Rescued from the Scrappy Heap by now... for some. An Expansion Pack called Forsaken Gods was also released, which took the Obvious Beta status Up to Eleven and wasn't made by Piranha Bytes. Most fans consider it So Bad It's Good at best. This time, the Nameless Hero returns from exile because he is majorly pissed off at the people of Myrtana not enjoying the peace he has brought them with hard work, but rather warring each other in various factions once again. In the end, the Hero becomes the new King of Myrtana to unite them once and for all.

The fourth game in the series, Arcania: A Gothic Tale or simply Gothic 4 also not made by Piranha Bytes, stars a New Hero who goes out on a Roaring Rampage of Revenge after the troops of the King (yeah, THAT King) butchered his village and killed his Shallow Love Interest. Of course, things are yet again not how they seem and the previous Hero didn't become an Evil Overlord just for fun... Arcania received low reviews and was poorly recived by fans for being decidedly un-Gothic in most ways, primarily being very linear. An add-on was completed, but Piranha Bytes's temporary sale of Gothic's rights only allowed JoWood to make two games, including expansion packs, and the obvious legal issues have prevented its release.

Meanwhile, Piranha Bytes made their own spiritual successor named Risen, which received good reviews and praise from journalists and fans.

One interview with Piranha Bytes has confirmed they have regained the rights to the series due to their sale to JoWood being temporary.

Gothic's main draw was its wide open world and the ability to 'choose' in the plot, although this really came down to just picking one of three camps for the first half of the game, as you are railroaded back into the central plot eventually. The world, however, is exactly as promised: within the limits of the magical barrier surrounding the colony (or the sea serpents/mountains in the 2nd game), exploration is rewarded with beautifully detailed scenery, complete with weather, and many hidden items.

Another notable draw of Gothic is the method of character advancement. Only hit points increase on their own at level up, while the player gains skill points as well. To spend these skill points, the player must seek out trainers. Basic abilities like raising an attribute typically have free, easy to locate, trainers (at least for low levels), while trainers for more esoteric abilities (such as lock picking) may be limited to a small handful that require a quest to learn from and higher skill levels generally require faction specific trainers. The hero's skill is also a much greater effect on combat than just speed or damage; at low levels he is visibly inept at weapon use, being slow, predictable and frequently stumbling, while as skill increases, new abilities in combat are gained, movement is more fluid, and fumbles are lessened. Armor also matters a great deal, and, (with the exception of a few early pieces that are simply bought) is linked with quest progress. Gothic in based much more firmly in character skill than most RPGs with real time combat, with a weak PC being unable to make any damage on a strong enemy.

Also notable for containing a character named Gorn, but no actual Gorn.


 * Ancient Tomb: Quite a number of them, since both Khorinis and the mainland (specially the desert of Varant) house ruins of ancient civilizations. Unsurprisingly, they tend to be full of undead.
 * Animal Motifs: You'll never be able to guess what Raven's motif is.
 * Anti-Grinding: More or less. There aren't any Respawning Enemies except for the finite chapter transitions, so endless Level Grinding (without the use of some bugs or Game Mods) is impossible. The exception are the Skeleton mages, who can summon endless waves of undead skeletons to their protection, unless you kill them. It's a good way to grinding, especially if you have Death to the Undead magic rune.
 * Anyone Can Die: Subverted in the first two games, where you can kill anyone but the plot-important NPCs (who are simply immune to all damage), played straight in the third one.
 * Though the plot-important NPCs in the first two games tend to become killable after they have played their role in the plot.
 * The Artifact: In Night of the Raven, the Milita trainer still notes that one handed and two handed skills are linked and you need to learn one to master the other, despite the expansion doing away with that mechanic.
 * Artificial Atmospheric Actions: NPCs go about their daily lives, and animals hunt each other and scavenge corpses. The player can also perform almost any action that an NPC does, no matter how pointless (sit on chairs, play instruments, ...).
 * Artificial Stupidity: NPCs when acting as temporary companions in Gothic 3 are walking examples of this. To be brief, they will only notice an enemy when said enemy gets close enough to hit them in the face (sometimes they'll actually need to receive damage in order to unsheathe their weapon and enter combat mode).
 * Ascended Extra: Raven goes from being a quest giver/bodyguard for Gomez in the first game to the main enemy of the add-on.
 * Asshole Victim: Come Chapter 3 in Gothic II, the is killed.
 * Awesome but Impractical: The Magic Crossbow and the Fire Bow from the Gothic II Expansion Pack are very powerful and deal high amounts of special-type damage, but they cannot use normal projectiles of their weapon type, and once you used up the limited supply of special ammo you find next to them (there are two copies of the firebow+ammo to be found at least), they're useless, essentially downgrading them to a mere trophy or Vendor Trash. There is also the impractically long casting time of powerful spells like Fire Rain and Army of Darkness in the first game, but that was fixed in Gothic II.
 * Badass: Your player character attains this status after Gothic I, but this can make certain parties hate you enough to want to kill you.
 * Badass Army: The Orcs, enmasse, are tough enough to qualify.
 * Bag of Spilling: Justified pretty well in Gothic II. By Gothic 3, it got silly.
 * The loss of status from Gothic I to Gothic II makes sense. The Colony had a society all its own, and no one in the greater world is going to care if you were a mercenary or a templar in the Colony. The Fire Mages in Khorinis wouldn't know about you if you went that route in Gothic I because . The only faction this doesn't make total sense for is Lee's mercenaries, but that can be justified because the new ones wouldn't just accept the Nameless Hero, and he's quite a bit weaker since he signed on with them in Gothic I. Still, from Gothic II to Gothic 3, the loss of status makes no sense.
 * Gothic 3 had a Hand Wave that justified the equipment loss: pirates ganked your gear. As for the loss of status, that applied to Khorinis, which you find out via Thorus is also under Orc control, and King Rhobar II's kingdom no longer exists from a practical standpoint, so even if anyone remembered you, no one would care because you would be no better off then themselves (slaves, mercenaries or rebels).
 * Batman Gambit:.
 * Beat Still, My Heart: The final boss battle has five of these, and you have to stab all of them.
 * Berserk Button: Kharim. You can talk smack about his strength, his face or his mother, and he won't react, but if you imply he's not totally loyal to the New Camp...
 * Big Brother Mentor: Diego.
 * Big Creepy-Crawlies: Bloodflies, Fieldraiders, Minecrawlers...
 * Boss Battle: Most notably, although there are others.
 * Boss in Mook Clothing: In Gothic 3, while several wild animals could qualify due to the severely unbalanced combat system, the Sabretooth tigers definetely take the cake. They can sustain moderate amounts of damage, hit quite hard and fast... and come in packs. A group of three can be found pretty early in the game in a cave which an orc patrol will task the player to investigate (and "cleanse" if neccesary); amusingly enough, the only way to complete the quest at a low level is to attract the tigers to the orcs' position and assist the orcs to take the beasts down. Packs of four or five (found in Nordland) will keep being quite a menace even to very well geared and high-leveled players.
 * But You Screw One Goat!: Mud says he is in the prison colony because he "likes animals".
 * Character Level
 * The Chew Toy: Mud. Oh, Mud. To be chewed on is his raison d'etre. He develops a crush on the player character, follows him around, gets in the way and tells increasingly depressing stories about his abuse at the hands of every other character. The vast majority of players eventually kill him just to get him out of the way; he is the only NPC in the game whose death earns you zero XP (even a Meatbug, which can't retaliate at all, gives some XP).
 * Killing him is probably the kindest option. The alternative is to beat him up, then when he stands up again you tell him you enjoyed that. That's right, you can show him that you're just as much of an asshole as everyone else who's been kicking him down all his life. You bastard.
 * Well, there is a kinder option: let him join one of the camps with you. He becomes a guard/acolyte, learns to fight, and FINALLY shuts up.
 * Combos: In Gothic I and Gothic II, you can chain multiple weapon swings together with properly timed presses of the "attack" key, instead of slower normal attacks. The combos also evolve as you improve your weapon proficiency skills, becoming longer and more efficient.
 * Commonplace Rare: Armor, arguably. The Gothic series always made a great deal out of their importance, since they generally represented faction affiliation and status. Therefore wearing a Paladin armor gave you quite the sense of accomplishment for having worked yourself up all the way from a lowly militiaman with a cheap uniform. However, to achieve this, they obviously have to prevent you from simply looting armor off the corpses of NPCs that already wear that armor. It sometimes makes you wonder. "Why do I have to work for the pirates to earn that Bandit Armor to infiltrate their camp if I could just take out a bandit and wear his?". Made worse by the fact that the game states the "guard" ranked guards in the colony got the armor they have by killing the pre-barrier guards.
 * The Computer Is a Cheating Bastard: In Gothic 3, NPCs with magical abilities will never run out of mana, and sometimes will surprise you by throwing remote-controlled magic missiles at your face, with said 'nukes' even slipping through several other enemies - and even environmental objects - before hitting its moving target (usually, your ass) with deadly precision.
 * Continuing Is Painful
 * Cool Old Guy: Diego, arguably. Xardas.
 * Crapsack World: And how.
 * Critical Hit: Notable because of the way the game calculates damage. In close combat, usually, a hit will deal the damage stat of your weapon to the enemy HP, minus their armor protection value. However, the Hero can train in weapon skill, which is a percentage value. In Gothic I, it could go up to 60%. In Gothic II, it could even be raised to 100%. Aside from giving you new combos at 30% and 60%, it regulates Critical Hit chance for close combat attacks. If such a critical is scored, the attacker's Strength value will be added to the weapon damage. This combination makes fighting NPCs (thank god you can block...) extremely dangerous, since they tend to have Weapon Skill of somewhere around 30%-70% and strength values of often 100 or above, meaning there's about a 50% chance to be instantly downed every time an NPC hits you in early parts of the game.
 * Archers have a weapon skill stat, but instead of regulating critical hits per se, it regulates the chance of actually inflicting a wound when the arrow hits. However, since every wound is a critical hit, you quickly learn not to mess with archers.
 * Crutch Character: Diego in Gothic II joins you briefly in Vhapter 2. He is strong enough to plow through the, otherwise nigh-unkillable at this point, enemies encountered when he is with you and will generally earn you a few levels.
 * Damn You, Muscle Memory!: Combat controls are almost entirely changed between Gothic I and Gothic II.
 * Or you could change it back in the options...
 * Dark Is Not Evil: Xardas. In the first game, he can actually teach a PC who has already taken both the Vow of Fire and the Vow of Water to become a Demon Summoner/Black Mage as well. So yes, you can totally be a hero that frequently uses a spell called "Army of Darkness" which summons six undead warriors. Though they will attack/be attacked when you summon them in a public zone.
 * Deadpan Snarker: The Nameless Hero.
 * Death Mountain: In Gothic II, the volcano of the Fire Dragon.
 * Death of a Thousand Cuts: In Gothic II, the easiest way to bring down the big Troll enemies (if you weren't a caster) was to just keep whacking at them. Averted in Gothic I by your attacks doing nothing against a sufficiently tough opponent.
 * Disc One Nuke: In the first game, you can forge a sword that is better anything you can buy by just buying a piece of steel for 40 ore.
 * Do Not Drop Your Weapon: Averted, as being knocked unconscious will make anyone drop it.
 * Dracolich: The final boss of the second game.
 * Dude, Where's My Respect?: The Nameless Hero's fairly understandable reaction at the beginning of Forsaken Gods.
 * After clawing his way up to a position of respect and prosperity at the end of one game, he'd be right back where he started by the next one. Seeing as he's understandably frustrated that he gets no respect each time, and it gets worse the more he tried to be a good guy; by Forsaken Gods, he's becoming disillusioned with helping others because he just gets spit on for his trouble.
 * Early Game Hell: A deliberate use due to how character progression is handled from a story prospective, working to mirror how the Nameless Hero is completely inept at fighting.
 * Easter Egg: In the Expansion Pack to Gothic II, Diego can temporarily become a companion. If you go to the place where you originally met him in the first game rather than to the other side of the Pass, he'll get all nostalgic, and you'll get a few hundred bonus EXP labeled a "Nostalgia Bonus".
 * Getting into Khorinis at the start of Gothic II is normally just a simple task of obtaining a set of farmer's clothes and bluffing your way past the guards, but if you enter via Sequence Breaking, you not only get a nice sum of experience, but a few unique lines.
 * Excuse Plot: Forsaken Godss plot is essentially an excuse to explore Myrtana for another twenty hours. It's also a bridge (albeit a weak one) to Gothic 4.
 * Expansion Pack
 * Fake Ultimate Mook:
 * Shadow Beasts in caves in Gothic II. While hyped in the setting and one of the more likely things to maul a new player, once you have a weapon+weapon skills+strength that can hurt them even the slightest bit, just repeatedly attacking can kill them due to their huge delay before attacking. The Black Troll is a very noticeable example, so threatening and prominent it's marked on your map, but it can't turn at a decent rate and is easily circle strafed.
 * All trolls in Gothic 3. Huge, physically imposing monsters with a loth of health... but so slow you can repeatedly slash or maul them to death without sustaining any damage, since they just can't block your attacks and aren't fast enough to land a punch if you keep attacking again and again.
 * To some extent, Dragons in Gothic 3. They only attack by throwing fireballs out of their mouths, and since their wings seem to exist only for decorative purposes, a player with good hunting skills can use any big enough environmental object as a shield and shoot arrows at them until they drop dead. With good timing, positioning and movements, even an average player character with average equipment can take down one of the (supposedly) toughest enemies in the entire game.
 * Fetch Quest
 * Fighter, Mage, Thief: Or rather Fighter, Mage, Archer. Though any combination of their individual skills is possible and by the end of Gothic I, you're most likely going to be a Magic Knight due to the mages being the highest rank in all the factions, so you have to go through the fighter-based ranks first. Though how many skills of theirs you learn is up to you.
 * Five-Man Band: In Gothic 3, albeit they split up from the beginning.
 * The Hero: The Nameless Hero.
 * The Lancer: Diego, who is also The Obi-Wan.
 * The Big Guy: Gorn.
 * The Smart Guy: Milten.
 * The Heart and alternate The Big Guy: Lester.
 * Actually, the dynamic of the five friends has existed since Gothic I and is a popular concept with the fans, though the first time they actually all fought side by side was in The Very Definitely Final Dungeon in Gothic II. Hell, when German fans made The Movie (with in-game graphics, of course) they decided to have the five go into the final dungeon together, taking on an entire city of orcs in the process.
 * Getting Crap Past the Radar/Easter Egg: A name that will ring a bell for most Gothic fans is Velaya. She is the slave girl that appears in the opening and can be found in the room above the throne room in central hall of the Old Camp in the original Gothic. Velaya has exactly one spoken line of dialogue. Yet, she has almost reached Ensemble Darkhorse status among some fans, so much that some German modders made a Game Mod featuring her as the main character. The reason for this? Going into the room Velaya is locked in at certain times during the day will result in the player finding her completely naked (without any Barbie Doll Anatomy, no less!) and seemingly having a lot of fun while washing herself in a bathtub.
 * The nudity is censored in the US release (she wears a bathing suit). However, it can be removed by deleting a game file.
 * Gladiator Subquest: You get one in every single arena of Gothic 3.
 * Going Through the Motions
 * Grey and Gray Morality: The guilds that the player can join in Gothic I/Gothic II are this, you can choose between a militaristic, Knight Templar faction, a freedom-loving and rough bandit/mercenary faction, or a group of religious fanatics. Averted with non-humans: Beliar and his "evil creatures" servants are Exclusively Evil.
 * It's noteworthy that the Adanos-based factions (the middle ones, usually) tend to try neutral alignments to begin with, but the Innos factions (Paladins and Fire Mages), especially in Gothic II, are essentially Lawful Good with pride issues and the tendency to overstate their own importance. Otherwise, they're often somewhat decent people still. A Lighter Shade of Grey.
 * It's more traditional White And Black in Gothic 3, but it immediately goes pretty far back into Grey and Gray by the time of the Expansion Pack, which prompts the frustrated Nameless Hero to Take a Third Option.
 * Hanging Judge: The justice system after the discovery of magic ore was HARSH. It didn't matter if you killed someone or ignored a "keep off the grass" sign, the punishment was the same: you get thrown in a big prison colony where you either mine ore or get shanked by your fellow prisoners.
 * Hitbox Dissonance: In Gothic II, it is easy to avoid fire varan's fire breath by a single step back, even though visually the fire still reaches you. Same for troll's crushing attack.
 * Hitchhiker Heroes: The ones in the first game turn are actually one group of conspirators. However, it's played straight in the second one.
 * HP to One
 * Impossible Item Drop: Averted: the drops make almost total sense. If a humanoid NPC has a weapon in his hand at the moment of his death, he'll drop it: the player can pick it up and then go through the body's inventory, picking and choosing the best loot. Non-human monsters don't initially have a visible inventory: the player has to learn specific hunting skills in order to, for example, skin wolves for their pelts (which can then be sold to traders).
 * Insurmountable Waist High Fence:
 * That they avert this trope rather spectacularly is part of what makes Gothic games what they are. The Barrier in Gothic I is not a case of an Insurmountable Waist High Fence, not even metaphorically because it makes perfect sense for it to stop you. Anything else - fences, roofs, city walls, the huge battering ram in Gothic II, mountains - if it looks climbable, it almost always is. Hell, there are at least three little known ways to get into Khorinis in Gothic II that depend on this (though just using the gates and tricking the guards to let you through is easier, but perhaps not as rewarding). The game actively encourages you to look for creative ways to get to seemingly inaccessible places.
 * There is one instance in Gothic II that plays this straight, although it is likely to be a glitch. The Orcs cannot follow The Hero up the log leading into the besieged fortress but they will try. Oh yes, THEY. WILL. TRY. In the end, it is possible to have the entire Orc camp clustered at swordslength and much Level Grinding ensues. Glorious days, those.
 * And then they dropped the context sensitive jump system when they changed engines for Gothic 3... The trope is still averted, but is much more difficult to avert.
 * Also extremely blatant for the enemies in Gothic 3, many of whom cannot jump at all. Is there a high rock nearby? Do you have a lot of arrows/the mana regeneration ability? Okay, everything nearby without a ranged attack is dead.
 * Doubly excellent when you could find dragons that followed the same pathing rules as normal people, so they couldn't just step up waist-high breaks... or, y'know, fly.
 * Invisible Wall: The Barrier. Which becomes more and more visible the closer you get to it, and starts manifesting as electric death when you get much too close.
 * Ironically brought back in Gothic 3 !
 * Karl Marx Hates Your Guts: Some special merchants in the second game that will buy one item type for full price are an exception, but everyone else pays the same for every item.
 * Kiting: One of the first NPCs encountered in the first game explicitly advises you do this whenever possible if asked for advice. Most enemies can be dealt with in this manner, wolfs (who automatically agro any other nearby wolfs when agroed) being the most prominent exception.
 * La Résistance: The Human Rebels, united against Orcish oppression in Gothic 3. Arguably the "mercenary" factions in Gothic I and Gothic II too.
 * Lizard Folk: Elite Mooks in the second game. They are implied to be a servant race of the Dragons, responsible for spreading their eggs across the land, but are never mentioned again after that. They probably all got wiped out when the Nameless Hero attacked Irdorath.
 * Load-Bearing Boss:.
 * Low Fantasy: Yup. Magic directly comes from the gods and can only be cast using certain catalysts, it's also limited to the various priests. Magical creatures do exist, but there's usually nothing more mythical about most of them other than their design, they'll attack with their claws and fangs, not by shooting lightning out of their mouths or something. The only other vaguely civilized race like humans are the orcs. Moral points, the hero included, are generally varying shades of grey and people are usually aware of what a crappy world they live in, so they're appropriately cynical, disillusioned or just try to make a fortune off the situation.
 * Magic Knight: In the first game, an Old-Camp player could join the guards, learn two handed weapons using a bunch of hoarded skill points, then join the Fire Mages (overwriting their "guard" rank) via glitch. In the second, Paladins are a straight example, able to learn some basic (only healing and attack, plus one flashlight), but potent, spells, and unlike Fire Mages, don't suffer double cost physical skills.
 * Mass Monster Slaughter Sidequest: Often given justifications as in "Kill these Fieldraiders before they eat our crop!".
 * Money Spider: Goblins play this trope straight, but they're implied to be little kleptomaniacs. Every other monster can be looted for claws, teeth, etc, but not money.
 * Multiple Endings: Gothic 3.
 * Musical Spoiler: The 'chase theme', which plays while a hostile NPC is still chasing the player character, and stops when they give up.
 * Naive Newcomer: The player character at the start of Gothic I, justified by the story.
 * Nice Job Breaking It, Hero: Gothic II starts with this trope in effect.
 * Nintendo Hard: When the fans complained that Gothic II was too easy, the developers raised the difficulty A LOT for the Expansion Pack. Now just about every enemy is a lot stronger, raising your stats on higher levels costs ludicrously large amounts of XP and you'd better get your fingers on each and every Stat Boosting Item you can find, you'll need them.
 * The series as a whole prides itself on this. In fact, you can possess every Game Breaker and exploit every Good Bad Bug you want, and the games are still hard and unforgiving even on the easiest difficulty.
 * Non-Indicative Name: "Scavengers" are agreesive and seemingly predatory.
 * Non-Lethal KO: One of the parts that make this game unique is that characters enjoy engaging in close-combat duels with each other, where the looser will fall to the ground, have his HP reduced to 1 and will often afterwards be robbed and have his weapon taken away by the winner. In many parts of the Gothic world, this is a perfectly regular pastime and will even have nearby characters cheer on the fighters. A downed adversary can be finished off by driving one's weapon into their chest while they still lie on the ground, but this is generally looked upon less favorably by onlookers. If you don't finish them, they'll get up after a short time, usually acknowledging your victory with an annoyed comment or even running away from you. However, none of this is true for combat with any kind of monster (in which emptying the health bar is always fatal for either player or enemy), some always-hostile characters (like bandits), ranged weapons or most kinds of spells.
 * No Name Given: The Nameless Hero. In fact, people actively try to shut him up whenever he attempts to introduce himself.
 * Nonstandard Game Over: Swiming too far out to sea in Gothic II will result in a cutsceen of sea serpents eating your character.
 * Now Where Was I Going Again?: The journal.
 * Obvious Beta: Gothic I has such unstable game coding that it was even prone to crashing on systems available at time of release. Gothic 3 was this to some extent, but JoWood/Pirahna Bytes approved Community Patches have largely fixed this.
 * Forsaken Gods was a very obvious version of this, but the same team that fixed Gothic 3 has managed to turn this game into something, while somewhat weak story wise, is playable and fully functional in a gameplay sense.
 * One-Handed Zweihander: Played with. Orcs are so strong that what appears to be a weapon made for one-handed use by orcs can barely be wielded with both hands by a human.
 * Played straight if you train the "Twohanded"-skill to its maximum. Sure, you're holding the weapon in two hands... but your attacks are one-handed.
 * One-Man Army: Your character winds up becoming this for a lot of missions in Gothic 3, as well as against the orcs for one mission in Gothic II.
 * Oxygen Meter: Interestingly, one of the few examples not instantly refilled on surfacing.
 * Penal Colony
 * The Pirates Who Don't Do Anything: The pirates in Night of the Raven.
 * Preexisting Encounters: They also won't respawn if killed.
 * Somewhat averted in the Community Patched versions of Gothic 3 and Forsaken Gods, with some enemies set to respawn with a given percentage of posssibility.
 * Prestige Class: Guards/Fire Magicians, Mercenaries/Water Magicians and Templars in Gothic I, Paladins and Dragon Hunters in Gothic II.
 * Recurring Riff: Title theme of Gothic 3 sounds in several battle themes, mostly boss encounters. It's also a version of the original Gothic's title theme.
 * Restart At Level One: Gothic II.
 * Retcon: A minor one: Gothic ends with the Nameless Hero leaving the, Gothic II starts with the Hero.
 * The Revolution Will Not Be Civilized: Rebels and nomads are supposedly the "good guys" in Gothic 3, yet don't expect them to take prisoners when reconquering strongholds or villages.
 * Rodents of Unusual Size: One of the recurring monsters in this franchise.
 * Roof Hopping: While not required, the roofs of Khorinis have some very nice stuff for the early game that can be found if you do this.
 * Scary Black Man: Gorn has the look, but is subverted by the fact he's a fairly nice guy (he's said to has "a lot to pay for" in the 2nd game, but it is never said what). Thorus plays this trope straight, though he gets less scarier each game.
 * Scenery Porn: All of the games to some degree, but perhaps more notable in Gothic 3, since it has the most modern graphics of the three games.
 * Screen Shake: Trolls.
 * Sequence Breaking: The Insurmountable Waist High Fence subversion above, combined with the willingness to run like a maniac past enemies you cannot overcome at low level, means you can get some nice loot early and basically run entire quests well before receiving them as actual tasks.
 * Shoot the Shaggy Dog: In Gothic II, after spending two chapters.
 * Super-Persistent Predator: Normally averted: "monster" enemies generally do give warning to back off for a few seconds and will break chase if you run far enough, though they don't react to being injured.
 * Sole Entertainment Option: The bubble-world of the first game has a single fighting arena in the Old Camp. The Sect Camp is composed of narcotics-users, and their whole religious cult around the Sleeper, so they have something to occupy their time with. The New Camp is most egregious: asides from mining and rice-growing, there's not much to do (well, except for going to the pub).
 * In the German version, the Old Camp had (on the gallow platform at the entrance to the inner keep) the real world Medieval Metal Band In Extremo, performing their song Herr Manelig. This was cut from all other language versions due to copyright problems.
 * Sound-Coded for Your Convenience
 * Spiritual Sequel: Risen.
 * Sprint Shoes: The running jump gave you just a little extra speed... enough to outrun most sword-wielding maniacs. Well, OTHER sword-wielding maniacs.
 * In Gothic II, this was changed, but still true if you had Acrobatics.
 * Storming the Castle: Expect to spend a good portion of Gothic 3 doing this, since by meddling into ongoing struggles between rebels and orcs (in Myrtana), nomads and hashishin (Varant) and nordmarians and orcs (Nordmar), you'll usually end up assaulting fortified places full of defenders with little to no help from your chosen allies.
 * Averted in some towns, where La Résistance will actually lend a generous hand: Braga, Bakaresh or Montera qualify. Played absolutely straight with others like Silden, Faring or Ben Sala, where you'll be all alone against a full garrison of orcs and mercenaries/hashishin.
 * Swampweed Bullet Time: Smoking a swampweed cigarette makes everything sloooooow, as well as distorting the screen.
 * This Loser Is You: Interestingly combined with eventual Take a Level In Badass. Originally, the Nameless Hero starts out like a newbie (which, if you are playing for the first time, you are), and he's weak and has no clue how to fight and survive (again, for a first time gamer, this is also true). He also starts out not knowing what's going on and dependent on others for help (again, a new gamer will also be like this). This trope was strongest in Gothic II, but was dropped in Gothic 3, where it would be in universe impossible to justify the Nameless Hero being a total newbie all over again, hence why he doesn't start off nearly as incompetent and dependent on others like the other games.
 * Took a Level in Badass: Just compare what the Nameless Hero says in the start of either Gothic I or Gothic II to what he says when he or.
 * Trauma Inn: Spending too long in someone else's house will eventually make them attack you, but if you're quick, you can dash in, lie down on the bed, get a good night's sleep and run out again without setting off the attack..
 * Vestigial Empire: King Rhobar's kingdom is not all it used to be.
 * Unexplained Recovery: One dialog option when meeting Bloodwyn in Night of the Raven is to comment that you killed him back in Gothic I (while never required or even recommended, killing him was common because he's pretty damn evil). His response is that he survived a lot of things.
 * Unwinnable: The manual for the second game explicitly states that the dev team went out of their way to avoid this. The game should always be winnable in some form, even if you choose to go on a wild killing spree in a plot-critical zone. Within reason, of course. They said you can still break your game by, say, throwing the Eye of Innos into the sea. This is wrong, of course. They prepared for that too.
 * Wallet of Holding
 * Weaksauce Weakness: No enemy will chase you over water (and if trapped in water, none of them can attack, just like you). While this looks like gameplay limitations, it's noted by one NPC vaguely in Gothic II, and water is representative of a god opposed to most of the creatures you are fighting.
 * Welcome to Corneria
 * Where Are They Now? Epilogue: In Gothic 3. Not much point to it though, since Forsaken Gods picks up the story at the end of Gothic 3 again anyway...
 * To elaborate, Gothic 3 had three endings: side with humanity and drive out the orcs; side with orcs and drive out the humans ; and the Hashishin ending which screws both over and hands over power to the third party. However, Forsaken Gods goes the route of Deus Ex and uses elements of all three endings as the starting point for two years after the Gothic 3 ending.
 * Who's Laughing Now?: Remember Bullit, the guy from the opening who punched you in the face? You can go back to him near the end of the first game, wearing the most powerful equipment there is and by this point, being strong enough to slaughter the likes of his in droves. The Nameless Hero will even remark on how nicely the situation is reversed now. Then you can butcher the guy. Or, for added irony, punch him until he drops, provided you have trained your strength enough to do damage despite his armor.
 * Wide Open Sandbox: Gothic 3.
 * The first two games are Level 4, and the third is Level 5.
 * With This Herring: The start of Gothic II.
 * You All Look Familiar
 * You Bastard: Thorus in Gothic 3 feels this way about your protagonist.
 * You Have to Believe Me: Averted/Defied in Gothic II. When the Nameless Hero has to gain Paladins' support against the dragons in Valley of Mines, he simply tells Lord Hagen, "The question is not if you should believe me, but whether you can afford to not believe me if I'm telling truth." It works pretty well: the Hero is sent to the Valley for confirmation.