Daredevil/YMMV


 * Complete Monster: Bullseye, Purple Man and Mr. Fear.
 * Frank Miller turned the Kingpin into a borderline case.
 * Growing the Beard: Under Frank Miller.
 * My Real Daddy: Frank Miller or Brian Michael Bendis.
 * The Woobie: Ol' Hornhead tends to border on this.
 * Borders? His mother abandoned him, his father was murdered by the mob, his life is a complete mess from his superheroics, he's had his identity exposed and his life destroyed by the Kingpin, the women he's loved always meet a brutal end if they don't betray him first, and if he ever does find happiness, it will almost certainly be taken away in the most vicious manner possible very quickly. Matt doesn't border on Woobie status, he's bought a freakin' house and had his mail forwarded there.
 * Stoic Woobie: Matt. As mentioned, his life is hell but he'll pretty much never wangst about it.
 * Woobie, Destroyer of Worlds: Elektra

Film

 * Complete Monster: Bullseye, as befitting for a psycho who gets a kick out of murdering people on a whim.
 * Crowning Music of Awesome: Bullseye being introduced with House of Pain's "Top o' the Morning"
 * Drowning Pool & Rob Zombie's "Man Without Fear"
 * Hilarious in Hindsight: The psychotic criminal that Matt faces down in the film's first act is named Jose Quesada. At the time of the film's release, it was merely one of several ShoutOuts that referenced the names of creators who'd worked on Daredevil's comic book, but in hindsight, after the massive fan revolt against Editor Joe Quesada's ill-received "Civil War" and "Spider-Man: One More Day" storylines, a lot of the Quesada-haters (and even a lot of people who don't mind Quesada) probably find this sequence hilarious (and the fact that Daredevil hunts him down is probably a considered a Moment of Awesome by the Quesada-haters).
 * At the end of the movie, Bullseye hits a fly. In Brazil, the expression "na mosca", which roughly translates into "at the fly", is used for the same meaning Americans say "bullseye".
 * Seinfeld Is Unfunny: Whatever the film's faults, it does do something rare for a comic book film in that, unlike Spider-man and the X-Men, it can make you forget you're watching a comic book adaption. Some scenes feel like they're from a different film (in the best possible sense). It's only when Bullseye shows up it starts to slip (It's not easy to make a realistic film involving a man who can go on killing sprees with paper clips and peanuts). Since other films, most notably Christopher Nolan's Batman films, have done this more successfully, Daredevil is unlikely to get credit for trying it first.
 * Vindicated by History: Many fans and critics left cold by the theatrical cut were far more receptive to the Directors Cut which reinstated a lot of the classic elements of the comics (Matt's catholic faith and his legal skills). It is now considered one of Marvel's better films.
 * What the Hell, Casting Agency?: All-American Jennifer Garner as a Greek? Indian-American Erick Avari as her father? Hm? At least Micheal Clarke Duncan as the Kingpin makes sense: even if he's black, he's huge and intimidating, and that's what's important (Fun Fact: In the comics The Kingpin was originally supposed to be black before Marvel changed it at the last minute, fearing accusations of racism).