13 Lakes

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James Benning's feature-length film 13 Lakes can be seen as a series of moving landscape paintings with artistry and scope that might be compared to Claude Monet's series of water-lily paintings. Embracing the concept of "landscape as a function of time," Benning shot his film at 13 different American lakes in identical 10-minute takes. Each is a static composition: a balance of sky and water in each frame with only the very briefest suggestion of human existence. At each lake, Benning prepared a single shot, selected a single camera position and a specific moment. The climate, the weather and the season deliver a level of variation to the film, a unique play of light, despite its singularity of composition.

Curators of the Rotterdam Film Festival noted, "The power of the film is that the filmmaker teaches the viewer to look better and learn to distinguish the great varieties in the landscape alongside him. [The list of lakes] alone is enough to encompass a treatise on America and its history. A treatise the film certainly encourages, but emphatically does not take part in." Benning, who studied mathematics and then film at the University of Wisconsin, currently is on the faculty at the California Institute of the Arts (CalArts).

13 Lakes was added to the National Film Registry in 2014, the first year that it was eligible to be listed on the Registry.

Tropes used in 13 Lakes include:

Ghibli Hills: Well, Ghibli Lakes. Over a dozen of them.
Leave the Camera Running: Of the "done deliberately for artistic reasons" variety, and pretty much the point of the movie.