Fair Play Villain

Everything About Fiction You Never Wanted to Know.

A Fair Play Villain is a villain who, when the hero is at their mercy, gives the hero a Hope Spot. If the villain traps the hero in their prison, they'll allow them an escape chance. If they get the hero into their deadly arena, they promise to let them go if the hero can beat the monster. This type of villain suffers from Bond Villain Stupidity—he could just kill the hero now, but where's the sport in that?

The defining characteristic of the Fair Play Villain is that this act is sincere. He's not lying or deceiving the hero, he's genuinely giving them a chance to win, and will probably (though not always) hold up his end of the bargain if they prevail. He might hope the hero fails, or bend the rules a bit, but ultimately he still gives the hero the opportunity to beat him.

The villain's interest may be in proving to the hero how helpless they are by kicking them while they're down, giving them a second chance so they can fail again. Perhaps the villain is interested in what the hero's capabilities are, or wants to see him prove himself. The villain may be Nigh Invulnerable and believes Victory Is Boring, and finds more challenge in giving the hero a fair shot. The villain may be an Anti-Villain who wishes to best the hero in a fair contest.

Compare Why Don't Ya Just Shoot Him, the logical question that this trope answers. May overlap with Let's Fight Like Gentlemen, Just Toying with Them, Hunting the Most Dangerous Game, and Mercy Lead. See also the Spirited Competitor and Worthy Opponent. Can be related to the Sadistic Choice.

Has absolutely nothing to do with Jonny Fairplay from Survivor.

Examples of Fair Play Villain include:

Anime and Manga

  • Yu-Gi-Oh!, this is standard operation for most villains, since conflicts are almost universally settled by a duel. Particularly notable is Marik, who will lure Yugi into a Death Trap then allow him to duel for his freedom.
  • Grimmjow toward Ichigo in Bleach. After killing Loly and Menoly and saving Orihime, he drags her to where Ulquiorra's left Ichigo for dead and demands she heal him so they can have a proper battle. He even turns on Ulquiorra when the latter appears and demands to know why he's having Ichigo revived. In truth, Grimmjow was doing it more for the sake of his own pride, rather than fair play. He wanted Ichigo at his best, before crushing him, to pay him back for scarring him.

Comic Books

  • The modus operandi for Batman villain Two-Face, who believes that chance (specifically, a coin toss) is the only fair thing in the world, and will flip a coin to make any major decisions. Of course, how "fair" this is can become skewed, such as flipping a coin to decide whether or not he should honor an agreement when the other party already held up their end of the bargain or doing multiple coin flips for every petty little thing.
  • Sometimes anti-heroine/sometimes villainess Lady Shiva is a Blood Knight martial artist who is constantly seeking a Worthy Opponent to defeat and kill her in hand-to-hand combat. During one battle against Richard Dragon, Richard had technically defeated her and was ready to deliver a killing blow when one of Shiva's minions interrupted the fight to save her life. An angry Shiva killed the minion for interfering and restarted the fight with Richard. However, this time, she won.
    • On a different occasion, Lady Shiva battled against Batgirl (later revealed to be her own daughter, Cassandra Cain) and "killed" her by stopping her heart for a length of time and then reviving her. Batgirl, as a former Child Assassin that became The Atoner, was a Death Seeker just like Shiva, which is something Shiva didn't find particularly sporting, so she killed and resurrected her enemy just to give Batgirl a taste of death that would ease her guilty conscience. It worked, and Batgirl went on to win their duel.
  • Marvel has Arcade, whose M.O. was trapping heroes in carnival-themed death traps and getting his kicks on seeing them try to escape. He claims that his Murderworlds are designed so that the heroes all have a chance to escape. A small chance, but a chance nonetheless.
  • In the Scott Pilgrim graphic novel (and most adaptations) the League of Evil Exes seems like a rather petty group of villains (seeking to kill Scott because Ramona had previously dated and dumped them) but they do have a self-imposed Scoundrel Code. To wit, they all must confront Scott one-on-one in the order Ramona dated them[1] and cannot harm Ramona, as she is the reason they exist in the first place.

Film

  • In Saw, the vital part of Jigsaw's games is that all his victims have a chance to prove their desire to live and free themselves from his traps. This usually involves self-mutilation and/or psychological torture.
    • Subverted in Saw III: Amanda's traps are designed without any actual chance of escape.

Literature

  • Carpe Jugulum by Terry Pratchett: the traditionalist vampire who litters his castle with weapons that can be used to take him down - instructions included! It's also a clever survival tactic, since the would-be hunters aren't pressured to find more permanent ways to kill him.
  • The Duke of Ch'in in Bridge of Birds has elaborate mazes and death traps that always give the heroes just enough of a chance to escape. Master Li eventually figures out that this is because the Duke is like a child who protects himself with things straight out of fairy tales and believes it just wouldn't be as much fun if his victims had no chance of winning.

Video Games

Kusanagi: "Temee! Sude de shoubu shiagare!" ("You [bastard]! Fight me with your bare hands!")

  • Asura's Wrath has an odd meta example with the Final Boss. In most games that are big on quick time events, only the player has to use them. However, as you inflict more and more damage on the boss, you can see that he is using this same system, and by succeeding at Asura's own QTEs as best you can, the boss will start to mess up his own.

Western Animation

  1. the Katayanagi Twins can bend that rule, as Ramona was dating both simultaneously, while Roxie outright breaks it in the film version, making an attempt on Scott before it is "her turn".