Fighting Fantasy/YMMV

• Main
• YMMV
• Headscratchers
• WMG
• Wikipedia
• All Subpages
• Create New

• Alternate Character Interpretation: Zagor, Evil Warlock seeking to rule all of Allansia and plunder it's treasures to add to his collection on Firetop Mountain? Or a Designated Villain that only wants to be left alone? Were the heroes that killed him each time he was revived doing so for the greater good of the world, or solely seeking treasure for themselves?
• Broken Base: Any gamebook made by the author Jonathan Green falls under this trope. This is due to his books containing a forced linear path, multiple instant death scenarios and unforgiving Nintendo Hard battle encounters.
• Crowning Moment of Funny: Having to impersonate an orc at an orcish funeral in Battleblade Warrior.
• Crowning Moment of Heartwarming: The ending of Legend of the Shadow Warriors if you choose to show compassion towards the Undead Big Bad who plans to bring a Zombie Apocalypse upon the world by forgiving him and giving him LIFE rather than death with The Spear of Doom, this act of kindness will give him back his humanity in soul AND body. The book ends with "you putting your arms around an old man, crying with the simple joy of being alive" as you help him begin his path to redemption. Yes, an emotionally mature and morally sound ending to a Fighting Fantasy gamebook, supposedly targeted at violent adolescents.
• Ending Fatigue: Caverns of the Snow Witch has you fight the Snow Witch halfway through. Then you spend the rest of the book gallivanting around the world to cure yourself of her curse.
  • This is because Caverns of the Snow Witch was originally a half-size adventure written for a magazine. When it was released in book form, the "Part Two" portion of the book was added in order to bring it up to full size. Interestingly, this has the odd effect of giving you both styles of Fighting Fantasy: Dungeon Crawler, as seen in Warlock of Firetop Mountain, Temple of Death, and Deathtrap Dungeon; and Open World, as enjoyed in Star Strider, Creature of Havoc, and Sword of the Samurai - the first half of Caverns is the leadup to, and traversing of, a dungeon, while the second half is the slightly more linear/roleplay-focused open-world segment.
• Esoteric Happy Ending: The good ending of House of Hell is just oozing Catharsis. The protagonist escapes as the House itself burns down, all surviving villains sent to a fiery death that the protagonist remarks is a fitting and well-deserved end. Still, as many fans point out, he's still stranded in the middle of the woods with a broken down car, so he's not exactly in the clear yet.
• Evil Is Sexy: Just about every female villain in the whole series.
• Nightmare Fuel: A lot of the illustrations swung this way. Of particular note is Beneath Nightmare Castle, which also had some genuinely disturbing monsters, and a scene in which the player has to slaughter a gang of children armed with knives. Many of the deaths the player can suffer also come under this trope.
  • Beneath Nightmare Castle was notable in that they couldn't print one of the illustrations drawn for the book — namely, that of a woman with tentacles emerging from her mouth — because it was deemed too disturbing for children.
• The Problem with Licensed Games: There were a few text adventures based on books from the series and a PS 1 version of Deathtrap Dungeon, all of which were pretty execrable.
• They Wasted a Perfectly Good Plot: Night of the Necromancer, where the main plot is that the player has been suddenly murdered, then returns as a ghost and has until dawn to find out why they were attacked and take revenge. At several points, particularly the parts of the book set at the gateway to the afterlife, it is strongly implied that once the character has reached this objective, they will pass on. Two paragraphs before the end, the character is Handwaved back to life, and the typical 'good' ending ensues, as opposed to the more interesting idea of the 'good' ending being the character passing on.
• Tear Jerker: In Deathtrap Dungeon, when you are forced to kill Throm The Barbarian Warrior, whom you have befriended, in self-defense after he becomes a drugged and mind-wiped slave.
  • Also, you can't save the elf warrior, as she's already mortally wounded before you intervene, but she's grateful to you for trying.
  • In Night of the Necromancer, your reunion with your sister, which describes her attempting to embrace you despite the fact you are a ghost. Made even more tragic if the priest arrives and casts a exorcising spell midway through your conversation.
• That One Boss: Razzak, the Big Bad and final enemy of Crypt of the Sorcerer, if he hits you twice in a row, he wins as you are enslaved by his power. And given his SKILL score (12) and STAMINA score (20), it's nigh-impossible to win normally.