The Knife

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In a dream all my teeth fell out: a cracked smile and a silent shout

The Knife - what you might get if David Lynch's films could sing you to sleep before they sell your soul to the devil, in the nicest possible way.

The Knife is an electronic brother-sister music duo from Sweden, comprised of Karin Dreijer-Andersson and her brother Olaf Dreijer. Formed in 1999, they rose to public attention when Jose Gonzalez's cover of their song Heartbeats was used in a Sony Bravia TV commercial (the one with all the bouncy balls).

They are incredibly reclusive, often refusing to give interviews or make public appearances (they did not perform live shows until 2006) and the few promotional images of them usually show them wearing venetian plague-doctor masks, or dressed as monkeys.

Their albums to date:

  • The Knife (2001)
  • Deep Cuts (2003)
  • Silent Shout (2006)
  • Tomorrow In A Year (2010) - a concept opera based on Charles Darwin's Origins Of The Species in collaboration with Mt. Sims and Planningtorock.

The first two albums gained small acclaim but went largely unnoticed, although Deep Cuts was nominated for a Grammis[1]. Silent Shout, however, was a roaring success, nominated for 6 Grammis Awards and named as Pitchfork Media's album of the year, as well as Slant Magazine's 95th best album of the 2000s.

While they fall under the category of "electronic music" their sound is hard to describe in full detail. The Other Wiki lists the aforementioned David Lynch as an influence, as well as Aki Kaurismäki, Black Hole, Donnie Darko and Doom as just some of their influences, so that might give you an idea.

In addition to The Knife, Karin Driejer Andersson has a solo project, calling herself Fever Ray and releasing a self-titled album under that name. It is something of a Spiritual Successor to Silent Shout in terms of its sound, and she also provided songs for Red Riding Hood.

Dreijer-Andersson also contributed vocals to Norwegian band Röyksopp's What Else Is There?, This Must Be It and Tricky Tricky.

Oh, and for added fun, they're good friends with Robyn.


The Knife provides examples of the following tropes:
  • Album Title Drop: See page image.
  • Animated Music Video: We Share Our Mother's Health primarily, though many of their music videos feature animation at some point.
  • Larynx Dissonance: Olaf does NOT sing at all on the entire Silent Shout - those deep, creepy tones are Karin (with the help of a little pitch-shifting).
  • New Sound Album: Certainly the difference between the relatively upbeat Deep Cuts and Silent Shout is a heavy case of musical Mood Whiplash.
  • Nightmare Fuel Station Attendant: Karin's voice can make relatively benign lyrics utterly terrifying.
  • Real Life Writes The Lyrics: Sort of. In a rare interview, Karin admitted to having written a large part of the Fever Ray album while she was awake at night, tending to her newborn. Given the sometimes creepy content and tone of the songs, many thought this meant that she was writing in response to her experiences raising a child, rather than the simple fact that she was awake because of the child, and chose to write at that time.
  • Refuge in Vulgarity: Possibly, with Hangin' Out and The Cop, though many have interpreted them as political/social statements.
  • Sanity Slippage Song: Like A Pen certainly sounds it, amongst others.
  • Surreal Music Video: A particular favourite, especially for the songs from Silent Shout.
  1. The Swedish version of the Grammy Awards