A Wizard in Rhyme: Difference between revisions

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(Import from TV Tropes TVT:Literature.AWizardInRhyme 2012-07-01, editor history TVTH:Literature.AWizardInRhyme, CC-BY-SA 3.0 Unported license)
 
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* [[Functional Magic]] exists, is controlled by [[Words Can Break My Bones|rhymed verse]], and co-exists with normal physics. Matthew, having a good six hundred years' extra knowledge to draw upon in both fields, is enormously powerful by the standards of the day.
* God and Satan exist, bringing with them [[Black and White Morality]] and the necessity of picking a side. Both forces offer power--evil in the form of [[Deal With the Devil|Deals with Devils]], good in the form of saints--and one must be sure to stay on the good side of your moral compass in order to avoid defeat both in the afterlife and here. (Morality is Christian-flavored, which is [[Truth in Television|appropriate for medieval Europe]] but may result in [[Values Dissonance]] to some readers.)
* Saint Moncaire, patron of Merovence, brought Matthew here to restore the [[Balance of Good and Evil]]. All the other nations of Europe--Ibile, Allustria, Latruria, etc--have fallen under the reign of evil men, and a usurper, Astaulf, now threatens the throne of Merovence, aided by his [[Evil Chancellor]] Malingo. Matthew's job is to find [[EverythingsEverything's Better With Princesses|Princess Alisande]] and help her reclaim her throne, thus preventing all of Europe from falling to the clutches of evil.
 
The series is relatively obscure--and, if truth be told, deservedly so. Books are a [[ClicheCliché Storm]]: Matthew is set a task involving setting to rights another European country. He collects a [[Ragtag Bunch of Misfits]] as he travels, often supplementing them with [[Public Domain Character|Public Domain Characters]] created through [[Summon Magic]]; most of them fade back into obscurity, though two from the first book, the [[Black Knight]], Sir Guy de [[Bilingual Bonus|Toutarien]], and the dragon Stegoman, make repeat appearances. Matthew makes more study into the fabric of magic and Stasheff gets to soapbox about morality and virtue, whether in a Christian context or no. Main characters are flat, with secondaries having more interesting moments. So on.
 
The ''real'' reason tropers will want to check it out anyhow is that it is decidedly, deliberately, unabashedly [[Troperiffic]]. The [[Theory of Narrative Causality]] is in full force, and characters are [[Genre Savvy]] enough to actively ''[[Invoked Trope|invoke]]'' tropes if they stand to benefit from them (in the first book alone Princess Alisande calls upon "[[Underdogs Never Lose]]" and "[[The Good Guys Always Win]]"). The result is a [[Post Modern]] series in the trappings of an [[Historical Fantasy]] (complete with [[Ye Olde Butchered English]], even though technically they are speaking French), a flood of classic poetry, and a series of [[Lampshade Hanging|Lampshade Hangings]] which can only be described as loving.
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* [[Adipose Rex]]
* [[A Day in The Limelight]]: After Matthew disappears from our world, his friend Saul Bremener tries to figure out where he went. He travels to Merovence just in time to be the star of the third book, and becomes the series' only first-person narrator.
* [[Bare -Fisted Monk]]: Saul Bremener
* [[Black Knight]]: non-villainous example in Sir Guy
* [[Distracted By the Sexy]]: a ''lot'' of female characters try this at different times.
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* [[Waking the Sleeping Giant]]
* [[Wicked Cultured]]: Fadecourt the cyclops.
* [[Year Inside, Hour Outside]]: at one point, Matthew returns to "our" dimension after five years in Merovence, to discover that it's been three days since he left.
 
{{reflist}}
[[Category:Fantasy Literature]]
[[Category:A Wizard In Rhyme]]
[[Category:Literature]][[Category:Pages with comment tags]]