Alice in Wonderland/Headscratchers: Difference between revisions

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=== The book ===
* When Alice grows too large in the White Rabbit's House why doesn't she use the fan again (like she did in the Hall Of Doors) to shrink herself?
** As soon as she realized the fan was shrinking her, she threw it away and it was lost in the sea of tears.
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***** Like [[Alternate Character Interpretation|the White Queen]] from the Tim Burton film? [[Fridge Brilliance|Interesting]]...
* Why the (please excuse my language) fuck is everyone convinced that the book is an hallucination by an insane woman, or a drug trip? WHY? Because it's fantasy? But why this book in particular? Why not Harry Potter or the Chronicles of Narnia or the Wizard of Oz or Peter Pan or the Spiderwick Chronicles or the [[Never Ending]] Story? Why can't anybody suspend disbelief and use their fucking imagination? No, everything needs to have a rational explanation, even Wonderland.
** Its mostly because of how outright absurd it seems; from a generic person's view, [[The Lord of the Rings (Literature)|having Earth's prehistory as magical, with medieval european looking civilisations, with elves, orcs and dwarves and with a fallen dark lord that once disguised himself as a bishounen to fool the elves]] or [[His Dark Materials|a multiverse with a god like particle of which angels are made and with armoured polar bears]] makes more sense, because as a whole things seem to follow a certain logic. [[Alice in Wonderland (Literature)|Alice in Wonderland]] is not by any means logic, in fact its the opposite of it, not even having a recognisable plot, and thats what leads people to think it was the result of drugs, which is quite sad because [[Mind Screw]] is an awesome trope.
** Not to mention the fact that the author was a known drug user and was possibly under the influence while coming up with the story. With that in mind its not that much of a stretch to think that the protagonist too would be under the influence.
*** I've never heard he was a drug user, and I've read several biographies. I think you've mistaken him for someone else.
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** But most people have dreams and they aren't mad. Though YMMV, I suppose.
* Not necessarily about the book, but why don't we have a separate article for Through the Looking-Glass? It has the same number, if not more characters than the first book, is just as witty as it, and is quite possibly the first major [[Chess Motif]] in literature. (We have an article on [[The Hunting of the Snark]], why not this?)
** It is this troper's personal opinion that the two ''Alice'' stories are inseparable. You can't have one without the other. Besides, two separate articles would just [[Viewers Areare Morons|confuse people who are unfamiliar with ''Alice''.]]
** Why not call it "Through The Looking Glass" with "Alice in Wonderland 2" as an alt title?
*** Because Alice In Wonderland 2 is not and never has been the tile of the story?
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** I guessed it was about aborting a baby.
** That wouldn't account for the age of seven. It's exactly what it sounds like: Alice says she can't help growing up, and Humpty counters that she could if someone killed her.
*** I (probably not the original poster) am not sure why one can't help aging past six and a half, but two can, since [[I Cannot Self -Terminate]] wasn't really implied (unless [[Values Dissonance]] between myself and a 19th-century Christian is obscuring [[Intrinsic Vow|the strength of the "no suicide, no heaven" thing]]).
*** Maybe Humpty Dumpty is saying he would need two people to shove him off the wall.
** It's definitely an allusion to dying/having someone kill you, but I seriously think Gardener was reaching on this point. As a lot of other examples show, people love stretching to find darkness in Alice in one way or another. Gardener's idea doesn't make much sense -- peoplesense—people can commit suicide very well alone, possibly easier than they can find someone willing to kill them. Much more likely (in my opinion) is that the real joke there was Carroll playing on the use of 'one' as a pronoun -- hepronoun—he was very fond of creative, illogical misinterpretations like that -- andthat—and Gardener took it entirely the wrong way.
 
=== The Disney animated film ===
* Regarding the animated Disney film: if the card soldiers would be killed for painting the roses red, ''why were they singing a song about it?'' That would be like going through Vichy France singing "Smuggling Jews into Spain, I'm smuggling Jews into Spain!"
** No musical makes any sense. People don't just burst into song about their feelings or the events of their lives in the real world. Singing about painting the roses red is no more daft than anything else.
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* During the Walrus and the Carpenter bit: when the Tweedles say "But mother oyster winked her eye/and shook her heavy head/she knew too well this was no time/to leave her oyster bed", Mother Oyster looks over at a calender next to her, and the letter 'R' in the word "March" grows big and flashing red. Is this some kind of hidden joke that I'm simply too young to get?
** Oysters can only be harvested, and therefore eaten, only part of the year. The general rule of thumb is any month with an R in it.
** Or put more plainly, oysters are in danger during the colder months, when they can be kept cold (in the days before mechanical refrigeration) for a longer period of time. In the Northern Hemisphere summer months don't have an R in them. Read more [https://web.archive.org/web/20111004080442/http://www.nefsc.noaa.gov/faq/fishfaq5b.html here].
 
=== The Tim Burton film ===
* What's with the names? I really have no problem with them, but why are they there? Why can't we just call a hatter the Hatter?
** In the movie the characters have dialogue between each other and calling each other "Cheshire Cat", "White Queen", "Hatter", etc. would be excruciatingly annoying after a while.
*** ... why? That's what they called eachother in every other version of the story.
*** A mark of added realism and character depth--indepth—in the real world even people known by titles (like the Dalai Lama) have given names, and those who assume a name along with a title (like the popes) also have birth names. Giving names to the characters suggests a past, a history, and that they are real people. Of course whether that was an appropriate thing to do, particularly with a product like Alice in Wonderland where things don't make sense as a rule and the characters are in many ways archetypes, is another matter--butmatter—but even if you think that was a bad or wrong reason to do it, that is still likely the reason.
* More of a problem with the [[Fan Dumb]] than anything, but Johnny Depp's performance seemed to be pretty over hyped. His character seemed to be just a mish mash of Jack Sparrow and Sweeney Todd with not much feeling put into it. The fact that years before the movie released their only advertisement was JUST a picture of Johnny Depp sort of says it all.
** Jack Sparrow and Sweeney Todd by ''themselves'', is the same-old-same-old . . . but putting those two different types of crazy ''together'' was [[Crazy Awesome|pretty awesome]]. Plus, [[Opinion Myopia|different people have different tastes]].
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** "Why must you always be the wrong size?" Said wistfully, to boot. That alone does it for the shipp- ew. You just gave me a horrible, ''horrible'' [[Alternate Character Interpretation]] involving your description of the Hatter's relationship with Alice, [[Getting Crap Past the Radar]] regarding Lewis Carrol's... infatuation, and the [[Wife Husbandry]] trope. [[Sarcasm Mode|Thanks, above troper]]. But I digress. Their relationship to me mostly seemed like nostalgic friendship with occasional hints of a little-kid style crush on the part of the Hatter (when she was nineteen, at least, the brief flashback wasn't very informative), vague sympathy/sense of purpose on the part of Alice until later on when she decided it wasn't necessarily a dream, and fire-forged [[Platonic Life Partners|something]] (still with the sympathy) towards the end.
*** This troper is officially experiencing [[Fridge Horror]]
** Yeah, I agree. And kind of more paternal from Alice's direction than the Hatter's. Well, it sort of went both ways, a little, which I guess makes it more of a [[Like Brother and Sister]] thing. So I didn't see the whole [[Strangled Byby the Red String]] problem, because it seemed sort of as though she saw him as [[The Woobie]]. So it wasn't that she suddenly had deep feelings for a bizarre man who's twice her age under all that makeup, she just saw him as a friend and on top of that felt bad for him because he's the tragic, organic disorder version of [[The Mad Hatter|his namesake trope]].
** Squicky as it may be, I interpreted him as being a fill-in for Lewis Carroll and most people these days interpret him as having been romantically interested in the real Alice, so yeah.
*** ...Why would the Hatter be his fill-in? There is very, very little similarity. Now, the White Knight from Looking Glass is REALLY blatantly so, but the Hatter does very little.
** Ever since this troper left the theatre after first seeing the film, she has been convinced that the Hatter and Alice were meant to hook up. Then the troper read the original script, saw the written-out-of TWO "passionate, fiery kisses" and promptly had a Fridge Horror moment regarding Alice's earlier trips to Underland. There must have been a reason she forgot about them?
* In the Tim Burton film, the futterwaken. Not only that it was a [[BigNon LippedSequitur Alligator MomentScene]] that makes anyone who preforms it properly look like the [[Widget Series|Japanese]] [[Ronald McDonald]],but Alice's use of it at the end was... utterly pointless, even if you consider it to be a generic victory dance, unless you interpret it as her attempt to convince those present that she's mad, a sort of [[Refuge in Audacity]] (I thought at first that she was merely flaunting her lack of stockings).
** I saw it as a [[Take That]] to everyone who expected her to do the "proper" thing at all times.
*** What bothered me was that there's already a 'mad dance' in the books, the Lobster Quadrille! It even has a song that goes along with it! Why, when inventing the dance [[Brick Joke]], did they not just use the Lobster Quadrille? Why create a nonsense word where there's already one ready-made?
**** Because she would need at ''least'' one other person and two lobsters, [[Comically Missing the Point|of course]].
**** Alice-of-the-film hates the Quadrille with a passion. Of course they couldn't have danced the Lobster Quadrille.
* The [[Chosen One]] plot. Bloody hell. I know the original book was just sort of a bunch of random events and encounters, but of all the plots they had to bolt on to this thing, why [[ClicheCliché Storm|that?]] ... Though the Jabberwocky was pretty badass.
** Agreed. I enjoyed the setting and the characters; but I couldn't help but feel that there could be a better ultimate challenge for Alice than a standard kill-the-monster plot.
* How the hell did a movie that's basically a love letter to macrophilia and the giantess fetish ever get past the Disney censors?
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* Trying to turn Alice into a proto-feminist role model.
** I concur! That ruined the whole ending for me. Mind you, I'm a bit of a feminist myself, but I was like..."Uhm, no. Just no." It's absurd, at that point in history. Broke my [[Willing Suspension of Disbelief]] in half.
** I'm a feminist, and while I liked Alice becoming a warrior (well, apart from the [[ClicheCliché Storm]] involved), the epilogue was less credible than Wonderland. Sure, even in the 19th century, there were some possibilities for a woman (particularly a wealthy one) to get to do something else than get married, but becoming a merchant's apprentice and going to China? Yeah, right.
** I'm a feminist also, but what Just Bugs Me is that Alice isn't warrior enough. She isn't supposed to be a proto-feminist role model, she's a girl who's trying to make sense of nonsense! In the books (and the original Disney film) she was more of a feminist because she challenged beliefs that didn't make sense. In Burton's version she's just going along with everything and insisting they've got the wrong girl even as she proves them right. The wrap-up at the end was pretty pathetic too - I mean, her character didn't change that much. She didn't fight the Jabberwock for herself, so why on earth would she have been altered by the experience? She fought because others wanted her to - not a very feminist idea. And then because of that, she suddenly has strength?
*** The White Queen makes a point of saying that it is her choice to fight it. Her following decision isn't really just because it's expected, it's also to protect the friends she has re-made since returning to this world. So, true, she's not fighting for herself specifically, but which is more worthy? That or fighting to defend those you care about (who, if we're getting philosophical, could also translate to one's ideals in this instance)?
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** Alice did not need to be made into a feminist. Tim Burton may consider her 'passive', but she is anything but.
* Opening up trade with China. Were we ''supposed'' to think that Alice would be the cause (even if indirectly) of the ugliness of the Opium War, or was the writer really that naive?
** It's a [[Historical in In-Joke]] [[Fridge Logic|gone sour.]] Though whoever said Alice would be trading opium?
*** Opening a direct trade-route to China would result in the British Empire's attempts to open the country to further trade, eventually choosing a merchandise that they would ''have'' to buy. Alice herself doesn't need to do the opium-trading in order to bring about the circumstances where the opium trade became a viable political strategy.
** "Alice" humiliates the Duke's son in public and the Duke ies her a job???
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** Alternatively, it might be that the Queen was trying to assert her own power via a [[Screw Destiny]]. If the Jabberwock destroyed Alice on the very same day she was supposed to kill him (and that didn't seem a long stretch, prophecy or not, given that on one side we have a pyroelectric spitting dragon and on the other a young girl) surely the denizens of Underland would have lost all hope and will to fight back against the Queen. Alternatively, maybe the Red Queen was as much a skeptic as the Dormouse and also thought this was the wrong Alice.
** Self-fulfilling prophecies are like that.
** Because, as was pointed out above, the White Queen had said whether Alice would fight or not was [[The Evils of Free Will|her own choice]]. Despite the fact the Oraculum showed her fighting the Jabberwock that day, if Alice had continued to believe it was [[All Just a Dream]] or had otherwise chosen not to fight, the Red Queen would have won. By coming there she was simply counting on Alice continuing to remain oblivious and clueless, or at least neutral. The fact that Alice remembered her past visit, then decided to protect her old friends and be strong to embrace her destiny, fulfilled the prophecy--butprophecy—but not only did the Red Queen think that wouldn't happen, fate was not as ironclad as it appeared. Until the last moment, Alice still could have chosen not to fight. And as has been pointed out farther down, the Oraculum just shows her fighting, not winning. If she hadn't hung on to the Vorpal Blade as she'd been told...
* When Alice first shrinks, it just bugs me how we never actually see her arms get out of the puffy sleeves. She never raised her arms, so it's like they just magically passed through the torso of her dress, which is ridiculous, even for Wonderland.
** She just shrank that much. She gets small enough that her whole body could fit in that sleeve, you're expecting her arms to stretch far enough to fit through both of them? She gets skinnier, therefore farther from the sleeves. Her arms gets proportionally shorter. You do the math.
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** No, it's just got poisonous claws (either magically or naturally), or the wound had started festering to the point that Alice's own immune system or some medicinal skills wouldn't heal it. You don't need to grow penicillin in your nasal passages to sneeze on someone and give them a cold.
*** No, but the Bandersnatch DOES heal Alice's wound by licking it. HOW?
**** Ah. No, it's presumably a master at evaporation the same way termites are master architects, or [[Dungeons and Dragons|sorcerors are different from wizards]]. It could be a master at evaporation magic, though, [[What Measure Is a Non -Human?|if it really is a being rather than just an intelligent beast]].
**** That and a creature who spreads poison by scratching would presumably need to evolve either a resistance to or way to combat his poison, lest fleas would become a very deadly problem indeed. It's possible that bandersnatch saliva had evolved to the point of being able to chemically nullify any accidental scratches. He's not a master of evaporation, it's just that he's got the only antidote and it's not exactly easy to harvest so it wasn't a viable option.
**** Chessur wasn't saying evaporating skills was the ''only'' way to heal her wounds, just that that was what she would need. Why would she need it? Because he knew (or at least strongly believed) that the Bandersnatch could never be convinced to heal her itself with its antidote saliva, so his evaporation was the only method available to heal her. The unstated part of his sentence is "You'll need someone with evaporating skills to tend that wound [because the Bandersnatch certainly won't help you]." He didn't say that part because there was no point getting her hopes up with something he thought impossible. (He didn't count on the [[Androcles' Lion]] gambit.)
* Just what the HELL happened to the Dodo?!?! After the Queen's croquet game, he just practically disappears of the face of Underland!!!! I was so happy that they included an under appreciated character in the film, and what do they do with him? Ignore him. He doesn't even show up in the final battle!!! Not to mention in the original script, he was supposed to be at the White Queen's castle. WHAT. THE. '''HELL?!?!'''
** What would be the point in a minor character being in the final scene. Honestly what is the big loss, there was a lot of other characters who got less screen time than he did, who were more important in the books. Don't go crying over a dodo now.
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* Why would it take the death of the Jabberwocky for everyone to turn against the Red Queen. It obviously wasn't at the castle and it looks like it would take a bit of time for it to wake up or move anywhere. The Red Queen is surrounded by people that hate her and can easily find weapons, can they honestly say that no one was capable of poisoning her or killing her in her sleep?
** That would probably result in the Jabberwock going on a [[Roaring Rampage of Revenge]]. Bad idea.
** Just my interpretation, but I was under the impression that the Red Queen's authority and power derived magically from the Jabberwock. Because the minute it was destroyed, we didn't see everyone run away, or immediately rise up against her--insteadher—instead the cards lost their will to fight, the Knave lost what had seemed to be fanatical loyalty in favor of contempt and hatred, and even the Hatter stopped threatening the Knave, as if he no longer saw him or the Queen as threats anymore. Why this would be or how, I don't know, but it seemed that it wasn't just fear which compelled people to follow and obey her, but an actual magical compulsion. Perhaps the Power of Fear made literal?
* "Underland". What's the deal with that? Why not just, y'know, call it what it actually is?
** "Alice's Adventures Underground" was the original name.
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** [[The Other Wiki|Citation Needed.]] Can you show the article that has Burton admitting to never reading the books? Otherwise, there is no backup to support your complaint.
*** There isn't. The above quote is from him explaining why he didn't ''enjoy'' the book (he felt no emotional investment due to the lack of a running story), which kind of requires him having read them.
*** That's... even ''worse''. So, you adapted a book you don't like into a movie and made it "better" by imposing a plot where there was none and missing the whole point of said book (being, there is no point)? It's like asking [[Zero Punctuation (Web Animation)|Yahtzee]] to make a J-RPG for you.
*** He didn't WRITE the movie, he just directed it. He was working with it from a script as a film.
* So they get [[Christopher Lee]] to voice the Jabberwock(y). He gets two lines (which were thoroughly epic and something out of a fantasy masterpiece)...and then he is promptly struck dumb via tongue removal. Whiskey. Tango. Foxtrot.
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[[Category:Disney Animated Canon/Headscratchers]]
[[Category:Literature/Headscratchers]]
[[Category:Alice Inin Wonderland]]
[[Category:Headscratchers]]
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