All Just a Dream: Difference between revisions

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* The last issue of ''[[Gen 13]]'', vol. 1 combined this with a [[Downer Ending]]: The team—along with various other gen-active teens they'd met along the course of the series—has one last hedonistic, live-like-there's-no-tomorrow-cuz-there-ain't good time before "The End". Turns out this was all in Caitlin Fairchild's head, an extended hallucination brought on by the effects of another gen-active's powers in the split-second before a [[Death Trap]] disintegrated them all (they got better).
* This has happened innumerable times in [[Superhero]] comics as an "out" for a wacky story that doesn't fit into canon. So much so that it was common to include the blurb "Not a dream! Not an imaginary story!" on covers to reassure readers that no such cop-out would be used. Of course, since [[Covers Always Lie]], they'd usually find some ''other'' cop-out that meant the events still weren't what they seemed.
* The current high-profile ''[[Batman]]: RIP'' storyline is (among other things) an attempt to bring the wackier [[The Silver Age of Comic Books|Silver Age]] adventures of the Dark Knight in-canon by explaining them as hallucinations caused by sensory deprivation experiments. An original quote from one of those Silver-Age tales is a prominent part of the storyline (and very typical of the trope): "It would be far easier to consider this a dream... but how can I? For in my hand, I hold the Bat-Radia!"<br />Noteworthy in that the sensory deprivation experiment was not a [[Retcon]], but was ''itself'' a framing device in an actual Silver Age story. An alternative explanation provided for some of these episodes is the insinuation that they were hallucinations brought about by exposure to Joker toxin, Scarecrow's fear gas, etc.
* ''[[Tom Strong]]'' issues 29 & 30 had the eponymous hero awaken from his superheroic life into a gray world with no wonder or adventure where he was just a factory worker with a case of bad self-esteem. Then the clues mount that he really is a superhero - only to discover that he was a failed military experiment and [[Cuckoo Nest|all of his memories of a heroic life were delusions]]. But at the last moment, he breaks out of the hallucination - back into the superheroic world where the [[Big Bad]] of the story had been forcing him to hallucinate. He said later that he knew the world he had been in wasn't real because it was all gray, with no sense of hope or wonder in it. (Of course, a cynical person might just say that he was unable to cope with the truth and retreated into his dream-world ... à la that much-referenced episode of ''[[Buffy the Vampire Slayer]]''.)
* A two-week storyline in ''[[FoxTrot]]'', parodying ''[[The Metamorphosis]]'', has Jason waking up one morning to find he's turned into a miniature version of his sister, Paige. Midway through the story, he [[Lampshade Hanging|lampshades]] this trope by saying he's figured out that he's dreaming, because he thinks that if this were real, [[The X-Files|Mulder and Scully]] would've come to investigate. (Dream-Peter then points out that Mulder and Scully [[This Is Reality|are TV characters]]—and therefore [[Comically Missing the Point|only investigate incidents appropriate for primetime shows]]. Turning into a teenage girl is too horrific.)
* ''[[The Sandman]]''. Quite a bit of it really is just a dream, but that doesn't make it any less real. "I give you - [[wikipedia:List of characters in The Sandman#Alex Burgess|eternal waking]]..." Brrrrr...
* Two ''[[Spawn]]'' issues written by [[Neil Gaiman]] and [[Grant Morrison]] has Spawn dying accidentally after a fight with an angel warrior, and goes to a special level of Hell, where he finds all [[Marvel Comics]] and [[DC Comics]] superheroes imprisoned, and with help of [[Lawyer-Friendly Cameo|Superman]], who gave him his power, he sets them all free. Next issue happens back on Earth, with the narrator saying "Let's come back to reality. Spawn has a bad dream last days."
* From ''[[Bloom County]]'', after a long-awaited wedding, Opus is knocked out when his nose collided with Lola's when they kiss. While unconscious, Opus dreams about Lola leaving him twenty years later with twenty-three tube-grown kids.<br />At another point, Opus ends up wandering lost in the desert. Suddenly, he's back home in Bloom County. He announces how happy he is it was all just a dream. Milo then says "No. ''This'' is the dream. You're still in the desert." And sure enough..
* ''[[Little Nemo|Little Nemo in Slumberland]]'' ends every strip with Nemo waking up in bed. There were continuous storylines despite this. And when Nemo gets into trouble it does not feel as safe as a dream. No no no.
* ''[[Drabble]]'' pulled this twice, then subverted it ''hilariously''. The first time, Ralph dreams that his job as a mall cop is more like [[Batman]]. The second time, Norman goes to a piercing salon with Wendy and ends up with multiple ear, nose, and other rings. The third time, Norman and Wendy run off to Vegas and get married on a dare. Norman is about to invoke this trope when the next panel reveals the cartoonist has already used up his chances to use it. The plot gets resolved another way.
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* ''[[The Cabinet of Dr. Caligari]]'' gives a [[Unreliable Narrator|particularly]] [[Through the Eyes of Madness|jarring]] [[Cuckoos Nest|version]]. Notably this was because of the [[Executive Meddling]], which the creators despised, as the whole point was to show an evil, monstrous authority figure, but the censors of Weimar's Germany didn't like it. They apparently even made an ''extra'' twist for an alternative version where it ''wasn't'' dream after all, despite of all the attempts to convince otherwise.
* In ''[[Mirror Mask]]'', (boy, [[Neil Gaiman]] sure loves dreams) Helena figures out pretty early on that the entire [[Magical Land]] is all a dream, populated by [[And You Were There|characters based on people she knows]]. However, the possibility is certainly left open that it isn't ''just'' a dream, when she meets someone who was in her dream, but she'd never met before in her day-to-day life.
* Happily subverted in ''[[The Forbidden Kingdom]]''. He's back in his own world, but has mysteriously gained self-confidence, and is a better fighter. Was it all a dream?... oh, wait, {{spoiler|the old shop-keeper is actually the now-immortal [[Jackie Chan]] character!}}<br />They didn't even try to play it straight. When he wakes up on the pavement, {{spoiler|the cut he received in his "dream" is still there.}}
* ''[[Time Bandits]]'' seems to use this at first, with Kevin returning from being enveloped by smoke from one of the remnants of Evil by seemingly waking up in his room during a house fire... but it doesn't just settle for an [[Or Was It a Dream?]] and goes for a full-on subversion. {{spoiler|The film ends with Kevin finding the photos he took on his journey, and discovering that the fire was started by the final fragment of Evil getting lodged in the toaster oven -- which his parents promptly touch despite his warning and ''explode''. Also, it's implied that the fireman that rescued him actually ''is'' King Agamemnon, not just another case of the film using the same actors for multiple characters.}}
* One of the few relatively certain things about the [[Mind Screw|plot]] of ''[[Mulholland Drive]]'' is that it includes some element of this. One interpretation is the whole movie is a sinister creeping inversion: it is a dream where the ''dream gradually wakes up'' and walks away, rendering the original dreamer fictional.
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* ''[[The Matrix]]''. The entire world the film starts in is All Just a Dream, albeit an artificially constructed one induced by an empire of evil computers.
** Some have suggested that even Zion is just another level of the Matrix, satisfying many beyond the official interpretation as it explains the liberties taken in the third movie.
* ''[[Labyrinth]]''. Invoked and then subverted: Sarah, after hours of weirdness, finds herself in a place that looks exactly like her room. She cries out in delight, jumps on the bed and wraps the pillow around her head... then looks up in wonder and realizes the whole thing was just a big dream! She goes to open the door to the hallway... and is greeted by a goblin, while the other side of the door is a junk heap at night-time.<br />Played straighter by the end, where you could interpret the entire thing as a dream, then subverted ''again'' when {{spoiler|the creatures show up in her room and everyone has a dance party while Jareth watches in owl form outside the window.}}
* At the ending of ''[[Jacob's Ladder|Jacobs Ladder]]'', we discover that {{spoiler|the lead character is experiencing the entire events of the movie as a hallucination as he lies on a cot dying in a military action.}}
* Some have argued that an alternate interpretation of ''[[The Sixth Sense]]'' is that the entire movie is a dream, from the time of the shooting to the end where we "rewind" back to the shooting, and thus the little boy who "sees dead people" doesn't even exist.
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* Towards the end, [[Neil Gaiman]]'s ''[[Coraline (novel)|Coraline]]'' very briefly appears to pull this... however, it's almost instantly subverted; not only was it not just a dream, but Coraline's adventure isn't quite over, after all.
* In ''The Queen and I'' by Sue Townsend, the election of the British People's Republican Party and subsequent banishing of the Royal family to a council estate turns out to be an election night nightmare by the Queen.
* [[Subverted Trope]] in the original ''[[Chronicles of Thomas Covenant]]''; Covenant ''starts out'' by believing that everything happening to him is a dream, and is then made to doubt this over the course of the trilogy. The question is deliberately left unresolved, although {{spoiler|the Creator's intervention to save Covenant's life at the end}} strongly implies that the Land was real, as do the passages from the points of view of Hile Troy and Lord Mhoram.<br />Unless, of course, it ''was'' all just a dream, and Covenant merely hallucinated the Creator offering to help save him. In that, his "miraculous recovery" in the hospital would simply have been due to the fact that he had essentially regained his will to live (as established in his conversation with the Creator). This is even more implicit when you realize that Covenant is a writer (and thus, is a Creator himself), so both the Creator and the Despiser may simply be embodiments of his own personality. The Hile Troy and Mhoram POVs don't necessarily negate this, since Covenant never manages to prove that Troy was "real", and it's possible to passively dream things happening that the dreamer wouldn't necessarily be aware of. But as Covenant himself suggests, it doesn't matter whether it's a dream or not, because either way, it's ''important''. The later books tend to make a much better argument for everything being real, but the original trilogy does a very good job, even right up to the very end, of keeping the paradox.
* [[Subverted Trope]] in ''[[Maximum Ride]]''. A group of scientists unsuccessfully attempt to convince the protagonist that the events of the entire past three books were all a dream.
* In the short story ''An Occurrence at Owl Creek Bridge'', the protagonist (a [[The American Civil War|Confederate]] sympathizer) makes a daring escape from inevitable death by hanging when the rope breaks! He evades pursuit from Union soldiers, runs 30-odd miles to his home, finally embraces his beloved family -- {{spoiler|and the story ends abruptly when his neck snaps. It wasn't technically a dream because he wasn't asleep, but it is an excellent example of a [[Dying Dream]] nonetheless}}.