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{{trope}}
{{quote|'''Bashir''': But the point [of "The Boy Who Cried Wolf"] is, if you lie all the time, nobody's going to believe you, even when you're telling the truth.
'''Garak''': Are you sure that's the point, doctor?
'''Bashir''': Of course, what else could it be?
'''Garak''': That [[Family
A [[Sister Trope]] to [[Alternate Character Interpretation]], this refers to when the entire moral message of a story is subject to a strong kind of [[Fridge Logic]]. As in, while the characters may interpret the [[Aesop]] a certain specific way and the writer has also intended for the audience to see it as such, the audience may end up [[Fridge Logic|scratching their heads]] and noting that if the characters had followed a different course of action, they could have avoided most of the complications of the story just as easily.
Can often result from an [[Idiot Plot]]. For the weasel-worded, [[Accentuate the Negative]] troper version, see [[Warp That Aesop (Darth Wiki)|Warp That Aesop]].
{{examples
== Anime & Manga ==
* In Episode 11 of ''[[
** Throughout the episode, each character offers their own potential moral for the situation. By far the most sensible is Spike's take: {{spoiler|"[[It Came From the Fridge|Don't leave things in the fridge]]."}}
** Another interpretation of Jet's situation at the beginning might be, "Don't gamble against someone who you know cheats."
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== Comic Books ==
* ''Tricked'' is a graphic novel in which we find out at the end of the story that the moral the surviving characters took from the plot was "guns are bad". But, the access Steve had to his deceased grandfather's guns was just dumb luck. Steve himself didn't know whether his grandmother had gotten rid of the guns until he was already there. By contrast, Steve's mental illness and erratic behavior was observed and commented upon by several characters in the story, but they all decide it's [[Somebody
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* ''[[The Breakfast Club]]''. The common interpretation is that the titular teens could overcome their differences by finding common ground and appreciating the uniqueness of each of their characters. The more cynical interpretation is that the characters didn't actually learn anything: At the end of the movie, their narrative function is pretty much what you'd expect from their character types. The girl with rich parents hooks up with the bad boy, the jock gets with the loner after she gets a makeover, and the nerd is the only one who puts any actual work into the assignment.
** Made even worse by the fact that the message of the loner and the jock's hookup is basically "Boys will like you as long as you dress how ''they'' want."
* The obvious moral of ''[[Kung Fu Panda]]'' is to always [[Be Yourself]]. However, given how sympathetic Tai Lung can come across in how hard he worked to attain the Dragon Scroll only to be denied, and how it can be argued that Po hardly trained at all and ''did'' get the scroll, one could make an argument that the moral is [[Family
** Tai Lung worked for the Dragon Scroll because he thought it would make him powerful; we're supposed to take from his backstory that he was working for the scroll for the wrong reasons, and sympathizing with him for reacting badly to Oogway's rejection is missing the point. Po wasn't explicitly working for the scroll at all; he was trying to better himself for it's own sake. So I guess the alternate Aesop would be, "Hard work is only a virtue if you're doing it for the right reason".
*** The reason Tai Lung wasn't given the scroll is because he isn't psychologically capable of making use of it, the same as his (and Po's) master. It takes Po a while but he finally gets it; Tai Lung's brain breaks when he finally sees it. {{spoiler|The scroll is blank, the final lesson is that there ''is'' no secret power}}. Tai Lung is also presented as a much more powerful fighter than Po; Po is just naturally immune to his best moves.
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== Literature ==
* In ''The Commitment'' by [[Dan Savage]], one chapter mentions a sexually inexperienced wife who divorces her husband, concluding that some non-monogamy could have saved their relationship. This assumption is based off of the intense interest she takes in Dan and Terry's sex life. But, as she considers "sexual adventures she regretted" to be a good thing, and assumes that Dan and Terry are [[Depraved Homosexual|depraved homosexuals]] because they're gay, we could just as easily conclude that her sexual inexperience is leading her to over-romanticize sexcapades—recall Savage's earlier befuddlement at how "stupid mistakes you survive become points of pride". That's assuming that their marriage wasn't suffering other problems, which seems likely. The wife says, "I would love to have a three-way. But I wouldn't want my husband to know the details." When her husband laughs, Savage takes this as an example of how marriage can be prudish, but note that the wife's statement about [[Three
* The obvious moral of the ''[[Harry Potter (
** Another is "Don't let your arrogance override your intelligence." If Voldemort hadn't been so sure nobody would realize he was using horcruxes, he probably would have hidden them better and made them less obvious items. This one is even mentioned in-story as his greatest weakness; he cannot even conceive someone being as clever as him.
* In ''[[Slaughterhouse
* Most readers interpreted the moral of ''I Kissed Dating Goodbye'' as "Do volunteer work as a substitute for having a significant other" instead of the intended message of "Do not forget about spirituality (including, but not limited to, serving others) simply because you wish for romantic love".
* There's a whole list of
* Buzzfeed took [http://www.buzzfeed.com/chrismenning/what-dr-suess-books-were-really-about a second look] at various works by Dr. Seuss. Some of these are particularly [[Green Aesop
** Most of those listed are actually the primary aesop intended for the book.
** The books were written to work on two levels: the timeless children's morality tale and political commentary on current events (for example, Marvin J. Mooney is Nixon). It's not as surprising when you realize that the first drawings he published were anti-Nazi political cartons starting in the late 1930's.
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== Musical Theatre ==
* The narrator of ''[[Blood Brothers]]'' explicitly provides an
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== Western Animation ==
* The aesop of [[King of the Hill]] episode "Moving On Up" could be either "Find a way to live with the annoyances in your life" or passive aggressively ignore the people that you can deal with and bottle the emotions that are natural.
* ''[[Thundercats 2011
** "Song of The Petalars" has protagonist Lion-O give a [[Rousing Speech]] about [[The Last Dance]] and that they should "live [[Like You Were Dying]]," leading his team into a battle they [[Last Stand|cannot win]], instead of living to fight another day. (They're saved by a [[Deus Ex Machina]]) The moral seems more like "Retreat is cowardice."
** In "The Duelist and the Drifter" the [[Aesop]] is meant to be that we cannot rely on pure strength or weaponry alone, but must use flexibility, perception and skill to win battles. But since that amounts to a weaponless Lion-O [[Power Copying]], perfectly replicating evasive maneuvers he's seen only once, the lesson could be "depend on your spontaneously-generated superpowers, not your sword."
* The ''Aesop and Son'' shorts on the ''[[Rocky and Bullwinkle]]'' show had Aesop telling his son a fable with a moral, followed by his son proposing an alternate moral (which was inevitably an [[Incredibly Lame Pun]]).
* ''[[The Simpsons]]'' episode "Homer's Enemy" was meant to show how a normal person would not be able to survive in that universe. It should be noted, however, that Frank Grimes' [[Sanity Slippage]] and {{spoiler|eventual death}} came about from his own obsessive hostility towards Homer. Homer's attempts at making it up to Grimes after getting him in trouble only fuel the [[Green
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[[Category:Lit Class Tropes]]
[[Category:Alternate Aesop Interpretation]]
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