And Then There Were None/Headscratchers: Difference between revisions

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** This goes back to the British class system of the time: Rogers (who is repeatedly shown to be an intensely conventional and unimaginative man) 'knows his place', and it isn't with the company, regardless of the situation. Granted, this is probably dependent more on Christie's readers accepting this stereotype than the validity of the type itself.
** To be fair, [[The Movie]] fixed this:
{{quote| ''Roger:'' If you think I did it, then I won't make any drinks!<br />
''Everyone:'' NO! }}
** Plus, would it had done much good? He would still be on a island with an axe crazy murderer.
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** True, but it's clear that Miss Brent also knew her servant had been abandoned by both the baby's father and her parents; instead of responding with compassion and assistance, she turned her out and refused to give a reference -- which, in combination with the baby, meant she'd effectively made the girl unemployable. Thus a strong case can be made that Miss Brent represented the girl's last hope, and that her actions were what tipped her over the edge to suicide.
** The fact that she'd turned her back on the servant girl out of self-righteous intolerance could well have been the deciding factor, as it made Miss Brent a [[Holier Than Thou]] hypocrite: one who callously consigned someone who desperately needed her help to despair, in the name of what's ''supposed'' to be a compassionate faith. Plus, the servant's ''unborn baby'' died too, and it certainly shouldn't have paid for its mother's faux pas.
*** The stage version pushes these factors to the forefront: Emily admits to Vera that she not only threw Beatrice Taylor out of her home, but gave her a [["The Reason You Suck" Speech]] that may have been the deciding factor in pushing her to suicide. Emily, of course, hastens to point out that ''she'' herself did nothing wrong, or at least nothing that acted against her conscience -- it was ''Beatrice'' who got pregnant out of wedlock, and it was ''Beatrice'' who chose to kill herself.
** Remember, U.N. Owen kills his victims in order of increasing moral culpability, so the first few ''had'' to be less flagrantly to blame than the rest. Emily is the ''least'' remorseful of the ones who'd killed people through indirect action (withholding medicine, giving suicidal orders, steering a jury) rather than direct and willful crimes (stealing supplies, planting evidence, leading a poor swimmer to the beach). Anthony Marston, the least remorseful of all, goes first because Owen has pegged him for a complete sociopath, incapable of having his nerves racked by guilt and fear.
 
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** What, ''Ten Little Niggers''? [[Sarcasm Mode|Gee, I have no idea.]] Seriously, I think you're referring to the ''second'' original title, ''Ten Little Indians''. Not anywhere near as bad, no, but still unnecessary. (Both titles, BTW, reference a nursery rhyme that runs through the book, which has likewise been updated through the years.)
** ''Ten Little Yidies'', ''Ten Little Jhonnies (19th centriy Chinese immigrant in Britain)'', there's a variation of any race if you want to find one. Seriously.
*** Actually, I was refering to the first one, it's just that [[In Soviet Russia, Trope Mocks You|in Soviet Russia]] the name of the novel was completely deprieved of any derogatory undertone and sounds like "Ten little negroes". I saw the name written like this in the Web and assumed it was like this initially.I couldn't imagine that they would feature a derogatory variant of the word in the name of a book for no reason.
*** "Negro" isn't exactly an accepted term anymore either, at least in America.
*** What is true in US is not true in the rest of the world. At last in Latin America the term 'negro' is fairly acceptable one (not "politically correct", but not derogatory either. I don't know how things went in Russia, but in Brazil the name change(at 2008) was considered unnecessary.
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[[Category:And Then There Were None]]
[[Category:Headscratchers]]
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