Antiquated Linguistics: Difference between revisions

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{{quote|'''Seto Kaiba:''' Your brash nature offends me, Mr. Moto! I shall soon put an end to your impertinence!<br />
'''Yami Yugi:''' You have assembled several creatures! Surely this is a violation?<br />
'''Kaiba:''' [[Screw the Rules, I Have Money|My affluence makes a nonsense of the regulations!]]|''[[Yu-Gi-Oh!: theThe Abridged Series (Web Video)|Yu-Gi-Oh! The Abridged Series]]'', "Episode the Thirty-Fifth", [[Whole Episode Flashback|in which there is much reminiscing]].}}
 
=== Chapter the First: [[In Which a Trope Is Described]] ===
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Ladies and Gentlemen, I perceive that you are all familiar with the language construct of which I endeavor to speak! It is the phenomenon among tele-visual programmes set in the 1850-1930 era to portray those of the time frame as being flummoxed with the concept of abbreviations! As though it never occurred to these buffoons that saying "tele-visual device" is bulky whilst they converse over their electro-magnetic tele-phonic transmitters!
 
Furthermore, [[Self -Demonstrating Article|as displayed in this body of work]], hyphens were of common usage for words with well-defined pre-fixes, as well as those words known to be compound! Indeed, it appears that only in the last half-century did the glorious sibling to the dash become relegated to its current duties of word-splitting and word-wrapping!
 
This is especially note-worthy since those works which actually come to us from the time-frame in question do not display such vocabulary oddities.
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In defense of what may appear to be an utterly scandalous trope, many publications of the seventeenth and eighteenth centuries after the birth of our Lord, the Christ, may seem to follow this pattern. Peruse the writings of Messrs. Hume, Locke, Smith, and the several founders of the United States (or perchance simply the Constitution what they wrote), amongst others! Translators of writers from the European Continent will at times feel an inexplicable and irresistible urge to translate the works of those who lived contemporaneously with these noble thinkers in the same manner. This may indeed be [[Justified Trope|justifiable]] and entirely in the way of God's Natural Reason, for the manner of writing prevalent in Germany and France did indeed tend towards the same patterns as their brethren across the English Channel and the vast Atlantic Ocean (which your time for reasons incomprehensible and unfathomable to the speakers of our time have termed a "pond") and translation in the same style could be what this inter-communicative data-sets have termed a "[[Translation Convention]]." Read Rousseau, Kant, Voltaire, and Goethe at one's own risk.
 
We would consider it to be in ''most'' good form if you not confuse us with those simply ''GHASTLY'' ruffians over at [[Talk Like a Pirate]]. Confusion with that downright ''archaic'', though charming, form of misplaced speechification known as [[Flowery Elizabethan English]] is also to be strenuously avoided. One might also find it advisable to contrast [[Buffy -Speak|the linguistic affect of one Elizabeth Summers and her associates]].
----
=== Chapter the Second: In Which Examples Are Expounded: ===
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** Herewith a small (yet representative) sample: "Now I went forward for a space, and took heed not to look backwards; but to be strong of heart and spirit; for that which did lie before me had need of all my manhood and courage of soul, that I come to the succour of that Maid afar in the darkness of the World, or meet my death proper, as it might need to be."
** It's all like that. And there are a ''lot'' of pages...
* As a most prime example of [[Older Than Television|setting the above-mentioned precedent]], I daresay [[HPH.P. Lovecraft (Creator)|HP Lovecraft]] wrote in the fashion of the decade eighteen hundred and ninety, in opposition to the decade of the nineteen hundred and twenties, the time in which he put many of his tales to paper.
** This is further perpetuated, and I should declare distinctly aggravated, by the many [[Department of Redundancy Department|aspiring hopefuls]] who [[Follow the Leader|indulge in mimicry]] of the aforementioned Monsieur Lovecraft, further removing said style from the rightful antiquity it should call home.
** And it is worth noting that Lovecraft himself was influenced by Lord Dunsany (see below). [[Screw That Neener Neener|(No, I'm not going to play along and talk like the rest of them.)]]
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* French televisual Broad-cast ''[[Nicolas Le Floch]]'' chronicles the Adventures of the eponymous Police-man at the court of Louis XV. Although its Stories are somewhat [[Cop Show|common]], 'tis a peculiarly delightful Show, thanks to the old-fashion'd linguistick Affectations of the Characters.
* ''[[Dead Gorgeous (TV)|Dead Gorgeous]]'' is Antipodean televisual production, chronicling the adventures of a trio of sisters who shuffled off the mortal coil in the year of our lord 1860. One hundred and fifty years later, the siblings are permitted to return to Earth as ghosts to attend the boarding school that now occupies the structure that was once their family home. Much comedy is dervived from the juxtaposition of extremely formal - and, indeed, antiquated - speech patterns of the ghostly triad with the far more colloquial utterances of their modern day schoolmates.
* It distresses me no end that I see here no reference to the lamented ''[[Deadwood]]'', a series notable for its distinctive linguistic stylings in phrasing as well as its more frequently remarked achievements in [[Cluster F -Bomb|vocabulary]]. The residents of and visitors to the colorful mining-camp community of Deadwood, Dakota Territory, were frequently heard to express themselves in lengthy, precisely structured, and apparently extemporaneous complex compound sentences, with never a word out of place or a clause left fuckin' dangling.
* Almost entirely absent in ''[[Murdoch Mysteries]]'', where the characters use the occasional antiquated word if a modern one was not in common use.
 
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* The first paragraph of the inter-network's parody encyclopedia, Uncyclopedia, has composed an article on [http://uncyclopedia.org/wiki/Charles_Dickens Charles Dickens], and is written in such a manner so as to distinctly resemble the famous author's prosery.
** Scholars of the movable-type printing press's productions have made extensive notations on the indisputable fact that the srivener known as Mr. Charles Dickens repeatedly indulged himself with such precision and verbosity in no minuscule division for the purpose of receiving a heightened salary, as the gentleman in question had renumeration distributed upon him based on the vast quantity of verbiage utilized in each of Mr. Dickens' literary endeavors.
* Employed during [[Recap Episode|a recapitulation]] of ''[[Yu-Gi-Oh!: theThe Abridged Series (Web Video)|The Condensed Programme of Yu-Gi-Oh]]'' where the young and affluent businessman, Seto Kaiba, reiterates his most famous line of dialogue from the series' beginning thusly:
{{quote| '''Kaiba:''' [[Screw the Rules, I Have Money|My affluence makes a nonesense of the regulations!]]}}
* Despite its typically vulgar nature, the inter-net colloquially referred to as "[[Image Boards|4Chan]]" occasionally has well-versed discussions amongst those visiting it on matters ranging humourously amongst whatever seems to suit their respective fancies - be it weaponry, foreign culture, or simple [[Sophisticated As Hell|pr0nz]]. The, "meme", as it is known, is typically called "verbose" or "gentleman".
* The titular gentlemen from the strange and oft unsettling series ''[[Salad Fingers]]'' is wont to speak in such linguistic styles.
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** As did the mechanical gentleman Bender, when he decides to switch his voice to "King" mode.
* Stewart, that cherubic rapscallion from ''[[Family Guy|The Gentleman of the Family]]'', is wont to indulge in this.
* Her Royal Highness Princess Luna, monarch of our nearest celestial sphere from ''[[My Little Pony: Friendship Is Magic (Animation)|My Diminutive Equine: Camaraderie Is Enchantment]]'', speaks in such a manner, as is befitting of one who has spent a millennium secreted in an [[Tailor -Made Prison|oubliette.]]