Bernard Herrmann: Difference between revisions

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{{quote|''"It was ridiculous; that train was a train of death!"''|'''Bernard Herrmann''', ''commenting on Richard Rodney Bennett's use of a waltz in ''Murder On The Orient Express}}
 
[[File:BernardHerrmann_2758BernardHerrmann 2758.jpg|frame]]
 
'''[[Bernard Herrmann]]''', born in New York City on June 29, 1911, was the son of Russian Jewish immigrants. He is widely regarded as one of the greatest film composers of all time. Herrmann's music is typified by frequent use of ''ostinati'' (short repeating patterns), novel orchestration and, in his film scores, an ability to portray character traits not altogether obvious from other elements of the film. He won an [[Academy Award|Oscar]] for ''[[The Devil and Daniel Webster]]'' (1941), his second film score.
 
In 1934, he joined the Columbia Broadcasting System ([[CBS]]) as a staff conductor. Whilst at CBS, he met Orson Welles, and wrote scores for his Mercury Theatre broadcasts including the famous adaptation of [[HG Wells]]' ''[[The War of the Worlds]]''. When Welles moved to movies, Herrmann went with him, writing the scores for ''[[Citizen Kane (Film)|Citizen Kane]]'' (1941) and ''[[The Magnificent Ambersons]]'' (1942), although the score for the latter, like the film itself, was heavily edited by the studio.
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Herrmann's non-cinematic works include the four-act opera ''[[Wuthering Heights (Literature)|Wuthering Heights]]''. Herrmann also did some television work; he composed the original theme song for ''[[The Twilight Zone (TV)|The Twilight Zone]]'' (used only during the first season), and also scored individual episodes of that series, ''[[The Alfred Hitchcock Hour]]'' and ''[[Have Gun Will Travel]]''.
 
=== Film Scores Written By Bernard Herrman Include: ===
 
* ''[[Citizen Kane (Film)|Citizen Kane]]'' (1941)
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