Automoderated users, Autopatrolled users, Comment administrators, Confirmed users, Moderators, Rollbackers
23,028
edits
Buffy the Vampire Slayer/Awesome: Difference between revisions
per robkelks efforts
m (revise quote template spacing) |
Derivative (talk | contribs) (per robkelks efforts) |
||
| (7 intermediate revisions by 2 users not shown) | |||
Line 14:
{{quote|'''Xander:''' You were a lousy clown! Your balloon animals were pathetic. ''Anyone'' can make a giraffe!}}
* Saving Buffy's life in 'Prophecy Girl', and forcing Angel, who'd already given up, to get back on his feet and do likewise.
* Tackling the possessed zookeeper in 'The Pack'. Xander is less than two seconds after snapping out of the hyena spell, and is up against a man possessing supernatural strength and resilience enough to fight a Slayer on even terms (as Xander, when possessed, had just done earlier in the episode). Except this man is also holding a knife to Willow's throat, which means Xander is going to body-check his ass into the hyena cage without even breaking stride.
'''Angel'''
Line 28 ⟶ 29:
== Season Two ==
'''Buffy'''
* In "Bad Eggs", when Buffy climbs out of the Mother Bezoar she has just killed, covered in goo, and gives Lyle Gorch a glare that sends him running.
{{quote|(Up until this point in the episode, Lyle had made a point of saying "This ain't/isn't over" to Buffy every time he retreated)
''[Buffy crawls out, gives Lyle a'' look'']''
'''Lyle:''' "All right. It's over." }}
* Buffy confronting Jenny in "Innocence". Having just recovered from her [[Heroic BSOD]], Buffy walks into school, goes straight to Jenny's classroom, grabs Jenny by the neck and slams her down onto her desk ''in front of Giles and the entire class''.
** On the DVD commentary, Joss' comment for this scene is "I love how violent this is."
* "Innocence" reminds this troper why he used to like this show.
{{quote|'''Judge:''' Fool! No weapon forged can defeat me!
'''Buffy:''' That was then. [takes out the rocket launcher] This is now.
Line 45 ⟶ 46:
{{quote|'''Angelus''': (''chuckling'') You can't do it. You can't kill me.
'''Buffy''': (''delivers possibly '''the most''' satisfying [[Groin Attack]] on all network television, which leaves Angelus paralysed on the floor in breathless agony, and walks away without looking back'') Give me time. }}
* Buffy vs Angelus in "Becoming, Part 2"
{{quote|'''Angelus:''' That's everything. No weapons... no friends... no hope. Take all that away, and what's left?
'''Buffy:''' (Catches Angelus' sword [[Barehanded Blade Block|with HER BARE HANDS]]) Me. }}
'''Willow'''
* Willow in "The Dark Age":
{{quote|'''Willow:''' And if you aren't with me a hundred and ten percent, then [[Precision F-Strike|get the hell out of my library]]!}}
'''Xander'''
* The entire episode of "Halloween" from S2. When Buffy is turned into a helpless 18th-century woman and Willow becomes a ghost, he becomes a badass M16-wielding, fatigues-wearing soldier. In the course of about twenty minutes he gets to kick monster ass, rock-and-roll with an M16, beat up a jock-turned-pirate who constantly picks on him, impress the resident hot airhead cheerleader, and even stand up to Spike.
* "Killed by Death":
{{quote|'''Angelus''': If I decide to walk into Buffy's room, do you think for one microsecond that you could stop me?
'''Xander''': Maybe not. Maybe that security guard couldn't either. Or those cops... or the orderlies... But ''I'm'' kinda curious to find out. You game?
Line 70 ⟶ 71:
* The first time Ethan shows up, we haven't really seen much evidence of Giles' [[Former Teen Rebel]] self. So when he shows up in Ethan's shop and proceeds to absolutely kick his ass-- in a state of [[Tranquil Fury]] no less-- it is both unexpected and ''amazing''.
* While wrestling a vampire, Giles gets a crossbow bolt to the back. His reaction? He rips it out and stabs the vampire in the heart with it.
* This editor cheered when Giles went after Angelus and company singlehandedly. ''With a flaming baseball bat.'' Remember that at this point, the Big Bad is a two hundred year old vampire who '''even the Master and the (literally invincible) Mayor were afraid of.''' And considering that Giles has no super powers, spends his days in a library and has pretty much been the Useless Mentor up until his girlfriend dies, that's saying a lot about his badass level. The Badass Scale officially exploded at this point, even if Angelus recovers a minute later.
** I repeat, a ''flaming baseball bat.''
*** You can tell from the look on his face. That wasn't Giles. That was Ripper.
Line 86 ⟶ 87:
'''Cordelia'''
* Cordelia snaps at Harmony in "Bewitched, Bothered and Bewildered":
{{quote|'''CORDELIA''': Harmony, shut up. Do you know what you are, Harmony? You're a sheep.
'''HARMONY''': I'm not a sheep.
Line 94 ⟶ 95:
* Drusilla picking up and carrying Spike at the end of "What's My Line" part 2.
* Drusilla taking out Kendra The Vampire Slayer with a swipe of her fingernail in "Becoming: Part 1".
* ''School Hard''. [[Mama Bear|Joyce Summers]]. Fire axe.
{{quote|"You get the hell away from my daughter."}}
** Which gets reference in the season finale.
Line 119 ⟶ 120:
'''Willow'''
* In "Doppelgangland", she enters an entire bar full of vampires dressed as her ruthless vampire alternate universe self and attempts to bluff the entire group into believing she's an evil, murdering vampire; successfully, until Anya intervenes.
* Vamp Willow getting the vamps who attacked her to work for her.
{{quote|'''Vamp!Willow:''' (after beating down the two vampires and putting one in an armlock) You made me cranky.
Line 131 ⟶ 132:
** Earlier in the episode Snyder gets Willow to tutor a student. Said student goes after her when she's at the Bronze rather than doing all the work for him. Slight problem is this is Vamp!Willow.
{{quote|"Bored now." She flips him onto a pool table then leans in to his neck. "I'm having a terrible night. Wanna make it better?"}}
* Willow's rant to Faith in "Choices":
{{quote|'''Faith:''' Give me the speech again, please. "Faith, we're still your friends. We can help you. It's not too late."
'''Willow:''' It's way too late. You know, it didn't have to be this way. But you made your choice. I know you had a tough life. I know that some people think you had a lot of bad breaks. Well, boo hoo! Poor you! You know, you had a lot more in your life than some people. I mean, you had friends in your life like Buffy. Now you have no one. You were a slayer and now you're nothing. You're just a big, selfish, worthless waste. }}
Line 150 ⟶ 151:
'''Xander'''
* This commenter considers Xander's line "I like the quiet" from "The Zeppo" to be pretty awesome, but apparently the writers and fans largely disagree.
** If that wasn't Xander's crowning moment of badassery, I don't know what is.
** Agree wholeheartedly. That line, and that episode, are Xander's crowning moment.
Line 179 ⟶ 180:
'''Spike'''
* Though the "Fool For Love" episode of ''[[Buffy the Vampire Slayer]]'' is a good latter-day attempt, Spike gets his in the final scene of "Lover's Walk" where, after a [[Montage Out|montage]] of every other character's brooding [[Wangst]], you see him in his car streaking off into the desert sun to find Drusilla, rocking out to the Sex Pistols' version of "My Way".
* Spike's deconstruction of Angel and Buffy's relationship in "Lover's Walk" needs to be quoted:
{{quote|'''Spike''': You're not friends. You'll never be friends. You'll be in love 'til it kills you both. You'll fight, and you'll shag, and you'll hate each other 'til it makes you quiver, but you'll never be friends. Love isn't brains, children, it's blood -- blood screaming inside you to work its will. I may be love's bitch, but at least I'm man enough to admit it.}}
Line 186 ⟶ 187:
'''Oz'''
* Season 3, episode 4: "Beauty and The Beasts". Jealous boyfriend Pete confronts Oz, who's locked in the book cage, about Debbie. Oz tries to warn Pete away by saying that something is about to happen that Pete "probably won't believe", then Pete morphs into Hyde-Pete and lays a smackdown on Oz for several minutes. At one point, Oz manages to put a bit of space between them, and he looks out the window to see the sun dip below the horizon. Cue CMOA: "Time's up. Rules change." Were-Oz proceeds to unleash a full-fledged [[No-Holds-Barred Beatdown|wolf-fu style asskicking]] that only ends, fortunately for Pete, when Oz gets distracted and tries to attack Willow and Faith.
* In "Choices", when Willow gets taken by Faith, Buffy wants to trade the Box of Gavrok for her best friend. Wesley refuses to let her do this because it's exchanging thousands of lives for one person, and everyone present - Wesley, Buffy, Giles, Xander, even Angel - begin shouting their opinions, standing around arguing. Oz, after wordlessly staring at Wesley through his speech, calmly stands up, walks over the vase he and Xander prepared for the Box-destroying ritual, grabs the pedestal, and sends the entire thing flying into the wall, smashing it to pieces. It's quickly decided afterwards to trade the Box for Willow.
'''Cordelia'''
* Cordelia facing down Lyle Gorch in "Homecoming", where she delivers an absolutely unforgettable (and incredibly ballsy) monologue.
{{quote|'''Cordelia''': (You're going to) Rip out my innards, play with my eyeballs, boil my brain and eat it for brunch? Listen up, needle-brain. Buffy and I have taken out four of your cronies, not to mention your girlfriend.
'''Lyle''': Wife!
Line 200 ⟶ 201:
* Killing the vampire who killed her Watcher with a really large stake.
* Having learnt that Scott has dumped Buffy, Faith goes in to bat for her, grossing out his current girl with claims of having several STDs. Buffy's other friends...do sweet jack all.
* It's a villainous CMOA, but still counts: Faith has one of the best fights ever choreographed on the series with Buffy in 'Graduation Day Part 1', where Buffy needs the blood of a Slayer to save Angel from Faith's poisoning of him. After Buffy wins by stabbing Faith in the guts, Faith stays upright on sheer willpower despite the giant knife-sized hole in her vital organs -- just long enough to deliberately take a header off a three-story roof down into a passing dump truck, leaving her body unavailable for Buffy to use. Faith ends up in a months-long coma from this, but still manages to steal Buffy's prize from her despite her victory in battle.
'''Other'''
Line 233 ⟶ 235:
'''Anya:''' You can do that?
'''Giles:''' ''(pulls a chainsaw out of his bag)'' I can. }}
* Giles' "Exposition Song" in "Restless", aided by ASH having a really good singing voice.
{{quote|''"...and try not to bleed on my couch/I just had it steam-cleeeeeaned..."''}}
Line 262 ⟶ 264:
== Season Five ==
'''Buffy'''
* The episode "Checkpoint," where after a full episode of being made to feel inferior by the [[Zen Survivor]] Watcher's Council, the ditziest [[Big Bad]] ever to appear on the show, and a crazy [[Knights Templar]] army of [[Well-Intentioned Extremist|Well-Intentioned Extremists]], Buffy gives a perfectly calm, almost deadpan set of demands to the council's lead [[Deadpan Snarker]], punctuated by a thrown broadsword. This troper's roommates' ears are still ringing from his cheering. The scene in all its awesomeness:
{{quote|'''Quentin Travers:''' "We can begin the review at last. We'll skip the more obvious questions-"
'''Buffy:''' [''places sword over his notes''] "There isn't gonna be a review."
Line 290 ⟶ 292:
'''Willow'''
* The show gets a meta-example in that any other show would have made a big stunt out of Willow and Tara's first kiss, if they let it in at all. This got put in in a completely natural way, and not sexualized.
* [[Punctuated!
** Even people who hate Dark Willow love this line.
** This line is actually made even better because it's not Dark Willow, but just an EXTREMELY tweaked-off normal, sweet, happy, gentle Willow.
*** '''Glory''': What's this, bag of tricks?
{{quote|'''Willow''': [[Flechette Storm|Bag of knives]].}}
** The moment is especially awesome as it's the first time anybody has hurt Glory, at all. If Willow hadn't burned through her power so quickly, who knows what she could have done?
** Buffy's pretty good at punching out vampires, demons and the [[Big Bad]]. Willow [[Did You Just Punch Out Cthulhu?|punches out]] ''gods.''
** A great Dark Willow moment: "Jonathan. Andrew. You boys like magic, don't you? [[Shock and Awe|ABDA KADABRA]]."
* Another great Willow moment was in the previous episode, "The Weight of the World". With Dawn kidnapped by Glory, Buffy catatonic, and Tara having lost her mind, Willow's finally had enough when Xander and Spike start fighting. After forcing them apart with magic, she takes charge, berating them. The entire time her voice is nearly deadpan, but containing a fury that leaves even Anya and Spike afraid to piss her off.
{{quote|'''Willow:''' Buffy's out. Glory has Dawn. Sometime real soon, she's gonna use Dawn to tear down the barrier between every dimension there is. So if you two wanna fight, do it after the world ends, okay? All right. First we head back to Sunnydale. Xander'll take Giles to a hospital. Anya's looking after Tara. And Spike, you find Glory. Check her apartment, see if she's still there. Try anything stupid, like payback, and I will get Very Cranky. (looks at them) Everyone clear?}}
* This:
{{quote|'''Willow:''' Spike was right. Snap out of it! What you're going through right now? It's called guilt. It's an emotion, and it's important, but it's not more than that. Buffy, you have had [[Title Drop|the weight of the world]] on your shoulders since high school, and for one second you wanted it to be over. So what?!
'''Buffy:''' I killed Dawn.
'''Willow:''' Hello, your sister? Not dead yet! But she will be soon, if you don't come back to us.
'''Buffy:''' What if I can't?
'''Willow:''' Then I guess you're right. You really did kill your sister. ''[turns to walk away]''
'''Buffy:''' Where are you going?
'''Willow:''' Where you're needed. You coming? }}
* Willow got a Crowning Moment in the Season 5 finale, when Glory, noticing Tara (who had been driven insane by her) wandering around amongst her minions and contemptuously asking her "What are you doing here?", Willow calmly walks up beside her and replies in a tone somehow both deadpan and with barely suppressed rage "She's with me", before grabbing Glory's head and sucking away all of the energy keeping her mentally composed and redirecting it to Tara, thus simultaneously and instantly healing her lover and blasting a ''hellgod'' across a construction yard, significantly weakened.
Line 323 ⟶ 325:
* The episode "Tough Love" has one of Giles' best CMOA. After finding one of Glory's minions spying on them, Giles tells Anya and Willow to get twine to tie him up, and proceeds to engage in off screen violence. The minion quickly decides singing like a canary to be the wiser of the two options. Best part? When asked what happened, Giles/Ripper cooly responds with, "He changed his mind."
** Immediately preceding making him talk, Giles reveals that he's known the whole time that the minion was spying on them, keeping up a conversation with Willow and making her feel better about herself after a fight with Tara, then wrenches open and slams the door so hard he knocks the minion unconscious.
** Giles' killing of Ben at the end of "The Gift", both for what he says and what he does:
{{quote|'''Ben''': She could've killed me.
'''Ben''': ...us?
(Giles, without changing expression, reaches over and covers Ben's mouth and nostrils with his hand, suffocating him to death.) }}
'''Spike'''
* The episode "Fool for Love" is Spike's Crowning Moment. An entire episode of Spike taunting and jeering as he explains his history, and tells Buffy in extensive detail how he brutally killed two of her predecessors.
{{quote|'''Spike''': The first was all business but the second, she had a touch of your style. She was cunning, resourceful... oh, did I mention? Hot. I could have danced all night with that one.
'''Buffy''': You think we're dancing?
'''Spike''': That's all we've ever done. And the thing about the dance is, you never get to stop. Every day you wake up, it's the same bloody question that haunts you: is today the day I die? Death is on your heels, baby, and sooner or later it's gonna catch you. And part of you wants it. Not only to stop the fear and uncertainty, but because you're just a little bit in love with it. Death is your art. You make it with your hands, day after day. That final gasp. That look of peace. Part of you is desperate to know: What's it like? Where does it lead you? And now you see, that's the secret. Not the punch you didn't throw or the kicks you didn't land. Every Slayer... has a death wish. Even you. The only reason you've lasted as long as you have is you've got ties to the world... your mum, your brat kid sister, the Scoobies. They all tie you here but you're just putting off the inevitable. Sooner or later, you're gonna want it. And the second- the ''second''- that happens...you know I'll be there. I'll slip in... have myself a real good day.
{{spoiler|He didn't have a good day. He promised Buffy and himself that he would enjoy her dying, and it destroyed him.}} Joss Whedon, you Bastard }}
* Spike had more than his fair share, but that's what happens when you're the [[Badass Longcoat]].
{{quote|'''Buffy''': What are you doing here? [Spike begins to answer] Five words or less.
'''Spike''': [Pauses, then, counting on his fingers] Out... for... a... walk. [Pauses again] ...Bitch. }}
* "Intervention". Spike gets tortured by a [[Physical God|hellgod]] that no one has been able to beat, and the only thing he has to do to save himself pain is tell [[Blondes Are Evil|Glory]] where the Key is. ''And he doesn't do it.'' Because he couldn't hurt the real Buffy by betraying Dawn.
** Not to mention he escapes ''by himself''. When the scoobies show he just has to figure out how he's getting out the elevator, past the henchmen and to his crypt, in broad daylight. Notably the scooby gang showed up to ''kill him before he could talk''.
* Spike's contribution to protecting Tara from her family in 'Family' was awesome in its fast-thinking and unorthodox creativity. When Tara's father contemptiously calles her something akin to a demon-spawn, Spike walks up to Tara and ''punches her in the nose''. How can punching a girl be a [[C Mo A]]? Because it triggers Spike's shock-chip, prooving that Tara is actually human. Which means that Spike not only promptly worked out how his curse could for once prove usefull but also volunteered to suffer another fit of head-splitting pain just to help a human.
Line 347 ⟶ 350:
'''Anya'''
* Anya's soliloquy in "The Body".
{{quote|'''Anya:''' But I don't understand, I don't understand how this all happens, how we go through this. I mean I knew her, and now she's...there's just a body, and I don't understand how come she just can't get back in it and not be dead anymore. It's stupid! It's mortal and it's ''stupid!'' And Xander's crying and not talking, and I was having fruit punch and I was thinking that well, Joyce will never have fruit punch, ever, and she'll never have eggs, or yawn, or brush her hair, not ever, and no one will explain to me ''why''. }}
** This is the only moment on television to make this (male) troper cry. Twice.
Line 360 ⟶ 363:
'''Other'''
* The Scoobies facing down Tara's family in "Family".
** Except for Spike, who makes a point, as everyone else is doing their "You'll hafta go through ME first" routine, of saying "You won't hafta go through me, I don't really care". (And then Xander emphasizes: "You'll have to go through all of us... [[My Friends and Zoidberg|except Spike]].")
*** Though Spike ''did'' do his bit when he strikes Tara, proving that she's entirely human due to him feeling pain via the chip in his brain (not a pleasant thing). He didn't ''have'' to do it, the family was already on the debate's losing end... One can't help but feel that despite still being (mostly) evil, his not caring was [[Suspiciously Specific Denial|coming to be a state of denial by this point]] (well, that or simple spite for [[Big Screwed-Up Family|the sort]] [[Straw Misogynist|of people]] the McClays seem to be. Either way, it's a pretty cool moment.)
** Should be noted this is taking place at the end of an episode in which Tara is painfully aware that she doesn't quite 'fit in' with the group.
{{quote|'''Tara's Father''': We are her blood kin! Who the hell are you?
'''Buffy''': We're ''family''. }}
* I'm not sure this was intentional, but I and my inner feminist found Harmony's speech to Spike in ''Crush'', coupled with her shooting him with a crossbow, pure, utter, awesome.
{{quote|What about me, Spike? You forget about me ''again''? The ''actual'' girlfriend? I gave you the best ... bunch of months of my life! I thought I could change you, Spike. I thought maybe if I gave and I gave and gave, maybe you'd come around. Maybe be a little nicer. Stop treating me like your dog. But now I see it's you. You're the dog. Who needs to be put down.}}
* The scientist pretending to remove Spike's chip by first distracting Harmony.
Line 395 ⟶ 398:
'''Giles'''
* Giles's return to Season 6:
{{quote|'''Dark Willow''': It's all about the power. And there's no one on Earth with the power to stop me.
(an explosion of light sends her ''flying across the room'')
'''Giles''': [[Tranquil Fury|I'd like to test that theory]]}}.
'''Spike'''
Line 408 ⟶ 414:
'''Dawn'''
* Season 6 finale, where Buffy and Dawn are fighting the earth monsters: Dawn takes a hit and goes down, losing her sword; Buffy sees her fall, but is unable to help. Then, just as the monster moves in for another attack on Dawn...she somersault-rolls past it (in a very Buffy-like move) and lands next to her sword--which she uses to decapitate the monster in a single stroke. Buffy can only stare in disbelief.
{{quote|'''Dawn:''' (holding up the sword, tiny smile) What? You think I never watched you?}}
Line 418 ⟶ 424:
* Buffy's speech at the end of "Bring On The Night", made all the more epic by the fact that when she makes this speech, she's battered and bruised, and manages to look the stronger for it.
* Buffy killing Caleb with the scythe.
{{quote|'''Caleb:''' You can't do it. You haven't got the ba-[[Groin Attack|THWACK]]
'''Buffy:''' [[Pre-Mortem One-Liner|Who does nowadays]]? }}
* Buffy's little look from side to side after she cuts Caleb in half from the groin up.
{{quote|'''Angel:''' Now I'm pissed. Where is he?"
'''Buffy:''' [[A Worldwide Punomenon|"He had to split."]] (cracks up) }}
* The series finale: Buffy getting stabbed, collapsing onto the ground, taunted by The First Evil about the wound being mortal, then standing up and just ignoring it. "I want you to get out of my face." Incredibly Awesome Pun, anybody?
** In addition, the fact that she gets up in slo-mo with that epic look on her face and the rousing music brewing in the background and then SLICES THREE TUROK-HAN OFF A CLIFF.
{{quote|'''Joss Whedon:''' Sauron himself would be like "''DUDE!''"}}
Line 434 ⟶ 440:
'''Xander'''
* Xander when comforting Dawn at the end of ''Potential.''
{{quote|'''Xander:''' You're not special. You're ''extraordinary''.}}
* Xander gets a series long CMOA simply for surviving. Buffy's a slayer and she died, twice. Willow's a witch and the most powerful character on the show. Anya's a demon {{spoiler|and she died.}} Spike's a vampire {{spoiler|and he died.}} Xander's human, arguably not even a [[Badass Normal]], and he's survived.
Line 450 ⟶ 456:
'''Anya'''
* Everybody should know how badly Buffy cracked after The First drove a potential to suicide. Basically, she goes beyond [[Drill Sergeant Nasty]] in an epic "everyone sucks but me" speech. Well later, when her arch nemesis Faith shows up, reformed, wanting to help and the potentials wanting her over Buffy she spits it and leaves. We gotta give Anya this for her thoughts.
{{quote|
'''Dawn'''
* Dawn to Spike in the second episode of Season Seven:
{{quote|'''Dawn''': You sleep, right? You. Vampires. You sleep.
'''Spike''': Yeah. What's your point?
Line 459 ⟶ 465:
'''Spike, shortly after, to Buffy''': When did your sister get unbelievably scary? }}
* Dawn's speech to Amanda in "Potential", and the subsequent act of sheer guts when she hands over the stake to Amanda, while ''facing down a vampire and six Bringers''.
* Toward the end of season 7, Buffy sends Dawn out of town, getting Xander to pretty much kidnap her to keep her away from the apocalypse. Buffy leaves a touching letter with Xander for Dawn, she reads the note and we hear Buffy narrate what's written on the note - then the narration cuts off midway through, as Dawn tosses the note aside, tazes Xander, takes control of the car and turns right around to go back and fight the evil. And later surprised Buffy turns around to see angry Dawn (who's literally just walked up behind her). She stares at Dawn for a moment, then Dawn kicks her in the shin.
** Which ''hurts'' Buffy, before Dawn calls her a dumbass. Considering her actions over the season this can be very cathartic.
** The best bit of this is when you expect a ridiculous Buffy speech but she just says "...if you get killed, I'm telling."
Line 499 ⟶ 505:
{{reflist}}
[[Category:Live
[[Category:Buffy the Vampire Slayer]]
[[Category:Awesome]]
| |||