Category:Twist Ending: Difference between revisions

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{{IndexTrope}}
[[File:Twist_Ending_7181.png|link=Team Fortress 2 (Video Game)|frame|* Not the actual twist ending.]]
 
{{quote|''"We're sorry, but the number you have dialed has been disconnected or out of service since before this comic even started, thereby making this call a terrifying twist ending. Please hang up now."''|'''Name Removed''', [http://nameremoved.com/comics/663/ "Suspicious Salesman (foists Faustian fraud)"]}}
 
It's [[The Oldest Ones in Thethe Book|the oldest trick in the book,]] really. The plot leads toward an inevitable conclusion, then, at the last possible minute, we throw something in that changes ''everything''.
 
It looks like the cops have an open and shut case against the [[Scary Minority Suspect]], but then, ''BAM'', a crucial piece of evidence turns up to set them straight. It looks like our heroes are totally boned, then ''BAM'', the [[Forgotten Superweapon]] or [[The Cavalry]] turns up. It looks like our [[Dom Com]] family has finally hit it big and won the lottery then ''[[Status Quo Is God|BAM]]'', the [[Perpetual Poverty|ticket gets eaten.]]
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The [[Twist Ending]] started life as a good thing. Really, the twist ending is the original [[Subverted Trope]]: you set the viewer up for one thing, then pull the rug out from under them.
 
The problem is, after a certain point, the opposite of a trope becomes a [[Dead Horse Trope]] itself. In a normal series, you know that they can't go around [[Status Quo Is God|undermining the entire premise]], so when it looks like it's going that way, you already ''know'' there's going to be a twist ending. In an anthology, you're no better off, because, well, ''[[Once an Episode|every single episode]]'' of ''[[The Twilight Zone]]'' ends on a twist, so it's not like it's unexpected, it practically becomes a [[Mandatory Twist Ending]]. In terms of cinema, directors like [[M Night Shyamalan|M. Night Shyamalan]] are the constant subject of criticism for continuous use of the twist element. Once the audience know the twists are coming sooner or later, works can't help but lose some of their potency. And predictably, the twist will doubtless leave audiences mystified and feeling cheated.
 
The other problem with the [[Twist Ending]] is that it walks a mighty fine line: if it's too in-keeping with the direction of the story, it doesn't qualify as a twist. If it's too far out-of-keeping, it comes off as a [[Deus Ex Machina]] or [[Diabolus Ex Machina]] and the viewer feels cheated.