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{{IndexTrope}}
[[File:Twist_Ending_7181.png|link=Team Fortress 2
{{quote|''"We're sorry, but the number you have dialed has been disconnected or out of service since before this comic even started, thereby making this call a terrifying twist ending. Please hang up now."''|'''Name Removed''', [http://nameremoved.com/comics/663/ "Suspicious Salesman (foists Faustian fraud)"]}}
It's [[The Oldest Ones in
It looks like the cops have an open and shut case against the [[Scary Minority Suspect]], but then, ''BAM'', a crucial piece of evidence turns up to set them straight. It looks like our heroes are totally boned, then ''BAM'', the [[Forgotten Superweapon]] or [[The Cavalry]] turns up. It looks like our [[Dom Com]] family has finally hit it big and won the lottery then ''[[Status Quo Is God|BAM]]'', the [[Perpetual Poverty|ticket gets eaten.]]
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The [[Twist Ending]] started life as a good thing. Really, the twist ending is the original [[Subverted Trope]]: you set the viewer up for one thing, then pull the rug out from under them.
The problem is, after a certain point, the opposite of a trope becomes a [[Dead Horse Trope]] itself. In a normal series, you know that they can't go around [[Status Quo Is God|undermining the entire premise]], so when it looks like it's going that way, you already ''know'' there's going to be a twist ending. In an anthology, you're no better off, because, well, ''[[Once an Episode|every single episode]]'' of ''[[The Twilight Zone]]'' ends on a twist, so it's not like it's unexpected, it practically becomes a [[Mandatory Twist Ending]]. In terms of cinema, directors like [[
The other problem with the [[Twist Ending]] is that it walks a mighty fine line: if it's too in-keeping with the direction of the story, it doesn't qualify as a twist. If it's too far out-of-keeping, it comes off as a [[Deus Ex Machina]] or [[Diabolus Ex Machina]] and the viewer feels cheated.
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