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{{trope|wppage=Bildungsroman}}
{{trope list needs context}}
A story featuring an adolescent making the mental leap from child to adult. In real life, this happens over the course of several years. Literature and some television are media that have the space to show the story at a slow pace. But for a movie, things have to be compressed to several months at the most, so expect some ''really'' accelerated character development. Tends to happen to a character anywhere from 13 to 20 years of age.
'''
* [[Death
* [[Down the Rabbit Hole]]
* [[
* First disagreement with parents.
* First experimentation with drugs, alcohol, tobacco or any combination of the three.
* [[Growing Up Sucks]]
* The divorce of the main character's parents.
* [[Sex
* [[Strength Equals Worthiness|Combat]] (often replaced with sports in more peaceful times)
* [[A Real Man Is a Killer|Hunting]] or the main character getting his or her first job
* [[Dangerous Sixteenth Birthday]]
* [https://en.wikipedia.org/wiki/Bar_and_bat_mitzvah Bar Mitzvah/Bat Mitzva] or [https://en.wikipedia.org/wiki/Confirmation Confirmation.]
An increasingly popular comedy subversion is the ''Delayed Coming of Age Story'', in which the person has remained mentally a child his entire life and only finally experiences these things sometime between his late 20s and mid-40s.
Line 18 ⟶ 21:
Mainstream film coming-of-age stories tend toward [[Dramedy]]. Independent film or novel stories lean toward drama, sometimes jumping headlong into [[Wangst]].
The
See also [[Age Progression Song]].
{{examples}}
== Standard Implementation ==
=== Anime and Manga ===
* The entire subplot of ''[[Dragonball Z]]'' is essentially Gohan growing up with adventures similar to Goku's, his father, albeit far more violent. Like its predecessor, ''[[Dragon Ball]]'', the series ends when Gohan {{spoiler|is married and has a family of his own.}}
* ''[[Candy Candy]]'' shouws the growing up of the titular Candy from abandoned orphan to a competent professional woman in her late teens/early twenties.
* ''[[Ef: A Fairy Tale of the Two.|ef - A Fairy Tale of the Two]]''
* ''[[Naruto|Naruto Shippuden]]'' shows the title character's growth from the least talented ''and'' least loved ninja in his village to a fully recognized prodigy who has saved thousands of people and faced down some of the worst criminals the world has to offer.
** Also (to an extent) Sasuke, who has matured from being the [[The Rival|Rival]] to being homicidally crazy.
* ''[[Super Dimension Fortress Macross]]'' and its sequels, ''[[Macross 7]]'' and ''[[Macross Frontier]]'', with Hikaru Ichijo being the first in the franchise to fit this trope. He starts off not wanting anything to do with the military, but the death of {{spoiler|Roy Fokker}} forces him to mature and become a great pilot.
** Then again, before Hikaru there was Amuro Ray of ''[[Mobile Suit Gundam]]'' and probably the best of the earliest examples in mecha anime. Amuro got slapped very often by Bright Noa and this helped shape him into a man. Even Bright explicitly tells him that a good smacking would force him to become one.
* ''[[FLCL]]'', ([[Widget Series|at least insofar as it is a story and not simply an experience]]). All of the crazy shit that's happening is all symbolism for the confusion of puberty. Baseball, kissing, rock and roll, it's all there!
* ''[[Neon Genesis Evangelion]]'' sounds like it ought to be the same, but is a subversion: It's about most of the people ''failing'' to come of age and suffering for it. Really, Shinji learns almost nothing until the very end of [[The Movie]]. And by then it's [[The End of the World as We Know It|way too late]].
** Curiously enough, the lack of maturity can actually be traced back three generations BEFORE Shinji himself. If SEELE could give their story, I bet some of them might even reveal that they're actually Shinji's Grandfather or something considering how immature they actually were for a bunch of Old Men.
*** Surprise: {{spoiler|that's actually canon. Yui had familial connections in SEELE, hence why Gendo originally became interested in her.}}
** ''[[Tengen Toppa Gurren Lagann]]'', also made by [[Studio Gainax]], plays this straight.
* If you boil all the [[Unwanted Harem]] bits and leave only the core of the plot, you can see that ''[[Mahou Sensei Negima]]'' is basically a story of Negi growing from good-natured and smart but somewhat clumsy and socially awkward kid, into a great hero
* ''[[
*
* ''[[Now and Then, Here
* ''[[Piano]]''{{context}}
* ''[[Mokke]]'', where ghosts are being used to illustrate [[An Aesop|lessons about life]]. It's actually rather well done.
* ''[[Binbou Shimai Monogatari]]''{{context}}
* The main premise of ''[[Hidamari Sketch]]'', if not
* ''[[Fullmetal Alchemist]]''
* ''[[Windy Tales]]''{{context}}
* ''[[Hitohira]]''{{context}}
* ''[[Diamond Daydreams]]''{{context}}
* ''[[Twin Spica]]'', where the heroine has to grow up while going into an academy geared to form astronauts
* ''[[Katekyo Hitman Reborn]]'', when it boils down to it. It's really mostly about [[Butt Monkey|Tsuna]] being shaped and [[Training
* ''[[Ashita no Nadja]]'', yet another story of "young orphan maturing once released in the world"
* ''[[Eureka Seven]]'' showed the maturation of several characters, even beside the protagonist Renton.
* ''[[Chrono Crusade]]'' seems to be a coming-of-age story for Rosette, particularly in the manga. It might be one for Chrono as well, although he'd be a "late bloomer" example as he's [[Really Seven Hundred Years Old]].
* ''[[Aoi Hana]]''
* Most [[Studio Ghibli]] movies, including ''[[Spirited Away]]'' (Chihiro's character development from being spoiled and complaining to being a person caring and supportive) and ''[[The Cat Returns]]''.
** Miyazaki loves this trope as this can apply at least partially to ''[[Princess Mononoke]]'', ''[[Nausicaa of the Valley of
* ''[[Onani Master Kurosawa]]''. [[Incredibly Lame Pun|In every sense of the word.]]
* ''[[Real]]'' heartbreakingly deals with teenagers forced to grow up because of the disabilities that they've suddenly had to accept in order to deal with the world around them.
* ''[[Full Moon wo Sagashite]]'' also deals with the protagonist, Mitsuki, having to grow up while dealing with the fact that she doesn't have much time to live.
* ''[[Fushigi Yuugi]]'' is a coming-of-age story, among other things, for [[Ragtag Bunch of Misfits|just about all the good guys]]
* To some extent, ''[[Full Metal Panic!]]: The Second Raid'' might count as a coming-of-age story for Sousuke. During the season, {{spoiler|he got separated from Kaname}} which pissed him off royally. By the [http://www.youtube.com/watch?v=hX9Iy70gTvw last episode], he even goes so far as to verbally insult a '''GENERAL''' to get his will through. Mardukas and Kalinin both comment on it afterward (although it's clear [[Stalking Is Love|why he did it]]); it was also the first instance where he properly socialised with Tessa (so much so that she was gawking at him in shock).
* ''[[Cross Game]]''{{context}}
* Arguably a main point in ''
* ''[[Uta Kata]]'' does this in a [[Magical Girl]] context.
* ''[[Nanaka 6/17]]'' plays with this, as it begins with the titular character apparently being more "mature" (read "stiff and serious") than her similarly-aged schoolmates until an accident reverts her to her six-years old personality, forcing everyone around to finally step up in their growing and questioning the real meaning of maturity.
* ''[[Sakende Yaruze]]'' is basically a
* ''[[Gun X Sword]]'' is a coming of age story for Wendy. It's not the main plot, but it's a pretty important subplot.
* ''[[Tamayura]]''{{context}}
* Almost all of the ''[[World Masterpiece Theater]]'' series are Coming of Age-stories, but it's played the straightest in ''[[
* ''[[Galaxy Express 999]]'' is sometimes described as being a sci-fi bildungsroman.
* ''[[Megazone 23]]'', at least the first part. It contains elements of most of the examples from the top of this page and {{spoiler|ends on a decidely [[Downer Ending|negative]] [[Crapsack World|note]].}}
* ''[[Wandering Son]]'' has this, but the anime and manga portray it in a different way. The anime seems to be more so about kids learning to be comfortable with their bodies and growing up, apparently changing the protagonists from [[
* ''[[Tokyo Magnitude 8.0]]''
* Once you look past the [[Fan Service]], many of [[Masakazu Katsura]]'s works turn out to be this.
** ''[[Video Girl Ai]]'': both Youta and the titular Ai endure this, most notoriously with Ai as she is also in the route to [[Become a Real Boy|Become a Real Girl]]. In fact, the role of the Video Girls is to inspire the men who rent their tapes to mature, something shown more clearly in the spin-off ''Video Girl Len''.
** ''[[I''s]]'' is all about the I trio of Ichitaka, Iori and Itsuki road to maturity though dealing with their personal issues and their wavering relationship.
* Aside from the [[Unwanted Harem]] elements, ''[[Rosario + Vampire]]'' is this for Tsukune. He starts of as a directionless [[Ordinary High School Student]], but gradually becomes a more mature and confident individual, and dedicates himself to promoting peaceful relations between humans and monsters.
* In ''[[Ciguatera]]'' the main character matures greatly by the end of the story
* ''[[Eyeshield 21]]'' boils down to the main character growing out of his wimpy kid mold and becoming a man (Albeit, a rather wimpy man).
=== Comic Books ===
* ''[[Y: The Last Man]]'' features a reasonably realistic delayed coming of age story amongst the [[Gendercide]], war, cloning, cultists and conspiracies going on all over the place.
* [[Spider-Man]] in nearly all his incarnations.{{context}}
* ''[[Runaways]]''.{{context}}
* Many of the [[X-Men]], with a heavy dose of [[Puberty Superpower]].
* ''[[American Born Chinese]]'' for all three of the stories.
===
* ''[[A Little Princess]]''{{context}}
* ''[[Driving Lessons]]''{{context}}
* ''[[Breaking Away]]''{{context}}
* ''[[SLC Punk!]]''{{context}}
* ''Edge of Seventeen''{{context}}
* A fairly large portion of Australian movies are examples of this. They also tend to be rather samey.
** ''[[December Boys]]'' is probably the most notable example of recent{{when}} years, only because it had [[Daniel Radcliffe]] in it, and [[Never Trust a Trailer|promoting largely used his role in it, even though it was relatively minor.]]
* In [[Master and Commander (film)|''Master and Commander'']], the [[Plucky Middie|teenage midshipmen]] on the HMS Surprise have a coming of age while facing war and maritime hardship.
* ''[[Star Wars]] Episode IV: [[A New Hope]]'', and the movies following it. 19-year-old Luke takes his first steps into a larger world and goes on the Journey of the Hero. Okay, it's also a [[Space Opera]], but he really does grow up through the films.
** Anakin in the prequel trilogy is a straight-forward example, growing up from a young child to a Padawan apprentince to a Jedi Knight and to Darth Vader
* ''[[Now and Then]]''{{context}}
* ''
* 17-year-old Baby goes through this in ''[[Dirty Dancing]]''.
* ''[[A Bronx Tale]]''.{{context}}
* A perennial subgenre is the teenaged ensemble comedy. Examples include:
** ''[[American Graffiti]]''{{context}}
** ''[[Cooley High]]''{{context}}
** ''[[Fast Times
** ''[[Stand
** ''[[The Outsiders]]''{{context}}
** ''[[Dazed and Confused]]''{{context}}
** The ''[[American Pie]]'' franchise.{{context}}
** Many of [[John Hughes]]' 1980s films (''[[Sixteen Candles]]'', ''[[
* Many interpret ''[[The Thief and
* ''[[Mystery Team]]'' is the Coming of Age Story for three eighteen year old men who have still act and behave like seven year olds.
* ''[[Super8]]'' is the tale of a young boy and the girl he likes coming to grips with a shared family tragedy... while a scary escaped alien runs amok in their town.
* ''[[Stilyagi]]''.
* ''[[High School Musical]]''.
=== Literature ===
* Most
* ''[[A Separate Peace]]''{{context}}
* ''[[Audrey, Wait
* ''[[The Chosen]]''{{context}}
* ''Thumbsucker''{{context}}
* ''Running with Scissors''.{{context}}
* Nearly anything written by [[Judy Blume]].{{context}}
* ''[[The Confusions of Young
* ''[[The Sound of Waves]]''.
* ''[[
* ''[[Prydain Chronicles]]''.{{context}}
* ''[[Funny Boy]]''.
* ''[[Holes]]''.{{context}}
* ''[[
* ''[[About a Boy]]''.{{context}}
* ''[[Heralds of Valdemar]]'' features this as a recurring element throughout the various novel series.
* ''[[The Rotters' Club]]''{{context}}
* ''[[Starter for Ten]]''
* ''[[Quantum Gravity]]''
* ''[[Harry Potter]]'', given over seven books.{{context}}
* ''[[
* ''[[
* ''[[Jane Eyre]].''{{context}}
* ''[[Sabriel]]'', when it's not a story of a [[Badass Bookworm]] fighting off killer zombies.
* ''[[Of Human Bondage]]''{{context}}
* ''[[Fever Pitch]]'': The book, not the movies. Describes the author's own coming of age through his relationship with football and his favourite club.
* ''[[Memory,
* ''[[Oranges Are Not the Only Fruit]]'': It deals with a young evangelical girl who grows up to find that she's a lesbian, and how this contrasts with her religion.
* In ''[[
* ''[[
* The ''[[Belgariad]]'' is this in a [[Sword and Sorcery]] setting. Garion is a teenager through most of the story, but the first book covers his childhood from the beginning.{{context}}
* [[Honor Harrington]]: ''The Shadow of Saganami'' series has several young naval officers. The ''A Beautiful Friendship'' series is about an ancestor of Honor's. A few others.{{context}}
=== Live-Action TV ===
* ''[[Smallville]]'' embodies this concept, not just for Clark, but for the characters around him as well.
* ''[[Doctor Who]]'' really seems to embody this trope. Most of the companions go through a coming of age brought about by their travels with the Doctor.
** And the Doctor himself, to some degree. Each incarnation brings new facets to his personality, which almost always includes certain character flaws that he gradually overcomes.
* HBO's ''[[Rome]]'' contains a few examples. Brutus goes from a half drunk socialite controlled by the whims of fate and his manipulative mother to a self possessed stoic cutting the straps from his armor as he walks alone against an entire platoon. Octavian meanwhile goes from a geeky wimp at the start of the series to a very, very, creepy [[Magnificent Bastard]] in the close.
* ''[[Sugar Rush (TV)]]''{{context}}
* An episode of ''[[Malcolm in
{{quote|
* Troy has one in the ''[[
* ''[[Boy Meets World]]'' was one long one.{{context}}
* ''[[Friends]]'' could be considered an atypical one. Rather than focusing on kids growing into young adults, it focuses on young adults growing into their 30s and settling down with families.
* ''[[
==
* In the central mechanic of ''[http://misspentyouthgame.com/ Misspent Youth]'' by Robert Bohl, the Sell-Out, protagonist characters are given the option to permanently grow up (changing a Conviction from Sold to Free) to win a conflict. The series ends when the first protagonist has sold out her last Conviction.
=== Theatre ===
* The musical ''[[A Chorus Line]]'' crams sixteen coming-of-age stories into the montage "Hello Twelve, Hello Thirteen, Hello Love".
* ''
* ''[[Vanities]]'' follows three women from high school in 1963 to college in 1968, and adulthood in 1974, and the musical version adds a fourth act set in the 1980's.
===
* All three of ''[[Fate/stay night]]'''s routes. The first two leave his future developments open. The last route, ''Heaven's Feel'', is basically one possible conclusion.
* ''[[Mega Man Star Force]]'' seems to be one of these, as the main character (Geo) starts out by [[Hikikomori|shutting out the world]] in the first game, then grows up through the second game, so that by the third he is able to step up and take charge of the gang when [[Class Representative|Luna Platz]] has been [[Disney Death|datafied]].
* In ''[[The Legend of Zelda:
* In ''[[
* Both the A and B routes of ''[[Blaze Union]]'', which deal with Gulcasa and Aegina respectively. The A route goes over more of the [[Growing Up Sucks|traditional]] [[Sex
*
=== Western Animation ===
* ''[[Gargoyles]]'' has a rather subtle story arc featuring Brooklyn changing from a wild-hearted hipster into an effective second-in-command and a brilliant strategist, yet a romantically frustrated character. The episode ''Kingdom'' highlights this.
* The [[Character Development]] of Sokka, Katara, but especially [[Kid Hero|Aang]] and [["Well Done, Son" Guy|Zuko]] of ''[[Avatar: The Last Airbender]]'' involves a lot of this.
* The main themes of the ''[[Toy Story (franchise)|Toy Story]]'' trilogy revolve around growing up, moving on, and that nothing lasts forever. Andy goes from being a carefree young boy to a young man heading off to college, and his toys realizing, and eventually facing the fact that Andy will inevitably outgrow them.
{{quote|"How long will it last Woody? Do you really think Andy is going to take you to college? Or on his honeymoon? Andy's growing up...and there's nothing you can do about it." }}
* ''[[South Park]]'' has been toying with these in later seasons. "You're Getting Old" and "Assburgers" plays this mostly straight for Stan. Then three episodes later "1%" flips this trope around in its handling of Cartman.
* The main arc of ''[[Danny Phantom]]'' is Danny's growth from an average, awkward and naive kid who just want to fit in with the popular crowd to a much more heroic and down-to-earth (in a manner of speaking) young man.
===
* The ''[[BTS (band)|BTS]] Universe'', but most explicitly in the novels, the webcomic, and the video game parts of the franchise. While many of the characters have this as backstory, all of them truly begin their actual 'coming of age' after the return and reformation of the group. Unfortunately, they are unknowingly trapped in a [[Groundhog Peggy Sue]] loop invoked by one of them, and every time they fail (or worse, every time their friend feels he failed the rest), time reverts, erasing every development they acquired. {{spoiler|By the end of the second novel, when the loop finally breaks, their development finally sticks, and they seem to already have become more mature or are in the road to being so.}}
== Examples of Late Bloomer Subversions ==
=== Anime and Manga ===
* Like many [[Shojo]] manga, ''[[Gokinjo Monogatari]]''. Only, since it's Ai Yazawa, the characters' motivations for maturing and growing are mainly their dreams and aspirations of becoming graphic artists and fashion designers.
** The same goes for ''[[Paradise Kiss]]'' and ''[[Tenshi Nanka Ja Nai]]''.
=== Film ===
* ''[[The 40-Year-Old Virgin]]'' Though as the page points out, Andy is the most mature character in the movie.
** Arguably
*** So basically they act like 15
*** More likely 15 ''IQ''.
* ''Getting It Right'' is about a very shy 31-year-old virgin male hairdresser who have his coming of age quick started when he gets involved with three wildly different women.
* ''[[Step Brothers]]'' is a parody of this. The titular stepbrothers are actually in their mid-thirties, but they are still mentally teenagers [[Basement Dweller]]s leeching their parents, who react to their middle-aged parents remarrying with the same outrage teenage dramas protagonists react to such a situation. They hadn't mature significantly by the end of the film, but at least they learn to be civil to each other and their respective parent's paramour.
* ''[[Failure to Launch]]'' is about the romance between a man on his thirties who still remains at his parents' house despite being apparently successful and mature enough to having leave the nest long ago, and the motivational expert his parents hired to make him leave their house, who purposefully invokes this trope by making basement dwellers to fall in love with her (to increase their self-esteem enough to inspire them to live independently) and gets stumped when the protagonist doesn't fall in the usual "man child" profile of the men she usually works with.
* ''[[Georgy Girl]]'',
* ''[[Garden State]]''. Though isn't as comedic since a lot of drugs kept the main character very detached most of his life.
* The ''[[Iron Man (
* The plot of ''[[A Fairly Odd Movie: Grow Up, Timmy Turner!]]'', the [[Live Action Adaptation]] of ''[[The Fairly
* Simba of ''[[The Lion King]]'' becomes convinced by Timon and Pumbaa to live a [[Hakuna Matata|carefree hedonistic lifestyle]] that carries on well into adulthood, avoiding his past and his responsibilities as the future king. Only after Rafiki gives him a rather creative lesson on facing his past does he decide to grow up and go back to reclaim his rightful throne.
* ''[[The Third Man]]'': [[Adult Child|Holly Martins has remained mentally a child his entire life
* ''[[Gran Torino]]'': Walter Kowalsky, even when he is a senior who has raised a family, still lives emotionally as [[Shell-Shocked Veteran|the young soldier that crossed]] the [[Moral Event Horizon]] at the [[Korean War]]. He must [[Heel Realization|assume]] he is a [[Grumpy Old Man]] [[Jaded Washout]] [[Cranky Neighbor]] [[Racist Grandpa]] who has alienated his own family and now that his wife has died is completely alone, so he can be a real [[Badass Grandpa]] [[Papa Wolf]].
* ''[[
=== Literature ===
* ''[[Adrian Mole]]'', who basically went through an extended 20-year adolescence from age 13 to his mid-30s.
* ''[[
* Isabel Spellman from ''[[Spellman Files]]''.{{context}}
* ''[[
* ''[[
=== Live-Action TV ===
* ''The Winner''{{context}}
* ''[[Buffy the Vampire Slayer]]'' is one enormous coming-of-age story (only, you know, with monsters and superpowers) for Buffy, Willow and Xander, and the run of the series is structured to follow specific stages of adolescence.
=== Theatre ===
* ''[[Avenue Q]]''. Princeton is a college grad, but he's still not ready for real adult life.
{{reflist}}
[[Category:
[[Category:Comedy Tropes]]
[[Category:Drama Tropes]]
[[Category:Plots]]
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