Cool World/WMG: Difference between revisions

== Cool World is where people's minds / souls go to after they go insane, and the Doodles are said minds / souls. ==

 

Finally, we come to the end of the film: Jack becoming a superhero and stopping the chaos unleashed from the Cool World upon Las Vegas. If anyone wants to speculate what ''that'' chaos was all about, be my guest, because I don't have a theory on that at the moment, but Jack becoming a superhero clearly represents him ''finally becoming comfortable with his madness''. He just allows it to wash entirely over him, becoming a Doodle, and in the end, he's shown very happily yapping on in a small, square comic book panel (never mind the fact that it's horribly barren and not a nice place any sane person would like to live) while Holli sits in the foreground, visibly depressed. The square comic book panel represents the classic padded "cotton box" where dangerously unstable people are placed into to keep them from hurting themselves, and Holli, the physical manifestation of Jack's confusion, has been soundly defeated.

 

 

* I thought that was what the movie was ''meant'' to be about.

* If Frank is already insane, why wasn't he turned into a doodle already?

 

== Some Doodles spring from the minds/desires of people who are in the process of going insane. ==

When the person finally does crack, they themselves will become a doodle, as the above Troper suggested, and probably associate with the others they created while going insane.

 

 

When evil/impure toons die, they go to Cool World.

Animators drawing the same characters over and over, along with generations of audiences watching them, produces a lot of thought energy which in turn manifests itself into the astral realm. Now here's how that relates to Cool World; if a person were actually to have ''physical sex'' with one of these entities, they'd become so real to the person that they would manifest in the physical realm, becoming real.

 

 

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