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Creator Breakdown/Theatre: Difference between revisions
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** It's faintly possible that Shakespeare chose to rewrite the already incredibly well-known Hamlet story (Kyd's ''Hamlet'' was still being played in theatres at that point) due to the similarity of the character's name to his son's, but Shakespeare wrote his ''Hamlet'' three years after Hamnet died.
** The story already existed, but may have excited Shakespeare's interest after his son's death, especially given its father-son themes. Also, the two names were interchangeable: documents record the same man calling himself "Hamlet" and "Hamnet" in different documents. Bill Bryson says this passage was also inspired by Hamnet:
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Lies in his bed, walks up and down with me,
Puts on his pretty looks, repeats his words,
Remembers me of all his gracious parts,
Stuffs out his vacant garments with his form;
Then have I reason to be fond of grief.
Fare you well: had you such a loss as I,
I could give better comfort than you do.
I will not keep this form upon my head,
[Tearing off her head-dress.]
When there is such disorder in my wit.
O Lord! my boy, my Arthur, my fair son!
My life, my joy, my food, my all the world!
My widow-comfort, and my sorrows' cure! }}
* Mild example: [[Cirque Du Soleil]] was still a relative upstart when it developed ''[[Mystere]]'', their first non-touring show and thus the first to be staged in a more conventional theater space. Writer-director Franco Dragone was so spent by the experience that by the time it was finished he had decided the next show would be sadder and darker in its tone and story, with a title referring to life going on despite strife and woe. That show, ''[[Alegria]]'', is still the most beloved Cirque tour to date.
* Sarah Kane cultivated an infamous reputation in the late-90s British theater scene for her dark, nightmarish themes in her work, pioneering the "In Yer Face" subgenre of plays. Her fifth, and final, play, ''4:48 Psychosis'' is a long monologue, containing no character names or stage directions, about a mental breakdown. In reality, she was battling depression and committed suicide before ''4:48 Psychosis'' premiered.
* A lot of Tim Rice's post-[[Evita]] stuff exemplifies this trope due to his affair and subsequent break-up with Elaine Paige. It gets absolutely everywhere in ''[[Chess (theatre)|Chess]]'', even into the [[Villain Song]].
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** However, [[It Got Worse]] in the 90s, which makes the lyrics for the Disney shows that he did subvert the [[Parental Bonus]] trope by making the adults squirm in their seats at theatre: ''Home'' sounds far more like someone trapped in an unhappy marriage, while [[Aida]] where songs like ''Elaborate Lives'' and ''A Step Too Far'' are overflowing with an air of sadness and regret (although this also applied to the source material).
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