Defying the Censors: Difference between revisions

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{{examples}}
 
* The producers of the classic films, ''[[The Pawnbroker]]'' and ''[[WhosWho's Afraid of Virginia Woolf?]]'' when they successfully appealed to the [[Hays Code]] board of governors and made them bend to the inclusion of artistically necessary nudity and harsh language respectively, with the excuse of them being "special exceptions"
* [[MGM]] when it outright defied the [[Hays Code]] and released ''[[Blow Up]]'' despite their attempts to stop it to great critical and box office success.
* [[Stan Lee]] when he defied the [[Comics Code]] and published his famous ''[[Spider -Man]]'' anti-drug story without the approval seal and undermined the code's credibility (the code forbade ''any and all'' depictions of drugs). This in spite of the fact that the comic was commissioned by the ''United States government'' as an anti-drug issue.
* When [[The Doors]] were on The Ed Sullivan show, they were told they couldn't sing the line "Girl we couldn't get much higher". Jim Morrison did anyway, getting them banned from the show from then on. Incident appears in the [[Biopic]] as a [[Moment of Awesome]].
** Allegedly, this was actually because Morrison was extremely nervous and forgot to change the lyric, not because of any rebellious intent.
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* [[Otto Preminger]] famously in 1953 released ''[[The Moon Is Blue]]'' without [[Hays Code]] approval, and had to do the same with ''[[The Man With The Golden Arm]]''. Preminger had to pressure the censors to pass ''[[Anatomy of a Murder]]'', whose dialogue on the subject of rape was fairly explicit for its time.
* [[Exploited Trope]] for Marv Wolfman and George Perez in ''[[Teen Titans (Comic Book)|Teen Titans]]''' "Terror of Trigon". The [[Comics Code]] did not approve of their on-panel scene of Dick and Kory sharing a bed, but losing the approval meant they could get away with a lot more horror elements than they normally would.
* [[In -Universe]] example: In ''[[Echo Bazaar]]'' (where you have Victorian-era ideals of decency) a couple mid-level Persuasive storylets involve this, especially notable if you have or want Bohemian connections; you can help a poet friend get his banned work republished and organize readings of banned poetry.
* [[Dave Barry]] had lots of fun in his columns at the censor's expense. When he arrived at the subject of breastfeeding, he had this to say:
{{quote| ''I checked with an editor, and he said I could say "breast" as long as I used it scientifically, rather than to arouse prurient interest. For example, I could say "breast" as long as I used it scientifically, rather than to arouse prurient interest. For example, I could say "two breasts plus two breasts equals four breasts," but I could not say: "Hey, get a load of that breast."}}
* Producer David O. Selznick insisted that the famous line "Frankly, my dear, I don't give a damn" had to be included in the final cut of ''[[Gone Withwith the Wind]]''. The censors relented, but not without slapping a $5,000 fine on Selznick.
* ''[[To Love Ru Darkness]]'' seems to be written with this goal in mind, upping the [[Fan Service]] in response to [[Moral Guardians]] protesting such works. It's telling that the recap chapter was six color pages of [[Fan Service]] from the previous series.
* Similarly to ''Darkness'', the animated version of ''[[Dororon Enma Kun (Manga)-kun|Dororon Enma Kun]]'' was recently pushed for by [[Go Nagai]] specifically in response to the new draconian anti-Anime laws in Tokyo. [[Go Nagai]] being, of course, the "Father of Ecchi," his legendary fighting back against Japan's [[Comics Code]] having created the entire [[Ecchi]] genre in Japanese manga and anime. The animated version retains the original's high fetish and nudity content, and swaps out the main male lead for a female version just so they can add additional fanservice.
 
{{reflist}}