Diablo III/WMG: Difference between revisions

The main page likened {{spoiler|Adria's treachery}} to {{spoiler|Melissan's revelation of her true scheme in ''[[BaldursBaldur's Gate|Throne of Bhaal]]''}}. So, following that plot, it may not be too much to guess that, {{spoiler|taking advantage of Nephil immunity to fate, Adria was actually ''driving'' the Tathamet into eternal Abyss living quarters while pretending to be Diablo's loyal mistress, intending to take the opportunity to become the new, improved, ''fate-impervious'' Prime Evil}}. You thought the Angels were scared of the reunified Tathamet because {{spoiler|the Scroll of Fate dictated who'd win}}? Well, if {{spoiler|Adria pulls this one off, Heaven is going to be ''completely'' blind}}. Of course, there's the problem of where to ''get'' the requisite power before Heaven catches on. {{spoiler|Maybe it depends on whether Leah's soul is still intact for Adria, possibly having an advantage as her blood mother, to pull in with Tathamet filaments still attached...}}

The terrible, [[Canon Dis ContinuityDiscontinuity]] ''Hellfire'' expansion for ''Diablo'' had three new classes: monk, barbarian, and bard. As of ''[[Diablo III]]'', two of those are playable. In Act 1, at the inn, there is an NPC fixated on having a bard around to lighten the mood for everyone. He then decides that he will write the song about the (latest) downfall of Leoric himself, plus or minus trivial matters like ''truth'' getting in his way. The fact that the player character {{spoiler|is a Nephalem}} lends credibility to the awesome power of '''BARDS!''' vanquishing evil with ''music''.