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So you're a doctor in [[The Renaissance|post-medieval]] [[Holy Roman Empire|Germany]] who's getting tired of the dreary drudgery of everyday life. What to do when saving the lives of your patients no longer brings you a feeling of satisfaction and joy? Why, turn to [[Black Magic|satanic magic]] and [[Deal Withwith the Devil|summon a devil]] to use as your own personal slave of course! [[Evil Is Not a Toy|We're sure you can guess what happens next.]]
 
'''''The Tragicall History of the Life and Death of Doctor Faustus''''' is 16th-century English playwright [[Christopher Marlowe (Creator)|Christopher Marlowe]]'s take on the classic legend of [[Faust]], or, as he calls him, Dr. John Faustus. Marlowe, who in his own time was considered something of a rebel and an atheist, represents Faustus as a typically Renaissance figure, seeking above all things knowledge--and the expansion of personal wealth and power that knowledge brings. His play is the first version of the story to present the central figure as an [[Anti-Hero]], who is somehow magnificent even in the midst of his crimes, exactly because his desires have no limits.
 
Perhaps the best known part of this play is the famous invocation of Helen of Troy (or, as Faustus calls her, "Helen of Greece"):
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* [[Badass Normal]]: Faustus [[Unreliable Narrator|claims]] to have cured plagues ''before'' making his pact with the devil.
* [[Black Magic]]
* [[Deal Withwith the Devil]]: Pretty much the story's entire plot, and quite possibly the [[Trope Codifier]].
* [[Do Not Do This Cool Thing]]: Okay, so the moral is: if you deal with the devil, things will not end well for you. But, boy–it does look like it might be fun to have all the forces of darkness at your disposal for a little while, doesn't it?
* [[Downer Ending]]
* [[Evil Is Not a Toy]] - you made a [[Deal Withwith the Devil]] to have magic powers in exchange for taking your soul in a few short years... really, why act surprised? [[What an Idiot!|What did you THINK was going to happen?]]
* [[False Reassurance]]: Mephistopheles is totally honest, but his words (the famous "why this is hell" speech) are vague enough that Faust can stupidly interpret them however he wants to.
* [[Flaming Devil]]: Mephistopheles' interaction with Faust contains a fair amount of implied homosexuality on the former's part (such as Mephisto stating that Heaven "is not so fair as [Faustus] or any man that breathes on earth"). Stage productions sometimes turn the subtext into text.
* [[A God Am I]]: Faustus says, "A sound magician is a mighty god."
* [[Good Angel, Bad Angel]]: Marlowe actually calls the characters Good Angel and Bad Angel in the script.
* [[Get Thee to Aa Nunnery]]: Tons and tons. One of the minor characters mentions that he'd use magic to transform into a flea and crawl into women's plackets, quite literally slits in skirts.
* [[Healing Factor]]: Part of Faustus's deal with the devil. In one version, he regrows a torn-off leg and a severed head.
* [[Idiot Ball]]: After being humiliated by Faustus, the knight Benvolio gets a group of knights together to get revenge. Against the scholar with a demon slave and all the powers of Hell. It goes about as well as you'd expect. Faustus more than qualifies as well (see Badass Normal, Informed Ability, and Misapplied Phlebotinum).
* [[Informed Ability]]: You'd think a so-called genius like Faustus could come up with more intelligent uses for his powers than pranks and shows.
* [[Kid Withwith the Leash]]: Even though he's an adult.
* [[Noble Demon]]: You could make an argument for Mephistopheles.
* [[Magic Is Evil]]
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* [[Seven Deadly Sins]]: Faustus meets them in [[Anthropomorphic Personification]] form at the beginning.
* [[Summoning Ritual]]: The play features a scene in which Faust summons Mephistopheles from Hell.
* [[Sympathy for Thethe Devil]]: Mephistopheles, ironically, seems to be one of the sanest and most honest characters in the entire play. Not to mention his "Why, this is hell, nor am I out of it" speech.
* [[Third Person Person]]: Faustus.
 
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