Dream Pop: Difference between revisions

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Dream pop's indie status means that its bands don't have access to incredibly advanced equipment or funds in their quest for sonic beauty. Typical characteristics of the genre include heavily processed guitars and synthesizers, breathy, high-pitched generally female vocals - the occasional male vocals show up but they tend to be just as breathy - and heavy use of [[Echoing Acoustics|reverb and echo]] to give the songs a sort of celestial atmosphere. Basically, you can think of dream pop as the musical equivalent of [[Scenery Porn]] with a tendency to [[Perishing Alt Rock Voice]]. Thanks to its association with 4AD, the genre even had its own distinctive visual identity thanks to Vaughan Oliver and v23's work for that label: [[Minimalistic Cover Art]] designs employing very blurry imagery and occasional use of [[Deliberately Monochrome]].
 
Generally, if someone says "dream pop", they're most likely thinking of bands in [[The Eighties]] on the 4AD label, such as [[Dead Can Dance]], [[Cocteau Twins]], Dif Juz and the genre's own [[Supergroup]], [[This Mortal Coil]]. These bands represent dream pop's "classic sound" - all instruments and voices soaked in reverb, breathy vocals, introspective themes and creating a wall of sound out of generally sparse instrumentation ,<ref>even the more arrangement-heavy dream pop bands like the Cocteaus stuck to the standard guitar-bass-drums-keyboards lineup; only [[This Mortal Coil]] really used string sections, and even they stuck to minimal arrangements instead of overproduction</ref>, adding up to something that, all snarkery aside, is really quite beautiful. Most dream pop bands varied in terms of emotion between [[Tear Jerker|somber and depressing]], [[Nightmare Fuel|terrifying]] and [[Sweet Dreams Fuel|optimistic]]. Still, not every band on 4AD was dream pop ([[The Pixies]], [[The Breeders]], Colourbox and [[Throwing Muses]] were on the label) and not every dream pop band was on 4AD (Cranes, The Passions, Bel Canto, Galaxie 500 and The Dream Academy among many others were on other labels). While dream pop was intially a pretty unified genre, variations on the basic "ethereal soundscapes + pop melodies" formula soon appeared, in particular bands that focused more on guitars than synths. Pretty soon, the genre started splintering into a ton of other subgenres as well: Low went into [[Slowcore]], Mazzy Star smashed together [['''Dream Pop]]''', [[Shoegazing]] and [[Psychedelic Rock]], [[Love Spirals Downwards]] went into electronica, and so on.
 
Dream pop was an important influence on the emergence of [[Shoegazing]], and starting with [[The Nineties]] the two genres began cross-breeding and eventually became indistinguishable. You're not likely to find many [['''Dream Pop]]''' bands that use the "classic sound" of the Cocteaus or This Mortal Coil anymore, although there are a few new bands, such as [[Beach House]], that continue the "traditional" dream pop sound. There aren't many of these, but they're pretty popular amongst indie kids. Instead, there's a ton of bands that are somewhere between dream pop and shoegazing (which in itself could be called [['''Dream Pop]]''' taken [[Up to Eleven]]), most likely thrown under the umbrella term "post-rock" - a good example of this would be [[Sigur Rós]].
 
[[David Lynch]] likes this genre, as seen through his production work with [[Julee Cruise]] and his use of [[This Mortal Coil]]'s [[Crowning Music of Awesome|awesome cover]] of "Song to the Siren" in ''[[Lost Highway]]''.
 
The polar opposite of this genre is [[Doom Metal|Drone Metal]], which is [[Nightmare Fuel]] in music form.
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Bands associated with dream pop include:
* A.R. Kane
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* Candy Claws (self-described "dream, dream, dream, dream pop")
* The Chameleons
* [[Cocteau Twins]] ([[Trope Maker|Trope Makers]]s and [[Trope Codifier|Trope Codifiers]]s)
* Cranes (notably, unlike their more optimistic or atmospheric comrades, they dived completely into nightmarish [[Post Punk]] with the absolute creepiest [[Creepy Child]] vocals ever.)
** Their recent albums are much more optimistic.
* [[Julee Cruise]]
* [[Dead Can Dance]] (crossing over into Goth and world music)
* [[Deftones]] (a cross between [[Alternative Metal]] and [['''Dream Pop]]''', with [[Shoegazing]] and [[New Wave]] influences)
** Chino Moreno's side project Team Sleep, on the other hand, is mostly [['''Dream Pop]]'''.
* The Delays
* Dif Juz (a completely [[Instrumentals|instrumental band]])
* [[Efterklang]]
* [[Galaxie 500]]
* [[Iamamiwhoami]] ([['''Dream Pop]]''' + [[Shoegazing]] + [[Concept Video]])
* [[Lisa Germano]]
* [[Low]]
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* [[Mercury Rev]] (dream pop, but with influences from [[Noise Pop]] and [[Psychedelic Rock]])
* Mojave 3 (formed by ex-[[Slowdive]] members, dream pop crossing over into sadcore and alternative country)
* [[This Mortal Coil]] (not technically a "band", see above explanation; also [[Trope Codifier|Trope Codifiers]]s)
* [[Owl City]]
* The Passions
* [[Radiohead]], while nominally [[Alternative Rock]] have occasionally shown influences from it, such as on "No Surprises", which is both [['''Dream Pop]]''' and [[Art Rock]].
* [[Red House Painters]] (a combination of dream pop and "sad-core", with more slow drawn-out compositions that stay mostly relaxed with really depressing lyrics to boot.)
* School Of Seven Bells
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