Essential Anime: Difference between revisions

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The purpose of this entry is to highlight trendsetters in [[Anime]], anime of historical note, and series that epitomize particular genres. Specifically we are looking for the [[Trope Maker]], [[Trope Codifier]], and [[Deconstruction|Deconstructions]]s that affect future anime in that genre.
 
Entries are divided by genre and sub-genre, and presented in chronological order by date of first airing in Japan.
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** [[Magical Girl Warrior]] [[Trope Maker]]: ''[[Cutey Honey]]''. Airing in Japan in 1973 to 1974. What began as the first Shounen program with a female protagonist became the Trope Maker of [[Magical Girl Warrior]] via the [[Periphery Demographic]] the TV series garnered (partly due to the toned down Ecchi elements). It set many of the standards for the genre.
*** [[Magical Girl Warrior]] [[Trope Codifier]]: ''[[Sailor Moon]]''. The first series most anyone thinks of when the words "Magical Girl show" are mentioned, although it is equally a sentai series. The original series aired in Japan from 1992 to 1993, and was kept alive in direct sequels until early 1997; it was still popular enough over a decade after its premiere that it was given a [[Live Action Adaptation|LiveAction]] [[Pretty Guardian Sailor Moon|Adaptation]] in 2003. Since its production company terminated all licenses outside of Japan several years ago, it is no longer legally available in North America or Europe, unlike most of its contemporaries on this list.
*** [[Magical Girl Warrior]] [[Deconstruction|Deconstructions]]s: ''[[Revolutionary Girl Utena]]''. Compared stylistically to Rose Of Versailles, Revolutionary Girl Utena (Shoujo Kakumei Utena) aired in Japan in 1997. It couples a shojo dueling story with elements of chivalric romance, Jungian psychology, and a surreal thriller. Its post-modern narrative and feminist themes distinguish it from any other anime ever made.
** [[Magic Idol Singer]] [[Trope Maker]] and [[Trope Codifier]]: ''[[Magical Angel Creamy Mami]]''. Aired in Japan from 1983 to 1984.
 
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** [[Trope Codifier]]: [[Tenchi Muyo!]]: The Tenchi OVA series, along with Ranma 1/2, introduced non-Japanese audiences to the unwanted harem genre. Followed by Tenchi Universe, the television Tenchi continuity, which aired in Japan in 1995 and differs significantly in scope from the original 1992 OVA. Tenchi Universe was then followed by several other series with (mostly) the same core cast and situations (but with often radically different implementations), as well as three motion pictures. A third OVA series released in 2004 extends the original OVA plotline, but leaves matters just as [[Tenchi Solution|unresolved]] as its predecessors.
** Deconstructions:
*** [[Ranma ½|Ranma 1/2]]. Aired in Japan from 1989 to 1992, and based on the manga of the same name by [[Rumiko Takahashi]], Ranma 1/2 is a fusion of romance/comedy and shonen fighting, and was, along with Sailor Moon, one of the early-1990s gateway anime for North American fans. It is also a Deconstruction of the still [[Unbuilt Trope]] of the [[Unwanted Harem]], although most of this flies over the head of [[Values Dissonance|Western]] viewers, as they don't realize the [[Pillars of Moral Character|very real Japanese moral dilemma]] Ranma is in. (Being engaged to more than one girl is [[Serious Business]].) This series is also the [[Trope Codifier]] for the [[Love Dodecahedron]] sub-genre, with every member of the [[Unwanted Harem]] having his or her own unrequited love interest, and is often considered the best example of [[Belligerent Sexual Tension]] -- the—the [[Belligerent Sexual Tension]] trope was once called "Takahashi Couple" -- or—or even its [[Trope Codifier]].
*** [[School Days]] deconstructs the [[Unwanted Harem]] trope by going in a completely different direction from Ranma 1/2. Ranma asks the question "How does an honorable man deal with multiple obligations to marry?" [[School Days]] asks "What happens if the guy decides to boink all the girls?" Answer: Nothing Good. Aired in 2007. Also the source of the "Nice Boat" meme.
 
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'''[[Mons]]''' (A proper look at the [[Mons]] genre would require going into [[Video Games]], particularly the [[Trope Maker]], ''[[Shin Megami Tensei]]''.)
* [[Trope Codifier]]: ''[[Pokémon (anime)|Pokémon]]'' (1997-present1997–present). A major multimedia franchise, ''Pokémon'' was the first major [[Mons]] series to be targeted towards children, and also the first to make it across the Atlantic; though the RPG series is the true core of the franchise, the anime tends to be the more well-known version. Since then, most Mons series have followed the graphical stylings and kid-friendliness of the ''Pokémon'' franchise. It's also something of a template insofar as the adaptation of video games to anime, of which it is by far the longest-lived and most successful.
* [[Deconstruction]]: ''[[Digimon Tamers]]'' (2001-2002). The first anime to ask the question: How would the existence of Mons work in real life? Well, the government gets involved, many of the kids become emotionally traumatised, people [[Final Death|die period]], and cities get leveled. Also had an unprecendented level of depth compared to [[Digimon Adventure|its predecessors]], which were themselves no slouches in that department - the characters get a huge amount of development, and there's a whole website explaining the sheer intricacy of the world-building process of the series. The hardest Mons series on the [[Mohs Scale of Science Fiction Hardness]].
* Even bleaker [[Deconstruction]]: ''[[Narutaru]]'' (2003), another work by [[Chiaki Konaka]], the head writer of the aforementioned ''[[Digimon Tamers]]'' and ''[[Serial Experiments Lain]]''. The premise of the genre, namely that kids gain control a powerful beasts and go on adventures, gets twisted by averting the last part: instead of going on adventures the children form terrorist groups to shape the world as they see fit, and being a immortal one-man army, they are pretty effective and deadly, develop symptoms of [[A God Am I]] and reap a lot of hate. Controlling this power turns the kids life to worse since they get sucked into the conflict. Almost all owners of a shadow dragon die before the series ends.
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=== Films by Release Date: ===
 
* ''[[Nausicaa of the Valley of the Wind]]'' (Japanese title, ''Kaze no Tani no Naushika'') (1984): Post-apocalyptic SF/Fantasy story about the futility of war and Man's place in nature (both extremely common themes in <s> anime</s> postwar Japanese culture) and the dangers of biological warfare. Its success paved the way for the founding of the highly influential [[Studio Ghibli]].
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* ''[[Akira]]'' (1988): Based on a much longer and even more complicated manga series, this was another of the first anime films to cross the Pacific to any appreciable audience. It shocked many US fans straight out of the [[Animation Age Ghetto]] with its gritty visuals and stark violence.
 
* ''[[Grave of the Fireflies]]'' (Japanese title, ''[[Hotaru no Haka]]'') (1988): Poignant story of two children trying, and ultimately failing, to survive in war-torn Japan after their mother is killed in an air raid. Based on a semi-autobiographical novel (the author, needless to say, survived, but much of the rest is directly from his own experiences) that was well-known in Japan in the 1960s and 1970s but almost unheard of elsewhere. Widely respected as one of the finest animated films, ever, but also widely reputed to be among the ''saddest'' films ever shown -- soshown—so much so that AVClub.com has included it in their list ''[http://www.avclub.com/content/feature/not_again_24_great_films_too/3 Not Again: 24 Great Films Too Painful To Watch Twice]''.
 
* ''[[Ghost in the Shell]]'' (Japanese title, ''Kokaku Kidotai'') (1996): A [[Cyberpunk]] thriller concerning cybernetic police operative Motoko Kusanagi and her struggle to uphold the law in a future where humanity and technology have merged. In this film, the first of a widely popular anime franchise that includes the ''[[Ghost in the Shell: Stand Alone Complex]]'' series, Motoko and her colleagues in Section 9 face off against an insidious "puppet master," a unique AI whose nature challenges every assumption theythey—and -- and she -- hasshe—has about what it means to be human. Notable for also influencing western sci-fi flicks, most obviously ''[[The Matrix]]''.
 
* ''[[Spirited Away]]'': (Japanese title, ''Sen to Chihiro no Kamikakushi'') (2001). Considered by many to be the best work by [[Hayao Miyazaki]], ''Spirited Away'' tells the story of Chihiro, a spoiled 10-year-old girl, who on the way to a new home gets stuck with her parents in a world of spirits, where her parents become pigs after eating spirit food. To save them, she will need to find her own courage and work at Yubaba's spirit bathhouse until she learns how to save them and return to her own world.
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