Fantasy Counterpart Culture: Difference between revisions
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** My interpretation was that the Arends were German: their geography is defined by massive central forests, their local barons tend toward total autonomy because for their entire history they were divided in civil wars.
** The Melcene Empire in Mallorea has a few parallels to Persia as well as China, and appropriately they have invented both gunpowder and elephant cavalry.
* David Eddings' next work, the ''[[Elenium]]'' and the following ''[[Tamuli]]'', had the same kind of counterparts in slightly different measures. Most of the characters are Elenes, who are based after different ethnicities and periods of Europe: the Elenians are probably English with their queen, the Thalesians with their cold climate and [[Horny Vikings|horned helmets]] are Scandinavians, the Arcians with their feudalism, castle-building and extreme piety are medieval Europeans, the Peloi are martial nomads like the Huns and similar barbarians, etc. The Elenes are united under a central Church which is clearly based on Catholicism.
* Teresa Edgerton's ''Goblin Moon'' and ''The Gnome's Engine'' do this intentionally, being set in a 'Euterpe' that's a close fit to 18th century Europe, and incorporating such parallel nationalities as 'Spagnards', 'Imbrians', and 'Nordics'.
* [[Raymond E. Feist]]'s ''[[The Riftwar Cycle]]'' is set in an almost-England kingdom that's conquered and brought civilization to the majority of almost-Europe, although they occasionally have trouble with their almost-African desert-people neighbors to the south, and the Greek/Roman hybrid nation of Queg. (The almost-Africans are ruled by a "master race" caste whose parallels to the Egyptian dynasties are too blatant to miss.) The titular Riftwar involves an invasion across space-time by a warrior race of almost-Oriental people who [[Word of God|the author says]] are based on the Japanese and Korean cultures, called the Tsurani. Later books introduce analogues to Chinese and Native American cultures, among others...
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