Fatal Attraction: Difference between revisions

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{{trope}}
{{quote|'''Sam Spade:''' Haven't you tried to buy my loyalty with money and nothing else?<br />
'''Brigid O'Shaughnessy:''' What else is there I can buy you with?|''[[The Maltese Falcon (Film)|The Maltese Falcon]]''}}
 
Now and then a detective will be strongly attracted to someone connected with a crime. She (it's usually a woman) may at some point in the episode become the [[Distressed Damsel in Distress]], but if not, she's either the perp or will be suspected of being the perp. If she did it, the detective will be reluctant to believe that she's capable of such a thing until the evidence is completely damning; if she's a [[Red Herring]], the detective will confront her prematurely and lose any chance of a romance with her. Sometimes overlaps with [[Femme Fatale]], but more often she's perfectly nice and sweet until she turns around and holds the detective at gunpoint.
 
Frequently turns up in the first episode/book of a series, with the implication that the detective's sense of betrayal or loss is what hardens him and forms him into the character we come to know. (Details vary: he might become a commitment-phobic womanizer, a [[Celibate Hero|celibate]] justice machine, or just an all-around [[Deadpan Snarker|cynic]], but in any case it's all because of ''her''.)
 
For the idea associated with the movie titled ''[[Fatal Attraction (Filmfilm)|Fatal Attraction]]'', see [[Woman Scorned]].
 
For the man (and it's usually a guy) who seems to serially end up in these sort of situations, see [[Fatal Attractor]]. This trope is similar to [[Dating Catwoman]], but riskier.
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== Anime & Manga ==
* ''[[Outlaw Star]]'' had one [[Tear Jerker]] of an example, which is impressive, since it was also a [[Puppy Love]]. A girl Jim meets and falls for turns out to be the pilot of the ship sent to kill them - but neither ever realizes the other's identity, and both go into combat looking forward to their date. After the fight, Jim doesn't know why she didn't come...
* {{spoiler|Lyle "Lockon Stratos" Dylandy and Anew Returner}} in ''[[Mobile Suit Gundam 00]]''.
* Reversed in the ''[[Cowboy Bebop]]'' episode "My Funny Valentine", where {{spoiler|Faye is initially attracted to Whitney Haggis Matsumoto, but he turns out to be a petty con artist who was manipulating her into taking on his debts.}}
* A [[Gray and Grey Morality|slightly weird]] [[Gender Flip]] in ''[[Darker Thanthan Black]]'': [[Hero Antagonist]] police chief Kirihara falls for [[Anti-Hero|Hei]] in his [[Nice Guy]] civilian persona, not realizing that "Li" is actually the superpowered assassin she's been chasing. However, she probably ''should'' have, seeing as she connected the two in episode 18 and got quite a few hints later during the most-of-a-day they were [[Ship Tease|hanging out together]]. {{spoiler|Since she did eventually figure it out, she probably realized it earlier but didn't want to acknowledge it.}}
** It got even "better" in ''Shikkoku no Hana'' manga. Misaki first gave Kanami's teasing a blushing "[[He Is Not My Boyfriend|panicking confirmation]]", later when she once more was a little too late to reach Hei -- thisHei—this time without [[Reckless Gun Usage|waving guns]], just ''calling'' "Li-kun!" and [[Futile Hand Reach]] -- she—she was clearly in pain.
 
 
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== Film ==
* The ur-example is probably ''[[The Maltese Falcon (Film)|The Maltese Falcon]]'' and the ending scene where the [[Femme Fatale]] being led away in handcuffs while saying she really loves the detective is often in these examples via [[Popcultural Osmosis]].
* The (double) crux of the backstory in ''[[The Three Musketeers (1993 (Filmfilm)|The Three Musketeers 1993]]'' - Athos (Kiefer Sutherland) married the former Lady de Winter, only to turn her over to the authorities when realizing she'd been condemned for murder - then realizing she probably HAD been innocent - but was, by the time he met her again, guilty of far worse things. {{spoiler|And right after they sorted things out, she DIED. On purpose. To avoid being executed.}}
* A rare male example: In the film ''[[The Third Man]]'', the protagonist arrives in Europe to discover that the man he's come to see is dead, and the police were investigating him. The protagonist spends the movie convinced that his friend must have been innocent, and was the victim of some underhanded police conspiracy. He learns later that {{spoiler|not only is the man ''still'' alive, but he's an amoral [[Manipulative Bastard]], responsible for everything the police believed him to be}}.
* ''[[Basic Instinct]]'' is all about this trope.
* A non-detective example, arguably, is ''[[Casino Royale (Film)|Casino Royale]]''.
* The Al Pacino/Ellen Barkin film, '[[Sea Of Love]]', is of the falsely accused variety.
 
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== Live Action TV ==
* ''[[Psych (TV)|Psych]]'': If [[Fatal Attractor|Shawn shows an interest in a woman]], start tallying the evidence against her. Especially if she reciprocates. Once, he actually slept with a competing psychic before he realized that she had committed the crime they were trying to solve.
** Luckily for him things are heating up with Juliette. {{spoiler|They're officially together now.}}
** Also happened to Lassie ( {{spoiler|she was only partly guilty}}) and Gus ( {{spoiler|of the [[Red Herring]] variety.}})
* Happens to [[Fatal Attractor|Tony]] a lot in ''[[NCIS (TV)|NCIS]]''. Once said woman turned out to be a pre-op transsexual.
** Eventually they sent him to get information out of a woman they ''knew'' was connected with the crime and she turned out to be a cop.
** In a non-romantic version of this trope, McGee's sister ends up at his doorstep covered in blood and eventually becomes a murder suspect. He's not the one to turn her in, though.
* ''[[Monk (TV)|Monk]]'': In "Mr. Monk and the Other Woman", Monk has a brief romance with a woman who resembles his dead wife, but it falls apart when he accuses her of murder. {{spoiler|She didn't do it.}}
** Averted in "Mr. Monk and the Blackout"; Monk goes on a date with a woman who works at the power plant where the blackout started, but she's never a suspect, though she does give him a clue to the criminal's identity.
** In "Mr. Monk and the Bad Girlfriend", it's not Monk but [[Da Chief]], Captain Stottlemeyer, whose girlfriend is a murder suspect. {{spoiler|She did it, which came as a surprise since she appeared in previous episodes and was set up to become a recurring character.}}
* Lady Heather's second appearance on ''[[CSI (TV)|CSI]]''. Unusual in that it doesn't become clear she's a suspect until ''after'' Grissom has apparently spent the night with her. Doesn't matter, though, as Heather's something of an absolutist and views the fact that he could suspect her at all, no matter what the justification, as a betrayal. (By the way, am I the only one who thinks "Heather" is a silly name for a dominatrix?)
* In "The Murder of Sherlock Holmes," the pilot to ''[[Murder, She Wrote]]'', Jessica's publisher romances her as she investigates a murder committed at his house. He did it, of course. Her disappointment and moral outrage when she confronts him are a wonder to behold.
* Happens to DI Robbie Ross in ''[[Taggart]]'' a lot.
** Gender-flipped when Jackie goes on a date and sleeps with a man who is later revealed to be living under a fake identity. He didn't kill the men, but he does die in the end.
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[[Category:Crime and Punishment Tropes]]
[[Category:Fatal Attraction]]
[[Category:Trope]]
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