Hitman (film): Difference between revisions

m
Mass update links
m (Mass update links)
m (Mass update links)
Line 16:
* [[Asexuality]]: Agent 47 is not very social. Comes with the territory of being trained as a child to be a perfect killer. As evident by his [[Almost Kiss]] with Nika.
* [[Alternate Continuity]]: Agent 47's origins as a clone are replaced with him being an orphan raised with other children to be perfect assassins.
* [[Assassin Outclassin']]: The duel on the train seems to share elements of this as the other Agents are there to kill 47 but also seem to fight each other.
** Possibly justified since it seems that [[Greed|whoever completes the contract will get the payment]].
* [[Badass Boast]]: Agent 47 delivers one in the opening to Mike Whittier.
Line 39:
* [[The Faceless]]: Diana makes it from the game as just a voice on the phone. Early she is a computer-synthesized voice from a computer. Later she actually calls Agent 47 with her natural voice to help demonstrate her sincere desire to help 47.
* [[Fan Service]]: For all the film's faults, it's a welcome experience to see Olga Kurylenko strutting topless on multiple occasions.
* [[Full -Frontal Assault]]: It is a flashback showing the incredible abuse that Nika suffered under the ownership of Belicoff.
* [[Hannibal Lecture]]: Agent 47's meeting with Udre Belicoff quickly descends into one after one of Udre's thugs whispers to him that Agent 47 is an impostor. He then starts trying to intimidate him by showing off some of his guns and tries to look menacing by grabbing one of his hookers and jamming a Makarov into her eye socket, about to shoot her. [[Shut UP, Hannibal|Agent 47 is not impressed.]]
* [[Here We Go Again]]: It seems that "The Agency" won't stop hunting Nika anytime soon, as the final shot shows Agent 47 watching over her with a sniper rifle, and cuts back to show the corpse of another Agent, and 47's final line.