Irishman and a Jew: Difference between revisions
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Sometimes an Italian or Italian-American will be thrown into the mix, possibly because, other than Irish and Jews, the Italians were the most visible immigrant group in America between about 1870 and 1920. When this happens, the Italian will often be a kind of double agent: siding with the Irishman on matters of personal morality and community life, and with the Jew when it comes to issues regarding the wider world, especially politics. The Italian might even be mistaken for a Jew due to similar coloring and facial features, although he (or she) will be more likely to intermarry with the Irish because of religious compatibility.
This trope was fairly common in the golden age of Vaudeville and still [https://web.archive.org/web/20100504095934/http://www.jewish-theatre.com/visitor/article_display.aspx?articleID=2601 persists in the theater today]; nonetheless, it has become much less prominent in recent years, as younger generations of each ethnic group assimilate to local norms and lose their distinctiveness. (This is particularly true of Jews, who mix with other ethnic groups through marriage more than any other American group, although paradoxically U.S. Jewish identity politics have grown stronger in the past decade.
{{examples}}
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== Film ==
* The great [[James Cagney]] [
* ''[[Take Me Out To The Ball Game]]'', starring [[Frank Sinatra]] and [[Gene Kelly]], features a musical number entitled "O'Brien to Ryan to Goldberg" on the subject of a double play; snippets of vaguely "ethnic" music are included.
* Jim and Michelle in the ''[[American Pie]]'' movies. (Jim is a nerdy, repressed Jew, while the stereotypically red-haired Michelle is equally nerdy but outspoken and bawdy.)
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