Maskerade: Difference between revisions

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{{work}}
The 18th [[Discworld]] novel, and the fourth or fifth in the 'witches' theme. Its purpose within the theme is to bridge ''[[Discworld (Literature)/Lords and Ladies|Lords and Ladies]]'' and ''[[Discworld (Literature)/Carpe Jugulum|Carpe Jugulum]]'', which it does by means of an [[Twice -Told Tale|extended parody]] of Andrew Lloyd Webber's musical version of ''[[The Phantom of the Opera]]''.
 
With the loss of Magrat to her royal calling, Nanny Ogg and Granny Weatherwax find themselves with a coven of two. Their eye falls on the expansive Agnes Nitt, who prefers calling herself Perdita X Dream (or, as the women of Lancre say, "that girl who calls herself Perditax"). Agnes, though, has no interest in witches, and wants to be an opera singer. Stealing away to Ankh-Morpork, she soon finds herself (and her amazing voice) as a vocal understudy to the skinnier but much dumber and less melodious Christine.
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* [[Brainless Beauty]]: Christine.
* [[Chess With Death]]: As usual Death dislikes the traditional game, so Granny challenges him to a hand of poker instead for a boy's life. She wins, though it's implied that Death let her, because he's ''on our side''. She also fixes his arm bones for him with chiropractic.
** Although there is also the implication that he was simply scared of her. {{spoiler|She admits that, if she had lost, the first thing she would have done would be to [[Did You Just Punch Out Cthulhu?|break his arm]].}}
** There's also the fact that {{spoiler|he says that his hand was a pair of "ones." As in aces.}}
* [[Contest Winner Cameo]]: Collette.
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::There's also a fragment from a song in German, "''Schneide meinen eigenen Hals''" - [[Bilingual Bonus|not translated in the text]], but means "cut my own throat". Did we mention that the song is called the [[CMOT Dibbler|Pedlar's Song?]]
* [[Good Is Not Dumb]]: Agnes.
* [[Head -Tiltingly Kinky]]: The Joy of Snackes.
* [[Humanity Ensues]]: The human-form Greebo the cat from ''[[Discworld (Literature)/Witches Abroad|Witches Abroad]]'' reappears, pressed into service as Granny's fake paramour and bodyguard.
* [[Hurricane of Puns]]: In the grand tradition of [[Discworld (Literature)/Moving Pictures|Moving Pictures]] and [[Discworld (Literature)/Soul Music|Soul Music]], {{spoiler|Walter's}} opera titles are all puns on popular musicals.
* [[Hypocritical Humor]]: The villain gives a long [[Final Speech]] about how ridiculous opera conventions like the long [[Final Speech]] are. This comes not long after he claims to be the [[Only Sane Man]], using multiple exclamation marks (a sure sign of madness).
* [[I Just Want to Be Normal]]: Agnes
* [[ItsIt's All About Me]]: Christine, [[Selfish Good|not because she's a bad person]] but because [[Lawful Stupid Chaotic Stupid|she can't really comprehend anything more complex than her own immediate interests]]. This leads to a strange dichotomy with her being able to pick up stage-tricks like conveniently learning to faint in a dramatic pose whenever something "operatic" happens, but limits her ability to realize that Agnes is pretending to be her voice:
{{quote| '''Christine''' (to Agnes): Perdita, dear? It did seem to me you were signing the ''teensiest'' bit loud, dear! I'm sure it must have been a little difficult for everyone to hear me. }}
* [[I'll Never Tell You What I'm Telling You]]: Death and the swan.
* [[Lampshade Hanging]]: Plenty, of course, but the stand-out is the end of {{spoiler|Salzella's}} death rant:
{{quote| "...and the ''worst'' thing about opera is the way everyone takes...such[[Sanity Slippage|!!!]] ... a[[Sanity Slippage|!!!!]] long[[Sanity Slippage|!!!!!]] time!!!!! ... to!!!!!" *dies*}}
* [[MommasMomma's Boy]]: Walter Plinge.
* [[Motive Rant]]
* [[Mugging the Monster]]: Subverted; Granny and Mrs. Plinge are threatened by some muggers, but before Granny can open up a can of whup-ass on them, the Ghost does it for her.
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* [[Painting the Fourth Wall]]: Christine's dialogue always ends in either "!?" or "!!" because she's just that excited about everything. In all other dialogue, multiple exclamation marks are a sign of [[Sanity Slippage]].
* [[Awesome McCoolname|Perdita X Dream]]: The former [[Trope Namer]].
* [[Pimped -Out Dress]]: One specially made for the dowager duchess of Quirm, that fits Granny perfectly.
* [[Self -Made Man]]: Mr Bucket is described as 'a self-made man who is proud of his handiwork.'
* [[Shout Out]]: "Walter Plinge" is a real-life pseudonym used by actors who don't want to be associated with early minor parts (similar to "A.N. Other") and the character's description clearly evokes Frank Spencer from ''[[Some Mothers Do Ave Em]]'' (Michael Crawford, the first actor who played the musical version's Phantom, was once best known for that role).
** The troll name for Granny Weatherwax ("She Who Must Be Avoided") is a reference to the [[H Rider Haggard]] novel ''[[She (Literature)|She]]'' and the eponymous character "She Who Must Be Obeyed".
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** Later, {{spoiler|Walter}} invents the modern musical and Nanny sees some of his ideas, such as [[Andrew Lloyd Webber|an opera about cats]], ''[[Les Misérables|Miserable Les]]'' and ''[[Seven Brides for Seven Brothers|Seven Dwarfs For Seven Other Dwarfs]]''.
* [[This Is My Name On Foreign]]: Henry Slugg becomes Enrico Basilica.
* [[True Beauty Is On the Inside]]: ''painfully'' subverted. In the end, despite the fact that Christine is just [[Brainless Beauty|very pretty]], [[Giftedly Bad|has no voice, and has absolutely no talent whatsoever]], [[So Beautiful ItsIt's a Curse|everyone in the opera still fawns over her]] and chooses ''her'' over Agnes, who is [[Magic Music|incredibly talented]] and who has been signing Christine's songs the entire time (something that is made very clear by the end that everyone knows).
{{quote| '''André''': It'd be terrible if anything happened to [Christine] ''(in the aftermath of her 'fainting' again)'', everyone says she shows such promise.<br />
'''Agnes''': Yes, but... ''you'' know it was me doing the signing. <br />