Men Are the Expendable Gender/Analysis: Difference between revisions

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Villains who target female characters for death, even anonymous female characters, will be viewed with far less sympathy than villains who target male characters, even important and likable ones. Sympathetic male characters will lose audience sympathy if they target women. Women lose no sympathy for targeting men, and only a little if they are targeting men out of misandry. Men will be cast into the role of [[Moral Event Horizon|irredeemable evil]] if they target women just for being female.
 
Females who target other females have to be unusually brutal in their violence to lose sympathy since the audience often considers female-on-female violence ([[Double Standard Rape (Female On Female)|and sometimes even rape]]) as [[Girl -On -Girl Is Hot|sexy and enticing]] or as a cute [[Cat Fight]], thus not worthy fretting over. On the other hand, a woman who is unable to defend herself unaided against ''another woman'' will often [[Real Women Don't Wear Dresses|lose audience sympathy for being that weak]]. Only if she targets young children may a woman be considered irredeemable.
 
Protagonists and antagonists can thus be easily determined from any scene of violence, without any context, if the actors are of different genders - women fighting men are usually the good guys, men fighting women are usually the bad guys. After all, if he was really a good guy, he [[Wouldn't Hit a Girl|wouldn't hit a girl]]. Also (occasionally) a cunning and cruel [[Dangerously Genre Savvy]] villain, especially a female one, can take advantage of this trope and mindset, threatening, hurting and even killing women and children to emotionally destroy males, thus losing their ability to fight.
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== [[Unfortunate Implications]] ==
Being viewed as less sympathetic than women by default has obvious [[Unfortunate Implications]] for men: in general, it is more socially acceptable for women to seek help or support from others, and they're more likely to actually get it. More than that, though, this trope contributes to systematic social problems that disproportionately affect men. Men are more likely than women to be homeless, to be victims of violent crime, and to be injured or killed in workplace accidents. Many countries, though no longer all, refuse to officially assign female troops to combat units (although non-combat troops frequently do end up in combat anyway); not only is every army in the world willing to put men on the front lines, men are often considered to have [[A Real Man Is a Killer|an obligation to defend their country in combat]] and may be pressured to join up, or even conscripted. Outside of war, men are often [[What Measure Is a Non -Badass?|viewed as cowards]] if they [[Non-Action Guy|shrink from fistfights]], and if a man and woman are attacked by a criminal, he tends to be viewed as [[Always Save the Girl|responsible for protecting her]], regardless of whether she's actually more capable. A man who faces a problem like [[Domestic Abuse]] is often either [[All Abusers Are Male|actively disbelieved]] if he goes to the authorities, or told that [[Henpecked Husband|he ought to be able]] to [[Men Don't Cry|handle it on his own]]; if he does get help, he's likely to [[I Was Beaten By a Girl|feel ashamed of it]]. This leads to the [[Fridge Logic]] of an abused man being expected to take care of himself, but if he does, and he defends himself, then he's a total bastard for raising a hand against a female, and if he doesn't, then he's a coward and doesn't deserve sympathy. And good luck drawing attention to these problems; advertising a social issue by pointing out how it affects women is more likely to draw public sympathy and inspire action.
 
However, the trope also has subtler [[Unfortunate Implications]] for women. Women get automatic audience sympathy for the same reason children do: they're viewed as fundamentally helpless, passive and innocent as well as incompetent and ineffectual in any given situation, not as adults who can take care of themselves. Crimes against women are considered especially horrific because it's assumed that [[Stay in The Kitchen|female victims could not possibly have been capable of defending themselves]]. Similarly, [[High Heel Face Turn|female villains are viewed as redeemable]] because they often aren't really taken seriously as villains in the first place – a woman can't possibly pose a real threat, or be truly accountable for her actions. And since male characters ''must'' get the chance to earn audience sympathy by proving how capable they are, [[Faux Action Girl|female characters are rarely given the same narrative opportunities to be heroic]]. This is one reason why male protagonists are much more common in many genres: male characters are more likely to have agency, personal conflict and capacity for growth, whereas female characters are often two-dimensionally perfect, static and passive. Thus, the female characters are reduced to plot devices that inspire male characters to action – they [[Disposable Woman|get killed off]], giving men a reason to prove their manhood by avenging them; or they [[Closer to Earth|provide sage advice]] about being in touch with one's emotions; or they [[Standard Hero Reward|serve as trophies]] to reward [[Dogged Nice Guy|male characters who've proven themselves worthy]]. In [[Real Life]], this trope can also be outright nasty and demeaning to females in the same fashion as males, as it can prevent women from getting jobs and being taken seriously in risky ones, leaving them, essentially, in [[Acceptable Feminine Goals|"feminine" jobs]].