Mood Lighting: Difference between revisions

* The movie ''[[Sleepy Hollow]]'' was shot almost entirely with a creepy bluish filter to enhance the horror atmosphere of the setting. Only at the end when the threat is past does the filter shift to a warm color (ironically, in New York City...)

* In ''[[The Matrix]]'', scenes inside the Matrix are shot with a green filter, while scenes in the "real world" are shot with a blue filter.

* Director Mario Bava was known for using colored lights -- often in ''non sequitur'' shades of green or purple -- to create a mood of unease.

* The Mamoru Oshii film ''[[Avalon]]'' has everything tinted brown, until one sequence which brings up the possibility that it's real and the rest of the film isn't. {{spoiler|This possibility ends up not being true}}.