Non Sequitur Scene/Music: Difference between revisions

** "I am the table!"

* [[Post Grunge]] band Presence's song ''In My Room''. On an album filled with straightforward (yet good) post grunge, including all of its usual theme. This song however, is a somewhat disturbing song about [[A Date With Rosie Palms]] (to [[Mary Kate And Ashley]] no less!) that ends abruptly for about a minute of silence, then the band just start goofing off on the microphone.... its out of left field to be sure.

* Showbread's discography is spattered with a few of these, most notably on their first studio album ''No Sir, Nihlism Is Not Practical''. Moments such as the totally-unexpected Doo-Wop-inspired bridge on ''So Selfish It's Funny'' and the odd sound bite of airraid alarms and people shouting followed by vocalist Josh Dies saying, "Fire!" and what sounds like a muffled nuclear explosion at the end of ''And The Smokers And Children Shall Be Cast Down'' are certainly [[BLA Ms]]. However, the biggest BLAM on the album is probably track 5, ''Sampsa Meets Kafka''. It starts with some echoey electronic warbling, then a throbbing bass starts up, followed a few seconds later by screeching techno and Josh Dies screaming the line, "Gregor starved to death, no one dies of loneliness'' twice, and the song ends with a bit more drippy techno and a couple seconds of static. Weird.

* The early Japanese synth pop group Yellow Magic Orchestra released two albums containing quirky, innovative electronic music--and then their third release, ''x∞Multiplies'', was practically a BLAM ''album''. It contained significantly more bizarre music (including a cover of Archie Bell and the Drells' "Tighten Up" with a high pitched voice repeating "Japanese gentleman, stand up please!" throughout the entire song) and was filled with arbitrary comedy acts, predominantly in Japanese (which made it especially confusing for English-speaking listeners). After this, they returned to a more conventional style.