Othello/YMMV: Difference between revisions

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*** For some Iago's description of Cassio in bed with him and (as my friend put it) "sleep humping" might fit this.
** An oft-cited piece of evidence for this possible motivation is the scene wherein Iago and Othello initiate a pseudo-wedding ceremony. To each other.
{{quote| '''Othello:''' ''*kneels*'' In the due reverence of a sacred vow<br />
I here engage my words.<br />
'''Iago:''' Do not rise yet. ''*kneels*''<br />
Witness, you ever-burning lights above,<br />
You elements that clip us round about,<br />
Witness that here Iago doth give up<br />
The execution of his wit, hands, heart,<br />
To wrong'd Othello's service! Let him command,<br />
And to obey shall be in me remorse,<br />
What bloody business ever.<br />
''*they rise*''<br />
'''Othello:''' I greet thy love,<br />
Not with vain thanks, but with acceptance bounteous,<br />
And will upon the instant put thee to't:<br />
Within these three days let me hear thee say<br />
That Cassio's not alive.<br />
. . .<br />
'''Iago:''' I am your own for ever. }}
* [[Magnificent Bastard]]: Iago. Among the most magnificent in literary/theatrical history.
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** She could qualify as a deconstruction as well, given how all her Sueness does is serve to screw her over. After all, would [[For the Evulz|Iago]] have wanted to bring her down if she was any less as such?
* [[Misaimed Fandom]]: Like ''[[The Merchant of Venice]]'', racist interpretations of this play have been offered, such as this one from John Quincy Adams:
{{quote| '''John Quincy Adams:''' "[[Completely Missing the Point|Who can feel sympathy for Desdemona? A woman who, born and educated to a splendid and lofty station in the community, betrays her race, her sex, her duty and her country, and makes a runaway match with a blackamoor.]]"}}
* [[Values Dissonance]]: Now you have to understand - Elizabethan-era morality was different from modern morality. Iago says in the play "I am not what I am," and to a modern reader this means "I'm not what I act like." To an Elizabethan, it means something completely different: Iago is the ''absence'' of existence, which makes him the ultimate villain: evil in Elizabethan days wasn't considered to be a thing, it was considered to be the absence of God. Iago is the absence of God, making him even more evil than other Shakespearean villains.
** It's also worth mentioning that some readers won't understand that when Othello gives up Christianity, he super-damns himself to Hell; that's even worse than just being a pagan.