Pretty Fly for a White Guy: Difference between revisions

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== [[Professional Wrestling]] ==
* [[World Wrestling Entertainment|WWE]] wrestler John Cena was Pretty Fly for a White Guy as a [[Heel]]. Then, he had a [[Heel Face Turn]], and we were suddenly supposed to take his hip-hop posturing seriously. (It didn't help that he stopped actually rapping after his album was released and just made a lot of gay jokes in a "ghetto" accent.) Needless to say, the [[Narm]] thus created has led to massive amounts of [[X-Pac Heat]] whenever WWE hits any place that has an actual urban hip-hop culture. Thankfully, these days, he's toned down the hip-hop allusions in favor of becoming, essentially, an [[Ascended Fanboy]], but the [[X-Pac Heat]] among [[Smart Mark]]s may never completely subside.
** Side note: Los Angeles has a very large "actual urban hip-hop culture," and Cena gets really loud cheers in L.A.
** What Cena has been doing is fundamentally no different from what [[Elvis Presley]] did in [[The Fifties]]. He is a white, upper-middle-class American who, in his soul, does not ''feel'' like a white, upper-middle-class American, and acts accordingly. Far from mocking black culture, he is actually celebrating it, while putting a less menacing (white) face on it for his white fans. You may quibble about the [[Unfortunate Implications]] of all this, but it's really nothing new. (And interestingly, Cena's longtime nemesis John "Bradshaw" Layfield was essentially [[Not So Different|Cena in reverse]]: a boorish, trailer-park Texan who became obsessed with money and riches, and rebaptized himself as a Wall Street tycoon. This resulted in a bit of [[Hypocritical Humor]] when in 2006 JBL was doing a bit of color commentary on ''SmackDown!'' where he mocked Anna Nicole Smith; he is, in a way, [[You Are What You Hate|basically her male equivalent]].)
* ''Too Cool''. Brian Christopher and Scott Taylor as wannabe rappers dancing to hip hop beats and later adding former [[Wild Samoan]] Rikishi to their act ended being one of the more surprising hits of the Attitude era in the then-WWF. What made the gimmick work so well was the delightful randomness and heterogeneity of it: two skinny white men and a fat [[Fake Nationality|Japanese]] guy performing impromptu dance moves to a style of music that neither whites nor Japanese are ordinarily associated with.
* Ray Gordy, currently known as Slam Master J is their 21st Century successor from the blonde cornrows down to the [[50 Cent]]-like clothes, but so far, merely a [[Butt Monkey|jobber]] teamed with Jimmy Wang Yang, a subversion in that he's "pretty redneck for an Asian guy."
* The Memphis-based tag team ''PG-13'' (Wolfie D and Jaime "JC Ice" Dundee) were likely the first wrestlers to use this as a gimmick. They would go on to have stints [[WWEWorld Wrestling Entertainment|in]] [[ECW|all]] [[WCW|three]] of the major promotions in the late 90s. This can also qualify as a [[Funny Aneurysm Moment]] as Dundee has shown himself to be an [[Dude, Not Funny|unapologetic racist]] in numerous shoot interviews since then.
 
== [[Recorded and Stand Up Comedy]] ==
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{{quote|'''Tau''': He's a Gue'Vesa - 'Human Helper', or 'weaboo' in your tongue...
'''Tau''': They're obsessed with everything ''Tau'' despite knowing little of our culture. Their lack of social skills is made up for in an abundance of blind racist loyalty. }}
* ''[https://web.archive.org/web/20160213215105/http://www.alexandradal.com/comic/miley-cyrus-paper-doll-cultural-appropriation-edition/ Miley Cyrus Paper Doll: Cultural Appropriation Edition]]'' by [http://alexandradal.tumblr.com/post/59461125667/miley-cyrus-cultural-appropriation-paper-doll Alexandra Dal].
 
== [[Web Original]] ==