Raising Arizona: Difference between revisions

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{{quote| '''Ed''': I'm not gonna live this way, Hi! It just ain't family life!<br />
'''H.I.''': Well... it ain't "Ozzie and Harriet." }}
 
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* [[Cloudcuckooland]]: Rural Arizona is depicted as such.
* [[Code Name]]:
{{quote| '''Gale''': I told you not to use our names. Can't you try to keep from forgetting that?<br />
'''Evelle''': Not even our code names?<br />
'''Gale''': Oh yeah, right.<br />
'''Evelle''': Y'all hear that? We're using code names! }}
* [[Comedic Sociopathy]]
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* [[Kick the Dog]]: The Biker's [[Establishing Character Moment]] -- [[Enemy to All Living Things|he shoots a lizard with a shotgun, and tosses a grenade at a bunny rabbit.]] While speeding on his bike.
* [[Lock and Load Montage]]: Parodied. H.I. is going back and forth speechifying, putting another small handgun in his pants every time he reappears on screen. Finally, he appears with a shotgun:
{{quote| ''So let's go, honey! (cocks gun) Let's go get Nathan Jr.!''}}
* [[Magical Realism]]: Definitely. The plot is centered around a fairly mundane love story/kidnapping scheme, but it also involves a bounty hunter who may or may not be a demon from Hell. And then there's Hi's tendency to have prophetic and/or clairvoyant dreams, which he doesn't seem to consider unusual.
* [[Maintain the Lie]]: H.I. and Ed {{spoiler|after they "adopt" Nathan Jr.}}
* [[Mama Bear]]: Ed is ready to throw down with Leonard Smalls over Nathan, despite being unarmed.
* [[My Biological Clock Is Ticking]]:
{{quote| "I want a baby, H.I.! They got more than they can handle."}}
* [[No-Holds-Barred Beatdown]]: The biker gives this to H.I. at the end.
* [[Not So Different]]: {{spoiler|H.I. and the Biker have the same Mr. Horsepower tattoo, fueling the possibility that he really is Hi's personal demon}}.
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** The tracking shot, supposedly the POV of Leonard Smalls' motorcycle speeding right up into the Arizona family window, is an homage to [[Sam Raimi]]'s ''[[Evil Dead]]'' films. The Coen brothers were early collaborators with Raimi.
* [[Sophisticated As Hell]]: H.I., and everyone in the film, to some degree. An early example of the Coens' fondness for stylization, but [[Roger Ebert]] found it distracting enough to pan the movie over it.
{{quote| '''Evelle:''' No ma'am, we didn't escape, we released ourselves from prison on our own recognizance.<br />
'''Gale:''' We felt we'd reached the limits of what the institution had to offer us. }}
* [[Stuff Blowing Up]]: Pretty much everything in the film's climax...{{spoiler|including the biker}}.
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* [[Too Many Babies]]: the Arizona quints.
* [[Word Salad Title]]: Discussed in-universe.
{{quote| '''Cop''': Sir, we discovered that you were born "Nathan Huffhines".<br />
'''Nathan''': Yeah, I changed my name. What of it?<br />
'''Cop''': Can you give us an indication why?<br />
'''Nathan''': Yeah. Would ''you'' shop at a store called "Unpainted Huffhines"? }}
* [[You Can See That, Right?]]