Romeo and Juliet: Difference between revisions

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* ''Romeo and Juliet'', a 1968 Franco Zeffirelli film starring [[Olivia Hussey]] as Juliet.
* ''[[Romeo Must Die (Film)|Romeo Must Die]]'', a modern-day retelling moving the action to LA and changing the feud to one between rival black and Chinese gangsters.
* ''[[William ShakespearesShakespeare's Romeo and +Juliet (Film)|William Shakespeares Romeo and Juliet]]'', a somewhat [[Your Mileage May Vary|polarizing]] update directed by Baz Luhrmann. It keeps Shakespeare's text but dramatically reframes it in a late-1990s setting in Mexican-influenced Southern California ("Verona Beach"). The nature of the duels is able to be retained by naming the characters' gun models after various types of bladed weapons instead (e.g. "Sword 9mm class").
* ''[[Romeo X Juliet]]'', an anime adaptation set [[Recycled in Space|IN SPACE!]] with less [[Grey and Gray Morality]] (the Montagues are villains who ousted and all but extinguished the rightfully ruling Capulets)
* ''[[West Side Story]]'', probably the most famous adaptation out there, telling the story of [[Recycled in Space|a romance between two teens from rival gangs in the 1950s.]]
* ''[[Tromeo and Juliet]]'', a typically outrageous outing from Troma Films with a rather [[Brother -Sister Incest|different]] ending.
* ''[[Romeo Et Juliette De La Haine a Lamour]]'', a French musical by Gerard Presgurvic, which has played in more or less similar format in Canada, Mexico, Japan and various countries throughout Europe and in a much [[Darker and Edgier]] Hungarian adaptation.
* ''[[The Lion King|The Lion King 2: Simba's Pride]]'', which followed up the first film's [[Lighter and Softer]] African ''[[Hamlet]]'' with a similarly brighter version of ''this'' story.
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* ''[[Romeo And Juliet Sealed With A Kiss]]'', an animated adaption with seals playing the roles.
* ''Romeo and Juliet'', an upcoming 2012 film by Carlo Carlei to star [[Hailee Steinfeld]] and Douglas Booth.
* ''November 30'', a 1995 Swedish movie with a [[Non -Indicative Name]] where the [[Official Couple]] consists of a Peruvian immigrant and repentant neo-Nazi.
 
=== [[Trope Namer]] for: ===
* [[A Plague On Both Your Houses]]
* [[Serial Romeo]]
* [[Star -Crossed Lovers]]
----
=== This play contains examples of: ===
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* [[Demoted to Extra]]: Most adaptations seem to forget Paris. His death is one of the most frequently omitted sequences, even though it makes a nonsense of the Prince's "I have lost a brace of kinsmen" lines.
* [[Diabolus Ex Machina]]: Repeatedly. The line about "star-crossed lovers" in the opening narration is a [[Lampshade Hanging]]; the stars - meaning Fate - are going to make sure everyone ends up miserable.
* [[Does This Remind You of Anything?]]: Juliet stabs herself to death with a dagger. Fine. "O happy dagger, this is thy sheath." Huh.
** There's even more [[Freud Was Right|symbolism]] in that scene than [[Get Thee to A Nunnery|is apparent to modern audiences]]. The cup that Romeo drinks his poison from is supposed to be a symbol of femininity, and furthermore, Shakespeare often used "die" as a euphemism for "orgasm".
*** Made even clearer in the 1996 version with [[Leonardo Di Caprio]] -- Romeo and Juliet's lying position (in Juliet's coffin) after their double suicide was exactly the same as the morning after their wedding night (on Juliet's bed). This is implying sex = death.
*** Not to mention all the French influence at the time. A French term for orgasm is ''petit mort'', or small death. So Romeo hooked up with Juliet [[Incredibly Lame Pun|for a]] ''[[Incredibly Lame Pun|petit mort]]'', [[Incredibly Lame Pun|but ended up with a]] ''[[Incredibly Lame Pun|grand mort]]''.
** Heck, the whole show is basically like that. Especially Juliet's [[Get Thee to A Nunnery|"Gallop apace, you fiery-footed steeds"]] monologue. [[Does This Remind You of Anything?|"Come, night; come, Romeo; come, thou day in night."]]
* [[Downer Ending]]: There is the glimpse of a [[Bittersweet Ending]], as the rival families finally reconcile their differences.
* [[Double Entendre]]: Some of Mercutio's lines, overlapping with [[Get Thee to A Nunnery]].
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** It is also worth noting that Romeo's lines regarding his romance of Rosaline are ''very'' over-used cliches at Shakespeare's time, but as soon as Romeo starts describing Juliet, his lines become very creative and much more poetic.
* [[Enter Stage Window]]: Probably the [[Ur Example]].
* [[Everyone Calls Him "Barkeep"]]: The Prince and the Nurse. (Although on the character list the Prince's name is given as "Escalus" and Capulet calls the Nurse "Angelica" at one point.)
* [[Exact Time to Failure]]
* [[Faux Death]]: Juliet.
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* [[The Ghost]]: Rosaline. Though she's not even that important anyway.
* [[Grey and Gray Morality]]
* [[HanlonsHanlon's Razor]]: Two teens in "love" die because of a problem with the post. Not much malice against them from anybody except Tybalt, who proves pretty pathetic.
* [[Have a Gay Old Time]]: Some of the archaic uses of the word "ho" become a tad awkward in this day and age. Such as "Fetch me my long sword, ho!"
** (Even funnier because, as mentioned previously, at this point in the play, his wife is trying to ''stop'' him from jumping into the fight.)
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* [[Love At First Sight]]: The title characters fell in love like this. They fell ''HARD''.
* [[Lost in Imitation]]: The two are a pair of shallow barely teens who want to have sex. Good luck finding anyone who realizes this today.
* [[Masculine Girl, Feminine Boy]]: By their times's standards. Compare their behaviors: Romeo is the one with emotional reactions for better or worse, whereas Juliet is more practical and stages their doomed escape.
* [[Matron Chaperone]]: The Nurse.
* [[Masquerade Ball]]: Capulet holds one, which just so happens to be the place Romeo and Juliet fell in [[Love At First Sight]].
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* [[Serial Romeo]]: [[Trope Namer|Romeo]], naturally. His object of hopeless affection changes on a dime in the play, and it's implied he's done this sort of thing before. He knew Juliet for about a ''minute'', and was already making out with her.
* [[Shoo Out the Clowns]]: After Mercutio's death, the play turns into a tragedy.
* [[Small Role, Big Impact]]: Tybalt has about 3 scenes in the play, but without him it would be a ''vastly'' different story.
* [[Star -Crossed Lovers]]: [[Trope Namer]]. Possibly an [[Unbuilt Trope]], as the play can be read as a [[Deconstruction]] of same.
* [[Tag Team Suicide]]: Juliet uses Romeo's dagger to kill herself.
* [[Together in Death]]: Romeo and Juliet.
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* [[Upper Class Wit]]: Mercutio.
* [[Villain With Good Publicity]]: Tybalt sees Romeo as this; when Tybalt tells Lord Capulet that Romeo has come uninvited to the Capulet masquerade ball, Lord Capulet lets it slide because Romeo has a decent reputation (not to mention Lord Capulet didn't want any trouble).
* [[What the Hell, Hero?]]: Friar Lawrence's speech to Romeo in Act III is basically him calling Romeo out for crying like a baby, not realizing how lucky he is that he's not dead as a result of his idiocy, and for generally not manning up.
* [[Women Are Wiser]]: Juliet is far and away the more sensible and level-headed one of the title duo. Also, when a street brawl breaks out, Lords Montague and Capulet try to fight, and their wives have to hold them back.
** Even between the Nurse and Friar Lawrence, this trope is applicable - although in a darker way. Friar Lawrence sets about making tons of risky plans that, although well-intentioned, have a thousand ways to go wrong. The Nurse {{spoiler|tells Juliet to be sensible and marry Paris, and give up Romeo for dead, because it involves less risk and heartache.}}