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So Bad It's Horrible/Comic Books: Difference between revisions
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* The [[Valiant Comics]]-[[Image Comics]] [[Intercontinuity Crossover|crossover]] ''[[Death Mate]]'' helped [[Creator Killer|destroy]] [[Valiant Comics]] and was one the contributing factors that led to [[The Great Comics Crash of 1996]]. The writing was horrible; [[media:DeathMate.jpg|the art]], [[Rob Liefeld|Liefeldian]]; the concept was flawed, and Image released its contributions years late.
* The original ''[[Family Guy]]'' comics from Devil's Due Publishing. Nothing good can happen when you take a show that mostly derives its humor from delivery, timing, and voice acting and adapt it into a medium that has ''none of that''. There is zero attempt to make this in any way comic-like. The panels are just rows of boxes, composed into a vaguely comic-like simulacrum. A joke or conversation will start in the third-to-last panel on one page and end halfway into the next. Everything looks stiff, like someone just took a screen cap of the show. The comic is almost always at 3/4 view, and the artwork is full of blatant cutting and pasting, facial - expressions, poses, even entire panels are copied wholesale. The book only lasted three issues, all three were collected into a TPB lovingly named "The ''Family Guy'' Big Book of Crap." [[Old Shame|Really says something about what the people who worked on it thought of it.]]
* ''Holy Terror'' is the comic that made people realize that [[Frank Miller]] has lost the genius he once had. The plot is that two blatant [[Expy|expies]] of [[Batman]] and [[Catwoman (comics)|Catwoman]] <ref>The book was originally going to be a Batman [[Graphic Novel]]
* ''[[Incarnate]]'' is a comic written and "drawn" by [[Kiss|Gene Simmons']] son Nick. "Drawn" is written in quotation marks because he allegedly traced and copied most of the art from various manga. In case he gets cleared of that — most of the dialogue is broken and fragmented, and the story is completely incoherent. It's so bad that the company has ceased distribution of the comic because of legal claims from the company that publishes the manga he stole the art from, which, by the way, included ''[[Hellsing]]'', ''[[Deadman Wonderland]]'', ''[[One Piece]]'', ''[[Death Note]]'', ''[[Bleach]]'', and various [[Deviant ART]] pages.
* Antarctic Press' ''[[Robotech]] Sentinels: Rubicon'' was an effort by AP at continuing the long-running ''Sentinels'' comic that was cancelled when they acquired the ''Robotech'' license (and this was after Ben Dunn had said that AP would not continue the Sentinels comic, a [[Take That]] aimed at both the fans [[Armed with Canon|and the former creative team]]). The result had nothing to do with anything that had come before (or after); it instead consisted of a largely incoherent story filled with [[Flat Character|unidentifiable characters]] and a plot that was largely incomprehensible (the most coherent part consisted of a White Light in space destroying random ships accompanied by an "EEEE" sound effect). The artwork was terrible; the half-arsed computer toning effects vanished after the first issue, and two pages of the second issue [[Ashcan Copy|consisted of raw pencils]]. The series was [[Cut Short|canned after two issues of a planned seven]] without resolving anything; many fans considered it a [[Mercy Kill|mercy killing]].
* The sleazy French spy-action series ''SAS'' is already bad; it's like [[James Bond]] without the humor. But the [[Comic Book Adaptation]] tops itself, with ''[[Osama Bin Laden]]'' being presented as a [[Worthy Opponent]]. Sure, the author probably wanted a [[Take That]] against France-bashing post 9/11, but surely there were less stupid ways of doing it.
* The
** The second lowest point was the villain Whateley. He gets a brief mention in ''Dying Inside'', a confusing cameo in ''The Grinning Man'', and a ludicrous connection in ''Dead/Alive''.
* ''[[The Unfunnies]]'' by [[Mark Millar]]. You know something is wrong when the ads tell you to "leave good taste at the door". The comic tries for [[Refuge in Audacity]] and is obviously trying to balance funny with drama, but fails to be funny and thus misses the refuge. The main villain is a [[Karma Houdini]] who has more depth than any of the other characters. The comic attempts to mix real life photography and a cartoony style to get a [[Roger Rabbit Effect]], but screws that up massively thanks to [[Special Effects Failure]].
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