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** To very briefly sum up the suitability issue for non-readers -- the plot of ''Born Again'' (one of the most famous ''[[Daredevil]]'' arcs ever written) requires the hero to have so few allies that they could potentially turn to in a time of crisis that they could successfully be prevented from reaching them, or simply despair at contacting, that they are forced to struggle through the entire arc alone. Nightwing's list of close allies includes the entire Bat-Family (of which he is a founding member), Superman, and the entire lineup of every incarnation of the [[Teen Titans]] or the Titans (which is ''dozens'' of people). And that's just his ''close'' allies, the ones who are like family. At the time of Devin Grayson's run, Dick Grayson's list of ''friends'' encompassed literally 95% of every superhero then published by DC, excepting only ones in alternate continuities/time zones such as [[Vertigo Comics|Vertigo]] or the [[Legion of Super-Heroes]]. Entire plot arcs have been based on the premise that Dick Grayson is the single most well-networked superhero in comics. It would be easier to make ''[[Captain America]]'' into a friendless abandoned loner than Nightwing, and yet, they tried to make us believe it could happen. To this day, despite now being [[Canon Discontinuity]], it is still one of the most infamous stinkburgers in Bat-Comics.
* Bruce Jones' run of ''Nightwing'', which followed Grayson's, made her run look like Shakespeare. Nightwing became a male model who slept with his boss, and she just happened to have superpowers. Then Jason Todd showed up and started fighting Dick on a model runway; and then Jason Todd was turned into a ''tentacle monster''.
* ''Rise Of Arsenal'' is the spiritual sequel to ''Cry for Justice'', which ought to warn readers off. The story is jarringly offensive and bad, attempts at gaining emotion from the reader feel forced and manipulative, Roy Harper is massively out of character (even after considering that he's a grieving father), and the art is often inconsistent. To sum up how bad this book can be: there's a moment where Roy beats up a bunch of thugs in an alley to protect a dead cat that he thinks is his dead daughter while strung out on heroin... yes, that ''does'' happen. Oh, and they solve the plot point of Roy's grief by [[
* ''[[Superman: At Earth's End]]'' is a truly failed attempt to make Superman fit in [[The Dark Age of Comic Books]]. From turning the Man of Steel into a gun-toting, incoherent, moronic Santa Claus lookalike, to the overall stupidity of the plot (the main villains are [[You Cloned Hitler|clones of Hitler]] — such a plot could be effective in a comic that didn't take itself seriously, but here it comes across as lazy).
** [http://thatguywiththeglasses.com/videolinks/linkara/at4w/3252-superman-at-earths-end At least two good things came out of it]: "[[Atop the Fourth Wall|I AM]] [[Catch Phrase|A MAN!]]" and "[[Memetic Mutation|Of course! Don't you know anything about science?]]"
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