Bernard Herrmann: Difference between revisions
m
clean up, replaced: {{trope}} → {{creator}}
m (clean up, replaced: {{trope}} → {{creator}}) |
|||
Line 1:
{{
{{quote|''"It was ridiculous; that train was a train of death!"''|'''Bernard Herrmann''', ''commenting on Richard Rodney Bennett's use of a waltz in ''Murder On The Orient Express}}
[[File:
'''
In 1934, he joined the Columbia Broadcasting System ([[CBS]]) as a staff conductor. Whilst at CBS, he met Orson Welles, and wrote scores for his Mercury Theatre broadcasts including the famous adaptation of [[HG Wells]]' ''[[The War of the Worlds]]''. When Welles moved to movies, Herrmann went with him, writing the scores for ''[[Citizen Kane (Film)|Citizen Kane]]'' (1941) and ''[[The Magnificent Ambersons]]'' (1942), although the score for the latter, like the film itself, was heavily edited by the studio.
Line 16:
Herrmann's non-cinematic works include the four-act opera ''[[Wuthering Heights (Literature)|Wuthering Heights]]''. Herrmann also did some television work; he composed the original theme song for ''[[The Twilight Zone (TV)|The Twilight Zone]]'' (used only during the first season), and also scored individual episodes of that series, ''[[The Alfred Hitchcock Hour]]'' and ''[[Have Gun Will Travel]]''.
* ''[[Citizen Kane (Film)|Citizen Kane]]'' (1941)
|