The Idolmaster 2: Difference between revisions

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** Still played straight with Jupiter though.
* [[Nice Job Breaking It, Hero]] - A bit of [[Fridge Logic]] and exposition to understand this. One of the requirements to get an Rank S when playing on Hyper is to have a Single on the top of the DoTopTV music chart at least one time. During the Extra Episode, the producer suggests that the RK change their song and outfit before they enter the Idol Ultimate competition. Each week on the Extra Episode equals ten weeks on the normal storyline (judging by the girls increase on Image Level from week to week). The Extra Episode starts at week 25, when the RK is beaten by Touma (on the normal storyline). Now fastforward to week 45 (week 3 on the Extra Episode). Guess what is the song that starts rapidly gaining terrain on the chart until it tops it? Yep. If you didn't get to the first place before then, the only way to top the chart after week 45 is getting a Break on the latest release or a Revival of the second-to-last single, and even then, might be hard to top it. All because the Producer decided to be a nice guy and helped Ritsuko revamp the Ryuugu Komachi.
* [[Not Allowed to Grow Up]] - PlayedPossibly straightinvoked during[[In-Universe]], theas game,might be expected with idols and Japan's "cute culture". The most notable example is found on Miki's route, where in the introduction, she says she's 15 and during the last communication, where {{spoiler|she tells everybody else about her relationship with the producer}}, Ritsuko says she's still 15... 53 weeks later. It'sMathematically possibleimpossible, but rathershe's unlikely duelikely to thebe lying (possibly ''both'' oddstimes).
** Also, birthdays are never mentioned in none of the routes with the possible exception of {{spoiler|Yukiho's,}} where there's an offhand comment about it.
* [[Oh Crap]] - The face the girls do when {{spoiler|the producer announces to them that if they win the IA Award he'll go to Hollywood as his prize for producing the winning unit.}}
* [[One Dialogue, Two Conversations]] - How the Producer manages to {{spoiler|convince Miki not to [[So What Do We Do Now?|quit being an Idol]] was essentially this. He meant that he likes Miki ''as an Idol'', and she understands the same dialogue as his love confession.}}
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