Todd Edwards: Difference between revisions

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And year later, he released another single, called "Guide My Soul" on the New York-based label, Nervous, this time as "The Messenger". This one was closer to his usual sampling style.
 
A year after ''that'', he released the single "The Praise", [[I Have Many Names|now as]] "The Sample Choir". The same year, he made many tracks for [[Excited Show Title|i!]] Records, a then new New Jersey-based label. One of them, "Saved My Life", became a huge club hit, and gave him his place in the [[Electronic Music]] world. He has made remixes for a large pool of artists, such as St. Germain, [[Daft Punk (Music)|Daft Punk,]] (also provided the vocals and co-produced their song "Face To Face") Justice (as Sunshine Brothers), The Superman Lovers, [[Beyonce]], ''[[Kraftwerk]]'' and '''''[[Enya]].'''''
 
[[He Also Did|He has also]] [[Something Completely Different|dabbled in other genres,]] such as Smooth Jazz ([http://www.youtube.com/watch?v=iJH7vnxOk3E under the name Clever]), [http://www.youtube.com/watch?v=hf5ekzq1YGM Funk,] and [http://www.youtube.com/watch?v=LbNiA1VPVRU Disco.]
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=== Tropes that apply to Todd Edwards or his music ===
 
* [[AutotuneAuto-Tune]]: Used either for his own vocals or his remixes (to match the singer's vocals with his track). Often used very heavily in the former's case.
* [[I Have Many Names]]: The Sunshine Brothers, the Sample Choir, the Messenger, and the Todd Edwards Project are all aliases of which he as released songs under.
* [[Mondegreen]]: It's fun trying to interpret his sample-chopping as actual lyrics. "I'm Hopeful" alone gives us, "[[Toilet Humor|I made a poopie]]" (alternatively, [[Pokémon (Video Game)|Caterpie]]) "at the movies", and. during the B-Section you can hear someone shouting what sounds like "NIGGA". There's also a [[Title Drop]] manufactured with the vocal samples, but seeing as how that's most likely intentional, that's not this trope.
* [[Sampling]]: If he isn't the [[Trope Codifier]], no one is.
* [[Signature Style]]: Most of his songs follow this pattern: opening drumbeat, usually with lots of shuffling snares, remove drumbeat to let the samples play, bring drumbeat back in along with a bassline, play a different sample pattern, go back to the previous one/introduce a new one, repeat previous step, remove some samples, remove all samples so only the bassline and drums are heard, take out bassline, start from step 3.