Writers Suck: Difference between revisions

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This partly stems from a perception that in [[Show Business]], writers really ''are'' frequently at the bottom of the creative totem pole; they might write the words on the page, but the [[Executive Meddling|executives will tell them what to leave in or take out before the work even gets to the production phase]], the director (often, in the world of film, considered the "auteur" ultimately responsible for everything) will freely re-write, rework or drop material when filming, the actors will ad-lib or creatively reinterpret the lines, and so forth. This, naturally, tends to produce both self-depreciating humour ''and'' bitter resentment on part of said writers, which tends to consequently crop up in their work. Not to mention the age-old stereotype of the struggling novelist alone in a dark room trying to overcome their writer's block if they're lucky.
 
A subtrope of this, somewhat frequent in literature especially, pokes fun at actors, artists or, yes, writers -- basicallywriters—basically anybody whose primary means of support comes from the "production" of creative expression rather than a truly tangible, practical product. The effect can be anywhere from genuinely humorous, satirical or simply a light-hearted jab to full-blown [[Anvilicious]], especially if one stops to think of how on Earth the author got rich and famous in the first place, or indeed the very medium and method said anvilicious message is sent across.
 
Sort of a reverse version of [[This Loser Is You]]. Compare [[Biting the Hand Humor]]. A form of [[Self-Deprecation]], obviously -- theobviously—the writers wrote that writer-bashing script, of course. Often a result of [[Most Writers Are Writers]].
{{examples}}
 
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'''Geisler:''' This is Hollywood! Throw a rock and you'll hit one. And do me a favor, Fink. ''Throw it hard.'' }}
* ''[[Twice Upon a Time]]'' features a sympathetic version. Synonamess Botch treats his head nightmare writer, Scuzzbopper, like garbage, constantly belittling him. At one point, he introduces him with "That's Scuzzbopper. He's nobody, he's a writer." On top of all that, Botch [[Driven to Suicide|drives poor Scuzzy to attempted suicide]] (and later a [[Heel Face Turn]]) by throwing out the manuscript for the "great A-Murk-ian novel" he was writing.
* Christian in ''[[Moulin Rouge]]'' is hopelessly naive and excessively romantic -- theromantic—the perfect sap for the worldly Satine's hustle, except that she harbors a softer side of her own. Since the whole film is an extended flashback written by Christian himself, the audience can see him despising and pitying his younger self's innocence.
 
== [[Comics]] ==
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*** The commentaries mention that the looks of the writers in that scene are all based on the show's actual writing staff.
** Earlier episodes enjoyed making fun of the fact most of the staff were Harvard Alums.
* In an episode of ''[[Pinky and The Brain]]'' taking place in the mid-forties, Brain takes Pinky to the radio station, and teaches Pinky of the several [[Chekhov's Gun|Chekhov's Guns]]s they will be using in the episode. When Pinky asks "And who are those guys chained to a wall nobody cares about?", Brain answers "Nobody important, just the writers".
** In another episode, the Brain hires some Hollywood writers and tells them to write a movie in which he takes over the world, but this is because he's running out of ideas for [[Evil Plan|Evil Plans]]s and needs some inspiration. It turns out that the only ideas the writers can come up with are either completely moronic or things he's already tried before, [[Rimshot|not that these are mutually exclusive.]] The moral of the episode?
{{quote|'''Brain:''' "I am forced to conclude that there isn't a single original writer in Hollywood."}}
* In ''[[Sheep in The Big City]]'', a recurring character is the show's writer, who happens to be an obese bald man in his underwear, who is most commonly shown in an asylum on a tire swing.
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