"Master Harold"... and the boys: Difference between revisions

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A 1982 play by noted South African playwright [[Athol Fugard]], ''[["Master Harold"... and the boys]]'' is a one-act play about racism. It is also an exercise in [[Minimalism]]: it involves only three actors, a restaurant, and a black man's ass.
 
It's St. George's Park Tea Room in Port Elizabeth, South Africa, during [[The Apartheid Era]]. Two black servers, '''Sam''' and '''Willie''', are hanging around waiting for something to happen; they practice ballroom dancing in the meantime, as both are competing in two weeks. The problem is, Willie's partner Hilda can't learn the steps right, so [[Disproportionate Retribution|Willie beats her]]. (Well, she may also be sleeping around.) Sam is a better dancer, and Willie's speech is rendered in a "[[You No Take Candle]]" [[Funetik Aksent]].
 
The sevteenseventeen-year-old son of the (white) restaurant owners enters. Sam calls him "'''Hally'''", Willie "'''Master Harold'''." Hally, like many teenagers, thinks he knows everything, but as he chats with "the boys" it becomes clear that he takes the [[White Man's Burden]] seriously as well, belittling them constantly (though generally without malice). This despite the fact that Sam has become a bit of a father surrogate for Hally, whose ''actual'' father is a bitter drunk who lost his leg [[World War II|during the war]]. Attention is drawn to a heartwarming occasion when Hally was young, in which Sam built him a kite and taught him to fly it.
 
Hally sets out to do his homework, a 500-word English composition on an event of cultural significance, and becomes enamored with Sam's discussion of ballroom dancing, describing it as "[[World Half Full|a world without collisions]]." But before Hally can set pencil to paper, the phone rings. It's Hally's mother. His father went to the hospital a while ago for pains relating to his injury, but since then has decided to return. Before anybody can stop him, he's ensconced in his bedroom, and Hally can look forward to his home life becoming a living hell. In his fury, he turns on Sam, shouting whatever comes to mind: "[My father]'s a white man and [[Moral Event Horizon|that's good enough for you]]." Vitriol ensues.
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One messy argument later, Sam hearkens back to the tale of the kite, which Master Harold had considered using for his English composition but rejected because it lacked a [[Twist Ending]]. Sam tells him what he forgot: that a few days before, the city authorities had called Harold's mother to come pick up her husband, who was drunk on the floor at the hotel bar. Their little boy Hally was the other one home, and he had to bring a black servant, Sam, to help with the pickup. Hally walked through life humiliated from then on... until Sam put a kite in the air and a smile on his face. Hally sat on a bench and watched it fly... But Sam couldn't, because the bench was "Whites Only." As the play ends, Master Harold goes back to his cold home with a bottle of brandy for his father, but Willie promises to find Hilda and apologize to her.
 
At the very least, check out some of the talent that has been drawn to it over the years. Hally was originated by [[ZeljkoŽeljko Ivanek]], played in a [[Made for TV Movie]] by [[Matthew Broderick]], and in a 2010 movie release by [[Freddie Highmore]]. Sam was originated by Zakes Mokai and, opposite Highmore, portrayed by [[Ving Rhames]]. And the original Willie? [[Lethal Weapon|Danny Glover]].
 
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{{reflist}}
[[Category:Theatrical Productions]]
[[Category:"Master Harold"... and Thethe Boysboys]]
[[Category:Theatre of the 1980s]]
{{DEFAULTSORT:Master Harold... and the boys}}