An Aesop: Difference between revisions

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{{trope|wppage=Moral}}
{{quote|''"I can't tell you just now what the moral of that is, but I shall remember it in a bit."<br />
''"Perhaps it hasn't one," Alice ventured to remark.<br />
''"Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it."''|'''[[Lewis Carroll]]''', ''[[Alice in Wonderland|Alices Adventures in Wonderland]]''}}
 
The episode ends with a moral ''a la'' [[Aesop's Fables]]. Either the last line of the episode summarizes the whole point of the episode, or it leaves the viewer with the issue that the writers want them to ponder. Fifties sitcoms often end on the "Gee, I learned my lesson," type of moral, while ''[[Law & Order|Law and Order]]'' leaves you pondering.
 
Since some shows seem to contractually require one moral per episode, you often end up with a [[Broken Aesop]].
 
A lot of kids' shows go out of their way for this, especially [[Disney]] animated shows. Writers often call it the "[[Object Lesson]]", and write the episode around it. This is particularly noticeable in programs made in the United States during the late 1970s through the early 1990s, as the FCC at the time required that all children's television shows have "educational" content, and this was the simplest way to meet its requirements.
 
In an American [[Dom Com]], the point where the [[An '''Aesop|Aesop]]''' is delivered is often referred to by writers as the [[Golden Moment]].
 
For the lesson told or repeated in a separate segment during [[The Tag]], see [[And Knowing Is Half the Battle]].
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For times when a lesson is learned through a moral conflict, see [[Moral Dilemma]].
 
In some quarters [['''An Aesop]]''' delivered to another character, often a child, directly is referred to as a "You See, Timmy" from the frequent use of that line to deliver the [[Aesop]] in the television show ''[[Lassie (TV series)|Lassie]]''. This definition was put forth originally in the movie ''Speechless''.
 
Variations:
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* [[Anvilicious]] - The moral is so heavy-handed and lacking in subtlety it is like an [[Anvil on Head]].
* [[Broken Aesop]] - when the moral does not match the events of the story.
* [[Captain Obvious Aesop]] - an aesopAesop that should be obvious to almost everyone; e.g mass murder is bad, cancer is bad, yet is still treated as revolutionary and insightful by other characters.
* [[Clueless Aesop]] - when serious issues are tackled by a show that just ''can't'' deal.
* [[Compressed Vice]] - A character has a flaw they never had before simply to learn the Aesop dealing with it.
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* [[Very Special Episode]] - The show takes a more serious tone to tackle a more serious issue.
 
By the way, <s>in literary circles</s> [[All the Tropes Will Ruin Your Vocabulary|everywhere outside of this wiki]], [['''An Aesop]]''' is properly known as a [[moral]]. The original Aesop was a Greek slave of the 6th century BC. A collection of allegorical tales (including "The Tortoise and the Hare", "The Boy Who Cried Wolf", and others) attributed to him have survived to the present day and are known as ''[[Aesop's Fables]]''.
 
Ironically, Aesop probably doesn't deserve the dubious honor of having this trope named after him. In their original forms these stories likely did ''not'' end with heavy-hitting moral [[Anvilicious|anvils]]. The listeners (for Aesop would have been an oral storyteller) were probably left to sort out the meaning for themselves; the one-liner morals (such as "slow and steady wins the race") were likely tacked on by modern compilers.
 
Also see: [[Central Theme]], [[And Knowing Is Half the Battle]].
----
[['''An Aesop]]''' is among the [[Tropes of Legend]].
 
{{examples}}
== Advertising ==
* [[Burma-Shave]] posted clever verses on roadside signs from 1928-1963 to promote their shaving cream; some of these verses contained traffic safety messages.
 
== AniméAnime &and Manga ==
* Most episodes in ''[[Mokke]]'' have mild, safe Aesops in the vein of "appreciate your friends," "set goals in life" or "don't cling obsessively to material possessions."
* ''[[Princess Tutu]]'': Don't be afraid of being yourself. {{spoiler|even if you are "only a duck" you don't need to become a "beautifullbeautiful swan" to be loved. [[Take That]] Hans Chistian Andersen}}!
* ''[[Michiko to Hatchin]]'': Let go of your past.
* The main theme running through the ''[[Aria]]'' series is that you should [[Iyashikei|enjoy life to its fullest and pay attention to little everyday wonders]]. It helps when you live on a [[Terraform|terraformedterraform]]ed planet full of mysteries and are allowed to spend your time rowing a gondola in a beautiful [[City of Canals]], populated by friendly people.
* A recurring Aesop in ''[[Magical Girl Lyrical Nanoha]]'' is that regardless of how one was born/created one has the ability to choose whether to do good or evil.
* At the end of each volume of ''[[Oishinbo]]'' there are cautionary tales that teach a lesson. At the end of "Japanese Cuisine" there is an Aesop about simple values, at the end of the volume "Sake" there is one about sobriety and at the end of "Ramen and Gyoza" there is one about racism.
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* ''[[Tengen Toppa Gurren Lagann]]'': Courage and vigor is the power of humankind.
** And with great power [[Comes Great Responsibility]].
* ''[[Eureka 7]]'': Never give up on being with your [[The Power of Love|loved one]].
* ''[[Fullmetal Alchemist]]'': In the manga. It's subtle, though: compromise your dreams with what is best for everyone. {{spoiler|Roy compromised his dream for power by vowing to use it for others, and being patient about it. May gave up her quest to restore her clan to help save another country. She got both though. Scar compromised his quest for vengeance by just preventing it from happening again in the future. Ed gave up his alchemy, and didn't get his leg back. Al rejected his body because he couldn't fight with it, and when he got it back it was incredibly weak. The only person who didn't compromise was Father. He wanted out of his flask, and didn't balance it with morality, empathy, or just settling for anything less. And he got screwed}}.
* ''[[Franken Fran]]'': Though there are exceptions, the dominant aesopAesop to be learned is that death is not something to come back from, especially via science.
* ''[[Super GalsGALS!]]'' has the ironclad rules for girls which are general aesopsAesops, mainly circling around: [[Be Yourself]].
* The entire tenth episode of ''[[Cowboy Bebop]]'' consists of each of the members of the Bebop giving [[An Aesop]], which is [[Lampshaded]] by the use of caption cards reading 'lesson'. The entire concept gets more and more twisted as the episode goes on: Jet starts out with a straight Aesop about how hard work is the only thing that pays off in the end and those who trust in their luck get theirs eventually (after having lost his savings in an attempt to gamble with Faye). Faye follows up with a [[Family-Unfriendly Aesop]] about how humans are always playing each other and trusting people is for fools (after it's revealed she was cheating). Ed delivers a [[Broken Aesop]] about how, [[Word Salad|if you see a stranger, you should follow him]] (after it turns out there's a stowaway poisonous creature on board that's attacking the crew). Finally, Spike finishes it off with the episode's ''real'' lesson... {{spoiler|[[Spoof Aesop|Don't leave food in the fridge]]. The poisonous creature [[It Came From the Fridge|had mutated from a lobster left in the ship's backup refrigerator too long]]}}.
* Despite being mostly comprised of Aespoic-moments, the 32nd episode of the original 1969 series of ''Himitsu no Akko-chan'' plays that straight towards the heroine. When the kind-hearted Akko-chan meets a new deaf kid at school, she hurriedly wishes her magic mirror to [[Be Careful What You Wish For|turn her into a deaf-mute version of herself]], enabling her to empathize better with her plea. Her magic mirror [[Literal Genie|takes her literally]], taking her speaking voice again too, and refusing to change her back on the premises that, needing a clearly worded wish to act, it can't understand or obey a deaf-mute mistress. Only when Akko-chan, distraught and terminally scared, is starting to resign to her fate, the mirror changes her back on its own accord, moved by her tears and pointing out how her owner has now learned that a disability is nothing to be wished for, and how her new friend was more brave and resourceful than she could think.
* The English dub of ''[[Sailor Moon]]'' often ended with a "Sailor Says" segment, tacked on by the translators in order to sell the show for the Saturday-morning broadcast segment.
* Spoofed in the legendary ''[[Full Metal Panic!]]'' rugby episode. At the end of the episode, Sosuke muses that violence is never the answer; Chidori [[Dope Slap|smashes him upside the head with her]] [[Paper Fan of Doom]], shouting "Don't go trying to put a neat little conclusion on this!" She's pissed because Sosuke's the one responsible for the violence in the first place, turning a team of tea-sipping pansies into violent psychopaths with [[Training Fromfrom Hell]].
* ''[[Gunnm]]'' delivers an especially hard-hitting Aesop in volume five: Be a little considerate of people's feelings. AllwaysAlways treat others with respect, even if you think they are cowardly, selfish jerks. You may not like the result if you don't.
* ''[[Great Teacher Onizuka]]'' shows us that [[Just Like Us|teachers are human beings too]]. They have feelings and they deserve your respect. They do care about you and are willing to help you if you let them. There ''are'' bad teachers but they are the exception and not the rule.
* ''[[The Idolmaster (anime)|THE iDOLM@STER]]'': Almost every episode gives a lesson to at least one character.
* ''[[Popotan]]'': Moving away from others is not as hard as it appears because one can still have pleasant memories of old friends, and one should learn to let go of said friends in order to move on in life. It's an overarching theme of the entire series, and Konami (the best friend of Mai, one of the protagonists) puts it into words in both the second and the final episodes.
* ''[[The Tale of the Princess Kaguya]]'' features multiple Aesops, explored throughout different parts of the story:
** Money cannot buy happiness; living a humble life in the countryside is better than buying your way into royalty.
** Look after the natural environment, for it provides you with feelings of wonder and joy.
** Keep going through the difficult parts of life, for one day, you will experience pure, unfiltered joy, if only for brief moments, that makes the moments of suffering all worth it.
 
== FanComic FicBooks ==
 
== Comics ==
* In one ''[[Strontium Dog]]'' story, Johnny and Wulf search for a target on a planet where the natives, among other things, eat humans. The conditions in which the farmed humans were kept served to illustrate the point that battery farming is bad.
* Many times in the stories of [[Wilhelm Busch]], often against alcohol and mischief. Several stories end with "Und die Moral von der Geschicht..." (and the moral of the story is: ...) There's a reason the German version of this page was named "[[De/Die Moral|Die Moral]]".
 
== Fan Works ==
 
== Fan Fic ==
* This is [[Lampshade Hanging|lampshaded]] in [[Script Fic]] ''[[Calvin and Hobbes: The Series|Calvin and Hobbes The Series]]'':
{{quote| '''Hobbes:''' [[Medium Awareness|"This is gonna be one of those moral shows, isn't it?"]]<br />
'''Calvin:''' "Eh, we gotta have a few of those every once in a while." }}
* In ''[[Harry Potter and The Methods of Rationality (Fanfic)|Harry Potter and Thethe Methods of Rationality]]'', there is [[Once Per Episode|at least one in most chapters]].
 
 
== Film ==
* Lampshaded in ''The [[SpongeBob SquarePants]] [[The Movie|Movie]]'', in the following dialog:
{{quote| '''<nowiki>SpongeBob:</nowiki>''' You're right, Plankton. I am a kid. But I've been through a lot in the last six days, five hours and twenty-seven minutes, and in that time, I've learned that no amount of mermaid magic, or managerial promotion, or [[Rule of Three|some other third thing]] can make me any more than what I am inside: a kid.<br />
'''[[Ineffectual Sympathetic Villain|Plankton]]:''' Very impressive. Now, back against the wall...<br />
'''<nowiki>SpongeBob:</nowiki>''' [on microphone] But that's okay! Because I did all the things they said a kid couldn't do! I went to Shell City, and I beat the cyclops, and I rode the [[Adam Westing|Hasselhoff]], and I brought the crown back! So, yes, I am a dork, and a goofball, and a wingnut, and a Knucklehead McSpazatron! But most of all, I'm... I'm... I'm... {{smallcaps|I'm a Goofy Goober!}} {{[[[The Power of Rock]] rock music starts}}] }}
** And later subverted in the end of the movie:
{{quote| '''Mr. Krabs:''' Mr. Squidward, front and center! I think we both know who deserves to wear that manager pin.<br />
'''[[Perpetual Frowner|Squidward]]:''' I couldn't agree more, sir.<br />
[Crowd cheers]<br />
'''<nowiki>SpongeBob:</nowiki>''' Wait a minute, everybody. I need to say something first. I just don't know how to put it.<br />
'''Squidward:''' I think I know what you're going to say. After your life-changing journey, you found that you really didn't want what you thought you wanted. What you really wanted was inside you all along.<br />
'''<nowiki>SpongeBob:</nowiki>''' Are you kidding? I was just going to say that your fly was down. Manager? This is the happiest day of my life! }}
*** Which is funny, since Squidward [[Half-Dressed Cartoon Animal|doesn't wear any pants]].
* Subverted in the Coen Brothers' dark spy comedy ''[[Burn After Reading]].''
{{quote| '''FBI Chief:''' So, what have we learned?<br />
'''Subordinate:''' I don't know, sir.<br />
'''FBI Chief:''' Neither do I. I guess we learned never to do that again. Even though I don't know what the hell we did. }}
* This trope is used and then averted in ''[[The Onion]]'' movie. Immediately after a pro-West, "violence is not the answer" speech by a former terrorist, the main character goes on to say:
{{quote| "I think we've all learned a few things in the past 90 minutes. We've learned that Irishmen have huge nipples. We've learned that film-critic intellectuals are a bunch of gaywads. And most of all, we've learned that creeping corporate influence over the news protects us from terrorism."}}
* Health Education movies such as ''[[The Keg Party]]''.
* ''[[Toy Story (franchise)|Toy Story]] 2''. The toys watch Al half-crying during an Al's Toy Barn commercial on TV after losing his Woody's Roundup dolls.
{{quote| Hamm: I guess crime doesn't pay.}}
* The [[Aesop]] in ''[[Reefer Madness (Film)|Reefer Madness]]'' is this: if you smoke marijuana... sorry, "marihuana"... even once, you'll instantly become addicted and as a result you'll go crazy, become a sex-crazed lunatic, and murder your girlfriend in cold blood.
* ''[[The Wizard of Oz (film)|The Wizard of Oz]]'' (1939). After Glinda asks Dorothy what she's learned, Dorothy gives one.
{{quote| If I ever go looking for my heart's desire again, l won't look any further than my own backyard, because if it isn't there I never really lost it to begin with.<br />
[and after Dorothy returns to Kansas] There's no place like home! }}
 
 
== Literature ==
* In ''[[How Kazir Won His Wife]]'', a sorcerer in the [[Framing Story]] identifies the moral of the story he tells as being "not to rely on general principles and routine mechanical methods"
* Every Oompa-Loompa song in ''[[Charlie and the Chocolate Factory]]'' and ''Charlie and the Great Glass Elevator'' is [[An Aesop]] in rhyming verse.
* The moral of ''[[The Brothers Karamazov]]'' is to live life, take the good and take the bad and remain true to yourself. There might be other lessons scattered about the book concerning [[Author Tract|not manipulating others or belief in God,]] but the big message is to take the ups and downs and keep on. It comes off as [[Bittersweet Ending|bittersweet]] mostly because of all the events that had to take place for the protagonist to come to this conclusion.
* The poems "Maxims of Baloo" and "The Law of the Jungle" from [[Rudyard Kipling]]'s ''original'' ''[[The Jungle Book (novel)|Jungle Books]]'' probably qualify.
* Isaac Asimov's ''[[Foundation]]'' Trilogy shows that everything can be solved without resorting to violence in a incredibly clever and fascinating way, after all: "violence is the last refuge of the incompetent".
* ''[[War and Peace]]'': There are no [[Magnificent Bastard|Magnificent Bastards]]s, only [[Smug Snake|bastards who think themselves magnificent]]. Told via an [[Author Filibuster|entire part]] just in case you didn't catch it in the plot.
* Subverted in the poem "Twice Times" by [[A. A. Milne|AA Milne]] about two bears, one good and one bad who then, for no apparent reason, swapped places. The poem concludes "There may be a Moral, though some say not; I think there's a moral, though I don't know what."
* ''[[Goblin Market]]'' concludes with a very obvious aesop:
{{quote| For there is no friend like a sister...<br />
To fetch one if one goes astray,<br />
To lift one if one totters down,<br />
To strengthen whilst one stands. }}
* In [[The Trolls]] while little ones crop up here and there in Aunt Sally's stories, perhaps the biggest message is also, interestingly, the stealthiest one: be nice to your siblings.
* The moral of the business fable ''[[Who Moved My Cheese?]]'': Watch for signs of change, and be ready to change your actions when change happens around you.
* [[Andre Norton]]'s ''Dragon Magic'' has four kids each magically experience a legendary event from his race's past. Each event contains a specific Aesop relevant to that kid's life.
 
== Live -Action TV ==
* Every of ''[[Full House]]'' episode ended with a [[Full House Music|sappy musical score]] while Bob Saget explained the moral of the story to one of the girls.
* Most of the episodes of ''[[The Twilight Zone]]'' and ''[[The Outer Limits]]'' were morals about human [[Pride|hubris.]]
* For more than three decades starting in the early 1950s, there were a number of Christian anthology dramas populating the airwaves. Each episode was fairly straightforward in formula: An off-screen narrator or on-camera host (always a clergyman, either real or played by an actor) will introduce a story and a situation/dilemma one or more characters are facing, along with a hint of the Christian doctrine that is about to be illustrated. The story unfolds, with the situation reaching its peak as the characters try various ways to resolve the situation; finally out of options, the characters turn to their Bible or a clergyman for advice, and the situation reaches its resolution. The [[An Aesop|moral]] would be told in the final act, with the host reviewing the situation and providing both commentary and appropriate Scripture. The best-known of these shows was "This is the Life," a Missouri Lutheran Synod-underwritten program that dated from 1952 (on the old [[DuMont]] network) through syndication in the 1980s; other denominations, including the Catholics, Baptists and Methodists, had their own anthology programs. Save for perhaps rural communities and/or public access stations having old tapes and running them as filler, these Christian anthologies have all but disappeared from the airwaves, with reruns of "This is the Life" last seen in terrestrial syndication in the early 1990s.
* ''[[Highway to Heaven]]'', the Christian drama starring Michael Landon and Victor French as itinerant workers who help the people they encounter deal with situations using a (though not explicitly stated) Christian solution. Said [[An Aesop|moral]] would come usually toward the end of the episode, after which the person gets a chance to apply what he/she learned and/or any villians are defeated.
* The intention of the [[Afterschool Special]], usually coming about in the final act.
* Vehemently [[Averted Trope|averted]] in ''[[Seinfeld]]'' where the credo was "No hugging! No lessons! No point!"
* ''[[Strangers with Candy]]'' based its entire premise on parodied Aesops: every episode ended with Jerri learning such lessons as the usefulness of illegal steroids.
* Every episode of ''[[My Name Is Earl]]'' ever devised concludes with Earl dropping an Aesop on the viewer's head in a voiceover.
* ''[[The Weird Al Show]]'''s staff were so annoyed by the fact that they had to shove a moral down children's throats every week, they actually started each episode with the lesson to be learned written on parchment and narrated in a fancy voice. It was then torn in half to start the show.
* ''[[The Brady Bunch]]'' has this in spades.
* Every episode of ''[[Scrubs]]'' ends with J.D. reciting the theme of the episode over a musical piece. Often, though not always, an Aesop.
* A great many ''[[Star Trek]]'' episodes end on an [[Aesop]], sometimes even degenerating into a minor [[Patrick Stewart Speech]]. In fact, ''every'' episode of the ''[[Star Trek: The Original Series|Star Trek the Original Series]]'' ended on an Aesop, as Roddenberry was apparently obsessed with moralizing everything in the most convoluted way.
** Subverted in ''[[Star Trek: Deep Space Nine|Star Trek Deep Space Nine]]'' when Garak claims that the moral of The Boy Who Cried Wolf was actually "Never tell the same lie twice."
* In ''[[Doctor Who]]'', ''The Two Doctors'' was an allegory about meat-eating, hunting and butchering, ending with the Doctor announcing to Peri that, "from now on it's a healthy vegetarian diet for both of us!" Writer Robert Holmes was a vegetarian.
** There are some Aesops about inner turmoil in "Vincent and the Doctor" from the Fifth Series. The episode explains that there are differences in how different people deal with depression or anxiety (the Eleventh Doctor is shown to be more resilient than Vincent Van Gogh). The Doctor also delivers a particularly touching Aesop at the end, when Amy discovers that their intervention failed to stop Van Gogh from killing himself: "The way I see it, every life is a pile of good things and bad things. The good things don’t always soften the bad things, but vice versa the bad things don’t always spoil the good things and make them unimportant. And we definitely added to his pile of good things."
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* Not only used in virtually every episode of ''[[Hannah Montana]]'', but occasionally played with too, with Miley once asking her dad if he can't just fix the problem instead of trying to teach her a life-lesson.
* The whole concept gets parodied in a [[Running Gag]] on ''The Late Late Show with Craig Ferguson''. Every episode ends with the "What Did We Learn on the Show Tonight, Craig?" segment, which ranges from a [[Spoof Aesop]] to a complete non sequitur with no relation to morals or lessons whatsoever. On at least one occasion, the "lesson" learned was a ''Spanish vocabulary word''.
* ''[[Sister, Sister]]'' was full of these, ranging from the typical (such as stranger danger and the value of wise spending) to the more complex (such as Lisa dealing with her fear that she cannot compare to Ray's dead wife).
* [[Community/Recap/S1 /E01 Pilot|The first episode of]] ''[[Community]]'' has Prof. Duncan attempting to impart one to Jeff about academic honesty. Jeff, however, feels strongly that community college is not the place to learn anything. Jeff's objection notwithstanding, many episodes end with speeches, tilted-head smiling people, happy music, and reconciliations.
* ''[[Home Improvement (TV series)|Home Improvement]]'' frequently had these, and they were usually delivered by the character Wilson, who would dispense advice to help the other characters with the issue of the episode.
* One episode of ''[[Boy Meets World]]'' played with the notion of the Aesop: Mister Feeny assigns Corey, Topanga, and Shawn a seemingly impossible task. After trying and failing, the [[Genre Savvy]] kids come to the conclusion that Mister Feeney was giving them a [[Secret Test of Character]] to teach them a lesson about teamwork. Unfortunately they were wrong: Mister Feeney was actually trying to teach them a lesson about never giving up, and ''wants'' them to complete their seemingly-impossible task, and so he sends them back out again.
* ''[[How I Met Your Mother]]'' justifies this because a sizable chunk of the premise is Future!Ted lecturing his kids about his mistakes when he was young. However, they're frequently [[Spoof Aesop|spoof]], [[Family-Unfriendly Aesop|family unfriendly]], [[Broken Aesop|broken]], [[Space Whale Aesop|space whale]] (i.e., "I won't bother telling you not to fight, but don't fight with Uncle Marshall. He's insane."), [[Lost Aesop|lost]], lampshaded [[Do Not Do This Cool Thing]], or otherwise humorously subverted, usually with Future Ted giving an aesop, but admitting that in real life, back when the events ''actually'' took place, he and his friends didn't learn their lesson right away. However, when one of the characters gives an aesop in the present, it's more often played straight.
 
 
== Newspaper Comics ==
* Subverted in ''[[Calvin and Hobbes]]'', where Calvin learns the wrong lesson, if he learned any at all.
{{quote| '''Hobbes:''' Live and don't learn, that's us.}}
** And after the Snow Goons arc
{{quote| '''Calvin:''' I like lessons that aren't applicable later in life}}
 
 
== Theatre ==
* [[Rodgers and Hammerstein]] were fond of presenting Aesops:
** In ''[[Oklahoma!]]'', "The Farmer And The Cowman" ends up with Aunt Eller waving a gun at the feuding ensemble and making them repeat this lesson:
{{quote| "I don't say I'm better than anybody else,<br />
But I'll be damned if I ain't jist as good!" }}
** The doctor's speech at the graduation in ''[[Carousel]]''.
** ''[[South Pacific]]'' had one in the song "You've Got To Be Carefully Taught."
* ''The Time of Your Life'': The text of the play is prefaced with a moral sermon.
 
 
== Video Games ==
* ''[[Sonic the Hedgehog]]'' has one in "Sonic and the Black Knight". It ended with Sonic teaching Merlina how life simply works:
{{quote| '''Sonic:''' Merlina, every world has its end. I know that's kind of sad, but... that's why we gotta live life to the fullest in the time we have. At least, that's what I figure.}}
* ''[[The Legend of Zelda: Twilight Princess|The Legend of Zelda Twilight Princess]]'' is all about [[Dark Is Not Evil|not judging people or things by their appearances]].
** Similarly ''[[The Legend of Zelda: The Wind Waker|Wind Waker]]'' focuses on letting go of the past and starting anew.
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* ''[[The World Ends With You]]'' is all about [[Ineffectual Loner|not closing yourself off from other people.]]
* In-universe example: The Harrowing in the Mage origin of ''[[Dragon Age]]'' is designed to teach apprentices who are ready to become full mages that you should never judge anything in the Fade by appearances alone.
* In the [[Framing Device]] of ''[[Dragon Age II]]'' the Seeker Cassandra is trying to find out who is responsible for starting the conflict between the Mages and Templars that threatens to tear the world apart. The message that Varric is trying to get through to her (and by extension the player) is that no one person -- notperson—not Hawke, not Orsino, not the Arishok, not Meredith, not even Anders -- wasAnders—was wholly responsible. It was simply the unfortunate result of a bunch of well meaning people with different ideas of right and wrong being pushed beyond the point of compromise. Moreover, these tensions have been building up for centuries and any possible solution would be both horrific and necessary, with the status quo being just as intolerable. Sometimes there is no [[Big Bad]] whose defeat will solve everything.
** Another major Aesop of the game is that prejudice is a self-fulfilling prophecy. If you oppress, harass, or treat a group of people as an enemy by default because of what they ''might'' do, [[Then Let Me Be Evil|they WILL become your enemy in truth]] because you've given them a reason to hate you.
* The teaching of tolerance is a big theme in the ''[[Mass Effect]]'' series but nowhere is it more clear than at the end of {{spoiler|"Priority: Rannoch" in ''[[Mass Effect 3]]''}}: a planet is big enough for everyone--justeveryone—just put down your guns, blockheads, and you can share it all in peace.
* The Aesop of the ''[[Assassin's Creed]]'' series is that people should be allowed to choose, and that free will is what makes us human. This is shown with the Assassin's reaction to the Crusades-era Templars plan, and Ezio's speech at the end of Bonfire of the Vanities.
* ''[[The Reconstruction]]'' has one that's never explicitly stated, but it's definitely an important part of the ending and Dehl's [[Character Arc]]. {{spoiler|A single person cannot save the entire world, and if they could, the psychological stress would break them first. So, instead of shooting for over-ambitious goals or lamenting the fact that we can't accomplish them, we should focus on what we ''can'' do to make the world a better place.}}
 
=== [[Visual Novels]] ===
 
== [[Visual Novels]] ==
* In ''[[A Profile]],'' building on the [[Family-Unfriendly Aesop]] of 'Your friends will lie to you directly to your face, so be careful,' it then turns it around and says 'but you should trust them anyway. They're your friends.'
* ''[[Katawa Shoujo]]'': People with disabilities are just that, ''people''. Considering this is a doujin [[Eroge]] [[Visual Novel]] than began on a certain image board this is surprisingly deep.
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* At least two are present in ''[[Higurashi no Naku Koro ni]].'' The first is that you should always believe in your friends<ref>Though there's an addition this one that says you should believe in your friends, but you don't have to tell them things they don't need to know</ref> and that it's never too late to repent and start over. In fact, this is a pretty striking contrast between the ends of Meakashi and Tsumihoroboshi. In the first the no attempts at amends are made even when the error is realized while Tsumihoroboshi states the aesop outright and has the people involved seeking forgiveness.
 
== Web Comics ==
 
== Webcomics ==
* Made into a Super Hero in [http://xninjared.deviantart.com/art/Lysistrata-Gambit-152865735 this comic]
* ''[[Irregular Webcomic]]'' decide to drop an aesop about [[Be Careful What You Wish For]] in [http://www.irregularwebcomic.net/2182.html this] strip, [[Anvilicious|anviliciousyanvilicious]]y, with links to this AND that page.
* See [[The Rant]] of [http://www.bmoviecomic.com/?cid=333 this] ''[[The B-Movie Comic|The B Movie Comic]]'' strip.
** And [http://www.bmoviecomic.com/?cid=445 these] [http://www.bmoviecomic.com/?cid=446 two] pages.
 
 
== Web Original ==
* ''[[Broken Saints]]'' is big on the moral messages, and this is [[Lampshaded]] in the credits of Chapter 19, which has a line reading: "today's lesson: strip clubs are bad"
* Subverted HARD in ''[[Look a Vlog]]''.
 
 
== Western Animation ==
* The first season of ''[[Avatar: The Last Airbender]]'' was pretty notorious about this. Although some of those were along the lines of "[[Family-Unfriendly Aesop|Stealing is wrong unless it's from pirates]]."
 
* ''[[South Park]]'' often features an Aesop at the end. Many times Kyle starts a speech by saying, "I've learned something today..." The morals are sometimes humorous - though as often as not - these speeches really are didactic.
** One of the funnier genunine spoofs of this trope was in "Super Fun Time", in which a completely nonsensical, out-of-left-field moral wound up being preached in the end by the episode's ''villain''.
** Kenny gives one of these speeches at the end of the [[Big Damn Movie]]. Because of [[The Unintelligible|his parka]], we'll never know what he learned.
** Cartman is sometimes opposed to the lesson at hand - and seems intent on disrupting the Aesop delivery.
{{quote| "Oh goddamnit, Kyle! You gave him one of your gay little speeches, didn't you?"}}
* ''[[The Tick (animation)]]'' also ended most episodes with The Tick turning to Arthur and saying "Arthur, I think we've learned a valuable lesson today," and then expounding semi-incoherently.
 
* ''[[The Tick]]'' also ended most episodes with The Tick turning to Arthur and saying "Arthur, I think we've learned a valuable lesson today," and then expounding semi-incoherently.
* ''[[The Weekenders]]'' loves Aesops. The episode "Listen Up" subverts their convention two-fold by having Carver (instead of the usual Tino) deliver it, and then having him off-center on screen and fading him out, forcing Carver to cut it short.
* The ''[[Rocky and Bullwinkle]]'' segment ''Aesop and Son'' subverted not only this trope, but the fables themselves. The titular philosopher would tell a parodic version of his story, say the moral, and then Junior would chime in with a second moral, usually a pun off some element of the story.
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** At the end of the episode where Homer is an overly mean food critic. At the end after narrowly escaping their [[Disproportionate Retribution|murder plot]], he says "The important thing is I never got my comeuppance, and never will" followed by "merely" getting beaten up by all of the chefs he insulted.
* ''[[Taz-Mania]]'' often featured the characters saying at the end "What have we learned from this?", and usually concluding that they hadn't learned anything.
* The original ''[[He-Man and the Masters of the Universe|He Man and The Masters of The Universe]]'' animated series always ends with an [[Aesop]].
* ''[[Centurions]]'' always had some sort of science lesson at the end.
* Subverted in ''''[[Family Guy]]'': While Peter recovers in the hospital, Lois says, "I guess you learned an important lesson." Peter leans back smugly and says, "Nope," at which point the episode ends.
* ''[[The Proud Family]]'' had a tendency to overdo this at times, with some episodes being particularly Anvilicious(most notably the one about how [[Digital Piracy Is Evil]])
* Disney Channel's ''[[Lilo and& Stitch: The Series]]'' is another one of those animated kids shows that works by rote, it's usually a [[Stock Aesops|lesson]] about the power of friendship and tolerance and honesty, to the point of being cloyingly cute.
* On ''What It's Like Being Alone'', Aesops are usually provided by one-off characters that are on the verge of death. They then die, violently.
* ''[[Jem]]'' did this in practically any episode about the Starlight Girls -- oneGirls—one of them would do something stupid (anything from stealing to drugs) and have to have [[An Aesop]] explained to them. A few featured other characters, such as the one where Roxy got screwed over again and again because she couldn't read.
* Parodied in an episode of ''[[Futurama]]''. After Fry and Bender drag the Planet Express headquarters along on their joyride in the Planet Express ship, they exit the ship to find the rest of the Planet Express staff, battered and seriously pissed off, waiting for them. Attempting to divert inevitable trouble, Bender says, "And that's how we learned our lesson."
** From another episode:
{{quote| "It's just like the story of the grasshopper and the octopus. All year long, the grasshopper kept burying acorns for winter, while the octopus mooched off his girlfriend and watched TV. But then the winter came, and the grasshopper died, and the octopus ate all his acorns and also he got a racecar. Is any of this getting through to you?"}}
* Lampshaded in ''[[Animaniacs]]'' (repeatedly) with their Wheel of Morality. "Wheel of Morality, turn turn turn. Tell us the lesson that we should learn."
* ''[[Gargoyles]]'' had the episode "Deadly Force", in which Broadway finds Elisa's loaded gun and starts playing Cops 'n' Robbers. Elisa walks in, startles him, and she's shot in the arm, showing just how deadly guns can be. Wasn't even healed in the next episode, either. Too bad it turned into the [[Missing Episode]].
* Roughly 1/3 of all ''[[Kim Possible]]'' episodes ended on [[An Aesop]] (sometimes due to [[Aesop Amnesia]]), roughly a third of the episodes ended on a [[Subverted]] Aesop, and the remaining thirty took the aesop and twisted it about as far as possible to create fantastic aesops (don't buy mutant toys) [[Space Whale Aesop|Space Whale Aesops]]s (Eat healthily or your DNA will mutate you into a mini-Hulk) or just outright lampshading them for comedy value.
* ''[[Fat Albert and the Cosby Kids]]'' had a heavy-handed Aesop in every episode, driven home by a song from the Kids themselves. One example: "Dope is for dopes/Drugs are for dummies/And if you mess around with them/That kind of mess isn't funny."
* Subverted on ''[[Teen Titans (animation)|Teen Titans]]'':
{{quote| '''Beast Boy:''' So, I guess it is bad to watch too much TV.<br />
'''Starfire:''' But, we were only victorious because you watches too much the television.<br />
'''Raven:''' So, I guess there really is no lesson.<br />
'''Cyborg:''' Yep, it was all completely meaningless.<br />
[["Everybody Laughs" Ending|(Everyone laughs)]] }}
* Lampshaded in ''[[Danny Phantom]]'': when Jazz tries to organize a plan, Danny tells her, with a bored expression on his face, that the plan is to go try and beat up the bad guy, get beaten up yourself, run around for a while trying to fix things, finally beat the bad guy, and go home having learned a lesson about how the world works. Whoopie. This is also a slight breaking of the fourth wall, as it's the basic layout of each show.
* Remember, kids--nowkids—now you know. [[And Knowing Is Half the Battle]]!
* The whole point of ''[[Thundercats]]''. Seriously. This was during the time when cartoons where the scourge of the Earth and were corrupting kids (in the same way that Comic Books did before and Video Games are now ... oh wait!), so the producers sat down and said that every episode must have a moral, and they ''actually hired a child psychologist'' to help them write the stories.
** ''[[Thundercats 2011]]'' continues this out of tradition, with a discernible lesson in most of its episodes.
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* Common among [[Spark Plug Entertainment]]'s CGI [[Mockbuster]] cartoons.
* Played straight but surprisingly subtle in an animated version of ''Flash Gordon'', Flash alludes to men on Earth who "did terrible things in the name of obedience" but does not name names. In the eighties, this was a clear allusion to Nazi Germany and impressively assumes sufficient motivation, intelligence and education of the kids watching that they would either get the point or go find out.
* Before he went to Disney, ''[[Doug]]'' had [[An Aesop]] in almost every single episode. You could tell the Aesop after a couple of minutes already, often even before the episode title.
* Although the ''[[Fairly Oddparents]]'' doesn't have many episodes strictly made to teach a moral, there's one where the moral is thrown in the viewers' faces with a case of breaking the fourth wall: "And sometimes the best weapon of all is to say you're sorry." Que screen where the phrase MORAL OF THE STORY pops up.
* ''[[My Little Pony: Friendship Is Magic|My Little Pony Friendship Is Magic]]'' has one of these about friendship at the end of each episode, given in the form of a letter from Twilight Sparkle to Princess Celestia.
** Averted in episodes 1 and 2 (since they're two-parters).
** While most shows would treat these as throwaway morals, these actually are ''a plot point'' in [[My Little Pony: Friendship Is Magic/Recap/S2 E2/E02 The Return of Harmony Part 2|"The Return of Harmony, Part 2"]]: {{spoiler|Celestia sends all of them back to Twilight to remind her why she should be fighting for her friends, instead of giving up, packing her bags and leaving Ponyville and Equestria to Discord's mercy. Also, the aesop of the episode ends up being used in Twilight's [[Shut UP, Hannibal]] speech.}}
** The aesop becomes a [[MacGuffin]] in [[My Little Pony: Friendship Is Magic/Recap/S2 E3/E03 Lesson Zero|"Lesson Zero"]], where Twlight panics because she doesn't have an Aesop of the Week to report to the Princess.
** Subverted in ''The Super Speedy Cider Squeezy 6000''. The usual "letter to the princess" aesop-delivery is set up... and then Applejack points out that she knew the aesop already, and didn't need to learn a thing.
* ''[[Adventures from the Book of Virtues]]'' had a valuable virtue in every episode -- twoepisode—two children have typical problems involving other kids, so they visit four [[Talking Animal|Talking Animals]]s to have their problems solved with stories from the Book of Virtues.
* Played straight with ''[[Birdz]]'', although they're not heavy-handed since they're often skewed to the avian universe (e.g. {{spoiler|Eddie learning the hard way that he should study the map and pack properly during migration season}}).
* Happened quite often in the early episodes of ''[[Recess]]'', though they were ''never'' in-your-face about it. Then morals came from time to time later on, and season six became [[Anvilicious]].
* ''[[SpongeBob SquarePants]]'' had an aesop in many episodes in the first season, all of them being important lessons to teach children such as facing the consequences of your actions, not to curse, not to take advantage of your friends and not to touch things that aren't yours when instructed. Later seasons tend to lack these.
** In the 1973-74 season of ''[[Superfriends]]'', the Aesops were usually one of three types. Many episodes used all of them.
* ''[[Superfriends]]''
*** Even when you're acting in a good cause, always obey the law.
** In the 1973-74 season, the Aesops were usually one of three types. Many episodes used all of them.
*** Try to solve problems by thinking instead of using brute force. In "Menace of the White Dwarf" this was specifically stated as "Brainpower is superior to brute strength."
*** Even when you're acting in a good cause, always obey the law.
*** Don't harm the environment.
*** Try to solve problems by thinking instead of using brute force. In "Menace of the White Dwarf" this was specifically stated as "Brainpower is superior to brute strength."
* ''[[Adventure Time]]'' has some conventional moralmorals done in really weird ways. For example, "Don't break your promises" is shown by having Finn punished by the royal Gumball Guardians.
*** Don't harm the environment.
* ''[[Adventure Time]]'' has some conventional moral done in really weird ways. For example, "Don't break your promises" is shown by having Finn punished by the royal Gumball Guardians.
 
{{reflist}}
[[Category:Tropes of Legend{{PAGENAME}}]]
[[Category:Alliterative Trope Titles]]
[[Category:ChildrensChildren's Show Tropes]]
[[Category:Creator Standpoint Index]]
[[Category:Morality Tropes]]
[[Category:Childrens Show Tropes]]
[[Category:Fairy Tale Tropes]]
[[Category:Index Index]]
[[Category:Morality Tropes]]
[[Category:Older Than Feudalism]]
[[Category:indexTropes of Legend]]
[[Category{{DEFAULTSORT:An Aesop]], An}}