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Line 1: {{work\|wppage=Caligula (film)}} [[File:CALIGULA.jpg\|thumb\|300px]] {{quote\|''"I'm not even kidding. My favorite film of all time is Tinto Brass' '''Caligula'''. With a movie that combines the qualities of a lush big-budget studio Roman epic period piece, and the kind of exploitation that Joe Dimodo would frequently get sued over, there is no other large scale piece of high quality smut exploitation that I could possibly choose over Bob Guccione's ode to paganism. This is fucking '''Caligula'''. A big-budget mainstream porno film that screwed it's way into worldwide cinemas throughout the late [[The Seventies\|70s]] and early [[The Eighties\|80s]]. A movie to satisfy the tastes of audiences craving the finest in bestiality, and the finest in Shakespeareian actors."''\|[[The Cinema Snob]]}} {{quote\|"'''Caligula' is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty. Disgusted and unspeakably depressed, I walked out of the film after two hours of its 170-minute length. That was on Saturday night, as a line of hundreds of people stretched down Lincoln Ave., waiting to pay $7.50 apiece to become eyewitnesses to shame. . . . 'Caligula' is not good art, it is not good cinema, and it is not good porn. "This movie," said the lady at the drinking fountain, "is the worst piece of shit I have ever seen."''"\|[[Roger Ebert]]}} {{quote\|''"What shall it profit a man if he should gain the whole world and lose his own soul?"''\|'''[[The Bible\|Mark 8:36]]''', [[As the Good Book Says...\|quoted at the film's beginning.]]}} [[Love It or Hate It]], never, in the history of the world, will there ever be another movie like ''Caligula''. And never, in the history of this website, will there ever be a movie more difficult than ''Caligula'' to describe. '''''Caligula''''' is a 1979 Italian-American [[Porn with Plot\|erotic]] historical drama film focusing on the rise and fall of the Roman Emperor [[Emperor Caligula\|Caligula]]. It stars [[Malcolm McDowell]], Teresa Ann Savoy, Helen Mirren, [[Peter O'Toole]], John Steiner and John Gielgud. It is the only feature film produced by the men's magazine Penthouse. It all began with Gore Vidal writing a screenplay about the life of the infamous Roman Emperor [[Emperor Caligula\|Caligula]] based on an unproduced television mini-series by Roberto Rossellini. Though Vidal and Franco Rossellini (Roberto's nephew) originally only intended for it to be a modestly-budgeted historical drama; when they couldn't obtain funding they went to none other than the founder of ''Penthouse Magazine'' Bob Guccione. Guccione agreed to finance the film on [[Executive Meddling\|two conditions:]] 1, that it would be tarted up into a lavish, flamboyant spectacle akin to the [[Sword and Sandal]] epics of the 50s; and 2, [[Hotter and Sexier\|that sex would be incorporated to promote the magazine]]. It became very controversial for its violent and sexual content and had all sorts of legal issues at the time. The film is [[Vindicated by History\|now seen]] as a [[Cult Classic]]. Federico Fellini's art director Danilo Donati was hired to build the expensive and complex sets and costumes. Renowned acting talent, including Malcolm Mcdowell, Helen Mirren, Peter O'Toole and Sir John Gielgud were cast. Maria Schneider was originally cast as Caligula's doomed sister Drusilla, but later dropped out and was replaced by Teresa Ann Savoy. After Guccione was unable to come to an agreement with more established directors John Huston and Lina Wertmuller, Tinto Brass, a relatively young Italian director who'd produced an artsy big budget [[Follow the Leader\|progenitor]] to the [[Nazisploitation]] genre called ''Salon Kitty'' that Guccione had taken a shine to was made the head instead. ''Caligula'' production was housed in Dear Studios, Rome, where the infamous ''[[Cleopatra]]'' had been filmed thirteen years earlier. Shooting commenced in September 1976, with plans for a 1977 release. {{Needs More Info}} From the start, ''Caligula'' was plagued by difficulties. According to Guccione in a 1980 ''Penthouse'' magazine interview, Vidal (whom Guccione called a "''prodigious talent''") started trouble with a ''Time'' magazine interview in which he called directors parasites living off writers, and that the director need only follow the directions as provided by the author of the screenplay. According to Guccione, an enraged Brass responded to Vidal's comments by throwing Vidal out of the studio. Guccione was forced to side with Brass (whom he called "''a megalomaniac''") because "''Gore's work was basically done and Tinto's work was about to begin.''" For the [[Troubled Production\|troubled]] development history, see [[Caligula/Development History\|here]]. Casting and logistical issues were problems. Uncomfortable with the sex and nudity in the script, the female lead Schneider quickly resigned from the film, to be replaced with Teresa as said earlier. It was soon apparent to the filmmakers that the aggressive shooting schedule developed by the inexperienced Rossellini and Guccione was unrealistic for a film of such scope. Donati had to scrap some of his more elaborate original ideas for the sets and replace them with such surreal imagery as bizarre matte paintings, blacked-out areas, silk backdrops and curtains. This resulted in significant script changes, with Brass and the actors improvising scenes written to take place in entirely different locations, and sometimes shooting entirely new scenes (such as the frolicking scene that opens the film) in order to show progress while the incomplete or redone sets were unavailable. The production was plagued by delays due to disagreements between Brass and Donati over Brass not using Donati's completed sets, as well as Brass and Guccione disagreeing over the sexual content of the film. By the time the principal photography on ''Caligula'' had completed, Vidal (having a previous issue with his involvement in the infamous ''[[Myra Breckinridge]]'') was concerned about being associated with such an out-of-control production. Fearing the film would turn out incoherent, Vidal distanced himself from the project. Of Vidal, Brass concluded, "''If I ever really get mad at Gore Vidal, I'll publish his script.''" As the film entered post-production, Guccione took control of the film footage, fired Brass for running up huge costs (Guccione claims Brass shot enough film to "''make the original version of ''[[Ben-Hur]]'' about 50 times over''"), casting actual criminals as Roman senators, and using what Guccione considered "''fat, ugly, and wrinkled old women''" in the sex scenes instead of his Penthouse Pets. Guccione hired friend Giancarlo Lui to reedit the film. Lui was instructed to refashion the film into something more in keeping with what Vidal had first scripted, while delivering the sexual content demanded by Guccione; they shot and added hardcore scenes. With much footage improvised and rewritten from the original draft of the film, Lui further scrambled, re-cut, and deleted scenes altogether. Many of the disturbing sexual images shot by Brass were removed, replaced by approximately six minutes of hardcore sex shot by Guccione and Lui. In the end, the final cut of the film had strayed far afield from what Brass had intended. Ironically, perhaps, it bore little resemblance to what Vidal had scripted as well. In the unpleasant aftermath, both Brass and Vidal launched independent tirades against the film and lawsuits against Guccione, delaying the release of ''Caligula''. Vidal, who was paid $200,000 for his script, agreed to drop his contractual claim for 10% of the film profits in exchange for having his name removed from the title of the film (original billing was to have been ''Gore Vidal's Caligula''). In 1981, Anneka Di Lorenzo, who played Messalina, sued Guccione, claiming that he damaged her career by using hardcore sexual scenes in the final cut of ''Caligula'' without her knowledge, thereby associating her with a pornographic film. After a protracted litigation, in 1990 a New York state court awarded her $60,000 in compensatory damages and $4,000,000 in punitive damages. On appeal, the punitive damages were determined to be not recoverable and the court vacated the award. So, just to recap, costume and set designer from Roman Period Epics, Director from Italian Exploitation films, Shakespearian actors, and an exectutive producer with a background in porn. Where else are you gonna see that? ~~In late 1979, three years after production began, ''Caligula'' made its debut.~~ It was used as the subject of [[The Cinema Snob]]'s [http://thecinemasnob.com/2010/08/16/caligula-part-i.aspx 100th episode]. In his introduction to the review, Brad Jones cited it as his all-time favorite movie. ~~-----~~ {{tropelist}} * [[Advancing Wall of Doom]]: The head chopping machine is a diabolically crafted work of art. Line 43 ⟶ 27: * [[Den of Iniquity]]: Tiberius's mansion. * [[Depraved Bisexual]]: Caligula. * [[Driven to Suicide]] {{spoiler\|Nerva,}} who has had enough of Tiberius's reign and can't bear the fact Caligula will be the next emperor. * [[Droit du seigneur]]: Caligula exercises his right by {{spoiler\|raping both Proculus and his new wife}}, [[Moral Event Horizon\|a pretty sickening thing to do]]. * [[Epic Movie]]: Possibly the only [[Epic Movie]] (and the only movie starring Malcolm Mcdowell, Helen Mirren, Peter O' Toole and Sir John Gielgud) to feature unsimulated hardcore sex. <!--* [[Euroshlock]]: Its writer was American, but its director, setting and filming-location were Italian, and its actors were British. And its producer was American but of Italian descent. Therefore, it counts.--> * [[Everythings Funkier With Disco]]: The sound track is a combination of the kind of bombastic classical music you ~~except~~expect to see in a Roman period piece, and [[The Seventies\|70s]] [[Bow Chicka Wow Wow\|Porn Music]]. * [[Fan Disservice]]: And HOW! * [[A God Am I]]: "''Aye!''" "''Aye!''" "''Baaaah!''" "''Baaaah!''" Line 64 ⟶ 49: * [[Rage Against the Heavens]]: Caligula trashes the statue of Isis after {{spoiler\|Druscilla dies of the fever}}. * [[Scenery Porn]]: Say what you will about what's happening in the film, many of the sets are rather beautiful. ** And in the case of the orgy scene, it takes on [[~~Lampshaded~~If ~~Double~~You ~~Entendre~~Know What I Mean\|a literal meaning]]. * [[Schizo-Tech]]: Wow, they never taught us in history class that the Romans had a giant wall/car/thing with lawnmower blades on the bottom that could move forwards and [[Off with His Head\|decapitate people]] buried up to their necks in the dirt in front of it! * [[The Starscream]]: Longinus. Macro is set up to be this early in the film, but Caligula decides that he's too much of a potential liability and disposes of him. Line 79 ⟶ 64: [[Category:Caligula]] [[Category:Film]] [[Category:~~Pages~~Formerly ~~with~~Banned ~~comment~~On ~~tags~~TV Tropes]] [[Category:Films With Recuts]] [[Category:Films of the 1970s]] [[Category:Epic Movie]] [[Category:Pornography]] [[Category:Italian Films]] [[Category:Independent Films]] [[Category:Pages with working Wikipedia tabs]] [[Category:Biopic]] [[Category:Cult Classic]]