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[[File:Captain_Power_and_the_Soldiers_of_the_Future_6108.jpg|frame
{{quote|
{{quote| ''"Earth, 2147: The legacy of the Metal Wars, when man fought machine and machines won. BioDreads: Monstrous creations that hunt down human survivors and digitize them. Volcania: Centre of the BioDread Empire, stronghold and fortress of Lord Dread, feared ruler of this new order. But from the fires of the metal wars arose a new breed of warrior, born and trained to bring down Lord Dread and his BioDread Empire. They were Soldiers of the Future, mankind's last hope! Their leader: [[The Hero|Captain Jonathan Power]], master of the incredible powersuits which transform each soldier into a one-man attack force! [[The Lancer|Major Matthew "Hawk" Masterson]], fighter of the sky! [[The Big Guy|Lieutenant Michael "Tank" Ellis]], Ground Assault Unit! [[The Smart Guy|Sergeant Robert "Scout" Baker]], Espionage and communications! And [[The Chick|Corporal Jennifer "Pilot" Chase]], Tactical Systems Expert! Together, they form the most powerful fighting force in Earth's history. Their creed: To protect all life! Their promise: To end Lord Dread's rule! Their name....[[Title Drop|CAPTAIN POWER]] [[What Do You Mean Its Not Awesome|AND THE SOLDIERS OF THE FUTURE!]]"''}}▼
▲{{quote|
In the late 1980s, it became clear that in the next couple of decades, cable television was going to allow the number of stations the average viewer received to increase from, say, four to, say, four ''hundred''.
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Given how it eventually turned out, it may be hard to believe that pretty much everyone was convinced that it was going to involve "interactive" TV. In the future, we were told, at every commercial break, you, the viewer, would decide how you wanted the story to play out. If the hero got the girl, turn to channel 127; if he gets killed by the villain instead, turn to channel 138. It is probably not coincidental that this was around the same time that "[[Choose Your Own Adventure]]" books were a big thing. Early adopters of DVD may recall that there were early promises that it would also lead to this sort of thing. Of course, as it turned out, branching movies and even multiple camera angles ended up a [[The Rule of First Adopters|feature utilized almost exclusively by pornography]].
The thing was, Hollywood had precisely zero experience at this sort of thing, so they figured they'd need practice. There were a number of experiments in this direction in the late 80s, such as a murder mystery where viewers called in between acts to vote on who would turn out to have dunnit. But one of the more radical experiments in interactive television was ''Captain Power And The Soldiers Of The Future''.
The story followed the adventures of Captain Johnathan Power and his team of freedom fighters on a post-apocalyptic Earth where most of the population had been converted into robotic warriors by the evil Lord Dredd. Fortunately, Captain Power and his team had the ability to transform into armored super-soldiers by standing in a special booth and saying, "[[By the Power of Grayskull|Power on.]]"
The interactive element was this: the show was clearly and heavily [[Merchandise
But the ''really'' cool thing the toys could do was interact with the show itself: various things in the show emitted a strobe effect which would register on the toy: villains and heroes had strobes which the jets would register as targets (Red for villains, blue for heroes), weapons fire emitted a yellow strobe that would register as a hit (and viewers were gently reminded that hiding the jets behind their backs was cheating). The "power on" sequence would both reset the damage count on a jet, and activate the "power on" cycle in the transformation booth toy. At the end of each episode, one of the characters would step through the [[Fourth Wall]] to tell viewers what constituted a good score. Around the same time, three animated videos were released, ''Future Force Training'', ''Bio-Dread Assault'', and ''Raid On Volcania'', which fans could "Train" on between episodes. These featured the viewer as new recruit, designated "Pilot-1", who received training from the captain himself in piloting the XT-7 fighter, and undertook some dangerous missions. These episodes were animated by [[AIC|Artmic]], one of the companies responsible for ''[[
The show was a relatively early TV example of [[Dystopia|dystopian]] [[Cyberpunk]], and, though ostensibly aimed at children, was so dark and violent ([[Anyone Can Die]], which means people got [[Killed Off for Real]]) that one wonders how many parents were really comfortable letting their children watch it. All the same, it is difficult to believe that [[J. Michael Straczynski]] (later of ''[[Babylon
Beyond the strobing villains, the special effects in the show made extensive use of CGI, and it was the first TV show to use CGI extensively. Watching it now, one can see why, since the computer-generated characters and sequences are of lower quality than one can achieve on the typical PC of today using only free software such as DAZ|Studio, POV-Ray and Blender. Still, at the time, it was mind-blowing.
The show was clearly inspired by the [[Sentai]] genre of Japanese toku, probably by ''[[Super Sentai]]'' specifically (though it had almost as much in common with the related "Metal Heroes" franchise), and as such is something of a spiritual ancestor to ''[[Power Rangers]]''.
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(And before anyone points it out, there were indeed earlier experiments in "interactive television", probably starting with ''[[Winky Dink]]'', or even on radio with ''Doctor Christian''. But the appearance of an interactive aspect in ''Captain Power'' seems to be part of a specific drive that went on at this time.)
{{tropelist}}
* [[After the End]] : Via [[Robot War]].
* [[
* [[Airstrike Impossible]]: The [[Star Wars]]-style trench run against the control center for the Icarus Platform.
** Also all three of the animated videos, ranging from a mad dash down a gratuitous radioactive tunnel to an assault through Volcania itself.
* [[All Your Base Are Belong to Us]]
* [[Antagonist in Mourning]]: Lord Dread visiting Captain Power's father's grave.
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* [[By the Power of Greyskull]]
* [[Captain Superhero]]
* [[Christmas Episode]]: [[Wham! Episode|The]] [[Downer Ending|worst]] [[Killed Off for Real|possible]] [[Tear Jerker|kind]].
* [[Cool Ship]]: The Jumpship, the XT-7 fighter (attached to the top of the Jumpship,) and the enemy Phantom Stryker.
* [[Cut Short]]
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** It doesn't count as [[Bittersweet Ending]] because {{spoiler|not only is Pilot dead and the heroes' base destroyed, Lord Dread clearly won the day and is last seen preparing for an cybernetic upgrade to make him even less human, meaning the war is about to get worse.}}
* [[The Dragon]]: The pterodactyl-like Soaron to Lord Dread.
* [[Dressing
* [[Executive Meddling]]: In an article from ''Starlog'' magazine, the writers and producers talked about how the series was going to become [[Darker and Edgier]] (as if it weren't dark and edgy already) and break away from the half-hour commercial format that Mattel wanted. Amongst the [[What Could Have Been|highlights that were mentioned]] included Overmind and Dread simply forgetting the whole idea of digitizing humanity in favor of simply exterminating them wholesale, [[La Résistance]] picking up a [[Dark Action Girl]] (callsign Ranger) to replace Pilot's loss, Power slowly eroding towards a [[Heroic BSOD]] while Hawk ended up becoming the de facto group leader, and eventually Soaron doing a [[Heel Face Turn]] when it becomes clear he's been replaced by Blastarr as [[The Dragon]]. Needless to say, the head honchos at Mattel were pissed at the season finale - which would have signalled the beginning of the shift - and pulled the plug on the show before we could see the transition.
* [[Family
* [[Five
** [[The Hero]]: [[Steven Ulysses Perhero|Captain Jonathan Power]]. A good strategist and a fine soldier, but impetuous, immature, and still learning what it means to be a leader.
** [[The Lancer]]: Major Matthew "[[The Ace|Hawk]]" Masterson. A [[Cool Old Guy|war veteran]] and friend of Johnathan's father, Stuart.
** [[The Smart Guy]]: Sergeant Robert "[[Master of Disguise|Scout]]" Baker. Good with infiltration of both enemy bases as well as their computer networks.
** [[The Big Guy]]: Lieutenant Michael "[[Mighty Glacier|Tank]]" Ellis. The team's heavy weapon and [[Party Tank]], short on character development.
** [[The Chick]]: Corporal Jennifer "[[Improbable Piloting Skills|Pilot]]" Chase. Rescued from the [[Does This Remind You of Anything?|Dread Youth]] and quite [[The Stoic]]; ironically, becomes [[Tear Jerker|the heart and soul]] of the team.
* [[Gameplay and Story Segregation]]: In the Future Force Training animation videos, there are hundreds of BioDreads in Soaron and Blastarr's units... [[The Worf Effect|only not quite as durable]] as the real thing. In the actual series, only one of each class exists, but they're much, much more fearsome.
* [[Dying Declaration of Love]]
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* [[The Juggernaut]]: Blastarr.
* [[Killed Off for Real]]
{{quote|
** This particular case is ''loaded'' with tropes: the character took the time to [[Fatal Family Photo|go through personal effects and mementos from previous adventures]], her relationship with Jon is ''[[A Death in
* [[Kill Sat]]: The Icarus Platform that the Power Team has to destroy before the assault on Volcania.
* [[La Résistance]]: The Power Team, along with several groups of allies.
* [[Machine Worship]]: At least one sequence shows Lord Dread dictating what seems to be a Bible for the machine empire; and his speeches to the <s> Hitler</s> Dread Youth seem near-evangelistic. One evil spy actually near-religiously praises "the Machine" and practically describes the team's heroic heel-face-turncoat as a heretic.
* [[Master Computer]]: The Overmind [[
* [[Mecha
* [[Merchandise
* [[The Mole]]: [[Punny Name|Laccki]] is this for Overmind, working in Lord Dread's service.
** Laccki, it should be noted, is a ''terrible'' mole: he lacks anything even vaguely resembling stealth or subtlety, and Dread is suspicious of him from the very moment of his creation. Laccki is such a terrible mole, in fact, that one suspects his real purpose is not to spy on Dread, but rather to ''remind'' Dread that Overmind doesn't fully trust him.
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* [[No Fourth Wall]]
* [[Omnicidal Maniac]]: Overmind.
* [[One
* [[Opening Narration]]
* [[Powered Armor]]: The Power Suits.
* [[Precision F
* [[Putting
* [[Robot War]]: This formed the background of the series. There was a war against the machines, and the machines won.
* [[Serkis Folk]]
* [[Shout
* [[Storming the Castle]]: The Soldiers of the Future must storm Volcania to stop Project New Order.
* [[Taking You
{{quote|
'''Pilot''': Go to hell. (pushes self-destruct button of the Power Base reactor) }}
* [[Teleporters and Transporters]]: The Jump Gates, which the Soldiers of the Future use to get around the country. Ultimately became their own undoing when Lord Dread acquired their access frequency.
* [[Title Scream]]
* [[Transformation Sequence]]: Power On!
* [[Well
** The whole idea behind Overmind in the first place was as a computer with which Taggart and Power could take control of all the world's military robots, in order to end the years of stalemated warfare that had followed from the invention of robot soldiers.
* [["What Now?" Ending]]: The fate of the Soldiers of the Future after the series finale.
* [[Whole
{{reflist}}
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[[Category:The Eighties]]
[[Category:American Series]]
[[Category:Captain Power
[[Category:TV Series]]
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