Chickification: Difference between revisions

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So you have an [[Action Girl]]. She rocks. There's only one problem: she's also [[The Smurfette Principle|the only female in the main cast]], and you don't have a [[Non-Action Guy]] or other similar balancing factor to counterbalance this. Where are you going to get your [[Designated Victim]] for the team to save every episode? What's an executive to do? Completely replace her tough image and capabilities with something more fitting to the [[Damsel in Distress]] you need, someone who tends to [[Stay in the Kitchen]] or not do anything rather than go out and fight, whether by punching people alongside the others or analyzing the scenario and figuring out a solution so she can help others punch people.
 
[['''Chickification]]''' differs from [[Faux Action Girl]]. The latter is just about a [[Informed Ability|so-called]] Action Girl who never lives up to her reputation once the plot hits the fan. [['''Chickification]]''' involves a genuine Action Girl who was [[Badass]] at one point, but was [[Character Derailment|derailed]] into a weak and helpless (or at least significantly less [[Badass]]) character, without any [[In-Universe]] justification for such a change. The '''lack of in-universe justification''' is key to this trope. If the Action Girl is changed as the result of physical and/or emotional trauma, that's just character development.
 
This trope is not about any [[Action Girl]] [[Real Women Never Wear Dresses|who shows those icky and bad 'female' emotions]]. Remember, being [[The Chick]] is ''not'' [[Tropes Are Not Bad|automatically a bad thing]].
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May involve the [[Standard Female Grab Area]].
 
The inverse of this trope is [[Xenafication]] (where the girl becomes a super [[Action Girl]]... without any [[Character Development]]), and to more general extent [[Took a Level Inin Badass]], although that's not limited to female characters. Also see [[Adrenaline Makeover]], where [[The Chick]] gradually gets out of her shell and develops physically, emotionally and mentally. This trope can be a result of [[Career Versus Man|meeting a more interesting boyfriend]]
 
If this is done to a male character in a [[Slash Fic]], it may be part of [[Wimpification]].
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{{examples}}
 
== [[Anime]] and [[Manga]] ==
* ''[[Axis Powers Hetalia]]'': Hungary seemed like a case of this, but she turned out to have just gotten a massive [[Girliness Upgrade]]. Even after becoming Austria's maid, she's still a [[Ninja Maid|very competent fighter]], and comparing her level of actual skill, [[Took a Level Inin Badass|she's actually]] ''[[Took a Level Inin Badass|stronger]]'' as an adult [[Ninja Maid]] than as a pre-teen [[Cute Bruiser]]: as a kid, Hungary wins against Prussia but struggles with Turkey and later loses to him, whereas as an adult she ''totally'' curbstomps Prussia [[One-Man Army|and his whole army]] and beats up France at least twice.
* In [[The Anime of the Game|the anime of]] ''[[Blue Dragon]]'', Kluke is changed from a self-confident, mature girl who's virtually raised herself since the deaths of her parents to your stereotypical damsel in distress with no explanation. She doesn't even get her powers until near the half-way point of the series.
* The ''[[Corrector Yui]]'' anime. Played straight and [[Crowning Moment of Awesome|memorably subverted]] in the second season.
** Played straight: Freeze, the [[The Smurfette Principle|only female of the Corruptor team]], was an extremely efficient [[Dark Action Girl]] with ice-based powers. When she switched sides for the second season, she walked the thin wire between [[Action Girl]] and [[Faux Action Girl]], with more emphasis given to her [[Dojikko|clumsiness outside of the battlefield]] and [[The Chew Toy|comical inability to keep a stable work in the Com.Net]], {{spoiler|which ultimately makes her liable to be manipulated by her more stable boss... who was working for the [[Big Bad]]}}.
** Subverted: In the first season, [[Shrinking Violet|Haruna Kisaragi]] {{spoiler|became a Corrector like her best friend Yui, but due to ending up [[Brainwashed and Crazy]], she ultimately returned to the sidelines and act as [[Mission Control|Dr. Inukai's assistant]] during the season finale}}. Cue to second season and having Yui being [[Taken for Granite|turned into rock in the Net.com]] and [[Convenient Coma|rendered comatose in the real world]]: without any ounce of hesitation, Haruna [[Jumped At the Call|returns to be a Corrector]], {{spoiler|and in her ''first'' real fight she uses the ''four'' Elemental suits ''perfectly'' and teams up with the morally ambiguous Corrector Ai to save Yui, Freeze and other victims}}. She's remained a Corrector ever since and even was there for Yui, Ai and the other Correctors in the [[Grand Finale]].
* Mai Shiranui of ''[[Fatal Fury]]'' has always been sort-of a [[Brainless Beauty]], but she's a pretty competent [[Action Girl]] otherwise and rather proud of her skills. In the OVA, however, her primary purpose is to get kidnapped so Andy can save her. (She does win one fight--withfight—with another girl.)
* Hikaru Hazama of ''[[Beyblade Metal Fusion]]'' goes from [[Action Girl]] to Secretary in the second series.
* Casca in ''[[Berserk]]'' is sometimes accused of this, though it's closer to a case of being [[Stuffed Into the Fridge]] while still technically alive--fromalive—from a psychological perspective, it's not exactly surprising that she's insane [[Break the Cutie|after everything that's been done to her.]]
 
 
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* Black Canary is still capable, but not in her own book. While ''[[Birds of Prey]]'' and ''[[Justice League of America]]'' which she is the leader of both feature her kicking ass, ''Green Arrow/Black Canary'' treats her as a perpetual [[Damsel in Distress]] for Green Arrow to rescue.
* Similarly, the Wasp's intelligence, combat effectiveness, levelheadedness, and leadership abilities seem to vary inversely with the degree to which the writer plays up her relationship with her ex-husband Henry Pym. After a few years as more or less [[The Load]], they apparently gave up and [[Stuffed Into the Fridge|stuffed her in the fridge]] so Hank could have more guilt.
* [[Parodied Trope|Parodied]] a couple of times, and [[Lampshade|Lampshaded]]d at other times (but by no means [[Averted Trope|averted]]) in the [[Prince Valiant]] stories where competent, resourceful girls deliberately make themselves out to be [[Decoy Damsel|less so]] in order to be more appealing to the men.
* After being depicted as a reckless, fiery [[Badass Damsel]] throughout the 1940s, Lois Lane was chickified into a useless [[Damsel Scrappy]] who constantly needed saving and couldn't handle anything on her own in the [[Silver Age]]. Even attempts at improving her character during the [[Bronze Age]] fell flat, with her Earth-2 counterpart Lois Kent far outstripping her in badassery. Fortunately, the [[Post-Crisis]] reboot of the Superman mythos restored her [[Golden Age]] persona, with an added side order of army brat and combat training.
* Princess Sally Acorn of ''[[Sonic the Hedgehog (comics)|Sonic the Hedgehog]]'' was hit with this ''hard'' after King Acorn took control of the kingdom again, and didn't really come out of it until Ian Flynn took over writing duties.
 
 
== FanfictionFan Works ==
* '''''Extremely''''' common in [[Die for Our Ship]] fanfiction. Basically, if you like a more or less psysically/mentally capable woman ([[Action Girl]], [[Passionate Sports Girl]], [[Badass Damsel]], [[Plucky Girl]], [[Silk Hiding Steel]], etc. among other female archetypes) but don't like a certain couple involving her (whether canon or not), you can easily break up said couple via [[Ron the Death Eater|making her love interest]] a [[Domestic Abuser]] ''and'' stripping the female character of her spine and/or fighting skills. That way, it's ''totally'' justified to have the other half of the [[Fan-Preferred Couple]] rescuing her!
** You dont' even ''need'' to use this in dieForOurShip[[Die for Our Ship]]-based fics. Apparently, many badfic writers think that the only way to get a "more or less psysicallypsychically/mentally capable woman" to fall for the chosen love interest is subjecting her to the removal of her mental/physical strength, or both.
* Used in the ''[[Hogwarts Exposed]]'' series, in which Hermione (who was, by the fanfiction's own admission, one of three to defeat Voldemort) goes to be some saintly nunnish person who adopts a [[Mary Sue]] student, scolds Ginny for wearing an outfit she thought was too revealing, quickly hooks up with Harry and marries him by the second fanfiction while being extremely lovey-dovey, and at one point shaves her nether regions just because he tells her he finds that more appealing. Possibly one of the worst scenes in the first fanfiction is when Neville begins to stroke her thigh while they're attending a concert and does not realize that she is bothered by this (don't ask). As he moves his hand closer to her crotch, she frets over what to do, afraid that hitting him or leaving early will garner unwanted attention from the press who are in the audience. Apparently Hermione, who solved so many traps and riddles in the series, was unable to think to just push Neville's hand away, or whisper "Stop it". Ginny gets it too. Besides the aforementioned revealing dress scene, it was mentioned that she slept with countless Muggles and wizards, including Snape. And like Hermione, she shows no signs of her magical skills, loyalty, or toughness from the series. Ginny's bad characterization is even lampshaded by an in-character Ginny during one of the Das Mervin sporkings on [[Live JournalLiveJournal]].
{{quote|"A Harmonian badfic, you say? So am I a whore or dead in this one?"
"The former."
"Figured as much." }}
:* There are many, MANY''many'' fics in which Hermione, one of the smartest and pro-active females in [[Harry Potter (novel)|Harry Potter]] canon and possibly of English literature ''in general'', is a poor battered and weepy victim wife to [[Ron the Death Eater]] who abuses, beats, rapes, etc. her so Harry will sweep her off her feet and they'll team up to bloodily murder him and Ginny, who is likely to be written as a [[Fat Bastard|fat and ugly bitch]] who totally doesn't deserve Harry's love [[Unfortunate Implications|since the fanworker makes her lose her good looks as soon as she married him]] - while Hermione, despite all the [[Domestic Abuse]], is angelically beautiful and perfect and all. ''[[The Last War]]'' is among the best examples of such crap.
:* Similarly, ''[[In This World and the Next]]'' goeshas out of its way to portray [[Ron the Death Eater]] as a "shit wizard" who couldn't even hex two Muggles properly, yet he's still able to overpower Hermione (twice!) implying that she's fallen victim to this trope in a bad way. Later,her she's perfectly willing to [[Stay in the Kitchen|defer to Harry on everything]].
* [[Cori Falls]] ''loves'' doing this to poor [[Pokémon (anime)|Jessie]] in her fics. Sure, the girl's still allowed to kick some ass, but more often than not, she's crying or swooning in James's arms or needing to be rescued from perverts.
* There's an entire disturbing Fanfic community dedicated to doing this to [[Valkyrie Profile|Lenneth]] so that Lezard can be the dominant one of the [[Rape as Drama|"relationship"]]. Odlly, it leaves Hrist and Silmeria alone.
* The infamous ''[[Axis Powers Hetalia|Hetalia]]'' fic ''[[All He Ever Wanted]]'' pulls this on the aforementioned Hungary, whom [[Complete Monster|Prussia]] rapes to both force her into a [[Face Heel Turn]] ''and'' "teach a lesson" to her beloved ex-husband Austria, whom Prussia is holding hostage.
** Vietnam was hit with this too. In [[World War TwoII]], [[wikipedia:History of Vietnam#20th century|Vietnam the country]] had already started fighting for its independence from France. In Hetalia canon, Vietnam the [[Moe Anthropomorphism]] is mentioned to be a [[Plucky Girl]] who follows the example of the many emotionally/physically strong women in her history. In the fic, said [[Moe Anthropomorphism]] is... [[Bound and Gagged]].
** That's barely the only one. In many, ''many'' Prussia/Hungary works, the sweet and gentle [[Meido]] who managed to ''avert'' this trope in canon is portrayed as a weepy mess who secretly pines for Prussia after being forced to marry Austria via the Austro-Hungarian Compromise and/or is abused in many ways by [[Ron the Death Eater|Austria]] so Prussia must hop in to rescue her and show her what true love is. Yes, Hungary has been shown to be physically more powerful than ''both'' Prussia and Austria, but in these fanfics she wails and wangsts endlessly before even ''trying'' to do something to defend herself. For worse, considering the main couple in these fics, it's mixed with [[Die for Our Ship]] since Austria is portrayed as a [[Jerkass]] or even a [[Complete Monster]] to make Prussia look better.
** The other girls also go through this often in some shipping fanfics, leading to the untrue and unfair assumption [[Het Is Ew|from the most rabid]] [[Yaoi Fangirl|Yaoi Fangirls]]s [[Straw Feminism|and "feminist fans"]] about all the Hetalia girls being [[Shallow Love Interest|Shallow Love Interests]]s ''in canon''. The more frequent victims of this are Belarus (who goes from an hilariously creepy [[Yandere (disambiguation)]] and [[Knife Nut]] who chases after Russia and breaks Liet's fingers, to either Russia or America's blushy and passive, or as much passive-agressive, bride) and Taiwan (who isn't action-geared and ''is'' comfy with her uber girliness, but is still a [[Genki Girl|Genki]] [[Plucky Girl]]... and yet she ends up as a [[Yamato Nadeshiko]] caricature who ''only'' wants to be Japan's [[Wife Husbandry|child bride]]).
* In ''[[Digimon]]'' fanfiction, you'll be hard-pressed to find a fic that has Rika/Ruki acting anything like herself, preferring instead to make her a weak, weeping wallflower who can't handle ''any'' aspect of life without being rescued by Takato/Jenrya/Ryo. Even people who don't like [[Yuri]] or [[Interspecies Romance]] wind up preferring stories pairing her with Renamon because they're the fics in which she's more likely to be capable of being in a romance ''and'' acting something like herself at the same time.
* While it's safe to say that the entire casts of both [[Mass Effect]] games experience varying degrees of chickification in fanfiction at some point or another; Garrus Vakarian ([[Wimpification|in a rare male example]] of this trope seen near exclusively in het fic where he's paired with Female Shepard), Commander Shepard (usually Female Shepard, though Male Shepard is not immune either), Tali'Zorah and Liara T'Soni experience the heaviest levels of this trope more often than the others.
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** Pulled on Katara too. She goes from an [[Action Girl]] [[Team Mom]] with mood swings and [[Hidden Depths]] into a whiny, weepy, selfish bitch whom everyone mollycoddles, who cares more about being Zuko's pasted-on love interest and babymama than anything, and only shows her [[Action Girl]] skills when she {{spoiler|bloodily and horribly kills Mai in [[Revenge]]}}.
* All characters in ''[[Touhou]]'' are prone to this due to their [[Moe]] qualities, but [[Friendly Neighborhood Vampire|Remilia Scarlet]] and her sister [[Person of Mass Destruction|Flandre]] are particularly common targets due to fanartists' tendency to exaggerate their childishness.
* Was very, ''very'' common in the ''[[Cardcaptor Sakura]]'' fandom. Sakura, one of the most powerful magic users in that canon and possibly in the CLAMP universe, would inevitably be a big victim of [[Domestic Abuse]] at the hands of her canon ([[Het Is Ew|and male]]) [[Love Interest]] Syaoran, to make excuses as to why she should break away from him and search for comfort in the arms of her [[Unlucky Childhood Friend]] Tomoyo.
* In the ''[[Homestuck]]'' fandom, common in most of the female cast, most likely because they're all [[Action GirlsGirl]]s. EspesciallyEspecially [[The Gunslinger|Jade]] [[Little Bit Beastly|Harley]].
 
== Film - Animated ==
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* [[Mulan]] got both this and a [[Girliness Upgrade]] in all the film's spinoff stories and tie-in merchandise. (Of note is that she's ''always'' seen in a pink dress, and that she's never seen fighting, or indeed doing much other than hanging out with her friends and/or thinking about her boyfriend.) At least she's still tough in [[Kingdom Hearts|crossovers]].
** The same is already happening in the merchandising for ''[[Brave]]'' (although Mérida is at least allowed to use a bow and arrows.)
 
 
== [[Film]] - Live-Action ==
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* ''[[Gone Baby Gone]]'' shamelessly Chickifies Angie, who was much tougher in the novel.
* Jane in ''[[Johnny Mnemonic]]'' isn't exactly weak, but she's not nearly as hard-assed as her counterpart Molly in the original story.
* Katara spends most of the film adaptation of ''[[The Last Airbender]]'' looking like she's about to cry. It's instructive to compare the different versions of her fight with Zuko--inZuko—in [[Avatar: The Last Airbender|the original]], she almost wins, whereas in the movie, he defeats her easily.
* [[Greg Rucka]], the author of ''[[Whiteout]]'', complained about Carrie Stetko being made weaker in the film adaptation so as to prop up the male characters. "At least they got rid of the scene in the script where she - a U.S. Marshall - hears someone following her and ''runs away''. What's she gonna do, call the cops?"
* Jean Grey in the ''[[X-Men (film)|X-Men]]'' film series suffers from a special case of this. The Phoenix storyline is major [[Never Live It Down]] material for her, so she got some major movements of power-spiking leading up to her Phoenix debut... but the rest of the time, she suffers as mentioned down in [[Western Animation]]. So she spends movie one as love interest and gets beaten by the Toad. The. Freaking. Toad. Movie two, she uses her powers in ways that would be ''perfectly'' unremarkable in the comics when nothing remotely Phoenix-y is going on, and everyone's amazed and a bit scared. <ref>Okay, maybe holding back the full fury of Scott's [[Eye Beams]] with her TK was impressive even by her comic self's standards...</ref> Movie three, she ascends into full Phoenix mode... and does nothing but be the [[MacGuffin]] of the story, sought after by the male leads (Wolverine to save her, and Magneto to recruit as [[The Dragon]] - a role in which she basically just stands around.) Even the final rampage adds little to the actual plot and only exists so Wolverine can angst about having to [[Shoot the Dog]]. (To be fair, the third movie had [[Story-Breaker Power|another problem to contend with]].)
* An odd variant happens with Mystique in ''X-men: First Class''. Fans familiar with the character in the original trilogy (which ''First Class'' establishes loose continuity with) will probably find it jarring that she goes from being [[The Dragon]] to Magneto and a [[Dark Action Girl]] to being an awkward if [[Adorkable]] girl. Given that the movie is a prequel and that there are certain scenes (for example, Mystique bench pressing an impressive amount of weight), it's likely it's being set up for future badassery.
* ''[[G.I. Joe: The Rise of Cobra]]'' featured Courtney "Cover Girl" Krieger, who in comic-continuity is a former high-fashion model who enlisted and became a missile-tank driver. Who is fond of doing all the [[Wrench Wench|upkeep and repair work on her own tank]]. In the movie, she's Hawk's [[Girl Friday]]. This is a [[Justified Trope]] though, as its explained in the prequel novel that sometime prior to then, she was critically injured during a mission and is no longer physically capable of serving combat duty.
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== [[Live Action TV]] ==
* ''[[American Gothic]]''. This happened to [[Plucky Girl|Gail Emory]]. At the start of the show, while not exactly an [[Action Girl]], she was certainly a female [[Determinator]] who, as an [[Intrepid Reporter]], was determined to find out the truth of her parents' deaths and bring their murderer to justice. But as soon as she learned her parents were not [[Broken Pedestal|the paragons of virtue she thought them to be]], her [[Belated Backstory]] was dropped and she seemed to flounder about with nothing to do. By the end of the series, she's morphed almost completely into a [[Damsel in Distress]], having to rely on Buck himself for protection, and in her last scene is left in a hospital bed, crying piteously over the baby she's lost--evenlost—even though she didn't want it in the first place, seeing as it was the son of Satan ([[Nightmare Fuel|as depicted graphically via ultrasound]]--or—or maybe not). At least some of this may be due to [[Executive Meddling]] in order to pair up the major male and female leads, or a result of the show being [[Screwed by the Network]] so that Shaun Cassidy had to wrap everything up far too quickly and nonsensically. But some surely isn't.
* ''[[Days of Our Lives]]'' Stephanie Johnson is one of the most blatant cases. When the character first returned to the show as an adult she was played by redhead Shayna Rose and appeared as a [[Wrench Wench|tough girl race car driver]]. After Rose was fired, the character was recast with brunette former beauty queen Shelley Hennig as a rather uninteresting fashion plate character with little or no real character.
* ''[[Kamen Rider Double]]'' Saeko went from stoic villainess to [[Clingy Jealous Girl]] as soon as her love interest Isaka appeared on the scene, with bonus [[Unnecessary Makeover]] to boot. Some would also argue that Akiko underwent this after her [[Last-Minute Hookup]] with [[Sixth Ranger|Terui]].
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* ''[[Power Rangers]]'' Both of Tommy's girlfriends. Kimberly single-handedly defeated monsters such as the Terror Toad and the Snizard, and Kat(herine) was instrumental in nearly ''bringing down the Rangers themselves'' while under Rita's spell. When they started dating Tommy, it seemed that not one episode could go by without one of them screaming "TOMMY!" at the top of their lungs. (On the other hand, given how often Tommy [[The Worf Effect|wound up]] [[Badass in Distress|in need of rescue]]...).
* ''[[Robin Hood (TV series)|Robin Hood]]'' Happened to both Marian and Djaq to some extent. Marian is shown to be a capable fighter throughout most of the show, but towards the end of season two she is hit in the face with the [[Distress Ball]] and ends up as the [[Damsel in Distress]] on numerous occasions. In her final appearance, just before Gisborne {{spoiler|stabs her to death}} the writers ensure that our intrepid heroine is denied the opportunity to wield a sword in her defense of the king, and she's reduced to simply flailing her arms around. Djaq kicks ass right to the end, but many were put off by her abrupt declarations of love for Will Scarlett, and the fact that she spent the rest of the finale behaving like a gooey-eyed teenager [[Strangled by the Red String|before opting to stay in the Holy Land to raise pigeons with him]].
** Conversely, the two women who were brought in to [[Replacement Scrappy|replace Marian and Djaq]] were Isabella and Kate: the former starts off as a [[Damsel in Distress]] before [[Took a Level Inin Badass|Taking a Level In Badass]], but the latter is a bona fide [[Faux Action Girl]] right from the start.
* ''[[Sanctuary]]'' has an unusual male version of this, not surprising, since the show likes to [[Really Seven Hundred Years Old|genderflip]] [[Badass Longcoat|tropes]]. Will starts out as a [[Badass Bookworm]] and ends up the [[Designated Victim]]. Strangely, only slightly less annoying than the usual way around.
** In later seasons, the only time Will shows some badassery is in the [[Bad Future]] vision when a [[Zombie Apocalypse]] has forced him to Re-[[Took a Level Inin Badass|Take a Level in Badass]]. There was also his [[Identical Grandson|Identical Grandfather]] as a GI captain in [[World War Two]], killed during a firefight with the Nazis trying to protect Helen.
* ''[[Cheers]]'' did it to Ms. Rebecca Howe who went from [[Ice Queen|cold, efficient manager]] in her first appearances to blundering, [[Gold Digger|gold digging]] crybaby by the end of the series.
 
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* ''[[Knights of the Old Republic (video game)|Knights of the Old Republic]]'' Inverted: Bastila spends most of Taris in an enemy prison, but once you rescue her she becomes an actual [[Action Girl]].
* ''[[Odin Sphere]]'' Likely as a reference to the above example and general Valkyrie lore, the Valkyries fear this trope. Disobedient Valkyries are punished by being placed into slumber and given away to a man who will be their husband upon awakening, whereas Valkyries who are no longer able to fight are forcefully stripped of their status and married to men, where they must be obedient wives for the rest of their lives. An early Valkyrie NPC in Gwendolyn's story is facing this fate and terrified, whereas Gwendolyn herself suffers the slumbering sort as a punishment early in her story. The rest of her story has her struggling against her growing feelings for Oswald and her new role as a non-warrior. {{spoiler|The game later reveals that Odin only used magic to make Gwendolyn sleep and not to manipulate her emotions. No one actually tells Gwendolyn this, probably because they looked at how hostile she was to Oswald and figured she must already know she wasn't enthralled. She never seems to realize that her feelings for Oswald were always genuinely her own. Ultimately, she decides it doesn't matter if they're fake or not, because Oswald is the first person in her life to treat her like a human being as opposed to her selfish, cold-hearted father. As for fighting, she seems to have little trouble with that and even [[Dude in Distress|rescues her husband herself]] from a dragon, a fire elemental king, and the queen of the dead. Clearly this trope just can't stick to her}}.
* ''[[Super Robot Wars]]'' Unfortunately, this seems to hit Lamia Loveless. She debuts as a protagonist from SRW Advance, is a highly competent [[Action Girl|Action]] [[Robot Girl|Robot]] [[Lady of War]], gets into the OG series in the second installment while retaining her fighting abilities and greatly contributes to the story through battles to battles. Then OG Gaiden comes in, then the plot requires her to get captured, [[He's Just Hiding|'killed off']], [[Brainwashed and Crazy]] and [[Damsel in Distress|needs to be saved]]. Thankfully, right after the rescue, she can get back in action and kick ass again, but that depends if the player wants to put her in or not. And combined with the fact that after her rescue, she practically has no more mandatory appearances (no longer required for any specific maps), it is possible that without [[Gameplay and Story Segregation]], she may be relegated into the sidelines, no longer doing significant things (unimportant it may be) to reverse her [[Chickification]]. However, there's still OG 3 on the looms, so we'll see if Lamia can reverse her [[Chickification]] there.
* ''[[World of Warcraft]]'' has done this to [[White Magical Girl|Jaina Proudmoore]]. In ''Warcraft III'' and its expansion, she was one of few people who listened to the Prophet's [[Cassandra Truth]] and led people across the sea to escape the Burning Legion. She even helped ''kill her own father'' when she decided there was no other way to secure a peace between the Alliance and the Horde. In ''[[World of Warcraft]]'', her role until Patch 3.3 was limited to cheering up orphans, and in Patch 3.3 she decided to see if her ex-boyfriend the [[Evil Overlord]] was redeemable. [[Sarcasm Mode|Good luck with that]].
** She suffers from this very badly in the Arthas novel, too, where aside from setting a couple of granaries on fire, she mostly wibbles about said ex-boyfriend, when she's not making out with him.
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** Played with in the episode "A Last Time for Everything". Aeon lets Trevor create a copy of her for his own amusement and then switches places with her so she can experience a comfortable domestic life with him while the new Aeon takes over her old life. She then allows the copy to kill her, both to make Trevor miserable and because she was driven to despair by no longer being true to herself. Taken together with the above example (who was her boyfriend at the time) it's possible that being more vulnerable and "feminine" around men she cares about is just another aspect of her character, and one that she's not particularly proud of at that.
* ''[[American Dragon: Jake Long]]'' In an interesting inversion, in the final episode (made at the exact same time by the exact same people), it is the hero Jake who gets KOed by the [[Big Bad]] in the [[Grand Finale]], and his [[Dark Action Girl]] girlfriend Rose who ends up [[All Up to You|saving the world]].
* ''[[DuckTales (1987)]]'': The reason Mrs. Beakley was hired as the triplets' nanny was because she was the only one "tough enough" to handle the little terrors, and for the first few episodes, she lives up to the job: breaking characters out of prison, escaping giant penguin-eating walruses, chariot-racing Vikings... and by ''[[DuckTales the Movie: Treasure of the Lost Lamp|Duck Tales the Movie Treasure of The Lost Lamp]]'', she's nothing more than a weeping fainting woman.
* ''[[Gargoyles]]'' One of the reasons the "Goliath Chronicles" season is so lambasted by the fandom (in addition to its [[Word of God]] [[Canon Discontinuity]]) is that several of its female characters underwent the [[Badass Decay]] that had been scrupulously avoided in the first two seasons. A particularly dire example noted by series creator [[Creator/Greg Weisman|Greg Weisman]] on his blog, concerns [[Dark Action Girl]] Fox in the episode "Ransom", who becomes quite the weepy [[Neutral Female]] after her baby son is kidnapped, as opposed to a previous kidnap attempt (by Oberon, ''[[Physical God|godlike]] king of [[The Fair Folk]]'') where she calmly [[Mama Bear|waiting in front of his crib with a laser gun]].
* ''[[Pepper Ann]]'' parodied this trope in an episode where a cartoon starring fictitious [[Comic Book]] heroine Tundra Woman turns her into a shopping-obsessed bimbo and her archenemy into her [[Shallow Love Interest]] boyfriend. Unfortunately, Pepper Ann's sister's protest campaign causes them to veer [[Real Women Never Wear Dresses|too far in the other direction]].
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[[Category:Gender and Sexuality Tropes]]
[[Category:Double Standard]]
[[Category:Chickification]]
[[Category:Character Derailment Tropes]]
[[Category:Chickification]]
[[Category:Adaptational Personality Change]]