Coleman Francis: Difference between revisions

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{{trope}}
{{quote|''"Director Coleman Francis uses edits like blunt instruments. [[Shaped Like Itself|He uses blunt instruments like blunt instruments.]] His major themes are death, hatefulness, [[Department of Redundancy Department|death]], pain, and [[Rule of Three|death]]...He hurts us and I want him to know it, except if he's still alive[[hottip:*:{{<ref>Kevin has nothing to worry about since Coleman Francis went to that big movie studio in the sky in 1973}}</ref>, because there's the small chance that he's still strong enough to crush my windpipe with his bare hands."''|Kevin Murphy, ''The [[Mystery Science Theater 3000 (TV)|Mystery Science Theater 3000]] Amazing Colossal Episode Guide''}}
 
{{quote|''"Any discussion of ''[[Red Zone Cuba (Film)|Red Zone Cuba]]'' would be remiss without a mention of its writer, director, and star, Coleman Francis, who's also singlehandedly responsible for two other cinematic abominations, ''[[The Beast of Yucca Flats (Film)|The Beast of Yucca Flats]]'' and ''[[The Skydivers (Film)|The Skydivers]]''. (...) Probability dictates that every now and then, a totally clueless director like [[Manos: The Hands of Fate (Film)|Hal Warren]] or [http://www.agonybooth.com/recaps/Night_of_Horror_1981.aspx Tony] [http://www.agonybooth.com/recaps/The_Curse_of_the_Screaming_Dead_1982.aspx Malanowski] might punch through and end up making one of the worst movies ever just by pure chance, but to make three of them clearly requires active hatred towards paying audiences."|Albert Walker, [[The Agony Booth (Website)|The Agony Booth]]'s [http://www.agonybooth.com/recaps/Red_Zone_Cuba_1966.aspx recap of Red Zone Cuba]}}