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Dying Like Animals: Difference between revisions
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→Anime: Removed personal bias from the Inuyasha entry.
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* In [[20th Century Boys]], virtually the whole world is turned into sheep, except who they rally around is not the true heroes of the story but [[Magnificent Bastard|Friend]], who was behind the world-shattering events he pretended to stop in the first place.
* Oh various random extras from ''[[Violinist of Hameln]]'', can you ever stop being Reindeers, if only because of finally realizing that pissing off a [[Person of Mass Destruction]] who is known (in at least one case, ''seen just a day before'') to go on [[Super-Powered Evil Side|unstoppable, devastating rampages, when sufficiently provoked]] is [[Too Dumb to Live|not very conductive to your health]]?
* One word: ''[[Inuyasha]]''. I mean, the villagers (and any of the one time stock characters the author/animators choose to mess with) are basically one of the above every single day of the week. Not to mention [[Psycho Ex-Girlfriend|Kikyo]] ''and'' [[Badass Normal|Sango]] start off as chimeras of lemmings and hero hostile boars, [[Handsome Lech|Miroku]] is a not-so-scared weasel, and Kagome is such a lamb I wonder if Inuyasha ''really'' prefers it that way. But then again, this is the work of [[Rumiko Takahashi]], whose works
* The humans in ''[[Melody of Oblivion]]'' are either ignorant of the fact that Monsters have invaded—and defeated—humanity, or are complicit in offering children as sacrifices. Children and most adults fall into the former category, with only the leaders of a given area knowing the truth. The existence of the heroes, the Melos Warriors, is completely denied by nearly everyone.
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