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At some level, this underwrites a huge percentage of TV plots, especially in comedy. The odds of something happening as the plot unfolds depends not on its actual likelihood, but on its potential for disaster.
The term was also played to both seriousness and hilarity in Christopher Stasheff's
Compare with [[Rule of Cool|the Rule of Cool]] in terms of how events may ignore the laws of physics, biology, good manners and others to a proportionate degree that the events in question serve the plot or otherwise catch the attention of the reader/viewer.
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