First Law of Tragicomedies: Difference between revisions

M*A*S*H potholes
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(M*A*S*H potholes)
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== [[Live Action TV]] ==
* ''[[MASHM*A*S*H (television)|M*A*S*H]]'' is the ultimate example of this trope in American pop culture. Its reputation veered from being among the zaniest of zany sitcoms (by the standards of the time) to [[Tear Jerker]]-a-minute episodes vying with ''[[All Quiet on the Western Front]]'' for the title of "most depressing anti-war screed ever".
** One great example, and probably a turning point for the series in this regard, was the episode with Henry Blake's departure, which is filled with corny in-jokes about the guy and his history on the show right up until the [[Bus Crash|abrupt, heart-rending, soul-crushing last-minute surprise]].
** Although there was plenty of serious stuff in ''[[MASH]]M*A*S*H'' early on—take ''Sometimes You Hear The Bullet.'' The main difference is in the (dis)integration of the elements rather than the amount of either: in the early days comedy and tragedy often happened back-to-back in the same situation, whereas in later years episodes would often feature distinct "funny" and "serious" plotlines.
** Parodied on one episode of ''[[Futurama]]'', where iHawk (a robot expy of Hawkeye) actually has a switch on his side that goes from "irreverent" to "maudlin".
* The first twenty or so minutes of any [[Scrubs]] episode will be hilarious; the rest will be depressing.