Gore Vidal: Difference between revisions

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{{creator}}
[[File:gorevidal_924.jpg|frame]]
{{quote|''"These are my only friends -- ''(gestures at a copy of [[Parody Names|TOME]])'' -- grown-up nerds like Gore Vidal. And even'' he's ''kissed more boys than I ever will!''"|'''[[The Simpsons (animation)|Lisa Simpson]]'''}}
 
Gore Vidal is a novelist, essayist, and playwright whose career has spanned sixty years, beginning in the years immediately following [[World War II]] and continuing into the early phase of the [[Turn of the Millennium|new millennium]]. In the world of literature, he is best known for his breakthrough work ''The City and the Pillar'', the first post-war novel to feature a [[Homosexual]] protagonist who isn't [[Bury Your Gays|bumped off]] at the end of the story. A quarter-century later, Vidal began penning a series of historical novels based on the formulative years of the United States, including a third-person account of [[Abraham Lincoln|President Lincoln]] which met with high accolades.
 
Best known by a later generation as [[Old Shame|procreator]] of two dubious cinematic efforts, ''Myra Brekinridge'' and ''[[Caligula]]''. Vidal tried [[Alan Smithee|disowning]] the latter, but his lawyers moved too slowly and thus his screen credit remains.
 
Nevertheless, he did appear in a [[Real Trailer, Fake Movie|fake trailer]] for a ''Caligula'' remake, so at least he's a good sport about it.
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* [[Big Screwed-Up Family]]: Lampshaded this by calling divorce is a Gore family tradition.
{{quote|"...The Marriages of My Family proved a reliable, unbreakable prophylactic."}}
* [[Blood on the Debate Floor]]: Calling William F. Buckley a "[[Godwin's Law|crypto-Nazi]]" on live TV, nearly resulting in the two men coming to blows.
* [[Bourgeois Bohemian]]
* [[Brutal Honesty]]
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* [[I Take Offense to That Last One]]: A French reviewer, apropos an autobiography of Anaïs Nin, dismissed him as "a talentless gigolo." Gore, tongue firmly in-cheek, threatened to bring suit only because she implied he "had no talent as a gigolo."
* [[Insistent Terminology]]: Historical scholarship = "[[Written by the Winners|Agreed-upon facts]]".
* [[Old Shame]]: ''Any'' film of his work. Thus far, the only adaptation to be made his way is ''The Best Man'' (1964) starring Henry Fonda.
** ''Myra Brekinridge'' was such a phenomenal bomb that the ''book'' stopped selling for a decade. Director Michael Sarne later got a job as a waiter in a pizza place, which according to Vidal "proves that God exists and there is such a thing as [[Laser-Guided Karma|Divine Symmetry]]."
** He sued to have his name taken off of ''[[Caligula]]''. The cut reviewed by [[Roger Ebert]] claimed to be "[[Half Truth|Adapted from]] an Original Screenplay by Gore Vidal".
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* [[Word of Gay]]: Gore Vidal intended Messala in ''[[Ben-Hur]]'' to be Ben Hur's spurned [[Ho Yay|lover]], thus explaining his hatred for him later on. Stephen Boyd (the actor who played Messala) was let in on the secret, but Charlton Heston was deliberately kept in the dark.
 
=== Partial Bibliography & Related Tropes ===
 
* ''Julian'' (1964)
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** [[Badass Beard]]: Subverted with Julian, who insists on combing his long beard into a point (Everyone tells him it looks ridiculous).
** [[The Caligula]]: Gallus in ''Julian'' is depicted throughout the novel as a sociopath who delights in others' pain.
** [[The Chains of Commanding]]: Constantius.
** [[Dirty Old Man]]: Priscus has an eye for the ladies.
** [[Got Volunteered]]: Literally in the case of Julian, who is offered a choice between declaring himself Caesar of Gaul, or being murdered by said Gauls. It's unclear whether or not Julian is embellishing events to disguise his ambition.
** [[Incest Is Relative]] / [[Unholy Matrimony]]: Gallus and Constantina.
** [[Make It Look Like an Accident]]: {{spoiler|Julian is killed by one of his own soldiers, who makes it appear as if he was felled by an enemy Persian's spear}}.
** [[No Hero Discount]]: The 'margin notes' repeatedly note Priscus' exorbitant fees in exchange for pages from Julian's memoir.
** [[Off with His Head]]: Gallus' punishment for insulting Constantius.
** [[Phony Psychic]]: Maximus.
** [[Religion Is Wrong]]: ''Julian'' focuses on the eponymous Emperor's (failed) attempt to stem the rising tide of Christianity in Rome. (Vidal himself is a lifelong atheist.)
** [[Sensitive Guy and Manly Man]]: Libanius and Priscus.
** [[Teeth-Clenched Teamwork]]: One of the more entertaining sides of ''Julian'' is a scathing letter exchange between Libanius and his collaborator Priscus, who is busy covering his posterior (and his wallet).
** [[Unreliable Narrator]]: Julian's deference to the facts of his own life are spotty. His transcribers step in from time to time to fix any inconsistencies.
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** [[Kingmaker Scenario]]: Inverted in the ending of ''The Best Man'', in which two presidential candidates, (Henry Fonda and Cliff Robertson) are tied in their race for the nomination. {{spoiler|Fonda's idealist, unwilling to falsely smear Robertson's crooked politico as a homosexual in order to win -- yet also unwilling to let Robertson claim victory by twisting some facts related Fonda's medical history -- throws his support to the dark horse candidate who has been mired in third place throughout the balloting, who goes on to win}}.
** [[Prophetic Name]]: Joe Cantwell.
** [[Sleazy Politician]]: Cantwell is an acknowledged [[No Celebrities Were Harmed|strawman]] of [[Richard Nixon]].
** [[To Be Lawful or Good]]
 
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** [[Unusual Euphemism]]: ''Myron'', the follow-up book ''Myra Brekinridge''. In the original version of the book, Vidal replaces all the swear words with the names of Supreme Court Justices who had just voted in favour of some pro-censorship measure or other. So we have Burger = bugger, Father Hill = tit, Rehnquist = dick and so on (This was done to avert the book's censorship.)
 
* ''American Chronicles'' (aka ''Narratives of Empire'') series (1973-2000)
** [[Achey Scars]]: Jess Smith's appendectomy scar. It aches whenever somebody is sniffing around his operations.
** [[Aluminum Christmas Trees]]: ''Holluwood'' caught negative reviews for inventing a female newspaper publisher in 1939; however, Vidal was quick to point out that Eleanor Patterson took control of a D.C. paper less than twenty years later.
** [[Antagonist in Mourning]]: [[Woodrow Wilson]]'s nemesis, Henry Cabot Lodge, doesn't know what to do with himself once Wilson is deposed and living out his last days on S Street.
** [[Big Screwed-Up Family]]: The Sanfords.
** [[Bus Crash]]: {{spoiler|Clay Overbury}} in ''The Golden Age''.
** [[Casanova]]: John Hay, Lincoln's aide and confidante, is a self-styled one.
** [[Comically Missing the Point]]: The Senate Majority Leader, Henry Cabot Lodge, is shattered when he learns of [[Warren Harding]]'s death. When asked if they were close, Lodge says of course not; he's upset that [[Calvin Coolidge]] is now President.
** [[Da Editor]]: Caroline Sanford and her brother, Blaise.
** [[Deadpan Snarker]]: When Eleanor Roosevelt returns from seeing the doctor, [[Franklin D. Roosevelt|FDR]] wheels past and jokingly asks "What did he have to say about that big ass of yours?" Without pausing, Eleanor replies "I'm afraid ''you'' weren't mentioned."
** [[Driven to Suicide]]: {{spoiler|Burden}}, after Overbury throws him under the proverbial bus.
** [[Eagle Land]]
** [[Environmental Symbolism]]: Woodrow Wilson's [[The White House|White House]] is an ice palace, with padlocked fences and all activity concentrated in a tiny upstairs study. Contrast with Harding, whose White House is open to the public and exudes warmth. By the end of the novel, though, it becomes as chilled and empty as it was under his predecessor.
** [[Foregone Conclusion]]: Harding's inexorable rise to the Presidency is observed with awe by ''Hollywood's'' main characters. For a time, he seems to be just what the nation needs, making the abrupt collapse of his administration and Harding's sudden death all the more shocking.
*** Any scene with Franklin D. Roosevelt. Nobody believes that this sickly naval clerk will amount to anything.
** [[I Have No Son]]: Burden's father, a veteran of [[The American Civil War|Chickamauga]], disowned him for leaving the People's Party to run as a Democrat.
** [[Incest Is Relative]]: Peter and Enid in ''Washington D.C''. The novel is a semi-biographical account of Vidal's early life, with Enid as an avatar of Nina Gore, his mother. [[Squick|So, yeah]]. Considering his vocal dislike of [[All Psychology Is Freudian|Freudian]] analyses, this might be [[Lampshade Hanging]] on the author's part.
** [[Lady Drunk]]: Enid.
** [[Luke, I Am Your Father]]: In ''Burr'', [[Martin Van Buren]] is posited to be an illegitimate son of Aaron Burr. The last page of the novel unmasks {{spoiler|the narrator, Charles Schuyler, as yet another of Burr's children}}.
** [[Most Writers Are Writers]]: Peter Sanford in ''Washington D.C'', and ''The Golden Age''.
*** [[Write Who You Know]]: This, too. It gets especially confusing once he and Peter engage in conversation, resulting in Vidal [[Breaking the Fourth Wall]].
** [[Not Evil, Just Misunderstood]]: The subject of ''Burr'' goes to great lengths to paint himself as this.
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** [[Old Media Are Evil]]
** [[Passive-Aggressive Kombat]]: The Roosevelts are blackbelts.
** [[Real Person Fic]]: The books loosely follow the Sanfords, a clan of [[The Gump|Gumps]] who mix with Washington society. A secondary protagonist, James Burden Day, is introduced in ''Washington, D.C''.
** [[Riddle for the Ages]]: Who killed Jess Smith? It's implied in the book that Smith was [[He Knows Too Much|assassinated]] as part of a coverup of the Teapot Dome scandal.
** [[Sanity Slippage]]: Mary Todd Lincoln.
** [[Sibling Rivalry]]: Blaise keeps hoping (indeed, praying) for his sister to fail at something.
** [[Sleazy Politician]]: Clay Overbury in ''Washington D.C'' is portrayed as a [[John F. Kennedy|Kennedy]]-esque [[The Charmer|charmer]] whose cutthroat true nature is mostly hidden.
** [[Stage Names]]: Movie mogul Caroline Sanford goes undercover as "Emma Traxler."
** [[Stealth Insult]]: In their one scene together, [[Theodore Roosevelt]] is busting FDR's balls for being a [[Desk Jockey]]. Franklin, [[The Un-Smile|trying not to grimace]], agrees with him and laments, "We must serve where we can do the best for our our country, and not ourselves." (This subtle jab does not escape T.R.'s attention.)
** [[StraightInvisible Gayto Gaydar]]: Blaise Sanford is an in-universe example of this trope.
** [[Thanatos Gambit]]: In the novel ''Burr'', it is strongly suggested (citing actual historical evidence) that [[Alexander Hamilton]] took pains to ensure that if he were killed in the duel, he would ruin Burr's political career in the process and disgrace him forever.
** [[Tragic Hero]]: Sen. James Burden Day.
** [[Verbal Tic]]: Jess Smith's "Whaddaya know?" He also can't stop whistling a folk tune, "My God, How the Money Rolls In", a hint to his occupation as Harding's bag-man.
** [["Well Done, Son" Guy]]: Blaise Sanford prizes his protégé, Clay, over his own family. Burden's relationship with his father is noted to have been similarly testy.
** [[Yank the Dog's Chain]]: Burden's quest for the presidency. Teddy Roosevelt seems a shoe-in for the 1920 race, then abruptly dies. Wilson is slated to appoint Burden his VP for an unprecedented third term -- untilterm—until the League of Nations implodes on him. Finally, once the curtain closes on the Ohio Gang, no one is left standing but Coolidge, whom Burden will "inevitably" [[Dramatic Irony|trounce in the '24 race]].
** [[Yes-Man]]: Since little is known about John Wilkes Booth's co-conspirator David Herold, he's depicted in ''Lincoln'' as one of these. [[Up to Eleven]] with Jess Smith, who is even more sycophantic.
** [[You Remind Me of X]]: W.G. Harding's "Voyage of Understanding", a transcontinental tour to rally the people to support his policies, reminds Burden of a similar trip made by Harding's predecessor. It is not meant as a flattering comparison.
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